A scuba diver in usual sport diving gear

A scuba set is an independent breathing set that provides a scuba diver with the breathing gas necessary to breathe underwater during scuba diving. It is much used for sport diving and some sorts of work diving.

The word SCUBA, acronym for self-contained underwater breathing apparatus, was coined in 1952 by Major Christian Lambertsen who served in the U.S. Army Medical Corps from 1944 to 1946 as a physician.^[1] Lambertsen's invention (patented by himself several times from 1940 to 1989) was a rebreather and is not related to the diving regulators and diving cylinders used today.^[2] Compressed air-supplied modern regulators, nowadays improperly called SCUBA sets, are a 1943 invention from the Frenchmen Émile Gagnan and Jacques-Yves Cousteau, but in the English language Lambertsen's acronym ended by taking the place of the original Gagnan's and Cousteau's invention name (supposedly to be Aqua-Lung in English, often spelled "aqualung",^[3] a name that Cousteau coined for commercialization in all English-speaking countries). As with radar, the acronym SCUBA has become so familiar that it is often not capitalized and is treated as an ordinary noun. For example, it has been taken into the Welsh language as sgwba.

History[link]

A replica of the Lethbridge diving machine at the Cité de la Mer ('City of the Sea') in Cherbourg, France.

What characterizes a scuba set is its full independence from the surface as a diving device, by transporting breathable air or other kind of breathing gas.

18th century[link]

Early attempts to reach this autonomy from the surface were made in the 18th century by the Englishman John Lethbridge, who invented and successfully built his own underwater diving machine in 1715.

The first diving dress using a compressed air reservoir was successfully designed and built in 1771 by Sieur (old French for "sir" or "Mister") Fréminet, a Frenchman from Paris. After having done research on surface-supplied diving he conceived an autonomous breathing machine equipped with a reservoir, dragged by and behind the diver,^[4] although Fréminet later put it on his back.^[5] Fréminet called his invention machine hydrostatergatique and used it successfully for more than ten years in the harbors of Le Havre and Brest, as stated in the explanatory text of a 1784 painting.^[6][7]

19th century[link]

The Frenchman Paul Lemaire d'Augerville successfully built and used autonomous diving equipment in 1824,^[8] as did the British William H. James in 1825. James' helmet was "thin copper or sole of leather" with a plate window, and the air was supplied from an iron reservoir.^[9]

A similar system was used in 1831 by the American Charles Condert, who died in 1832 while testing his invention in the East River at only 20 feet (6 m) deep.

The oldest known oxygen rebreather was patented on June 17, 1808 by Sieur Touboulic from Brest, mechanic in Napoleon's Imperial Navy, but there is no evidence of any prototype having been manufactured. This early rebreather design worked with an oxygen reservoir, the oxygen being delivered progressively by the diver himself and circulating in a closed circuit through a sponge soaked in lime water.^[10] Touboulic called his invention Ichtioandre (Greek for "fish-man").^[11]

The oldest practical rebreather relates to the 1849 patent from the Frenchman Pierre Aimable De Saint Simon Sicard.^[12]

The Rouquayrol-Denayrouze apparatus was the first regulator to be mass produced (from 1865 to 1965). In this picture the air reservoir presents its surface-supplied configuration.

None of those inventions solved the problem of high pressure when compressed air must be supplied to the diver (as in modern regulators); they were mostly based on a constant-flow supply of the air. After having travelled to England and discovered William James' invention, the French physician Manuel Théodore Guillaumet, from Argentan (Normandy), patented in 1838 the oldest known regulator mechanism. Guillaumet's invention was air-supplied from the surface and was never mass produced due to problems with safety.

A more successful and safer regulator was mass produced in France from 1865 to 1965 (although production was twice interrupted during that period): invented by Benoît Rouquayrol in 1860 for survival in flooded mines it was adapted to diving in 1864 with the help of French Navy officer Auguste Denayrouze. Even though it was independent from the surface for a very short duration, the Rouquayrol-Denayrouze apparatus reached worldwide celebrity after having been mentioned by Jules Verne in his adventure book Twenty Thousand Leagues Under the Sea; but Jules Verne wildly exaggerated its dive duration without external air supply. This equipment was the first reliable regulator to be mass produced and was acquired as a standard breathing apparatus by the French Imperial Navy since 1865.^[10] The iron reservoir suffered from a lack of autonomy because the technology of that time was not yet able to provide reliable valves and pressure vessels when gases were highly compressed. That is why the Rouquayrol-Denayrouze reservoir, in the 1860s, was able to contain only 30 atmospheres of internal pressure, which translated into sufficient air to permit dives no longer than 30 minutes to a depth of no more than ten metres^[13]. The French divers of that time tended to prefer their well known diving dress. When used in surface-supplied configuration the Rouquayrol-Denayrouze air tank was used for bailout in the case of a hose failure. Rouquayrol-Denayrouze's mechanism was effective, but its autonomy depended too much on the weak high-pressure reservoirs of its time. For a longer and more secure autonomy from the surface technology had to wait until the 20th century had brought stronger and reliable compressed air cylinders.

20th century[link]

The first diving equipment that combined a high-pressure cylinder and a breathing device (although not a demand regulator as was the Rouquayrol-Denayrouze apparatus) was invented separately by the Japanese Ohgushi in 1918 and the Frenchmen Maurice Fernez and Yves le Prieur in 1926. Both were based on a constant-flow supply of the air. Ohgushi's invention was soon forgotten, but the Fernez-Le Prieur apparatus was mass produced during the 1930s and adopted as a standard by the French Navy. It was the autonomus breathing device first used by the first scuba diving clubs in history (Racleurs de fond in California, 1933, founded by Glenn Orr, and Club des sous-l'eau in Paris, 1935, founded by Le Prieur himself).^[14] Fernez had previously invented the noseclip, a mouthpiece (equipped with a one-way valve for exhalation) and diving goggles, and Yves le Prieur just joined to those three Fernez elements a hand-controlled regulator and a compressed-air cylinder. Fernez's goggles didn't allow a dive deeper than ten metres due to "mask squeeze", so, in 1933, Le Prieur replaced all the Fernez equipment (goggles, noseclip and valve) by a full face mask, directly supplied with constant flow air from the cylinder.

During the 1930s French pioneers Philippe Tailliez and Jacques-Yves Cousteau used and widely tested the Le Prieur apparatus before Émile Gagnan and Cousteau worked together on the invention of the modern regulator in 1943. It was during World War II when regulator and rebreather technologies were improved and took their currently known forms.

Technical drawing of a Mistral Cousteau-type regulator (model of 1955) mounted on a diving cylinder. The regulator is formed by the ensemble of the mouthpiece and the regulator, joined on each of its sides by the two hoses. The rear of the regulator is connected to the high-pressure valve of the cylinder.

1. Hose
2. Mouthpiece
3. Valve
4. Harness
5. Backplate
6. Tank (also called cylinder)

Among the things that prompted Cousteau to develop efficient air-breathing free-swimming diving gear, were two oxygen toxicity accidents that he had in 1939 with rebreathers, the first at 17 metres deep, but those accidents happened because he went too deep with pure oxygen.^[15] The invention of the modern diving regulator became possible after Cousteau met engineer Émile Gagnan. In 1942, in Paris, and following severe fuel restrictions due to the German occupation of France, Émile Gagnan, an Air Liquide employee, miniaturized and adapted a Rouquayrol-Denayrouze regulator (property of the Bernard Piel company in 1942) to gas generators . Gagnan's boss and owner of the Air Liquide company, Henri Melchior, decided to introduce Gagnan to Jacques-Yves Cousteau, his son-in-law, because he already knew that Cousteau was looking for an efficient and automatic demand regulator. Both men met in Paris in December 1942 and adapted Gagnan's regulator to a diving cylinder. After fixing some technical problems they patented the first modern demand regulator in 1943.

From 1934 to 1944 the Commeinhes family (René and his son Georges) from Alsace invented and successfully tested a demand regulator, but the main inventor, Georges, was killed in 1944 during the liberation of Strasbourg and Cousteau's regulator had no competitors immediately after the war.^[16][17] In July 1943 Georges Commeinhes had reached a depth of 53 metres off Marseille equipped with his GC42 breathing apparatus^[18] ("G" for Georges, "C" for Commeinhes and 42 for 1942). Not knowing this, Frédéric Dumas (a close friend of Cousteau) reached a depth of 62 metres off Les Goudes, not far from Marseille, in October 1943 with a Cousteau-Gagnan prototype. He felt then what is now called a nitrogen narcosis.^[19]

At the same time rebreathers also took a technological jump. During the 1930s and all through World War II, British, Japanese, Italians and Germans developed and extensively used oxygen rebreathers in order to fit out the first frogmen. The British used the Davis apparatus (invented in 1910 by Robert Henry Davis and mass-produced by Siebe Gorman) for submarine escape, but they adapted it to equip their frogmen during World War II. Germans developed the Dräger rebreathers as of 1912.^[20] They first adapted them to submarine escape sets and helmet suits and only adapted it to frogmen during World War II. Italians had developed similar rebreathers for their own frogmen (the combat swimmers of the unit known as Decima Flottiglia MAS), especially the ARO, developed by the famous Pirelli society.^[21] In the USA Major Christian J. Lambertsen, who served in the U.S. Army Medical Corps from 1944 to 1946 as a physician, invented an underwater free-swimming oxygen rebreather in 1939 . He first called it breathing apparatus and offered it to the U.S. Navy, which rejected it. He then demonstrated it to the Office of Strategic Services (OSS).^[22] OSS then hired Major Lambertsen to lead the program and build-up the dive element of their maritime unit.^[22] In 1952 he patented a new modification of his apparatus, this time under the well known name of SCUBA. In spite of having coined the most common English word used for modern diving equipment, Lambertsen did not invent that equipment. Lambertsen designed a series of rebreathers patented on 16 Dec 1940 and 2 May 1944.^[23]

After World War II, military frogmen of all countries continued to use rebreathers (since they do not make bubbles and thus are not visible from the surface) and Air Liquide started selling commercially the Cousteau-Gagnan regulator as of 1946 under the name of scaphandre Cousteau-Gagnan or CG45 ("C" for Cousteau, "G" for Gagnan and 45 for a new 1945 patent). The same year Air Liquide created a division called La Spirotechnique, to develop and sell regulators and other diving equipment. To sell his regulator in English-speaking countries Cousteau coined the Aqua-Lung label, which was first licensed to the U.S. Divers company (the American division of Air Liquide in the USA) and later sold alongside with La Spirotechnique and U.S. Divers to finally constitute the name of the company itself, Aqua-Lung/La Spirotechnique, nowadays sited in Carros, near Nice.^[24] In 1948 the Cousteau-Gagnan patent was also licensed to Siebe Gorman of England,^[25] when Siebe Gorman was directed by Robert Henry Davis.^[26] Siebe Gorman was allowed to sell in Commonwealth countries, but had difficulty in meeting the demand and the U.S. patent prevented others from making the product. Ted Eldred of Melbourne, Australia, met this demand by developing the single hose regulator used today. Ted sold his first Porpoise Model CA single hose scuba early in 1952.

Before 1971 (when the Scubapro company commercialized the first stabiliser jacket) all scuba breathing sets came with a plain harness of straps with buckles like on a rucksack or spray-tank-pack. The buckles were usually quick-release. Many did not have a backpack plate, but the cylinders were held directly against the diver's back. Sport scuba usually had quick-release fastenings instead of ordinary buckles. The harnesses of many diving rebreathers made by Siebe Gorman included a large back-sheet of strong reinforced rubber.

In the beginning scuba divers dived without any buoyancy aid.^[27] In emergency they had to jettison their weights. In the 1960s adjustable buoyancy life jackets (ABLJ) for aqualung-type scuba became available; one early make, since 1961, was Fenzy. The ABLJ is used for two purposes: one to adjust the buoyancy of the diver to compensate for loss of buoyancy (chiefly due to compression of neoprene wetsuit) and more importantly as a lifejacket that can be quickly inflated even at depth. It was put on before putting on the cylinder harness. The first were inflated with a small carbon dioxide cylinder, later with a small air cylinder. An extra feed from the first-stage regulator lets the lifejacket be controlled as a buoyancy aid (invention in 1971 of the "direct system" by ScubaPro, for what is now called a stabilizer jacket or stab jacket).

Notable early manufacturers[link]

Normalair is a firm that is now part of the Honeywell Corporation based in Yeovil (UK). They made an early make of single-hose aqualung that had a fullface mask as standard. Normalair provided the Deep-Dive 500 rebreather sets used by fictional secret agent James Bond 007 in the 1981 film For Your Eyes Only.

Captain Trevor Hampton in the 1950s or 1960s designed an early single-hose aqualung with a full-face mask with a circular window that was a very big, and thus very sensitive demand regulator diaphragm. However, when he patented it, the Navy requisitioned the patent, and by the time the Navy found no use in the patent and released it, the market had moved on and he got no use from it.

The first commercially successful single hose scuba gear was invented by Ted Eldred of Melbourne, Australia, (Porpoise, 1952) although many people were working on the problem at the same time.

The second company to make single hose scuba was also in Melbourne. It was made by Jim Ager who owned Air Dive Pty., Ltd. His regulator was the Sea Bee (1955). Jim still makes scuba regulators and is the longest continuous maker of single hose scuba in the world.

Types[link]

Modern scuba sets are of two types:

• open-circuit (examples are those invented in 1864 by Rouquayrol and Denayrouze, in 1926 by Yves le Prieur^[28] or the Aqua-Lung invented to extend duration with a demand regulator in 1942/43 by Jacques Yves Cousteau and Émile Gagnan).^[29] Here the diver breathes in from the equipment and all the exhaled gas goes to waste in the surrounding water. This type of equipment is relatively simple, making it cheaper and more reliable. The two-hose design originally used was the one designed by Cousteau and Gagnan. The single-hose design generally used today was invented in Australia by Ted Eldred. In Britain it for a long time was often called an "aqualung".
• closed-circuit/semi-closed circuit (also referred to as a rebreather). Here the diver breathes in from the set, and breathes back into the set, where the exhaled gas is processed to make it fit to breathe again. These existed before the open-circuit sets and are still used, but less so than open-circuit sets.

Both types of scuba provide a means of supplying air or other breathing gas, nearly always from a high pressure diving cylinder, and a harness to strap it to the diver's body. Most open-circuit scuba and some rebreathers have a demand regulator to control the supply of breathing gas. Some "semi-closed" rebreathers only have a constant-flow regulator, or occasionally a set of constant-flow regulators of various outputs.

Some divers use the word "scuba" to mean open-circuit sets only.

Open circuit[link]

A diving cylinder with its various components

The duration of open-circuit dives is shorter than a rebreather dive, in proportion to the weight and bulk of the set. Open-circuit can be less economic than a rebreather when used with expensive gas mixes such as heliox and trimix. Most divers breathe normal air i.e., 21% oxygen and 79% nitrogen. The cylinder is nearly always worn on the back. "Twin sets" with two backpack cylinders were much more common in the 1960s than now; although twin cylinders ("doubles") are commonly used by technical divers for increased dive duration and redundancy. At one time a firm called Submarine Products sold a sport air scuba with three backpack cylinders. Cave divers sometimes have cylinders slung at their sides instead, allowing them to swim through narrower spaces.

See diving cylinder for more information about the cylinders and how they are arranged.

Newspapers and television news often describe open circuit scuba wrongly as "oxygen" equipment, probably by false analogy to airplane pilots' oxygen cylinders. Until Enriched Air Nitrox was widely accepted in the late 1990s, almost all sport scuba used simple compressed air. This allowed the scuba industry in the U.S. to avoid regulation by the U.S. Food and Drug Administration (FDA), which defines non-air gas mixtures intended to prevent or treat diseases as "drugs". Exotic gas mixtures presently used in scuba are intended to prevent decompression illness in diving, but officially, the FDA appears to continue to believe that scuba divers all use compressed air.^{[citation needed]}

At higher than normal partial pressures, oxygen becomes toxic, so scuba divers limit their exposure to less than 1.6 bar.^[30] Open-circuit scuba sets may supply various breathing gases, but rarely pure oxygen, except during decompression(diving) stops in technical diving.

Some divers use Enriched Air Nitrox, which has a higher percentage of oxygen, usually 32% or 36% (EAN32 and EAN36, respectively). This lets them stay underwater longer, because less nitrogen is absorbed into the body's tissues. The drawback to the higher oxygen content is that the maximum diving depth is decreased in order to avoid oxygen toxicity. The common nitrox blending method by partial pressure requires that the cylinder is in "oxygen service", which is a cylinder that has had any non-oxygen-compatible grease or rubber removed, by cleaning and replacing parts.

Constant flow[link]

Constant flow scuba sets do not have a demand regulator; the breathing gas flows at a constant rate, unless the diver switches it on and off by hand. They run out of air quicker than aqualungs. There were attempts at designing and using these for diving and for industrial use before the Cousteau-type aqualung started to be a common commercialized device (circa 1950). Examples were Charles Condert dress in the USA (as of 1831), "Ohgushi's Peerless Respirator" in Japan (a hand-controlled regulator, as of 1918), and Commandant le Prieur's hand-controlled regulator in France (as of 1926); see Timeline of diving technology.

Demand regulator[link]

This type of set consists of one or more diving cylinders containing breathing gas at high pressure, typically 200–300 bars (3,000–4,000 psi), connected to a diving regulator. The regulator supplies the diver with as much of the gas as needed, at a pressure suitable for breathing at the depth of the diver.

Colloquially this type of breathing set is sometimes (depending on the country of the English speaker) called an aqualung. The word Aqua-Lung, which first appeared in the Cousteau-Gagnan patent, is a trademark, currently owned by Aqua Lung/La Spirotechnique.

Twin-hose[link]

Classic twin-hose Cousteau-type aqualung

This is the first type of diving demand valve to come into general use, and the one that can be seen in classic 1960s television scuba adventures, such as Sea Hunt. They often had two cylinders.

In this type of set, the two (or occasionally one or three) stages of the regulator are in a large circular valve assembly mounted on top of the cylinder pack. This type has two wide bellows-like breathing tubes like those on many modern rebreathers, one for intake and one for exhalation. The return tube was not for rebreathing, but because the air exhaust needed to be as near as possible to the regulator's second stage diaphragm, to avoid pressure differences, which would cause a free-flow of gas, or extra resistance to breathing, according to the diver's orientation in the water — head-up, head-down, level. In modern single-hose sets this problem is avoided by moving the second-stage regulator to the diver's mouthpiece. The twin-hose sets came with a mouthpiece as standard, but a full-face diving mask was an option. Another optional extra was a mouthpiece that also had a snorkel attached and a valve to switch between aqualung and snorkel.

Note the correct layout of this type, in the image to the right. There have been many incorrect depictions in comics of two-cylinder twin-hose aqualungs, showing one wide breathing tube coming directly out of each cylinder top with no regulator: see Diving regulator#Twin-hose without visible regulator valve (fictional).

Single-hose[link]

A single-hose regulator with 2nd stage, gauges, BC attachment, and dry suit hose mounted on a cylinder

Most modern open-circuit scuba sets have a diving regulator consisting of a first-stage pressure-reducing valve fastened over the diving cylinder's output valve. This valve cuts the pressure from the cylinder, which may be up to 300 bars (4,400 psi), to a constant lower pressure, often about 10 bar above the ambient pressure, which is used in the "low pressure" part of the system. A relatively thin low-pressure hose links this with the second-stage regulator, or "demand valve," which is located in the mouthpiece. Exhalation occurs out of a one-way diaphragm in the chamber of the demand valve, directly into the water quite close to the diver's mouth. This configuration type is called "single hose". The first make of this sort of scuba was the Porpoise, which was made in Melbourne, Australia by Ted Eldred. Some early single hose scuba sets used full-face masks instead of a mouthpiece, such as those made by Desco and Scott Aviation (who continue to make breathing units of this configuration for use by firefighters).

Modern regulators typically feature high-pressure ports for pressure sensors of dive-computers and submersible pressure gauges, and additional ports for low-pressure hoses for inflation of dry suits and BC devices.

The first Porpoise scuba set design was a rebreather, but when a demonstration resulted in a diver passing out, Eldred began to develop the single-hose open-circuit scuba system. Its regulator's first stage and second stage had to be separated to avoid the Cousteau-Gagnan patent, which protected the double-hose scuba. In the process, Eldred also improved performance.

Secondary demand valve on a regulator[link]

Scuba harness with backplate and back mounted "wing" buoyancy compensator
1) DV/Regulator first stage
2) Cylinder valve
3) Shoulder straps
4) Buoyancy compensator bladder
5) Buoyancy compensator relief and lower manual dump valve
6) DV/Regulator second stages (primary and “octopus”)
7) Console (pressure gauge, depth gauge & compass)
8) Dry-suit inflator hose
9) Backplate
10) Buoyancy compensator inflator hose and inflation valve
11) Buoyancy compensator mouthpiece and manual dump valve
12) Crotch strap
13) Waist straps

Most modern scuba sets have a secondary second-stage demand valve on a separate hose, a configuration variously called a "secondary", or "octopus" demand valve, "alternate air source", "safe secondary" or "safe-second". It is frequently yellow in color, signaling that it is an emergency or backup device, and making it easier to see. It is often worn secured into a clip on the buoyancy compensator (BC) or a special friction plug attached in the diver's chest area, easily available to be grabbed by, or offered to, a second diver short of air. Other divers secure it while diving by sliding a loop of the hose into the shoulder strap cover of a jacket style BC, or supend it under the chin on a break-away bungee loop known as a necklace. These methods also allow easy access and keep the secondary from dangling in the mud or snagging on the bottom, which is common when the secondary is left to hang at the end of the hose. Some divers will store it in a BC pocket, but this reduces availability in an emergency. By providing the secondary demand valve the need to alternately breathe off the same mouthpiece when sharing air is eliminated. This reduces the stress on divers who are already in a stressful situation, and this in turn reduces air consumption during the rescue^{[citation needed]}. Some diving instructors continue to teach single demand valve buddy-breathing as an obsolete but still useful technique; then they show the method that has superseded it, since availability of two second stages per diver is now assumed in recreational scuba.

The original octopus idea was conceived by cave-diving pioneer Sheck Exley as a way for cave divers to share air while swimming single-file in a narrow tunnel, but has now become the standard in recreational diving.

Occasionally, the second secondary second-stage regulator/mouthpiece is combined with the inflator and exhaust assembly of the BC device. This combination eliminates the need for a separate low pressure hose for the BC (though the low pressure hose for the combined use must be larger than dedicated BC inflation hoses, because demand on it will be higher if it is used for breathing). In this configuration, the secondary demand valve is integral with the BC, rather than a separate hose and demand valve.

No matter which configuration of secondary demand valve is used, many diving schools now suggest that a diver routinely offer another diver in trouble their "primary" mouthpiece, i.e., the one in their mouth, then using their own secondary demand valve. The idea behind this technique is that the primary mouthpiece is known to be working, and the diver donating the air has more time to sort out his/her own equipment after temporarily losing ability to breathe. In a great many instances, panicked out-of-air divers have grabbed the primary regulators out of the mouths of other divers,^{[citation needed]} so changing breathing regulators suddenly in an out-of-air emergency becomes necessary for the rescue diver, in any case. With integrated regulator/BC inflator designs, the secondary demand valve is at the end of an even shorter hose (the BC mouthpiece/exhaust) than is the case with the conventional octopus demand valve, so deliberate use of the primary regulator and hose to help another diver becomes even more appropriate, and almost essential, with the BC-integrated-regulator configuration.

Cryogenic[link]

There have been designs for a cryogenic open-circuit scuba which has liquid-air tanks instead of cylinders. Underwater cinematographer Jordan Klein, Sr. of Florida co-designed such a scuba in 1967, called "Mako", and made at least a prototype.

The Russian Kriolang (from Greek cryo- (= "frost" taken to mean "cold") + English "lung") was copied from Jordan Klein's "Mako" cryogenic open-circuit scuba. Janwillem Bech's rebreather site shows pictures of a Kriolang that was made in 1974. Its diving duration is likely several hours. It would have to be filled immediately before use.

SCAMP (Supercritical Air Mobility Pack) is an out-of-water liquid-air open-circuit breathing set designed by NASA by adapting space suit technology. Its maker claims that a man wearing it can crawl through a hole 50 centimetres (20 in) square.

Rebreathers[link]

An Inspiration rebreather seen from the front

With rebreathers, the gas the diver exhales is stored between breaths in a "counterlung". In some rebreathers, one-way valves direct the gas through a "loop". In other rebreathers, the inhaled and exhaled gas goes back and forth along a single tube: this is called the pendulum system. The oxygen consumed by the diver is replaced, nearly always from a cylinder. The exhaled carbon dioxide generated by the diver is removed by passing the gas through a "scrubber" — a canister full of soda lime, making the gas fit to be re-inhaled. This type of scuba equipment is known as closed circuit.

Since 80% or more of the oxygen remains in normal exhaled gas, and is thus wasted, rebreathers use gas very economically, making longer dives possible and special mixes cheaper to use at the expense of more complicated technology and more experience and longer training. There are three variants of rebreather — oxygen rebreathers, semi-closed circuit rebreathers, and fully closed circuit rebreathers.

The rebreather's economic use of gas, typically 1.6 litres (0.06 cu ft) of oxygen per minute, allows dives of much longer duration than is possible with open circuit equipment where gas consumption is typically ten times higher. Oxygen rebreathers have a maximum operating depth of around 6 metres (20 ft), but several types of fully closed circuit rebreathers, when using a helium-based diluent, can dive deeper than 100 metres (330 ft). The main limiting factors on rebreathers are the duration of the carbon dioxide scrubber, which is generally at least 3 hours, and that the scrubber gets less efficient at depth because the scrubber's inside is more crowded with diluent molecules, hindering the carbon dioxide molecules from reaching the absorbent as quickly.

Gas endurance of a scuba set[link]

The gas endurance of an open-circuit dive is the time that the gas supply will last, and it depends on factors such as the capacity (volume of gas) in the diving cylinder, the depth of the dive and the breathing rate of the diver, which is dependent on exertion, fitness, physical size of the diver, and experience among other factors. New divers frequently consume all the air in a standard "aluminum 80" cylinder in 30 minutes or less on a dive, while experienced divers frequently dive for 60 to 70 minutes at the same average depth, using the same capcity cylinder, as they have learned more efficient diving techniques.

An open circuit diver whose breathing rate at the surface (atmospheric pressure) is 15 litres per minute will consume 3 x 15 = 45 litres of gas per minute at 20 metres. [(20 m/10 m per bar) + 1 bar atmospheric pressure] × 15 L/min = 45 L/min). If an 11 litre cylinder filled to 200 bar is used until there is a reserve of 17% there is (83% × 200 × 11) = 1826 litres. At 45 L/min the dive at depth will be a maximum of 40.5 minutes (1826/45). These depths and times are typical of experienced sport divers leisurely exploring a coral reef using 200 bar aluminum cylinders rented from a commercial sport diving operation in most tropical island or coastal resorts.

A semi-closed circuit rebreather may have an endurance of about 3 to 10 times that of the equivalent open circuit dive, and is less affected by depth; gas is recycled but fresh gas must be constantly injected to replace at least the oxygen used, and any excess gas from this must be vented. Although it uses gas more economically, the weight of the rebreathing equipment means the diver carries smaller cylinders. Still, most semi-closed systems allow at least twice the duration of open circuit systems (around 2 hours) and are often limited by scrubber endurance.

An oxygen rebreather diver or a fully closed circuit rebreather diver consumes about 1 litre of oxygen per minute. Except during ascent or descent, the fully closed circuit rebreather that is operating correctly uses no or very little diluent. So, a diver with a 3 litre oxygen cylinder filled to 200 bar who leaves 25% in reserve will be able to do a 450 minute = 7.5 hour dive (3 L × 200 bar × 0.75 / 1). The life of the soda lime scrubber is likely to be less than this and so will be the limiting factor of the dive.

In practice, dive times for rebreathers are more often influenced by other factors, such as water temperature and the need for safe ascent (see Decompression (diving)). It happens that the amount of gas available in a single scuba compressed air cylinder makes it quite difficult for a diver following normal routine safe ascent procedures (including a safety stop at 5 m or 16 ft depth), to require any extra decompression time on ascent. A single-cylinder dive usually cannot result in loading of enough nitrogen into a diver's tissues to cause severe decompression sickness, and this is an unintended inherent safety factor for scuba gear of this type. However, this is not true of double-cylinder sets, or a rebreather which doubles or triples the time a diver can spend at common scuba depths. This extra time is almost entirely spent in a region of nitrogen tissue-loading that greatly increases a diver's danger of decompression illness without careful extra decompression stops.

Diving cylinders[link]

Air cylinders used for scuba diving come in various sizes and materials and are typically designated by material — usually aluminium or steel, and size. In the U.S. the size is designated by how much air they contain when expanded to 1 atmosphere, 80, 100, 120 cubic feet, etc., with the most common being the "Aluminum 80" which will give an average experienced diver from 40 to 60 minutes of dive time under common dive conditions. In most of the rest of the world the size is given as the actual internal volume of the cylinder, sometimes referred to as water capacity, as that is how it is measured and marked (WC) on the cylinder (10 liter, 12 liter, etc.).

Cylinder working pressure will vary according to the standard of manufacture, ranging from 200 bar (2,900 psi) up to 300 bar (4,400 psi).

Aluminium cylinders are less expensive than steel^{[citation needed]} and have been known to last for 20 years with standard regular maintenance. The drawback is that an aluminium cylinder is thicker and bulkier than a steel cylinder of the same capacity, and is more buoyant although actually heavier out of the water, which means the diver would need to carry more weight. Many steel cylinders also accept higher pressure fills, carrying more air for the same internal volume.

Diving cylinders are sometimes colloquially called "tanks", or "bottles" although the proper technical term for them is "cylinder".

Underwater alternatives to scuba[link]

There are alternative methods that a person can use to survive and function while underwater, including:

• free-diving - swimming underwater on a single breath of air.
• snorkeling - a form of free-diving where the diver's mouth and nose can remain underwater when breathing, because the diver is able to breathe at the surface through a short tube known as a snorkel.
• surface-supplied diving - originally used in professional diving for long or deep dives where an umbilical line connects the diver with the surface providing breathing gas, and sometimes warm water to heat the diving suit, and usually nowadays voice communications. Some tourist resorts now offer a surface-supplied diving arrangement, trademarked as Snuba, as an introduction to diving for the inexperienced. Using the same type of equipment as scuba diving, the diver breathes from compressed air cylinders, which float on a free floating raft at the surface, allowing the diver only 20–30 feet (6–9 m) of depth to travel.
• Atmospheric diving suit - an armored suit which protects the diver from the surrounding water pressure.
• Liquid breathing - so far, in the real world, liquid breathing for humans is only laboratory experiments, and (one lung at a time) medical treatment. It has possibilities of being used for very deep diving. It is memorably portrayed in the film The Abyss.
• Artificial gills (human) - these are mostly science fiction. In the real world they have to process a massive amount of water to extract enough oxygen to supply an active diver, and processing this much water takes a great deal of energy (possible for cold-blooded fish, but harder for humans with higher metabolic rates). But see Like-A-Fish for an attempt to develop real artificial gills for divers.

Breathing devices used out of water[link]

Breathing devices operating on the above principles are not only used underwater, but in other situations where the atmosphere is dangerous — little oxygen, poisonous, etc.

• Firefighting
• Other jobs out of water, e.g., welding in a confined space
• Mining, especially mine rescue
• Operations in enclosed or poorly ventilated areas, e.g., large fluid or gas containers.

These devices are called Self-Contained Breathing Apparatus (SCBA). (The initials SCBA have had other meanings.) The first open-circuit industrial breathing devices were designed by modifying the design of the Cousteau aqualung. Industrial rebreathers have been used since soon after 1900. Rebreather technology is also used in space suits.

Accessories[link]

In modern scuba sets, a buoyancy compensator (BC) or buoyancy control device (BCD), such as a back-mounted wing or stabilizer jacket (also known as a "stab jacket"), is built into the scuba set harness. Although strictly speaking this is not a part of the breathing apparatus, it is usually connected to the diver's air supply, in order to provide easy inflation of the device. This can usually also be done manually via a mouthpiece, in order to save air while on the surface. The bladders inside the BCD inflate with air from the "direct feed" to increase the volume of the SCUBA equipment and cause the diver to float. Another button deflates the BCD and decreases the volume of the equipment and causes the diver to sink. Certain BCD's allow for integrated weight, meaning that the BCD has special pockets for the weights that can be dumped easily in case of an emergency. The aim of using the BCD, whilst underwater, is to keep the diver neutrally buoyant, i.e., neither floating up or sinking. The BCD is used to compensate for the compression of a wet suit, and to compensate for the decrease of the diver's mass as the air from the cylinder is breathed away.

Diving weighting systems, ranging from 2 to 15 kilograms, increase density of the scuba diver to compensate for the buoyancy of diving equipment, allowing the diver to fully submerge underwater with ease by obtaining neutral or slightly negative buoyancy. While weighting systems originally consisted of solid lead blocks attached to a belt around the diver's waist, some modern diving weighting systems are now incorporated into the BCD. These systems use small nylon bags of lead shot pellets which are distributed throughout the BCD, allowing a diver to gain a better overall weight distribution leading to a more horizontal position in the water. There are cases of lead weights being threaded on the straps holding the cylinder into the BCD.

Many modern rebreathers use advanced electronics to monitor and regulate the composition of the breathing gas.

Some scuba sets incorporate attached extra stage cylinders, as bailout in case the main breathing gas supply is used up or malfunctions, or containing another gas mixture. If these extra cylinders are small, they are sometimes called "pony cylinders". They often have their own demand regulators and mouthpieces, and if so, they are technically distinct extra scuba sets.

The diver may carry two or more sets of breathing equipment to provide redundant alternative gas systems in the event that the other fails or is exhausted. Modern recreational rigs most often have two regulators connected to a single cylinder, in case the primary regulator fails or another diver runs out of air. Some divers instead connect their backup regulator to a smaller "pony cylinder" for extra safety, and there are also emergency systems which mount a simple regulator directly to the top of a small cylinder. Rebreather divers often carry a side-slung open-circuit "bail out" to be used in the event the rebreather fails.

In technical diving, the diver may carry different equipment for different phases of the dive; some breathing gas mixes may only be used at depth, such as trimix and others, such as pure oxygen, which only may be used during decompression stops in shallow water. The heaviest cylinders are generally carried on the back supported from a backplate while others are side slung from strong points on the backplate.

When the diver carries many diving cylinders, especially those made of steel, lack of buoyancy becomes a problem. High-capacity BCs are used to allow the diver to control his or her depth.

An excess of tubes and connections passing through the water tend to decrease diving performance by causing hydrodynamic drag in swimming.

Some diver training organizations and groups of divers teach techniques, such as DIR diving for configuring diving equipment.

See also[link]

Underwater diving portal

• Timeline of diving technology
• List of diver training organizations
• See Frogman#Mistakes in fiction for common mistakes in depicting scuba gear.

References[link]

Bibliography[link]

External images[link]

• www.divingmachines.com — Vintage aqualungs including three-cylinder types

v t e Underwater diving Types Free-diving Recreational diving Saturation diving Scuba diving Snorkelling Surface supplied diving Underwater diving Specialities Altitude diving Cave diving Decompression diving Deep diving Ice diving Mixed gas diving Rebreather diving Solo diving Sidemount Technical diving Wreck diving Equipment Backplate and wing Buoyancy control device Burst disc Distance line Dive computer Diving equipment Diving regulator Dive reel Diver propulsion vehicle Diving shot Diving suit Fins Mask Moon pool Rebreather Scuba set Snorkel Disciplines Clearance diver Commercial offshore diving Frogman Military diving Police diving Professional diving Scientific diving Underwater photography Underwater videography Hazards Barotrauma Decompression sickness Deep water blackout Drowning Dysbaric osteonecrosis High pressure nervous syndrome Hypercapnia Hypothermia Isobaric counterdiffusion List of diving hazards and precautions Nitrogen narcosis Oxygen toxicity Seasickness Shallow water blackout Silt out Task loading Procedures Buddy diving Decompression (diving) Diver communications Diver rescue Diver training Emergency ascent (diving) Penetration diving Rule of thirds (diving) Scuba gas planning Underwater navigation Underwater searches Underwater search and recovery Related Portal:Underwater diving Dive sites Diver certification agencies Diving chamber Gas blending Human factors in diving safety Hyperbaric medicine Lifting bag Maximum operating depth Military diving units Notable diving researchers Underwater archaeology Underwater vision

v t e Underwater breathing apparatus Surface supplied equipment Diving helmet Snuba Standard diving dress Surface supplied diving Scuba open circuit Alternative air supply Aqua-lung Bailout bottle Diving regulator Porpoise regulator Scuba set Rebreathers Carleton CDBA CDLSE Cis-Lunar Cryogenic rebreather CUMA Davis Submerged Escape Apparatus FROGS IDA-71 KISS LAR-5 LAR-6 LAR-V LARU Porpoise Rebreather Siebe Gorman CDBA Siva Viper Full face masks Full-face mask Related Portal:Underwater diving Diving bell Hydrostatic test

Look up scuba in Wiktionary, the free dictionary.

Scuba is an acronym for self-contained underwater breathing apparatus. It may also refer to:

• Scuba diving, the use of a self-contained breathing set to stay underwater for periods of time
• Scuba set, the equipment used to do scuba diving
• Scuba (Transformers), a Transformers character
• Scuba (musician), a British electronic musician

SCUBA may also refer to:

• Submillimetre Common-User Bolometer Array, an instrument used on the James Clerk Maxwell Telescope

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Look up set in Wiktionary, the free dictionary.

Set may refer to:

Mathematics and programming[link]

• Set (mathematics), A collection of well defined and distinct objects
• Set theory
• Category of sets
• Set (computer science), a data type that is a collection of unique values
  • Set (C++), an implementation of Set (computer science) in the C++ language Standard Template Library (STL)

Chemistry[link]

• SET, single electron transfer

Psychology[link]

• Set (psychology), a set of expectations which shapes perception or thought

Technology[link]

• Set, to make/become solid: see Solidification
• A television set
• SET, Secure Electronic Transaction, a standard protocol for securing credit card transactions over insecure networks
• SET, Single-Electron Transistor, a device to amplify currents in nanoelectronics
• SET, single-ended triode, a type of electronic amplifier
• SET Awards, The Science, Engineering & Technology Student of the Year Awards
• Set (command), a command for manipulating environment variables in Unix and Microsoft operating-systems
• Software Engineer in Test, a Quality Assurance job title in some software companies
• Saw set, the process of setting the teeth of a saw so each tooth protrudes to the side of the blade

Arts[link]

Theatre[link]

• Theatrical scenery
• Set construction, construction of scenery for theatrical, movie and video game production.

Dancing[link]

• Set, the basic square formation in square dancing

Music[link]

• DJ set or DJ mix, a musical performance by a DJ
• Set theory (music), dealing with concepts for categorizing musical objects and describing their relationships
• Set (music), a collection of discrete entities, for example pitch sets, duration sets, and timbre sets
• Set (Thompson Twins album)
• Set (Alex Chilton album)
• Set list, a list of songs to be performed at a concert
• In the professional jargon of music production and critique, a "set" refers to an album of songs.

Fiction[link]

• Set or Father Set, a fictional deity in the Conan adventure novels by Robert E. Howard and their Marvel Comics interpretation

Sport and games[link]

• A chess set
• Set, a signal used in American football
• Set (darts), when one player wins three legs
• Set (game), a card game
• Set, a unit of play in tennis
• Set, a term for three of a kind in poker
• Set, a unit of play in volleyball (formerly "game")
• Set, a group of repetitions in weight training
• The set, a pitching position in baseball (also called the stretch)

Crime[link]

• Set, a sub-group of a street gang

Religion[link]

• Set or Seth, a Biblical character, a son of Adam and Eve
• Set (mythology), an ancient Egyptian deity

Miscellaneous[link]

• Set and setting, coined by Timothy Leary to describe the mindset and location of hallucinogenic experiences
• Seṭ and aniṭ roots, in Sanskrit grammar
• Set (video game), a group of items that adds specific bonuses
• Set (river), a river in northeastern Spain
• Set or sett, a badger's den
• Set, a small tuber or bulb used instead of seed, especially:
  • Potato set
  • Onion set

Other acronyms[link]

• Sanlih Entertainment Television, a television channel in Taiwan
• Scalar expectancy theory
• Serial endosymbiosis theory, a theory concerning the origins of mitochondria and plastids
• Similarity Enhanced Transfer, a technology used to speed up download rate of files on file sharing networks
• Simulated Emergency Test, an amateur radio training exercise
• Single Embryo Transfer
• Societatea Pentru Exploatări Tehnice, a Romanian aeronautics company of the 1920s to 1940s
• Society of Engineering Technologists, a student organization at Texas Tech University
• Sony Entertainment Television, a television channel owned by Sony
• South Eastern Trains, a rail company operating in South East England
• Stock Exchange of Thailand, the national stock exchange of Thailand
  • SET Index, an index for the Stock Exchange of Thailand
• Strategic Energy Technologies Plan (EU SET Plan)
• Study of Exceptional Talent, a program for gifted students
• Single-Ended Triode, a type of electronic amplifier
• Social entropy Theory, application of entropy concept to maintenance or disorganisation in society
• Northeastern University, School of Engineering Technology
• Southeast Toyota Distributors LLC, a distributor of Toyota vehicles
• Suzuki SET, Suzuki Exhaust Tuning, a device for altering pressure waves within motorcycle exhausts

See also[link]

• Sett (disambiguation)
• Setting (disambiguation)
• Setup (disambiguation)
• Seti (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (March 2010)

This article or section reads like a news release, or is otherwise written in an overly promotional tone. Please help by either rewriting this article from a neutral point of view or by moving this article to Wikinews. When appropriate, blatant advertising may be marked for speedy deletion with {{db-spam}}. (August 2010)

Jimmy Edgar
Jimmy Edgar self-portrait
Background information
Born	1983
Origin	Detroit, U.S.
Genres	Techno/Electronica, Funktronica
Occupations	Producer, Photographer
Instruments	Drums, Keyboard, Bass
Years active	2002–present
Labels	Warp Records, K7 Records
Website	www.jimmyedgar.com

Jimmy Edgar is a Detroit-based electronic music artist, signed to K7 Records. Influenced mostly by Jazz, funk, street beat and r&b in these early years, he began his musical pursuit by playing the drums in experimental bands and by making tape recordings. Most of these recordings, consisting mainly of pitch bent tape loops, cut edits, field recordings, and noise tracks, were the beginning of his experimentation with the technical aspects of production.^[1] Jimmy Edgar is the self proclaimed poster child of Sound Couture.^[2] He mutually left Warp Records in 2008 due to creative differences shortly after his single "I Wanna Be Your STD" appeared on the label's top ten 20th anniversary box set WARP20.^[3]

Biography[link]

Early life[link]

Edgar's intense passion for music also propelled him at a young age to learn to play any instrument he could get his hands on, including string instruments, saxophone, and mostly percussion/drum set. By the time he was 15, he started performing at Detroit raves.^[4]

In early 1999 Edgar signed his first record deal with NYC based Isophlux Records, following a release of a techno track called "We Like You" on the German label Poker Flat.^[4] Then, after only hearing one of his tracks, Miami based Merck Records immediately signed him and released his first full length album My Mines I [merck009] by the "dual alter ego" kristuit salu vs. morris nightingale. After the release of My Mines I in February 2002, Edgar started getting some attention which lead to touring cities in the US, including New York City, performing at the infamous experimental music fest the Miami Infiltrate, Vancouver and selected cities in Japan. Touring he got a good response from his live performances as he carried a distinctive energy on to stage and incorporates visuals such as synchronized projections. He was also asked to perform at the Detroit Electronic Music Festival 2003 which was his debut as a Warp Records artist, and in which Detroit witnessed a legend in formation as even the security got down with the local break dancing squad.^{[citation needed]} His first release on Warp was a 4-track EP, titled Access Rhythm' in 2004. In 2005 he followed up a second 6-track EP Bounce Make Model, and then his full-length album Color Strip in February 2006.

A forthcoming album XXX, formerly called Deeper, is expected June 2010 on K7 Records. The second single, "Turn You Inside Out," was released on rcrdlbl.com in July 2008 and became the #1 most popular download within the first week .^[5] Edgar continues to perform internationally, most notably in Tokyo, Zagreb, Istanbul, Athens, Tallinn, Moscow, Turin, London, Berlin and more. According to Divine Cosmos Blog, "Hot, Raw, Sex" will be the first single.

Photography[link]

Sample of Edgar's work

Edgar is an award winning fashion photographer^{[6][citation needed]} which has seen his work in such publications as H Magazine, Spot Magazine, Urb Magazine, Blink Magazine and more. He continues to work back and forth from Los Angeles and New York City, while exhibiting his work in Europe and Japan. Edgar shoots in a varying of different styles from new digital HDR technology, to medium format film inspired by early Prada, Fendi and Calvin Klein ads. He often test shoots select agency models.

Edgar's fashion photography was featured on the cover of the 10th anniversary issue of H Magazine (Spain), which also published the entire story 'Adaptable Color'. The story also made the cover with accompanied interview in UK's NOTION magazine and a video interview for ELLE Belgium.

2010 brought an introduction to Jimmy Edgar fashion films for such designers as Japan's BLACKOPERATOR, and his own series with Liz Centolella, they can be found on YouTube.

In addition to shooting fashion, Jimmy has also shot press photos for Hercules Love Affair, Kelley Polar, Morgan Geist, Theophilus London, Black Affair, Beta Band, and new signing from Ninja Tune records Emika.

Other projects[link]

Almamy[link]

In July 2009, electropop singer Almamy announced in an interview that he was working with Edgar on a 5-track conceptual EP called The Love, from which his cover of Daft Punk's Digital Love was to be the first single off. The project is set to be the first installment in a series of 5-track conceptual EPs, entirely produced by Edgar, to be released quarterly, starting in the Fall of 2009.^[7]

Black Affair[link]

Steve Mason, famed singer of Scotland's The Beta Band, collaborated with Edgar on his album Please Pressure Point released on V2 Records in 2008. Edgar co-produced & engineered the Pleasure Pressure Point album, produced and directed the music video for "It's Real", shot Steve Mason's press photography for the campaign and also designed all of the 12" singles and the album artwork which features a photograph still from the video shoot. Black Affair and its affiliation to Edgar gave both Mason and Edgar a new edge on their own music with their tight connection. According to recent interviews, they are planning a next move.

Her Bad Habit[link]

2008 saw the debut release from Edgar's new electrofunk project, Her Bad Habit, on the Citinite label. The five-track EP contains more live instrumentation than his previous work and combines a variety of influences, from Chicago house to Minneapolis funk.^[8]

X District[link]

In 2007, Edgar started several new projects as executive producer. One of which is X District, which started out as an accidental exchange of cryptic and symbolic writings between Edgar and Laura Clarke from Leeds. These conversations and typed words ended up as the "Color Correction" maxi-single on Noir Push Recordings, a label affiliates with friends of Edgar.^[9] In December 2008, "Color Correction" was re-released on Playhouse Records (Germany) with remixes by Edgar and LoSoul.

Plus Device[link]

Edgar is rumoured to be half of the anonymous Plus Device. Plus Device is an electro "duo" released as one of the top artists on Hefty Records.^[10]

Creepy Autograph[link]

Edgar is also rumoured to be part of the anonymous Creepy Autograph along with several other members including Nels Truesdell, Alice Wakefield, and Dutch Master. Creepy Autograph have seen releases including Erase in Mind EP, Sexy Body EP, and Murder Sex on vinyl. These EPs are published under Valentines Connexion and distributed through Rush Hour (Netherlands).

Michaux[link]

In 1998, Edgar began digitally producing conceptual music under the name Michaux. Edgar's only release as Michaux came in 2003 on the label Audio.NL. The album is named %20, URL code for the space character, and explores the concept of silence as well as sounds outputted by computer viruses. According to Audio.NL, sections of the album are so "extreme in frequency" that an acceptable vinyl release could not be produced, making it the only compact disc release on the label to date. The Michaux project is revered as one of the pioneering releases of the genre called Glitch or Microsound and according to the Boomkat review was "some of the most original treatments you'll hear on any disc, at any time, anywhere."

According to Muzak Soundish blog, the torch of Michaux has been passed to famed Christian Dior fashion model Dana LeGlise.

Discography[link]

Albums[link]

• Majenta (07/05/2012)^[11]

Track Listing - Majenta

1. Too Shy
2. This One’s For The Children
3. Sex Drive
4. Indigo Mechanix (3D)
5. Attempt To Make It Last
6. Let Yrself Be
7. Touch Yr Bodytime
8. Hrt Real Good
9. I Need Your Control
10. Heartkey
11. In Deep
12. Switch Switch
13. U Need Love

• XXX (27/07/2010 digital, 14/09/2010 physical) ^[12]

Track Listing - XXX

1. Function of Your Love
2. Hot, Raw, Sex
3. Turn You Inside Out
4. New Touch
5. One Twenty Detail
6. Rewind, Stop that Tape
7. Push
8. Physical Motion
9. In My Color
10. Midnite Fone Call
11. Vibration
12. Sleep Connexion (Date Rp)

• Color Strip (20/05/2006)

Track Listing - Color Strip

1. Pret A Porter
2. My Beats
3. I Wanna Be Your STD
4. LBLB Detroit
5. Personal Information
6. Telautraux
7. Hold It Attach It Connect It
8. Jefferson Interception
9. Of The Silent Variety
10. Semierotiic
11. Color Strip (Warren)
12. Heart Beat Sexual (Hidden Track)

• Color Strip (Japanese Import) (20/05/2006)

Track Listing - Color Strip

1. Pret A Porter
2. My Beats
3. I Wanna Be Your STD
4. LBLB Detroit
5. Personal Information
6. Telautraux
7. Hold It Attach It Connect It
8. Jefferson Interception
9. Of The Silent Variety
10. Semierotiic
11. Color Strip (Warren)
12. Heart Beat Sexual
13. Cadieux + Cass (Bonus Track)

• My Mines I (as Kristuit Salu and Morris Nightingale, 02/2002)
•  %20 (as Michaux, 2003)

EPs and Singles[link]

• New Touch Remixes (01/01/11)
• NXTLVLNXTLVL / My Balance (Last Priority) (10/10/10)
• Hot, Raw, Sex Remixes (07/07/10)
• Tell It To The Heart (06/06/10)
• Funktion of Your Love E.P. (09/09/09)
• Lips Sealed (as Noir Friction, 05/05/09)
• Nothing is Better (09/20/08)
• I Don't Know (What You're Doing To Me) (as Her Bad Habit, 04/07/08)
• Color Correction (as X District with Laura Clarke, 10/2007)
• My Beats (02/22/06)
• Bounce, Make, Model (04/02/05)
• Access Rhythm (12/01/04)
• Seual Dual (as Kristuit Salu, 2001)

Remixes[link]

• Will Smith "Miami (Jimmy Edgar Ultra Cut) 2002
• Tuesday "There's No Love in New York City (Remix) 2003
• Creepy Autograph "Signed Yours Truly (Jimmy Edgar Cut Edit) 2004
• Jimmy Edgar "Outer City Sound (Jimmy Edgar Hefty Records Remix)" 2007
• Yaporigami "Lie (Jimmy Edgar Remix)" 2007
• Aaliyah "Are You That Somebody (Jimmy's Remix)" 2007
• Black Affair "Its Real (Jimmy Edgar Remix)" 2008
• Daedelus "Touchtone (Jimmy Edgar RMX)" 2008
• Jimmy Edgar "Funktion Remix instrumental" 2008
• Scott Hardkiss "Hey Deejay! (Jimmy Edgar Remix)" 2008
• X District "Color Correction (Jimmy Edgar LTNT RMX)" 2009
• Purple Crush "Get Digital (Jimmy Edgar Remix)" 2009
• Silverclub "Crash this Car (Jimmy Edgar Remix)" 2009
• Fulgeance "Ann Arbor (Jimmy E Rmx)" 2009
• Kris Wadsworth "Mainline (Jimmy E Remix)" 2009
• Aux 88 "Mad Scientist (Jimmy Edgar REMIX)" 2009
• Machinedrum feat. Theophilus London "Late Night Operation (Jimmy Edgar Remix)" 2009
• Kathy Diamond "Fire (Jimmy Edgar RMX)" 2009
• Bitcode "For Trash (Jimmy Edgar RMX)" 2009
• Michael Jackson "Billie Jean (Jimmy Edgar Club Mix)" 2009
• Jimmy Edgar "Hot, Raw, Sex (Extension)" 2010
• Ghost Hunter "Island Barbados (Jimmy Edgar Remix)" 2010
• The Dream "Panties on the Side (Jimmy Edgar RMX)" 2010
• Jimmy Edgar "New Touch (Hard Makeover)" 2010
• Jimmy Edgar "New Touch (Cut Tap Disco MX)" 2010
• Native Underground "Night Vision (Jimmy Edgar Redo)" 2010
• Tahiti 80 "Darlin (Adam & Eve Song, Jimmy Edgar Remix)" 2011
• DJ T "Nothing Even Comes Close (JIMMY EDGAR LH RMX)" 2011
• Amon Tobin "Mass Spring (Jimmy Edgar Remix)" 2011
• Amon Tobin "Drop From The Sky (Jimmy Edgar Manipulation)" 2011
• INOJ "Love U Down (Jimmy Edgar's Lip Kiss)" 2011
• New Look "The Ballad (Jimmy Edgar Makeover)" 2011
• Jimmy Edgar "Ladyphysix (Change "Lovely Lady" / Dopplereffekt "Infophysix" Mashup) 2011
• Native Underground "Night Vision (Jimmy Edgar Remix)" 2011
• Sepalcure "Everyday of my Life (Jimmy Edgar Re-Mix)" 2011
• INC. "Millionaires (Jimmy Edgar Fxck Money Mix)" 2011
• Creep "You featuring Nina Sky (Jimmy Edgar Club Mix)" 2011
• Theophilus London "Why Even Try aka W.E.T. (Jimmy Edgars Modular Disco)" 2011
• Emika "3 Hours/Hit Me (Jimmy Edgar Remix/Music Video)" 2011
• Bitcode "Bark (Jimmy Edgar Remix)" 2011
• NyteOwl "Love U (Jimmy Edgar Pantone Color)" 2011
• Royalty "Cookie Dough (Jimmy Edgar's Cookie Monster)" 2011
• DJ T "Nothing Even Comes Close (Jimmy Edgar Remix)" 2011
• Filterwolf "Brooklyn via Montmarte (Jimmy Edgar Edit)" 2011
• Jimmy Edgar "Hot, Raw, Sex (Hot Sharp Touch, for Collette Sex Compilation, FR)" 2011
• Paul Thomas and Funkagenda "Gornal (Jimmy Edgar Remix)" 2011
• Marius "Checkered Flag (Jimmy Edgar Remix)" 2012
• Deft "Clotting (Jimmy Edgar Makeover)" 2012

Videos[link]

• Emika "Hit Me/3 Hours" Ninja Tune Records, Directed by Jimmy Edgar (2012)
• PLAYING WITH FIRE, Directed by Jimmy Edgar (10/2011)
• ELPHA, Fashion Film Directed by Jimmy Edgar (01/2011)
• KATE, Fashion Film Directed by Jimmy Edgar (01/2011)
• BRIDGET, Fashion Film Directed by Jimmy Edgar (01/2011)
• BLACK OPERATOR, Fashion Commercial Directed by Jimmy Edgar (09/2010)
• SHE LET'S HIM, Short Film Directed by Jimmy Edgar (05/2010)
• Nothing is Better, Directed by Jimmy Edgar (08/01/2008)
• LB LB Detroit, Directed by Christos Chrestatos (07/01/2006)

Exhibitions[link]

• Turin, Italy (2006) Museum during Tourino Winter Olympics
• New York City, USA (2007) Photography Exhibition Finite Gallery
• Miami, USA (2007) MOCA Museum of Contemporary Art Live Sound Installation
• New York CIty, USA (2008) White Museum, Jimmy Edgar Painting Exhibition
• New York City, USA (05/2008) XXX Exhibition Jimmy Edgar Photography/Polaroid
• Detroit, USA (08/2009) 555 Gallery Jimmy Edgar Painting Exhibition
• Pontiac, USA (11/2009) Vernor's Room Jimmy Edgar Complete Works (Painting on Canvas Series)
• Bologna, Italy (01/21-01/24/2010) Installation Link Museum featuring Work No. 11

References[link]

External links[link]

• Jimmy Edgar homepage
• Jimmy Edgar Photography
• Jimmy Edgar Myspace
• Jimmy Edgar XXX microsite
• Warp Records
• Citinite
• Merck Records
• Audio.nl record label
• Live at CTM Festival in Berlin