- published: 03 Jan 2017
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Houshang Moradi Kermani (born 7 September 1944) (Persian: هوشنگ مرادی کرمانی) is an eminent Iranian writer best known for children's and young-adult fiction. For his lasting contribution as a children's writer, he was a finalist in 2014 for the biennial, international Hans Christian Andersen Award, the highest recognition available to creators of children's books.
Moradi Kermani was born in Sirch, a village in Kerman Province, and was educated in Sirch, Kerman and Tehran.
Several Iranian movies and TV-series have been made based on his books. In 2006, Dariush Mehrjui directed Mehman-e Maman based on Moradi Kermani's novel with the same title.
Some of Moradi Kermani's books have been translated into English, German, French, Spanish, Dutch, Arabic, and Armenian. His auto-biography is published in 2005, named "Believe it or not" (Shoma ke gharibe nistid).
He has won many national and international awards which include Hans Christian Andersen Honorary diploma (1992) and University of San Francisco book of the year (2000).
This is just the first 3 minutes of an episode from the "Ghesehaye Majid" (The Tales of Majid) television series entitled "Malakhe Daryaei" (Shrimp). This program was aired in the early 90's on Channel 1, one of Iran's national tv (IRIB) channels. It is set in the 60s or 70s in Esfahan and is based on a book by Houshang Moradi Kermani. The book was set in Kerman, but the series was moved to Esfahan, the tv series director's (Kiomars Pourahmad) hometown.
Robert Wuhl reads "The Vice-Principal" by Houshang Moradi Kermani, from the book "Literature from the Axis of Evil"
Prof. M. R. Ghanoonparvar Cinema as Literature, Literature as Cinema Iranian filmmakers have kept an eye on Persian literature from the inception of the Iranian cinema and have borrowed not only stories but narrative techniques from literary artists. The relationship between these two media of storytelling began with the early adaptations of classical Persian literature by Abdolhoseyn Sepanta and continued with the work of such renowned filmmakers as Daryush Mehrju'i and Amir Naderi who have based some of their films on the short stories and novels of modern fiction writers such as Gholamhoseyn Sa'edi and Sadeq Chubak prior to the Islamic Revolution and the more recent adaptations based on the stories by Hushang Moradi-Kermani and others following the Revolution. This paper argues that w...
Hoshang Moradi Krmani
پستو یک هفته نامه فرهنگی و هنر یست که از شبکه ی کهکشان هر هفته جمعه پخش میشود. در این برنامه با هوشنگ مرادی کرمانی به بهانه ی کتاب جدیدش آب انبار گفتگو کردیم وهم چنین سری به فستیوال زوم به عقب در تولوز زده ایم
Robert Wuhl reads "The Vice-Principal" by Houshang Moradi Kermani, from the book "Literature from the Axis of Evil"
Hoshang Moradi Krmani
www.djaso.com Studio Aso
www.djaso.com Studio Aso
www.djaso.com
This is just the first 3 minutes of an episode from the "Ghesehaye Majid" (The Tales of Majid) television series entitled "Malakhe Daryaei" (Shrimp). This program was aired in the early 90's on Channel 1, one of Iran's national tv (IRIB) channels. It is set in the 60s or 70s in Esfahan and is based on a book by Houshang Moradi Kermani. The book was set in Kerman, but the series was moved to Esfahan, the tv series director's (Kiomars Pourahmad) hometown.
Robert Wuhl reads "The Vice-Principal" by Houshang Moradi Kermani, from the book "Literature from the Axis of Evil"
Prof. M. R. Ghanoonparvar Cinema as Literature, Literature as Cinema Iranian filmmakers have kept an eye on Persian literature from the inception of the Iranian cinema and have borrowed not only stories but narrative techniques from literary artists. The relationship between these two media of storytelling began with the early adaptations of classical Persian literature by Abdolhoseyn Sepanta and continued with the work of such renowned filmmakers as Daryush Mehrju'i and Amir Naderi who have based some of their films on the short stories and novels of modern fiction writers such as Gholamhoseyn Sa'edi and Sadeq Chubak prior to the Islamic Revolution and the more recent adaptations based on the stories by Hushang Moradi-Kermani and others following the Revolution. This paper argues that w...
Hoshang Moradi Krmani
پستو یک هفته نامه فرهنگی و هنر یست که از شبکه ی کهکشان هر هفته جمعه پخش میشود. در این برنامه با هوشنگ مرادی کرمانی به بهانه ی کتاب جدیدش آب انبار گفتگو کردیم وهم چنین سری به فستیوال زوم به عقب در تولوز زده ایم