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Wham! were a British musical duo formed by George Michael and Andrew Ridgeley in the early 1980s.^[1] They were briefly known in the United States as Wham! UK due to a naming conflict with an American band.

Wham! sold 25 million certified records worldwide from 1982 to 1986.^[2]

History[link]

Michael and Ridgeley met at Bushey Meads Comprehensive School in Bushey near the suburb of Watford in Hertfordshire, England, UK. At first they performed in a short-lived ska band called The Executive, alongside three of their former school friends David (Austin) Mortimer, Harry Tadayon and Andrew Leaver. When this group split, Michael and Ridgeley eventually formed Wham!, signing with Innervision Records, a contract they later sued to be released from. Once that situation was resolved, they signed with CBS (Columbia Records in the United States and Canada, and Epic Records for the rest of the world).

Michael took on the majority of roles and responsibilities within the band—composer, producer, singer, and occasional instrumentalist. Ridgeley convinced^[3]a reluctant^[4] Michael that Wham! needed to change their image and their sound frequently, from the leather-clad moody singers of "Bad Boys" and "Young Guns (Go for It!)" to the more fashionable pop superstars of "Wake Me Up Before You Go-Go".

Still teenagers, they promoted themselves as hedonistic youngsters, proud to live a carefree life without work or commitment. This was reflected in their earliest singles which, part-parody, part-social comment, briefly earned Wham! a reputation as a dance protest group.

The début record to be released by the band was "Wham Rap! (Enjoy What You Do)" in June 1982. It was one of the first singles by a British group to include rapping, and was a double A-side including the Social Mix and the Anti-Social Mix. The record was not playlisted by BBC Radio 1 in the UK, partly because of the profanity in the Anti-Social Mix. Separate videos were recorded for each set of lyrics. "Wham! Rap" did not chart for the group, but in October 1982 "Young Guns (Go for It!)" was issued. An appeal from one youthful lad to his friend to not throw his life away so early on marriage, it also stalled outside the UK Top 40. But soon, Wham! got lucky when the BBC programme Top of the Pops scheduled them. An important weekly BBC chart show on television, it had to look outside the Top 40 to fill a gap created by an act which had unexpectedly pulled out of the show. Nearest to the 40 mark and still climbing, Wham! was summoned, and a phenomenon immediately began. The Top of the Pops performance of "Young Guns" is still considered a watershed moment in the group's history—critical acclaim is given for the 'nightclub' feel of the dance routine by all four of the performers.

Increasing success[link]

Wham!'s first manager was Bryan Morrison. The effect of Wham! on the public, especially teenage girls, was felt from the moment they finished their début performance of "Young Guns (Go for It!)" on Top of the Pops. Michael wore espadrilles, an open suede jacket, and rolled-up denim jeans. Ridgeley stood behind him, flanked by backing dancers Dee C. Lee and Shirlie Holliman.

The performance was as much one of acting as it was of singing, with Michael playing the part of the pleading good-time lad, and Ridgeley the guy who had been drawn into commitment. Afterwards, the song shot into the Top 40 at #24 and peaked at #3 in December. The following year (1983), Dee C. Lee began her work with Paul Weller of The Style Council, and was replaced by Pepsi Demacque. Holliman and Demacque would later record as Pepsi & Shirlie.

Wham! followed up "Young Guns (Go for It!)" with the reissue "Wham Rap! (Enjoy What You Do)", a song about the joys of a leisurely life on the dole; "Bad Boys", about a strained relationship between a rebellious teenage boy and his worried parents; and "Club Tropicana", a satire of the media's fascination with the elitist London club scene. Each single was accompanied by a memorable music video.

By the end of 1983, Wham! was rivalling Duran Duran and Culture Club as Britain's biggest pop act.^{[citation needed]} Notoriety and column inches were duly achieved with their antics of placing shuttlecocks down their shorts during performances on their first tour, the Club Fantastic Tour.^{[citation needed]} Their début LP Fantastic reached #1 at this time as well.^{[citation needed]}

It wasn't long after this that Ridgeley became conscious of legal problems with their initial contract at Innervision.^{[citation needed]} While the legal battle raged (perhaps to raise much-needed funds for the fight^{[citation needed]}), Innervision released a medley of non-single album tracks from Fantastic, entitled "Club Fantastic Megamix". Wham! publicly denounced the move, and urged fans not to buy it.^{[citation needed]} After all the legal wrangling, Innervision admitted there were royalty discrepancies with Wham!'s contract,^{[citation needed]} the fall-out of which led to the bankruptcy and eventual dissolution of Innervision altogether.^{[citation needed]}

Driven by Ridgeley,^{[citation needed]} the duo changed their image, and Wham! returned in May 1984 with an updated, cutting-edge pop image quickly copied^{[by whom?]} by other pop bands.^{[citation needed]} In a process begun by the video to "Club Tropicana" on the previous album, Ridgeley changed the band's look from "moody in leather jackets" to smiles and fashionable clothing, with a view to promoting themselves more as hedonistic sex symbols than spokesmen for a disaffected generation, as previously done.^{[citation needed]}

Fittingly enough, these changes propelled the next single (a pop standard^{[citation needed]}) to the top of the charts around the world.^{[citation needed]} "Wake Me Up Before You Go-Go", an infectiously^{[citation needed]} catchy song Michael wrote whose inspiration was a note left by Ridgeley to his parents.^{[citation needed]} The note was mistakenly written by Ridgeley as "don't forget to wake me up up before you go go".^{[citation needed]} Since he had accidentally written the word "up" twice, Ridgeley decided to compound the error and write "go" twice, as well.^{[citation needed]} It became their first UK #1 and rose to that position in the USA as well,^{[citation needed]} accompanied by a memorable^{[citation needed]} video of the duo, plus the ubiquitous^{[citation needed]} Pepsi and Shirlie, wearing Katharine Hamnett T-shirts with the slogans "CHOOSE LIFE" and "GO GO".

The next single "Careless Whisper" was issued as a George Michael solo piece, yet unlike any Wham! single since "Wham Rap!", it was credited as co-written by Ridgeley.^{[citation needed]} The song, about a remorseful two-timer,^{[citation needed]} had more emotional depth^{[citation needed]} than previous releases, and quickly reached #1,^{[citation needed]} marking a new phase as George Michael tried to somewhat distance himself from Wham!'s playboy image.^{[citation needed]} In the U.S.—so as not to confuse American listeners just being exposed to Wham!—the single was billed as Wham! featuring George Michael.^{[citation needed]} In the autumn of 1984, Wham! returned as a duo with "Freedom", another UK chart-topper^{[citation needed]} with George Michael presented as a broken-hearted romantic,^{[citation needed]} and the first single for quite some time to reach #1 in the UK without an accompanying video.^{[citation needed]} It has been said^{[by whom?]} that this was because the first video was canned due to its poor quality; a video was subsequently edited together from footage of Wham!'s historic China tour in time for "Freedom's" U.S. single release.^{[citation needed]} The group by then had achieved three number-one singles in a row.^{[citation needed]} In November, they released their second album, Make It Big, which quickly climbed to #1 on the album charts,^{[citation needed]} and the band set off on an arena tour at the end of 1984.

"Last Christmas" became the highest-selling single ever to peak at #2 in the UK charts.^{[citation needed]} As such, Wham! donated all their royalties^{[citation needed]} to the Ethiopian famine appeal to coincide with the fund-raising intentions of Band Aid's "Do They Know It's Christmas?", the song which kept them out of the top spot.^{[citation needed]} Nevertheless, Band Aid's success meant that Michael had achieved #1 status within three separate entities in 1984—as a solo artist, as one half of a duo, and as part of a charity ensemble.^{[citation needed]}

Several months after their UK releases, their three U.S. number-one singles in a row (and their only number ones) were "Wake Me Up Before You Go-Go" (closely coinciding with Make It Big's release), "Careless Whisper", and "Everything She Wants". "Freedom" hit number three. At the end of 1985, the U.S. Billboard charts listed "Wake Me Up Before You Go-Go" as the number-three song and "Careless Whisper" as the number-one song of the year.

China and Live Aid[link]

In April 1985, Wham! took a break from recording to embark on a lengthy world tour, including a ground-breaking 10-day visit to China, the first by a Western pop group.^[5] The China excursion was a publicity scheme devised by Simon Napier-Bell (one of their two managers—Jazz Summers being the other). It culminated in a concert at the Workers' Gymnasium in Beijing in front of 10,000 people. Director Lindsay Anderson documented the tour in his film Foreign Skies.

Sporting a beard, Michael appeared with Ridgeley onstage at Live Aid (although they did not perform as Wham!). Michael sang "Don't Let the Sun Go Down on Me" with Elton John while Ridgeley joined Kiki Dee in the row of backup singers. In September, Wham! released "I'm Your Man" which went to #1 in the UK charts.

Michael claimed to have begun a relationship with model/makeup artist Kathy Yeung around this time, and Ridgeley began one with Keren Woodward of Bananarama. Ridgeley also took up the hobby of rally driving, famously^{[citation needed]} crashing one car before the end of 1985. "Last Christmas" was re-issued for the festive season and again made the UK Top 10, peaking at #6, while Michael took up offers he was starting to receive to add his voice to other artists' songs. He performed backing vocals for David Cassidy and for Elton John on his successful singles "Nikita" (a UK #3) and "Wrap Her Up" (a UK #12), on which he sang co-lead vocals.

Demise[link]

Michael desired to create music targeted to a more sophisticated audience than the duo's primarily teenage fan-base. Therefore, Michael and Ridgeley officially announced the breakup of Wham! in the spring of 1986, but that a farewell single and album would be forthcoming, along with a final concert at Wembley Stadium on 28 June 1986, called The Final. British pop group Five Star declined George's invitation to be the supporting act, saying they needed to concentrate on their own career at the time.

The farewell single was "The Edge of Heaven", which reached #1 in June 1986. "Where Did Your Heart Go?" was the group's final single in the United States. The song, originally recorded by art-rock ensemble Was (Not Was), was a gloomy and sombre affair. The duo's last album was a double-LP collection of all the singles to date, including some extended versions, and was also called The Final (released in North America as the severely pared-down Music from the Edge of Heaven with alternate tracks). Wham! then bade goodbye to their fans (73,000 of whom attended the eight-hour event) and each other with an emotional embrace at the end of the show. The band had been together five years, selling close to 20 million albums and 10 to 15 million singles. Foreign Skies, the documentary of their tour of China, received its world premiere as part of the festivities, making it the most highly-attended film première in history.

Post-Wham![link]

For several years after becoming a solo artist, George Michael spoke in public negatively about his time in Wham!, partly because of the intense negativity of media coverage on partner Ridgeley. Michael complained of the constant pressure he felt, and he claimed that the duo had been mistreated financially. He also spoke disparagingly about the Wham! repertoire, especially the songs from the first album.

However, his perspective on the era has softened somewhat in recent years. He still performs "I'm Your Man" and "Everything She Wants", one of the more critically acclaimed songs from the Wham! era, at his solo concerts. He and Ridgeley have had a few reunions.

Ridgeley moved to Monaco after Wham!'s break-up and tried his hand at Formula Three motor racing. Meeting with little success, Ridgeley moved to Los Angeles to pursue his singing/acting career, the failure of which caused him to return to England in 1990. Regardless, CBS Records, having taken up the option on Wham!'s contract that specified solo albums from Michael and Ridgeley, released a guitar-and-drum-driven solo effort from Ridgeley, Son of Albert, in 1990. His brother Paul—a frequent percussionist for Bananarama—played drums on the album. Singles included "Shake" and "Red Dress." CBS declined the option of a second album.

On 21 November 2009, there was a Wham!-themed night on television's The X Factor. Michael later appeared on the show's final episode, performing a duet of "Don't Let the Sun Go Down on Me" with finalist and eventual winner Joe McElderry.

Discography[link]

References[link]

External links[link]

• Official website of George Michael
• Wham! at Rolling Stone

The Edge
Background information
Birth name	David Howell Evans
Born	(1961-08-08) 8 August 1961 (age 50) Barking, Essex, England, United Kingdom
Origin	County Dublin, Ireland
Genres	Rock, post-punk, alternative rock
Occupations	Musician, songwriter, activist
Instruments	Guitar, vocals, keyboards, piano, bass guitar
Years active	1976–present
Labels	Island, Mercury
Associated acts	U2, Passengers
Website	www.u2.com
Notable instruments
Gibson Explorer Fender Stratocaster Gibson Les Paul Fender Telecaster Gretsch Country Gentleman Gretsch White Falcon Rickenbacker 330/12

David Howell Evans (born 8 August 1961), more widely known by his stage name The Edge (or just Edge),^[1] is a musician best known as the guitarist, backing vocalist, and keyboardist of the Irish rock band U2. A member of the group since its inception, he has recorded 12 studio albums with the band and has released one solo record. As a guitarist, The Edge has crafted a minimalistic and textural style of playing. His use of a rhythmic delay effect yields a distinctive ambient, chiming sound that has become a signature of U2's music.

The Edge was born in England to a Welsh family, but was raised in Ireland after moving there as an infant. In 1976, at Mount Temple Comprehensive School, he formed U2 with his fellow students and his older brother Dik. Inspired by the ethos of punk rock and its basic arrangements, the group began to write its own material. They eventually became one of the most popular acts in popular music, with successful albums such as 1987's The Joshua Tree and 1991's Achtung Baby. Over the years, The Edge has experimented with various guitar effects and introduced influences from several genres of music into his own style, including American roots music, industrial music, and alternative rock. With U2, The Edge has also played keyboards, co-produced their 1993 record Zooropa, and occasionally contributed lyrics. The Edge met his second and current wife, Morleigh Steinberg, through her collaborations with the band.

As a member of U2 and as an individual, The Edge has campaigned for human rights and philanthropic causes. He co-founded Music Rising, a charity to support musicians affected by Hurricane Katrina. He has collaborated with U2 bandmate Bono on several projects, including songs for Roy Orbison and Tina Turner, and the soundtracks to the musical Spider-Man: Turn Off the Dark and the Royal Shakespeare Company's London stage adaptation of A Clockwork Orange. In 2011, Rolling Stone magazine placed him at number 38 on its list of "The 100 Greatest Guitarists of All Time".

Personal life[link]

The Edge at a U2 concert in Anaheim (2005)

David Howell Evans was born at the Barking Maternity Hospital,^[2] Essex, England to Welsh parents Garvin and Gwenda Evans.^[1] When he was one, his family moved to County Dublin, Ireland where he attended St Andrew's National School. He received piano and guitar lessons and often performed with his brother Dik Evans before they both answered an advertisement posted by Larry Mullen, Jr. at their school, Mount Temple Comprehensive School, seeking musicians to form a band.^[3] The band accepted both of them. This band went through several incarnations before emerging as U2 in March 1978 (Dik Evans left the band just before the name change).^[3] U2 began performing in various venues in Ireland and eventually began developing a following. Their debut album, Boy, was released in 1980.

In 1981, leading up to the October tour, Evans came very close to leaving U2 for religious reasons, but he decided to stay.^[3] During this period, he became involved with a group called Shalom Tigers, in which bandmates Bono and Larry Mullen Jr. were also involved.^[4] Shortly after deciding to remain with the band, he wrote a piece of music that later became "Sunday Bloody Sunday".^[3] The Edge married his high school girlfriend Aislinn O'Sullivan on 12 July 1983.^[5] The couple had three daughters together: Hollie in 1984, Arran in 1985 and Blue Angel in 1989.^[4] The couple separated in 1990, but were unable to get officially divorced because of Irish laws regarding marriage annulment; divorce was legalised in 1995 and the couple were legally divorced in 1996.^[4]

In 1993, The Edge began dating Morleigh Steinberg, a professional dancer and choreographer employed by the band as a belly dancer during the Zoo TV Tour. They had a daughter, Sian (born 1997), and a son, Levi (born 25 October 1999),^[4] before marrying on 22 June 2002.^[4] He appeared in the 2009 music documentary film It Might Get Loud.^[6] The Edge has been criticized for his efforts to build five luxury mansions on a 156 acre plot of land in Malibu, California.^[7] The California Coastal Commission voted 8-4 against the plans, with the project described by the commission's executive director, Peter Douglas, as "In 38 years...one of the three worst projects that I've seen in terms of environmental devastation...It's a contradiction in terms – you can't be serious about being an environmentalist and pick this location."^[7] The Santa Monica Mountains Conservancy agreed to remain neutral on the issue following a $1 million donation from The Edge and a commitment from The Edge to designate 100 acres of the land as open space for public footpaths.^[7]

Music style[link]

Guitar playing[link]

As a guitar player, The Edge has a sound typified by a low-key playing style, a chiming, shimmering sound (thanks in part to the sound of VOX AC-30s) that he achieves with extensive use of delay effects and reverb. The feedback delay is often set to a dotted eighth note (3/16 of a measure), and the feedback gain is adjusted until a note played repeats two or three times.^{[citation needed]}

On 1987's The Joshua Tree, The Edge often contributes just a few simple lead lines given depth and richness by an ever-present delay. For example, the introduction to "Where the Streets Have No Name" is simply a repeated six-note arpeggio, broadened by a modulated delay effect. The Edge has said that he views musical notes as "expensive", in that he prefers to play as few notes as possible. He said in 1982 of his style,

"I like a nice ringing sound on guitar, and most of my chords I find two strings and make them ring the same note, so it's almost like a 12-string sound. So for E I might play a B, E, E and B and make it ring. It works very well with the Gibson Explorer. It's funny because the bass end of the Explorer was so awful that I used to stay away from the low strings, and a lot of the chords I played were very trebly, on the first four, or even three strings. I discovered that through using this one area of the fretboard I was developing a very stylized way of doing something that someone else would play in a normal way."^[9]

Many different influences have shaped The Edge's guitar technique.^{[citation needed]} His first guitar was an old acoustic guitar that his mother bought him at a local flea market for only a few pounds; he was nine at the time. He and his brother Dik Evans both experimented with this instrument.^[9] He said in 1982 of this early experimentation, "I suppose the first link in the chain was a visit to the local jumble sale where I purchased a guitar for a pound. That was my first instrument. It was an acoustic guitar and me and my elder brother Dik both played it, plonking away, all very rudimentary stuff, open chords and all that."^[9] The Edge has stated that many of his guitar parts are based around guitar effects. This is especially true from the Achtung Baby era onwards, although much of the band's 1980s material made heavy use of echos.

Vocals[link]

The Edge in June 2005

The Edge also supplies the backing vocals for U2. U2's 1983 live album and video release, Under a Blood Red Sky and Live at Red Rocks: Under a Blood Red Sky are good reference points for his singing (as are the live DVDs from the Elevation Tour, U2 Go Home: Live from Slane Castle and Elevation 2001: Live from Boston). For example, he sings the chorus to "Sunday Bloody Sunday" (Bono harmonizes on the final 'Sunday'). U2 used this tradeoff technique later in "Bullet the Blue Sky" as well. His backing vocals are sometimes in the form of a repeated cry; examples of songs that use this approach include "Beautiful Day", "New Year's Day" and "Stay (Faraway, So Close!)". Another technique he uses in his backing vocals is the falsetto, in songs such as "Stuck in a Moment You Can't Get Out Of", "Sometimes You Can't Make It on Your Own", "A Man and a Woman", "The Wanderer", live versions of "The Fly", and "Window in the Skies".

The Edge sings the lead vocal on "Van Diemen's Land" and "Numb", the first half of the song "Seconds", dual vocals with Bono in "Discotheque", and the bridge in the song "Miracle Drug".^[4] He also sings the occasional lead vocal in live renditions of other songs (such as "Sunday Bloody Sunday" during the PopMart Tour and "Party Girl" during the Rotterdam Zoo TV show when it was Bono's birthday).^[10] He also plays a solo acoustic version of the song "Love is Blindness" that is featured in the documentary film From the Sky Down.

Other instruments[link]

He has played piano and keyboards on many of the band's songs, including "I Fall Down", "October", "So Cruel", "New Year's Day", "Running to Stand Still", "Miss Sarajevo", "The Hands that Built America", and "Original of the Species" and others. He plays the organ on "Please". In live versions of "New Year's Day", "The Unforgettable Fire", "Your Blue Room", and "Moment of Surrender", he plays both the piano and guitar parts alternately. In most live versions of "Original of the Species," piano is the only instrument played during the song. Although The Edge is the band's lead guitarist, he occasionally plays bass guitar, including the live performances of the song "40" where The Edge and bassist Adam Clayton switch instruments.

Solo recordings[link]

In addition to his regular role within U2, The Edge has also recorded with such artists as Johnny Cash, B. B. King, Tina Turner, Ronnie Wood, Jay-Z, and Rihanna. The Edge connected with Brian Eno and Lanois collaborator Michael Brook (the creator of the infinite guitar, which he regularly uses), working with him on the score to the film Captive (1986). From this soundtrack the song "Heroine", the vocal of which was sung by a young Sinéad O'Connor was released as a single.

He also created the theme song for season one and two of The Batman. He and fellow U2 member, Bono, wrote the lyrics to the theme of the 1995 James Bond film GoldenEye. The Edge, along with bandmate Bono, recently composed a musical adaptation of Spider-Man. On May 25, 2011, a single titled Rise Above 1: Reeve Carney Featuring Bono and The Edge was released digitally.^[11] The music video was released on July 28, 2011.^[12]

Musical equipment[link]

Edge's 1964 Vox AC30 on stage in Foxborough for the U2 360° Tour.

The Edge plays electric guitar, acoustic guitar, keyboards, piano, bass guitar (on "40" and "Race Against Time") and lap steel guitar. Compared to many lead guitarists, The Edge is known for using many more guitars during a show. According to his guitar tech Dallas Schoo, a typical lead guitarist uses four or five different guitars in one night, whereas The Edge takes 45 on the road, and uses 17 to 19 in one 2.5-hour concert. He is estimated to have more than 200 guitars in the studio.^{[citation needed]}

Philanthropy[link]

In 2005, The Edge along with Bob Ezrin and Henry Juszkiewicz co-founded Music Rising, a charity that helped provide replacement instruments for those that were lost in Hurricane Katrina. The instruments were originally only replaced for professional musicians but they soon realized the community churches and schools needed instruments as well. The charity's slogan is "Rebuilding the Gulf Region note by note" and has so far helped over a hundred musicians who were affected by Hurricane Katrina. The Edge also serves on the board of the Angiogenesis Foundation, a 501(c)(3) nonprofit organization dedicated to improving global health by advancing angiogenesis-based medicine, diets, and lifestyle.^[13]

See also[link]

• Timeline of U2
• List of people on stamps of Ireland

References[link]

Footnotes

Bibliography

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (October 2011)

Wikimedia Commons has media related to: The Edge

Wikiquote has a collection of quotations related to: The Edge

• U2.com, official U2 site
• Music Rising
• The Edge at the Internet Movie Database
• The Edge – Album Credits
• A Study of The Edge's Guitar Delay
• The Edge: 'It's all about the vision'
• Food Bank For New York City public service announcement
• Comment on the mathematical analysis of The Edge's guitar sound