Name | Mechelen |
---|---|
Picture | Malines1.jpg |
Picture-width | 250px |
Picture-legend | Mechelen City Hall |
Map | MechelenLocatie.png |
Map-legend | Mechelen municipality and ''arrondissement'' in the Flemish province of Antwerp |
Arms | Wapen Mechelen.svg |
Flag | Flag of Mechlin.svg |
Region | |
Community | |
Province | |
Arrondissement | Mechelen |
Nis | 12025 |
Pyramid-date | 01/01/2006 |
0-19 | 23.60 |
20-64 | 58.51 |
65 | 17.89 |
Foreigners | 7.07 |
Foreigners-date | 01/07/2005 |
Mayor | Bart Somers (VLD) |
Majority | VLD, CD&V;, Groen!, N-VA, Ind. |
Postal-codes | 2800, 2801, 2811, 2812 |
Telephone-area | 015 - 03 |
Web | www.mechelen.be |
Lat deg | 51 |
Lat min | 01 |
Lon deg | 04 |
Lon min | 28 }} |
Mechelen (locally pronounced , French ''Malines'', English traditional name ''Mechlin'') is a Dutch-speaking city and municipality in the province of Antwerp, Flanders, Belgium. The municipality comprises the city of Mechelen proper, some quarters at its outskirts, the hamlets of Nekkerspoel (adjacent) and Battel (a few kilometers away), as well as the villages of Walem, Heffen, Leest, Hombeek, and Muizen. The Dijle flows through the city, hence the term 'Dijlestad' (''"City on the river Dijle"'').
Mechelen lies on the major urban and industrial axis Brussels-Antwerp, about 25 km from each city. Inhabitants find employment at Mechelen's southern industrial and northern office estates, as well as at offices or industry near the capital and Zaventem Airport, or at industrial plants near Antwerp's seaport.
Mechelen is one of Flanders' prominent art cities, with Brussels, Antwerp, Bruges, Ghent, and Leuven. It was notably a centre for artistic production during the Northern Renaissance, when painters, printmakers, illuminators and composers of polyphony were attracted by patrons such as Margaret of York, Margaret of Austria and Jeroen Van Busleyden.
Archaeological proof of habitation during the La Tène era in the triangle Brussels-Leuven-Antwerp, mainly concentrated around Mechelen which originated in wetlands, includes an 8.4 metre long canoe cut from an oak tree trunk and a settlement of about five wooden houses, at Nekkerspoel.
The area of Mechelen was settled on the banks of the river during the Gallo-Roman period as evidenced by several Roman ruins and roads. Upon Rome's declining influence, during 3rd–4th centuries the area became inhabited by Germanic tribes, a few centuries later Christianized assumedly by the Irish or Scottish missionary St. Rumbold, (''Rombout'' in Dutch), who would have also built a monastery.
Around 1200 started the building of the cathedral that is dedicated to the saint.
Antwerp lost profitable ''stapelrechten'' (rights as first seller) for wool, oats and salt to Mechelen in 1303 when John II, Duke of Brabant, granted City rights to the town. This started a rivalry between these cities that would last well into the 20th century.
In the 15th century, the city came under the rule of the Dukes of Burgundy, marking the beginning of a prosperous period. In 1473 Charles the Bold moved several political bodies to the city, and Mechelen served as the seat of the Superior Court until the French Revolution.
The highly lucrative cloth trade gained Mechelen wealth and power during the Late Middle Ages and it even became the capital of the Low Countries (very roughly the Netherlands, Belgium and Luxembourg) in the first half of the 16th century under Archduchess Margaret of Austria.
During the 16th century the city's political influence decreased dramatically, due to many governmental institutions being moved to Brussels. The city compensated for this by increased attention in the religious arena: in 1559 it was proclaimed the Archdiocese of Mechelen, for Belgium not sharing this title with Brussels until 1961. In 1572, during the Eighty Years' War, the city was burned and sacked by the Spanish. After this pillaging, the city was rebuilt. It was during this time that the tradition of furniture making, still seen today, began. In 1781, Joseph II, Holy Roman Emperor, ordered the destruction of the city's fortified walls — their former location however continues to be referred to in the Latin terms ''intra muros'' (within the walls) and ''extra muros'' (outside), and meanwhile the site became that of the inner ring road.
The city entered the industrial age in the 19th century. In 1835, the first railway on the European continent linked Brussels with Mechelen, which became the hub of the Belgian railway network. This led to a development of metalworking industries, among others the central railway workshops which are still located in the town today. During World War II, the extensive Mechlinian railway structure had caused the Nazi occupation forces to choose Mechelen for its infamous transit camp.
Several famous meetings on the Christian religion are connected to the name of the city. One in 1909 is thought to have inaugurated the Liturgical Movement. Between 1921 and 1925 a series of unofficial conferences, known as the Malines Conversations, presided over by Cardinal Mercier and attended by Anglican divines and laymen, including Lord Halifax, was the most significant of early attempts at the reconciliation between the Anglican and Roman Catholic Churches.
Once every 25 years, a Parade, the Ommegang, commemorates both the arrival of Holy Roman Emperor Maximilian I, father of Archduchess Margaret of Austria, and also other major events of the city's past. The ''Ommegang'' had an extra edition in 2000 for the 500th anniversary of the birth of Charles V. This cortege shows the city's six 15th–17th C Giants and other serious and humoresque puppets and carts, all typically made on a huge scale, and has been UNESCO Masterpiece of the Oral and Intangible Heritage of Humanity since 2005.
The city's 17th century wooden mascot, which since 1775 has been called ''Opsinjoorke'' 'the doll', is pulled about on a sheet as part of the Ommegang. Nowadays, it is the replica that is so pulled around the city. A recent bronze statue depicting the ''Opsinjoorke'' stands in front of the Belfry.
The annual parade of carts decorated with flowers (comparable to that of Blankenberge for Mechlinian florists still prepare up to half of decorations), and with vegetables, -- all of which are local to the area—has been indefinitely canceled since the beginning of the 21st century due to lack of financing by the City.
In spring, a legendary holy statue of Our Lady is the main feature in the Procession of Hanswijk.
Mechelen was at the heart of the revival of the carillon in the early 20th century, and hosts its principal school in the world to this day.
The area around Mechelen is famous for the cultivation of vegetables, among which Belgian endive (''witloof''), asparagus and cauliflower. Founded in the city, the ''Mechelse Veilingen'' in neighbouring Sint-Katelijne-Waver is the largest co-operative vegetable auction in Europe.
One of the four breeds of the Belgian Sheepdog is the local Malinois. The Mechelse koekoek is a local poultry breed, fleshy chickens with black and white feathers which extend on the bird's legs, with colours reminiscent of a cuckoo, hence the name.
Mechelsen Bruynen was allegedly the emperor Charles V's favourite beer. A version is still brewed in the city at Het Anker brewery.
Category:Populated places in Belgium Category:Cities and towns in Flanders Category:Municipalities of Antwerp Category:World Heritage Sites in Belgium Category:Burgundian Circle Category:Seventeen Provinces
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Name | Reem Acra |
---|---|
Nationality | Lebanese-American |
Birth place | Beirut, Lebanon |
Education | Fashion Institute of Technology |
Label name | Reem Acra Inc. |
Significant design | wedding dress |
The Reem Acra flagship store is on East 60th Street in New York City.
As a wedding gown designer, Reem Acra began her career as an embroidery artist in New York. She launched her own bridal gown company in 1995 and has shot to the top in the bridal business. The luxurious silk satin and intricate beadwork has made Acra bridal gowns some of the most beautiful on the market.
Reem Acra’s exquisite gowns exude her own innate sense of style and love of fashion. Acra’s gowns are a direct reflection of her design philosophy that poetically combines her appreciation for the traditional and classic with the modern fashion needs of today’s stylish woman. The designer’s gowns particularly appeal to women of individual style who are looking for glamour and sophistication on the most important day of their life.
Painting a picture of a garden tea party one by one, the 40 ensembles literally seemed to spring up like blooms from a fresh cut arrangement. The use of bright hues, especially the juxtaposition of bold colors was a very strong trend on the runways this season. The sumptuous fabrics employed helped convey a heightened sense of ease and luxury from confetti lace, jacquard, and organza to charmeuse, taffeta, and chiffon. The handwork for which Acra is celebrated only further enhanced the silhouette and movement of her garments with lovely design details such as laser-cutting, three-dimension appliqués, and flocked discs.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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