Noah's Ark (1846), a painting by the American folk painter Edward Hicks.

Noah's Ark (Hebrew: תיבת נח‎, Teyvat Noaḥ in Classical Hebrew) is a vessel appearing in the Book of Genesis (chapters 6–9) and the Quran (surahs Hud and Al-Mu’minoon). These narratives describe the construction of a large, seagoing ark by the Patriarch Noah at God's command to save himself, his family, and the world's animals from the worldwide deluge of the Great Flood.

In the narrative of the ark, God sees the wickedness of man and is grieved by his creation, resolving to send a great flood to cleanse the Earth. However, God chooses a man named Noah and "counted it righteous to him" to live and preserve mankind through Noah's family. God then proceeds to give Noah detailed instructions on how to build the ark. When Noah and the animals are safe on board, God sends the Flood, which rises until all the mountains are covered and all life on Earth is destroyed. At the height of the flood, the ark rests on mountaintops, before the waters recede and dry land reappears. Noah, his family, and the animals leave the ark to repopulate the Earth. God places a symbolic rainbow in the sky and makes a covenant with Noah and all living things, by which he vows to never again send a flood to destroy the Earth.

The ark narrative has been extensively studied by adherents of Judaism, Christianity and Islam, as well as other Abrahamic and non-Abrahamic faiths. Such studies have ranged from hypothetical solutions to practical problems (such as the issues of waste disposal and lighting the ark's interior), to theological and metaphoric interpretations (with the ark being seen as the spiritual precursor of the Church in offering salvation to mankind).^[1] Although the account of the ark was traditionally accepted as historical, by the 19th century the growing impact of scientific investigation and biblical interpretation had led many people to abandon a literal view in favour of a more metaphoric understanding.^[2][3][4] Though there have been many alleged sightings of Noah's Ark over the years,^[5] no concrete physical evidence of the ark has been found. Biblical literalists continue to explore the mountains of Ararat in present-day Turkey, where the Bible says the ark came to rest, in search of archaeological remnants of the vessel.^[6]

Biblical narrative[link]

The Subsiding of the Waters of the Deluge (1829), a painting by the American painter Thomas Cole.

Quotations are taken from the English Standard Version of the Bible.

In the Genesis narrative, God observes that humanity is corrupt and decides to destroy all life. However, "Noah was a righteous man, blameless in his generation, [and] Noah walked with God," and so God gives him instructions for the ark, into which he is told to bring "two of every sort [of animal]...male and female ... everything on the dry land in whose nostrils was the breath of life," and their food.^[7] The dimensions of the vessel are specified: "the length of the ark 300 cubits, its breadth 50 cubits, and its height 30 cubits".^[8]

God instructs Noah to board the ark with his family, seven pairs of every bird and clean animal, and one pair of every unclean animal. "On the same day all the fountains of the great deep were broken up, and the windows of heaven were opened, and the rain was upon the earth," and God closes up the door of the ark. The flood begins, and the waters prevail until all the high mountains are covered fifteen cubits deep. All the people and animals and creeping things and birds of the heavens are blotted out from the Earth, and only Noah and those with him in the ark remain alive.^[9]

Then "God remembered Noah," and causes his wind to blow, and the fountains of the deep and the windows of the heavens are closed. The rain is restrained, the waters abate, and in the seventh month the ark rests on the mountains of Ararat. In the tenth month, the tops of the mountains are seen, and Noah sends out a raven and a dove to see if the waters have subsided; the raven flies "to and fro" but the dove returns with a fresh olive leaf in her beak. Noah waits seven days more and sends out the dove again, and this time it does not return.^[10]

When the land is dry, God tells Noah to leave the ark, and Noah offers a sacrifice to God. God resolves never again to curse the Earth, "for the intention of man’s heart is evil from his youth."^[10] God grants to Noah and his sons the right to kill animals and eat their meat, but forbids meat which has not been drained of its blood. Blood is proclaimed to be sacred, and the unauthorised taking of life is prohibited: "For your lifeblood I will require a reckoning: from every beast I will require it and from man...Whoever sheds the blood of man, by man shall his blood be shed, for God made man in his own image." God then establishes his covenant with Noah and his sons and with all living things, and places a rainbow in the clouds, "the sign of the covenant that I have established between me and all flesh that is on the earth."^[11]

Religious traditions[link]

Rabbinic Judaism[link]

In the last centuries BC and the first centuries AD, many Jewish rabbis formed interpretations of the story of Noah's Ark. Their teachings were collected in the Talmud, which dates from between 200 and 500 AD. The individual volumes of the Talmud are known as Tractates.

Tractates Sanhedrin, Avoda Zarah and Zevahim relate that, while Noah was building the ark, he attempted to warn his neighbors of the coming deluge, but was ignored or mocked. In order to protect Noah and his family, God placed lions and other ferocious animals to guard them from the wicked who tried to stop them from entering the ark. According to one Midrash, it was God, or the angels, who gathered the animals to the ark, together with their food. As there had been no need to distinguish between clean and unclean animals before this time, the clean animals made themselves known by kneeling before Noah as they entered the ark. A differing opinion said that the ark itself distinguished clean animals from unclean, admitting seven pairs each of the former and one pair each of the latter.

According to Sanhedrin 108B, Noah was engaged both day and night in feeding and caring for the animals, and did not sleep for the entire year aboard the ark.^[12] The animals were the best of their species, and so behaved with utmost goodness. They abstained from procreation, so that the number of creatures that disembarked was exactly equal to the number that embarked. The raven created problems, refusing to go out of the ark when Noah sent it forth and accusing the patriarch of wishing to destroy its race, but as the commentators pointed out, God wished to save the raven, for its descendants were destined to feed the prophet Elijah.

According to one tradition, refuse was stored on the lowest of the ark's three decks, humans and clean beasts on the second, and the unclean animals and birds on the top; a differing interpretation described the refuse as being stored on the utmost deck, from where it was shoveled into the sea through a trapdoor. Precious stones, said to be as bright as the noon sun, provided light, and God ensured that food remained fresh.^[13][14][15] Some more unorthodox interpretations of the ark narrative also surfaced: the 12th-century Jewish commentator Abraham ibn Ezra interpreted the ark as being a vessel that remained underwater for 40 days, after which it floated to the surface.^[16]

Christianity[link]

An artist's depiction of the construction of the ark, from the Nuremberg Chronicle (1493).

Interpretations of the ark narrative played an important role in early Christian doctrine. St. Hippolytus of Rome (d. 235) sought to demonstrate that "the Ark was a symbol of the Christ who was expected", stating that the vessel had its door on the east side – the direction from which Christ would appear at the Second Coming – and that the bones of Adam were brought aboard, together with gold, frankincense and myrrh (the symbols of the Nativity of Christ). Hippolytus furthermore stated that the ark floated to and fro in the four directions on the waters, making the sign of the cross, before eventually landing on Mount Kardu "in the east, in the land of the sons of Raban, and the Orientals call it Mount Godash; the Armenians call it Ararat".^[17] On a more practical plane, Hippolytus explained that the ark was built with three decks – the lowest for wild beasts, the middle for birds and domestic animals, and the top level for humans – and that the male animals were separated from the females by sharp stakes so that there would be no cohabitation aboard the vessel.^[17]

The early Church Father and theologian Origen (c. 182 – 251) produced a learned argument about cubits, in response to a critic who doubted that the ark could contain all the animals in the world. Origen held that Moses, the traditional author of the book of Genesis, had been brought up in Egypt and would therefore have used the larger Egyptian cubit. He also fixed the shape of the ark as a truncated pyramid, square at its base, and tapering to a square peak one cubit on a side; it was not until the 12th century that it came to be thought of as a rectangular box with a sloping roof.^[18]

Early Christian artists depicted Noah standing in a small box on the waves, symbolizing God saving the Christian Church in its turbulent early years. St. Augustine of Hippo (354–430), in his work City of God, demonstrated that the dimensions of the ark corresponded to the dimensions of the human body, which according to Christian doctrine is the body of Christ, and in turn the body of the Church.^[1] St. Jerome (c. 347 – 420) identified the raven, which was sent forth and did not return, as the "foul bird of wickedness" expelled by baptism;^[19] more enduringly, the dove and olive branch came to symbolize the Holy Spirit and the hope of salvation and, eventually, peace.^[18] The olive branch remains a secular and religious symbol of peace today.

Islam[link]

Noah (Arabic: Nuh) is one of the five principal prophets of Islam. References to him are scattered through the Qur'an, with the fullest account being found in surah Hud (11:27–51). As a prophet, Noah preached to his people, but with little success; only "a few"^[11:40] of them converted (traditionally thought to be seventy). Noah prayed for deliverance, and Allah told him to build a ship in preparation for the coming flood. A son (named either 'Kan'an' or 'Yam' depending on the source) was among those drowned, despite Noah pleading with him to leave the disbelievers and join him (Surah Hud, 42–43).

In contrast to the Jewish tradition, which uses a term which can be translated as a "box" or "chest" to describe the Ark, surah 29:14 refers to it as a safina, an ordinary ship, and surah 54:13 describes the ark as "a thing of boards and nails". `Abd Allah ibn `Abbas, a contemporary of Muhammad, wrote that Noah was in doubt as to what shape to make the ark, and that Allah revealed to him that it was to be shaped like a bird's belly and fashioned of teak wood.^[20]

Abdallah ibn 'Umar al-Baidawi, writing in the 13th century, gives the length of the ark as 300 cubits (157 m, 515 ft) by 50 (26.2 m, 86 ft) in width, 30 cubits (15.7 m, 52 ft) in height, and explains that in the first of the three levels wild and domesticated animals were lodged, in the second the human beings, and in the third the birds. On every plank was the name of a prophet. Three missing planks, symbolizing three prophets, were brought from Egypt by Og, son of Anak, the only one of the giants permitted to survive the Flood.^{[dubious – discuss]} The body of Adam was carried in the middle to divide the men from the women.^{[dubious – discuss]} Surah 11:41 says: "And he said, 'Ride ye in it; in the Name of Allah it moves and stays!'"; this was taken to mean that Noah said, "In the Name of Allah!" when he wished the ark to move, and the same when he wished it to stand still.

Noah spent five or six months aboard the ark, at the end of which he sent out a raven. But the raven stopped to feast on carrion, and so Noah cursed it and sent out the dove, which has been known ever since as the friend of mankind. The medieval scholar Abu al-Hasan Ali ibn al-Husayn Masudi (d. 956) wrote that Allah commanded the Earth to absorb the water, and certain portions which were slow in obeying received salt water in punishment and so became dry and arid. The water which was not absorbed formed the seas, so that the waters of the flood still exist. Masudi says that the ark began its voyage at Kufa in central Iraq and sailed to Mecca, circling the Kaaba before finally traveling to Mount Judi (in Arabic also referred to as "high place, hill), which surah 11:44 states was its final resting place. This mountain is identified by tradition with a hill near the town of Jazirat ibn Umar on the east bank of the Tigris in the province of Mosul in northern Iraq, and Masudi says that the spot where it came to rest could be seen in his time.

Noah left the ark, and he and his family and companions built a town at the foot of Mount Judi, named Thamanin ("eighty") in reference to their number. Noah then locked the ark and entrusted the keys to Shem. Yaqut al-Hamawi (1179–1229) mentions a mosque built by Noah which could be seen in his day. Some modern Muslims, although not generally active in searching for the ark, believe that it still exists on the high slopes of the mountain.^{[13] [14]}

Other traditions[link]

The Mandaeans of the southern Iraqi marshes practice a religion that was possibly influenced in part by early followers of John the Baptist. They regard Noah as a prophet, while rejecting Abraham (and Jesus) as false prophets. In the Mandaean scriptures, the ark was built of sandalwood from Jebel Harun and was cubic in shape, with a length, width and height of 30 amma (the length of an arm); its final resting place is said to be Egypt.

The religion of the Yazidi of the Sinjar mountains of northern Iraq blends indigenous and Islamic beliefs. According to their Mishefa Reş, the Deluge occurred not once, but twice. The original Deluge is said to have been survived by a certain Na'umi, father of Ham, whose ark landed at a place called Ain Sifni, in the region of Nineveh Plains 40 kilometres (25 mi) north-east of Mosul. Some time after this came the second flood, upon the Yezidis only, which was survived by Noah, whose ship was pierced by a rock as it floated above Mount Sinjar, then went on to land on Mount Judi, as described in Islamic tradition.

The Bahá'í Faith regards the Ark and the Flood as symbolic.^[21] In Bahá'í belief, only Noah's followers were spiritually alive, preserved in the "ark" of his teachings, as others were spiritually dead.^[22][23] The Bahá'í scripture Kitáb-i-Íqán endorses the Islamic belief that Noah had a large number of companions on the ark, either 40 or 72, as well as his family, and that he taught for 950 (symbolic) years before the flood.^[24]

In Hindu mythology, texts like the Satapatha Brahmana mention the story of a great flood,^[25] wherein the Matsya Avatar of Vishnu warns the first man, Manu, of the impending flood, and also advises him to build a giant boat.^[26][27][28]

Noah's Ark and science[link]

Paradisaea apoda, literally "the Bird of Paradise Without Feet", so named by early European naturalists because the first specimens to reach Europe were prepared as skins without the feet. Biblical scholars decided that the bird was native to Heaven, and that it had flown around endlessly inside the ark without roosting.

Various editions of the Encyclopædia Britannica reflect the collapse of belief in the historicity of the ark in the face of advancing scientific knowledge. Its 1771 edition offered the following as scientific evidence for the ark's size and capacity: "...Buteo and Kircher have proved geometrically, that, taking the common cubit as a foot and a half, the ark was abundantly sufficient for all the animals supposed to be lodged in it..., the number of species of animals will be found much less than is generally imagined, not amounting to a hundred species of quadrupeds...". By the eighth edition (1853–1860), the encyclopedia said of the Noah story, "The insuperable difficulties connected with the belief that all other existing species of animals were provided for in the ark are obviated by adopting the suggestion of Bishop Stillingfleet, approved by Matthew Poole...and others, that the Deluge did not extend beyond the region of the Earth then inhabited..." By the ninth edition, in 1875, no attempt was made to reconcile the Noah story with scientific fact, and it was presented without comment. In the 1960 edition, the article on the ark stated that "Before the days of 'higher criticism' and the rise of the modern scientific views as to the origin of the species, there was much discussion among the learned, and many ingenious and curious theories were advanced, as to the number of animals on the ark".^[29]

16th–18th centuries[link]

The Renaissance saw continued speculation on the nature of the ark that might have seemed familiar to Origen and Augustine. At the same time, however, a new class of scholarship arose, one which, while never questioning the literal truth of the Ark story, began to speculate on the practical workings of Noah's vessel from within a purely naturalistic framework. In the 15th century, Alfonso Tostada gave a detailed account of the logistics of the ark, down to arrangements for the disposal of dung and the circulation of fresh air. The 16th-century geometrician Johannes Buteo calculated the ship's internal dimensions, allowing room for Noah's grinding mills and smokeless ovens, a model widely adopted by other commentators.^[18]

By the 17th century, it was becoming necessary to reconcile the exploration of the New World and increased awareness of the global distribution of species with the older belief that all life had sprung from a single point of origin on the slopes of Mount Ararat. The obvious answer was that man had spread over the continents following the destruction of the Tower of Babel and taken animals with him, yet some of the results seemed peculiar. In 1646, Sir Thomas Browne wondered why the natives of North America had taken rattlesnakes with them, but not horses: "How America abounded with Beasts of prey and noxious Animals, yet contained not in that necessary Creature, a Horse, is very strange".^[18]

Browne, who was among the first to question the notion of spontaneous generation, was a medical doctor and amateur scientist making this observation in passing. However, biblical scholars of the time, such as Justus Lipsius (1547–1606) and Athanasius Kircher (c.1601–80), were also beginning to subject the Ark story to rigorous scrutiny as they attempted to harmonize the biblical account with the growing body of natural historical knowledge. The resulting hypotheses were an important impetus to the study of the geographical distribution of plants and animals, and indirectly spurred the emergence of biogeography in the 18th century. Natural historians began to draw connections between climates and the animals and plants adapted to them. One influential theory held that the biblical Ararat was striped with varying climatic zones, and as climate changed, the associated animals moved as well, eventually spreading to repopulate the globe.

There was also the problem of an ever-expanding number of known species: for Kircher and earlier natural historians, there was little problem finding room for all known animal species in the ark, but by the time John Ray (1627–1705) was working, less than a century after Kircher, their number had expanded beyond biblical proportions. Incorporating the full range of animal diversity into the Ark story was becoming increasingly difficult,^[3] and by the middle of the 18th century few natural historians could justify a literal interpretation of the Ark narrative.^[4] An uneasy rapprochement was reached by thinkers such as Edward Stillingfleet, a late 17th-century English theologian and scholar, who suggested that mankind at the time of Noah had inhabited only a small portion of the world, so that a purely local Flood would square the Bible with science; the idea gained popularity in intellectual circles in the 18th century, but was increasingly abandoned as the scientific evidence mounted.

19th century[link]

Geology[link]

The development of scientific geology had a profound impact on attitudes towards the biblical Flood and Ark story. Without the support of the Biblical chronology, which placed the Creation and the Flood in a history which stretched back no more than a few thousand years, the historicity of the Ark itself was undermined. In 1823, William Buckland interpreted geological phenomena as Reliquiae Diluvianae: relics of the flood which "attested the action of a universal deluge". His views were supported by other English clergymen and naturalists at the time, including the influential Adam Sedgwick, but by 1830 Sedgwick considered that the evidence only showed local floods. The deposits were subsequently explained by Louis Agassiz as the results of glaciation.^[30] In 1862, William Thompson, later Lord Kelvin, calculated the age of the Earth at between 24 million and 400 million years, and for the remainder of the 19th century, discussion focused not on whether this theory of deep time was viable, but on the derivation of a more precise figure for the age of the Earth.^[31] Lux Mundi, an 1889 volume of theological essays which is usually held to mark a stage in the acceptance of a more critical approach to scripture, took the stance that the gospels could be relied upon as completely historical, but that the earlier chapters of Genesis should not be taken literally.^[32]

Biblical scholarship[link]

In the 19th century, Biblical scholars were beginning to examine the origins of the Bible itself. The story of Noah's Ark played a central role in the new theories, largely because, using the newly developed tools of source criticism, scholars discovered in the Ark narrative two complete, coherent, parallel stories. For example, it is stated twice over that God was angered with his creation, but the reasons given in each telling are slightly different; it is said that there was a single pair of each animal aboard, but also that there were seven pairs of the clean animals. The source of the floodwater is said to be rain, but also the "windows of Heaven" and the "fountains of the Deep"; the rains are described as lasting forty days, but the waters are also said to have risen for 150 days. Gradually, scholars came to agree that the entire Pentateuch – the first five books of the Bible – had been written in this fashion, combining the writings of many authors over many centuries into a single work.^[33]

Translation of other flood myths[link]

This section is missing information about the effect of these discoveries on belief in Noah's Ark (that would make this information relevant to the general topic). This concern has been noted on the talk page where whether or not to include such information may be discussed. (June 2011)

The 19th century also saw the growth of Middle Eastern archaeology and the first translations into English of ancient Mesopotamian records. The Assyriologist George Smith achieved world-wide fame with his translation of the Babylonian account of the Great Flood, which he read before the Society of Biblical Archaeology on December 3, 1872. Further discoveries brought to light several versions of the Mesopotamian flood-myth, with the closest to Genesis 6–9 being found in a 7th-century-BC Babylonian copy of the Epic of Gilgamesh: the hero Gilgamesh meets the immortal man Utnapishtim, who tells how the god Ea warned him to build a huge vessel in which to save himself, his family, and his friends and animals, from a great flood by which the gods intended to destroy the world.^{[34][Need quotation to verify]}

Modern views[link]

Origins of the Genesis Ark story[link]

The story of Noah's Ark in Genesis is considered by modern scholars to be directly dependent upon the Babylonian version,^[35] which it parallels point by point, in the correct order, from beginning to end.^[36] It is a composite text,^[37] with some parts belonging to the Jahwist source and some to the Priestly source.^[38] The Jahwist version has modified the Babylonian text to make it conform to a monotheistic theology.^[35]

Chronology of the flood[link]

The elaborate chronology of the flood has attracted a great deal of attention from scholars. The following revised table is abridged from a study by Gordon Wenham. The left column lists dates by day, month and year of Noah's life, the middle column lists the time-periods involved for each incident, and the right column gives the day of the week.^[39]

Numerology and the Tabernacle[link]

Noah's Ark is said to be 300 cubits long, 50 cubits wide, and 30 cubits high, and has three decks; it is therefore three times the height of the Tabernacle of the Israelites, as described in the Book of Exodus. The dimensions of the ark, the Tabernacle tent and the Tabernacle forecourt are listed below:

It is suggested that the biblical authors saw both the ark and the Tabernacle serving the same purpose – the preservation of humankind for God's plan.^[40] The dimensions of both structures betray a numerological preoccupation with the number sixty, one which is shared with the Babylonian Ark: Noah's Ark is 60x5=300 cubits long and 60÷2=30 cubits high.^[41]

Narrative structure[link]

British biblical scholar Gordon Wenham has identified an elaborate chiasmus within the ark story, with the phrase "And God remembered Noah" at its centre. This analysis has attracted numerous supporters, especially among more conservative scholars,^[42] but has been criticized by J. A. Emerton and others as being essentially subjective and inclined to arbitrary results.^[43]

Literalism and the search for Noah's Ark[link]

Mount Ararat, the supposed resting place of the ark, photographed from Iğdır, Turkey.

Modern Biblical literalists believe in a literal, physical ark, and have given numerous proposed dates for the Biblical flood.^[44] Additionally, some Young Earth creationists seek the physical remains of the vessel, as they feel that finding archaeological evidence of the Ark would validate their views on various theological and scientific matters. In 2009, John D. Morris of the Institute for Creation Research wrote that, "if the flood of Noah indeed wiped out the entire human race and its civilization, as the Bible teaches, then the Ark constitutes the one remaining major link to the pre-flood World. No significant artifact could ever be of greater antiquity or importance... [with] tremendous potential impact on the creation-evolution (including theistic evolution) controversy."^[6] Physical searches for Noah's Ark continue on and around Mount Ararat in present-day Turkey, the Ark's supposed resting place.

Date of the flood[link]

The Ussher chronology, a literalist calculation of the dates of creation and other Biblical events published in 1650 by the Irish Archbishop James Ussher, places the Great Flood at 2348 BC.^[44] Using the Masoretic Text of the Bible shows the date to be 1656 years after creation.^[45] Ussher calculated that the creation occurred in 4004 BC; using the King James Bible, this creation date gives the date of the Flood as 2348 BC. Although the Ussher chronology remains highly influential among literalists,^[44] other theologians have given different dates for the Creation; for example, Joseph Scaliger claimed it to have occurred in 3950 BC, while Petavius calculated the date as 3982 BC.^[46][47]

See also[link]

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Wikimedia Commons has media related to: Noah's Ark

Notes[link]

References[link]

• Bailey, Lloyd R. (1989). Noah, the Person and the Story. South Carolina: University of South Carolina Press. ISBN 0-87249-637-6. 
• Baring-Gould, Sabine (1884). "Noah". Legends of the patriarchs and prophets and other Old Testament characters from various sources. James B. Millar and Co., New York. http://books.google.com/books?id=05BuCM6U4DgC&pg=PA113&lpg=PA113&dq=eutychius+noah. 
• Campbell, Antony F; O'Brien, Mark A (1993). Sources of the Pentateuch: texts, introductions, annotations. Fortress Press. http://books.google.com.au/books?id=cwhICpcHBsQC&pg=PR3&dq=Sources+of+the+bible&cad=3#v=onepage&q=Sources%20of%20the%20bible&f=false. 
• Best, Robert M. (1999). Noah's Ark and the Ziusudra Epic. Fort Myers, Florida: Enlil Press. ISBN 0-9667840-1-4. 
• Browne, Janet (1983). The Secular Ark: Studies in the History of Biogeography. New Haven & London: Yale University Press. p. 276. ISBN 0-300-02460-6. 
• Cohn, Norman (1996). Noah's Flood: The Genesis Story in Western Thought. New Haven & London: Yale University Press. ISBN 0-300-06823-9. 
• Compilation (1983). Hornby, Helen. ed. Lights of Guidance: A Bahá'í Reference File. Bahá'í Publishing Trust, New Delhi, India. ISBN 81-85091-46-3. http://bahai-library.com/hornby_lights_guidance. 
• Dalrymple, G. Brent (1991). The Age of the Earth. Stanford University Press. ISBN 0-8047-2331-1. 
• Emerton, J.A. (1988). Joosten, J.. ed. "An Examination of Some Attempts to Defend the Unity of the Flood Narrative in Genesis: Part II". Vetus Testamentum (International Organization for the Study of the Old Testament) XXXVIII (1). 
• McKeown, James (2008). Genesis. Two Horizons Old Testament Commentary. Wm. B. Eerdmans Publishing Company. p. 398. ISBN 0-8028-2705-5. http://books.google.com/?id=-gqTTl1iPr8C&pg=PA65&lpg=PA65&dq=westermann+tabernacle+ark#v=onepage&q=westermann%20tabernacle%20ark&f=false. 
• Nicholson, Ernest W (2003). The Pentateuch in the twentieth century: the legacy of Julius Wellhausen. Oxford University Press. http://books.google.com/books?id=opBBTHT13yoC&printsec=frontcover&dq=The+Pentateuch+in+the+twentieth+century:+the+legacy+of+Julius+Wellhausen#v=onepage&q&f=false. 
• Plimer, Ian (1994). Telling Lies for God: Reason vs Creationism. Random House Australia. p. 303. ISBN 0-09-182852-X. 
• Shoghi Effendi (1971). Messages to the Bahá'í World, 1950–1957. Wilmette, Illinois, USA: Bahá'í Publishing Trust. p. 104. ISBN 0-87743-036-5. http://reference.bahai.org/en/t/se/MBW/. 
• Speiser, E. A. (1964). Genesis. The Anchor Bible. Doubleday. ISBN 0-385-00854-6. 
• Tigay, Jeffrey H., (1982). The Evolution of the Gilgamesh Epic. University of Pennsylvania Press, Philadelphia. ISBN 0-8122-7805-4. 
• Van Seters, John (2004). The Pentateuch: a social-science commentary. Continuum International Publishing Group. http://books.google.com.au/books?id=T-Vi9eK_vS0C&pg=PA7&dq=Sources+of+the+bible&cad=3#v=onepage&q=Sources%20of%20the%20bible&f=false. 
• Wenham, Gordon (1994). "The Coherence of the Flood Narrative". In Hess, Richard S.; Tsumura, David Toshio (Google Books). I studied inscriptions from before the flood. Sources for Biblical and Theological Study. 4. Eisenbrauns. p. 480. ISBN 0-931464-88-9. http://books.google.com.au/books?id=g5MGVP6gAPkC&printsec=frontcover&dq=I+studied+inscriptions+from+before+the+flood#v=onepage&q&f=false. 
• Young, Davis A. (March 1995). The Biblical Flood: A Case Study of the Church's Response to Extrabiblical Evidence. Grand Rapids, MI: Eerdmans Pub Co. p. 340. ISBN 0-8028-0719-4. 

Noah
Noah's sacrifice by Daniel Maclise
Antediluvian Patriarch, Prophet, Holy Forefather, Constructor of the Ark, 'Grateful Servant of God', 'Preacher of Righteousness'
Born	Mesopotamia (?)
Honored in	Judaism Christianity Islam Mandaeism Baha'i Faith
Influenced	Many Jews, Christians and Muslims

Noah ( /ˈnoʊ.ə/^[1]; or Noé, Noach; Hebrew: נֹחַ,‎ נוֹחַ, Modern Noaẖ Tiberian Nōăḥ; Arabic: نُوح‎ Nūḥ; Ancient Greek: Νῶε) was the tenth and last of the antediluvian Patriarchs. The story of Noah and the ark is told in chapters 6–9 of the book of Genesis, which is followed by the story of the Curse of Ham. Outside Genesis his name is mentioned in Ezekiel, Isaiah and Chronicles. He was the subject of much elaboration in later Abrahamic traditions, including the Qur'an.

Noah in Genesis[link]

Mosaic depiction of Noah sending the dove

Noah was the tenth of the pre-Flood Patriarchs. His father Lamech named him nûaḥ (the final ḥ is a more gutteral sound than the English h), saying, "This same shall comfort us in our work and in the toil of our hands, which cometh from the ground which the LORD hath cursed."^[2] This connects the future patriarch's name with nāḥam, "comfort", but it seems better related to the word nûaḥ, meaning "rest", and is more a play on words than a true etymology.^[3][4]

In his five hundredth year Noah had three sons, Shem, Ham and Japheth. In his six hundredth year God, saddened at the wickedness of mankind, sent a great deluge to destroy all life, but because Noah was "righteous in his generation" God instructed him to build an ark and save a remnant of life. After the Flood Noah offered a sacrifice (the word nihoah, describing the "pleasant" odour of the sacrifice, is yet another pun on Noah's name) and entered into a covenant with God regulating the shedding of blood (i.e., mankind's permnission to kill under regulated circumstances).^[5] After this he became "the first tiller of the soil", planted a vineyard, and drank the wine, and fell asleep naked; Noah's son Ham saw his father naked and told his brothers, and Noah cursed Ham's son Canaan.^[6]

Noah died 350 years after the Flood, at the age of 950,^[7] the last of the immensely long-lived antediluvian Patriarchs. One of the longest human lifespans, as depicted by the Bible, diminishes rapidly thereafter, from almost 1,000 years to the 120 years of Moses. (The longest recorded lifespan was that of Methuselah, who lived to be 969 years old. – Gen. 5:27)

Origins[link]

According to the documentary hypothesis, the first five books of the Bible (Pentateuch/Torah), including Genesis, were collated during the 5th century BC from four main sources, which themselves date from no earlier than the 10th century BC. Two of these, the Jahwist, composed in the 10th century BC, and the Priestly source, from the late 7th century BC, make up the chapters of Genesis which concern Noah. The attempt by the 5th century editor to accommodate two independent and sometimes conflicting sources accounts for the confusion over such matters as how many pairs of animals Noah took, and how long the flood lasted.^[8][9]

Noah is described by three phrases: “a righteous man”, “blameless” and “walked with God”. He stands out from his contemporaries as a man of right conduct.^[10] who forewarned doom, by preaching.

In terms of Julius Wellhausen's critiquing, the story of Noah is categorized as an ethnological tradition that emerges from the conflict between Israel and Canaan. The passage “Canaan will serve Shem” reflects Israel’s conquest of the promised land.^[11]

According to Randall Bailey, the curse against Canaan was as a direct result of Ham performing a suspicious sexual act against his father, Noah. He suggests that the purpose for this redaction was to keep Israel from adopting sexual practices linked with Egypt and Canaan (Lev 18:3) and to demean the ancestor of Africans because Israelite custom regarded Africa as a standard of valuation.^[12]

According to Umberto Cassuto, Ham’s transgression is an allegory that represents the Canaanite people. The Canaanites were to suffer the curse not because of Ham’s sin, but because they acted like him by their own transgressions. The passage of Canaan serving Shem refers to the children of Canaan who served under Chedorlaomer, king of Elam,^{[Gen 14:4]} son of Shem.^[13]

A vineyard mosaic

Noah and wine[link]

Commentators, as early as the Classical era, on Genesis 9:20–21 have excused Noah’s excessive drinking because he was considered to be the first wine drinker, the first person to discover the soothing, consoling, and enlivening effects of wine.^[14] John Chrysostom, a church father, writes that Noah’s behaviour is defensible: as the first human to taste wine, he would not know its aftereffects: “Through ignorance and inexperience of the proper amount to drink, fell into a drunken stupor”.^[15]

Philo, a Hellenistic Jewish philosopher also exonerates Noah by noting that one can drink in two different manners: (1) to drink wine in excess, a peculiar sin to the vicious evil man or (2) to partake of wine as the wise man, Noah being the latter.^[16]

In Jewish tradition, Rabbis blame Satan for saturating the vine with intoxicating properties from the blood of certain animals, thus Noah behaved not knowing what he was doing.^[17]

Noah and Ham[link]

In the field of Psychological biblical criticism, J. H. Ellens and W. G. Rollins address the narrative of Genesis 9:18–27 that narrates the unconventional behavior that occurs between Noah and Ham. Because of its brevity and textual inconsistencies, it has been suggested that this narrative is a “splinter from a more substantial tale”.^[18][19] A fuller account would explain what exactly Ham “had done to” his father; or why Noah directed a curse at Canaan for Ham’s misdeed; or how Noah came to know what occurred. The narrator relates two facts: (1) Noah became inebriated when he “uncovered himself within his tent” and (2) Ham “saw his father’s nakedness.” Thus, these passages revolve around sexuality and the exposure of genitalia as compared with other Hebrew bible texts, such as Habakkuk 2:15 and Lamentations 4:21.^[20]

Religious views[link]

Jewish views[link]

A Jewish depiction of Noah

The righteousness of Noah is the subject of much discussion among the rabbis.^[21] The description of Noah as "righteous in his generation" implied to some that his perfection was only relative: In his generation of wicked people, he could be considered righteous, but in the generation of a tzadik like Abraham, he would not be considered so righteous. They point out that Noah did not pray to God on behalf of those about to be destroyed, as Abraham prayed for the wicked of Sodom and Gomorrah. In fact, Noah is never seen to speak; he simply listens to God and acts on his orders. This led such commentators to offer the figure of Noah as "the man in a fur coat," who ensured his own comfort while ignoring his neighbour. Others, such as the medieval commentator Rashi, held on the contrary that the building of the Ark was stretched over 120 years, deliberately in order to give sinners time to repent. Rashi interprets his father's statement of the naming of Noah (in Hebrew נֹחַ) “This one will comfort (in Hebrew– yeNaHamainu יְנַחֲמֵנו) from our work and our hands sore from the land that the Lord had cursed”,^[22] by saying Noah heralded a new era of prosperity, when there was easing (in Hebrew – nahah – נחה) from the curse from the time of Adam when the Earth produced thorns and thistles even where men sowed wheat and that Noah then introduced the plow.

Christian views[link]

An early Christian depiction showing Noah giving the gesture of orant as the dove returns

According to 2 Peter 2:5, Noah is considered a "preacher of righteousness". Of the Gospels in the New Testament, the Gospel of Luke compares Noah's Flood with the coming Day of Judgement: “Just as it was in the days of Noah, so too it will be in the days of the coming of the Son of Man.”^[23]

The First Epistle of Peter compares the saving power of baptism with the Ark saving those who were in it. In later Christian thought, the Ark came to be compared to the Church: salvation was to be found only within Christ and his Lordship, as in Noah's time it had been found only within the Ark. St Augustine of Hippo (354–430), demonstrated in The City of God that the dimensions of the Ark corresponded to the dimensions of the human body, which corresponds to the body of Christ; the equation of Ark and Church is still found in the Anglican rite of baptism, which asks God, "who of thy great mercy didst save Noah," to receive into the Church the infant about to be baptised.

In medieval Christianity, Noah's three sons were generally considered as the founders of the populations of the three known continents, Japheth/Europe, Shem/Asia, and Ham/Africa, although a rarer variation held that they represented the three classes of medieval society – the priests (Shem), the warriors (Japheth), and the peasants (Ham). In the 18th and 19th centuries the view that Ham's sons in general had been literally "blackened" by the curse of Noah was cited as justification for black slavery.^{[citation needed]}

In Latter-day Saint theology, the angel Gabriel lived in his mortal life as the patriarch Noah. Gabriel and Noah are regarded as the same individual; Noah being his mortal name and Gabriel being his heavenly name.^[24]

Islamic views[link]

An Islamic depiction of Noah

Noah is a highly important figure in Islam, and is seen as one of the most significant prophets of all. The Qur'an contains 43 references to Noah in 28 chapters and the seventy-first chapter, Chapter Noah, is named after him. Noah's narratives largely consist around his preaching as well the story of the Deluge. Noah's narrative lays the prototype for many of the subsequent prophetic stories, which begin with the prophet warning his people and then the community rejecting the message and facing a punishment. Noah is not the first prophet sent to mankind, according to the Quran (The first prophet according to Islam is Adam, who was the first man and thus the first prophet as he was the only one to deliver the message at that time). Noah has several titles in Islam, based primarily on praise for him in the Qur'an, including True Messenger of God (XXVI: 107) and Grateful Servant of God (XVII: 3). The Qur'an further states that God chose Adam, Noah, the family of Abraham and the family of Amram above all mankind (III: 33).

The Qur'an focuses on several instances from Noah's life more than others, and one of the most significant events is the Deluge. God makes a covenant with Noah just as with Abraham, Moses, Jesus and Muhammad later on (XXXIII: 7). Noah is later reviled by his people and reproached by them for being a mere human messenger and not an angel (X: 72-74). Moreover, the people of Noah mock Noah's words and call him a liar (VII: 62) and even suggest that Noah is possessed by a devil when the prophet ceases to preach (LIV: 9). Only the lowest in the community join Noah in believing in God's message (XI: 29), and Noah's narrative further describes him preaching both in private and public. The Qur'an narrates that Noah received a revelation to build an Ark, after his people refused to believe in his message and hear the warning. The narrative goes on to describe that waters poured forth from the Heavens, destroying all the sinners. After the Great Flood ceased, the Ark rested atop Mount Judi (Qur'an 11:44).

Gnostic views[link]

The tomb of Noah in the Nakhchivan area of the Azerbaijan Republic. The name Nakhchivan is believed to derive from the meaning "The place where Noah landed after the flood"

Gnosticism was an important development of (and departure from) early Christianity, blending Jewish scriptures and Christian teachings with traditional pagan religion and esoteric Greek philosophical concepts. An important Gnostic text, the Apocryphon of John, reports that the chief archon caused the flood because he desired to destroy the world he had made, but the First Thought informed Noah of the chief archon's plans, and Noah informed the remainder of humanity. Unlike the account of Genesis, not only are Noah's family saved, but many others also heed Noah's call. There is no ark in this account; instead Noah and the others hide in a "luminous cloud".

Baha'i views[link]

The Bahá'í Faith regards the Ark and the Flood as symbolic.^[25] In Bahá'í belief, only Noah's followers were spiritually alive, preserved in the ark of his teachings, as others were spiritually dead.^[26][27] The Bahá'í scripture Kitáb-i-Íqán endorses the Islamic belief that Noah had a large number of companions, either 40 or 72, besides his family on the Ark, and that he taught for 950 (symbolic) years before the flood.^[28]

Comparisons in other religions[link]

Noah's first burnt offering after the Flood – relief in Holy Trinity Column in Olomouc

Ancient Greek[link]

In Greek mythology, Noah has often been compared to Deucalion, the son of Prometheus and Pronoia. Like Noah, Deucalion is a wine maker or wine seller; he is forewarned of the flood (this time by Zeus and Poseidon); he builds an ark and staffs it with creatures – and when he completes his voyage, gives thanks and takes advice from the gods on how to repopulate the Earth. Deucalion also sends a pigeon to find out about the situation of the world and the bird return with an olive branch. This and some other examples of apparent comparison between Greek myths and the "key characters" in the Old Testament/Torah have led recent biblical scholars to suggest a Hellenistic influence in the composition of the earlier portions of the Hebrew Bible.^{[citation needed]}

Mesopotamian[link]

The earliest written flood myth is found in the Mesopotamian Epic of Atrahasis and Epic of Gilgamesh texts. Many scholars believe that Noah and the Biblical Flood story are derived from the Mesopotamian version, predominantly because Biblical mythology that is today found in Judaism, Christianity, Islam and Mandeanism shares overlapping consistency with far older written ancient Mesopotamian story of The Great Flood, and that the early Hebrews were known to have lived in Mesopotamia.^[29]

Gilgamesh’s historical reign is believed to have been approximately 2700 BCE,^[30] shortly before the earliest known written stories. The discovery of artifacts associated with Aga and Enmebaragesi of Kish, two other kings named in the stories, has lent credibility to the historical existence of Gilgamesh.^[31]

The earliest Sumerian Gilgamesh poems date from as early as the Third dynasty of Ur (2100–2000 BC).^[32] One of these poems mentions Gilgamesh’s journey to meet the flood hero, as well as a short version of the flood story.^[33] The earliest Akkadian versions of the unified epic are dated to ca. 2000–1500 BC.^[34] Due to the fragmentary nature of these Old Babylonian versions, it is unclear whether they included an expanded account of the flood myth; although one fragment definitely includes the story of Gilgamesh’s journey to meet Utnapishtim. The “standard” Akkadian version included a long version of the flood story and was edited by Sin-liqe-unninni sometime between 1300 and 1000 BC.^[35] In the Mesopotamian epics, Nu-Atrahasis (Utnapishtim) is glorified as a hero for his epic deeds of building and loading the ark, whereas Genesis simply says, “Noah did all that the LORD commanded him.” Obedience to God, not human courage, is the focus in the later Genesis narrative.^[36]

See also[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Noah

• Jewish Encyclopedia: Noah from the 1901–1906 Jewish Encyclopedia
• Catholic Encyclopedia: Noah
• MuslimWiki: Nuh

Walt Disney
Walt Disney on January 1, 1954
Born	Walter Elias Disney (1901-12-05)December 5, 1901[1] Hermosa, Chicago, Illinois, U.S.
Died	December 15, 1966(1966-12-15) (aged 65) Burbank, California, U.S.
Cause of death	Lung Cancer
Resting place	Forest Lawn Memorial Park, Glendale, California, U.S.
Residence	Burbank, California
Nationality	American
Education	McKinley High School
Occupation	Film producer, Co-founder of The Walt Disney Company, formerly known as Walt Disney Productions
Years active	1920–1966
Home town	Chicago, Illinois
Political party	Republican
Board member of	The Walt Disney Company
Religion	Christian (Congregationalist)[2]
Spouse	Lillian Bounds (1925–1966; his death)
Children	Diane Marie Disney Sharon Mae Disney
Parents	Elias Disney Flora Call Disney
Relatives	Ronald William Miller (son-in-law) Robert Borgfeldt Brown (son-in-law) Roy Edward Disney (nephew)
Family	Herbert Arthur Disney (brother) Raymond Arnold Disney (brother) Roy Oliver Disney (brother) Ruth Flora Disney (sister)
Awards	7 Emmy Awards, 22 Academy Awards, Cecil B.DeMille Award
Signature

Walter Elias "Walt" Disney (December 5, 1901 – December 15, 1966) was an American film producer, director, screenwriter, voice actor, animator, entrepreneur, entertainer, international icon,^[3] and philanthropist, well known for his influence in the field of entertainment during the 20th century. Along with his brother Roy O. Disney, he was co-founder of Walt Disney Productions, which later became one of the best-known motion picture producers in the world. The corporation is now known as The Walt Disney Company and had an annual revenue of approximately US$36 billion in the 2010 financial year.^[4]

Disney is particularly noted as a film producer and a popular showman, as well as an innovator in animation and theme park design. He and his staff created some of the world's most well-known fictional characters including Mickey Mouse, for whom Disney himself provided the original voice. During his lifetime he received four honorary Academy Awards and won 22 Academy Awards from a total of 59 nominations, including a record four in one year,^[5] giving him more awards and nominations than any other individual in history.^[6] Disney also won seven Emmy Awards and gave his name to the Disneyland and Walt Disney World Resort theme parks in the U.S., as well as the international resorts Tokyo Disney Resort, Disneyland Paris, and Hong Kong Disneyland.

The year after his December 15, 1966 death from lung cancer in Burbank, California, construction began on Walt Disney World Resort in Florida. His brother Roy Disney inaugurated the Magic Kingdom on October 1, 1971.

1901–1937: Beginnings[link]

Childhood[link]

Disney was born on December 5, 1901, at 2156 N. Tripp Avenue in Chicago's Hermosa community area to Irish-Canadian father Elias Disney and Flora Call Disney, who was of German and English descent.^[7][8] His great-grandfather, Arundel Elias Disney, had emigrated from Gowran, County Kilkenny, Ireland where he was born in 1801. Arundel Disney was a descendant of Robert d'Isigny, a Frenchman who had travelled to England with William the Conqueror in 1066.^[9] With the d'Isigny name anglicised as "Disney", the family settled in a village now known as Norton Disney, south of the city of Lincoln, in the county of Lincolnshire.

In 1878, Disney's father Elias had moved from Huron County, Ontario, Canada to the United States at first seeking gold in California before finally settling down to farm with his parents near Ellis, Kansas, until 1884. Elias worked for the Union Pacific Railroad and married Flora Call on January 1, 1888, in Acron, Florida. The family moved to Chicago, Illinois, in 1890,^[10] hometown of his brother Robert^[10] who helped Elias financially for most of his early life.^[10] In 1906, when Walt was four, Elias and his family moved to a farm in Marceline, Missouri,^[11] where his brother Roy had recently purchased farmland.^[11] In Marceline, Disney developed his love for drawing^[12] with one of the family's neighbors, a retired doctor named "Doc" Sherwood, paying him to draw pictures of Sherwood's horse, Rupert.^[12] His interest in trains also developed in Marceline, a town that owed its existence to the Atchison, Topeka and Santa Fe Railway which ran through it. Walt would put his ear to the tracks in anticipation of the coming train^[8] then try and spot his uncle, engineer Michael Martin, conducting the train.

10-year old Walt Disney (center right) at a gathering of Kansas City newsboys in 1912.

The Disneys remained in Marceline for four years,^[13] before moving to Kansas City in 1911^[14] where Walt and his younger sister Ruth attended the Benton Grammar School. At school he met Walter Pfeiffer who came from a family of theatre aficionados, and introduced Walt to the world of vaudeville and motion pictures. Before long Walt was spending more time at the Pfeiffers' than at home.^[15] As well as attending Saturday courses at the Kansas City Art Institute,^[16] Walt often took Ruth to Electric Park, 15 blocks from their home, which Disney would later acknowledge as a major influence of his design of Disneyland.^{[citation needed]}

Teenage years[link]

In 1917, Elias acquired shares in the O-Zell jelly factory in Chicago and moved his family back to the city,^[17] where in the fall Disney began his freshman year at McKinley High School and took night courses at the Chicago Art Institute.^[18] He became the cartoonist for the school newspaper, drawing patriotic topics and focusing on World War I. Despite dropping out of high school at the age of sixteen to join the army, Disney was rejected for being underage.^[19]

After his rejection by the army, Walt and a friend decided to join the Red Cross.^[20] Soon after joining he was sent to France for a year, where he drove an ambulance, but only after the armistice was signed on November 11, 1918.^[21]

Disney as an ambulance driver immediately after World War I

Hoping to find work outside the Chicago O-Zell factory,^[22] in 1919 Walt moved back to Kansas City to begin his artistic career.^[23] After considering whether to become an actor or a newspaper artist, he decided on a career as a newspaper artist, drawing political caricatures or comic strips. But when nobody wanted to hire him as either an artist or even as an ambulance driver, his brother Roy, then working in a local bank, got Walt a temporary job through a bank colleague at the Pesmen-Rubin Art Studio^[23] where he created advertisements for newspapers, magazines, and movie theaters.^[24] At Pesmen-Rubin he met cartoonist Ubbe Iwerks^[25] and when their time at the studio expired, they decided to start their own commercial company together.^[26]

In January 1920, Disney and Iwerks formed a short-lived company called, "Iwerks-Disney Commercial Artists". However, following a rough start, Disney left temporarily to earn money at the Kansas City Film Ad Company, and was soon joined by Iwerks who was not able to run their business alone.^[27] While working for the Kansas City Film Ad Company, where he made commercials based on cutout animations, Disney became interested in animation, and decided to become an animator.^[28] The owner of the Ad Company, A.V. Cauger, allowed him to borrow a camera from work to experiment with at home. After reading the Edwin G. Lutz book Animated Cartoons: How They Are Made, Their Origin and Development, Disney considered cel animation to be much more promising than the cutout animation he was doing for Cauger. Walt eventually decided to open his own animation business,^[29] and recruited a fellow co-worker at the Kansas City Film Ad Company, Fred Harman, as his first employee.^[29] Walt and Harman then secured a deal with local theater owner Frank L. Newman, arguably the most popular "showman" in the Kansas City area at the time,^[30] to screen their cartoons at his local theater, which they titled Laugh-O-Grams.^[30]

Laugh-O-Gram Studio[link]

Presented as "Newman Laugh-O-Grams",^[30] Disney's cartoons became widely popular in the Kansas City area^[31] and through their success, he was able to acquire his own studio, also called Laugh-O-Gram,^[32] for which he hired a vast number of additional animators, including Fred Harman's brother Hugh Harman, Rudolf Ising, and his close friend Ubbe Iwerks.^[33] Unfortunately, studio profits were insufficient to cover the high salaries paid to employees. Unable to successfully manage money,^[34] Disney's studio became loaded with debt^[34] and wound up bankrupt^[35] whereupon he decided to set up a studio in the movie industry's capital city, Hollywood, California.^[36]

Hollywood[link]

Disney and his brother Roy pooled their money and set up a cartoon studio in Hollywood^[37] where they needed to find a distributor for Walt's new Alice Comedies, which he had started making while in Kansas City^[35] but never got to distribute. Disney sent an unfinished print to New York distributor Margaret Winkler, who promptly wrote back to him that she was keen on a distribution deal for more live-action/animated shorts based upon Alice's Wonderland.^[38]

Alice Comedies[link]

Virginia Davis, the live-action star of Alice’s Wonderland and her family relocated from Kansas City to Hollywood at Disney's request, as did Iwerks and his family. This was the beginning of the Disney Brothers' Studio located on Hyperion Avenue in the Silver Lake district, where it remained until 1939. In 1925, Disney hired a young woman named Lillian Bounds to ink and paint celluloid. After a brief courtship, the pair married that same year.

The new series, Alice Comedies, proved reasonably successful, and featured both Dawn O'Day and Margie Gay as Alice with Lois Hardwick also briefly assuming the role. By the time the series ended in 1927, its focus was more on the animated characters and in particular a cat named Julius who resembled Felix the Cat, rather than the live-action Alice.

Oswald the Lucky Rabbit[link]

By 1927, Charles Mintz had married Margaret Winkler and assumed control of her business. He then ordered a new all-animated series to be put into production for distribution through Universal Pictures. The new series, Oswald the Lucky Rabbit, was an almost instant success, and the character, Oswald — drawn and created by Iwerks — became a popular figure. The Disney studio expanded and Walt re-hired Harman, Rudolph Ising, Carman Maxwell, and Friz Freleng from Kansas City.

Disney went to New York in February 1928 to negotiate a higher fee per short and was shocked when Mintz told him that not only did he want to reduce the fee he paid Disney per short but also that he had most of his main animators, including Harman, Ising, Maxwell, and Freleng—but not Iwerks, who refused to leave Disney—under contract and would start his own studio if Disney did not accept the reduced production budgets. Universal, not Disney, owned the Oswald trademark, and could make the films without Walt. Disney declined Mintz's offer and as a result lost most of his animation staff whereupon he found himself on his own again.^[39]

It subsequently took his company 78 years to get back the rights to the Oswald character when in 2006 the Walt Disney Company reacquired the rights to Oswald the Lucky Rabbit from NBC Universal, through a trade for longtime ABC sports commentator Al Michaels.^[40]

Mickey Mouse[link]

After losing the rights to Oswald, Disney felt the need to develop a new character to replace him, which was based on a mouse he had adopted as a pet while working in his Laugh-O-Gram studio in Kansas City.^[41] Ub Iwerks reworked the sketches made by Disney to make the character easier to animate although Mickey's voice and personality were provided by Disney himself until 1947. In the words of one Disney employee, "Ub designed Mickey's physical appearance, but Walt gave him his soul."^[41] Besides Oswald and Mickey, a similar mouse-character is seen in the Alice Comedies, which featured "Ike the Mouse". Moreover, the first Flip the Frog cartoon called Fiddlesticks showed a Mickey Mouse look-alike playing fiddle. The initial films were animated by Iwerks with his name prominently featured on the title cards. Originally named "Mortimer", the mouse was later re-christened "Mickey" by Lillian Disney who thought that the name Mortimer did not fit. Mortimer later became the name of Mickey's rival for Minnie – taller than his renowned adversary and speaking with a Brooklyn accent.

The first animated short to feature Mickey, Plane Crazy was a silent film like all of Disney's previous works. After failing to find a distributor for the short and its follow-up, The Gallopin' Gaucho, Disney created a Mickey cartoon with sound called Steamboat Willie. A businessman named Pat Powers provided Disney with both distribution and Cinephone, a sound-synchronization process. Steamboat Willie became an instant success,^[42] and Plane Crazy, The Galloping Gaucho, and all future Mickey cartoons were released with soundtracks. After the release of Steamboat Willie, Disney successfully used sound in all of his subsequent cartoons, and Cinephone also became the new distributor for Disney's early sound cartoons.^[43] Mickey soon eclipsed Felix the Cat as the world's most popular cartoon character^[41] and by 1930, despite their having sound, cartoons featuring Felix had faded from the screen after failing to gain attention.^[44] Mickey's popularity would subsequently skyrocket in the early 1930s.^[41]