Nikolai Gogol
Daguerreotype of Gogol taken in 1845 by Sergey Lvovich Levitsky (1819–1898)
Born	Nikolai Vasilievich Gogol (1809-03-31)31 March 1809[1] (N.S.) Sorochyntsi, Russian Empire (now Ukraine)
Died	4 March 1852(1852-03-04) (aged 42) Moscow, Russian Empire
Occupation	Playwright, short-story writer, and novelist
Nationality	Russian
Ethnicity	Ukrainian
Period	1840–51
Influences Miguel de Cervantes, Alexander Pushkin
Influenced Aleichem, Dostoyevsky, Nabokov,[2] Saramago,[3] Stanislavski, Tolstoy, Turgenev, Andrei Biely
Signature

Nikolai Vasilievich Gogol (Russian: Никола́й Васи́льевич Го́голь, tr. Nikolay Vasilyevich Gogol; IPA: [nʲɪkɐˈlaj vɐˈsʲilʲjɪvʲɪtɕ ˈgogəlʲ]; Ukrainian: Мико́ла Васи́льович Го́голь, Mykola Vasyliovych Hohol; 31 March [O.S. 19 March] 1809 – 4 March [O.S. 21 February] 1852^[4]) was a Ukrainian-born Russian dramatist, novelist and short story writer.^[4]

Considered by his contemporaries one of the preeminent figures of the natural school of Russian literary realism, later critics have found in Gogol's work a fundamentally romantic sensibility, with strains of Surrealism and the grotesque ("The Nose", "Viy", "The Overcoat," "Nevsky Prospekt"). His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore.^[5][6] His later writing satirised political corruption in the Russian Empire (The Government Inspector, Dead Souls), leading to his eventual exile. The novel Taras Bulba (1835) and the play Marriage (1842), along with the short stories "Diary of a Madman", "The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich", "The Portrait" and "The Carriage", round out the tally of his best-known works.

Early life[link]

Gogol was born in the Ukrainian Cossack village of Sorochyntsi,^[4] in Poltava Governorate of the Russian Empire, present-day Ukraine. His mother was a descendant of Polish landowners. His father Vasily Gogol-Yanovsky, a descendant of Ukrainian Cossacks, belonged to the 'petty gentry', wrote poetry in Ukrainian and Russian, and was an amateur Ukrainian-language playwright, who died when Gogol was 15 years old. As was typical of the left-bank Ukrainian gentry of the early nineteenth century, the family spoke Russian as well as Ukrainian. As a child, Gogol helped stage Ukrainian-language plays in his uncle's home theater.^[7]

In 1820 Gogol went to a school of higher art in Nizhyn and remained there until 1828. It was there that he began writing. He was not popular among his schoolmates, who called him their "mysterious dwarf", but with two or three of them he formed lasting friendships. Very early he developed a dark and secretive disposition, marked by a painful self-consciousness and boundless ambition. Equally early he developed a talent for mimicry, which later made him a matchless reader of his own works and induced him to toy with the idea of becoming an actor.

In 1828, on leaving school, Gogol came to St Petersburg, full of vague but glowingly ambitious hopes. He had hoped for literary fame, and brought with him a Romantic poem of German idyllic life – Hans Küchelgarten. He had it published, at his own expense, under the name of "V. Alov." The magazines he sent it to almost universally derided it. He bought all the copies and destroyed them, swearing never to write poetry again.

Gogol was one of the first masters of the short story, alongside Alexander Pushkin, Prosper Mérimée, E. T. A. Hoffmann, and Nathaniel Hawthorne. He was in touch with the "literary aristocracy", had a story published in Anton Delvig's Northern Flowers, was taken up by Vasily Zhukovsky and Pyotr Pletnyov, and (in 1831) was introduced to Pushkin.

Literary development[link]

Cover of the first edition of The Government Inspector (1836).

In 1831, he brought out the first volume of his Ukrainian stories (Evenings on a Farm Near Dikanka), which met with immediate success. He followed it in 1832 with a second volume, and in 1835 by two volumes of stories entitled Mirgorod, as well as by two volumes of miscellaneous prose entitled Arabesques. At this time Russian editors and critics such as Nikolai Polevoy and Nikolai Nadezhdin saw in Gogol the emergence of a Ukrainian, rather than Russian, writer, using his works to illustrate supposed differences between Russian and Ukrainian national characters, a fact that has been overlooked in later Russian literary history.^[8] The themes and style of these early prose works by Gogol, as well as his later drama, were similar to the work of Ukrainian writers and dramatists who were his contemporaries and friends, including Hryhory Kvitka-Osnovyanenko and Vasily Narezhny. However, Gogol's satire was much more sophisticated and unconventional.^[9]

At this time, Gogol developed a passion for Ukrainian history and tried to obtain an appointment to the history department at Kiev University. Despite the support of Pushkin and Sergey Uvarov, the Russian minister of education, his appointment was blocked by a Kievan bureaucrat on the grounds that he was unqualified.^[10] His fictional story Taras Bulba, based on the history of Ukrainian cossacks, was the result of this phase in his interests. During this time he also developed a close and life-long friendship with another Ukrainian, the historian and naturalist Mykhaylo Maksymovych.^[11]

In 1834 Gogol was made Professor of Medieval History at the University of St. Petersburg, a job for which he had no qualifications. He turned in a performance ludicrous enough to warrant satiric treatment in one of his own stories. After an introductory lecture made up of brilliant generalizations which the 'historian' had prudently prepared and memorized, he gave up all pretense at erudition and teaching, missed two lectures out of three, and when he did appear, muttered unintelligibly through his teeth. At the final examination, he sat in utter silence with a black handkerchief wrapped around his head, simulating a toothache, while another professor interrogated the students."^[12] This academic venture proved a failure and he resigned his chair in 1835.

Commemorative plaque in his house in Rome

Between 1832 and 1836 Gogol worked with great energy, and though almost all his work has in one way or another its sources in these four years of contact with Pushkin, he had not yet decided that his ambitions were to be fulfilled by success in literature. During this time, the Russian critics Stepan Shevyrev and Vissarion Belinsky, contradicting earlier critics, reclassified Gogol from a Ukrainian to a Russian writer.^[8] It was only after the presentation, on 19 April 1836, of his comedy The Government Inspector (Revizor) that he finally came to believe in his literary vocation. The comedy, a violent satire of Russian provincial bureaucracy, was staged thanks only to the intervention of the emperor, Nicholas I.

From 1836 to 1848 Gogol lived abroad, travelling through Germany and Switzerland. Gogol spent the winter of 1836–1837 in Paris, among Russian expatriates and Polish exiles, frequently meeting the Polish poets Adam Mickiewicz and Bohdan Zaleski. He eventually settled in Rome. For much of the twelve years from 1836 Gogol was in Italy. He studied art, read Italian literature and developed a passion for opera. He mingled with Russian and other visitors, and in 1838 met Count Ioseph Vielhorskiy, the 23-year-old son of the official who had brought Gogol's Government Inspector to the attention of the emperor. Vielhorsky was travelling in hopes of curing his tuberculosis. Gogol became deeply attached to the young man and attended him in his illness, but in 1839 Vielhorsky died. Gogol left an account of this time in his Nights at the Villa.

Pushkin's death produced a strong impression on Gogol. His principal work during years following Pushkin's death was the satirical epic Dead Souls. Concurrently, he worked at other tasks – recast Taras Bulba and The Portrait, completed his second comedy, Marriage (Zhenitba), wrote the fragment Rome and his most famous short story, The Overcoat.

In 1841 the first part of Dead Souls was ready, and Gogol took it to Russia to supervise its printing. It appeared in Moscow in 1842, under the title, imposed by the censorship, of The Adventures of Chichikov. The book instantly established his reputation as the greatest prose writer in the language.

Creative decline and death[link]

After the triumph of Dead Souls, Gogol came to be regarded by his contemporaries as a great satirist who lampooned the unseemly sides of Imperial Russia. Little did they know that Dead Souls was but the first part of a planned modern-day counterpart to The Divine Comedy. The first part represented the Inferno; the second part was to depict the gradual purification and transformation of the rogue Chichikov under the influence of virtuous publicans and governors — Purgatory.^[13]

Gogol, painted in 1840.

From Palestine Gogol returned to Russia, and passed his last years in restless movement throughout the country. While visiting the capitals, he stayed with friends such as Mikhail Pogodin and Sergei Aksakov. During this period he also spent much time with his old Ukrainian friends, Maksymovych and Osyp Bodiansky. More importantly, he intensified his relationship with a starets or spiritual elder, Matvey Konstantinovsky, whom he had known for several years. Konstantinovsky seems to have strengthened in Gogol the fear of perdition by insisting on the sinfulness of all his imaginative work. His health was undermined by exaggerated ascetic practices and he fell into a state of deep depression. On the night of 24 February 1852, he burned some of his manuscripts, which contained most of the second part of Dead Souls. He explained this as a mistake, a practical joke played on him by the Devil. Soon thereafter he took to bed, refused all food, and died in great pain nine days later.

Gogol was mourned in the Saint Tatiana church at the Moscow University before his burial and then buried at the Danilov Monastery, close to his fellow Slavophile Aleksey Khomyakov. In 1931 Moscow authorities decided to demolish the monastery and had his remains transferred to the Novodevichy Cemetery.

Gogol's grave at the Novodevichy Cemetery

His body was discovered lying face down; which gave rise to the story that Gogol had been buried alive. A Soviet critic even cut a part of his jacket to use as a binding for his copy of Dead Souls. A piece of rock which used to stand on his grave at the Danilov was reused for the tomb of Gogol's admirer Mikhail Bulgakov.

The first Gogol monument in Moscow was a Symbolist statue on Arbat Square, which represented the sculptor Nikolay Andreyev's idea of Gogol, rather than the real man.^[14] Unveiled in 1909, the statue was praised by Ilya Repin and Leo Tolstoy as an outstanding projection of Gogol's tortured personality. Joseph Stalin did not like it, however, and the statue was replaced by a more orthodox Socialist Realism monument in 1952. It took enormous efforts to save Andreyev's original work from destruction; it now stands in front of the house where Gogol died.^[15]

Style[link]

D.S. Mirsky characterized Gogol's universe as "one of the most marvellous, unexpected — in the strictest sense, original^[16] — worlds ever created by an artist of words".^[17]

The other main characteristic of Gogol's writing is his impressionist vision of reality and people. He saw the outer world romantically metamorphosed, a singular gift particularly evident from the fantastic spatial transformations in his Gothic stories, A Terrible Vengeance and A Bewitched Place. His pictures of nature are strange mounds of detail heaped on detail, resulting in an unconnected chaos of things. His people are caricatures, drawn with the method of the caricaturist — which is to exaggerate salient features and to reduce them to geometrical pattern. But these cartoons have a convincingness, a truthfulness, and inevitability — attained as a rule by slight but definitive strokes of unexpected reality — that seems to beggar the visible world itself.^[18]

The aspect under which the mature Gogol sees reality is expressed by the untranslatable Russian word poshlost', which is perhaps best rendered as "self-satisfied inferiority", moral and spiritual, widespread in some group or society (from Russian, poshlo, meaning "went"). Like Sterne before him, Gogol was a great destroyer of prohibitions and romantic illusions. It was he who undermined Russian Romanticism by making vulgarity reign where only the sublime and the beautiful had reigned.^[19] "Characteristic of Gogol is a sense of boundless superfluity that is soon revealed as utter emptiness and a rich comedy that suddenly turns into metaphysical horror."^[20] His stories often interweave pathos and mockery, while "The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich" begins as a merry farce and ends with the famous dictum, "It is dull in this world, gentlemen!"

Politics[link]

Gogol was stunned when The Government Inspector came to be interpreted by many, despite Nicholas I's patronage of the play, as an indictment of Tsarism. In reality, Gogol himself was an adherent of the Slavophile movement and believed in a divinely inspired mission for both the House of Romanov and the Russian Orthodox Church. Similarly to Fyodor Dostoyevsky, Gogol sharply disagreed with those Russians who preached Constitutional Monarchy and the Disestablishment of the Orthodox Church.

After defending Autocracy, Serfdom, and Orthodoxy in his book Selected Passages from Correspondence with his Friends, Gogol was attacked by his former patron Vissarion Belinsky. The first Russian intellectual to publicly preach the economic theories of Karl Marx, Belinsky accused Gogol of betraying his readership by defending the status quo.

Influence and interpretations[link]

The first Gogol memorial in Russia (an impressionistic statue by Nikolay Andreyev, 1909).

A more conventional statue of Gogol at the Villa Borghese, Rome.

Even before the publication of Dead Souls, Belinsky recognized Gogol as the first realist writer in the language and the head of the Natural School, to which he also assigned such younger or lesser authors as Goncharov, Turgenev, Dmitry Grigorovich, Vladimir Dahl and Vladimir Sollogub. Gogol himself seemed to be skeptical about the existence of such a literary movement. Although he recognized "several young writers" who "have shown a particular desire to observe real life", he upbraided the deficient composition and style of their works.^[21] Nevertheless, subsequent generations of radical critics celebrated Gogol (the author in whose world a nose roams the streets of the Russian capital) as a great realist, a reputation decried by the Encyclopædia Britannica as "the triumph of Gogolesque irony."^[22]

The period of modernism saw a revival of interest in and a change of attitude towards Gogol's work. One of the pioneering works of Russian formalism was Eichenbaum's reappraisal of The Overcoat. In the 1920s, a group of Russian short story writers, known as the Serapion Brothers, placed Gogol among their precursors and consciously sought to imitate his techniques. The leading novelists of the period – notably Yevgeny Zamyatin and Mikhail Bulgakov – also admired Gogol and followed in his footsteps. In 1926, Vsevolod Meyerhold staged The Government Inspector as a "comedy of the absurd situation", revealing to his fascinated spectators a corrupt world of endless self-deception. In 1934, Andrei Bely published the most meticulous study of Gogol's literary techniques up to that date, in which he analyzed the colours prevalent in Gogol's work depending on the period, his impressionistic use of verbs, expressive discontinuity of his syntax, complicated rhythmical patterns of his sentences, and many other secrets of his craft. Based on this work, Vladimir Nabokov published a summary account of Gogol's masterpieces in 1944.

The house in Moscow where Gogol died. The building contains the fireplace where he burned the manuscript of the second part of Dead Souls.

Gogol's impact on Russian literature has been enduring, yet his works have been appreciated differently by various critics. Belinsky, for instance, berated his horror stories as "moribund, monstrous works", while Andrei Bely counted them among his most stylistically daring creations. Nabokov especially admired Dead Souls, The Government Inspector, and The Overcoat as works of genius, proclaiming that "when, as in his immortal ‘The Overcoat,’ Gogol really let himself go and pottered happily on the brink of his private abyss, he became the greatest artist that Russia has yet produced.” ^[23] The Overcoat was traditionally interpreted as a masterpiece of "humanitarian realism", but Nabokov and some other attentive readers argued that "holes in the language" make the story susceptible to interpretation as a supernatural tale about a ghostly double of a "small man."^[24] Of all Gogol's stories, The Nose has stubbornly defied all abstruse interpretations: D.S. Mirsky declared it "a piece of sheer play, almost sheer nonsense."

Gogol's oeuvre has also had a large impact on Russia's non-literary culture, and his stories have been adapted numerous times into opera and film. Russian Composer Alfred Schnittke wrote the eight part Gogol Suite as incidental music to The Government Inspector performed as a play, and composer Dmitri Shostakovich set The Nose as his first opera in 1930, despite the peculiar choice of subject for what was meant to initiate the great tradition of Soviet opera.^[25] Most recently, to celebrate the 200th anniversary of Gogol's birth, Vienna's renowned Theater an der Wien commissioned music and libretto for a full length opera on the life of Gogol from Russian composer and writer Lera Auerbach.^[26]

Gogol burning the manuscript of the second part of Dead Souls by Ilya Repin

Some attention has also been given to the apparent anti-Semitism in Gogol's writings, as well as those of his contemporary, Fyodor Dostoyevsky.^[27] Felix Dreizin and David Guaspari, for example, in their The Russian Soul and the Jew: Essays in Literary Ethnocentricis discuss "the significance of the Jewish characters and the negative image of the Ukrainian Jewish community in Gogol's novel Taras Bulba, pointing out Gogol's attachment to anti-Jewish prejudices prevalent in Russian and Ukrainian culture."^[28] In Leon Poliakov's The History of Antisemitism, the author mentions that "The 'Yankel' from Taras Bulba indeed became the archetypal Jew in Russian literature. Gogol painted him as supremely exploitative, cowardly, and repulsive, albeit capable of gratitude. But it seems perfectly natural in the story that he and his cohorts be drowned in the Dniper by the Cossack lords. Above all, Yankel is ridiculous, and the image of the plucked chicken that Gogol used has made the rounds of great Russian authors."^[29]

Despite his problematic portrayal of Jewish characters, Gogol left a powerful impression even on Jewish writers who inherited his literary legacy. Amelia Glaser has noted the influence of Gogol's literary innovations on Sholem Aleichem, who "chose to model much of his writing, and even his appearance, on Gogol... What Sholem Aleichem was borrowing from Gogol was a rural East European landscape that may have been dangerous, but could unite readers through the power of collective memory. He also learned from Gogol to soften this danger through laughter, and he often rewrites Gogol's Jewish characters, correcting anti-Semitic stereotypes and narrating history from a Jewish perspective."^[30]

Gogol in popular culture[link]

Postage stamp, Russia, 2009. See also: Gogol in philately, Russian Wikipedia

• Gogol has been featured many times on Russian and Soviet postage stamps; he is also well-represented on stamps worldwide.^{[31][32][33][34][35]}
• Several commemorative coins have been issued from Russia and the USSR. On 19 March 2009, the National Bank of Ukraine issued a commemorative coin dedicated to Gogol.^[36]
• Streets have been named after Gogol in Moscow, Lipetsk, Odessa, Myrhorod, Krasnodar, Vladimir, Vladivostok, Penza, Petrozavodsk, Riga, Bratislava, Harbin and many other towns and cities.
• Gogol is referenced multiple times in Fyodor Dostoyevsky's Crime and Punishment and Chekhov's The Seagull.
• More than 35 films have been based on Gogol's work, the most recent being The Girl in the White Coat (2011).
• BBC Radio 4 made a series of six Gogol short stories, entitled Three Ivans, Two Aunts and an Overcoat (2002, adaptations by Jim Poyser).
• In music, the gypsy punk band Gogol Bordello is named after Gogol.
• A song by Joy Division, "Dead Souls" (1980), is named after his novel.
• The band "Moon&Melody" performed a musical version of Nikolai Gogol's Viy (story) at the "Museum für Sepulkralkultur", Kassel, Germany (2011).
• James Bond's competitor (and occasional ally) is named General Gogol.
• Gogolfest is the annual multidisciplinary international festival of contemporary art held in Kiev, Ukraine.
• Gogol is the name of a Russian criminal organization in the TV series Nikita.
• The protagonist of the novel The Namesake, Gogol Ganguli, is named after Nikolai Gogol.

See also[link]

• Nikolai Gogol bibliography

Notes and references[link]

 This article incorporates text from D.S. Mirsky's "A History of Russian Literature" (1926-27), a publication now in the public domain.

External links[link]

Wikiquote has a collection of quotations related to: Nikolai Gogol

Wikimedia Commons has media related to: Nikolai Gogol

Wikisource has original works written by or about: Nikolai Gogol

• Works by Nikolai Gogol at Project Gutenberg
• Gogol : Magical realism
• Some photos of places and statues that are reminiscent of Gogol and his work
• Biography at kirjasto.sci.fi
• Nikolay Gogol in Encyclopædia Britannica
• Works by or about Nikolai Gogol in libraries (WorldCat catalog)

v t e Works by Nikolai Gogol Novels Dead Souls Taras Bulba Plays The Government Inspector Marriage The Gamblers Short story collections Evenings on a Farm Near Dikanka Mirgorod Arabesques Short stories Preface to Evenings on a Farm Near Dikanka "The Fair at Sorochyntsi" "St. John's Eve" "May Night, or the Drowned Maiden" "The Lost Letter: A Tale Told by the Sexton of the N...Church" "Christmas Eve" "A Terrible Vengeance" "Ivan Fyodorovich Shponka and His Aunt" "A Bewitched Place" "The Old World Landowners" "Taras Bulba" "Viy" "The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich" "The Portrait" "A Chapter from an Historical Novel" "Nevsky Prospect" "The Prisoner" "Diary of a Madman" "The Nose" "The Carriage" "The Overcoat" Poetry Ode to Italy Hans Küchelgarten Essays "Woman" Selected Passages from Correspondence with his Friends Meditations on the Divine Liturgy Bibliography

David Letterman
Letterman performing on his show in June 2011.
Pseudonym	Earl Hofert
Born	(1947-04-12) April 12, 1947 (age 65) Indianapolis, Indiana, United States[1]
Medium	Stand-up, talk show
Nationality	American
Years active	1974–present
Genres	Observational comedy, surreal humor, deadpan
Subject(s)	Self-deprecation, everyday life
Influences	Steve Allen,[citation needed] Johnny Carson,[2] Jack Paar,[citation needed] Paul Dixon[3]
Influenced	Jimmy Kimmel, Jim Gaffigan, Jon Stewart, Conan O'Brien, Jimmy Fallon
Spouse	Michelle Cook (1969–1977) Regina Lasko (2009–present)
Domestic partner(s)	Regina Lasko (1986–2009)
Notable works and roles	Host of The David Letterman Show (NBC) Host of Late Night with David Letterman (NBC) Host of Late Show with David Letterman (CBS)
Signature
Website	CBS.com/latenight/lateshow
Emmy Awards
Outstanding Host or Hostess in a Variety Series 1981 The David Letterman Show Outstanding Individual Achievement — Writers 1981 The David Letterman Show Outstanding Writing in a Variety or Music Program 1984 Late Night with David Letterman 1985 Late Night with David Letterman 1986 Late Night with David Letterman 1987 Late Night with David Letterman Outstanding Variety, Music or Comedy Series 1994 Late Show with David Letterman
American Comedy Awards
Funniest Male Performer in a TV Special (Leading or Supporting) Network, Cable or Syndication 1989 Late Night with David Letterman 1995 Late Show with David Letterman: Video Special Funniest Male Performer in a TV Series (Leading Role) Network, Cable or Syndication 1994 Late Show with David Letterman 2001 Late Show with David Letterman

David Michael Letterman (born April 12, 1947) is an American television host and comedian.^[1] He hosts the late night television talk show, Late Show with David Letterman, broadcast on CBS. Letterman has been a fixture on late night television since the 1982 debut of Late Night with David Letterman on NBC. Letterman recently surpassed friend and mentor Johnny Carson for having the longest late-night hosting career in the United States of America.^[4]

Letterman is also a television and film producer. His company Worldwide Pants produces his show as well as its network follow-up The Late Late Show with Craig Ferguson. Worldwide Pants has also produced several prime-time comedies, the most successful of which was Everybody Loves Raymond, currently in syndication.

In 1996, David Letterman was ranked #45 on TV Guide's 50 Greatest TV Stars of All Time.^[5]

Early life and career[link]

Letterman was born in Indianapolis, Indiana. His father, Harry Joseph Letterman (April 1915 – February 1973),^[6] was a florist of British descent; his mother Dorothy Letterman (née Hofert, now Dorothy Mengering), a Presbyterian church secretary of German descent, is an occasional figure on the show, usually at holidays and birthdays.

Letterman lived on the north side of Indianapolis (Broad Ripple area), not far from Speedway, IN, and the Indianapolis Motor Speedway, and he enjoyed collecting model cars, including racers.^[7] In 2000, he told an interviewer for Esquire that, while growing up, he admired his father's ability to tell jokes and be the life of the party. Harry Joseph Letterman survived a heart attack at age 36, when David was a young boy. The fear of losing his father was constantly with Letterman as he grew up.^[8] The elder Letterman died of a second heart attack^[9] at age 57.

Letterman attended his hometown's Broad Ripple High School at the same time as Marilyn Tucker (future wife of Dan Quayle) and worked as a stock boy at the local Atlas supermarket.^[10] According to the Ball State Daily News, he originally had wanted to attend Indiana University, but his grades weren't good enough, so he decided to attend Ball State University, in Muncie, Indiana.^[11] He is a member of the Sigma Chi Fraternity, and he graduated from what was then the Department of Radio and Television, in 1969. A self-described average student, Letterman endowed a scholarship for what he called "C students" at Ball State.^[12]

Though he registered for the draft and passed his physical after graduating from college, he was not drafted for service in Vietnam due to receiving a draft lottery number of 352 (out of 365).^[13]

Letterman began his broadcasting career as an announcer and newscaster at the college's student-run radio station—WBST—a 10-watt campus station which now is part of Indiana Public Radio.^[14] He was fired for treating classical music with irreverence.^[14]

Letterman then became involved with the founding of another campus station—WAGO-AM 570 (now WWHI, 91.3).^[15]

Letterman credits Paul Dixon—host of the Paul Dixon Show, a Cincinnati-based talk show also shown in Indianapolis while Letterman was growing up—for inspiring his choice of career:^[3]

"I was just out of college [in 1969], and I really didn't know what I wanted to do. And then all of a sudden I saw him doing it [on TV]. And I thought: That's really what I want to do!"

Weatherman[link]

Letterman began his career as a radio talk show host on WNTS (AM), and on Indianapolis television station WLWI (now called WTHR) as an anchor, and weatherman. He received some attention for his unpredictable on-air behavior, which included congratulating a tropical storm for being upgraded to a hurricane and predicting hail stones "the size of canned hams."^[16] He would also occasionally report the weather and the day's very high and low temps for fictitious cities ("Eight inches of snow in Bingree and surrounding areas.") while on another occasion saying that a state border had been erased.^[17] ("From space you can see the border between Indiana and Ohio has been erased. I'm not in favor of this.") He also starred in a local kiddie show, made wisecracks as host of a late night TV show called "Freeze-Dried Movies" (he once acted out a scene from "Godzilla" using plastic dinosaurs),^[18] and hosted a talk show that aired early on Saturday mornings called "Clover Power,"^[19] in which he interviewed 4-H members about their projects.^[20]

In 1971, Letterman appeared as a pit road reporter for ABC Sports' tape-delayed coverage of the Indianapolis 500.^[21] David initially is introduced as Chris Economaki in his job as a corner reporter. Letterman interviews Mario Andretti who has just crashed out of the race and asks him a question about traffic on the course.

Move to Los Angeles[link]

In 1975, encouraged by his then-wife Michelle and several of his Sigma Chi fraternity brothers, Letterman moved to Los Angeles, California, with hope of becoming a comedy writer.^[22] He started off by writing material for comedian Jimmie Walker.^[23] He also began performing stand-up comedy at The Comedy Store, a proving ground for unknown comics.

In the summer of 1977, Letterman was a writer and regular on the six-week summer series The Starland Vocal Band Show, broadcast on CBS.^[24] He hosted a 1977 pilot for a game show entitled The Riddlers^[25][26] that was never picked up and co-starred in the Barry Levinson-produced comedy special Peeping Times that aired in January 1978. Later that year, Letterman was a cast member on Mary Tyler Moore's variety show, Mary.^[27] Letterman made a guest appearance on Mork & Mindy (as a parody of EST leader Werner Erhard^[28]) and appearances on game shows such as The $20,000 Pyramid,^[29] The Gong Show, Password Plus^[30] and Liar's Club, as well as talk shows such as The Mike Douglas Show.^[31] He was also screen tested for the lead role in the 1980 film Airplane!, a role that eventually went to Robert Hays.^[32]

His dry, sarcastic humor caught the attention of scouts for The Tonight Show Starring Johnny Carson, and Letterman was soon a regular guest on the show. Letterman became a favorite of Carson's and was a regular guest host for the show beginning in 1978. Letterman credits Carson as the person who influenced his career the most.^[2]

NBC[link]

Letterman at the 38th Primetime Emmy Awards in 1986

Morning show[link]

On June 23, 1980, Letterman was given his own morning comedy show on NBC, The David Letterman Show. It was originally 90 minutes long, but was shortened to 60 minutes in August 1980.^[33] The show was a critical success, winning two Emmy Awards, but was a ratings disappointment and was canceled in October 1980.

[edit] Late Night with David Letterman

NBC kept Letterman under contract to try him in a different time slot. Late Night with David Letterman debuted February 1, 1982; the first guest on the first show was Bill Murray.^[34] Murray also guested on January 31, 2012 – 30 years later. The show ran Monday through Thursday at 12:30 a.m. Eastern Time, immediately following The Tonight Show Starring Johnny Carson (a Friday night broadcast was added in June 1987). It was seen as being edgy and unpredictable, and soon developed a cult following (particularly among college students). Letterman's reputation as an acerbic interviewer was borne out in verbal sparring matches with Cher^[35] (who even called him an asshole on the show), Shirley MacLaine,^[36] Charles Grodin, and Madonna. The show also featured comedy segments and running characters, in a style heavily influenced by the 1950s and 1960s programs of Steve Allen.^[37] Although Ernie Kovacs is often cited as an influence on the show,^[38] Letterman has denied this.^[2]

The show often featured quirky, genre-mocking regular features, including "Stupid Pet Tricks^[39] ", dropping various objects off the roof of a five-story building,^[40] demonstrations of unorthodox clothing (such as suits made of Alka-Seltzer,^[41] Velcro^[42] and suet), a recurring Top 10 list, the Monkey-Cam^[43] (and the Audience Cam), and a facetious letter-answering segment.^[44] The Top 10 list, several "Film[s] by My Dog Bob" in which a camera was mounted on Letterman's own dog^[45] (often with comic results), Stupid Human Tricks,^[46] Small Town News,^[47] and Stupid Pet Tricks^[48] (which had its origins on Letterman's morning show) all eventually moved with Letterman to CBS.

Other memorable moments included Letterman using a bullhorn to interrupt a live interview on The Today Show, announcing that he was the NBC president while not wearing any pants; interrupting Al Roker on WNBC-TV's broadcast of Live at Five by walking into their studio (which occupied the same floor of 30 Rockefeller Plaza as Letterman's studio); and staging "elevator races", complete with commentary by NBC Sports' Bob Costas. In one infamous appearance, in 1982, Andy Kaufman (who was already wearing a neck brace) appeared to be slapped and knocked to the ground by professional wrestler Jerry Lawler (though Lawler and Kaufman's friend Bob Zmuda later revealed that the event was staged.)^[49] In another memorable exchange, sex expert Dr. Ruth Westheimer included cucumbers in a list of handy sex objects that women could find at home. The following night, guest Ted Koppel asked Letterman "May I insert something here?" and Dave responded "OK, as long as it's not a cucumber."^{[citation needed]}

[edit] Late Show with David Letterman

The Ed Sullivan Theater, where Late Show with David Letterman is recorded

In 1992, Johnny Carson retired, and many fans believed that Letterman would become host of The Tonight Show. When NBC instead gave the job to Jay Leno, Letterman departed NBC to host his own late-night show on CBS, opposite The Tonight Show at 11:30 p.m., called the Late Show with David Letterman. The new show debuted on August 30, 1993 and was taped at the historic Ed Sullivan Theater, where Ed Sullivan taped his eponymous variety series from 1948 to 1971. For Letterman's arrival, CBS spent $8 million in renovations.^[50] In addition to that cost, CBS also signed Letterman to a lucrative three-year, $14 million/year contract,^[51] doubling his Late Night salary. The total cost for everything (renovations, negotiation right paid to NBC, signing Letterman, announcer Bill Wendell, Shaffer, the writers and the band) was over $140 million.

But while the expectation was that Letterman would retain his unique style and sense of humor with the move, Late Show was not an exact replica of his old NBC program. Recognizing the more formal mood (and wider audience) of his new time slot and studio, Letterman eschewed his trademark blazer with khaki pants and white sneakers wardrobe combination in favor of expensive shoes, tailored suits and light-colored socks. The monologue was lengthened and Paul Shaffer and the "World's Most Dangerous Band" followed Letterman to CBS, but they added a brass section and were rebranded the "CBS Orchestra" as a short monologue and a small band were mandated by Carson while Letterman occupied the 12:30 slot. Additionally, because of intellectual property disagreements, Letterman was unable to import many of his Late Night segments verbatim,^[52] but he sidestepped this problem by simply renaming them (the "Top Ten List" became the "Late Show Top Ten", "Viewer Mail" became the "CBS Mailbag", etc.)

Popularity[link]

The main competitor of The Late Show is NBC's The Tonight Show, which was hosted by Jay Leno for nearly 16 years, but from June 1, 2009, to January 22, 2010, was hosted by Conan O'Brien. In 1993 and 1994, The Late Show consistently gained higher ratings than The Tonight Show. But in 1995, ratings dipped and Leno's show consistently beat Letterman's in the ratings from the time that Hugh Grant came on Leno's show after Grant's arrest for soliciting a prostitute.;^[53] Leno typically attracted about 5 million nightly viewers between 1999 and 2009. The Late Show lost nearly half its audience during its competition with Leno, attracting 7.1 million viewers nightly in its 1993–94 season and about 3.8 million per night as of Leno's departure in 2009.^[54] In the final months of his first stint as host of The Tonight Show, Leno beat Letterman in the ratings by a 1.3 million viewer margin (5.2 million to 3.9 million), and Nightline and The Late Show were virtually tied.^[55] Once O'Brien took over Tonight, however, Letterman closed the gap in the ratings.^[56][57][58] O'Brien initially drove the median age of Tonight Show viewers from 55 to 45, with most older viewers opting to watch The Late Show instead.^[59]

Following Leno's return to The Tonight Show, however, Leno has regained his lead.^[60]

Letterman's shows have garnered both critical and industry praise, receiving 67 Emmy Award nominations, winning 12 times in his first 20 years in late night television. From 1993–2009, Letterman ranked higher than Leno in the annual Harris Poll of Nation's Favorite TV Personality 12 times.^[61] For example, in 2003 and 2004 Letterman ranked second in that poll, behind only Oprah Winfrey, a year that Leno was ranked fifth.^[62] Leno was higher than Letterman on that poll three times during the same period, in 1998, 2007, and 2008.^[61]

Hosting the Academy Awards[link]

On March 27, 1995, Letterman acted as the host for the 67th Academy Awards ceremony. Critics blasted^[63] Letterman for what they deemed a poor hosting of the Oscars, noting that his irreverent style undermined the traditional importance and glamor of the event.^{[citation needed]} In a joke about their unusual names (inspired by a similar joke by Woody Allen), he started off by introducing Uma Thurman to Oprah Winfrey, and then both of them to Keanu Reeves: "Oprah...Uma. Uma...Oprah," "Have you kids met Keanu?"^[64] This and many of his other jokes fell flat.^{[citation needed]} Although Letterman attracted the highest ratings to the annual telecast since 1983, many felt that the bad publicity garnered by Letterman's hosting caused a decline in the Late Show's ratings.^[65]

Letterman recycled the apparent debacle into a long-running gag. On his first show after the Oscars, he joked, "Looking back, I had no idea that thing was being televised." He lampooned his stint two years later, during Billy Crystal's opening Oscar skit, which also parodied the plane-crashing scenes from that year's chief nominated film, The English Patient.

For years afterward, Letterman recounted his hosting the Oscars, although the Academy of Motion Picture Arts and Sciences continued to hold Letterman in high regard and they had invited him to host the Oscars again.^[66][67] On September 7, 2010, he made an appearance on the premiere of the 14th season of The View, and confirmed that he had been considered for hosting again.

Heart surgery hiatus[link]

On January 14, 2000, a routine check-up revealed that an artery in Letterman's heart was severely obstructed. He was rushed to emergency surgery for a quintuple bypass.^[68]

During the initial weeks of his recovery, reruns of the Late Show were shown and introduced by friends of Letterman including Drew Barrymore,^[58] Ray Romano, Robin Williams, Bonnie Hunt, Megan Mullally, Bill Murray, Regis Philbin, Charles Grodin, Nathan Lane, Julia Roberts,^[58] Bruce Willis, Jerry Seinfeld, Martin Short, Steven Seagal, Hillary Rodham Clinton, Danny DeVito, Steve Martin, and Sarah Jessica Parker.

Subsequently, while still recovering from surgery, Letterman revived the late night tradition that had virtually disappeared on network television during the 1990s of 'guest hosts' by allowing Bill Cosby, Kathie Lee Gifford (recommended by Regis Philbin, who was asked first but had no time in his schedule), Dana Carvey, Janeane Garofalo, and others to host new episodes of The Late Show. Cosby—the show's first guest host—refused to sit at Letterman's desk out of respect, using the couch instead; Garofalo followed suit, utilizing a set of grade-school desks instead.

Upon his return to the show on February 21, 2000, Letterman brought all of the doctors and nurses on stage who had participated in his surgery and recovery (with extra teasing of a nurse who had given him bed baths—"This woman has seen me naked!"),^[69] including Dr. O. Wayne Isom and physician Louis Aronne, who frequently appears on the show. In a show of emotion, Letterman was nearly in tears as he thanked the health care team with the words "These are the people who saved my life!" The episode earned an Emmy nomination. For a number of episodes, Letterman continued to crack jokes about his bypass, including saying, "Bypass surgery: it's when doctors surgically create new blood flow to your heart. A bypass is what happened to me when I didn't get The Tonight Show! It's a whole different thing." In a later running gag he lobbied his home state of Indiana to rename the freeway circling Indianapolis (I-465) "The David Letterman Bypass." He also featured a montage of faux news coverage of his bypass surgery, which included a clip of Dave's heart for sale on the Home Shopping Network. Letterman became friends with his doctors and nurses. In 2008, a Rolling Stone interview stated "he hosted a doctor and nurse who'd helped perform the emergency quintuple-bypass heart surgery that saved his life in 2000. 'These are people who were complete strangers when they opened my chest,' he says. 'And now, eight years later, they're among my best friends.' "^[4]

Additionally, Letterman invited the band Foo Fighters to play "Everlong",^[70] introducing them as "my favorite band, playing my favorite song."^[71] During a later Foo Fighters appearance, Letterman said that Foo Fighters had been in the middle of a South American tour which they canceled to come play on his comeback episode.

Letterman again handed over the reins of the show to several guest hosts (including Bill Cosby, Brad Garrett, Elvis Costello, John McEnroe, Vince Vaughn, Will Ferrell, Bonnie Hunt, Luke Wilson and bandleader Paul Shaffer) in February 2003, when he was diagnosed with a severe case of shingles. Later that year, Letterman made regular use of guest hosts—including Tom Arnold and Kelsey Grammer—for new shows broadcast on Fridays. In March 2007, Adam Sandler—who had been scheduled to be the lead guest—served as a guest host while Letterman was ill with a stomach virus.^[72]

Re-signing with CBS[link]

Letterman hosting President Barack Obama at Late Show with David Letterman, September 2009

In March 2002, as Letterman's contract with CBS neared expiration, ABC offered him the time slot for long-running news program Nightline with Ted Koppel. Letterman was interested as he believed he could never match Leno's ratings at CBS due to Letterman's complaint of weaker lead-ins from the network's late local news programs, but was reluctant to replace Koppel.^[73] Letterman addressed his decision to re-sign on the air, stating that he was content at CBS and that he had great respect for Koppel.

On December 4, 2006, CBS revealed that Letterman signed a new contract to host The Late Show with David Letterman through the fall of 2010. "I'm thrilled to be continuing on at CBS," said Letterman. "At my age you really don't want to have to learn a new commute."^[74] Letterman further joked about the subject by pulling up his right pants leg, revealing a tattoo, presumably temporary, of the ABC logo.

"Thirteen years ago, David Letterman put CBS late night on the map and in the process became one of the defining icons of our network," said Leslie Moonves, president and CEO of CBS Corporation. "His presence on our air is an ongoing source of pride, and the creativity and imagination that the Late Show puts forth every night is an ongoing display of the highest quality entertainment. We are truly honored that one of the most revered and talented entertainers of our time will continue to call CBS 'home.'"^[75]

According to a 2007 article in Forbes magazine, Letterman earned $40 million a year.^[76] A 2009 article in The New York Times, however, said his salary was estimated at $32 million per year.^[77] In June 2009, Letterman's Worldwide Pants and CBS reached agreement to continue the Late Show until at least August 2012. The previous contract had been set to expire in 2010, and the two-year extension is shorter than the typical three-year contract period negotiated in the past.^[77] Worldwide Pants agreed to lower its fee for the show, though it had remained a "solid moneymaker for CBS" under the previous contract.^[77]