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BBC Films is the feature film-making arm of the BBC. It has produced or co-produced some of the most successful British films of recent years, including An Education, StreetDance 3D, Fish Tank, Stage Beauty, A Cock and Bull Story, Nativity! and Match Point.
BBC Films co-produces around eight films a year, working in partnership with major international and UK distributors. Christine Langan is Head of BBC Films, responsible for the development and production slate, strategy and business operations.
Recent titles include Nigel Cole's Made in Dagenham, Stephen Frears’ Tamara Drewe, Debs Gardner-Paterson’s Africa United, Max and Dania’s StreetDance, which was Britain’s first-ever 3-D movie.
Until 2007, BBC Films was based in Mortimer Street, near Broadcasting House in London, while still under the full control of the BBC. A re-structuring of the division integrated it into the main BBC Fiction department of BBC Vision. As a result, it moved out of its independent offices into Television Centre, and its head David M. Thompson left to start his own film production company.
Contents |
|
Type | Public broadcasting |
---|---|
Industry | Mass media |
Predecessor(s) | British Broadcasting Company |
Founded | 1 January 1927 (1927-01-01) |
Founder(s) | John Reith (Director-General) George Villiers (Chairman) |
Headquarters | London, England, United Kingdom |
Area served | Worldwide |
Key people | Lord Patten of Barnes (Chairman, BBC Trust) Mark Thompson (Director-General) |
Products | Broadcasting, radio, web portals |
Services | Television, radio, online |
Revenue | £4.741 bn |
Owner(s) | The Crown (Publicly owned) |
Website | bbc.co.uk |
The British Broadcasting Corporation (BBC) is a British public service broadcaster headquartered at Broadcasting House in the City of Westminster, London.[1] It is the largest broadcaster in the world, with about 23,000 staff.[2][3][4] Its main responsibility is to provide impartial public service broadcasting in the United Kingdom, Channel Islands and Isle of Man.
The BBC is a semi-autonomous public service broadcaster[5] that operates under a Royal Charter[6] and a Licence and Agreement from the Home Secretary.[7] Within the United Kingdom its work is funded principally by an annual television licence fee,[8] which is charged to all British households, companies and organisations using any type of equipment to record and/or receive live television broadcasts;[9] the level of the fee is set annually by the British Government and agreed by Parliament.[10]
Outside the UK, the BBC World Service has provided services by direct broadcasting and re-transmission contracts by sound radio since the inauguration of the BBC Empire Service in December 1932, and more recently by television and online. Though sharing some of the facilities of the domestic services, particularly for news and current affairs output, the World Service has a separate Managing Director, and its operating costs have historically been funded mainly by direct grants from the British government. These grants were determined independently of the domestic licence fee and were usually awarded from the budget of the Foreign and Commonwealth Office. As such, the BBC's international content has traditionally represented – at least in part – an effective foreign policy tool of the British Government. The recent BBC World Service spending review has announced plans for the funding for the world service to be drawn from the domestic licence fee.
The Corporation's "guaranteed" income from the licence fee and the World Service grants are supplemented by profits from commercial operations through a wholly owned subsidiary, BBC Worldwide Ltd. The company's activities include programme- and format-sales, magazines including the Radio Times and book publishing. The BBC also earns additional income from selling certain programme-making services through BBC Studios and Post Production Ltd., formerly BBC Resources Ltd, another wholly owned trading subsidiary of the corporation. The BBC is sometimes referred to as "Auntie" and "the Beeb". The former is also used to refer to the BBC's sister corporation, the Australian Broadcasting Corporation.
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The privately owned BBC was the world's first national broadcasting organisation[11] and was founded on 18 October 1922 as the British Broadcasting Company Ltd. The original company was founded in 1922[12] by a group of six telecommunications companies—Marconi, Radio Communication Company, Metropolitan-Vickers (MetroVick), General Electric, Western Electric, and British Thomson-Houston (BTH)[13]—to broadcast experimental radio services. The first transmission was on 14 November of that year, from station 2LO, located at Marconi House, London.[14]
The British Broadcasting Company Ltd was created by the British General Post Office (GPO) and John Reith applied for a job with the existing company and later became its employee general manager. The company was wound-up and on 1 January 1927[15] a new non-commercial entity called the British Broadcasting Corporation established under a Royal Charter became successor in interest.
To represent its purpose and (stated) values, the Corporation adopted the coat of arms, including the motto "Nation shall speak peace unto Nation". The motto is generally attributed to Montague John Rendall, former headmaster of Winchester College, and member of the first BBC Board of Governors.[16] The motto is said to be a "felicitous adaptation" of Micah 4: 3 "nation shall not lift up a sword against nation".[17]
Experimental television broadcasts were started in 1932 using an electromechanical 30-line system developed by John Logie Baird. Limited regular broadcasts using this system began in 1934, and an expanded service (now named the BBC Television Service) started from Alexandra Palace in 1936, alternating between an improved Baird mechanical 240 line system and the all electronic 405 line Marconi-EMI system. The superiority of the electronic system saw the mechanical system dropped early the following year.[18]
Television broadcasting was suspended from 1 September 1939 to 7 June 1946 during the Second World War. A widely reported urban myth is that, upon resumption of service, announcer Leslie Mitchell started by saying, "As I was saying before we were so rudely interrupted ..." In fact, the first person to appear when transmission resumed was Jasmine Bligh and the words said were "Good afternoon, everybody. How are you? Do you remember me, Jasmine Bligh ...?"[19]
The European Broadcasting Union was formed on 12 February 1950, in Torquay with the BBC among the 23 founding broadcasting organisations.
Competition to the BBC was introduced in 1955 with the commercial and independently operated television network of ITV. However, the BBC monopoly on radio services would persist into the 1970s. As a result of the Pilkington Committee report of 1962, in which the BBC was praised for the quality and range of its output, and ITV was very heavily criticised for not providing enough quality programming,[20] the decision was taken to award the BBC a second television channel, BBC2, in 1964, renaming the existing service BBC1. BBC2 used the higher resolution 625 line standard which had been standardised across Europe. BBC2 was broadcast in colour from 1 July 1967, and was joined by BBC 1 and ITV on 15 November 1969. The 405 line VHF transmissions of BBC1 (and ITV) were continued for compatibility with older television receivers until 1985.
Starting in 1964 a series of pirate radio stations (starting with Radio Caroline) came on the air, and forced the British government finally to regulate radio services to permit nationally based advertising-financed services. In response the BBC reorganised and renamed their radio channels. The Light Programme was split into Radio 1 offering continuous "Popular" music and Radio 2 more "Easy Listening".[21] The "Third" programme became Radio 3 offering classical music and cultural programming. The Home Service became Radio 4 offering news, and non-musical content such as quiz shows, readings, dramas and plays. As well as the four national channels, a series of local BBC radio stations were established in 1967, including Radio London.[22]
In 1974, the BBC's teletext service, Ceefax, was introduced, created initially to provide subtitling, but developed into a news and information service. In 1978 BBC staff went on strike just before the Christmas of that year, thus blocking out the transmission of both channels and amalgamating all four radio stations into one.[23][24]
Since the deregulation of the UK television and radio market in the 1980s, the BBC has faced increased competition from the commercial sector (and from the advertiser-funded public service broadcaster Channel 4), especially on satellite television, cable television, and digital television services.[citation needed]
The BBC Research Department has played a major part in the development of broadcasting and recording techniques. In the early days it carried out essential research into acoustics and programme level and noise measurement.[citation needed] The BBC was also responsible for the development of the NICAM stereo standard.
In recent decades, a number of additional channels and radio stations have been launched: Radio 5 was launched in 1990 as a sports and educational station, but was replaced in 1994 with Radio 5 Live, following the success of the Radio 4 service to cover the 1991 Gulf War. The new station would be a news and sport station. In 1997, BBC News 24, a rolling news channel, launched on digital television services and the following year, BBC Choice launched as the third general entertainment channel from the BBC. The BBC also purchased The Parliamentary Channel, which was renamed BBC Parliament. In 1999, BBC Knowledge launched as a multi media channel, with services available on the newly launched BBC Text digital teletext service, and on BBC Online. The channel had an educational aim, which was modified later on in its life to offer documentaries.
In 2002, a number of new channels and stations were made: BBC Knowledge was renamed BBC Four and became the BBC's arts and documentaries channel. In addition, CBBC, which had been a programming strand as Children's BBC since 1985, was split into CBBC and CBeebies with both new services getting a digital channel: the CBBC Channel and CBeebies Channel. In addition to the television channels, new digital radio stations were created: 1Xtra, 6 Music and BBC7. BBC 1Xtra was a sister station to Radio 1 and specialised in modern black music, BBC 6 Music specialised in alternative music genres and BBC7 specialised in archive, speech and children's programming.
The following few years resulted in repositioning of some of the channels to conform to a larger brand: in 2003, BBC Choice became BBC Three, with programming for younger generations and shocking real life documentaries, BBC News 24 became the BBC News Channel in 2008, and BBC Radio 7 became BBC Radio 4 Extra in 2011, with new programmes to supplement those broadcast on Radio 4. In 2008 another channel was launched, BBC Alba, a Scottish Gaelic service.
The 2004 Hutton Inquiry and the subsequent Report raised questions about the BBC's journalistic standards and its impartiality. This led to resignations of senior management members at the time including the then Director General, Greg Dyke. In January 2007, the BBC released minutes of the Board meeting which led to Greg Dyke's resignation.[25]
Unlike the other departments of the BBC, the BBC World Service is funded by the Foreign and Commonwealth Office. The Foreign and Commonwealth Office, more commonly known as the Foreign Office or the FCO, is the British government department responsible for promoting the interests of the United Kingdom abroad.
In the past few years, the BBC has experimented in high-definition television. In 2006, BBC HD launched as an experimental service, and became official in December 2007. The channel broadcasts HD simulcasts of programmes on BBC One, Two, Three and Four as well as repeats of some older programmes in HD. In 2010, a HD simulcast of BBC One launched: BBC One HD. The new channel uses HD versions of BBC One's schedule and uses upscaled versions of programmes not currently produced in HD.
On 18 October 2007, BBC Director General Mark Thompson announced a controversial plan to make major cuts and reduce the size of the BBC as an organisation. The plans included a reduction in posts of 2,500; including 1,800 redundancies, consolidating news operations, reducing programming output by 10% and selling off the flagship Television Centre building in London.[26] These plans have been fiercely opposed by unions, who have threatened a series of strikes, however the BBC have stated that the cuts are essential to move the organisation forward and concentrate on increasing the quality of programming.
On 20 October 2010, the Chancellor of the Exchequer George Osborne announced that the television licence fee would be frozen at its current level until the end of the current charter in 2016. The same announcement revealed that the BBC would take on the full cost of running the BBC World Service and the BBC Monitoring service from the Foreign and Commonwealth Office, and will part finance the Welsh broadcaster S4C.[27]
Further cuts were announced on 6 October 2011, so the BBC could reach a total reduction in their budget of 20%, following the licence fee freeze in October 2010. Details include cutting staff by 2000 and sending a further 1000 to the MediaCityUK development, with BBC Three moving in 2016, the sharing of more programmes between stations and channels, sharing of radio news bulletins, more repeats in schedules, including the whole of BBC Two daytime and for some original programming to be reduced. Also, the BBC HD channel would be closed and replaced with an HD simulcast of BBC Two, however flagship programmes, other channels and full funding for CBBC and CBeebies would be retained.[28][29][30]
The BBC is a corporation, independent from direct government intervention, with its activities being overseen by the BBC Trust (formerly the Board of Governors).[31] General management of the organisation is in the hands of a Director-General, who is appointed by the Trust; he is the BBC's Editor-in-Chief and chairs the Executive Board.[32]
The BBC operates under a Royal Charter,[6] with the current Charter having come into effect on 1 January 2007 and running until 31 December 2016.[33] The Royal Charter is reviewed every 10 years.
The 2007 Charter specifies that the mission of the Corporation is to "inform, educate and entertain". It states that the Corporation exists to serve the public interest and to promote its public purposes: sustaining citizenship and civil society, promoting education and learning, stimulating creativity and cultural excellence, representing the UK, its nations, regions and communities, bringing the UK to the world and the world to the UK, helping to deliver to the public the benefit of emerging communications technologies and services, and taking a leading role in the switchover to digital television.
This Charter also created the largest change in the governance of the Corporation since its inception. It abolished the sometimes controversial governing body, the Board of Governors, and replaced it with the BBC Trust and a formalised Executive Board.
Under the Royal Charter, the BBC must obtain a licence from the Home Secretary.[7] This licence is accompanied by an agreement which sets the terms and conditions under which BBC is allowed to broadcast.[7] It was under this Licence and Agreement (and the Broadcasting Act 1981) that the Sinn Féin broadcast ban from 1988 to 1994 was implemented.[34][35]
The BBC Trust was formed on 1 January 2007, replacing the Board of Governors as the governing body of the Corporation. The Trust sets the strategy for the corporation, assesses the performance of the BBC Executive Board in delivering the BBC's services, and appoints the Director-General.
BBC Trustees are appointed by the British monarch on advice of government ministers.[36] There are currently ten trustees with two vacancies, headed by the Chairman, Lord Patten of Barnes and the vice-chairman Diane Coyle. There are trustees for the four nations; England (Alison Hastings), Scotland (Bill Matthews), Wales (Elan Closs Stephens) and Northern Ireland (Rotha Johnston). The remaining four trustees are Richard Ayre, Anthony Fry, David Liddiment and Mehmuda Mian.[37]
The Executive Board is responsible for operational management and delivery of services within a framework set by the BBC Trust, and is headed by the Director-General, Mark Thompson. The Executive Board consists of both Executive and Non-Executive directors, with non-executive directors being sourced from other companies and corporations and being appointed by the BBC Trust.[38] The executive board is made up of the Director General, Mark Thompson, as well as the head of each of the main BBC departments, with the exception of the BBC North Group. These at present are George Entwistle, Director of BBC Vision; Tim Davie, Director of BBC Audio & Music; Ralph Rivera, Director of Future Media; Zarin Patel, Chief Financial Officer; Caroline Thomson, Chief Operating Officer and Helen Boaden, Director of News.[39]
In addition to these members, there are also five non-executive directors, these are currently Marcus Agius, the senior non-executive director and Chairman of Barclays; Robert Webb QC, the chairman of BBC Worldwide Ltd, former General Counsel and part of British Airways; Dr Mike Lynch OBE, the co-founder and Chief Executive of Autonomy Corporation; Val Gooding, the former Chief Executive of BUPA and Simon Burke the non-Executive Director.[39]
The Corporation is headed by Director General's office, which has overall control of the management and running of the BBC. Below this is the BBC Direction Group, which deals with inter departmental issues and any other tasks which the Executive board has delegated to it. Below the BBC Decision Group are the following seven departments covering all the BBC's output:[40]
All aspects of the BBC fall into one or more of the above departments, with the following exceptions:
The BBC has the second largest budget of any UK broadcaster with an operating expenditure of £4.26 billion in 2009/10[41] compared to £5.9 billion for British Sky Broadcasting,[42] £1.9 billion for ITV[43] and £214 million in 2007 for GCap Media (the largest commercial radio broadcaster).[44]
The principal means of funding the BBC is through the television licence, costing £145.50 per year per household (as of April 2010). Such a licence is required to receive broadcast television across Britain, however no licence is required to own a television used for other means, or for sound only radio sets (though a separate licence for these was also required for non-TV households until 1971). The cost of a television licence is set by the government and enforced by the criminal law. A discount is available for households with only black-and-white television sets. A 50% discount is also offered to registered blind.[45]
The revenue is collected privately and is paid into the central government Consolidated Fund, a process defined in the Communications Act 2003. This TV Licensing collection is currently carried out by Capita, an outside agency. Funds are then allocated by the Department of Culture, Media and Sport (DCMS) and the Treasury and approved by Parliament via legislation. Additional revenues are paid by the Department for Work and Pensions to compensate for subsidised licences for eligible over-75-year-olds.
Income from commercial enterprises and from overseas sales of its catalogue of programmes has substantially increased over recent years,[46] with BBC Worldwide contributing some £145 million to the BBC's core public service business.
According to the BBC's 2009–2010 Annual Report[47] its income can be broken down, as follows:
The licence fee has, however, attracted criticism. It has been argued that in an age of multi stream, multi-channel availability, an obligation to pay a licence fee is no longer appropriate. The BBC's use of private sector company Capita Group to send letters to premises not paying the licence fee has been criticised, especially as there have been cases where such letters have been sent to premises which are up to date with their payments, or do not require a TV licence.[48]
The BBC uses an advertising campaign to inform customers of the requirement to pay the licence fee. These letters and adverts have been criticised by Conservative MPs Boris Johnson and Ann Widdecombe, for having a threatening nature and language used to scare evaders into paying.[49][50] Audio clips and television broadcasts are used to inform listeners of the BBC's comprehensive database.[51] There are a number of pressure groups campaigning on the issue of the licence fee.[52]
The following expenditure figures are from 2010/2011 and show expenditure per service, and major department.[53]
Service | Total Cost (£million) |
---|---|
BBC One Including Regions | 1,402.9 |
BBC Two | 528.3 |
BBC Three | 110.1 |
BBC Four | 67.1 |
CBBC and CBeebies | 139 |
BBC News and BBC Parliament | 69.1 |
BBC HD | 11.8 |
BBC Alba | 7.6 |
BBC Radio 1 and 1Xtra | 59.1 |
BBC Radio 2 | 59.2 |
BBC Radio 3 | 50.7 |
BBC Radio 4 and Radio 4 Extra | 128 |
BBC Radio 5 Live and 5 Live Sports Extra | 77.8 |
BBC Radio 6 Music | 10.8 |
BBC Asian Network | 12.6 |
Nations & Local Radio | 240.7 |
BBC Online | 194.2 |
Total | 3,169 |
Department | Total cost (£million) |
---|---|
Television, including regions and productions for S4C | 2,368.1 |
Radio | 638.9 |
BBC Online | 194.2 |
BBC Red Button | 39.5 |
BBC Orchestras and Singers | 24.1 |
Development | 32.9 |
Digital Switchover | 80.3 |
Licence Fee Collection | 123.6 |
Restructuring | 29.6 |
Total | 3,531.2 |
Broadcasting House in Portland Place, London, is the official headquarters of the BBC. It is home to three of the ten BBC national radio networks, BBC Radio 3, BBC Radio 4, and BBC Radio 4 Extra. On the front of the building are statues of Prospero and Ariel, characters from William Shakespeare's play The Tempest, sculpted by Eric Gill. Renovation of Broadcasting House began in 2002 and is scheduled for completion in 2012.
BBC Television and BBC News are currently based at BBC Television Centre, a purpose built television facility and the second built in the country located in White City, London. This facility has been host to a number of famous guests and programmes through the years, and its name and image is familiar with many British citizens. Nearby, the BBC White City complex contains numerous programme offices, housed in Centre House, the Media Centre and Broadcast Centre. It is in this area around Shepherd's Bush that the majority of BBC employees work.
As part of a major reorganisation of BBC property, the entire BBC News operation is expected to relocate from the News Centre at BBC Television Centre to the refurbished Broadcasting House to create what is being described as "one of the world's largest live broadcast centres".[54] Following completion Broadcasting House will also be home to most of the BBC's national radio stations, and the BBC World Service. The major part of this plan involves the demolition of the two post-war extensions to the building and construction of an extension[55] designed by Sir Richard MacCormac of MJP Architects. This move will concentrate the BBC's London operations, allowing them to sell Television Centre, which is expected to be completed by 2015.[56]
In addition to the scheme above, the BBC is in the process of making and producing more programmes outside of London. This involves producing more programmes at production centres such as Belfast, Glasgow and, most notably, Manchester. As part of the scheme, BBC North West is moving from New Broadcasting House, Oxford Road, to MediaCityUK in Salford. Joining them are the BBC Sports, BBC Children's, Radio 5 Live, BBC Breakfast and BBC Philharmonic departments and services from London. MediaCityUK will therefore become the biggest staffing operation outside London.[57][58]
As well as the two main sites in London (Broadcasting House and White City), there are seven other major BBC production centres in the UK, mainly specialising in different productions. Broadcasting House Cardiff, has been home to BBC Cymru Wales, which specialises in drama production. Open since October 2011, and containing 7 new studios, Roath Lock[59] is notable as the home of productions such as Doctor Who and Casualty. Broadcasting House Belfast, home to BBC Northern Ireland, specialises in original drama and comedy, and has taken part in many co-productions with independent companies and notably with RTÉ in the Republic of Ireland. BBC Scotland, based in Pacific Quay, Glasgow is a large producer of programmes for the network, including several quiz shows. In England, the larger regions also produce some programming.
Previously, the largest 'hub' of BBC programming from the regions is BBC North West. At present they produce all Religious and Ethical programmes on the BBC, as well as other programmes such as A Question of Sport, however this is to be merged and expanded under the BBC North project, which involved the region moving from New Broadcasting House, Manchester, to MediaCityUK. BBC Midlands, based at The Mailbox in Birmingham, also produces drama and contains the headquarters for the English regions and the BBC's daytime output. Other production centres include Quarry Hill in Leeds, home of BBC Yorkshire, Broadcasting House Bristol, home of BBC West and famously the BBC Natural History Unit.
There are also many smaller local and regional studios throughout the UK, operating the BBC regional television services and the BBC Local Radio stations.
In the UK, BBC One and BBC Two are the BBC's flagship television channels. Several digital only stations are also broadcast: BBC Three, BBC Four, BBC News, BBC Parliament, and two children's channels, CBBC and CBeebies. Digital television is now in widespread use in the UK, with analogue transmission being phased out by December 2012.[61]
BBC One is a regionalised TV service which provides opt-outs throughout the day for local news and other local programming. These variations are more pronounced in the BBC 'Nations', i.e. Northern Ireland, Scotland and Wales, where the presentation is mostly carried out locally on BBC One and Two, and where programme schedules can vary largely from that of the network. BBC Two variations exist in the Nations, however regions today rarely have the option to 'opt out' as regional programming now only exists on BBC One, and regional opt outs are not possible in the regions that have already undertaken the switch to digital television. BBC Two was also the first channel to be transmitted on 625 lines in 1964, then carry a small-scale regular colour service from 1967. BBC One would follow in November 1969.
A new Scottish Gaelic television channel, BBC Alba, was launched in September 2008. It is also the first multi-genre channel to come entirely from Scotland with almost all of its programmes made in Scotland. The service was initially only available via satellite but since June 2011 has been available to viewers in Scotland on Freeview and cable television.[62]
The BBC also has a HD channel, BBC HD, that launched on 9 June 2006 following a 12 month trial of the broadcasts. It became a proper channel in 2007, and screens HD programmes as simulcasts of the main network, or as repeats. The corporation has been producing programmes in the format for many years, and stated that it hoped to produce 100% of new programmes in HDTV by 2010.[63] On 3 November 2010, a high-definition simulcast of BBC One was launched, entitled BBC One HD.
In the Republic of Ireland, Belgium, the Netherlands and Switzerland, the BBC channels are available in a number of ways. In these countries digital and cable operators carry a range of BBC channels these include BBC One, BBC Two and BBC World News, although viewers in the Republic of Ireland may receive BBC services via 'overspill' from transmitters in Northern Ireland or Wales, or via 'deflectors' – transmitters in the Republic which rebroadcast broadcasts from the UK, received off-air, or from digital satellite.
Since 1975, the BBC has also provided its TV programmes to the British Forces Broadcasting Service (BFBS), allowing members of UK military serving abroad to watch and listen to them on two dedicated TV channels.
Since 2008, all the BBC channels are available to watch online, either through the channel website, or through the BBC iPlayer service. This online streaming ability came about following experiments with live streaming, involving streaming certain channels in the UK.[64]
The BBC has ten national radio stations, six stations serving the BBC Regions and numerous others covering the Local regions in England. Of the ten national stations, five are major stations and are available on FM, DAB and online. These are BBC Radio 1, offering new music and popular styles and being notable for its chart show; BBC Radio 2, playing Adult contemporary, country and soul music amongst many other genres; BBC Radio 3, playing classical and jazz music and home to the BBC Proms; BBC Radio 4, offering current affairs, factual, drama and comedy speech programmes and BBC Radio 5 Live, broadcasting 24 hour news, sport and talk programmes.
In addition to these five stations, the BBC also runs five additional stations that broadcast on DAB and online only. These stations supplement and expand on the big five stations, and were launched in 2002. BBC Radio 1Xtra sisters Radio 1, and broadcasts new black music and urban tracks. BBC Radio 5 Live Sports Extra sisters 5 Live and offers extra sport analysis, including broadcasting sports that previously were not covered. BBC Radio 6 Music offers alternative music genres and is notable as a platform for new artists.
BBC Radio 7, later renamed BBC Radio 4 Extra, provided archive drama, comedy and children's programming. Following the change to Radio 4 Extra, the service has dropped a defined children's strand in favour of family-friendly drama and comedy. In addition, new programmes to complement Radio 4 programmes were introduced such as Ambridge Extra, and Desert Island Discs revisited. The final station is the BBC Asian Network, providing music, talk and news to this section of the community. This station evolved out of Local radio stations serving certain areas, and as such this station is available on Medium Wave frequency in some areas of the Midlands.
As well as the national stations, the BBC also provides regional stations. In the 'Nations', six stations serve large areas of these regions. In Scotland, these are BBC Radio Scotland and BBC Radio nan Gaidheal, the latter providing programmes in Scots Gaelic; in Wales these are BBC Radio Wales and BBC Radio Cymru, the latter providing programming in Welsh and in Northern Ireland there is BBC Radio Ulster with an opt out for the North West called BBC Radio Foyle. Furthermore, there are 40 BBC Local Radio stations in England and the Channel Islands, usually covering specific cities and their surrounding areas (Such as BBC Radio Bristol), for counties, or regions (Such as BBC Three Counties Radio), or geographic features (Such as BBC Radio Solent covering the South Coast).
As part of BBC Local Radio, the BBC also serves the Channel Islands, which strictly speaking are not part of the United Kingdom, through its TV News service and BBC Guernsey and BBC Radio Jersey. These services are funded from locally collected licence fees. However, despite this, the BBC does not offer Local Radio for the Isle of Man, primarily because the island has been served by the popular and long lasting independent commercial station, Manx Radio.
For a worldwide audience, the BBC World Service provides news, current affairs and information in 28 languages, including English, around the world and is available in over 150 capital cities. It is broadcast worldwide on shortwave radio, DAB and online and has an estimated weekly audience of 180 million listeners. Since 2005, it is also available on DAB in the UK, a step not taken before, due to the way it is funded. The service is funded by a Parliamentary Grant-in-Aid, administered by the Foreign Office, however following the Governments spending review in 2011, this funding will cease, and it will be funded for the first time through the Licence fee.[65][66] In recent years, some services of the World Service have been reduced; the Thai service ended in 2006[67] as did the Eastern European languages, with resources diverted instead into the new BBC Arabic Television.[68]
Historically, the BBC was the only legal radio broadcaster based in the UK mainland until 1967, when University Radio York (URY), then under the name Radio York, was launched as the first, and now oldest, legal independent radio station in the country. However, the BBC did not enjoy a complete monopoly before this as several Continental stations, such as Radio Luxembourg, broadcast programmes in English to Britain since the 1930s and the Isle of Man based Manx Radio began in 1964. Today, the BBC still has some of the most popular Radio stations, with BBC Radio 2 being the most popular of the network and the most popular in the country, with 12.9 million weekly listeners in 2006.[69]
BBC Programming is also available to other services and in other countries. Since 1943, the BBC has provided radio programming to the British Forces Broadcasting Service, which broadcasts in countries where British troops are stationed. BBC Radio 1 is also carried in the United States and Canada on Sirius XM Radio (online streaming only).
The BBC is a patron of The Radio Academy.[70]
BBC News is the largest broadcast news gathering operation in the world,[71] providing services to BBC domestic radio as well as television networks such as the BBC News, BBC Parliament and BBC World News. In addition to this, news stories are available on the BBC Red Button service, Ceefax and BBC News Online. In addition to this, the BBC has been developing new ways to access BBC News, as a result has launched the service on BBC Mobile, making it accessible to mobile phones and PDAs, as well as developing alerts by e-mail, digital television, and on computers through a desktop alert.
Ratings figures suggest that during major crises such as the 7 July 2005 London bombings or a Royal Event, the UK audience overwhelmingly turns to the BBC's coverage as opposed to its commercial rivals.[72] On 7 July 2005, the day that there were a series of coordinated bomb blasts on London's public transport system, the BBC Online website recorded an all time bandwidth peak of 11 Gb/s at 12:00 on 7 July. BBC News received some 1 billion total hits on the day of the event (including all images, text and HTML), serving some 5.5 terabytes of data. At peak times during the day there were 40,000 page requests per second for the BBC News website. The previous day's announcement of the 2012 Olympics being awarded to London caused a peak of around 5 Gbit/s. The previous all time high at BBC Online was caused by the announcement of the Michael Jackson verdict, which used 7.2 Gbit/s.[73]
The BBC's online presence includes a comprehensive news website and archive. It was launched as BBC Online, before being renamed BBCi, then bbc.co.uk, before it was rebranded back as BBC Online. The website is funded by the Licence fee, but uses GeoIP technology, allowing advertisements to be carried on the site when viewed outside of the UK.[74] The BBC claims the site to be "Europe's most popular content-based site"[75] and states that 13.2 million people in the UK visit the site's more than two million pages each day.[76] According to Alexa's TrafficRank system, in July 2008 BBC Online was the 27th most popular English Language website in the world,[77] and the 46th most popular overall.[78]
The centre of the website is the Homepage, which features a modular layout. Users can choose which modules, and which information, is displayed on their homepage, allowing the user to customise it. This system was first launched in December 2007, becoming permanent in February 2008, and has undergone a few aesthetical changes since then.[79] The Homepage then has links to other micro-sites, such as BBC News Online, Sport, Weather, TV and Radio. As part of the site, every programme on BBC Television or Radio is given its own page, with bigger programmes getting their own micro-site, and as a result it is often common for viewers and listeners to be told website addresses (URLs) for the programme website.
Another large part of the site also allows users to watch and listen to most Television and Radio output live and for seven days after broadcast using the BBC iPlayer platform, which launched on 27 July 2007, and initially used peer-to-peer and DRM technology to deliver both radio and TV content of the last seven days for offline use for up to 30 days, since then video is now streamed directly. Also, through participation in the Creative Archive Licence group, bbc.co.uk allowed legal downloads of selected archive material via the internet.[80]
The BBC has often included learning as part of its online service, running services such as BBC Jam, Learning Zone Class Clips and also runs services such as BBC WebWise and First Click which are designed to teach people how to use the internet. BBC Jam was a free online service, delivered through broadband and narrowband connections, providing high-quality interactive resources designed to stimulate learning at home and at school. Initial content was made available in January 2006 however BBC Jam was suspended on 20 March 2007 due to allegations made to the European Commission that it was damaging the interests of the commercial sector of the industry.[81]
In recent years some major on-line companies and politicians have complained that BBC Online receives too much funding from the television licence, meaning that other websites are unable to compete with the vast amount of advertising-free on-line content available on BBC Online.[82] Some have proposed that the amount of licence fee money spent on BBC Online should be reduced—either being replaced with funding from advertisements or subscriptions, or a reduction in the amount of content available on the site.[83] In response to this the BBC carried out an investigation, and has now set in motion a plan to change the way it provides its online services. BBC Online will now attempt to fill in gaps in the market, and will guide users to other websites for currently existing market provision. (For example, instead of providing local events information and timetables, users will be guided to outside websites already providing that information.) Part of this plan included the BBC closing some of its websites, and rediverting money to redevelop other parts.[84][85]
On 26 February 2010 The Times claimed that Mark Thompson, Director General of the BBC, proposed that the BBC's web output should be cut by 50%, with online staff numbers and budgets reduced by 25% in a bid to scale back BBC operations and allow commercial rivals more room.[86] On 2 March 2010, the BBC reported that it will cut its website spending by 25% and close BBC 6 Music and Asian Network, as part of Mark Thompson's plans to make " a smaller, fitter BBC for the digital age".[87][88]
BBC Red Button is the brand name for the BBC's interactive digital television services, which are available through Freeview (digital terrestrial), as well as Freesat, Sky (satellite), and Virgin Media (cable). Unlike Ceefax, the service's analogue counterpart, BBC Red Button is able to display full-colour graphics, photographs, and video, as well as programmes and can be accessed from any BBC channel. The service carries News, Weather and Sport 24 hours a day, but also provides extra features related to programmes specific at that time. Examples include viewers to play along at home to gameshows, to give, voice and vote on opinions to issues, as used alongside programmes such as Question Time. At some points in the year, when multiple sporting events occur, some coverage of less mainstream sports or games are frequently placed on the Red Button for viewers to watch. Frequently, other features are added unrelated to programmes being broadcast at that time, such as the broadcast of the Doctor Who animated episode Dreamland in November 2009.
BBC Worldwide Limited is the wholly owned commercial subsidiary of the BBC responsible for the commercial exploitation of BBC programmes and other properties, including a number of television stations throughout the world. It was formed following the restructuring of its predecessor, BBC Enterprises, in 1995.
The company owns and administers a number of commercial stations around the world operating in a number of territories and on a number of different platforms. The channel BBC Entertainment shows current and archive entertainment programming to viewers in Europe, Africa, Asia and the Middle East, with the BBC Worldwide channels BBC America and BBC Canada (Joint venture with Shaw Media) showing similar programming in the North America region and UKTV in the Australasia region. The company also airs two channels aimed at children, an international CBeebies channel and BBC Kids, a joint venture with Knowledge Network Corporation, which airs programmes under the CBeebies and BBC K brands. The company also runs the channels BBC Knowledge, broadcasting factual and learning programmes, and BBC Lifestyle, broadcasting programmes based on themes of Food, Style and Wellbeing. In addition to this, BBC Worldwide runs an internation version of the channel BBC HD, and provides HD simulcasts of the channels BBC Knowledge and BBC America.
BBC Worldwide also distributes the 24-hour international news channel BBC World News. The station is separate from BBC Worldwide to maintain the station's neutral point of view, but is distributed by BBC Worldwide. The channel itself is the oldest surviving entity of its kind, and has bases and correspondents in over 200 countries. As officially surveyed it is available to more than 274 million households, significantly more than CNN's estimated 200 million.
In addition to these international channels, BBC Worldwide also owns, together with Virgin Media, the UKTV network of ten channels. These channels contain BBC archive programming to be rebroadcast on their respective channels: Alibi, drama; Blighty, British-oriented; Dave (slogan: "The Home of Witty Banter"); Eden, nature; GOLD, comedy; Good Food, cookery; Home, home and garden; Really, female programming; Watch, entertainment and Yesterday, history programming.
In addition to these channels, many BBC programmes are sold via BBC Worldwide to foreign television stations with comedy, documentaries and historical drama productions being most popular. In addition, BBC television news appears nightly on many Public Broadcasting Service stations in the United States, as do reruns of BBC programmes such as EastEnders, and in New Zealand on TV One.
In addition to programming, BBC Worldwide produces material to accompany programmes. The company maintained the publishing arm of the BBC, and is currently the third-largest publisher of consumer magazines in the United Kingdom.[89] BBC Magazines, formerly known as BBC Publications, publishes the Radio Times as well as a number of magazines that support BBC programming such as BBC Top Gear, BBC Good Food, BBC Sky at Night, BBC History, BBC Wildlife and BBC Music. This department included independent magazine publisher Origin Publishing, which BBC Worldwide owned between 2004 and 2006.[90]
BBC Worldwide also publishes books, to accompany programmes such as Doctor Who under the BBC Books brand, and also owns the biggest travel guidebook and digital media publisher in the world, Lonely Planet. Soundtrack albums, talking books and sections of radio broadcasts are also sold under the brand BBC Records, with DVD's also being sold and licensed in large quantities to consumers both in the UK and abroad under the 2 Entertain brand. Archive programming and classical music recordings are sold under the brand BBC Legends.
The BBC employs staff orchestras, a choir, and supports two amateur choruses, based in BBC venues across the UK; the BBC Symphony Orchestra, the BBC Singers, BBC Symphony Chorus and BBC Big Band based in London, the BBC Scottish Symphony Orchestra in Glasgow, the BBC Philharmonic in Manchester, the BBC Concert Orchestra based in Watford and the BBC National Orchestra of Wales in Cardiff. It also buys a selected number of broadcasts from the Ulster Orchestra in Belfast. Many famous musicians of every genre have played at the BBC, such as The Beatles (The Beatles Live at the BBC is one of their many albums). The BBC is also responsible for the United Kingdom coverage of the Eurovision Song Contest, a show with which the broadcaster has been associated for over 50 years.
The BBC operates in other ventures in addition to their broadcasting arm. In addition to broadcasting output on television and radio, some programmes are also displayed on the BBC Big Screens located in several central city locations. The BBC and the Foreign and Commonwealth Office also jointly run BBC Monitoring, which monitors radio, television, the press and the internet worldwide. The BBC also developed several computers throughout the 1980s, most notably the BBC Micro, which ran alongside the corporation's educational aims and programming.
Staff at the BBC are normally represented by BECTU, along with journalistic staff by the NUJ and electrical staff by Unite. Union membership is optional, staff are not automatically covered by a union, and is paid for by staff members and not by the BBC.
Until the development, popularisation, and domination of television, radio was the broadcast medium upon which people in the United Kingdom relied. It "reached into every home in the land, and simultaneously united the nation, an important factor during the Second World War".[91] The BBC introduced the world's first "high-definition" 405-line television service in 1936, and apart from suspending service throughout World War II until 1946, was the only television broadcaster in the UK until 1955. "The BBC's monopoly was broken in 1955, with the introduction of Independent Television (ITV)",[92] This heralded the transformation of television into a popular and dominant medium. Nevertheless, "throughout the 1950s radio still remained the dominant source of broadcast comedy".[92] Further, the BBC was the only legal radio broadcaster until 1968 (when URY obtained their first licence).[93]
Even since the advent of commercial television and radio, the BBC has remained one of the main elements in British popular culture through its obligation to produce TV and radio programmes for mass audiences.[citation needed] However, the arrival of BBC2 allowed the BBC also to make programmes for minority interests in drama, documentaries, current affairs, entertainment and sport. Examples are cited such as I, Claudius, Civilisation, Tonight, Monty Python's Flying Circus, Doctor Who and Pot Black, but other examples can be given in each of these fields as shown by the BBC's entries in the British Film Institute's 2000 list of the 100 Greatest British Television Programmes.[94] The export of BBC programmes through both services like the BBC World Service and BBC World News, as well as the channels operated by BBC Worldwide mean that BBC productions can now be experienced worldwide.
The term BBC English (Received Pronunciation) refers to the former use of Standard English with this accent. However, the organisation now makes more use of regional accents in order to reflect the diversity of the UK, though clarity and fluency are still expected of presenters.[95] From its "starchy" beginnings, the BBC has also become more inclusive, and now attempts to accommodate the interests of all strata of society and all minorities, because they all pay the licence fee.[96]
Competition from Independent Television, Channel 4, Sky and other broadcast television stations, has lessened the BBC's influence, but such public broadcasting remains a major influence on British popular culture.[97]
Older domestic UK audiences often refer to the BBC as "the Beeb", a nickname originally dubbed by Peter Sellers in The Goon Show in the 1950s, when he referred to the "Beeb Beeb Ceeb". It was then borrowed, shortened and popularised by Kenny Everett.[98] Another nickname, now less commonly used, is "Auntie", said to originate from the old-fashioned "Auntie knows best" attitude (but possibly a sly reference to the "aunties" and "uncles" who were presenters of children's programmes in early days)[99] in the days when John Reith, the BBC's first director general, was in charge. The two nicknames have also been used together as "Auntie Beeb",[100] and Auntie has been used in out-take programmes such as Auntie's Bloomers.[101]
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This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (July 2011) |
Willy Russell | |
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Born | William Russell (1947-08-23) 23 August 1947 (age 64) Whiston, Merseyside, England |
Occupation | Playwright, screenwriter, author, lyricist, composer |
Nationality | United Kingdom |
Spouse | Annie Russell |
Information | |
Debut works | John, Paul, George, Ringo … and Bert |
Notable work(s) | Educating Rita Shirley Valentine Blood Brothers |
William Russell (born 23 August 1947) is a British dramatist, lyricist, and composer. His best-known works are Educating Rita, Shirley Valentine, and Blood Brothers.
Contents |
Willy Russell was born in Whiston, on the outskirts of Liverpool, where he grew up. His parents worked in a book publisher's and often encouraged him to read. After leaving school with one O-level in English, he first became a ladies' hairdresser and ran his own salon. Russell then undertook a variety of jobs, also the first play he wrote was Keep Your Eyes Down Low (1971).[1] His first success was a play about The Beatles called John, Paul, George, Ringo … and Bert. Originally commissioned for the Everyman Theatre, Liverpool it transferred to the West End in 1974.[1] Educating Rita (1980) concerned a female hairdresser and her Open University teacher. The semi-autobiographical Educating Rita was turned into a 1983 film with Michael Caine and Julie Walters. The musical Blood Brothers (1983), for which Russell also composed the music, first opened in Liverpool and transferred to London's Phoenix Theatre. It won the best actress award at the Lawrence Olivier awards. Bill Kenwright produced a revival in 1988 which has run for more than twenty years; the show was produced on Broadway in 1993. Shirley Valentine, which first opened in Liverpool in 1986 before a new production opened in London in 1988 starring Pauline Collins. It was also made into a successful film, in 1989, again with Collins in the title role. Russell received BAFTA and Oscar nominations for Best Adapted Screenplay for both Educating Rita and Shirley Valentine.
Russell has written songs since the early 1960s, and has written the music to most of his plays and musicals.[2] He also co-wrote "The Show", the theme song to the 1985 ITV drama series Connie, which became a top 30 hit for vocalist Rebecca Storm. His first album, Hoovering the Moon, was released in 2003. Russell has also written television projects, including the one-off drama, Our Day Out, which aired in 1977. He penned another television drama, One Summer, which aired as a five-part series on Channel 4 in 1983, starring a young David Morrissey.
In 2000, Russell published his first novel, The Wrong Boy. In epistolary form, main character Raymond Marks, a 19-year old from Manchester, tells the story of his life in letters to his hero Morrissey.
The Willy Russell Centre for Children and Adults Who Stammer, was opened by Russell in Liverpool, 1990. The centre took Russell's name as his writing in many of his plays puts forward the philosophy that anyone is capable of change whatever obstacles may be in their path, a theory shared by the center.
Wikiquote has a collection of quotations related to: Willy Russell |
Persondata | |
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Name | Russell, Willy |
Alternative names | |
Short description | British dramatist, lyricist and composer |
Date of birth | 23 August 1947 |
Place of birth | Whiston, Merseyside, England |
Date of death | |
Place of death |
Sir Alec Guinness | |
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Sir Alec Guinness in 1973 by Allan Warren |
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Born | Alec Guinness de Cuffe (1914-04-02)2 April 1914 Paddington, London, England, United Kingdom |
Died | 5 August 2000(2000-08-05) (aged 86) Midhurst, West Sussex, England |
Cause of death | Liver Cancer |
Occupation | Actor |
Years active | 1934–96 |
Spouse | Merula Salaman (m. 1938–2000) |
Children | Matthew Guinness |
Sir Alec Guinness, CH, CBE (2 April 1914 – 5 August 2000) was an English actor. After an early career on the stage he was featured in several of the Ealing Comedies, including Kind Hearts and Coronets in which he played eight different characters. However, he was probably best known for his six collaborations with David Lean: Herbert Pocket in Great Expectations (1946), Fagin in Oliver Twist (1948), Col. Nicholson in The Bridge on the River Kwai (1957, for which he won the Academy Award for Best Actor), Prince Faisal in Lawrence of Arabia (1962), Yevgraf in Doctor Zhivago (1965), and Professor Godbole in A Passage to India (1984). In later years, he achieved fame with younger audiences for his role as Obi-Wan Kenobi in George Lucas’s Star Wars films.
Contents |
Guinness was born at 155 Lauderdale Mansions South, Lauderdale Road, Maida Vale, London as Alec Guinness de Cuffe.[1] His mother's maiden name was Agnes Cuff. She was born 8 December 1890 to Edward Cuff and Mary Ann Benfield. On Guinness's birth certificate, the space for the mother's name shows Agnes de Cuffe. The space for the infant's name (where first names only are given) says Alec Guinness. The column for name and surname of father is blank.[2]
It has been frequently speculated that the actor's father was a member of the Anglo-Irish Guinness family. However, it was a Scottish banker, Andrew Geddes, who paid for Guinness's private school education. From 1875, under English law, when the birth of an illegitimate child was registered, the father's name could be entered on the certificate only if he were present and gave his consent. Guinness and Geddes never met, and the identity of Guinness's father has never been confirmed.[3] Guinness was uninterested in his mother, who later had a short marriage to a violent,[4] shell-shocked veteran of the Irish War of Independence.[2]
Guinness first worked writing advertising copy. His first job in the theatre was on his 20th birthday, while he was still a drama student, in the play Libel, which opened at the old King's Theatre, Hammersmith, and then transferred to the Playhouse where his status was raised from a walk-on to understudying two lines and his salary increased to £1 a week.[5] He appeared at the Albery Theatre in 1936 at the age of 22, playing the role of Osric in John Gielgud's successful production of Hamlet. 1936 also saw Guinness sign on with the Old Vic, where he was cast in a series of classic roles.[6] During this time he worked with many actors and actresses who would become his friends and frequent co-stars in the future, including John Gielgud, Peggy Ashcroft, Anthony Quayle and Jack Hawkins. An early influence from afar was Stan Laurel, whom Guinness admired.[7]
Guinness continued playing Shakespearean roles throughout his career. In 1937 he played Aumerle in Richard II and Lorenzo in The Merchant of Venice under the direction of John Gielgud. He starred in a 1938 production of Hamlet which won him acclaim on both sides of the Atlantic.[6] He also appeared as Romeo in a production of Romeo and Juliet (1939), Andrew Aguecheek in Twelfth Night and as Exeter in Henry V in 1937, both opposite Laurence Olivier, and Ferdinand in The Tempest, opposite Gielgud as Prospero.
In 1939, he adapted Charles Dickens' novel Great Expectations for the stage, playing the part of Herbert Pocket. The play was a success. One of its viewers was a young British film editor, David Lean, who would later have Guinness reprise his role in Lean's 1946 film adaptation of the play.
Guinness served in the Royal Navy Volunteer Reserve in World War II, serving first as a seaman in 1941 and being commissioned the following year.[8] He commanded a landing craft taking part in the invasion of Sicily and Elba and later ferried supplies to the Yugoslav partisans.
During the war, he was granted leave to appear in the Broadway production of Terence Rattigan's play Flare Path about the RAF Bomber Command.[9]
Guinness returned to the Old Vic in 1946 and stayed until 1948, playing Abel Drugger in Ben Jonson's The Alchemist, the Fool in King Lear opposite Laurence Olivier in the title role, DeGuiche in Cyrano de Bergerac opposite Ralph Richardson in the title role, and finally starring in an Old Vic production as Shakespeare's Richard II. After leaving the Old Vic, he played Eric Birling in J. B. Priestley's An Inspector Calls at the New Theatre in October 1946. He played the Uninvited Guest in the Broadway production of T. S. Eliot's The Cocktail Party (1950, revived at the Edinburgh Festival in 1968). His third attempt at the title role of Hamlet, this time under his own direction at the New Theatre (1951), proved a major theatrical disaster.[10]
Invited by his friend Tyrone Guthrie to join the premier season of the Stratford Festival of Canada, Guinness lived for a brief time in Stratford, Ontario. On 13 July 1953, Guinness spoke the first lines of the first play produced by the festival, Shakespeare's Richard III: "Now is the winter of our discontent/Made glorious summer by this sun of York."
Guinness won a Tony Award for his Broadway performance as poet Dylan Thomas in Dylan. He next played the title role in Macbeth opposite Simone Signoret at the Royal Court Theatre in 1966, a conspicuous failure.[11]
Guinness made his final stage performance at the Comedy Theatre on 30 May 1989, in the play A Walk in the Woods. In all, between 2 April 1934 and 30 May 1989, he played 77 parts in the theatre.[12]
In films, Guinness was initially associated mainly with the Ealing comedies, and particularly for playing eight different characters in Kind Hearts and Coronets. Other films from this period included The Lavender Hill Mob, The Ladykillers, and The Man in the White Suit. In 1952, director Ronald Neame cast Guinness in his first romantic lead role, opposite Petula Clark in The Card. In 1951, exhibitors voted him the most popular British star.[13]
Other notable film roles of this period included The Swan (1956) with Grace Kelly, in her second to last film role; The Horse's Mouth (1958) in which Guinness played the part of drunken painter Gulley Jimson as well as contributing the screenplay, for which he was nominated for an Academy Award; the lead in Carol Reed's Our Man in Havana (1959); Marcus Aurelius in The Fall of the Roman Empire (1964); The Quiller Memorandum (1966); Marley's Ghost in Scrooge (1970); Charles I in Cromwell (1970); Pope Innocent III in Franco Zeffirelli's Brother Sun, Sister Moon (1972); and the title role in Hitler: The Last Ten Days (1973), which he considered his best film performance, though critics disagreed.[14]
Guinness also played the role of Jamessir Bensonmum, the blind butler, in the 1976 Neil Simon film Murder By Death.
Guinness won particular acclaim for his work with director David Lean, which today is his best-known and most critically acclaimed work. After appearing in Lean's Great Expectations and Oliver Twist, he was given a starring role opposite William Holden in The Bridge on the River Kwai. For his performance as Colonel Nicholson, the unyielding British POW leader, Guinness won an Academy Award. Despite a difficult and often hostile relationship, Lean, referring to Guinness as "my good luck charm", continued to cast Guinness in character roles in his later films: Arab leader Prince Feisal in Lawrence of Arabia; the title character's half-brother, Bolshevik leader Yevgraf, in Doctor Zhivago; and Indian mystic Godbole in A Passage to India. He was also offered a role in Lean's Ryan's Daughter (1970), but declined. By that time, Guinness had "mistrusted" Lean and considered the earlier close relationship as strained; although at his funeral, he recalled that the famed director had been "charming and affable".[15]
Guinness's role as Obi-Wan Kenobi in the original Star Wars trilogy, beginning in 1977, brought him worldwide recognition by a new generation, as well as Golden Globe and Academy Award nominations. In letters to his friends, Guinness described the film as "fairy tale rubbish," but the movie's sense of moral good – and the studio's doubling of his initial salary offer – appealed to him, and he signed on. [16] He was one of the few cast members who believed that the film would be a box office hit; he negotiated a deal for 2% of the gross royalties paid to the director, George Lucas, who received one fifth of the box office takings. This made him very wealthy in his later life, and he agreed to take the part of Kenobi on the condition that he would not have to do any publicity to promote the film. Upon his first viewing of the film, Guinness wrote in his diary that "It's a pretty staggering film as spectacle and technically brilliant. Exciting, very noisy and warm-hearted. The battle scenes at the end go on for five minutes too long, I feel, and some of the dialogue is excruciating and much of it is lost in noise, but it remains a vivid experience."[17]
Despite these rewards, Guinness soon became unhappy with being identified with the part, and expressed dismay at the fan-following that the Star Wars trilogy attracted. In the DVD commentary of the original Star Wars, director George Lucas says that Guinness was not happy with the script re-write in which Obi-Wan is killed. However, Guinness said in a 1999 interview that it was actually his idea to kill off Obi-Wan, persuading Lucas that it would make him a stronger character, and that Lucas agreed to the idea. Guinness stated in the interview, "What I didn't tell Lucas was that I just couldn't go on speaking those bloody awful, banal lines. I'd had enough of the mumbo jumbo." He went on to say that he "shrivelled up" every time Star Wars was mentioned to him.[18]
Although Guinness disliked the fame attracted by work he did not esteem,[17] Lucas and fellow cast members Mark Hamill, Harrison Ford, Anthony Daniels, and Carrie Fisher have spoken highly of his courtesy and professionalism, both on and off the set. Lucas credited him with inspiring cast and crew to work harder, saying that Guinness contributed significantly to achieving completion of the filming. Guinness was quoted as saying that the royalties he obtained from working on the films gave him "no complaints; let me leave it by saying I can live for the rest of my life in the reasonably modest way I am now used to, that I have no debts and I can afford to refuse work that doesn't appeal to me." In his autobiography, Blessings In Disguise, Guinness tells an imaginary interviewer "Blessed be Star Wars", regarding the income it provided.[19]
In the final volume of the book A Positively Final Appearance (1997), Guinness recounts grudgingly giving an autograph to a young fan who claimed to have watched Star Wars over 100 times, on the condition that the boy promise to stop watching the film, because, as Guinness told him, "this is going to be an ill effect on your life." The fan was stunned at first, but later thanked him (though some sources say it went differently). Guinness is quoted as saying: "Well," I said, "do you think you could promise never to see Star Wars again?" He burst into tears. His mother drew herself up to an immense height. "What a dreadful thing to say to a child!" she barked, and dragged the poor kid away. Maybe she was right but I just hope the lad, now in his thirties, is not living in a fantasy world of secondhand, childish banalities.[20] Guinness grew so tired of modern audiences apparently knowing him only for his role of Obi-Wan Kenobi that he would throw away the mail he received from Star Wars fans without reading it.[21]
From the 1970s, Guinness made regular television appearances, including the part of George Smiley in the serialisations of two novels by John le Carré: Tinker, Tailor, Soldier, Spy and Smiley's People. Le Carré was so impressed by Guinness's performance as Smiley that he based his characterisation of Smiley in subsequent novels on Guinness.
One of Guinness's last appearances was in the BBC drama Eskimo Day.
Guinness won the Academy Award for Best Actor in 1957 for his role in The Bridge on the River Kwai having been unsuccessfully nominated in 1952 for his performance in The Lavender Hill Mob. He was nominated in 1958 for the Academy Award for Best Writing, Screenplay Based on Material from Another Medium, for his screenplay adapted from Joyce Cary's novel The Horse's Mouth. He was nominated for Best Supporting Actor for his role as Obi-Wan Kenobi in Star Wars in 1977. He received an Academy Honorary Award for lifetime achievement in 1980. In 1988, he received an Academy Award nomination for Best Supporting Actor for Little Dorrit.
For his theatre work, he received an Evening Standard Award for his performance as T.E. Lawrence in Ross and a Tony Award for his Broadway turn as Dylan Thomas in Dylan.[22]
Guinness was appointed a Commander of the Order of the British Empire (CBE) in 1955, and was knighted in 1959.[6] In 1991, he received an honorary doctorate from Cambridge University.[23] Three years later, at age 80, he was appointed a Companion of Honour.[24]
Guinness received a star on the Hollywood Walk of Fame at 1559 Vine Street on 8 February 1960.[2]
This section's references may not meet Wikipedia's guidelines for reliable sources. Please help by checking whether the references meet the criteria for reliable sources. (April 2011) |
Guinness married the artist, playwright and actress Merula Sylvia Salaman (16 October 1914 – 18 October 2000) in 1938; in 1940, they had a son, Matthew Guinness, who later became an actor.
In his biography, Alec Guinness: The Unknown, Garry O'Connor says that Guinness was arrested and fined 10 guineas for a homosexual act in a public lavatory in Liverpool in 1946. Guinness avoided publicity by giving his name to police and court as "Herbert Pocket", the name of the character he played in Great Expectations. The incident did not become public knowledge until April 2001, eight months after his death when a BBC News article claimed that Guinness was in fact bisexual and that he had successfully kept his sexuality private from the public eye as his closest friends and family members also knew he had sexual relationships with men.[25] Piers Paul Read, Guinness's official biographer, doubts that this incident actually occurred. He believes that Guinness was confused with John Gielgud, who was infamously arrested for such an act around the same time.
While serving in the Royal Navy, Guinness had planned to become an Anglican priest. However, in 1954, while he was filming Father Brown in Burgundy, Guinness, who was in costume as a Catholic priest, was mistaken for a real priest by a local child. Guinness was far from fluent in French, and the child apparently did not notice that Guinness did not understand him, but took his hand and chattered while the two strolled; the child then waved and trotted off.[26] The confidence and affection the clerical attire appeared to inspire in the boy left a deep impression on the actor.[27] Alec Guinness was formally received into the Roman Catholic Church on 24 March 1956. His wife followed suit in 1957 while he was in Sri Lanka filming The Bridge on the River Kwai, and she informed him only after the event.[28] They remained devout and regular church-goers for the remainder of their lives. Their son Matthew had converted to Catholicism some time earlier.[29] Every morning, Guinness recited a verse from Psalm 143, "Cause me to hear your loving kindness in the morning".[30]
Guinness died on 5 August 2000, from liver cancer, at Midhurst in West Sussex.[31] He had been receiving hospital treatment for glaucoma, and had recently also been diagnosed with prostate cancer. He was interred at Petersfield, Hampshire, England. His widow, Lady Guinness, died of cancer at Petersfield, two months after her husband, also aged 86,[32] and was interred alongside her husband of 62 years.
Guinness wrote three volumes of a best-selling autobiography, beginning with Blessings in Disguise in 1985, followed by My Name Escapes Me in 1996, and A Positively Final Appearance in 1999. He recorded each of them as an audiobook. Shortly after his death, Lady Guinness asked the couple's close friend and fellow Catholic, novelist Piers Paul Read, to write Guinness's official biography. It was published in 2003.
Year | Title | Role | Notes |
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1934 | Evensong | Extra (World War I soldier in audience) | uncredited |
1946 | Great Expectations | Herbert Pocket | |
1948 | Oliver Twist | Fagin | |
1949 | Kind Hearts and Coronets |
|
National Board of Review Award for Best Actor |
1949 | Run for Your Money, AA Run for Your Money | Whimple | |
1950 | Last Holiday | George Bird | |
1950 | Mudlark, TheThe Mudlark | Benjamin Disraeli | |
1951 | Lavender Hill Mob, TheThe Lavender Hill Mob | Henry Holland |
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1951 | Man in the White Suit, TheThe Man in the White Suit | Sidney Stratton | |
1952 | Card, TheThe Card | Edward Henry 'Denry' Machin | released in the United States as The Promoter |
1953 | Square Mile, TheThe Square Mile | narrator | short subject |
1953 | Malta Story | Flight Lt. Peter Ross | |
1953 | Captain's Paradise, TheThe Captain's Paradise | Capt. Henry St. James | |
1954 | Father Brown | Father Brown | |
1954 | Stratford Adventure, TheThe Stratford Adventure | Himself | short subject |
1955 | Rowlandson's England | narrator | short subject |
1955 | To Paris with Love | Col. Sir Edgar Fraser | |
1955 | Prisoner, TheThe Prisoner | Cardinal, TheThe Cardinal | Nominated — BAFTA Award for Best Actor in a Leading Role |
1955 | Ladykillers, TheThe Ladykillers | Professor Marcus | |
1956 | Swan, TheThe Swan | Prince Albert | |
1957 | Bridge on the River Kwai, TheThe Bridge on the River Kwai | Col. Nicholson |
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1957 | Barnacle Bill | Captain William Horatio Ambrose | released in the United States as All at Sea |
1958 | Horse's Mouth, TheThe Horse's Mouth | Gulley Jimson |
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1959 | Our Man in Havana | Jim Wormold | |
1959 | Scapegoat, TheThe Scapegoat | John Barratt/Jacques De Gue | |
1960 | Tunes of Glory | Maj. Jock Sinclair, D.S.O., M.M. | Nominated — BAFTA Award for Best Actor in a Leading Role |
1962 | Majority of One, AA Majority of One | Koichi Asano | |
1962 | H.M.S. Defiant | Captain Crawford | |
1962 | Lawrence of Arabia | Prince Faisal | |
1964 | Fall of the Roman Empire, TheThe Fall of the Roman Empire | Marcus Aurelius | |
1965 | Pasternak | Himself | short subject |
1965 | Situation Hopeless ... But Not Serious | Wilhelm Frick | |
1965 | Doctor Zhivago | Gen. Yevgraf Zhivago | |
1966 | Hotel Paradiso | Benedict Boniface | |
1966 | Quiller Memorandum, TheThe Quiller Memorandum | Pol | |
1967 | Comedians in Africa, TheThe Comedians in Africa | Himself | uncredited, short subject |
1967 | Comedians, TheThe Comedians | Major H.O. Jones | Kansas City Film Critics Circle Award for Best Supporting Actor |
1970 | Cromwell | King Charles I | |
1970 | Scrooge | Jacob Marley's ghost | |
1972 | Brother Sun, Sister Moon | Pope Innocent III | |
1973 | Hitler: The Last Ten Days | Adolf Hitler | |
1976 | Murder by Death | Jamesir Bensonmum | |
1977 | Star Wars | Obi-Wan Kenobi | |
1979 | Tinker, Tailor, Soldier, Spy | George Smiley | British Academy Television Award for Best Actor |
1980 | The Empire Strikes Back | Obi-Wan Kenobi | |
1980 | Raise the Titanic | John Bigalow | |
1980 | Little Lord Fauntleroy | Earl of Dorincourt | |
1982 | Smiley's People | George Smiley | |
1983 | Lovesick | Sigmund Freud | |
1983 | Return of the Jedi | Obi-Wan Kenobi | |
1984 | Passage to India, AA Passage to India | Professor Godbole | |
1985 | Monsignor Quixote | Monsignor Quixote | |
1988 | Little Dorrit | William Dorrit | |
1988 | Handful of Dust, AA Handful of Dust | Mr. Todd | |
1991 | Kafka | chief clerk, TheThe chief clerk | |
1993 | Foreign Field, AA Foreign Field | Amos | |
1994 | Mute Witness | Reaper, TheThe Reaper | |
1996 | Eskimo Day | James |
For a number of years, British film exhibitors voted Guinness among the most popular stars in Britain at the box office via an annual poll in the Motion Picture Herald.
Wikimedia Commons has media related to: Alec Guinness |
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Persondata | |
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Name | Guinness, Alec |
Alternative names | Guinness de Cuffe, Alec |
Short description | English actor |
Date of birth | 2 April 1914 |
Place of birth | Paddington, London, England, UK |
Date of death | 5 August 2000 |
Place of death | Midhurst, West Sussex, England, UK |
Daniel Radcliffe | |
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Radcliffe at Make Believe On Broadway, 23 November 2011 |
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Born | Daniel Jacob Radcliffe (1989-07-23) 23 July 1989 (age 22) London, England |
Occupation | Actor |
Years active | 1999–present |
Daniel Jacob Radcliffe (born 23 July 1989) is an English film and stage actor who rose to prominence playing the title character in the Harry Potter film series.
Radcliffe made his acting debut at age ten in BBC One's 1999 television movie David Copperfield, followed by his film debut in 2001's The Tailor of Panama. At age eleven he was cast as the title character in the first Harry Potter film, and he starred in the series for ten years until the release of the eighth and final film in July 2011. He also began to branch out to stage acting in 2007, starring in the London and New York productions of the play Equus and in the 2011 Broadway revival of the musical How to Succeed in Business Without Really Trying. In addition, he starred in 2007's December Boys and the 2012 hit horror film The Woman in Black. He will play beat poet Allen Ginsberg in 2013 indie film Kill Your Darlings.
Radcliffe has contributed to many charities, including Demelza House Children's Hospice and The Trevor Project. He has also made public service announcements for the latter. In 2011, he was awarded the Trevor Project's "Hero Award".
Contents |
Radcliffe was born on 23 July 1989 in West London, England,[1] the only child of Alan George Radcliffe, a literary agent, and Marcia Jeannine Gresham (née Marcia Gresham Jacobson), a casting agent who was involved in several films for the BBC, including The Inspector Lynley Mysteries and Walk Away And I Stumble.[2][3] Radcliffe's mother is Jewish and a native of Westcliff-on-Sea, Essex;[3][4] his father, originally from Northern Ireland, is Protestant.[5] He was raised without religion.[6] Radcliffe first expressed a desire to act at the age of five,[7] and in December 1999, aged ten, he made his acting debut in the BBC One's televised two-part adaptation of the Charles Dickens novel David Copperfield, portraying the title character as a young boy.[8]
Radcliffe was educated at two independent schools for boys:[9] at Sussex House School, a day school in Cadogan Square in Chelsea in London,[10] followed by the City of London School,[11] a day school on the North Bank of the River Thames in London's financial district, known as the City of London.
Following the release of the first Harry Potter movie, attending school became hard for Radcliffe, with some fellow pupils becoming hostile. Radcliffe said it was people just trying to "have a crack at the kid that plays Harry Potter" rather than jealousy.[12] As his acting career began to consume his schedule, Radcliffe continued his education through on-set tutors. He admitted he was not very good at school, considered it useless, and found the work to be "really, really difficult";[9] however, he did achieve A grades in the three A-levels that he sat in 2006, but then decided to take a break from education and did not go to college or university.[13] Part of the reason was that he already knew he wanted to act and write, and that it would be difficult to have a normal college experience. "The paparazzi, they’d love it," he told Details magazine in 2007. "If there were any parties going on, they’d be tipped off as to where they were".[12]
In 2000 producer David Heyman asked Radcliffe to audition for the role of Harry Potter for the film adaptation of Harry Potter and the Philosopher's Stone, the best-selling book by British author J. K. Rowling.[14][15] Rowling had been searching for an unknown British actor to personify the character; however, Radcliffe's parents did not want him to audition for the role, as the contract required shooting all seven films in Los Angeles, California, and so they did not tell him.[16] The movie's director Chris Columbus recalled thinking, "This is what I want. This is Harry Potter", after he saw a video of the young actor in David Copperfield.[16] Eight months later, and after several auditions, Radcliffe was selected to play the part.[17] Rowling also endorsed the selection saying, "I don't think Chris Columbus could have found a better Harry."[18] Radcliffe's parents originally turned down the offer, as they had been told that it would involve six films shot in Los Angeles.[19] Warner Bros. instead offered Radcliffe a two-movie contract with shooting in the UK though,[16] when signing up, Radcliffe was unsure if he would do any more pictures.[20]
The release of Harry Potter and the Philosopher's Stone (released as Harry Potter and the Sorcerer's Stone in the United States) took place in 2001. The story follows Harry, a young boy who learns he is a wizard and is sent to Hogwarts School of Witchcraft and Wizardry to begin his education; gaining the help of friends Ron (Rupert Grint) and Hermione (Emma Watson) along the way. Radcliffe received a seven figure salary for the lead role, but asserted that the fee was "not that important" to him;[21] his parents chose to invest the money for him.[16] The film broke records for opening-day sales and opening-weekend takings, becoming the highest–grossing film of 2001. With a total of US$974 million in ticket sales, Philosopher's Stone stands as the second most commercially successful in the series behind Harry Potter and the Deathly Hallows – Part 2, the final instalment.[22] The adaptation was met with positive reviews and critics took notice of Radcliffe:[23] "Radcliffe is the embodiment of every reader's imagination. It is wonderful to see a young hero who is so scholarly looking and filled with curiosity and who connects with very real emotions, from solemn intelligence and the delight of discovery to deep family longing," wrote Bob Graham of the San Francisco Chronicle.[24]
A year later Radcliffe starred in Harry Potter and the Chamber of Secrets, the second instalment of the series. Reviewers were positive about the lead actors' performances but had polarised opinions on the movie as a whole. Stephen Hunter of the Washington Post labelled it "big, dull and empty".[25] Observing that Radcliffe and his peers had matured, Los Angeles Times's staff writer Kenneth Turan believed the novel's magic could not be successfully duplicated in the film.[26] Nonetheless, it still managed to earn US$878 million, taking the second spot of the highest-grossing 2002 films worldwide behind The Lord of the Rings: The Two Towers.[27]
The 2004 release Harry Potter and the Prisoner of Azkaban was the third film in the series. While garnering the highest critical acclaim of the series at that point[23] and grossing US$795.6 million worldwide, the film's performance at the box office ranks the lowest in the series.[22] Radcliffe's performance was panned by New York Times journalist A. O. Scott, who wrote that Watson had to carry him with her performance.[28] Next was Harry Potter and the Goblet of Fire in 2005. The film set records for a Harry Potter opening weekend, as well as for a non-May opening weekend in the US and in the UK.[29] The film eventually grossed US$896 million worldwide, and the film was the second-highest grossing Harry Potter film at that point.[30] In a 2005 interview, Radcliffe singled out the humour as being a reason for the movie's creative success.[31]
Despite the success of the previous three movies, the future of the franchise was put into question when all three lead actors were unsure about signing on to continue their roles for the final two episodes; however, by 2 March 2007 Radcliffe had signed for the final films, which put an end to weeks of press "speculation that he would be denied the role due to his involvement in Equus".[32] Radcliffe reprised his role for the fifth time in Harry Potter and the Order of the Phoenix (2007), which details Harry's return to Hogwarts after his encounter with Lord Voldemort in the previous film. It opened to positive responses from the press;[23] IGN movie critic Steven Horn found Order of the Phoenix to be one of "those rare films that exceeds the source material"[33] and Colin Bertram of New York's Daily News dubbed it the best movie in the series.[34] Radcliffe stated that director David Yates and actress Imelda Staunton made Order of the Phoenix the "most fun" film in the series to work on.[35] His performance earned several award nominations, and he received the 2008 National Movie Award for "Best Male Performance".[36] As his fame and the series continued, Radcliffe, Grint and Watson left imprints of their hands, feet, and wands in front of Grauman's Chinese Theatre in Hollywood.[37]
In July 2009 Harry Potter and the Half-Blood Prince was released, the series' sixth instalment. The film did considerably better than the previous movie, breaking the then-record for biggest midnight US showings with US$22.2 million at 3,000 theatres,[38] and was the biggest ever Wednesday-opening in the UK, with US$7.6 million at 1,305 screens.[39] Half-Blood Prince achieved a total of US$933 million ticket sales[22] and was one of the most positively reviewed of the series among film critics, who praised the film's "emotionally satisfying" story, direction, cinematography, visuals and music.[40][41][42] Radcliffe received nominations for "Best Male Performance" and "Global Superstar" at the 2010 MTV Movie Awards.[43]
For financial and scripting reasons the last book was divided into two films, shot back to back,[44][45] which drew criticism from the series' fanbase. Radcliffe defended the split, pointing out that it would have been impossible to properly adapt the final novel into a single film.[46] He added that the last movie was going to be extremely fast-paced with a lot of action, while the first part would be far more sedate, focusing on character development; he added that, had they combined them, those things would not have made it to the final cut.[47] Filming lasted for a year, concluding in June 2010 and on the last day of shooting, like most of the cast and crew, Radcliffe openly wept.[48] Harry Potter and the Deathly Hallows – Part 1 (2010) was about Harry, Ron and Hermione leaving Hogwarts to track down Lord Voldemort's Horcruxes, objects Voldemort has left part of his soul inside. The film was released in November and grossed over US$950 million.[22] Its most lucrative territory was the UK, where it reportedly had the highest-grossing three-day opening in history; while its earnings of US$205 million, in 91 markets, made it the highest ever top-grossing non-US opening for a non-summer picture, and "the fourth-biggest-grossing international opening ever".[49] The movie received mostly favourable reviews in the media.[23]
The final film, Harry Potter and the Deathly Hallows – Part 2, was released worldwide starting on 13 July 2011 in Australia. The film concerns the battle against Voldemort's followers in Hogwarts, along with Harry's final climactic duel with Voldemort. Radcliffe, along with the film,[23] was critically acclaimed: Ann Hornaday of The Washington Post asked, "Who could have predicted that Radcliffe, Grint and Watson would turn out to be good actors?";[50] similarly, Rex Reed said: "Frankly, I’m sorry to see [Radcliffe] go";[51] while Rolling Stone critic Peter Travers commented on Radcliffe: "Well played, sir."[52] Among those who were less favourable, Roger Ebert said that Radcliffe, Grint and Watson were "upstaged by the supporting [actors]".[53] The film broke several box office records, including biggest midnight release,[54] biggest first-day opening,[54] and biggest opening-weekend.[55] Deathly Hallows – Part 2 is currently the third-highest grossing film in the world, and the highest-grossing non-James Cameron film, with more than US$1.3 billion worldwide.[56] Radcliffe admitted that some people would never be able to separate him from the character, but also said he is "proud to be associated with this film series forever."[57] Despite positive feelings about the movies, he has no interest in doing more Harry Potter films. After Rowling hinted about writing an eighth book, Radcliffe was asked if he would do another film to which he replied: "[It is] very doubtful. I think 10 years is a long time to spend with one character."[58] Despite devoting so much time to the series, Radcliffe has asserted that he did not miss out on a childhood like other child actors: "I’ve been given a much better perspective on life by doing Potter."[59]
Radcliffe made his film debut in The Tailor of Panama, an American 2001 film based on John le Carré's 1996 spy novel, and a moderate commercial success.[22] In 2002 he made his stage debut as a celebrity guest in a West End theatre production of The Play What I Wrote, directed by Kenneth Branagh—who also appeared with him in the second Harry Potter film.[8][60] In 2007 he appeared in the film December Boys, an Australian family drama about four orphans that was shot in 2005 and released to theatres in mid-September 2007.[61] Also in 2007, Radcliffe co-starred with Carey Mulligan in My Boy Jack, a television drama film shown on ITV on Remembrance Day. The film received mostly positive reviews,[62] with several critics praising Radcliffe's performance as an 18-year-old who goes missing in action during a battle.[63][64][65] Radcliffe stated, "For many people my age, the First World War is just a topic in a history book. But I've always been fascinated by the subject and think it's as relevant today as it ever was."[66]
At age 17, in a bid to show people he was not a kid any more,[1] he performed onstage in Peter Shaffer's play Equus, which had not been revived since its first run in 1973, at the Gielgud Theatre.[16] Radcliffe took on the lead role[60] as Alan Strang, a stable boy who has an obsession with horses. Advance sales topped £1.7 million, and the role generated significant pre-opening media interest, as Radcliffe appeared in a nude scene.[16][67] Equus opened on 27 February 2007 and ran until 9 June 2007.[60] Radcliffe's performance received positive reviews[68] as critics were impressed by the nuance and depth of his against-type role.[69] Charles Spencer of The Daily Telegraph wrote that he "displays a dramatic power and an electrifying stage presence that marks a tremendous leap forward." He added: "I never thought I would find the diminutive (but perfectly formed) Radcliffe a sinister figure, but as Alan Strang ... there are moments when he seems genuinely scary in his rage and confusion."[70] The production then transferred to Broadway in September 2008, with Radcliffe still in the lead role.[71][72] Radcliffe stated he was nervous about repeating the role on Broadway because he considered American audiences more discerning than those in London.[73] Radcliffe's performance was nominated for a Drama Desk Award.[74]
After voicing a character in an episode of the animated television series The Simpsons in late 2010,[75] Radcliffe debuted as J. Pierrepont Finch in the 2011 Broadway revival How to Succeed in Business Without Really Trying, a role previously held by Broadway veterans Robert Morse and Matthew Broderick.[76] Other cast members included John Larroquette, Rose Hemingway and Mary Faber.[77] Both the actor and production received favourable reviews,[78] with USA Today commenting: "Radcliffe ultimately succeeds not by overshadowing his fellow cast members, but by working in conscientious harmony with them – and having a blast in the process."[79] Radcliffe's performance in the show earned him Drama Desk Award, Drama League Award and Outer Critics Circle Award nominations.[80][81][82] The production itself later received nine Tony Award nominations.[83] Radcliffe left the show on 1 January 2012.[84]
His first post-Harry Potter project was the 2012 horror film The Woman in Black, adapted from the 1983 novel by Susan Hill. The film was released on 3 February 2012 in the United States and Canada, and was released on 10 February in the UK. Radcliffe portrays a man sent to deal with the legal matters of a mysterious woman who has just died, and soon after he begins to experience strange events and hauntings from the ghost of a woman dressed in black.[85] He has said he was "incredibly excited" to be part of the film and described the script as "beautifully written".[86] Radcliffe's godson Mischa, the son of Thea Sharrock, who co-directed the revival of Equus with Radcliffe, portrayed Arthur's son in the film.[87] Variety has confirmed Radcliffe will star in the indie comedy The Amateur Photographer, a film adaptation of the book of the same name, directed by Christopher Monger. Set in 1970, it follows a man (Radcliffe) who discovers his calling after being drafted by the residents of a small English mill town to serve as a photographer for their most personal moments.[88]
He is set to portray Allen Ginsberg in the upcoming thriller drama Kill Your Darlings, directed by John Krokidas.[89][90]
In 2008, Radcliffe revealed that he suffers from a mild form of the neurological disorder dyspraxia. The motor skill disorder sometimes gets so bad that he has trouble doing simple activities, such as writing or tying his own shoelaces. "I was having a hard time at school, in terms of being crap at everything, with no discernible talent," Radcliffe commented.[91] In August 2010, he stopped drinking alcohol after finding himself becoming too reliant on it.[92]
In 2012, Radcliffe stated, "I think of myself as being Jewish and Irish, despite the fact that I’m English."[6] He has also said, "I'm an atheist, and a militant atheist when religion starts impacting on legislation",[93] and that he is "very proud of being Jewish".[94][95][96]
Radcliffe is a supporter of the Labour Party.[97] Until 2012 Radcliffe had publicly supported the Liberal Democrats,[98] and before the 2010 UK General Election Radcliffe endorsed Nick Clegg, the Lib Dem leader. In 2012, however, Radcliffe switched his allegiance to Labour, citing disappointment with the performance of Nick Clegg and the Lib Dems in government, and approving of the Labour leader, Ed Miliband.[99] At the age of sixteen, Radcliffe became the youngest non-royal ever to have an individual portrait in Britain's National Portrait Gallery (NPG). On 13 April 2006 his portrait, drawn by Stuart Pearson Wright, was unveiled as part of a new exhibition opening at the Royal National Theatre; it was then moved to the NPG where it resides.[100]
He is a fan of underground[101] and punk rock music,[102][103] and is a keen follower of cricket, including cricketer Sachin Tendulkar.[104][105] Writing short stories and poetry is also a passion.[106] In November 2007 Radcliffe published several poems under the pen name Jacob Gershon — a combination of his middle name and the Jewish version of his mother's maiden name Gresham — in Rubbish, an underground fashion magazine.[96][106] He enjoys a close friendship with his fellow Harry Potter co-stars Tom Felton[101] and Emma Watson,[107] and is tight-knit with his family, whom he credits for keeping him grounded.[108]
Speaking out against homophobia, Radcliffe began filming public service announcements in 2009 for The Trevor Project, promoting awareness of gay teen suicide prevention.[109][110] He first learned of the organisation while working on Equus on Broadway in 2008[110] and has contributed financially to it.[111] "I have always hated anybody who is not tolerant of gay men or lesbians or bisexuals. Now I am in the very fortunate position where I can actually help or do something about it," he said in a 2010 interview. In the same interview, he spoke of the importance of public figures advocating for equal rights.[110] Radcliffe considers his involvement to be one of the most important things in his career and,[109] for his work for the organisation, he was given the "Hero Award" in 2011.[109]
Radcliffe has supported various charities. He designed the Cu-Bed for Habitat's VIP Kids range (a cube made of eight smaller ones which can be made into a bed, chaise-longue or chair)[112] with all the royalties from the sale of the bed going directly to his favourite charity, Demelza House Children's Hospice in Sittingbourne, Kent.[113] Radcliffe has urged his fans to make donations, in lieu of Christmas presents to him, to the charity's Candle for Care program. In 2008 he was among several celebrities who donated their old glasses to an exhibit honouring victims of the Holocaust.[114] During the Broadway run of Equus he auctioned off a pair of jeans he wore in the show for "thousands of dollars", as well as other items worn in the show, for the Broadway Cares/Equity Fights AIDS "a New York-based nonprofit HIV/AIDS grant-making organisation".[115] He has also donated money to Get Connected UK, a London-based free confidential national helpline for troubled youth.[116]
Sources disagree about Radcliffe's personal wealth; he was reported to have earned £1 million for the first Harry Potter film[21] and around £15 million for the sixth.[9] Radcliffe appeared on the Sunday Times Rich List in 2006, which estimated his personal fortune to be £14 million, making him one of the richest young people in the UK.[117] In March 2009 he was ranked number one on the Forbes "Most Valuable Young Stars" list,[118] and by April The Daily Telegraph measured his net worth at £30m, making him the 12th richest young person in the UK.[119] Radcliffe was considered to be the richest teenager in England later that year.[9] In February 2010 he was named the sixth highest paid Hollywood male star[120] and placed at number five on Forbes's December list of Hollywood's highest-grossing actors[note 1] with a revenue of US$780 million, mainly due to Harry Potter and the Deathly Hallows being released that year.[121] Despite previous predictions that Radcliffe would have amassed £70m by the time the Harry Potter series concluded,[119] the actor was reported to only have a wealth of £28.5 million in 2010. This still makes him richer than Princes William and Harry.[122] Despite his wealth, Radcliffe has said he does not have expensive tastes and that his main expense is buying books: "I read a lot."[123] He also stated that money would never be the focus of his life.[9]
In January 2012, Radcliffe said he was in a relationship with production assistant Rosie Coker.[124]
Year | Title | Role | Notes |
---|---|---|---|
2001 | The Tailor of Panama | Mark Pendel | |
Harry Potter and the Philosopher's Stone | Harry Potter | Released as Harry Potter and the Sorcerer's Stone in the United States and India | |
2002 | Harry Potter and the Chamber of Secrets | ||
2004 | Harry Potter and the Prisoner of Azkaban | ||
2005 | Harry Potter and the Goblet of Fire | ||
2007 | Harry Potter and the Order of the Phoenix | ||
December Boys | Maps | ||
2009 | Harry Potter and the Half-Blood Prince | Harry Potter | |
2010 | Harry Potter and the Deathly Hallows – Part 1 | ||
2011 | Harry Potter and the Deathly Hallows – Part 2 | ||
2012 | The Woman in Black | Arthur Kipps | |
2013 | Kill Your Darlings | Allen Ginsberg |
Year | Title | Role | Notes |
---|---|---|---|
1999 | David Copperfield | Young David Copperfield | |
2005 | Foley and McColl: This Way Up | Traffic Warden / Himself | |
2006 | Extras | Himself | |
2007 | My Boy Jack | Jack Kipling | |
2010 | The Simpsons | Edmund | "Treehouse of Horror XXI", voice only |
QI | Himself | ||
2012 | Saturday Night Live | Host on 14 January episode | |
Live! with Kelly | Guest co-host |
Year | Title | Role | Notes |
---|---|---|---|
2002 | The Play What I Wrote | Guest | Wyndham's Theatre |
2007 | Equus | Alan Strang | Gielgud Theatre |
2008 | Broadhurst Theatre | ||
2009 | |||
2011 | How to Succeed in Business Without Really Trying | J. Pierrepont Finch | Al Hirschfeld Theatre |
2012 |
Year | Organisation | Award | Work | Result |
---|---|---|---|---|
2001 | Broadcast Film Critics Association Awards[125] | Best Young Performer | Harry Potter and the Philosopher's Stone | Nominated |
Hollywood Women's Press Club[126] | Male Youth Discovery of the Year | Won | ||
MTV Movie Awards[127] | Best Breakthrough Male Performance | Nominated | ||
Young Artist Awards[128] | Best Ensemble in a Feature Film (shared with the movie's cast) | Nominated | ||
2005 | Broadcast Film Critics Association Awards[129][129] | Best Young Actor | Harry Potter and the Prisoner of Azkaban | Nominated |
2006 | Harry Potter and the Goblet of Fire | Nominated | ||
MTV Movie Awards[130] | Best On-Screen Team (shared with Rupert Grint and Emma Watson) | Nominated | ||
Best Hero | Nominated | |||
2007 | National Movie Awards[36] | Best Male Performance | Harry Potter and the Order of the Phoenix | Won |
2008 | Empire Award[131] | Best Actor | Nominated | |
MTV Movie Awards[132] | Best Kiss (shared with Katie Leung) | Nominated | ||
Saturn Awards[133] | Best Performance by a Young Actor | Nominated | ||
2009 | Broadway.com Audience Award[134] | Favorite Leading Actor in a Broadway Play | Equus | Won |
Favorite Breakthrough Performance | Won | |||
Drama Desk Award[74] | Outstanding Actor in a Play | Nominated | ||
Drama League Award[135] | Distinguished Performance Award | Nominated | ||
2010 | J-14's Teen Icon Awards[136] | Iconic Movie Star | N/A | Nominated |
MTV Movie Award[43] | Best Male Performance | Harry Potter and the Half-Blood Prince | Nominated | |
Global Superstar | N/A | Nominated | ||
2011 | Broadway.com Audience Award[137] | Favorite Actor in a Broadway Play | How to Succeed in Business Without Really Trying | Won |
Favorite Onstage Pair (shared with John Larroquette) | Won | |||
Outer Critics Circle Award[80] | Outstanding Actor in a Musical | Nominated | ||
Drama League Award[81] | Distinguished Performance Award | Nominated | ||
Drama Desk Award[82] | Outstanding Actor in a Musical | Nominated | ||
Do Something Awards[138] | Movie Star | N/A | Nominated | |
MTV Movie Award[139] | Best Kiss (shared with Emma Watson) | Harry Potter and the Deathly Hallows – Part 1 | Nominated | |
Best Fight (shared with Rupert Grint and Emma Watson) | Nominated | |||
Best Male Performance | Nominated | |||
Scream Awards[140][141] | Best Fantasy Actor | Harry Potter and the Deathly Hallows – Part 2 | Won | |
Best Ensemble (shared with rest of cast) | Nominated | |||
Teen Choice Awards[142] | Choice Movie Actor: Sci-Fi/Fantasy | Harry Potter and the Deathly Hallows – Part 1 | Nominated | |
Choice Movie: Liplock (shared with Emma Watson) | Won | |||
Choice Summer Movie Star: Male | Harry Potter and the Deathly Hallows – Part 2 | Won | ||
2012 | People's Choice Awards[143] | Favorite Movie Ensemble (shared with rest of cast) | Won | |
Favorite Movie Actor | Nominated | |||
Favorite Movie Star (under 25) | Nominated | |||
Nickelodeon Kids' Choice Awards | Favorite Movie Actor | Nominated |
Wikimedia Commons has media related to: Daniel Radcliffe |
Wikiquote has a collection of quotations related to: Daniel Radcliffe |
Persondata | |
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Name | Radcliffe, Daniel Jacob |
Alternative names | |
Short description | British actor |
Date of birth | 23 July 1989 |
Place of birth | London, England |
Date of death | |
Place of death |