Youtube results:
First time I saw her
She was still in school
Chewin' on a pencil
Playin' pool
Stayin' up all night
Full of dreams
I've known her family
Ever since we were small
Gettin' in trouble
Drivin' our folks up the wall
Wastin' time
Yeah....but we had fun
She was gonna
Ride her bike to China
Sail away on a bottle top
And as the years passed by
One night I held her close to me
That was the first time I
Said I love you
To Natalie
Carousel was crowded
So we talked for a while
Natalie said, Baby,
You know I miss your smile...
Whenever you go away
From me.
You know that time starts tickin'
When a love starts to fade
I knew something was wrong but still
I thought we had it made
The first time I
Said I love you
To Natalie
That was the first time I
Said I love you
To Natalie
Now I look at her pictures
And I talk to these walls
Call out her name
But
She don't hear
Me at all
And she got wild and restless
Tried everything
She could take
One night I tried to stop her
But I was too late
That was the last time I
Said I love you
To Natalie
And that was the last time I
Said I love you
To Natalie
That was the last time I
Said I love you
That was the last time I
Said I love you
That was the last time I
Said I love you
To Natalie
Hier kommt die multikulturelle Doppelmoral,
eine Handvoll integrieren und der Rest ist egal.
Ihr wollt Weltfrieden spielen in Eurem Wohlstandsghetto,
und das ist auch gar nicht schwer mit deinen 3,2 Netto.
Willst die farbige Pizza und die türkische Musik,
aber nicht den Riot und nicht den Bürgerkrieg.
Ihr wollt, daß Eure triste Welt ein bißchen bunter wird,
während irgendwo anders der Andere stirbt.
Ihr werdet irgendwann schon merken,
daß hier irgendwas nicht stimmt,
weil der Sternmarsch der Völker auf die Erste Welt beginnt.
Und was werdet ihr tun wenn Sie Mauern aufbauen?
Zusehen - betroffen sein - und wegschauen?
Zusehen - betroffen sein - und wegschauen!
Ich wär ja immer nur dagegen, soll mal was sagen was ich will,
OK, lehnt Euch zurück und bleibt alle kurz still.
Weiß doch ziemlich genau, dass euch das nicht passt,
weil Ihr alle dieses Land vielmehr liebt als hasst.
Und sie hatte keine Chance und wir predigten Geduld,
heute sagen wir es wäre doch ihre Schuld.
Ein Tropfen in die Wüste ein paar Krümel vor die Füße,
und jetzt seht zu und von hier schöne Grüße.
Fangen wir doch mal an mit globaler Umverteilung
es ist alles am verrecken deshalb Beeilung.
Realist genug um zu wissen daß das nie passiert
einen Kampf zu kämpfen den man sowieso verliert.
Denn ich weiß was ihr mit globalem Denken meint:
dass man ihnen zwar nicht hilft doch für sie weint.
Ob sie das Grundgesetz ändern, ist euch völlig egal,
diese Feigheit hat nen Namen: "linksliberal".
"Bin ich hier in der Schule, oder was?"
Oh Gott wie ich dieses Erklären hasse,
das ist Gemeinschaftskunde-Aufsatz 8. Klasse.
Mit Gemeinschaftskunde-Aufsatz ist jetzt aber Schluss,
weil ich es nicht bin, der der Menschheit was erklären muss.
In drei Minuten Pop nur der Wille zur Veränderung,
und Worte zum Erklären mit dem Ziel der Verständigung.
Keinen blassen Schimmer ob ich Dich damit erreiche,
langsam wird es klarer, wir wollen nicht das Gleiche.
Wir werden nicht für Euch bluten nicht mit Euch weinen,
eure verdammte Betroffenheit immer verneinen.
Eure Pseudo-Menschlichkeit, begreift das endlich,
für ein paar Freunde und mich so selbstverständlich.
Und um uns herum nur das stumpfe Einverständnis,
wenn es noch so bitter ist: was bleibt ist die Erkenntnis.
Im Falschen nichts richtig, ob im Nehmen oder Geben,
dass wir alle nur eine Lüge leben.
Dass wir alle halt hier nur eine Lüge leben.
Dass wir alle nur eine Lüge leben.
Dass wir alle halt hier nur eine Lüge leben.
Dass wir alle halt hier nur eine Lüge leben.
Dass wir alle nur eine Lüge leben.
Dass wir alle halt hier nur eine Lüge leben.
Dass wir alle nur eine Lüge leben.
Und: es muss mehr als das hier geben.
Thank you!
You know this is, I haven't done a concert, in about six years. And
it's oh thank you... But it's very exciting I
must say, but it's also terribly, terribly
scary... ooh, God I wish I was back on the set!
Mmm, I gotta tell you this funny thing. But it's
not so funny. But talking about being scared
I was even more scared till I spoke to friends
of mine also performers, you know...and they
were telling me that they also... uh ...[drinks
tea] tastes much better that way! The Japanese
said so! Anyway... They told me that in order
to conquer their fears, you know, they ... eh
well, some of them drink; but I really hate
the taste of liquors, so I...you know, I can't
do that... And some of them... uh ... take pills;
but I can't even swallow aspirin, so I can't
do that, But... more important than that... I
have found, and I believe, that performers
should be very strong, you know, and... you don't
know what I'm gonna say... your way ahead of me tonight.
It's still illegal? We should face our problems head
on! You know... what I was about to say you see,
I have found that the way I conquer my fear of
a performance is just to... uhm... you know,
talk about it, and you get it out in the open,
and you discuss it with a little...excuse me...
[sniff] you just, you just talk about it freely and just...
everything... and she's... what a fantastic
accord you just played... What was that of F minor
7th with a demented pinky on the 5th it was really high.
They come off soundin' pretty pompous
Each time they open their mouth
You can't believe it when you hear it
What they let come rollin' out
Don't know, why they're so super-hateful?
Ain't like they've got it so bad
If they'd do more singin' and less talkin'
I think, we'd all be glad
Say goodbye to Natalie
Adios, Martie and Emily
They think that they're too cool
The chicks no longer rule
All country fans agree
Now they're threatenin' to quit
Like we really give a, yeah
They say they're goin' pop
Garth, he tried and flopped
But we won't soon forget
Martie, Emily and Natalie
Was it the lack of nominations
At this year's C.M.A.'s?
(Auh)
That got them tradin' in their banjos
For a drum machine and DJ's
Next thing you know they'll be on Soul Train
Out on the road with Eminem
They'll put some bling-bling in their videos
And we'll all make fun of them
Say goodbye to Natalie
Adios, Martie and Emily
The only folks in line
Are holding picket signs
And burning Chicks CDs
Wasn't it a sight to see?
Them posin' naked on a magazine
Now everybody knows
They're overexposed
If you know what I mean
Martie, Emily and Natalie
So go load up your tour bus and pull on out
'Cause your careers may soon be done
You bunch of multi-platinum jackass millionaires
Yeah, yeah rock 'n' roll, here they come
Say goodbye to Natalie
Adios, Martie and Emily
We hate to see it in
Why can't we be friends?
Please don't be mad at me
Martie, Emily and Natalie
See ya later Natalie
Natalie always seemed to notice
These traces of our lives before this
But Natalie always seemed to notice me
She said we must leave, uproot, erase this
For this is the kind of love that maims us
And I won't be happy 'til
Somebody looses an eye
Tell me, do you see me as a shadow
In the yawn of the evening?
Don't leave me to those
Who would believe me
When I sell them
Kiss and tell them
Natalie
I'll have no truck with all of this madness
I still see her arm thrown over his shoulder
Like a noose
But worn noose
You say you want me to
Stay here with yours
And all those here who would
Kill me and mine
If I had a hatch, I'd batten it down
Tell me, do you see me as a shadow
In the yawn of the evening?
Don't leave me to those
Who would believe me
When I sell them
Kiss and tell them
History is written by the winners
Yea this history is written by the winners
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Look up Natalie in Wiktionary, the free dictionary. |
Natalie may refer to:
Contents |
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This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article. |
Natalie Imbruglia | |
---|---|
![]() Imbruglia at the 2008 Cannes Film Festival. |
|
Background information | |
Birth name | Natalie Jane Imbruglia |
Born | (1975-02-04) 4 February 1975 (age 37) Sydney, Australia |
Genres | Pop, pop rock, alternative rock |
Years active | 1989–present |
Labels | RCA / BMG (1997–2004) Brightside / Sony BMG (2004–2008) Malabar / Island (2009–2010) |
Website | natalieimbruglia.com |
Natalie Jane Imbruglia ( /ɪmˈbruːliə/; born 4 February 1975) is an Australian singer-songwriter, model and actress. In the early 1990s, Imbruglia was known to audiences as Beth Brennan in the popular Australian soap Neighbours. Three years after leaving the programme, Imbruglia launched a singing career with the international hit, "Torn". The subsequent debut album Left of the Middle (1997) sold over 7 million copies worldwide. Further releases, White Lilies Island (2001) and Counting Down the Days (2005), have been unable to match the commercial success of her debut, although the latter did become her first UK #1.
She co-starred in the 2003 film Johnny English and made her leading actress debut in the 2009 film Closed for Winter. Imbruglia is ranked #90 on VH1's Top 100 Sexiest Artists.[1]
Contents |
Natalie was born on 4 February 1975, in Sydney, Australia, the first of the four daughters to Elliot Imbruglia, her father of Italian descent (originally a Sicilian from Lipari)[2][3] and Maxene Anderson, her Anglo-Australian mother.[4] Imbruglia grew up in Berkeley Vale, New South Wales, between Sydney and Newcastle. At the age of 15, she moved to Sydney with her family.[2] Imbruglia studied ballet, tap, and highland dancing as a child, hoping to make a career out of it.
Imbruglia auditioned for Australian television commercials and appeared in spots for Coca-Cola and the popular Australian snack Twisties. By age 16, she left high school to start a career in acting. She soon obtained the chance to play a regular role on the Australian soap opera Neighbours.[5] By the end of her second year, she left the show to move to London in 1994,[2] immersing herself in the city's club scene. Natalie occasionally met with Anne Barret, who would become her future manager and convinced her to register a demo with four songs.[2] Her effort paid off and she was signed to BMG Publishing, after coming up with a demo of the song "Torn" which greatly impressed RCA Records.
She has received an MTV Award for Best New Artist in 1998, and 3 constitutive Grammy Award nominations in 1999. She has sold over 9 million albums worldwide. She was ranked No. 11 on Rock on the Net's list of single artists of the year in 1998, and No. 76 in 2001. Imbruglia has tied up her 4-album record deal with BMG after the delivery of her compilation album, Glorious: The Singles 1997–2007.
Imbruglia's first internationally released single, "Torn" (1997) (original version from Danish singer Lis Sørensen "Brænt"), was a cover of an Ednaswap song. Instantly the single became one of the biggest hits of the 90s, reaching number two in the UK Singles Chart in November 1997[6] and number one on airplay around the world and was number one on the Billboard Airplay chart for 14 weeks. The single went on to sell over a million copies in the United Kingdom alone.
It was also released as a radio single in the US, but not in buyable CD-format. The single quickly hit No. 1 on the Billboard's Hot 100 Airplay chart, where it stayed for 14 weeks. At the time, singles not released commercially were unable to chart to the overall Hot 100 chart (combined sales and airplay), so "Torn" made no appearance on it for a while. By the time the policy was changed in late 1998 to allow airplay-only songs, "Torn" was already heading down the charts, so its peak on the Hot 100 only ended up being at #42. The single also topped the Top 40 Mainstream/CHR Pop and Adult Top 40 charts.
In October 1997, it broke the all-time airplay record in the UK for being the most played (more than 2000 plays) for six consecutive weeks. It was finally No. 1 for 14 weeks in the UK radio chart, a record that is being tied by only Simply Red's Fairground. It was the No. 1 radio single in the US from March to July 1998. It was knocked down to No. 2 by The Goo Goo Dolls' Iris.
Rick Dees, in his Top 40 Chart show also declared "Torn" as the 'number one radio single of 1990s' in their 2000 Millennium Countdown show, broadcast from KIIS-FM on New Year's Eve.
Imbruglia made a surprise appearance alongside David Armand midway through a performance of his 'interpretative dance' routine to sing her hit song Torn at Amnesty International's The Secret Policeman's Ball (2006).
Imbruglia's debut album Left of the Middle was released on 8 December 1997. It sold 350,000 copies in the UK 3 weeks after its initial release and was certified platinum. It has sold over 6 million copies to date. It broke the record of the highest selling debut album by a pop/rock/alternative female artist, more than Alanis Morissette, Fiona Apple, and Meredith Brooks combined in its first week according to Billboard. The second single released in the UK, after "Torn" was "Big Mistake", which debuted at number-two. "Wishing I Was There" followed and it was less successful than her first two singles, reaching number 19. However, "Wishing I Was There" was a smash hit on the UK radio, peaked at No. 2 in summer 1998, and was a summer smash hit in the US radio, peaked at No. 14 on the Top 40 Show. The final single from Left of the Middle was "Smoke", and the reception was much more divided compared to the other singles. It was a hit in the UK and made the top 5, while in Australia it just missed the top 40. Eventually, the album became a million-seller after charting well in many countries and entering the Top 10 in the US and UK. In 1999, she recorded a cover of the song Never Tear Us Apart by INXS with Tom Jones which appeared on his album Reload.
Left of the Middle was certified platinum by RIAA within 4 weeks of release (3 April 1998) and was certified 2X platinum in November 1998.
As of 2011, 'Torn' holds the record for most played song on Australian radio since 1990, played more than 300,500 times since its 1998 release, an average of 75 times a day, based on data compiled by the Australian Performing Rights Association (APRA).[7]
Imbruglia's next album, White Lilies Island, arrived in 2001. It is named after the island where her English and main home is situated on the banks of the River Thames at Windsor. The writing process, in which Imbruglia co-wrote every track, took almost three years to complete. The album's first single, "That Day", was very different stylistically from her previous singles, but it did not reach the UK Top 10. In the US, "Wrong Impression" was released as the first single and it enjoyed small success, charting in the Hot 100 Singles chart and the Adult Contemporary chart. The track was also released in the UK as a second single, and it did slightly better than That Day. "Beauty On The Fire", the final single, experienced minimal success and barely entered charts worldwide, and did not make the top 50 in Australia. The album, which gained brief notoriety in the Sony BMG copy protection rootkit scandal, still managed to sell over 1 million copies but failed to repeat the widespread success of Left of the Middle.
Imbruglia's third album was ready in November 2003. Imbruglia's record label refused to release it due to it being too rock and not radio-friendly. She was later given songs to record with Swedish pop producers, Bloodshy & Avant, which she refused to do. Imbruglia and her record label parted ways at the beginning of 2004. Four months later she signed with a new label Brightside Recordings, which was formed by a former Innocent Records executive, Hugh Goldsmith.
In April 2005, Imbruglia released her third studio album Counting Down the Days in the UK with "Shiver" as its first single. "Shiver" was a huge success, and it became her longest running single in the UK since "Torn." It topped UK airplay charts for several weeks, reaching eighth place in the UK charts. It also became the most played song of 2005. The song's acclaim and reception paid off and Counting Down The Days became her first album to reach the top spot on the album charts.
It was decided that 'Sanctuary' would be second single from the album. The promo singles were sent to radio stations. The decision was later changed to the title track "Counting Down the Days", with radio stations being asked to play the album version, because the radio mix was not finished. The single was released on 25 July but it did not have as much success in the singles chart as "Shiver," although it managed to reignite interest in its parent album and also received a lot of airplay in the UK. Due to the single, the album managed to re-enter the top 40 in the official UK charts.
Imbruglia had a choice to either release 'Perfectly' as her third single, or use the GBP200,000 funding from BMG to do a tour. She decided to do a small European tour (as she had not done a proper tour since Left of the Middle) in late October and November to promote the album. Though the album never entered UK Top 40 again, she proved once again that she had maintained a dedicated fan base; several concerts, especially those in London, sold out.
The album is the 100th best-selling album in 2005, selling 204,877 copies in the UK alone.[8]
Imbruglia started working on her fourth album in late 2005. In mid 2007 the plans changed and Imbruglia's record company decided to release the single collection instead. The compilation is a celebration of Imbruglia's 10 years in the music industry. The only single lifted from the album – "Glorious" premiered in BBC Radio 1 on the Chris Moyles Show. The promotion included a special acoustic gig. It can be found on iTunes. The Singles Collection debuted at No. 5 in the UK Music charts, and boasted 5 new songs, including the single "Glorious", as well as a bonus DVD featuring all Imbruglia's Music Videos. The album has sold around 600,000 copies worldwide to date.
She parted ways with her record label.[9] She is no longer associated with Brightside Recordings. It has been confirmed that Imbruglia obtained the rights to the songs recorded for the album and is going to release her fourth studio album on her own independent label, Malabar Records.[10] She confirmed that the songs included on the record were co-written with Ben Hillier, Dave McCracken, Daniel Johns, Gary Clark, Jamie Hartman, Paul Harris and Shep Solomon. Some of the tracks were produced by Hillier and mixed by Danton Supple, who previously collaborated with the singer on her album White Lilies Island. The album was scheduled to be released in March 2009 with the first single being sent to radio stations in February.[11] It has now been confirmed by Imbruglia that the first single will be sent to radio around July, as she had a “last-minute inspiration" and also had some new material offered from Chris Martin.[12] In an interview with BBC Radio 1 she said that "there is some electronic stuff in there". The album is confirmed to be titled Come to Life.[13][14] According to The Sun, Imbruglia and Chris Martin of Coldplay collaborated on "a string of tracks, which are likely to feature on her forthcoming album".[15] Martin later confirmed the information. In an interview he said he had asked Imbruglia to record one of the band's songs which, he thinks, turned out great adding "we've given her the best Coldplay song of all time [. . .] she sounds [. . .] brilliant on it. I think she has a very unique talent and an incredibly unique voice."[16] She later stressed that she recorded two songs written by him saying "if Chris Martin calls with two songs, you don't think, you say, 'Yes'."[17] It was confirmed that the songs were mixed by Michael Brauer. He also informed that there are actually three songs written by Chris, which were recorded by Imbruglia and that the album is finished and awaits mastering.[18] Two songs – "My God" and "Apologise" – leaked to the Internet in early February. It was confirmed that the latter was co-written with Jamie Hartman of Ben's Brother and will not be included on her fourth album.[19] A version of "Apologise" performed by Ben's Brother was released instead in 2009 as the first single from their second album, Battling Giants. Tracks confirmed to be part of the album include "Fun", "Lukas", and "Want", which were mixed by Michael Brauer.[20] The music video for a pre-single track, "Wild About It", was filmed in London on 25 July 2009.[21] In July 2009, it was announced that the album will be released via Island Records outside of Australia and New Zealand. A record deal for distribution in Australia and New Zealand is expected to be announced soon.[22] Universal Music is set to release the album locally in Australia on 9 October 2009,[23] and New Zealand on 5 October 2009.[24][25]
The first official single taken from Come to Life, "Want", which was written by Imbruglia, Daniel Johns (credited Kat Kourtney), Gary Clark, and Chris Martin,[26] was released on 28 September 2009, to critical acclaim, but poor worldwide chart performances.[27] On 3 August 2009 the music video of "Wild About It" was released.
Come to Life was released on 12 October 2009 in Europe, and in the UK on 3 May 2010, with a new lead single "Scars". The video for "Scars" was filmed on 26 February 2010 according to her Twitter. "Scars" was sent to radio in the UK on 22 March 2010; however, due to no support from radio networks, the single release was cancelled. There was further news that the single would be released with a 5 July date, however the video and single cannot be found on the internet anywhere. The release of her album was also cancelled in the UK.
Imbruglia is currently working on her fifth album, which is scheduled for a Fall/Autumn 2012 release.
In May 2010, after Dannii Minogue, who is a judge on the British version of The X Factor, declined to judge the Australian show, Imbruglia became one of the new judges instead. The series began airing on Channel Seven in the second half of 2010. The auditions took place in June 2010. Imbruglia mentors the Girls category and her final three contestants that she chose for the top twelve live stages were Hayley Teal, Sally Chatfield and India-Rose Madderom. Chatfield came second to Altyian Childs. Imbruglia has since been nominated for a TV Week Silver Logie for Most Popular TV Presenter. In March 2011, it was announced that she was replaced by Natalie Bassingthwaighte as a judge on the third season of The X Factor.[28]
On New Year's Eve 2003, Imbruglia and her boyfriend of three and a half years, Silverchair frontman Daniel Johns, were married in a beach ceremony in Port Douglas, Queensland, Australia. While Imbruglia lived mainly in Windsor, Berkshire, UK, on an island named "White Lilies" (also the name of her second album), Johns lived in Newcastle, Australia.[29] On 4 January 2008, Imbruglia and Johns released a statement announcing their divorce, citing distance as the main reason.[30] However, the two remain friends.
Natalie Imbruglia is the eldest sister of singer-songwriter Laura Imbruglia.
Imbruglia was named 6th most naturally beautiful woman of all time in 2004.[32] Audrey Hepburn topped the poll in which only experts like fashion editors, model agents and make-up artists could vote. The voting was decided on the "most naturally beautiful woman, inside and out". She was ranked 90th on the VH1 100 Sexiest Artists.[33]
She has been seen sporting tattoos of Sanskrit/Hindi inscription "Shreya" on her neck, Chinese word for courage on her left foot and Sanskrit Aum on her lower back.
Imbruglia stated that she has never had any plastic surgery but added "I wouldn't rule it out because I don't know how I'll feel in the future." She also stated she'd like to "grow old gracefully, wrinkles and all".[34]
Besides modelling for L'Oréal, Imbruglia also modelled Sass and Bide's "The Mad Ones" dress to raise money for cancer research.
Year | Film | Role | Notes and awards |
---|---|---|---|
2003 | Johnny English | Lorna Campbell | Imbruglia made her big screen debut as an actress in the 2003 British comedy, Johnny English. Acting alongside Rowan Atkinson, she played a supporting role as Lorna Campbell. The movie also featured another musical talent, Bond, in a cameo appearance. Internationally, the movie did well despite negative reviews from critics. It topped box offices in 22 countries and grossed more than $160 mil. worldwide.[35] |
2009 | Closed for Winter | Elise Silverston | Imbruglia's second film appearance is in Closed for Winter, based on Georgia Blain's book of the same name. The movie was filmed in Adelaide and premiered at the 2009 Adelaide Film Festival to generally positive reviews. It was released in Australia in April 2009. |
Year | Show | Role | Notes and awards |
---|---|---|---|
1992–1994 | Neighbours | Beth Brennan | Imbruglia made her first regular TV appearance as the character Beth Brennan in the popular Australian soap Neighbours at the age of 16 in 1991. |
1997 | Law of the Land | Faye Watson | Imbruglia starred in an episode entitled 'Late Kill' in the Crime Series. |
1998 | Saturday Night Live | Musical Guest/Herself | |
2002 | Legend of the Lost Tribe | Koala | Imbruglia lent her voice to this animated feature film. |
2009 | In Memory Of Maia | Herself | Maia was a European brown bear whose brutal death served as the inspiration for a unique bear sanctuary in the mountains of Transylvania. In her first television documentary, Imbruglia traveled to Romania with the WSPA and Network Ten to meet the people behind the sanctuary. |
2010 | The X Factor | Guest Judge | Natalie stood in for Dannii Minogue during the Birmingham auditions. She returned to work alongside Minogue at the Judges Houses section of the show, helping make the final three boys selection in Australia. |
2010 | The X Factor (Australia) | Judge/Herself | Judge on the Australian version of The X Factor on the Seven Network. |
Year | Name | Media | Notes |
---|---|---|---|
1989 | Twisties | Television | She starred in a TV advertisement for Twisties as a waitress. |
1991 | Bubblicious | Television | She was a pineapple princess for the advertisement. |
2002 | Gap | She modelled for various advertisements from the Summer to Winter. | |
2002–2006 | L'oreal | Print & Television | Imbruglia became a worldwide spokesperson for L'Oréal after the release of White Lilies Island. She was a model for many cosmetic products by L'Oréal, particularly mascaras and skincare products. She also appeared in several TV commercials for L'Oréal. In July 2007, her five-year contract with L'Oréal expired and was not prolonged, because, in her words during an appearance on The Graham Norton Show, she's "apparently ... not worth it anymore".[7] (The quote refers to the company's slogan "Because You're Worth It".) |
2005 | Make Poverty History | Television | She was one of the stars that appeared in the European version of the advertisement. |
2008 | PETA | What's the difference between a full-length fur coat and just a little fur trim? Nothing, says famed Australian singer, actor, and model Natalie Imbruglia, who took time out of her busy schedule to pose for a sexy new anti-fur ad for People for the Ethical Treatment of Animals (PETA). In the ad, Imbruglia is holding a rabbit to her naked chest next to the tagline "Try Telling Him It's Just a Little Fur Trim." | |
2009 | Oxfam | Oxfam's "Sustain Me" campaign that featured Imbruglia as one of their models, aimed at highlighting Oxfam as a fashionable and more sustainable alternative to the high street. She donned second-hand clothes that were restyled by designer Katie Shillingford. | |
2011 | Kailis | Print/Television | Natalie has signed a 2 year contract with Australian luxury brand Kailis. She will be the feature model and spokesperson during this period. |
Year | Award | Category | Country | For | Result |
---|---|---|---|---|---|
1998 | MTV Video Music Awards | Best New Artist | US | "Torn" | Won |
Best Female Video | US | "Torn" | Nominated | ||
International Viewer's Choice Award for MTV Australia | US | "Torn" | Nominated | ||
MTV Europe Music Awards | Best Song | Europe | Torn | Won | |
Best New Act | Europe | Left of the Middle | Nominated | ||
Best Female Artist | Europe | Left of the Middle | Nominated | ||
ARIA Music Awards | Best Australian Single | Australia | Torn | Won | |
Best Australian Female Artist | Australia | Left of the Middle | Won | ||
Best Australian New Talent | Australia | Left of the Middle | Won | ||
Best Australian Debut Album | Australia | Left of the Middle | Won | ||
Best Australian Debut Single | Australia | Torn | Won | ||
Best Australian Pop Release | Australia | Left of the Middle | Nominated | ||
Best Selling Australian Release | Australia | Left of the Middle | Nominated | ||
Best Selling Australian Single | Australia | Torn | Won | ||
Billboard Music Award | Adult Top 40 Track of the Year | US | Torn | Won | |
1999 | Grammy Award | Best New Artist | US | Natalie Imbruglia | Nominated |
Best Pop Vocal Album | US | Left of the Middle | Nominated | ||
Best Female Pop Vocal Performance | US | Torn | Nominated | ||
BRIT Awards | Best International Newcomer | UK | Left of the Middle | Won | |
Best International Female Solo Artist | UK | Left of the Middle | Won | ||
American Music Awards | Favorite Pop/Rock New Artist | US | Left of the Middle | Nominated | |
Premios Amigo Awards | Best International Female | Spain | Left of the Middle | Nominated | |
Best New Artist/Group | Spain | Left of the Middle | Nominated | ||
ARIA Music Awards | Best Australian Female | Australia | Left Of The Middle | Won | |
Artistic Achievement Award | Australia | Left of The Middle | Won | ||
2000 | IFPI | Platinum Award for over 2 Million Sales | World | Left of the Middle | Won |
2002 | ARIA Music Awards | Best Australian Singer | Australia | White Lilies Island | Nominated |
Silver Clef Award | International Award | UK | White Lilies Island | Won | |
2005 | ARIA Music Awards | Best Female Artist | Australia | Counting Down the Days | Nominated |
PPL Awards | Most Performed Track | UK | Shiver | Won | |
2006 | NRJ Music Awards | Best International Female | France | Counting Down the Days | Nominated |
Ivor Novello Awards | Most Performed Track | UK | Shiver | Nominated | |
APRA Awards | Most Performed Foreign Work | Australia | Shiver | Nominated | |
2009 | Asian Festival of First Films | Best Actress | Singapore | Closed For Winter | Nominated |
2012 | InStyle Women of Style | News & Entertainment | Australia | - | Nominated |
Awards and achievements | ||
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Preceded by Fiona Apple |
MTV Video Music Award for Best New Artist 1998 |
Succeeded by Eminem |
Preceded by "Mmmbop" by Hanson |
MTV Europe Music Award for Best Song for "Torn" 1998 |
Succeeded by "...Baby One More Time" by Britney Spears |
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Wikimedia Commons has media related to: Natalie Imbruglia |
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Persondata | |
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Name | Imbruglia, Natalie |
Alternative names | |
Short description | |
Date of birth | 4 February 1975 |
Place of birth | Sydney, Australia |
Date of death | |
Place of death |
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This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2007) |
10 Years | |
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10 Years performing at The Pearl Room in Mokena, IL. 10 Years performing at The Pearl Room in Mokena, IL. |
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Background information | |
Origin | Knoxville, Tennessee, USA |
Genres | Alternative metal, post-grunge |
Years active | 1999–present |
Labels | Universal Records, Palehorse Records/ILG (Warner Music Group) |
Website | www.10yearsmusic.com |
Members | |
Jesse Hasek Ryan "Tater" Johnson Lewis "Big Lew" Cosby Brian Vodinh Matt Brown |
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Past members | |
Mike Underdown Andy Parks Matt Wantland |
10 Years is an American alternative metal band, formed in Knoxville, Tennessee in 1999.
Contents |
10 Years was initially formed in Knoxville, Tennessee in 1999 with singer Mike Underdown, drummer Brian Vodinh, bassist Lewis Cosby, and guitarists Ryan "Tater" Johnson (also of The American Plague) and Matt Wantland. In 2001, Cosby left and the band recruited Andy Parks on bass. They independently recorded Into the Half Moon the same year.
Lead vocalist Mike Underdown left the band to pursue a career in acting and start up a new band 'Courage, You Bastards' in Los Angeles, Ca. 10 Years soon recruited current vocalist Jesse Hasek from another local band. In 2002, Parks decided to leave the band and Cosby returned. The band then released their independent album Killing All That Holds You in 2004.
10 Years was then signed to Universal Records in 2005 and released their major label debut, The Autumn Effect on August 16, 2005 with the songs "Wasteland" and "Through the Iris" picking up regional radio play. Their first single, "Wasteland" spent over 12 months on the rock charts, finally reaching #1 at active rock radio in December 2005.
That same summer, the band toured with Disturbed and Ill Niño. In the fall of 2005, they toured with Breaking Benjamin and Smile Empty Soul, then followed up with the Masters of Horror tour with Mudvayne and Sevendust. They opened for Korn and Mudvayne on Korn's See You on the Other Side tour. They also toured with Korn and Deftones on the Family Values Tour, which started in late July 2006.
In mid February 2006, "Wasteland" reached #1 on the Billboard Alternative Songs chart. "Wasteland" has been certified Gold by the RIAA.
In mid-2006, the band toured Australia in a lineup which included Hatebreed, Disturbed and Korn.
Their first music video, "Wasteland", addresses the social problem of human rights as well as addiction around the world. The video received a nomination for Best Direction and Best Art Direction at the 2006 MTV Video Music Awards, but did not win either.
On March 27, 2006, an EP was released on iTunes containing acoustic versions of "Wasteland" and other tracks from The Autumn Effect.
On November 19, 2006, 10 Years unveiled and confirmed the title Division for their second album.[1] The band would begin recording Division in late June 2007 after spending the better part of a year writing.
Lewis told in an interview that the album is "so different from the first one [The Autumn Effect], but it's still 10 Years," and, "It just sounds like [the songs] would be from a totally different album, which was, you know, the goal."[2] It was also revealed that the track titled "Focus" was co-written with Stone Temple Pilots and former Army of Anyone guitarist Dean DeLeo.[1]
On May 21, 2007 a demo song titled "All Your Lies" from Division was released onto their MySpace along with a post stating the band had chosen producer Rick Parasher to produce the new album.[3] On September 7, the band announced on their MySpace that the album was finished and would be released in 2008, following a tour with Dir En Grey, Sevendust, Operator, Thousand Foot Krutch and Chevelle.
On January 29, 2008, "Beautiful," the new single from Division, was released to iTunes and a snippet was also posted on the band's MySpace page. Division was released on May 13, 2008 after being pushed back due to finalization of the album's artwork.[4]
10 Years was featured on the Revolution Stage of Linkin Park's Summer Projekt Revolution 2008 tour with Atreyu, Hawthorne Heights and Armor For Sleep.
They went on tour with Mudvayne until mid December 2008.
10 Years announced that their upcoming third major label album would be entitled Feeding the Wolves. The album was produced by Grammy-nominated producer Howard Benson and mixed by Chris "Lord" Alge. The band has mentioned the album is of their heaviest material to date and "very similar to some of their early songs."
Throughout the first half of 2010, the band went back and forth between putting on live shows and working in the studio. Before the album was released, the band debuted new songs at live performances such as "Dead in the Water", "Now is the Time", and the new album's first single ""Shoot It Out" ". [5][6]
On June 12, 2010, ""Shoot It Out" " was featured on Sirius/XM Radio. The track was released to radio later that month,[7] and was made available for download on iTunes July 6.[8] Feeding the Wolves was released on August 31, 2010.
To promote the album's release, the band opened Shinedown's 2010 Carnival of Madness summer tour alongside Chevelle, Puddle of Mudd, and Sevendust.[9] In the fall they joined Sevendust again on the Hard Drive Live tour with support from Since October and Anew Revolution.
In December, the band went on a mini-headline tour,[10] where they played some older songs that they had not played in some time. February 2011, their new single "Fix Me" releases to radio while they headline a spring tour with Hollywood Undead.
On June 17 and 18 the band shot a music video for "Fix Me" in Columbus, Ohio with production company Thunder Down Country.[11] The video was released via YouTube on August 9, 2011.[12]
On twitter the band has shown pictures of Brian Vodinh's home basement turned studio for future workings on their next album.
On April 2nd, 2012, the band announced on Facebook that their upcoming record, Minus The Machine, is to be released on July 30th on their own independent label, Palehorse Records, which the band stated is a part of Warner Music Group's Independent Label Group. They also announced a 4-week headlining tour to support the record, which begins on June 27th in New Orleans.
On May 11th, the band unveiled the cover art of the album and it was announced that the album's release has been pushed back to July 31st.[citation needed] 10 Years will release their first single "Backlash" on radio and iTunes on June 21st.
Current
Live
Former
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</timeline>
Year | Album details | Peak chart positions | |||
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US [13] |
US Alt. [13][14] |
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2001 | Into the Half Moon
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— | — | ||
2004 | Killing All That Holds You
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— | — | ||
2005 | The Autumn Effect
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72 | — | ||
2008 | Division
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12 | 2 | ||
2010 | Feeding the Wolves
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17 | 3 | ||
2012 | Minus the Machine
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"—" denotes a release that did not chart. |
Year | Song | Peak chart positions | Album | ||
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US [15] |
US Alt. [16] |
US Main. |
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2005 | "Wasteland" | 94 | 1 | 2 [17] |
The Autumn Effect |
2006 | "Through the Iris" | — | 35 | 20 [17] |
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"Waking Up" | — | — | 32 [17] |
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2008 | "Beautiful" | — | 14 | 6 [18] |
Division |
"So Long, Good-Bye" | — | — | 31 [18] |
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2009 | "Actions & Motives" | — | — | 36 [18] |
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2010 | "Shoot It Out" | — | 21 | 6 | Feeding the Wolves |
2011 | "Fix Me" | — | 30 | 10 | |
"Now Is the Time (Ravenous)" | — | — | — | ||
2012 | "Backlash" | — | — | — | Minus the Machine |
"—" denotes a release that did not chart. |
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Julio Iglesias | |
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![]() Julio Iglesias in November 2007. |
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Background information | |
Birth name | Julio José Iglesias de la Cueva |
Born | (1943-09-23) September 23, 1943 (age 68) Madrid, Spain |
Genres | Latin American music, Latin, Latin pop, Dance and Classical |
Occupations | Singer-songwriter |
Years active | 1968–present |
Labels | Columbia Records and Sony Music Entertainment |
Website | www.julioiglesias.com |
Julio Iglesias (born Julio José Iglesias de la Cueva; September 23, 1943) is a Spanish singer and songwriter whose romantic image, magnetic stage presence, and expressive music made him one of the best-selling artists of all time. By the early 21st century he had sold hundreds of millions of albums in more than a dozen languages.[1] He has sold over 300 million records worldwide in 14 languages and released 77 albums.[2] According to Sony Music Entertainment, he is one of the top 15 best-selling music artists in history.[3] While Iglesias rose to international prominence in the 1970s and 1980s as a performer of romantic ballads, his success has continued on as he entered new musical endeavors.[4] He is the father of singer Enrique Iglesias.
Contents |
Iglesias was born in Madrid, the eldest son of Dr. Julio Iglesias Puga and María del Rosario de la Cueva y Perignat. Iglesias' father's family was from Galicia, and Iglesias' mother an Andalusian.
In the 1960s, he studied law in Madrid and was a goalkeeper for one of Real Madrid's[5] football teams. On September 22, 1963, he was involved in a car crash, resulting in an injury to his spinal cord.[6] He said, "I had a car accident; [a] very, very strange car accident...I lost control of the car and rolled it, resulting in what they call 'paraparexia,' which is not paraplegia. It's a compression in the [spinal] cord, in the sense of the neck...my spinal cord; and I was very, very ill for three years." His doctors thought he would never walk again; indeed, his legs were left permanently weakened, and they continued to require therapy as of late October 2010. However, slowly, he began recovering his health. To develop and increase the dexterity of his hands, he began playing guitar.[6] When he recovered from his accident, he resumed academic studies and traveled to the United Kingdom to study the English language, first in Ramsgate, then at Bell Educational Trust's Language School in Cambridge.
In 1971, he married Spanish Filipino[7] journalist Isabel Preysler and had three children, Chabeli Iglesias, Julio Iglesias, Jr. and Enrique Iglesias. Their marriage was annulled in 1979. In 1981 his father, Julio Iglesias Puga, Sr, was kidnapped by Basque terrorists but found alive two weeks later, prompting Julio Iglesias to move his children to Miami, Florida.[8]
On August 24, 2010, Julio Iglesias and Miranda Rijnsburger got married after a 20-year relationship. The religious ceremony was celebrated in the Parish of the Virgen del Carmen of Marbella, and was followed by a Mass of thanksgiving in the chapel on the property the couple owns in the same city.[9] The couple has three sons and twin daughters: Miguel (born September 7, 1997), Rodrigo (born April 3, 1999), Victoria and Cristina (born May 1, 2001) and Guillermo (born May 5, 2007).[10] After Iglesias was 60 years old, his 89 year old father produced more children: half-brother Jaime born May 18, 2004; and half sister Ruth born July 26, 2006. Julio's half siblings were a product of Dr. Iglesias Puga's second marriage, to Ronna Keitt.[11]
In 1968, he won the Benidorm International Song Festival, a songwriter's event in Spain, with the song "La vida sigue igual" (meaning "Life Continues Just The Same") which was used in the film La vida sigue igual, about his own life. After his events he signed a deal with Discos Columbia, the Spanish branch of the Columbia Records company. He represented Spain in the 1970 Eurovision Song Contest, earning fourth place, after Northern Irish singer Dana and the Welsh singer Mary Hopkin. His entry was the song "Gwendolyne." Shortly after he had a number one hit in many European countries with "Un Canto A Galicia." That single sold 1 million copies in Germany. In 1975 he found success in the Italian market by recording a song exclusively in Italian called "Se mi lasci non vale" ("If You Leave Me, It Can't Be"). Notable albums from this decade are A Flor de Piel (1974, with the European hit "Manuela"), "El Amor" (1975), and "Soy" (1978). He also sang in French. One of his popular songs is "Je n'ai pas changé".
Following the annulment of his marriage to Preysler in 1979, he moved to Miami, Florida, in the United States and signed a deal with CBS International, and started singing in different languages such as English, French, Portuguese, German and other languages to his music. Iglesias released the album De Niña a Mujer (1981), dedicated to his daughter (that divided the cover photo with him), from it came the first English-language hit, a Spanish cover of "Begin the Beguine" which became number 1 in the United Kingdom, he also released a collection, Julio (1983). In 1984, he released 1100 Bel Air Place, the hit album which gave him publicity in the English-speaking entertainment industry. It sold four million albums in the United States, with the first single "To All the Girls I've Loved Before", a duet with Willie Nelson, earning a fifth place spot in the Billboard Hot 100; it also featured "All of You", with Diana Ross.
Julio Iglesias made a cameo appearance as himself on The Golden Girls as Sophia Petrillo's date on St. Valentine's Day. In 1984 he recorded the duets with Diana Ross and Willie Nelson previously mentioned. Iglesias won a Grammy Award for Best Latin Pop Album in the 1988 Grammy Awards for the album Un Hombre Solo (A Man Alone). He recorded a duet with Stevie Wonder on "My Love", in his Non Stop album, a crossover success in 1988. In the 1990s, Iglesias returned to his original Spanish melody in Tango (1996), nominated for Best Latin Pop Album at the 1998 Grammy Awards, losing to the Romances album by Mexican singer, Luis Miguel.[12] Also that year, his youngest son from his first marriage, Enrique Iglesias, also was nominated for the Vivir album.
Julio Iglesias went on to win the World Music Award for Tango in Monaco later that year where he was up against singer Luis Miguel and son Enrique for the second time. Julio performed two "Tangos" to the delight of the audience. In 1995, he appeared as a guest star in the videoclip of Thalía's song "Amandote"; she had starred in the video clip of Iglesias's hit "Baila Morena". Iglesias returned to the headlines in October 2003, when he went to Argentina and kissed show host Susana Giménez three times during a live telecast of her show.
In 2003, he released his album Divorcio (Divorce). In its first day of sales, Divorcio sold a record 350,000 albums in Spain, and reached the number 1 spot on the charts in Spain, Portugal, France, Italy, and Russia. In 2003 and 2004, he was featured on a ten month world tour; which took Iglesias, aided by the success his album Divorcio and toured from Europe and Asia to North America, South America and Africa. More than half the shows on the tour sold out within days of going on sale. In December 2004, his Dutch girlfriend Miranda Rijnsburger and Iglesias himself recorded a duet of the Christmas song "Silent Night". The song, which was not officially released, also included a voice message from Iglesias, Rijnsburger and their 4 young children. The song was released online through the singer's official website and a CD was included on their Christmas card as a holiday gift from the Iglesias family to their friends and fans around the world.
In 2008, Iglesias recorded another song as a gift to his fans. The family recorded "The Little Drummer Boy" in Spanish and English and included it in the family's Christmas card. Iglesias also made investments in the Dominican Republic's eastern town of Punta Cana, a major tourist destination, where he spends most of the year when he is not on tour. Iglesias's south Florida mansion on the exclusive private Indian Creek Island property was placed on the market in 2006 for a quoted $28 million, making it one of "Ten Most Expensive Homes in the South" in 2006 according to Forbes Magazine.[13]
In September 2006, a new English album titled Romantic Classics was released. "I've chosen songs from the 1960s, 1970s and 1980s that I believe will come to be regarded as the new standards", Iglesias stated in the album's sleeve notes. The album features the hits "I Want to Know What Love Is", "Careless Whisper", and "Right Here Waiting". Romantic Classics was Iglesias's highest debut on the Billboard charts, entering at number 31 in the United States, 21 in Canada, 10 in Australia, and top spots across Europe and Asia. He returned to the studio to record songs in Filipino and Indonesian for his Asian releases of Romantic Classics which helped propel record sales in the Asian entertainment industry. Iglesias promoted Romantic Classics in 2006 and was seen all over the world on television shows. For example, in the United States, he appeared on Dancing With The Stars (where he sang his hit "I Want To Know What Love Is"), Good Morning America, The View, Fox and Friends, and Martha Stewart.
In 2008, Iglesias promoted his Romantic Classics album worldwide and in 2009-2010, he planned a world tour as a celebration of forty years in the music industry.[citation needed] After his house in Indian Creek did not sell he razed his house to the ground in 2008 and said he planned to build another.[14]
In 2010, Iglesias continued to travel around the world with his "Starry Night World Tour" to promote his 42 years of career. Julio Iglesias is currently learning Tunisian Sephardic cuisine for which he has developed an incredible passion, the Mloukhia being his best recipe. According to his close friend, Emilio Lopez, Julio is also learning Orthodox Judaism to become a rabbi in Los Angeles and teach French-speaking kids how to pray with a Latino twist.
Julio is frequently seen at the Tunisian restaurant in Paris called Douieb where he orders the Tunisian sandwich.
According to his official site, he has sold over 300 million albums worldwide as of 1 November 2010 (2010 -11-01)[update].
In March 2011, the artist launched a new studio album called Numero 1.
Iglesias' performance of the song La Mer ("The Sea") is featured in the soundtrack of the 2011 film Tinker, Tailor, Soldier, Spy. The performance comes from a live album, currently out-of-print, recorded live at the Olympia theater in Paris in 1976. At the beginning and the end of the recording, Iglesias introduces the song, and his backing musicians, in fluent French.
Studio, live, remastered and compilation main albums
Preceded by Salomé with "Vivo cantando" |
Spain in the Eurovision Song Contest 1970 |
Succeeded by Karina with "En un mundo nuevo" |
Persondata | |
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Name | Iglesias, Julio |
Alternative names | |
Short description | Musician |
Date of birth | September 23, 1943 |
Place of birth | Madrid, Spain |
Date of death | |
Place of death |
Sir Paul McCartney MBE, Hon RAM, FRCM |
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![]() McCartney performing in England, 2010 |
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Background information | |
Birth name | James Paul McCartney |
Born | (1942-06-18) 18 June 1942 (age 70) Liverpool, England, UK |
Genres | Rock, pop, classical, electronica |
Occupations | Musician, composer, music producer, film producer, businessman |
Instruments | Vocals, bass guitar, guitar, keyboards, drums, ukulele, mandolin, recorder |
Years active | 1957–present |
Labels | Hear, Apple, Parlophone, Capitol, Columbia, Concord, EMI, One Little Indian, Vee-Jay |
Associated acts | The Quarrymen, The Beatles, Wings, The Fireman, Linda McCartney, Denny Laine |
Website | www.paulmccartney.com |
Notable instruments | |
Höfner 500/1 Rickenbacker 4001S Epiphone Texan Gibson Les Paul Epiphone Casino Martin D-28 |
Sir James Paul McCartney, MBE, Hon RAM, FRCM (born 18 June 1942) is an English musician, singer-songwriter and composer. Formerly of the Beatles (1960–1970) and Wings (1971–1981), he has been described by Guinness World Records as "The Most Successful Composer and Recording Artist of All Time", with 60 gold discs and sales of over 100 million albums and 100 million singles.[1] With John Lennon, George Harrison, and Ringo Starr, he gained worldwide fame as a member of the Beatles, and with Lennon formed one of the most celebrated songwriting partnerships of the 20th century. After leaving the Beatles, he began a solo career and later formed the band Wings with his first wife, Linda Eastman, and singer-songwriter Denny Laine.
According to the BBC, his Beatles song "Yesterday" has been covered by over 2,200 artists—more than any other song. Wings' 1977 release, "Mull of Kintyre", became one of the best-selling singles ever in the UK, and he is "the most successful songwriter" in UK chart history, according to Guinness.[2] As a songwriter or co-writer, he is included on thirty-one number one titles on the Billboard Hot 100, and as of 2012 he has sold over 15.5 million RIAA certified units in the United States.
He has composed film scores, classical and electronic music, and released a large catalogue of songs as a solo artist. He has taken part in projects to help international charities, and has been an advocate for animal rights, vegetarianism, and music education; he has been active in campaigns against landmines and seal hunting, and supported efforts such as Make Poverty History. His company MPL Communications owns the copyrights to more than 25,000 songs, including those written by Buddy Holly, as well as the publishing rights to the musicals Guys and Dolls, A Chorus Line, and Grease. He is one of the UK's wealthiest people, with an estimated fortune of £475 million in 2010. He has been married three times and is the father of five children.
Contents |
McCartney was born in Walton Hospital in Liverpool England, where his mother, Mary (née Mohin), had twelve years earlier, "satisfied her state registry requirements" for nursing, writes Beatles biographer Bob Spitz.[3] His father James, or "Jim" McCartney, was absent at his son's birth due to his work as a volunteer fire fighter during World War II.[3] McCartney has one brother, Michael, born 7 January 1944, and though they were baptised in their mother's Roman Catholic faith, "religion did not play a part in their upbringing" according to biographer Barry Miles, as McCartney's father was a Protestant turned agnostic.[4]
In 1947 he began attending Stockton Wood Road Primary School, by 1952 Joseph Williams Junior School,[5] where he passed the 11-plus exam in 1953 with three others out of ninety examinees, thus gaining admission to the Liverpool Institute.[6] However, when he took his A-level exams at age nineteen, he passed only one subject – Art.[7] In 1954, while taking the bus from his home in the suburb of Speke to the Institute, he met George Harrison,[8] who had also passed the exam, meaning they could both go to a grammar school rather than a secondary modern school, which the majority of pupils attended until they were eligible to work.[9]
In 1955 the McCartneys moved to 20 Forthlin Road in Allerton, where they lived through 1964.[10] Paul was the first member of his family to own a car and his mother rode a bicycle to houses where she worked as a midwife; he describes an early memory of her leaving at "about three in the morning" the "streets ... thick with snow".[11] On 31 October 1956, when he was fourteen, his mother died of an embolism after a mastectomy operation to stop the spread of her breast cancer.[12] The loss of his mother at fourteen was later a point of relation with John Lennon, whose mother Julia also died when he was young, after being struck by a car when he was seventeen.[13]
McCartney's father was a trumpet player and pianist who had led Jim Mac's Jazz Band in the 1920s and encouraged his son to be musical. He kept an upright piano in the front room that he purchased from Epstein's North End Music Stores.[14] His father, Joe McCartney, played an E-flat tuba.[15] Jim McCartney used to point out the bass parts in songs on the radio, and often took his son to local brass band concerts.[16] Jim gave his son a nickel-plated trumpet for his fourteenth birthday,[17] but when rock and roll became popular on Radio Luxembourg,[18] Paul traded it for a £15 Framus Zenith (model 17) acoustic guitar, realising it would be too difficult to sing, "with a trumpet stuck in your mouth."[17] Being left-handed, he found right-handed guitars difficult to play, but when he saw a poster advertising a Slim Whitman concert, he realised that Whitman played left-handed with his right-handed guitar strung the opposite way. He then restrung his guitar and after some adjustments, found it easier to play.[17] McCartney wrote his first song ("I Lost My Little Girl") on the Zenith, and an early tune which became, "When I'm Sixty-Four", on the piano, for which, despite his father's advice, he took only a couple of lessons for, preferring instead he says, to learn "by ear."[14] He was heavily influenced by American rhythm and blues music, and has stated that Little Richard was his idol when he was in school. The first song he ever sang on a stage in public was "Long Tall Sally", at a Butlins holiday camp talent competition.[19]
McCartney met Lennon and the Quarrymen at the St. Peter's Church Hall fête in Woolton on 6 July 1957, when he was fifteen years old.[20] He joined the group soon after, and formed a close working relationship with Lennon. Harrison joined in 1958 as lead guitarist, followed in 1960 by Lennon's art school friend, Stuart Sutcliffe on bass.[21] By May 1960, they had tried several new names, including "Johnny and the Moondogs" and "the Silver Beetles", playing a tour of Scotland under that name with Johnny Gentle. They changed the name of the group to "the Beatles" in mid-August 1960 and recruited Pete Best on drums prior to the first of what would be five engagements in Hamburg, Germany.[22]
From August 1960 the Beatles were booked by Allan Williams to perform in Hamburg, and during their extended stays there over the next two years, they performed as the resident group at two of Bruno Koschmider's clubs, the Indra, then the Kaiserkeller, and upon returns to Liverpool, at the Cavern Club.[23] In 1961 Sutcliffe left the band, and McCartney reluctantly became their bass player.[24] The Beatles recorded their first published music in Hamburg, performing as the backing band for Tony Sheridan on the single "My Bonnie".[25] The recording would later bring them to the attention of a key figure in their subsequent development and commercial success, Brian Epstein, who became their manager in January 1962.[26] Epstein eventually negotiated a record contract for the group with Parlophone in May of that year.[27] After replacing Best with Ringo Starr in August, they became increasingly popular in the UK during 1963 and in the US in 1964, in a frenzied adolation that became known as "Beatlemania",[28] during which McCartney was dubbed, "the cute Beatle", according to Miles.[29] In 1965 they were each appointed as a Member of the Order of the British Empire (MBE).[30]
After the recording of the Beatles hit "Yesterday" (1965), McCartney contacted the BBC Radiophonic Workshop in Maida Vale London, to ask if they would record an electronic version of the song, but he never followed up.[31] When visiting artist John Dunbar's flat in London, he would bring along tapes he had compiled at then girlfriend Jane Asher's home,[32] mixes of various songs, musical pieces and comments made by McCartney that Dick James made into a demo for him.[33] Heavily influenced by American avant-garde musician John Cage, he made tape loops by recording voices, guitars, and bongos on a Brenell tape recorder, and splicing the various loops together. He reversed the tapes, sped them up, and slowed them down to create the effects he wanted, some of which were later used on Beatles' recordings, such as "Tomorrow Never Knows" (1966). He referred to the tapes as "electronic symphonies".[34] In 1966 he rented a ground floor and basement flat from Starr at 34 Montagu Square, to be used as a small studio for spoken-word recordings by poets, writers (including William S. Burroughs) and avant-garde musicians.[35] The Beatles' Apple Records then launched a sub-label, Zapple with Miles as its manager, ostensibly to release recordings of a similar aesthetic, although few releases would ultimately come of the endeavour as Apple and the Beatles slid into business and personal difficulties.[35] After touring almost non-stop for a period of nearly four years, and giving more than 1,400 live performances internationally,[36] the group gave their final commercial concert at the end of their 1966 US tour.[37]
They continued to work in the recording studio and before their break-up in 1970 produced what some critics consider to be their finest material, including the innovative and widely influential albums Revolver (1966), Sgt. Pepper's Lonely Hearts Club Band (1967), The Beatles (1968) and Abbey Road (1969).[38] Between 1963 and 1970 the group released twenty-two UK singles and twelve LPs, of which seventeen of the singles and eleven of the LPs became number ones.[39] The band topped the US Billboard Hot 100 twenty times, and recorded fourteen number one albums.[40] Lennon and McCartney became one of the most celebrated songwriting partnerships of the 20th century.[41] McCartney's contributions to the band's hit song's include: "Can't Buy Me Love" (1964), "Yesterday" (1965), Paperback Writer" and "Eleanor Rigby" (1966), "Hello, Goodbye" (1967), "Hey Jude" (1968), "Get Back (1969)", "Let It Be" and "The Long and Winding Road" (1970).[42]
In March 1969 he married Linda Eastman, whom he first met in May 1967. The couple had their first child together, Mary, named after Paul's late mother, in August 1969.[43] In October 1969 a rumour surfaced that McCartney had died in a car crash, but it was quickly proven false when a November Life magazine cover featured him and his family with the caption, "Paul is Still With Us."[44]
After the Beatles break-up in 1970 McCartney continued his musical career, releasing his first solo album, McCartney, in 1970, which contained the stand-out track "Maybe I'm Amazed", written for Linda.[45] With the exception of some vocal contributions from her, it is a "one-man album with Paul playing all the instruments" himself, writes Beatles biographer Bill Harry.[46] In 1971 Paul collaborated with Linda on a second album, Ram, a UK number one which included the co-written US number one hit song, "Uncle Albert/Admiral Halsey".[47] Later that year, the pair were joined by ex-Moody Blues guitarist Denny Laine and drummer Denny Seiwell to form the group Wings, and release their first album together, Wild Life. In September 1971 the McCartney family added a second child, Stella, named in honour of Linda's grandmothers.[48]
In 1973 McCartney wrote Wings' first US number one, "My Love", included on their second LP, Red Rose Speedway, and his collaboration with Linda and former Beatles' producer George Martin resulted in the James Bond theme song and Wings hit, "Live and Let Die", which was nominated for an Oscar, and earned Martin a Grammy for his orchestral arrangement.[49] In 1974 Paul wrote a second US number one for Wings, "Band on the Run"; the acclaimed album of the same name, Wings' third, was a massive success that became their first platinum LP.[50] They followed with the chart topping LPs, Venus and Mars (1975) and Wings at the Speed of Sound (1976).[51] In September 1977 a third child was born to the McCartneys, a son they named James,[52] and in November, the Wings song "Mull of Kintyre" was fast becoming "the best-selling single in UK history", writes Beatles biographer Peter Doggett.[53] Achieving double the sales of the previous record holder, "She Loves You", the track would go on to sell 2.5 million copies, and hold the UK sales record until the 1984 charity single, "Do They Know It's Christmas?".[54] In 1977 he released Thrillington, an orchestral arrangement of Ram, under the pseudonym Percy "Thrills" Thrillington[55], with a cover designed by Hipgnosis.[56]
While London Town (1978) and Back to the Egg (1979) passed with little critical or commercial notice,[57] the latter involved McCartney's collaboration with a rock supergroup dubbed, "the Rockestra", though credited to Wings, that included Pete Townshend, David Gilmour, Gary Brooker, John Paul Jones, and John Bonham.[58] Active through 1981, Wings produced seven studio albums, five of which topped the US charts,[59] as well as their live triple LP, Wings over America,[60] one of few live albums ever to achieve the top spot in America.[61] They also recorded six US number one singles including, "Listen to What the Man Said", "Silly Love Songs, "With a Little Luck", and "Coming Up".[62]
In 1980 he released his second solo LP, the self-produced McCartney II, and as with his first, he composed all the music and performed the instrumentation himself. The album contained the hit songs "Coming Up", "Waterfalls", and "Temporary Secretary".[63] In 1982 he collaborated with Stevie Wonder on the Martin produced number one hit, "Ebony and Ivory", included on McCartney's Tug of War LP, and with Michael Jackson on "The Girl Is Mine" from Thriller.[64] The following year he worked with Jackson on the US number one, "Say Say Say", and he earned a UK number one with the title track of his LP release that year, "Pipes of Peace".[65]
In 1984 he wrote, produced, and starred in the feature film Give My Regards to Broad Street, a musical which "was savagely panned by the critics" according to Harry; and described by Variety as: "Characterless, bloodless, and pointless."[66] Roger Ebert awarded the film a single star and wrote, "you can safely skip the movie and proceed directly to the sound track",[67] which fared much better, reaching number one in the UK, and producing the hit single, "No More Lonely Nights", featuring Gilmour on lead guitar.[68]
He collaborated with Eric Stewart on Press to Play (1986), who co-wrote more than half the songs on the LP, and in 1988, McCartney released Снова в СССР, a Russia-only title that contained eighteen covers which he recorded over the course of two days.[69] In 1989 he joined forces with fellow Merseysiders including Gerry Marsden of Gerry and the Pacemakers and Holly Johnson of Frankie Goes to Hollywood to record a new version of "Ferry Cross the Mersey", originally recorded twenty-five years earlier by Gerry and the Pacemakers, to generate money for the appeal fund of the Hillsborough disaster, which occurred in April that year when ninety-five Liverpool F.C. fans died as a result of their injuries. The recording was a number one hit in the UK.[70] In 1989 he released Flowers in the Dirt, a collaborative effort with Elvis Costello which included musical contributions from Gilmour and Nicky Hopkins.[71]
In 1990 he released the triple LP, Tripping the Live Fantastic, which contained select performances from The Paul McCartney World Tour, his first in over a decade.[72] The following year he ventured into orchestral music, when the Royal Liverpool Philharmonic Society commissioned a musical piece by him to celebrate its sesquicentennial. He collaborated with Carl Davis to release Liverpool Oratorio; involving opera singers Dame Kiri Te Kanawa, Sally Burgess, Jerry Hadley and Willard White, with the Royal Liverpool Philharmonic Orchestra and the choir of Liverpool Cathedral.[73] The Guardian was critical of the work stating that the music is, "afraid of anything approaching a fast tempo", and the piece has "little awareness of the need for recurrent ideas that will bind the work into a whole".[74] In response, McCartney wrote a defensive letter to the paper, which they published, where he states: "Happily, history shows that many good pieces of music were not liked by the critics of the time so I am content to ... let people judge for themselves the merits of the work."[74]
During the 1990s he twice collaborated with Youth of Killing Joke under the alias the Fireman, and released the electronica albums: Strawberries Oceans Ships Forest (1993) and Rushes (1998).[75] Released in 1993, the rock album Off the Ground was supported by "The New World Tour", which produced the album, Paul Is Live later that year.[76] Starting in 1994 he took a four-year hiatus from his solo career to work on Apple's the Beatles Anthology project with Harrison, Starr and Martin. He recorded a radio series called "Oobu Joobu" in 1995, for the American network Westwood One, which he described as being "wide-screen radio".[77] Also in 1995 Prince Charles presented him with an Honorary Fellowship of The Royal College of Music, "kind of amazing for somebody who doesn't read a note of music", commented McCartney,[78] and in December 1996 he was informed that he was to be named in the 1997 New Year Honours and knighted for services to music; his ceremony took place in March 1997.[79]
In 1997 he released the rock album Flaming Pie, and the classical work Standing Stone; in 1998 Rushes, his second electronica album as the Fireman.[80] Run Devil Run (1999), featuring Ian Paice and Gilmour, was primarily an album of covers with three McCartney originals, something he said he had "wanted to do for years", having been previously encouraged to do so by Linda, who had died in April 1998 after losing a seventeen-month battle with cancer.[81] He contributed a song, "Nova", to a tribute album of choral music dedicated to her called, A Garland for Linda (2000).[82] He continued his experimentation with orchestral music on Working Classical (1999), and was inducted into the Rock and Roll Hall of Fame as a solo artist in March of the same year.[83] In May 2000 he was awarded a Fellowship by the British Academy of Songwriters, Composers and Authors, and in August he released the electronica album, Liverpool Sound Collage with Super Furry Animals and Youth, utilising the sound collage and musique concrète techniques that fascinated him in the mid-1960s.[84]
In 2001 McCartney released a live album of acoustic-only performances called, Unplugged (The Official Bootleg).[85] Having witnessed the 11 September 2001 terrorist attacks from the JFK airport tarmac, he was inspired to take a lead role in organising The Concert for New York City, and his studio album release that year Driving Rain included the song "Freedom", written for the event as a response to the tragedy.[86] He toured in support of Driving Rain and in 2002 released the double live album Back in the U.S. (released internationally in 2003 as Back in the World.[87] In November 2002, on the first anniversary of Harrison's death, McCartney performed at the Concert for George.[88] He has also participated in the National Football League's Super Bowl, performing "Freedom" in the pre-game show for Super Bowl XXXVI[89] and headlining the halftime show at Super Bowl XXXIX.[90]
In 2005 he released the rock album Chaos and Creation in the Backyard, and the electronica offering, Twin Freaks; a collaborative project with bootleg producer and remixer Freelance Hellraiser, consisting of remixed versions of songs from throughout his solo career.[91] In 2006 he released the classical work Ecce Cor Meum; the rock album Memory Almost Full followed in 2007, and in 2008, his third Fireman release, Electric Arguments. In 2008 he performed at a concert in Liverpool to celebrate the city's year as European Capital of Culture.[92] In 2009, more than forty-five years after the Beatles first appeared on American television during The Ed Sullivan Show, he returned to the same New York theatre to perform on Late Show with David Letterman.[93] In 2010 he was honoured by Barack Obama with the Gershwin Prize for his contributions to popular music in a live show for the White House with performances by Stevie Wonder, Lang Lang and others.[94] He returned to the White House later that year as a recipient of the Kennedy Center Honors.
McCartney's enduring fame has made him a popular choice to open new venues. In 2009 he played three sold out concerts at the newly built Citi Field in Queens, New York, constructed to replace Shea Stadium, and he released a double live album culled from those performances called, Good Evening New York City later that year.[95] In 2010 he opened the Consol Energy Center in Pittsburgh, Pennsylvania,[96] and in 2011 he performed the first concerts at the new Yankee Stadium, and released the classical work, "Ocean's Kingdom". He has been touring since 2001 with guitarists Rusty Anderson and Brian Ray, Paul "Wix" Wickens on keyboards and drummer Abe Laboriel, Jr. An upcoming tribute album is expected in June 2012, to coincide with his 70th birthday, featuring recordings of his songs by Kiss, Garth Brooks, Billy Joel, Brian Wilson, Willie Nelson, Steve Miller, B.B. King and others.[97] Kisses on the Bottom, a collection of standards, was released in February 2012,[98] that same month he was honoured as MusiCares Person of the Year, two days prior to his performance at the 54th Grammy Awards.[99]
As a musician, McCartney was largely self-taught, musicologist Ian MacDonald describes his approach as, "by nature drawn to music's formal aspects yet wholly untutoured ... [He] produced technically 'finished' work almost entirely by instinct, his harmonic judgement based mainly on perfect pitch and an acute pair of ears."[100]
He has been acknowledged by a diverse group of bass players including, Sting, long-time Dr. Dre bassist Mike Elizondo, and Colin Moulding of XTC.[101] McCartney is known to play using a plectrum, or pick almost exclusively, but he occasionally plays fingerstyle as well.[102] During his early years with the Beatles he primarily used a Höfner 500/1 bass live and when recording, though in 1965 he began using a Rickenbacker 4001s for recording, while consistently using Vox amplifiers.[103] In recent years he has used Mesa Boogie bass amplifiers live and while recording. McCartney confirms the influence of Motown on his playing, in particular that of James Jamerson, whom he described as a "hero", and included with Brian Wilson as his "two biggest influences".[104]
"He's an egomaniac about everything else but his bass playing he'd always been a bit coy about".[105]
Whereas MacDonald identifies "She's a Woman" as the point in time which McCartney's bass playing began to evolve dramatically,[106] Beatles biographer Chris Ingham singles out Rubber Soul as the time when his bass playing, "began to come into its own", particularly on "The Word".[105] Authors Tony Bacon and Gareth Morgan agree, calling his "groove" on the track, "a high point in pop bass playing" and "the first proof on a recording of his serious technical ability on the instrument."[107] MacDonald infers the influence of James Brown's "Papa's Got a Brand New Bag", and Pickett's "In the Midnight Hour", American soul tracks from which McCartney absorbed elements and drew inspiration as he "delivers his most spontaneous bass-part to date". He also played piano on the recording.[108]
Bacon and Morgan describe his bassline for the Beatles' song "Rain" as "an astonishing piece of playing ... [McCartney] thinking in terms of both rhythm and 'lead bass' ... [choosing] the area of the neck ... he correctly perceives will give him clarity for melody without rendering his sound too thin for groove."[109] MacDonald calls it the Beatles "finest B-side", its "clangorously saturated texture resona[ting] around McCartney's bass".[110] He describes the bassline as "so inventive that it threatens to overwhelm the track", and he draws attention to the influence of Indian classical music in "exotic melismas in the bass part".[110]
Examples of his acoustic guitar playing on Beatles tracks include: "Yesterday", "I'm Looking Through You", "Michelle", "Blackbird", "I Will", "Mother Nature's Son" and "Rocky Raccoon".[111] He played an Epiphone Texan on many, if not most of his acoustic recordings, but he has also used a Martin D-28.[112]
He played lead electric guitar on several Beatles' recordings, including what MacDonald describes as a "fiercely angular slide guitar solo" on "Drive My Car",[113] which he played on an Epiphone Casino, about which McCartney said: "If I had to pick one electric guitar it would be this."[114] He also contributed what MacDonald calls "a startling guitar solo" on the Harrison composition, "Taxman", and the "shrieking" guitar on "Sgt. Pepper's Lonely Hearts Club Band" and "Helter Skelter", as well as "a coruscating pseudo-Indian" solo on "Good Morning Good Morning".[115] In recent years he has primarily used a Gibson Les Paul for electric work, particularly while performing live.
He played a piano on many Beatles' songs including, "Every Little Thing", "For No One", "A Day in the Life", "Hello, Goodbye", "Hey Jude", "Lady Madonna", "Let It Be" and "The Long and Winding Road".[116]
During the 1960s, McCartney delved into the visual arts, becoming a close friend of leading art dealers and gallery owners, explored experimental film, and regularly attended movie, theatrical and classical music performances. His first contact with the London avant-garde scene was through artist John Dunbar, who introduced him to the art dealer Robert Fraser, who in turn introduced McCartney to an array of writers and artists.[117] He later became involved in the renovation and publicising of the Indica Gallery in Mason's Yard, London — where Lennon first met Yoko Ono.[118] The Indica Gallery brought McCartney into contact with Miles, whose underground newspaper, the International Times, McCartney helped to start.[119] Miles would become de facto manager of Apple's short-lived Zapple Records label,[120] and he wrote McCartney's official biography, Many Years From Now (1997).[121]
While living at then girlfriend Jane Asher's parent's house, he took piano lessons arranged by Jane's mother, provided by a teacher from the Guildhall School of Music and Drama, a school Beatles' producer Martin had previously attended.[122] McCartney studied composers such as Karlheinz Stockhausen, and Luciano Berio.[123] He later wrote and released several pieces of modern classical music and ambient electronica, as well as writing poetry and painting. He is lead patron of the Liverpool Institute for Performing Arts, an arts school in the building formerly occupied by the Liverpool Institute for Boys. The 1837 building, which he attended during his schooldays, had become derelict by the mid-1980s, however, on 7 June 1996, Queen Elizabeth II officially opened the redeveloped building.[124]
In 1966 he met art gallery-owner Robert Fraser, whose flat was visited by many well-known artists, some of which McCartney met, including; Andy Warhol, Claes Oldenburg, Peter Blake, and Richard Hamilton, and it was at Fraser's flat where McCartney first learned about art appreciation.[125] He later started buying paintings by Magritte, using his painting of an apple for the Apple Records logo, and McCartney now owns one of Magritte's easels and a pair of his spectacles.[126]
McCartney's love of painting surfaced after watching artist Willem de Kooning paint, in Kooning's Long Island studio.[127] He took up painting in 1983,[128] and in 1999, he exhibited his paintings (featuring McCartney's portraits of John Lennon, Andy Warhol, and David Bowie) for the first time in Siegen, Germany, and included photographs by Linda. He chose the gallery because Wolfgang Suttner (local events organiser) was genuinely interested in his art, and the positive reaction led to McCartney showing his work in UK galleries.[129] The first UK exhibition of his work was opened in Bristol, England with more than 50 paintings on display. McCartney had previously believed that "only people that had been to art school were allowed to paint" – as Lennon had.[129]
In October 2000, Ono and McCartney presented art exhibitions in New York and London. McCartney said, "I've been offered an exhibition of my paintings at the Walker Art Gallery in Liverpool where John and I used to spend many a pleasant afternoon. So I'm really excited about it. I didn't tell anybody I painted for 15 years but now I'm out of the closet."[130] McCartney designed a series of six postage stamps issued by the Isle of Man Post in 2002, and according to BBC News, he is the first major rock star in the world to do so.[131]
When he was young, his mother read him poems and encouraged him to read books, and his father was interested in crosswords and invited he and his brother Michael to solve them with him, so as to increase their "word power", says McCartney.[132] He was later inspired – in his school years – by Alan Durband, an English literature teacher at the Liverpool Institute.[133] Durband was a co-founder and fund-raiser at the Everyman Theatre in Liverpool, where Willy Russell also worked, and introduced McCartney to Geoffrey Chaucer's works.[134]
In 2001 he published 'Blackbird Singing', a volume of poems and lyrics to his songs for which he gave readings in Liverpool and New York City.[135] In the foreword of the book, he explains: "When I was a teenager ... I had an overwhelming desire to have a poem published in the school magazine. I wrote something deep and meaningful——which was promptly rejected——and I suppose I have been trying to get my own back ever since."[136] Years later, he wrote a poem about the death of his childhood friend, Ivan Vaughan.[136] In 2005 he collaborated with author Philip Ardagh and animator Geoff Dunbar to write, High in the Clouds: An Urban Furry Tail, which The Guardian labelled an "anti-capitalist children's book".[137]
He was interested in animated films as a child, and in 1981 he asked Geoff Dunbar to direct a short animated film called Rupert and the Frog Song. McCartney was the writer and producer and he also added some of the character voices.[138] In 1992 he worked with Dunbar on an animated film about the work of French artist Honoré Daumier, which won both of them a BAFTA award.[139] In 2004 they worked together on the animated short film, Tropic Island Hum. In 1995 he made a guest appearance in the "Lisa the Vegetarian" episode of The Simpsons, and directed a short documentary about the Grateful Dead.[140]
In May 2000 he released Wingspan: An Intimate Portrait, a retrospective documentary that features behind-the-scenes film and photographs that he and Linda took of their family and bands.[141] Interspersed throughout the eighty-eight minute film is an interview by Mary McCartney with her father. Mary was the baby photographed inside McCartney's jacket on the back cover of his first solo album, McCartney, and was one of the producers of the documentary.[142]
McCartney's introduction to drugs started in Hamburg, Germany, when the Beatles would play for long hours and were often using Preludin to maintain energy, sometimes supplied by friend Astrid Kirchherr. According to McCartney, he would usually take only one, but Lennon would often take four or five by the end of a night.[143] He recalls getting "very high" and "giggling uncontrollably" when the Beatles were introduced to marijuana by Bob Dylan in a New York hotel room in 1964.[144] His use of which soon after became habitual,[145] and according to Miles, any future Beatles' lyrics containing the words "high", or "grass" were written specifically as a reference to cannabis, as was the phrase "another kind of mind" in "Got to Get You into My Life".[146] During the filming of Help!, he claims he occasionally smoked a joint in the car on the way to the studio during filming, which often made him forget his lines.[147] Director Dick Lester says that he overheard "two beautiful women" trying to cajole McCartney into using heroin, but he refused.[147] He was introduced to cocaine by art dealer Robert Fraser, and it was readily available during the recording of Sgt. Pepper's Lonely Hearts Club Band.[148] McCartney admits that he used the drug for about a year but stopped because of his dislike of the unpleasant melancholy he felt after the drug wore off.[149]
While initially reluctant to try LSD, he eventually did so in the fall of 1966 with friend Tara Browne.[150] He took his second "acid trip" with Lennon on 21 March 1967 after a Sgt. Pepper studio session.[151] He later became the first Beatle to discuss the drug publicly, declaring in a magazine interview that "it opened my eyes" and "made me a better, more honest, more tolerant member of society."[152] His attitude about cannabis was made public in 1967, when he added his name to a 24 July advertisement in The Times which called for its legalisation, the release of all prisoners imprisoned because of possession, and research into marijuana's medical uses. The advertisement was produced by a group called Soma and was signed by sixty-five people, including Members of Parliament, the Beatles, Epstein, RD Laing, Francis Crick, and Graham Greene.[153]
Though never arrested by Norman Pilcher's Drug Squad, as Lennon, Harrison, and Mick Jagger had been,[154] in 1972 Swedish police fined him for cannabis possession, and soon after Scottish police found plants growing on his farm.[155] He was again arrested for marijuana possession in 1975, and in January 1980, when Wings flew to Tokyo for an eleven concert tour of Japan, as McCartney was going through customs, officials found approximately 8 ounces (218.3 g) of cannabis in his luggage, and he was arrested and taken to a local jail while the Japanese government decided what to do. After ten days, he was released without charge and deported.[156] He was again arrested for possession of marijuana in 1984 and in 1997, he spoke out in support of decriminalisation, stating "People are smoking pot anyway and to make them criminals is wrong."[157]
Paul and Linda became outspoken animal rights activists after their vegetarianism was realised when Paul happened to notice through a window, lambs in a field, as they ate a meal of lamb.[158] He has also credited the 1942 Disney film Bambi, in which the young deer's mother is shot by a hunter, as the original inspiration for him to take an interest in animal rights.[159] In his first interview after Linda's death, he promised to continue working for animal rights.[160] In 1999 he spent £3,000,000 to ensure Linda McCartney Foods remained free of genetically engineered ingredients.[161]
Following his marriage to Mills, he joined her in a campaign against landmines, becoming patrons of Adopt-A-Minefield.[162] In 2003 he played a personal concert for the wife of a wealthy banker and donated his one million dollar fee to the charity.[163] He also wore an anti-landmines t-shirt during the Back in the World tour.[164] In 2006 the McCartneys travelled to Prince Edward Island to bring international attention to the seal hunt, this would be their final public appearance together. Their arrival sparked attention in Newfoundland and Labrador where the hunt is of economic significance.[165] The couple also debated with Newfoundland's Premier Danny Williams on the CNN show Larry King Live. They further stated that the fishermen should quit hunting seals and begin a seal watching business.[166] McCartney has also criticised China's fur trade[167] and supports the Make Poverty History campaign.[168]
He has been involved with several charity recordings and performances, such as the Concerts for the People of Kampuchea, Ferry Aid, Band Aid, Live Aid, and the recording of "Ferry Cross the Mersey" (1989) following the Hillsborough disaster.[169] In 2004 he donated a song to an album to aid the "US Campaign for Burma", in support of Burmese Nobel Prize winner Aung San Suu Kyi,[170] and in 2008 he donated a song to Aid Still Required's CD to assist with the restoration of the devastation done to Southeast Asia from the 2004 Tsunami.[171]
In 2009, he wrote to the 14th Dalai Lama Tenzin Gyatso, and asked him why he wasn't a vegetarian, McCartney explains: "He wrote back very kindly, saying, my doctors tell me that I must eat meat. And I wrote back again, saying, you know, I don't think that's right. So we had a little correspondence [and] I think now he's vegetarian most of the time. I think he's now being told ... that he can get his protein somewhere else. It's a little old-fashioned to think that he can only get it from meat [and] It just doesn't seem right – the Dalai Lama, on the one hand, saying, 'Hey guys, don't harm sentient beings ... Oh, and by the way, I'm having a steak.'"[172]
He attended the 1968 FA Cup Final played by West Bromwich Albion against the Everton Football Club, and after the match, shared cigarettes and whisky with other fans.[173] Though he has publicly professed support for Everton,[174] he has also shown support for Liverpool F.C., as in 1968 when he was photographed wearing their rosette.[175] The ex-Liverpool footballer, Albert Stubbins, was shown on the Sgt. Pepper cover,[176] and the video for his song "Pipes of Peace" (1983) recreated the 1915 Christmas football game played between German and British troops during World War I.[177] At the end of "Coming Up (Live at Glasgow)" the crowd chants "Paul McCartney!" until McCartney takes over and changes it to "Kenny Dalglish!", referring to then Liverpool and Scotland striker. At the same concert, Gordon Smith, former football player for the Rangers and Brighton & Hove Albion, met the McCartneys, and later accepted an invitation to visit their home in East Sussex in 1980. Smith later said that McCartney was "thrilled I knew Kenny Dalglish"[178]
He attended the 1986 FA Cup Final between Liverpool and Everton,[173] and performed at the Liverpool F.C. Anfield stadium in 2008, as a part of Liverpool's European Capital of Culture year. Dave Grohl from the Foo Fighters sang with McCartney on "Band on the Run", and played drums on "Back in the U.S.S.R.".[179] Ono and Olivia Harrison attended the concert, along with Ken Dodd, and the former Liverpool F.C. football manager Rafael Benítez.[180] In 2008 he ended speculation about his allegiance when he said: "Here's the deal: my father was born in Everton, my family are officially Evertonians, so if it comes down to a derby match or an FA Cup final between the two, I would have to support Everton. But after a concert at Wembley Arena I got a bit of a friendship with Kenny Dalglish, who had been to the gig and I thought 'You know what? I am just going to support them both because it's all Liverpool."[181]
On 24 August 1967, McCartney met the Maharishi Mahesh Yogi at the London Hilton, and later went to Bangor, in North Wales, to attend a weekend 'initiation' conference, at which time he and the other Beatles learned Transcendental Meditation (TM).[182] "The whole meditation experience was very good and I still use the mantra ... I find it soothing and I can imagine that the more you were to get into it, the more interesting it would get."[183] The time McCartney later spent in India at the Maharishi's ashram was highly productive, as nearly all of the songs that would later be recorded for The White Album and Abbey Road were composed there.[184] Although he was told never to repeat the mantra to anyone else, he admitted he told Linda, and said he meditated a lot while he was in jail in Japan.[185] In 2009 McCartney and Starr headlined a benefit concert at Radio City Music Hall, raising three million dollars for the David Lynch Foundation to fund instruction in Transcendental Meditation for at-risk youth.[186]
McCartney's first serious girlfriend in Liverpool was Dot Rhone, whom he met at the Casbah club in 1959.[187] According to Spitz, Rhone feels McCartney had a compulsion to control situations, chosing clothes and make-up for Rhone, encouraging her to grow her hair out like Brigitte Bardot's,[188] and at least once insisting she have it re-styled, to disappointing effect.[189] When he first went to Hamburg with the Beatles, he wrote to Rhone regularly, and she accompanied Cynthia Lennon to Hamburg when they played there again in 1962.[190] The couple had a two-and-a-half-year relationship, and were due to marry until Rhone's miscarriage, when according to Spitz, McCartney now "free of obligation", ended the engagement.[191]
He first met the British actress Jane Asher on 18 April 1963, when a photographer asked them to pose together at a Beatles performance at the Royal Albert Hall in London.[192] The two began a relationship and he took up residence with Asher at her parents' house at 57 Wimpole Street London, where he lived for nearly three years before the couple moved to McCartney's own house in St. John's Wood.[193] He wrote several songs while at the Ashers', including "Yesterday" and several inspired by Asher, among them "And I Love Her", "You Won't See Me", and "I'm Looking Through You".[194] They had a five-year relationship, and planned to marry, but Asher broke off the engagement after she discovered he had become involved with another woman, Francie Schwartz.[195]
Linda Eastman was a music fan who once commented: "All my teen years were spent with an ear to the radio", and who would at times be truant from school to instead see artists such as: Fabian, Bobby Darin, and Chuck Berry.[196] She was a popular photographer with groups such as: the Jimi Hendrix Experience, the Grateful Dead, the Doors, and the Beatles, whom she first met at Shea Stadium in 1966, about which she commented: "It was John who interested me at the start. He was my Beatle hero. But when I met him the facination faded fast and I found it was Paul I liked."[197] The pair first properly met in 1967 at a Georgie Fame concert at The Bag O'Nails club,[198] during her UK assignment to take photographs of rock musicians in London,[199] Paul remembers: "The night Linda and I met, I spotted her across a crowded club, and although I would normally have been nervous chatting her up, I realised I had to ... Pushiness worked for me that night!"[197] Linda said this about their meeting: "I was quite shameless really. I was with somebody else [that night] ... and I saw Paul at the other side of the room. He looked so beautiful that I made up my mind I would have to pick him up."[197] The pair were married in 1969; he describes their relationship: "We had a lot of fun together ... just the nature of how we are, our favourite thing really is to just hang, to have fun. And Linda's very big on just following the moment."[200] He also added, "We were crazy. We had a big argument the night before we got married and it was nearly called off ... [its] miraculous that we made it. But we did."[201]
They collaborated musically after the break-up of the Beatles, and later formed Wings together in 1971, a commercially successful band that was active through 1981.[202] They were both vegetarian and supported the animal rights organisation PETA.[203] They had four children – Linda's daughter Heather (legally adopted by Paul), Mary, Stella and James – and remained married until Linda's death from breast cancer in 1998.[204] After her death, Paul stated in The Daily Mail: "I got a counsellor because I knew that I would need some help. He was great, particularly in helping me get rid of my guilt [about wishing I'd been] perfect all the time ... a real bugger. But then I thought, hang on a minute. We're just human. That was the beautiful thing about our marriage. We were just a boyfriend and girlfriend having babies."[205]
In 2002 he married Heather Mills, a former model and anti-landmines campaigner.[206] In 2003, the couple had a child, Beatrice Milly, the first name in honour of Heather's late mother, the second for one of Paul's aunts.[207] They separated in April 2006 and were divorced in March 2008.[208] In 2004 he commented on media animosity toward his partners, "They [the British public] didn't like me giving up on Jane Asher", "I married a New York divorcee with a child, and at the time they didn't like that."[209]
He married New Yorker Nancy Shevell in a civil ceremony at Old Marylebone Town Hall, London on 9 October 2011. The wedding was a "low-key affair" attended by a group of around 30 family and friends.[210] The couple had been dating since November 2007.[211] A breast cancer survivor,[212] she is a member of the board of the New York Metropolitan Transportation Authority as well as vice president of a family-owned transportation conglomerate which owns New England Motor Freight.[213]
Despite a strained relationship with Lennon, they briefly became close again in 1974, and played music together on two occasions, the only times since the Beatles break-up in 1970.[214] In later years however, the two grew apart.[215] While McCartney would often phone, he was apprehensive about the reception he would receive, as during one call when he was told, "You're all pizza and fairytales!"[216] In McCartney's effort to avoid talking with him only about business, they often spoke of cats, baking bread, or babies.[217]
On 24 April 1976,[218] the two were watching an episode of Saturday Night Live together at Lennon's home in New York City, during which Lorne Michaels made a $3,000 cash offer for the Beatles to reunite, and while they seriously considered going to the SNL studio just a few blocks away, they decided it was "too late" and according to Lennon, this was the last time he and McCartney ever spent time together.[219] This event was fictionalised in the 2000 television film Two of Us.[220] His last telephone call to Lennon, just days before Lennon and Ono released Double Fantasy, was friendly, he said this about the phone call: "[It is] a consoling factor for me, because I do feel it was sad that we never actually sat down and straightened our differences out. But fortunately for me, the last phone conversation I ever had with him was really great, and we didn't have any kind of blow-up."[221]
On the morning of 9 December 1980, he awoke to the news that Lennon had been murdered the previous night, his death creating a media frenzy around the surviving members of the band.[222] During the evening of 9 December, as he was leaving an Oxford Street recording studio, he was surrounded by reporters and asked for a reaction. He was later criticised for what appeared, when published, to be a superficial response: "It's a drag".[218] He later explained, "When John was killed somebody stuck a microphone at me and said: 'What do you think about it?' I said, 'It's a dra-a-ag' and meant it with every inch of melancholy I could muster. When you put that in print it says, 'McCartney in London today when asked for a comment on his dead friend said, "It's a drag."' It seemed a very flippant comment to make."[218] He describes his first exchange with Ono after the murder, and his last conversation with Lennon:
I talked to Yoko the day after he was killed and the first thing she said was, "John was really fond of you." The last telephone conversation I had with him we were still the best of mates. He was always a very warm guy, John. His bluff was all on the surface. He used to take his glasses down, those granny glasses, and say, "It's only me." They were like a wall, you know? A shield. Those are the moments I treasure.[218]
In 1983, he said: "I would not have been as typically human and standoffish as I was if I knew John was going to die. I would have made more of an effort to try and get behind his "mask" and have a better relationship with him."[218] He said that he went home that night and watched the news on television – while sitting with his children – crying most of the evening. In 1997, he admitted the ex-Beatles were nervous at the time that they might be the "next" one murdered.[223] In 2002 he told Mojo magazine that Lennon was his greatest "hero".[224] In June 1981, six months after the murder, McCartney sang backup on Harrison's tribute to their ex-bandmate, "All Those Years Ago", which also featured Starr on drums.[225] In 1982 McCartney released "Here Today", a song musicologist Walter Everett describes as "a haunting tribute" to their friendship.[226]
Harrison said this about working with McCartney: "Paul would always help along when you'd done his ten songs—then when he got 'round to doing one of my songs, he would help. It was silly. It was very selfish, actually ... There were a lot of tracks, though, where I played bass ... because what Paul would do—if he'd written a song, he'd learn all the parts for Paul and then come in the studio and say (sometimes he was very difficult): "Do this." He'd never give you the opportunity to come out with something.[227]
In late 2001, McCartney learned that Harrison was losing his battle with cancer, and upon his death on 29 November 2001, McCartney issued a statement outside his home in St. John's Wood, calling him "a lovely guy and a very brave man who had a wonderful sense of humour", "We grew up together and we just had so many beautiful times together – that's what I am going to remember. I'll always love him, he's my baby brother."[228] Harrison spent his last days in a Hollywood Hills mansion that was once leased by McCartney.[229] On the first anniversary of his death, McCartney played Harrison's "Something" on a ukulele at the Concert for George.[88] He also performed "For You Blue" and "All Things Must Pass", as well as playing the piano on Eric Clapton's rendition of "While My Guitar Gently Weeps".[230]
Though Starr once described McCartney as "pleasantly insincere", the two generally enjoy each other's company, and at least once vacationed together in Greece, including stops in Athens and on the islands Corfu and Rhodes.[231] Starr recalls: "We couldn't understand a word of the songs the hotel band were playing, so on the last night Paul and I did a few rockers like "What'd I Say." [231] There was at times discord between them as well, particularly during Beatles' sessions for "The White Album", as Apple's Peter Brown recalls, "It was a poorly kept secret among Beatle intimates that after Ringo left the studio Paul would often dub in the drum tracks himself ... [Starr] would pretend not to notice".[232] In August 1968 the two got into an argument over McCartney's critique of Starr's drum part for "Back in the USSR", which led to Starr temporarily leaving the band.[232] He returned in September[233] to find bouquets of flowers on his drum kit. Starr comments on working with McCartney: "Paul is the greatest bass player in the world. But he is also very determined ... [to] get his own way ... [thus] musical disagreements inevitably arose from time to time."[232]
McCartney has been described by Guinness World Records as "The Most Successful Composer and Recording Artist of All Time", with 60 gold discs and sales of 100 million albums, 100 million singles, and a writer's credit on forty-three songs that have sold over one million copies each.[1] According to Guinness, he is "the most successful songwriter" in UK singles chart history, and has written or co-written "188 charted records, of which 129 are different songs. Of these records, 91 reached the Top 10 and 33 made it to No.1. In total, the songs have spent 1,662 weeks on the chart (up to the beginning of 2007)."[2] In 1986 he received acclaim from the Guinness Book of Records Hall of Fame, "as the most successful musician of all-time."[234]
In the US, as a songwriter or co-writer, he is included on thirty-one number one singles on the Billboard Hot 100; including twenty with the Beatles and nine solo and/or with Wings,[235] one as a co-writer on Elton John's cover of "Lucy in the Sky with Diamonds",[236] and one as a co-writer of "A World Without Love", a number one single for Peter and Gordon.[237] As of 2012, he has sold 15.5 million RIAA certified units in the United States.[238]
Although Elvis Presley has achieved the most UK number-ones as a solo artist with eighteen,[239] McCartney has been involved in more number-ones in the UK than any other artist under a variety of credits, totalling twenty-four singles: including seventeen with the Beatles, one solo, and one each with Wings, Stevie Wonder, Ferry Aid, Band Aid, Band Aid 20 and one with "The Christians et all".[240] He is the only artist to reach the UK number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", the Beatles), quintet ("Get Back", the Beatles with Billy Preston), and as part of a musical ensemble for charity (Ferry Aid).[241]
His song "Yesterday" is thought to be the most covered in history with more than 2,200 recorded versions,[242] and according to the BBC, "The track is the only one by a UK writer to have been aired more than seven million times on American TV and radio and is third in the all-time list ... [and] is the most played song by a British writer this century in the US."[243] His 1968 Beatles composition, "Hey Jude", is also a career highlight. It achieved the highest sales in the UK that year, and topped the US charts for nine weeks, longer than any other Beatles' single. It was also the longest single ever released by the band, and at seven minutes fifteen seconds was the longest of any number one to that point. Its been covered by several notable artists, including Presley, Bing Crosby, Count Basie, and Wilson Pickett.[244] It is the best-selling Beatles' single of all-time, with sales of over five million copies achieved soon after its release.[245]
He played for the largest stadium audience in history when 184,000 people paid to see him perform at Maracanã Stadium in Rio de Janeiro, Brazil on 21 April 1990,[246] that year the minor planet 4148, was named "McCartney" in his honour.[247] In July 2005 he was involved with the fastest-released single in history, when his performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8 was released before the concert was over. The single reached number six on the Billboard charts, just hours after the single's release, and hit number one on numerous online download charts across the world.[248]
On 18 June 2006, McCartney celebrated his 64th birthday, a milestone that was the subject of a tune he wrote at the age of sixteen, which would later become the Beatles' song "When I'm Sixty-Four".[249] In 2008 he received a BRIT award for Outstanding Contribution to Music,[250] as well as an honorary Doctor of Music degree from Yale University.[251] In 2012 he became the last of the "Fab Four" to receive a star on the Hollywood Walk of Fame.[252]
McCartney is one of the UK's wealthiest people, with an estimated fortune of £475 million in 2010.[253] In addition to an interest in Apple Corps, MPL Communications, an umbrella company for his business interests, owns a significant music publishing catalogue, with access to over 25,000 copyrights,[254] including the publishing rights to the musicals Guys and Dolls, A Chorus Line, and Grease.[255] He earned £40 million in 2003, making him Britain's highest media earner.[256] This rose to £48.5 million by 2005.[257] In 2006 the Trademarks Registry reported that MPL had started a process to secure the protections associated with registering the name "Paul McCartney" as a trademark.[258]
Northern Songs was established in 1963 by Dick James to publish the songs of Lennon–McCartney.[259] The Beatles' partnership was replaced in 1968 by a jointly held company, Apple Corps, which continues to control Apple's commercial interests. Northern Songs was purchased by Associated Television (ATV) in 1969, and was sold in 1985 to Michael Jackson. For many years McCartney was unhappy about Jackson's purchase and handling of Northern Songs.[260]
Despite the lack of publishing rights to most of his Beatles' songs, he continues to receive his respective share of the writers' royalties, which together are 33⅓% of total commercial proceeds in the US and which vary elsewhere around the world between 50 and 55%.[261] Two of the Beatles' earliest songs—"Love Me Do" and "P.S. I Love You"—were published by an EMI subsidiary, Ardmore & Beechwood, before signing with James. McCartney acquired their publishing rights from Ardmore in the mid 1980s,[262] and they are the only two Beatles songs owned by MPL Communications.[263]
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Persondata | |
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Name | McCartney, Paul |
Alternative names | Sir James Paul McCartney |
Short description | English rock musician |
Date of birth | 18 June 1942 |
Place of birth | Liverpool, UK |
Date of death | |
Place of death |