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6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
Author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
4:20
PROTECT IP / SOPA Breaks The Internet
Tell Congress not to censor the internet NOW! - http://www.fightforthefuture.org/pipa
PRO...
published: 25 Oct 2011
Author: Fight for the Future
PROTECT IP / SOPA Breaks The Internet
Tell Congress not to censor the internet NOW! - http://www.fightforthefuture.org/pipa
PROTECT-IP is a bill that has been introduced in the Senate and the House and is moving quickly through Congress. It gives the government and corporations the ability to censor the net, in the name of protecting "creativity". The law would let the government or corporations censor entire sites-- they just have to convince a judge that the site is "dedicated to copyright infringement."
The government has already wrongly shut down sites without any recourse to the site owner. Under this bill, sharing a video with anything copyrighted in it, or what sites like Youtube and Twitter do, would be considered illegal behavior according to this bill.
According to the Congressional Budget Office, this bill would cost us $47 million tax dollars a year — that's for a fix that won't work, disrupts the internet, stifles innovation, shuts out diverse voices, and censors the internet. This bill is bad for creativity and does not protect your rights.
4:44
Yosemite Range of Light
I am a destination visual artist who specializes in photography, timelapse cinematography,...
published: 22 Apr 2012
Author: Shawn Reeder
Yosemite Range of Light
I am a destination visual artist who specializes in photography, timelapse cinematography, & filmmaking. I love to travel, so if you have a project in some far flung location, lets talk.
Yosemite National Park, the High Sierra, and the Eastern Sierra are some of the most beautiful places on earth. Ever since I serendipitously won a trip to Yosemite when I was 18, the beautiful Range of Light has captured my heart and become my home. Nothing brings me more joy than to share this life changing beauty with others.
Ever since I became fascinated with timelapse photography almost 2 years ago, after seeing the work of Tom Lowe, I’ve wanted to do a piece on Yosemite and the Sierra. Now after almost 2 years of shooting, I'm thrilled to share. I hope you enjoy my vision of my home, the majestic Yosemite & Sierra. Best viewed Full Screen with Sound :)
If you would like to license any of my clips or hire me to shoot for you, please be in touch. I do have 4k footage available for licensing.
Web: http://shawnreeder.com
Email: shawn at shawnreeder dot com
Facebook: facebook.com/shawnreeder
Twitter: twitter.com/shawnreeder
Music licensed and used with permission by: http://shaunpaul.com
Composition used: Sounds of Peace
Huge thanks to Kessler Crane and Lens Pro To Go. Without their help this piece would not have been nearly as good.
http://kesslercrane.com
http://lensprotogo.com
Also a huge thanks to all of you who help support me with your warm comments and continuing encouragement. It means more to me than you know.
I hope this inspires everyone to get outside and explore the beautiful outdoors, especially magical places like Yosemite National Park and the High Sierra. It's National Parks week and all of our national parks are free this week, so get outside and explore!
*So it seems like a lot of people are asking what gear I used. I'm not going to detail every little thing, but here's the core of what I used: (Shot at 5k in Canon RAW)
Canon 5D Mark II
Canon 5D Mark III
Canon 14L II & 16-35L II (rented from LensProToGo)
Canon 17-40L, 24-105L, 50L, 70-200L IS
KesslerCrane 5 foot Cineslider, Revolution Head, Oracle's & Basic controller, Elektra Motors, AT Outrigger Feet
1:53
Kurz und Schön opener
Client: WDR
Concept & Design: FEEDMEE Design
(Susanne Lüchtrath, Sabine Dully, Benjamin Z...
published: 10 Nov 2010
Author: errorone
Kurz und Schön opener
Client: WDR
Concept & Design: FEEDMEE Design
(Susanne Lüchtrath, Sabine Dully, Benjamin Zurek, Anton Riedel)
Production: FEEDMEE Design
Animation & Post: FEEDMEE Design
Cut: FEEDMEE Design
Camera: Timm Lange
Sound & Music: Loy production
Stuntcoordination: Perfect Action
This year we produced the opening sequence for the shortfilm competition "kurzundschön" (Short & Nice).
Thanx to WDR for letting us do… whatever… freedom!!! No restraints!!!
We wanted to show the short and nice moment when felicity and serenity come together.
...
Thanx to Timm Lange for his open eye.
Thanx to Benny aka errorone for animation & postpro (…and 10387,8 sleepless nights!).
Thanx to Loy for his airy tunes.
Thanx to Martin and Jan from Perfect Action for keeping us aloft safely ;)
Thanx to Rini for making the actors look good
FEEDMEE
www.feedmee.com
www.error-one.de
www.timmlange.de
www.loyproduction.de
www.perfect-action.com
www.irinalu.de
www.kurzundschoen.khm.de/2010/
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