LBW is closely associated with fetal and Perinatal mortality and Morbidity, inhibited growth and cognitive development, and chronic diseases later in life. At the population level, the proportion of babies with a LBW is an indicator of a multifaceted public-health problem that includes long-term maternal malnutrition, ill health, hard work and poor health care in pregnancy. On an individual basis, LBW is an important predictor of newborn health and survival and is associated with higher risk of infant and childhood mortality.
LBW is either the result of preterm birth (before 37 weeks of gestation) or of restricted fetal (intrauterine) growth, secondary to many possible factors. For example, babies with congenital anomalies or chromosomal abnormalities are often associated with LBW. Problems with the placenta can prevent it from providing adequate oxygen and nutrients to the fetus. Infections during pregnancy that affect the fetus, such as rubella, cytomegalovirus, toxoplasmosis, and syphilis, may also affect the baby's birth weight. Risk factors in the mother that may contribute to LBW include young ages, multiple pregnancies, previous LBW infants, poor nutrition, heart disease or hypertension, drug addiction, alcohol abuse, and insufficient prenatal care. With specific interest to the environmental factors, smoking, lead exposure, and other types of air pollutions.
While active maternal tobacco smoking has well established adverse perinatal outcomes such as LBW, that mothers who smoke during pregnancy are twice as likely to give birth to low-birth weight infants. Review on the effects of passive maternal smoking, also called environmental tobacco exposure (ETS), demonstrated that increased risks of infants with LBW were more likely to be expected in ETS-exposed mothers. Researches have shown that elevated blood lead levels in pregnant women, even those well below 10ug/dL can cause miscarriage, premature birth, and LBW in the offspring. With 10ug/dL as the Centers for Disease Control and Prevention's “level of concern”, this cut-off value really needs to arise more attentions and implementations in the future.
The combustion products of solid fuel in developing countries can cause many adverse health issues in people. Because a majority of pregnant women in developing countries, where rate of LBW is high, are heavily exposed to indoor air pollution, increased relative risk translates into substantial population attributable risk of 21% of LBW.
A correlation between maternal exposure to CO and low birth weight has been reported that the effect on birth weight of increased ambient CO was as large as the effect of the mother smoking a pack of cigarettes per day during pregnancy. It has been revealed that adverse reproductive effects (e.g., risk for LBW) were correlated with maternal exposure to air pollution combustion emissions in Eastern Europe and North America. Mercury is an known toxic heavy metal that can harm fetal growth and health, and there has been evidence showing that exposure to mercury (via consumption of large oily fish) during pregnancy may be related to higher risks of LBW in the offspring.
It was revealed that exposure of pregnant women to airplane noise was found to be associated with a decrease in the body weight of newborn babies. And aircraft noise exposure is most likely to cause adverse effects on fetal growth, raising the rates of LBW and preterm infants.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
There have been numerous studies that have attempted, with varying degrees of success, to show links between birth weight and later-life conditions, including diabetes, obesity, tobacco smoking and intelligence.
GH therapy at a certain dose induced catch-up of lean body mass (LBM). However percentage body fat decreased in the GH-treated subjects. Bone mineral density SDS measured by DEXA increased significantly in the GH-treated group compared to the untreated subjects, though there is much debate over whether or not SGA (small for gestational age) is significantly adverse to children to warrant inducing catch-up.
Category:Obstetrics Category:Pediatrics
ar:وزن الولادة es:Restricción del crecimiento intrauterino fr:Retard de croissance intra-utérin hi:जन्म के समय वजन it:Restrizione della crescita intrauterina nl:GeboortegewichtThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Born in the Black Hills in South Dakota, White Bull came from a prominent Sioux family. He was the son of Makes Room, a Miniconjou chief and the brother of One Bull. White Bull's uncle was the famous Hunkpapa Sioux leader Sitting Bull, whom he joined in fleeing to Canada after the Little Bighorn battle. Young Chief Solomon "Smoke" and Chief No Neck (these two chiefs were the sons of the old Chief Smoke 1774–1864), who fled with White Bull and Sitting Bull and their bands to Canada.
White Bull surrendered to government troops in 1876. He eventually became a chief, replacing his father Chief Makes Room upon his death. He acted as a judge of the Court of Indian Offenses, and was a proponent of Lakota land claims in the Black Hills. White Bull and Wendell Smoke (Wendell was the son of Chief Solomon "Smoke") took over as the main headmen of Bald people and Short Bald people bands of the Bad Faces after Chief Solomon "Smoke" had died in 1895 at the Pine Ridge Agency in South Dakota. Chief White Bull died in South Dakota in 1947.
White Bull's relationship to his uncle made him an important contributor to Stanley Vestal's biography of Sitting Bull.
His grandson was Chief Dave Bald Eagle, who served with the U.S. 4th Cavalry and later in the 82nd Airborne.
Category:1849 births Category:1947 deaths Category:People from South Dakota Category:Lakota leaders Category:People of the Great Sioux War of 1876–77
es:White Bull fr:White BullThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Piano Magic |
---|---|
background | group_or_band |
origin | London, England |
genre | Indie rock, ambient pop, post-rock |
years active | 1996–present |
label | Make Mine MusicImportant RecordsDarla RecordsGreen UFOsMonopsone Records4ADRocket Girl RecordsAcuarela RecordsMorr MusicAcetone RecordsLissy's RecordsBad Jazz RecordsStaalplaatPiao! Recordsi/Che Records |
current members | Glen JohnsonJerome TcherneyanAlasdair SteerFranck Alba |
associated acts | Textile RanchKlimaFuture ConditionalIcebreaker InternationalThe EavesCharles AtlasISANThe Bitter SpringsEllis Island SoundCitayMatthew Sawyer & The GhostsTarwaterVashti BunyanLife Without Buildings |
website | www.piano-magic.co.uk |
current members | Glen JohnsonJerome TcherneyanAlasdair SteerFranck Alba |
past members | Dominic ChennellDick RancePaul TornbohmAlexander PerlsJen AdamEzra FeinbergCharles WyattCaroline PotterMiguel MarinJohn ChevesCedric Pin |
notable instruments | }} |
Piano Magic is a musical collective formed in the summer of 1996 by Glen Johnson, Dominic Chennell, and Dick Rance in London, England. Their sound has been described as ambient pop, post-rock, indietronica, coldwave, dark wave and ghostrock. While the most recent releases have seen them operating with a traditional band format, they originally started their career with the intention to base their recordings around their small nucleus and whoever else would like to contribute. Glen Johnson is the only remaining band member from the original trio.
Originally reluctant to perform live, they gave way to label pressure when their first single proved popular on BBC Radio 1 John Peel show and was awarded Single of the Week in Melody Maker. While recruiting Paul Tornbohm to play drums at these gigs, they pointedly refused to play or sound like any of their released material.
Popular Mechanics appeared on i/Ché in 1997, a debut album which the press variously described as "ethereal electro pop atmospheric soundscapes" or "simply delighting in... making silly noises" and which the band thought of as "Small Beat, pre-chip... radiophonics". It included vocals by Hazel Burfitt and Raechel Leigh but, with Rance having quit the band, combined two previous single releases with a set of new recordings by Johnson and Chennell.
The duo then briefly recruited American music students, Alexander Perls, Jen Adam and Ezra Feinberg to complete the band, though Chennell too had departed by the time of the second album release Low Birth Weight in 1998, a record described as "dreamy, trance and organic psychedelia". It introduced the vocals of Caroline Potter who would sing on one further album.
The band, now minus Cheves, signed to 4AD Records in 2000 and released the soundtrack for Spanish director, Bigas Lunas' Son de Mar movie in 2001 described as "ethereal, delayed guitar lines... accompanied by various ambient sounds".
Jerome Tcherneyan then replaced Miguel Marin on drums and the second and last album with 4AD, 'Writers Without Homes' in 2002, was released with mixed press reaction; "exquisite, if a touch diffident" and "confused, unfocused, fragile." Its myriad guest artists imported talents from Cocteau Twins, The Czars, Tarwater, Life Without Buildings and Tram. It also featured the first vocal recording for thirty-three years of lost '60s/'70s folk heroine, Vashti Bunyan.
With the addition of Franck Alba and Alasdair Steer, 'The Troubled Sleep Of Piano Magic' was released in 2003 on the Green Ufos label soliciting comparisons with This Mortal Coil and Durutti Column.
The album ''Part Monster'' was released in 2007 produced by Guy Fixsen of Laika.
In 2008, Piano Magic moved to Make Mine Music, an artist-run, artist-owned label collective and released a new EP, ''Dark Horses'', the last release to feature Cedric Pin.
In 2009, Piano Magic released their 10th official album ''Ovations'' with contributions by Brendan Perry and Peter Ulrich of Dead Can Dance.
The band's current line-up is Franck Alba, Glen Johnson, Angèle David-Guillou, Alasdair Steer and Jerome Tcherneyan.
Cedric Pin and Glen Johnson have recorded as 'Future Conditional'. Glen Johnson has recorded as 'Textile Ranch'. Dominic Chennell has recorded as 'Dominic de Nebo' and with the group 'Carphology Collective'.
Category:British indie rock groups Category:English post-rock groups Category:4AD artists Category:Musical collectives
it:Piano Magic pl:Piano MagicThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Elvis Costello |
---|---|
background | solo_singer |
birth name | Declan Patrick MacManus |
alias | D.P. CostelloThe ImposterLittle Hands of ConcreteNapoleon DynamiteD.P.A. MacManusDeclan Patrick Aloysius MacManus |
born | August 25, 1954Paddington, London, England |
instrument | Vocals, guitar, keyboards, bass, drums |
genre | Singer-songwriterPunk rockPub rockNew Wave |
occupation | Musician, singer-songwriter, record producer |
years active | 1970–present |
label | Stiff, Radar, F-Beat, Demon, Columbia, Warner Bros., Mercury, Island, Deutsche Grammophon, Lost Highway, Verve, HearMusic, Rykodisc, Rhino, Hip-O |
associated acts | The Attractions, The Imposters, Diana Krall, Burt Bacharach, Brodsky Quartet, Nick Lowe, Madness |
website | Elvis Costello.com |
notable instruments | Fender JazzmasterFender Telecaster }} |
Costello moved with his Liverpool-born mother to Birkenhead in 1971. There, he formed his first band, a folk duo called Rusty, with Allan Mayes. After completing secondary school at St. Francis Xavier's College, he moved back to London where he next formed a band called Flip City, which had a style in the pub rock vein. They were active from 1974 through to early 1976. Around this time, Costello adopted the stage name D.P. Costello. His father had performed under the name Day Costello, and Elvis has said in interviews that he took this name as a tribute to his father.
To support himself, he worked at a number of office jobs, most famously at Elizabeth Arden – immortalised in the lyrics of "I'm Not Angry" as the "vanity factory" – where he worked as a data entry clerk. He worked for a short period as a computer operator at the Midland Bank computer centre in Bootle. He continued to write songs, and began actively looking for a solo recording contract. On the basis of a demo tape, he was signed to independent label Stiff Records. His manager at Stiff, Jake Riviera, suggested a name change, combining Elvis Presley's first name and Costello, his father's stage name.
The backing for Costello's debut album was provided by American West Coast band Clover, a country outfit living in England whose members would later go on to join Huey Lewis and the News and The Doobie Brothers. Later in 1977, Costello formed his own permanent backing band, The Attractions, consisting of Steve Nieve (born Steve Nason; piano), Bruce Thomas (bass guitar), and Pete Thomas (drums; unrelated to Bruce Thomas). Growing antipathy between Costello and Bruce Thomas contributed to the Attractions' first split in 1986, and the rift was exacerbated by what Costello felt was his unflattering portrayal in Thomas' 1990 book ''The Big Wheel''. Despite this, the original group reunited for the 1994 album ''Brutal Youth'' and toured together over the next two years, but split for good in 1996, although Nieve and Pete Thomas continued to back Costello through various touring and recording lineups and as of 2011 are still members of his current backing group The Imposters. The split between Costello and Bruce Thomas appears permanent, however; Bruce made a brief appearance with his former bandmates when the group was inducted into the Rock & Roll Hall of Fame in 2003, but when Costello was asked why Bruce did not play with them at the event, he reportedly replied, "I only work with professional musicians."
Costello released his first major hit single, "Watching the Detectives," which was recorded with Nieve and the pair of Steve Goulding (drums) and Andrew Bodnar (bass), both members of Graham Parker's backing band The Rumour (whom he had used to audition for The Attractions).
On 17 December 1977, Costello and The Attractions appeared as the musical guest act on the episode of ''Saturday Night Live'' as a last minute fill-in for the Sex Pistols. Scheduled to play "Less Than Zero," he surprised the SNL crew by abruptly stopping the song mid-intro, and launching into "Radio Radio." Following a whirlwind tour with other Stiff artists – captured on the ''Live Stiffs'' album, notable for Costello's recording of the Burt Bacharach/Hal David standard "I Just Don't Know What to Do With Myself" – the band recorded ''This Year's Model'' (1978). Some of the more popular tracks include the British hit "(I Don't Want to Go To) Chelsea" and "Pump It Up." His U.S. record company saw Costello as such a priority that his last name replaced the word Columbia on the label of the disc's original pressing. The Attractions' first tour of Australia in December 1978 was notable for controversial performance at Sydney's Regent Theatre when, angered by the group's failure to perform an encore after their brief 35-minute set, audience members destroyed some of the seating.
A tour of the U.S. and Canada also saw the release of the much-bootlegged Canadian promo-only ''Live at the El Mocambo'', recorded at a Toronto rock club, which finally saw an official release as part of the ''2½ Years'' box set in 1993. It was during the ensuing United States tour that Costello met and developed a relationship with former ''Playboy'' model Bebe Buell (mother of Liv Tyler and later the partner of Todd Rundgren). Their on-again-off-again courtship would last until 1984 and would allegedly become a deep well of inspiration for Costello's songwriting.
In 1979, he released his third LP ''Armed Forces'' (originally to have been titled ''Emotional Fascism'', a phrase that appeared on the LP's inner sleeve). Both the album and the single "Oliver's Army" went to #2 in the UK, and the opening track "Accidents Will Happen" gained wide television exposure thanks to its innovative animated music video, directed by Annabel Jankel and Rocky Morton. Costello also found time in 1979 to produce the debut album for 2 Tone ska revival band, The Specials.
Costello's standing in the U.S. was bruised for a time when in March 1979, during a drunken argument with Stephen Stills and Bonnie Bramlett in a Columbus, Ohio Holiday Inn bar, the singer referred to James Brown as a "jive-ass nigger", then upped the ante by pronouncing Ray Charles a "blind, ignorant, nigger". Costello apologised at a New York City press conference a few days later, claiming that he had been drunk and had been attempting to be obnoxious in order to bring the conversation to a swift conclusion, not anticipating that Bramlett would bring his comments to the press. According to Costello, "it became necessary for me to outrage these people with about the most obnoxious and offensive remarks that I could muster." In his liner notes for the expanded version of ''Get Happy!!'', Costello writes that some time after the incident he had declined an offer to meet Charles out of guilt and embarrassment, though Charles himself had forgiven Costello saying "Drunken talk isn't meant to be printed in the paper." Costello worked extensively in Britain's Rock Against Racism campaign both before and after the incident. The incident inspired his ''Get Happy!!'' song "Riot Act."
Costello is also an avid country music fan and has cited George Jones as his favourite country singer. In 1977, he appeared in Jones' duet album ''My Very Special Guests'', contributing "Stranger in the House," which they later performed together on an HBO special dedicated to Jones.
In 1981, the band released ''Trust'' amidst growing tensions within the band, particularly between Bruce and Pete Thomas. In the U.S., the single "Watch Your Step" was released and played live on Tom Snyder's ''Tomorrow'' show, and received airplay on FM rock radio. In the UK, the single "Clubland" scraped the lower reaches of the charts; follow-up single "From a Whisper to a Scream" (a duet with Glenn Tilbrook of Squeeze) became the first Costello single in over four years to completely miss the charts. Costello also co-produced Squeeze's popular 1981 album ''East Side Story'' (with Roger Bechirian) and also performed backing vocals on the group's hit single "Tempted".
Following ''Trust'', Costello released ''Almost Blue'', an album of country music cover songs written by the likes of Hank Williams ("Why Don't You Love Me (Like You Used to Do?)"), Merle Haggard ("Tonight the Bottle Let Me Down") and Gram Parsons ("How Much I Lied"). The album was a tribute to the country music he had grown up listening to, especially George Jones. It received mixed reviews. The first pressings of the record in the UK bore a sticker with the message: "WARNING: This album contains country & western music and may cause a radical reaction in narrow minded listeners." ''Almost Blue'' did spawn a surprise UK hit single in a version of George Jones' "Good Year for the Roses" (written by Jerry Chesnut), which reached #6.
''Imperial Bedroom'' (1982) marked a much darker sound, due in part to the production of Geoff Emerick, famed for engineering several Beatles records. ''Imperial Bedroom'' remains one of his most critically acclaimed records, but again failed to produce any hit singles. Costello has said he disliked the marketing pitch for the album. The album also featured Costello's song "Almost Blue"; jazz singer and trumpeter Chet Baker would later perform and record a version of this song.
In 1983, he released ''Punch the Clock'', featuring female backing vocal duo (Afrodiziak) and a four-piece horn section (The TKO Horns), alongside The Attractions. Clive Langer (who co-produced with Alan Winstanley), provided Costello with a melody which eventually became "Shipbuilding," which featured a trumpet solo by Chet Baker. Prior to the release of Costello's own version, a version of the song was a minor UK hit for former Soft Machine drummer Robert Wyatt.
Under the pseudonym The Imposter, Costello released "Pills and Soap," an attack on the changes in British society brought on by Thatcherism, released to coincide with the run-up to the 1983 UK general election. ''Punch the Clock'' also generated an international hit in the single "Everyday I Write the Book," aided by a music video featuring lookalikes of the Prince and Princess of Wales undergoing domestic strife in a suburban home. The song became Costello's first Top 40 hit single in the U.S. Also in the same year, Costello provided vocals on a version of the Madness song "Tomorrow's Just Another Day" released as a B-side on the single of the same name.
Tensions within the band - notably between Costello and bassist Bruce Thomas—were beginning to tell, and Costello announced his retirement and the break-up of the group shortly before they were to record ''Goodbye Cruel World'' (1984). Costello would later say of this record that they had "got it as wrong as you can in terms of the execution". The record was poorly received upon its initial release; the liner notes to the 1995 Rykodisc re-release, penned by Costello, begin with the words "Congratulations!, you've just purchased our worst album". Costello's retirement, although short-lived, was accompanied by two compilations, ''Elvis Costello: The Man'' in the UK, Europe and Australia, and ''The Best of Elvis Costello & The Attractions'' in the U.S.
In 1985, he appeared in the Live Aid benefit concert in England, singing the Beatles' "All You Need Is Love" as a solo artist. (The event was overrunning and Costello was asked to "ditch the band".) Costello introduced the song as an "old northern English folk song," and the audience was invited to sing the chorus. In the same year Costello teamed up with friend T-Bone Burnett for the single "The People's Limousine" under the moniker of The Coward Brothers. That year, Costello also produced ''Rum Sodomy & the Lash'' for the Irish punk/folk band The Pogues.
By 1986, Costello was preparing to make a comeback. Working in the U.S. with Burnett, a band containing a number of Elvis Presley's sidemen (including James Burton and Jerry Scheff), and minor input from the Attractions, he produced ''King of America'', an acoustic guitar-driven album with a country sound. Around this time he legally changed his name back to Declan MacManus, adding Aloysius as an extra middle name. Costello retooled his upcoming tour to allow for multiple nights in each city, playing one night with The Confederates (James Burton et al.), one night with The Attractions, and one night solo acoustic. In May 1986, Costello performed at Self Aid, a benefit concert held in Dublin that focused on the chronic unemployment which was widespread in Ireland at that time.
Later that year, Costello returned to the studio with the Attractions and recorded ''Blood and Chocolate'', which was lauded for a post-punk fervour not heard since 1978's ''This Year's Model''. It also marked the return of producer Nick Lowe, who had produced Costello's first five albums. While ''Blood and Chocolate'' failed to chart a hit single of any significance, it did produce what has since become one of Costello's signature concert songs, "I Want You." On this album, Costello adopted the alias Napoleon Dynamite, the name he later attributed to the character of the emcee that he played during the vaudeville-style tour to support ''Blood and Chocolate''. (The pseudonym had previously been used in 1982, when the B-side single "Imperial Bedroom" was credited to Napoleon Dynamite & The Royal Guard, and was later appropriated by the 2004 film ''Napoleon Dynamite''). In 1989, Costello, with a new contract with Warner Bros., released ''Spike'', which spawned his biggest single in America, the Top 20 hit "Veronica," one of several songs Costello co-wrote with Paul McCartney in that period (see Collaborations).
In 1993, Costello experimented with classical music with a critically acclaimed collaboration with the Brodsky Quartet on ''The Juliet Letters''. During this period, Costello wrote a full album's worth of material for Wendy James, and these songs became the tracks on her 1993 solo album ''Now Ain't the Time for Your Tears''. Costello returned to rock and roll the following year with a project that reunited him with The Attractions, ''Brutal Youth''. In 1995, Costello released ''Kojak Variety'', an album of cover songs recorded five years earlier, and followed in 1996 with an album of songs originally written for other artists, ''All This Useless Beauty''. This was the final album of original material that he issued under his Warner Bros. contract. In the spring of 1996, Costello played a series of intimate club dates, backed only by Nieve on the piano, in support of ''All This Useless Beauty''. An ensuing summer and fall tour with the Attractions proved to be the death knell for the band. With relations between Costello and bassist Bruce Thomas at a breaking point, Costello announced that the current tour would be the Attractions' last. The quartet performed their final U.S. show in Seattle, Washington on 1 September 1996, before wrapping up their tour in Japan. To fulfill his contractual obligations to Warner Bros., Costello released a greatest hits album titled ''Extreme Honey'' (1997). It contained an original track titled "The Bridge I Burned," featuring Costello's son, Matt, on bass. In the intervening period, Costello had served as artistic chair for the 1995 Meltdown Festival, which gave him the opportunity to explore his increasingly eclectic musical interests. His involvement in the festival yielded a one-off live EP with jazz guitarist Bill Frisell, which featured both cover material and a few of his own songs.
In 1998, Costello signed a multi-label contract with Polygram Records, sold by its parent company the same year to become part of the Universal Music Group. Costello released his new work on what he deemed the suitable imprimatur within the family of labels. His first new release as part of this contract involved a collaboration with Burt Bacharach. Their work had commenced earlier, in 1996, on a song called "God Give Me Strength" for the movie ''Grace of My Heart''. This led the pair to write and record the critically acclaimed album ''Painted From Memory'', released under his new contract in 1998, on the Mercury Records label, featuring songs that were largely inspired by the dissolution of his marriage to Cait O'Riordan. Costello and Bacharach performed several concerts with a full orchestral backing, and also recorded an updated version of Bacharach's "I'll Never Fall in Love Again" for the soundtrack to ''Austin Powers: The Spy Who Shagged Me'', with both appearing in the film to perform the song. He also wrote "I Throw My Toys Around" for ''The Rugrats Movie'' and performed it with No Doubt. The same year, he collaborated with Paddy Moloney of The Chieftains on "The Long Journey Home" on the soundtrack of the PBS/Disney mini-series of the same name. The soundtrack won a Grammy that year.
In 1999, Costello contributed a version of "She," released in 1974 by Charles Aznavour and Herbert Kretzmer, for the soundtrack of the film ''Notting Hill'', with Trevor Jones producing. For the 25th anniversary of ''Saturday Night Live'', Costello was invited to the program, where he re-enacted his abrupt song-switch: This time, however, he interrupted the Beastie Boys' "Sabotage," and they acted as his backing group for "Radio Radio".
The song "Scarlet Tide" (co-written by Costello and T-Bone Burnett and used in the film ''Cold Mountain'') was nominated for a 2004 Academy Award; he performed it at the awards ceremony with Alison Krauss, who sang the song on the official soundtrack. Costello co-wrote many songs on Krall's 2004 CD, ''The Girl in the Other Room'', the first of hers to feature several original compositions. In July 2004 Costello's first full-scale orchestral work, ''Il Sogno'', was performed in New York. The work, a ballet after Shakespeare's ''A Midsummer Night's Dream'', was commissioned by Italian dance troupe Aterballeto, and received critical acclaim from the classical music critics. Performed by the London Symphony Orchestra, conducted by Michael Tilson Thomas, the recording was released on CD in September by Deutsche Grammophon. Costello released the album ''The Delivery Man'', recorded in Oxford, Mississippi and released on Lost Highway Records, in September of the same year, and it was hailed as one of his best albums.
A CD recording of a collaboration with Marian McPartland on her show ''Piano Jazz'' was released in 2005. It featured Costello singing six jazz standards and two of his own songs, accompanied by McPartland on piano. In November, Costello started recording a new album with Allen Toussaint and producer Joe Henry. ''The River in Reverse'' was released in the UK on the Verve label the following year in May.
A 2005 tour included a gig at Glastonbury that Costello considered to be so dreadful that he said "I don't care if I ever play England again. That gig made up my mind I wouldn't come back. I don't get along with it. We lost touch. It's 25 years since I lived there. I don't dig it, they don't dig me....British music fans don't have the same attitude to age as they do in America, where young people come to check out, say Willie Nelson. They feel some connection with him and find a role for that music in their lives."
In a studio recording of Nieve's opera ''Welcome to the Voice'' (2006, Deutsche Grammophon), Costello interpreted the character of Chief of Police, with Barbara Bonney, Robert Wyatt, Sting and Amanda Roocroft, and the album reached #2 in the ''Billboard'' classical charts. Costello later reprised the piece on the stage of the Théâtre du Châtelet in Paris in 2008, with Sting, Joe Sumner of Fiction Plane (Sting's son) and Sylvia Schwartz. Also released in 2006 was a live recording of a concert with the Metropole Orkest at the North Sea Jazz Festival, entitled ''My Flame Burns Blue''. The soundtrack for ''House M.D.'' featured Costello's interpretation of "Beautiful" by Christina Aguilera, with the song appearing in the second episode of Series 2.
Costello was commissioned to write a chamber opera by the Danish Royal Opera, Copenhagen, on the subject of Hans Christian Andersen's infatuation with Swedish soprano Jenny Lind. Called ''The Secret Songs'' it was unfinished. In a performance in 2007 directed by Kasper Bech Holten at the Opera's studio theatre (Takelloftet), finished songs were interspersed with pieces from Costello's 1993 collaborative classical album ''The Juliet Letters'', featuring Danish soprano Sine Bundgaard as Lind. The 2009 album ''Secret, Profane & Sugarcane'' includes material from ''Secret Songs''.
On 22 April 2008, ''Momofuku'' was released on Lost Highway Records, the same imprint that released ''The Delivery Man'', his previous studio album. The album was, at least initially, released exclusively on vinyl (with a code to download a digital copy). That summer, in support of the album, Costello toured with The Police on the final leg of their 2007/2008 Reunion Tour. Costello played a homecoming gig at the Liverpool Philharmonic Hall on 25 June 2006. and, that month, gave his first performance in Poland, appearing with The Imposters for the closing gig of the Malta theatre festival in Poznań.
In July 2008, Costello (as Declan McManus) was awarded an honorary degree of Doctor of Music from the University of Liverpool.
From late 2008 into 2010, Costello hosted Channel 4/CTV's series ''Spectacle'' in which Costello talked and performed with stars in various fields, styled similarly to ''Inside the Actors Studio''. Between its two seasons, the show compiled 20 episodes, including one where Costello was interviewed by actress Mary-Louise Parker.
Costello was featured on Fall Out Boy's 2008 album ''Folie à Deux'', providing vocals on the track "What a Catch, Donnie", along with other artists who are friends with the band.
Costello appeared in Stephen Colbert's television special ''A Colbert Christmas: The Greatest Gift of All''. In the program, he was eaten by a bear, but later saved by Santa Claus; he also sang a duet with Colbert. The special was first aired on 23 November 2008. Costello released ''Secret, Profane & Sugarcane'', a collaboration with T-Bone Burnett, on 9 June 2009. Burnett previously worked with Costello on ''King of America'' and ''Spike''. It was his first on the Starbucks Hear Music label and a return to country music in the manner of ''Good Year for the Roses''.
Costello appeared as himself in the finale of the third season of ''30 Rock'' and sang in the episode's celebrity telethon, ''Kidney Now!''. The episode references Costello's given name when Jack Donaghy accuses him of concealing his true identity: "Declan McManus, international art thief."
In May 2009, Costello made a surprise cameo appearance on-stage at the Beacon Theater in New York as part of Spinal Tap's ''Unwigged and Unplugged'' show, singing their fictional 1965 hit "Gimme Some Money" with the band backing him up.
On 15 May 2010, Costello announced he would withdraw from a concert performed in Israel in opposition to Israel's treatment of Palestinians. In a statement on his website, Costello wrote, "It has been necessary to dial out the falsehoods of propaganda, the double game and hysterical language of politics, the vanity and self-righteousness of public communiqués from cranks in order to eventually sift through my own conflicted thoughts."
Also in 2010 Elvis Costello appeared as himself in David Simon's television series, ''Treme''. Costello released the album ''National Ransom'' in autumn of 2010.
In 1985, Costello became involved with Cait O'Riordan, former bassist for the English/Irish group The Pogues, while he was producing The Pogues' album ''Rum Sodomy and the Lash''. They married in 1986 and split up by the end of 2002.
Costello became engaged to singer Diana Krall in May 2003, and married her at the home of Elton John on December 6 that year. Krall gave birth to twin sons, Dexter Henry Lorcan and Frank Harlan James, on 6 December 2006 in New York City.
A vegetarian since the early 1980s, Costello says he was moved to reject meat after seeing the documentary ''The Animals Film'' (1982), which also helped inspire his song "Pills and Soap" (from ''Punch the Clock'', 1983).
In 1987, Costello began a long-running songwriting collaboration with Paul McCartney. They wrote a number of songs together, including:
Costello talked about their collaboration:
}}
In November 2009, Costello appeared live with Bruce Springsteen and the E Street Band at Madison Square Garden and performed the Jackie Wilson song, Higher and Higher.
In December 2009, it was announced that Costello would be portraying The Shape in the upcoming album ''Ghost Brothers of Darkland County'', a collaboration between rock singer John Mellencamp and novelist Stephen King.
On April 30, 2011, played the song "Pump it Up" with The Odds before the start of a Vancouver Canucks playoff game at Rogers Arena in Vancouver BC.
Costello is also a music fan, and often champions the works of others in print. He has written several pieces for the magazine ''Vanity Fair'', including the summary of what a perfect weekend of music would be. He has contributed to two Grateful Dead tribute albums and covered Jerry Garcia/Robert Hunter tunes such as Ship of Fools, Friend of the Devil, It Must Have Been the Roses, Ripple and Tennessee Jed in concert. His collaboration with Bacharach honoured Bacharach's place in pop music history. Costello also appeared in documentaries about singers Dusty Springfield, Brian Wilson, Wanda Jackson, and Memphis, Tennessee-based Stax Records. He has also interviewed one of his own influences, Joni Mitchell.
In 2004, ''Rolling Stone Magazine'' ranked him #80 on their list of the ''100 Greatest Artists of All Time''.
==Discography==
Costello has released over 30 studio albums on his own and with the Attractions, the Imposters, or others. He has also released five live albums: ''Live at the El Mocambo'', ''Deep Dead Blue'', ''Costello & Nieve'', ''My Flame Burns Blue'', and ''Live at Hollywood High''. There have also been numerous compilations, box sets, and reissues by labels such as Rykodisc, Demon, Rhino, and Universal Music Enterprises.
Category:1954 births Category:Living people Category:Columbia Records artists Category:Elvis Costello & the Attractions members Category:English buskers Category:English expatriates in the United States Category:English male singers Category:English New Wave musicians Category:English rock guitarists Category:English rock keyboardists Category:English rock singers Category:English singer-songwriters Category:English people of Irish descent Category:English vegetarians Category:Grammy Award winners Category:Lost Highway Records artists Category:Musicians from London Category:People from Paddington Category:Rock and Roll Hall of Fame inductees Category:Warner Bros. Records artists
br:Elvis Costello ca:Elvis Costello cs:Elvis Costello da:Elvis Costello de:Elvis Costello et:Elvis Costello es:Elvis Costello fa:الویس کاستلو fr:Elvis Costello ga:Elvis Costello gv:Elvis Costello gl:Elvis Costello id:Elvis Costello it:Elvis Costello he:אלביס קוסטלו la:Elvis Costello nl:Elvis Costello ja:エルヴィス・コステロ no:Elvis Costello pl:Elvis Costello pt:Elvis Costello ru:Элвис Костелло simple:Elvis Costello sl:Elvis Costello fi:Elvis Costello sv:Elvis Costello tr:Elvis CostelloThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
The World News (WN) Network, has created this privacy statement in order to demonstrate our firm commitment to user privacy. The following discloses our information gathering and dissemination practices for wn.com, as well as e-mail newsletters.
We do not collect personally identifiable information about you, except when you provide it to us. For example, if you submit an inquiry to us or sign up for our newsletter, you may be asked to provide certain information such as your contact details (name, e-mail address, mailing address, etc.).
When you submit your personally identifiable information through wn.com, you are giving your consent to the collection, use and disclosure of your personal information as set forth in this Privacy Policy. If you would prefer that we not collect any personally identifiable information from you, please do not provide us with any such information. We will not sell or rent your personally identifiable information to third parties without your consent, except as otherwise disclosed in this Privacy Policy.
Except as otherwise disclosed in this Privacy Policy, we will use the information you provide us only for the purpose of responding to your inquiry or in connection with the service for which you provided such information. We may forward your contact information and inquiry to our affiliates and other divisions of our company that we feel can best address your inquiry or provide you with the requested service. We may also use the information you provide in aggregate form for internal business purposes, such as generating statistics and developing marketing plans. We may share or transfer such non-personally identifiable information with or to our affiliates, licensees, agents and partners.
We may retain other companies and individuals to perform functions on our behalf. Such third parties may be provided with access to personally identifiable information needed to perform their functions, but may not use such information for any other purpose.
In addition, we may disclose any information, including personally identifiable information, we deem necessary, in our sole discretion, to comply with any applicable law, regulation, legal proceeding or governmental request.
We do not want you to receive unwanted e-mail from us. We try to make it easy to opt-out of any service you have asked to receive. If you sign-up to our e-mail newsletters we do not sell, exchange or give your e-mail address to a third party.
E-mail addresses are collected via the wn.com web site. Users have to physically opt-in to receive the wn.com newsletter and a verification e-mail is sent. wn.com is clearly and conspicuously named at the point of
collection.If you no longer wish to receive our newsletter and promotional communications, you may opt-out of receiving them by following the instructions included in each newsletter or communication or by e-mailing us at michaelw(at)wn.com
The security of your personal information is important to us. We follow generally accepted industry standards to protect the personal information submitted to us, both during registration and once we receive it. No method of transmission over the Internet, or method of electronic storage, is 100 percent secure, however. Therefore, though we strive to use commercially acceptable means to protect your personal information, we cannot guarantee its absolute security.
If we decide to change our e-mail practices, we will post those changes to this privacy statement, the homepage, and other places we think appropriate so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we disclose it.
If we make material changes to our e-mail practices, we will notify you here, by e-mail, and by means of a notice on our home page.
The advertising banners and other forms of advertising appearing on this Web site are sometimes delivered to you, on our behalf, by a third party. In the course of serving advertisements to this site, the third party may place or recognize a unique cookie on your browser. For more information on cookies, you can visit www.cookiecentral.com.
As we continue to develop our business, we might sell certain aspects of our entities or assets. In such transactions, user information, including personally identifiable information, generally is one of the transferred business assets, and by submitting your personal information on Wn.com you agree that your data may be transferred to such parties in these circumstances.