Golden Lion (Leone d’Oro)
Presented by	Venice Film Festival
Location	Venice
Country	Italy
First awarded	1949

Il Leone d’Oro (English: 'The Golden Lion') is the highest prize given to a film at the Venice Film Festival. The prize was introduced in 1949 by the organizing committee and is now regarded as one of the film industry's most distinguished prizes. In 1970, a second Golden Lion was introduced; this is an honorary award for people who have made an important contribution to cinema.

The prize was introduced in 1949 as the Golden Lion of St. Mark (the winged lion which had appeared on the flag of the Venetian Republic).^[1] Previously, the equivalent prize was the Gran Premio Internazionale di Venezia (Grand International Prize of Venice), awarded in 1947 and 1948. Before that, from 1934 until 1942, the highest awards were the Coppa Mussolini (Mussolini Cups) for Best Italian Film and Best Foreign Film.

No Golden Lions were awarded between 1969 and 1979. According to the Biennale's official website, this hiatus was a result of the 1968 Lion being awarded to the radically experimental Die Artisten in der Zirkuskuppel: Ratlos; the website says that the awards "still had a statute dating back to the fascist era and could not side-step the general political climate. Sixty-eight produced a dramatic fracture with the past."^[2]

Grand International Prize of Venice[link]

Golden Lion[link]

14 French films have been awarded the Golden Lion, more than that of any other nation. Of note is that Golden Lion awards tend to be presented to European men: 33 of the 54 winners were European men (including Soviet/Russian winners). However most of this bias is from before 1980: before this year only 3 of 21 winners were non-European. Since 1949 only a few women have ever won the Golden Lion for directing, Indian-born Mira Nair, U.S. born Sofia Coppola, German Margarethe von Trotta and Belgium's Agnès Varda, who both won more than two decades ago. Although numerous Americans have won honorary awards at the festival, Americans have only won the Golden Lion four times, with awards for John Cassavetes and Robert Altman (both times the awards were shared with other winners who tied), as well as Darren Aronofsky (the first sole American to win the award) and Sofia Coppola (the first American female to win the award).

Year	Title	Director	Country of origin
1949	Manon	Henri-Georges Clouzot	* France
1950	Justice Is Done (Justice est faite)	André Cayatte	France
1951	Rashōmon	Akira Kurosawa	* Japan
1952	Forbidden Games (Jeux interdits)	René Clément	France
1953	No award
1954	Romeo and Juliet	Renato Castellani	* Italy
1955	The Word (Ordet)	Carl Theodor Dreyer	Denmark
1956	No award[3]
1957	The Unvanquished (Aparajito)	Satyajit Ray	* India
1958	Rickshaw Man (Muhomatsu no issho)	Hiroshi Inagaki	Japan
1959	General della Rovere (Il generale della Rovere) (tie) The Great War (La grande guerra) (tie)	Roberto Rossellini Mario Monicelli	Italy  Italy
1960	The Crossing of the Rhine (Le passage du Rhin)	André Cayatte	France
1961	Last Year in Marienbad (L'année dernière à Marienbad)	Alain Resnais	France
1962	Family Diary (Cronaca familiare) (tie) Ivan's Childhood (Ivanovo detstvo) (tie)	Valerio Zurlini Andrei Tarkovsky	Italy * Soviet Union
1963	Hands Over the City (Le mani sulla città)	Francesco Rosi	Italy
1964	Red Desert (Il deserto rosso)	Michelangelo Antonioni	Italy
1965	Sandra of a Thousand Delights (Vaghe stelle dell'Orsa)	Luchino Visconti	Italy
1966	The Battle of Algiers (La battaglia di Algeri)	Gillo Pontecorvo	Italy
1967	Beauty of the Day (Belle de jour)	Luis Buñuel	France
1968	Artists under the Big Top: Perplexed (Die Artisten in der Zirkuskuppel: Ratlos)	Alexander Kluge	* West Germany
1969-79	No award
1980	Atlantic City (tie) Gloria (tie)	Louis Malle John Cassavetes	* Canada/ France * United States
1981	Marianne and Juliane (Die Bleierne Zeit)	Margarethe von Trotta	West Germany
1982	The State of Things (Der Stand der Dinge)	Wim Wenders	West Germany
1983	First Name: Carmen (Prénom Carmen)	Jean-Luc Godard	France
1984	The Year of the Quiet Sun (Rok spokojnego slonca)	Krzysztof Zanussi	* Poland
1985	Vagabond (Sans toit ni loi)	Agnès Varda	France
1986	The Green Ray (Le rayon vert)	Éric Rohmer	France
1987	Au revoir, les enfants	Louis Malle	France
1988	The Legend of the Holy Drinker (La leggenda del santo bevitore)	Ermanno Olmi	Italy
1989	A City of Sadness (Bei qing cheng shi)	Hou Hsiao-Hsien	* Taiwan
1990	Rosencrantz & Guildenstern Are Dead	Tom Stoppard	* United Kingdom/ United States
1991	Urga	Nikita Mikhalkov	* Soviet Union
1992	The Story of Qiu Ju (Qiu Ju da guan si)	Zhang Yimou	China
1993	Short Cuts (tie) Three Colours: Blue (Trois couleurs: Bleu) (tie)	Robert Altman Krzysztof Kieślowski	United States  France/ Poland
1994	Vive L'Amour (Ai qing wan sui) (tie) Before the Rain (tie)	Tsai Ming-liang Milčo Mančevski	Taiwan * Republic of Macedonia
1995	Cyclo (Xich lo)	Anh Hung Tran	France- Vietnam
1996	Michael Collins	Neil Jordan	* Ireland
1997	Fireworks (Hana-bi)	Takeshi Kitano	Japan
1998	The Way We Laughed (Così ridevano)	Gianni Amelio	Italy
1999	Not One Less (Yi ge dou bu neng shao)	Zhang Yimou	China
2000	The Circle (Dayereh)	Jafar Panahi	* Iran
2001	Monsoon Wedding	Mira Nair	India/ United States/ Italy/ France/* Germany
2002	The Magdalene Sisters	Peter Mullan	Ireland
2003	The Return (Vozvrashcheniye)	Andrey Zvyagintsev	Russia
2004	Vera Drake	Mike Leigh	United Kingdom
2005	Brokeback Mountain	Ang Lee	United States
2006	Still Life (Sanxia haoren)	Jia Zhangke	China
2007	Lust, Caution (Se, jie)	Ang Lee	United States/ China/ Taiwan
2008	The Wrestler	Darren Aronofsky	United States
2009	Lebanon	Samuel Maoz	* Israel
2010	Somewhere	Sofia Coppola	United States
2011	Faust	Alexander Sokurov	Russia

*_{denotes first win}

Golden Lion – Honorary Award[link]

Repeat winners[link]

• André Cayatte (1950; 1960)
• Louis Malle (1980; 1987)
• Zhang Yimou (1992; 1999)
• Ang Lee (2005; 2007)

See also[link]

Film portal

• Leone d’Argento (Silver Lion)
• Palme d'Or, the highest prize awarded at the Cannes Film Festival
• Golden Bear, the highest prize awarded at the Berlin Film Festival

References[link]

External links[link]

• La Biennale di Venezia official website

Emeli Sandé
Background information
Birth name	Adele Emeli Sandé
Born	(1988-03-10) 10 March 1988 (age 24)[1][2]
Genres	Soul, R&B, pop
Occupations	Singer, musician, songwriter
Years active	2009–present
Labels	Virgin (2010–present)
Website	www.emelisande.com

Adele Emeli Sandé  /sænˈdeɪ/ san-DAY, (born 10 March 1988)^[1] known by her stage name Emeli Sandé, is a Scottish soul and R&B recording artist and songwriter. Sandé first became known to the public eye after she featured on rapper Chipmunk's third single, "Diamond Rings", which gained herself and Chipmunk a first top 10 single on the UK Singles Chart. In 2010, she appeared on Roll Deep star, Wiley's "Never Be Your Woman", which became another top ten hit. Simon Cowell called her "his favourite songwriter at the minute". She has written for a number of artists, including Cher Lloyd, Parade, Susan Boyle, Preeya Kalidas, Leona Lewis, Alesha Dixon, Cheryl Cole, and Tinie Tempah.

In 2010, she signed a publishing deal with EMI Music Publishing. She later announced that Virgin Records had given her a record deal. Sandé released her first solo single "Heaven" in August 2011, which was an instant hit around the globe. Sandé has two number-one singles across the United Kingdom and Ireland with "Read All About It" with Professor Green and "Next to Me". She released Our Version of Events, in February 2012, upon the release the album peaked number one in the UK.^[3]

Early life[link]

Emeli Sandé was born to a Zambian father and English mother. She was raised in Alford, Aberdeenshire.^[4][5] She studied Medicine at the University of Glasgow, but stopped in her fourth year.^[4] She said that education was one of the most important things to her, stating that if her music career failed, she has education to fall back on. Sandé said that her manager, Adrian Sykes, waited patiently since she was 16, saying "Adrian really respects that I want to get an education behind me. He also knows my parents are keen that I finish university."^[6] Sandé has a tattoo of artist Frida Kahlo.^[7] At the age of 11, when Sandé was still in primary school, she wrote her first song for a school talent show.^[7] She spoke "That was the first time I thought I might be a songwriter. I always knew I wanted to be a musician, and I always knew I wanted to write. Because the people I was listening to all wrote. I never thought it was an option to sing anyone else's songs.^[7] The first song we wrote in was called "Tomorrow Starts Again", the song had proper structure, which even had a Middle eight.^[7] At the age of 15, Choice FM invited her to London, United Kingdom to take part in a competition they were holding, the "Rapology". Richard Blackwood also had her down to MTV's Camden studios to sing gospel.^[7] Sandé went to the same secondary school at which her father was a teacher. She said "I hated to be ill and to miss a day because I was so hungry to learn. I was very shy, nerdy and extremely well-behaved. Inevitably, throughout secondary school, it was part and parcel of my identity that I was Mr Sandé’s daughter. No way could I muck about or get into trouble, because it would've got back to him within minutes. And Dad was strict, let me tell you."^[8]

Career[link]

2008–10: Career beginnings[link]

Sandé's sister made a video of her playing the piano and singing to one of her favourite songs, "Nasty Little Lady".^[7] They sent the clip to Trevor Nelson's BBC Urban music competition. Sandé won the show and was offered a record deal, but the management that she met via the competition decided against the deal.^[7] Her parents sent 1Xtra a CD of her songs. Ras Kwame played on his "Homegrown Sessions", and four artists that year were asked to do a show in Soho. She met with Watford-born music producer/writer Shahid Khan aka Naughty Boy,^[9] who has previously worked with Ms Dynamite and Bashy,^[7] and they began writing tracks for artists such as Alesha Dixon, Chipmunk, Professor Green, Devlin, Preeya Kalidas, Cheryl Cole, and Tinie Tempah. Sandé soon signed a record deal with Virgin Records and EMI Records.^[10] In an interview, she said "I was doing a show in London for 1Xtra and I met this guy called Naughty Boy. We got in the studio and we clicked work wise. We just started writing, not necessarily for me, we just thought ‘let's write a pop tune’ and experiment. And we wrote the Chipmunk track and I thought nothing of it. Naughty Boy sent it off to Chipmunk who really liked it and wrote his stuff around it."^[10] She signed a record deal with Virgin Records in 2010. She later signed another deal with EMI Records in early 2011.^[11] Sandé made her singing career debut in 2009 after appearing on the track she wrote for Chipmunk's first debut single, "Diamond Rings". The single charted at No. 6 on the UK Singles Charts, making it Chipmunk and Sandé's first ever Top 10 Hit.^[12] She later appeared on another single singing guest vocals, after collaborating with Wiley on his comeback single "Never Be Your Woman", the single charted at number-eight on the UK Singles Charts becoming Sandé's second consecutive Top 10 Single.^[9] Sandé announced she changed her name from Adele Sandé to her middle name Emeli Sandé due to Adele's growing success. She spoke; "I changed it as soon as Adele came out. I just thought, 'You've kind of taken the [name] now', so I went with my middle name. She was just getting bigger and bigger, so I thought I just really need it."^[13]

[edit] 2011–present: Our Version of Events, international success and songwriting

While making her debut album, Sandé began to work with Tinie Tempah. She co-wrote "Let Go", on which she provided guest vocals. She also started working with Devlin after recording a song titled "Dreamer". Sandé later revealed she would be working on Alesha Dixon's upcoming album, The Entertainer. She co-wrote the hit single "Radio" along with Shahid Khan.^[14] and co-wrote tracks on Cheryl Cole's albums as well as Professor Green's album, which Sandé gave guest vocals on.^[15] Sandé revealed her first solo single would be released in early 2011.^[16] There was some speculation surrounding what track she would release, after many newspapers stated that it would be "Daddy". The first official single from her upcoming debut album was "Heaven" and was released on 14 August 2011.^[17] The song has received positive reviews from blogs such as This Must Be Pop^[18] and Robot Pigeon.^[19]

Sandé at XOYO

She revealed that she is Simon Cowell's favourite song-writer at the moment; due to her writing songs for Leona Lewis and Susan Boyle.^[13] Sandé stated in an interview; she said that she would love to meet Boyle after writing songs for her saying, "I haven’t met her yet. I just sent her the song. I’d love to meet her because I think she is a bit of a rock star." One song that Sandé had cowritten for Boyle will appear on her new album, titled "This Will Be The Year". Leona had heard a couple of songs so we had a week in the studio with her. Leona and I got along really well. Then we had another week together. It was very natural. She recorded a song called Trouble and another called Mountains, so I look forward to hearing them on her album."^[13] It was revealed after Professor Green announced his album tracking list for his album, At Your Inconvenience, that Sandé would feature on the first single from the album, "Read All About It". The single was released in October 2011,^{[dated info]} a week before the album was released.^[20] The pair also performed the song live on The X Factor results show.^[21] She confirmed that "Daddy" would be the second official single released from Our Version of Events. Sandé achieved her first number-one single on the UK Singles Chart after "Read All About" entered at number-one. On 26 November, Sandé performed at the LG ARENA in Birmingham for BRMB 2011. On 15 December 2011, she was named as the Brit Awards Critics' Choice for 2012.^[4][22][23] Sandé`s debut album includes songs written by her and has been reviewed as having "richly melodic, classically powerful, retro-futurist soul-pop songs."^[7] She draws on influences for her music from Nina Simone, Joni Mitchell and Lauryn Hill.^[7] Sandé said that all her songs are about World peace and political issues.^[7]

Sandé said that the key to a good song when songwriting is using "honesty" and "raw emotion" as the best way to write. She said that if she attempts to write something which is "too smart" the creative process will not work for her. "Kill the Boy" was one of the first ideas that came to Sandé's head. She said if she has to work on a song longer than a day, she will not go back to it, as she said it won't work. She went onto say if it was to work, it the idea for the song would be almost instant.^[7] It was announced that she was up for another BRIT Award in 2012, for British Breakthrough Act.^[24] Sandé is currently writing material for the original lineup of Sugababes. On 24 January 2012, Sandé performed a one off gig for Q Magzine at XOYO, London. She was supported by British soul singer Michael Kiwanuka. She recorded a version of David Guetta's "Titanium" and the pair performed the song at NRJ Music Awards in France.^[25][26] Sandé has penned a track for Naughty Boy's upcoming LP entitled "Hollywood" which features soul singer Gabrielle. It is about fame coming and going and will be released in November.^[27]

Personal life[link]

In January 2012, Sandé confirmed that she is engaged to her unidentified, long-term boyfriend.^[28] Her boyfriend has requested not to be identified and Sandé has said he is not in the music industry but that he is a scientist.^[29]

Discography[link]

Albums

• Our Version of Events (2012)

Touring[link]

Headlining

• Our Version of Events tour (2011-2012)

Supporting

• Mylo Xyloto Tour (2011-2012)

Awards and nominations[link]

References[link]

Wikimedia Commons has media related to: Emeli Sandé

External links[link]

• Official website
• Aberdeen Famous Faces

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2011)

Don McLean
Don McLean performing at Westport in 2009
Background information
Birth name	Donald McLean
Born	(1945-10-02) October 2, 1945 (age 66)
Genres	Folk, folk rock
Occupations	Singer-songwriter, musician
Instruments	Vocals, guitar banjo, piano
Years active	1969–present
Labels	United Artists EMI America
Website	www.don-mclean.com

Donald "Don" McLean (born October 2, 1945, New Rochelle, New York) is an American singer-songwriter. He is most famous for the 1971 album American Pie, containing the renowned songs "American Pie" and "Vincent".

Musical roots[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (June 2011)

Both McLean's grandfather and father were also named Donald McLean. The Buccis, the family of McLean's mother, Elizabeth, came from Abruzzo in central Italy. They left Italy and settled in Port Chester, New York, at the end of the 19th century. He has other extended family in Los Angeles and Boston.^[1]

As a teenager, McLean became interested in folk music, particularly the Weavers' 1955 recording At Carnegie Hall. Childhood asthma meant that McLean missed long periods of school, particularly music lessons, and although he slipped back in his studies, his love of music was allowed to flourish. He often performed shows for family and friends. By age 16 he had bought his first guitar (a Harmony acoustic archtop with a sunburst finish) and begun making contacts in the music business, becoming friends with folk singer Erik Darling, a latter-day member of the Weavers.^[1] McLean recorded his first studio sessions (with singer Lisa Kindred) while still in prep school.

McLean graduated from Iona Preparatory School in 1963, and briefly attended Villanova University, dropping out after four months. While at Villanova he became friends with singer/songwriter Jim Croce.

After leaving Villanova, McLean became associated with famed folk music agent Harold Leventhal, and for the next six years performed at venues and events including the Bitter End and the Gaslight Cafe in New York, the Newport Folk Festival, the Cellar Door in Washington, D.C., and the Troubadour in Los Angeles.^[1] Concurrently, McLean attended night school at Iona College and received a bachelor's degree in business administration in 1968. He turned down a scholarship to Columbia University Graduate School in favor of becoming resident singer at Caffè Lena in Saratoga Springs, New York.

In 1968, with the help of a grant from the New York State Council on the Arts, McLean began reaching a wider public, with visits to towns up and down the Hudson River.^[1] He learned the art of performing from his friend and mentor Pete Seeger. McLean accompanied Seeger on his Clearwater boat trip up the Hudson River in 1969 to raise awareness about environmental pollution in the river. During this time McLean wrote songs that would appear on his first album, Tapestry. McLean co-edited the book Songs and Sketches of the First Clearwater Crew with sketches by Thomas B. Allen for which Pete Seeger wrote the foreword. Seeger and McLean sang "Shenandoah" on the 1974 Clearwater album.

Recording career[link]

Early breakthrough[link]

McLean recorded his first album, Tapestry, in 1969 in Berkeley, California during the student riots. After being rejected by 34 labels, the album was released by Mediarts and attracted good reviews but little notice outside the folk community.

McLean's major break came when Mediarts was taken over by United Artists Records thus securing for his second album, American Pie, the promotion of a major label. The album spawned two No. 1 hits in the title song and "Vincent". American Pie's success made McLean an international star and renewed interest in his first album, which charted more than two years after its initial release.

American Pie[link]

McLean's magnum opus, "American Pie", is a sprawling, impressionistic ballad inspired partly by the deaths of Buddy Holly, Ritchie Valens and J. P. Richardson (The Big Bopper) in a plane crash on 3 February 1959. The song popularized the expression "The Day the Music Died" in reference to this event. WCFL DJ Bob Dearborn unraveled the lyrics and first published his interpretation on 7 January 1972, eight days before the song reached #1 nationally (see "Further reading" under American Pie). Numerous other interpretations, which together largely converged on Dearborn's interpretation, quickly followed. McLean declined to say anything definitive about the lyrics until 1978. Since then McLean has stated that the lyrics are also somewhat autobiographical and present an abstract story of his life from the mid-1950s until the time he wrote the song in the late 1960s.^[2]

The song was recorded on 26 May 1971 and a month later received its first radio airplay on New York’s WNEW-FM and WPLJ-FM to mark the closing of The Fillmore East, a famous New York concert hall. "American Pie" reached number one on the U.S. Billboard magazine charts for four weeks in 1972, and remains McLean's most successful single release. The single also topped the Billboard Easy Listening survey. With a running time of 8:36, it is also the longest song to reach No. 1. Some stations played only part one of the original split-sided single release.

In 2001 "American Pie" was voted No. 5 in a poll of the 365 Songs of the Century compiled by the Recording Industry Association of America and the National Endowment for the Arts. The top five were: "Over the Rainbow" written by Harold Arlen and E.Y. "Yip" Harburg (performed by Judy Garland in the 1939 film The Wizard of Oz), "White Christmas" written by Irving Berlin (best-known performance by Bing Crosby), "This Land Is Your Land" written and performed by Woody Guthrie, "Respect" written by Otis Redding (best-known performance by Aretha Franklin), and "American Pie".

Subsequent recordings[link]

Personnel from the American Pie album sessions were retained for his third album Don McLean, including producer, Ed Freeman, Rob Rothstein on bass and Warren Bernhardt on piano. The song "The Pride Parade" provides an insight into McLean’s immediate reaction to stardom. McLean told Melody Maker magazine in 1973 that Tapestry was an album by someone previously concerned with external situations. American Pie combines externals with internals and the resultant success of that album makes the third one (Don McLean) entirely introspective."

Other songs written by McLean for the album included “Dreidel” (number 21 on the Billboard chart) and “If We Try” (number 58), which was subsequently recorded by Olivia Newton-John.^[3] “On the Amazon” from the 1920s musical Mr Cinders was an unusual choice but became an audience favorite in concerts and featured in “Till Tomorrow”, a documentary film about McLean produced by Bob Elfstrom. The film shows McLean in concert at Columbia University as he was interrupted by a bomb scare. He left the stage while the audience stood up and checked under their seats for anything that resembled a bomb. After the all-clear, McLean re-appeared and sang “On the Amazon” from exactly where he had left off. Don Heckman reported the bomb scare in his review for the New York Times entitled “Don McLean Survives Two Obstacles.”^[4]

The fourth album, Playin' Favorites was a top-40 hit in the UK in 1973 and included the Irish folk classic, "Mountains of Mourne" and Buddy Holly’s "Everyday", a live rendition of which returned McLean to the UK Singles Chart. McLean said, "The last album (Don McLean) was a study in depression whereas the new one (Playin' Favorites) is almost the quintessence of optimism, with a feeling of "Wow, I just woke up from a bad dream."

The 1974 album Homeless Brother, produced by Joel Dorn, was McLean’s final studio collaboration with United Artists. The album featured fine New York session musicians, including Ralph McDonald on percussion, Hugh McKracken on guitar and a guest appearance by Yusef Lateef on flute. The Persuasions sang the background vocals on “Crying in the Chapel” and Cissy Houston provided a backing vocal on “La La Love You”.

The album’s title song was inspired by Jack Kerouac’s book, The Lonesome Traveller in which Kerouac tells the story of America’s “homeless brothers,” or hobos. The song features background vocals by Pete Seeger.

The song “The Legend of Andrew McCrew” was based on an article published in the New York Times.^[1] concerning a black Dallas hobo named Anderson McCrew who was killed when he leapt from a moving train. No one claimed him, so a carnival took his body, mummified it, and toured all over the South with him, calling him the “The Famous Mummy Man.” McLean’s song inspired radio station WGN in Chicago to tell the story and give the song airplay in order to raise money for a headstone for Anderson McCrew’s grave. Their campaign was successful and McCrew’s body was exhumed and buried in the Lincoln Cemetery in Dallas.^[5] The tombstone had an inscription with words from the fourth verse of McLean’s song:

What a way to live a life, and what a way to die
Left to live a living death with no one left to cry
A petrified amazement, a wonder beyond worth
A man who found more life in death than life gave him at birth

Joel Dorn later collaborated on the Don McLean career retrospective Rearview Mirror released in 2005 on Dorn’s own label Hyena Records. In 2006, Dorn reflected on working with McLean:^[1]

Of the more than 200 studio albums I’ve produced in the past forty plus years, there is a handful; maybe fifteen or so that I can actually listen to from top to bottom. Homeless Brother is one of them. It accomplished everything I set out to do. And it did so because it was a true collaboration. Don brought so much to the project that all I really had to do was capture what he did, and complement it properly when necessary.

Also from the Homeless Brother album, "Wonderful Baby" was a number 1 on the AOR chart in 1975^[6] and was later recorded by Fred Astaire. The song had been inspired by Joel Dorn’s son^[1] and reflected McLean’s interest in 1930s music.

1977 saw a brief liaison with Arista Records that yielded the Prime Time album and, in October 1978, the single "It Doesn’t Matter Anymore". This was a track from the Chain Lightning album that should have been the second of four with Arista.^[1] McLean had started recording in Nashville, with Elvis Presley’s backing singers, The Jordanaires, and many of Elvis’s musicians. However the Arista deal broke down following artistic disagreements between McLean and the Arista chief, Clive Davis. Consequently McLean was left without a record contract in the USA, but through continuing deals the Chain Lightning album was released by EMI in Europe and by Festival Records in Australia. In April 1980, the track "Crying” from the album began picking up airplay on Dutch radio stations and McLean was called to Europe to appear on several important musical variety shows to plug the song and support its release as a single by EMI. The song achieved number 1 status in Holland first, followed by the UK and then Australia.

Don’s number 1 successes in Europe and Australia led to a new deal in the USA with Millennium Records. They issued the Chain Lightning album two and a half years after it had been recorded in Nashville, and two years after its release in Europe. It charted on February 14th, 1981 and reached number 28 while "Crying" climbed to number 5 on the pop singles chart.

The early 1980s saw further chart successes in the US with "Since I Don't Have You", a new recording of "Castles in the Air" and "It's Just the Sun".

In 1987, the release of the country-based Love Tracks album gave rise to the hit singles "Love in My Heart" (a top-10 in Australia), "Can't Blame the Wreck on the Train" (US country No. 49), and "Eventually". The latter two songs were written by Houston native Terri Sharp.

In 1991, EMI reissued the "American Pie" single in the United Kingdom and McLean performed on Top of the Pops.

In 1992, previously unreleased songs became available on Favorites and Rarities while Don McLean Classics featured new studio recordings of "Vincent" and "American Pie".

Don McLean has continued to record new material including River of Love in 1995 on Curb Records and, more recently, the albums You've Got to Share, Don McLean Sings Marty Robbins and The Western Album on his own Don McLean Music label.

A new album, Addicted to Black, was released in May 2009 and is available for purchase at his North American concert performances and is available on his website. In addition, McLean is expecting to tour in Europe and Australia in 2010.^[7]

Other songs[link]

McLean's other well-known songs include:

• "And I Love You So" was covered by Elvis Presley, Helen Reddy, Shirley Bassey, Glen Campbell, Engelbert Humperdinck, Howard Keel and a 1973 hit for Perry Como
• "Vincent", a tribute to the 19th century Dutch painter, Vincent van Gogh. Although it only reached #12 on the Billboard Hot 100, it proved to be a huge hit worldwide.^{[citation needed]} It was a #1 hit single in the UK Singles Chart.^[8] This song was covered by NOFX on their album titled 45 or 46 Songs That Weren't Good Enough to Go on Our Other Records, and also appears on the Fat Wreck Chords compilation Survival of the Fattest. "Vincent" was also covered by Josh Groban on his 2001 debut album.^[9]
• "Castles in the Air", which McLean recorded twice. His 1981 re-recording was a top-40 hit, reaching #36 on the Billboard Hot 100 in late 1981.^[10]
• "Wonderful Baby", a tribute to Fred Astaire that Astaire himself recorded. Primarily rejected by pop stations, it reached #1 on the Billboard Easy Listening survey.^[11]
• "Superman's Ghost", a tribute to George Reeves, who portrayed Superman on television in the 1950s
• "The Grave", a song that McLean had written about the Vietnam War, was covered by George Michael in 2003 in protest against the Iraq War.

The American Pie album features a version of Psalm 137, entitled "Babylon". The song is based on a canon by Philip Hayes^[12] and was arranged by McLean and Lee Hays (of The Weavers).^[13] Boney M had a number one hit in the UK with a similar song in 1978 under the title Rivers of Babylon, which was not based on this one, although using the same text from Psalm 137.

In 1980, McLean had an international number one hit with a cover of the Roy Orbison classic, "Crying". It was only after the record became a success overseas that it was released in the U.S.^{[citation needed]} The single hit #5 on the Billboard Hot 100 in 1981.^[10] Orbison himself once described McLean as "the voice of the century",^{[citation needed]} and a subsequent re-recording of the song saw Orbison incorporate elements of McLean's version.

For the 1982 animated cult-movie The Flight of Dragons produced by Jules Bass and Arthur Rankin, Jr., McLean sang the opening theme. Unfortunately, no soundtrack has ever been released.

Another hit song associated with McLean (though never recorded by him) is "Killing Me Softly with His Song", which was written about McLean after Lori Lieberman, also a singer/songwriter, saw him singing his composition "Empty Chairs" in concert.^[14] Afterwards, Lieberman wrote a poem about the experience and shared it with Norman Gimbel, who had long been searching for a way to use a phrase he had copied from a novel badly translated from Spanish to English, "killing me softly with his blues".^[15] Gimbel and Charles Fox reworked the poem and the phrase into the song "Killing Me Softly with His Song",^[16] recorded by Roberta Flack (and later covered by The Fugees).

Concerts[link]

McLean’s subsequent albums did not match the commercial success of American Pie but he became a major concert attraction in the US and overseas. His repertoire included old concert hall numbers and the catalogues of singers such as Buddy Holly, and another McLean influence, Frank Sinatra. The years spent playing gigs in small clubs and coffee houses in the 1960s transformed into well-paced performances. McLean's first concerts at Carnegie Hall in New York and the Albert Hall in London in 1972 were critically acclaimed.

In the 1970s, McLean usually toured solo but from 1981 to 1996 was accompanied by John Platania on guitar. He now tours with his own band of Nashville musicians: Tony Migliore, Jerry Kroon, Ralph Childs and Carl "VIP" Viperman.

In 1997, McLean performed "American Pie" with Garth Brooks at Brooks' free concert in Central Park in New York City. CNN reported that "Brooks was joined on stage by two surprise guest stars, Billy Joel and Don McLean, who brought down the house with an acoustic rendition of 'American Pie'."^{[citation needed]}

Two years later, Brooks repaid the favor by appearing as a special guest (with Nanci Griffith) on McLean's first American TV special, broadcast as the PBS special Starry Starry Night. A month later, McLean wound up the 20th century by performing "American Pie" at the Lincoln Memorial Gala in Washington D.C. Brooks again played "American Pie" during We Are One: The Obama Inaugural Celebration at the Lincoln Memorial on January 18, 2009.

In 2007 Don McLean signed with the Asgard Agency in London giving them responsibility for booking concert tours outside North America. Since then McLean has performed tours of the UK (2007, 2008 (one appearance), 2010, 2011), Ireland (2007, 2010, 2011), mainland Europe (2008, 2010), Australia and New Zealand (2008, 2011) and South East Asia (2011). On June 26, 2011, Don McLean performed on the Pyramid Stage at the Glastonbury Festival of Contemporary Performing Arts.

McLean had a series of conflicts with Saturday Night Live writer Andy Breckman, starting when Breckman opened for McLean on tour in 1980.^[17] Breckman and McLean have penned competing renditions of the origins of this feud, both of which are available online.^[18]

Later work and honors[link]

In 1991, Don McLean returned to the UK top 20 with a re-issue of "American Pie".

Iona College conferred an honorary doctorate on McLean in 2001.^{[citation needed]}

In February 2002, "American Pie" was inducted into the Grammy Hall of Fame.

In 2004, McLean was inaugurated into the Songwriters Hall of Fame. Garth Brooks presented the award and said "Don McLean: his work, like the man himself, is very deep and very compassionate. His pop anthem 'American Pie' is a cultural phenomenon".^{[citation needed]}

In 2007, the biography The Don McLean Story: Killing Us Softly With His Songs was published. Biographer Alan Howard conducted extensive interviews for this, the only book-length biography of the often reclusive McLean to date.

In 2008, New York City radio station Q104.3 FM WAXQ named Don McLean's "American Pie" number 37 in their 2008 Top 1,043 Songs Of All Time listener-generated countdown.

In February 2012 McLean won the BBC Radio 2 Folk Awards Life Time Achievement award^[19]

In March 2012 the PBS network broadcast a feature length documentary about the life and music of Don McLean called "American Troubadour" produced by 4-time Emmy Award winning film maker Jim Brown.

Discography[link]

Albums[link]