An SNL Digital Short is one in a series of comedic and often musical video shorts created for NBC's Saturday Night Live. Generally produced and written by The Lonely Island (Jorma Taccone, Akiva Schaffer and Andy Samberg), the series was originated by Adam McKay, in collaboration with SNL hosts, writers, and cast members. The segments were originally recorded with consumer grade digital video cameras and edited on personal computers. It is usual for the episode's hosts and musical guests (the latter on rarer occasions) to take part in the episode's short, and several shorts have included celebrity cameos.
The shorts generally took fewer than five days to complete. Akiva Schaffer has directed a majority of them, with Taccone as occasional director or co-director. In early 2010, Schaffer took a break from SNL to work on a film, and Tim and Eric Awesome Show, Great Job! director Jonathon Krisel joined the show as a regular Digital Short director. Taccone, along with his brother, Asa, have produced music for the shorts as necessary.
"So Far..." is a song by American hip hop recording artist Eminem, taken from his eighth studio album The Marshall Mathers LP 2 (2013). The song, which is the thirteenth track on the album, discusses Eminem meditating on the pitfalls of fame and the tendency for things to go wrong at the worst possible moment. The song was produced by the album's executive producer Rick Rubin. "So Far" features samples from the Joe Walsh recording "Life's Been Good" and also contains samples of "P.S.K. What Does It Mean?" as performed by Schooly D, as well as "The Real Slim Shady" and I'm Back by himself. The song was met with generally positive reviews from music critics upon the album's release and debuted at number three on the US Billboard Bubbling Under R&B/Hip-Hop Singles.
Doris Troy is an album released in 1970 on the Beatles' Apple Records label by American soul singer Doris Troy. It features songs written by Troy and a number of the participants on the sessions, including George Harrison, Stephen Stills, Klaus Voormann and Ringo Starr. Through the extended period of recording, the album became an all-star collaborative effort, typical of many Apple projects during 1968–70, although it was Troy's only album on the Beatles' label. Other guest musicians included Billy Preston, Peter Frampton, Leon Russell, Eric Clapton and members of the Delaney & Bonnie Friends band. Like the Harrison-produced single "Ain't That Cute", Doris Troy failed to chart in Britain or America on release.
The album was reissued in 1992 and 2010 with bonus tracks such as Troy's version of the Beatles' hit song "Get Back".
After having a one-off international hit with her song "Just One Look" in 1963, Doris Troy increasingly looked to Britain for continued success as a solo artist. Her brand of soul music was revered there throughout the 1960s and had produced hits for bands such as the Hollies and the Small Faces. Troy settled in London in 1969 and became a sought-after vocal arranger, most notably contributing the gospel-inflected chorus to the Rolling Stones' song "You Can't Always Get What You Want". In the early summer of 1969, at the invitation of singer Madeline Bell, Troy attended the overdub sessions for Billy Preston's first album on Apple Records, That's the Way God Planned It. On meeting Preston's producer, George Harrison, Troy was surprised to learn that he was a fan of her work, and following the sessions, Harrison offered her a recording contract with Apple.
"So Far" is a single by Faust, which was released in 1972 by Polydor. The first official reissue was produced in conjunction with the two documentary films featuring Faust: Klangbad: Avant-garde in the Meadows and Faust: Live at Klangbad Festival. The 7" single was remastered by original Faust member Hans Joachim Irmler. Both tracks are non-LP versions.
Persian wine, also called Mey (Persian: می) and Badeh (باده), is a cultural symbol and tradition in Persia, and has a significant presence in Persian mythology, Persian poetry and Persian miniatures.
Recent archaeological research has pushed back the date of the known origin of wine making in Persia far beyond that which writers earlier in the 20th century had envisaged. Excavations at the Godin Tepe site in the Zagros mountains (Badler, 1995; McGovern and Michel, 1995; McGovern, 2003), have revealed pottery vessels dating from c. 3100–2900 BC containing tartaric acid, almost certainly indicating the former presence of wine. Even earlier evidence was found at the site of Hajji Firuz Tepe, also in the Zagros mountains. Here, McGovern et al. (1996) used chemical analyses of the residue of a Neolithic jar dating from as early as 5400–5000 BC to indicate high levels of tartaric acid, again suggesting that the fluid contained therein had been made from grapes.
As book of Immortal Land Persian: سرزمین جاوید or Sar Zamin e Javid] (by Zabihollah Mansoori) says Ramian wines were world-famous in the Parthian Empire. Ramian Wine is now a California wine brand but Shiraz wines are famous across the globe.
The Pahlavi dynasty (Persian: دودمان پهلوی) was the ruling house of Iran from 1925 until 1979, when the monarchy was overthrown and abolished as a result of the Iranian Revolution. The dynasty was founded by Reza Shah Pahlavi in 1925, a former Brigadier-General of the Persian Cossack Brigade, whose reign lasted until 1941 when he was forced to abdicate by the Allies after the Anglo-Soviet invasion. He was succeeded by his son, Mohammad Reza Shah Pahlavi, the last Shah of Iran.
The Pahlavis came to power after Ahmad Shah Qajar, the last ruler of the Qajar dynasty, proved unable to stop British and Soviet encroachment on Iranian sovereignty, had his position extremely weakened by a military coup, and was removed from power by the parliament while in France. The National Assembly, known as the Majlis, convening as a Constituent Assembly on 12 December 1925, deposed the young Ahmad Shah Qajar, and declared Reza Shah the new monarch of the Imperial State of Persia. In 1935, Reza Shah instructed foreign embassies to call Persia by its ancient name, Iran, so the official name became the Imperial State of Iran (Persian: کشور شاهنشاهی ایران Keshvar-e Shāhanshāhi-ye Irān) since then.
Iran (is not the problem) or Iran is not the problem (2008) Iranian documentary film directed, produced and written by Aaron Newman.
The 79-minute feature documentary argues that the American media does not reliably report on Iran's differences with the US. It also presents a view countering the international perspective that Iran’s nuclear proliferation is aimed at destroying Israel, contrary to fact of the US domination of the world and its diplomatic double speak. It also appraises the democratic movement within Iran, attributes reasons for the conflicts with the USA and Israel, and offers some solutions. Many opinions are screened which express their individual views.
Aaron Newman directed, produced and wrote the screenplay of the film. He also was the editor of the film. The music of the film was composed by Anomaly Arts. Jim Serchak was the cinematographer of the film. Maria Byerley was the illustrator with sound recording by Michael Schrecker and animation done by Jake Mathew.
They say true love only comes once in a lifetime
And even though were from opposite ends of the earth, my heart tells me your the one for me.
Mahmoud.
I remember when it started, saw you on the news,
You were hatin' gays, I was eatin' food.
But I was feelin' you, even though I disagreed with almost everythin' you said
You ain't wrong to me, so strong to me, you belong to me,
Like a very hairy Jake Gyllenhaal to me.
Mahmoud, make my heart beat right out of my chest
My heart says no but my body says yes
Nuclear threat, the only threat I see
Is the threat of you not comin' home with me
Our love for each other's like when atoms collide
Can't express how I feel
Ay yo Adam let's ride
And Iran, Iran so far away
Is your home, but in my heart you'll stay
He ran, for the president of Iran
We ran together to a tropical island
My Man, Mahmoud is known for rilin'
Smiling, if he can still do it then I can
They call you weasel, they say your methods are medieval
You can play the Jews I can be your Jim Caviezel
S&M;, nestlin' when we're wrestlin'
You can be the port that I park my vessel in
So I try to mute the tv but you can still see me
With your sleepy brown eyes, butter pecan thighs
And your hairy but...
Yeah.
And Iran, Iran so far away
Come home, and in my arms you'll stay
Used to at the stars and dream
Round the world same stars were seen
And a twinkle in your eyes Mahmoud
Talk smooth to me, without a tie
Your pants high waisted, damn so fly
We can take a trip to the animal zoo
And laugh at all the funny things that animals do
Like Eugene (Levy) you got me straight trippin' boo
Hope you look in my eyes and say I'm trippin' too
You say Iran don't have the bomb but they already do
You should know by know, it's you
And Iran, Iran so far away
Is your home, but in my heart you'll stay
Your crazy for this one Mahmoud
You can deny the holocaust all you want
But you can't deny ther's something between us
I know you say there's no gays in Iran
But you're in New York now baby
It's time to stop hiding,