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, a famous onmyōji]] is a traditional Japanese esoteric cosmology, a mixture of natural science and occultism. It is based on the Chinese philosophies of Wu Xing and Yin and yang, introduced into Japan at the turn of the 6th century, and accepted as a practical system of divination. These practices were influenced further by Taoism, Buddhism and Shintoism, and evolved into present-day onmyōdō around the late 7th century.
Onmyōdō was under the control of the imperial government, and later its courtiers, the Tsuchimikado family until the middle of the 19th century, at which point it became prohibited as superstition.
With the implementation of the ritsuryo system law codes in the 7th and 8th centuries, yin-yang techniques were put under the jurisdiction of the in the of the Imperial bureaucracy. The Bureau of Onmyō was responsible for overseeing the divinations of Onmyōdō, astrological observations, and the creation of calendars. Also, by law the Buddhist clergy was forbidden to practice astrology and fortune-telling; hence, government-controlled onmyōji came to monopolize the practice.
From the Heian period onward, as the ritsuryo system relaxed and the Fujiwara family rose to power, the society of the Imperial court took on a more formal shape, and adherence to to combat the creation of burgeoned. Because onmyōji displayed methods that could avert disasters with their skills of divination and magic, the superstition afforded onmyōji influence over the personal lives of the Emperor and the nobility of the court. Consequently, popular awareness of onmyōdō gradually spread from court society to Japanese society as a whole, strengthening its development into a characteristically Japanese art.
Onmyōdō merged with other beliefs and occultism, and evolved from imported Chinese thought into a syncretism found only in Japan. Japanese onmyōdō took in elements from , which was transmitted to Japan at the same time as onmyōdō, including magical elements such as katatagae, monoimi, henbai, and ceremonies to Taoistic gods such as the Taizan Fukunsai. Elements of feng shui and the medical art of jukondō were incorporated as well, and as onmyōdō and Japanese Shinto mutually influenced each other, onmyōdō grew more distinctive. From the end of the 8th century onward, it was influenced by the magical elements of esoteric Buddhism and the Indian-derived astrology (Sukuyōdō) that were transmitted with it.
During the Heian period the nobility organized their lives around practices recommended by onmyōji. The practice of "lucky and unlucky directions" provides an example. Depending on the season, time of day, and other circumstances, a particular direction might be bad luck for an individual. If one's house was located in that direction, such an individual was advised not to go back directly to his house but had to "change direction" (katatagae), by going in a different direction and lodging there. Such a person would not dare to go in the forbidden direction, but stayed where they were, even if that resulted in absence from the court, or passing up invitations from influential people.
In the 10th century Kamo no Tadayuki and his son Kamo no Yasunori made great advancements in onmyōdō, astronomy and calendar science, and from among their students emerged Abe no Seimei, who displayed superior skills in the divining arts of onmyōdō, by which he gained an uncommon amount of trust from the court society. Tadayuki and Yasunori passed on their skills in astronomy to Seimei while their advances in calendar-making went to Yasunori's son. From the end of the Heian period into the Middle Ages, astronomy and calendar science were completely subsumed into onmyōdō, and the Abe and Kamo families came to dominate the art.
Onmyōji were specialists in magic and divination. Their court responsibilities ranged from tasks such as keeping track of the calendar, to mystical duties such as divination and protection of the capital from evil spirits. They could divine auspicious or harmful influences in the earth, and were instrumental in the moving of capitals. It is said that an onmyōji could also summon and control shikigami.
Famous onmyōji include Kamo no Yasunori and Abe no Seimei (921–1005). After Seimei's death the emperor had a shrine erected at his home in Kyoto.
Onmyōji had political clout during the Heian period, but in later times when the imperial court fell into decline, their state patronage was lost completely. In modern day Japan onmyōji are defined as a type of Shinto priest, and although there are many that claim to be mediums and spiritualists, the onmyōji continues to be a hallmark occult figure.
Category:Esoteric cosmology Category:Japanese folklore Category:Religion in Japan
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