Chivalry, or the chivalric code, is the traditional code of conduct associated with the medieval institution of knighthood. It was originally conceived of as an aristocratic warrior code — the term derives from the French term for horseman — involving individual training and service to others. Over time its meaning has been refined to emphasize more ideals such as knightly virtues, honour and courtly love, and less the martial aspects of the tradition.

The Knight's Code of Chivalry was a moral system that stated all knights should protect others who can not protect themselves such as; widows, children, and elders. All knights needed to have the strength and skills to fight wars in the Middle Ages. Knights not only had to be strong but they were also extremely disciplined and were expected to use their power to protect the weak and defenceless. Knights vowed to be loyal, generous, and "noble bearing." Knights were required to tell the truth at all times and always respect the honour of women. Knights not only vowed to protect the weak but also vowed to guard the honour of all fellow knights. They always had to obey those who were placed in authority and were never allowed to refuse a challenge from an equal. Knights lived by honor and for glory. Knights were to fear God and maintain His Church. Knights always kept their faith and never turned their back on a foe. Knights despised pecuniary reward. They persevered to the end in any enterprise begun. The main vow from the knights was that they shall fight for the welfare of all.^[1]

Historian Johan Huizinga remarks in his book The Waning of the Middle Ages, "the source of the chivalrous idea, is pride aspiring to beauty, and formalized pride gives rise to a conception of honour, which is the pole of noble life."^[2]

The term chivalry is sometimes also used to refer to the medieval mounted men-at-arms with whom this code was associated.

Etymology[link]

A knight being armed.

In English, the word is first attested in 1292, as a loan from Old French chevalerie ("knighthood"), an abstract noun formed in the 11th century based on chevalier ("knight" or "horseman"), ultimately from Medieval Latin caballārius^[3] ("horseman"); cavalry is from the Italian form of the same word, loaned via Middle French into English around 1540.^[4]

Between the 11th century and 15th centuries medieval writers often used the word shivalry, in meanings that changed over time, generally moving from the concrete meaning of "status or fee associated with military follower owning a war horse" towards the moral ideal of the Christian warrior ethos propagated in the Romance genre which became popular by the 12th century, and the ideal of courtly love propagated in the contemporary Minnesang and related genres.

By the 15th century, the term had become mostly detached from its military origins, not least because the rise of infantry in the 14th century had essentially confined knightly horsemanship to the tournament grounds, and essentially expressed a literary ideal of moral and courteous behavior.

History[link]

Origins in military ethos[link]

"Stitching the Standard" by Edmund Blair Leighton: the lady prepares for a knight to go to war.

Regardless of the diverse written definitions of chivalry, the medieval knightly class was adept at the art of war, trained in fighting in armor, with horses, lances, swords and shields. Knights were taught to excel in the arms, to show courage, to be gallant and loyal and to swear off cowardice and baseness.^[5]

Related to chivalry was the practice of heraldry and its elaborate rules of displaying coats of arms. When not fighting, chivalric knights typically resided in a castle or fortified house, while some knights lived in the courts of kings, dukes and other great lords. The skills of the knight carried over to peacetime activities such as the hunt and tournament.

Christianity had a modifying influence on the classical concept of heroism and virtue, nowadays identified with the virtues of chivalry.^[6] The Peace and Truce of God in the 10th century was one such example, with limits placed on knights to protect and honor the weaker members of society and also help the church maintain peace. At the same time the church became more tolerant of war in the defense of faith, espousing theories of the just war; and liturgies were introduced which blessed a knight's sword, and a bath of chivalric purification.The first noted support for chivalric vocation, or the establishment of knightly class to ensure the sanctity and legitimacy of Christianity was written in 930 by Odo, abbot of Cluny in the Vita of St. Gerald of Aurillac, which argued that the sanctity of Christ and Christian doctrine can be demonstrated through the legitimate unsheathing of the “sword against the enemy.” ^[7] In the 11th century the concept of a "knight of Christ" (miles Christi) gained currency in France, Spain and Italy.^[5] These concepts of "religious chivalry" were further elaborated in the era of the Crusades, with the Crusades themselves often being seen as a chivalrous enterprise.^[5] Their ideas of chivalry were also further influenced by Saladin, who was viewed as a chivalrous knight by medieval Christian writers.

Medieval literature[link]

From the 12th century onward chivalry came to be understood as a moral, religious and social code of knightly conduct. The particulars of the code varied, but codes would emphasize the virtues of courage, honor, and service. Chivalry also came to refer to an idealization of the life and manners of the knight at home in his castle and with his court.

Medieval courtly literature glorifies the valor, tactics and ideals of ancient Romans.^[5] For example the ancient hand-book of warfare written by Vegetius called De Re Militari was translated into French in the 13th century as L'art de chevalerie by Jean de Meun. Later writers also drew from Vegetius such as Honore Bonet who wrote the 14th century L'arbes des batailles, which discussed the morals and laws of war. In the 15th century Christine de Pizan combined themes from Vegetius, Bonet and Frontinus in Livre des faits d'armes et de chevalerie.

In the later Middle Ages, wealthy merchants strove to adopt chivalric attitudes - the sons of the bourgeoisie were educated at aristocratic courts where they were trained in the manners of the knightly class.^[5] This was a democratization of chivalry, leading to a new genre called the courtesy book, which were guides to the behavior of "gentlemen". Thus, the post-medieval gentlemanly code of the value of a man's honor, respect for women, and a concern for those less fortunate, is directly derived from earlier ideals of chivalry and historical forces which created it.^[5]

The medieval development of chivalry, with the concept of the honor of a lady and the ensuing knightly devotion to it, not only derived from the thinking about the Virgin Mary, but also contributed to it.^[8] The medieval veneration of the Virgin Mary was contrasted by the fact that ordinary women, especially those outside aristocratic circles, were looked down upon. Although women were at times viewed as the source of evil, it was Mary who as mediator to God was a source of refuge for man. The development of medieval Mariology and the changing attitudes towards women paralleled each other and can best be understood in a common context.^[9]

Knights of Christ by Jan van Eyck

When examining medieval literature, chivalry can be classified into three basic but overlapping areas:

1. Duties to countrymen and fellow Christians: this contains virtues such as mercy, courage, valor, fairness, protection of the weak and the poor, and in the servant-hood of the knight to his lord. This also brings with it the idea of being willing to give one’s life for another’s; whether he would be giving his life for a poor man or his lord.
2. Duties to God: this would contain being faithful to God, protecting the innocent, being faithful to the church, being the champion of good against evil, being generous and obeying God above the feudal lord.
3. Duties to women: this is probably the most familiar aspect of chivalry. This would contain what is often called courtly love, the idea that the knight is to serve a lady, and after her all other ladies. Most especially in this category is a general gentleness and graciousness to all women.

These three areas obviously overlap quite frequently in chivalry, and are often indistinguishable.

Different weight given to different areas produced different strands of chivalry:

1. warrior chivalry, in which a knight's chief duty is to his lord, as exemplified by Sir Gawain in Sir Gawain and the Green Knight and The Wedding of Sir Gawain and Dame Ragnelle
2. religious chivalry, in which a knight's chief duty is to protect the innocent and serve God, as exemplified by Sir Galahad or Sir Percival in the Grail legends.
3. courtly love chivalry, in which a knight's chief duty is to his own lady, and after her, all ladies, as exemplified by Sir Lancelot in his love for Queen Guinevere or Sir Tristan in his love for Iseult

Late Middle Ages[link]

Chivalry underwent a revival and elaboration of chivalric ceremonial and rules of etiquette in the fourteenth century that was examined by Johan Huizinga, in The Waning of the Middle Ages (1919, 1924), in which he dedicates a full chapter to "The idea of chivalry". In contrasting the literary standards of chivalry with the actual warfare of the age, the historian finds the imitation of an ideal past illusory; in an aristocratic culture such as Burgundy and France at the close of the Middle Ages, "to be representative of true culture means to produce by conduct, by customs, by manners, by costume, by deportment, the illusion of a heroic being, full of dignity and honour, of wisdom, and, at all events, of courtesy. ...The dream of past perfection ennobles life and its forms, fills them with beauty and fashions them anew as forms of art".^[10]

Modern debates[link]

There are a number of questions historians debate related to chivalry. In his monumental study of Chivalry, The Broad-Stone of Honour, Kenelm Henry Digby offered the following definition: 'Chivalry is only a name for that general spirit or state of mind which disposes men to heroic actions, and keeps them conversant with all that is beautiful and sublime in the intellectual and moral world.' It is still debated as to what extent the exploits of notable knights and historical figures such as Saladin, Godfrey of Bouillon, William Marshal and Bertrand du Guesclin set new standards of knightly behavior, or were instead reflections of existing models of conduct.^[5] Another common debate is whether, since knights bore arms, the ranks of knights were open to anyone who had the physical requirements and skills, or restricted to only those who were born into knightly families.^[5]

See also[link]

Look up chivalry in Wiktionary, the free dictionary.

Notes[link]

Bibliography[link]

• Bouchard, Constance Brittain. Strong of Body, Brave and Noble: Chivalry and Society in Medieval France. Cornell University Press, 1998. ISBN 0-8014-8548-7
• Haines, Charles Reginald. (1889). Christianity and Islam in Spain, A.D. 756-1031
• Keen, Maurice (1984). Chivalry. ISBN 0-300-03150-5 / ISBN 0-300-10767-6 (2005 reprint)
• Read, Charles Anderson (2007). The Cabinet Of Irish Literature; Selections From The Works Of The Chief Poets, Orators, And Prose Writers Of Ireland - Vol IV (Paperback)
• Sweeney, James Ross (1983). "Chivalry," in Dictionary of the Middle Ages Volume III
• Barber, Richard (1980). "The Reign of Chivalry"
• Mills, Charles (2004). "The History of Chivalry or knighthood and its Times" Volume I-II
• Keen, Maurice (1984). "Chivalry"
• Prestage, Edgar (1928). "Chivalry: A Series of Studies to Illustrate Its Historical Significance and Civilizing Influence"
• Saul, Nigel. Chivalry in Medieval England (Harvard University Press; 2011) 400 pages; Explores chivalry's role in English history from the Norman Conquest to Henry VII's victory at Bosworth in the War of the Roses.

External links[link]

• "Chivalry", Old Catholic Encyclopedia, 1914.
• "Chivalry", Encyclopædia Britannica, full-article, newest edition.
• "Chivalry during the Reign of Edward III", from Shadow Realms.
• "Medieval Chivalry". http://www.medieval-life.net/chivalry.htm. 

Dave Chappelle
Dave Chappelle, 2007
Birth name	David Khari Webber Chappelle
Born	(1973-08-24) August 24, 1973 (age 38) Washington, D.C., U.S.[1]
Medium	Stand-up, television, film
Nationality	American
Years active	1987–present
Genres	Satire/political satire, improvisational comedy, observational comedy, surreal humor, sketch comedy, black comedy, blue comedy
Subject(s)	Racism, race relations, American politics, African American culture, pop culture, recreational drug use, human sexuality, morality
Influences	Richard Pryor,[2] Eddie Murphy,[2] Mel Blanc,[2] Chris Rock[3]
Spouse	Elaine Chappelle (2001–present) 3 children
Notable works and roles	Himself and Various in Chappelle's Show Himself in Dave Chappelle's Block Party Achoo in Robin Hood: Men in Tights Thurgood Jenkins in Half Baked
Signature

David Khari Webber "Dave" Chappelle^[4] (/ʃəˈpɛl/; born August 24, 1973)^[1] is an American comedian, screenwriter, television/film producer, actor, and artist. Chappelle began his film career in the film Robin Hood: Men in Tights in 1993 and continued to star in minor roles in the films The Nutty Professor, Con Air, and Blue Streak. His first lead role in a film was in Half Baked in 1998. In 2003, he became widely known for his popular sketch comedy television series, Chappelle's Show, which ran until his abrupt retirement from the show in 2005. Chappelle is ranked forty-third in Comedy Central Presents: 100 Greatest Stand-Ups of All Time.^[5]

Early life[link]

Chappelle was born David Khari Webber Chappelle in Washington, D.C. on August 24, 1973.^[1][2] His father, William David Chappelle III, was a professor at Antioch College in Yellow Springs, Ohio.^[2] His mother, Yvonne (née Reed), was a professor at Howard University, Prince George's Community College, and the University of Maryland and is also a Unitarian Universalist minister.^[6][7][8] Chappelle grew up in Silver Spring, Maryland and attended Woodlin Elementary School.^[2] During young Chappelle's formative years, his comic inspiration came from various comedians, particularly Eddie Murphy and Richard Pryor.^[2]

After his parents separated, Chappelle stayed in Washington with his mother while spending summers with his father in Ohio. In 1991, he graduated from Washington's Duke Ellington School of the Arts where he studied theatre arts.^[2]

Chappelle moved to New York City to pursue a career as a comedian. He gathered the courage to perform at Harlem's famed Apollo Theater in front of the infamous "Amateur Night" audience. The performance resulted in him being booed off the stage. Chappelle has described the experience as the moment that gave him the courage to continue his show business aspirations.^[2] He quickly made a name for himself in the New York comedy circuit, even performing in the city's parks. At the age of 19, Chappelle made his film debut as "Ahchoo" in Mel Brooks' Robin Hood: Men in Tights. In the same year, Chappelle was offered the role of Benjamin Buford "Bubba" Blue in Forrest Gump. Concerned about what seemed to be a racially demeaning character, he turned down the part; the film would go on to win Academy Award for Best Picture that year. He has since admitted to regretting the decision.^[9] Chappelle played another supporting movie role in 1994's little-seen Getting In.

He attracted the attention of TV network executives and developed numerous pilots but none of them were picked up for series.^[2][10] In 1995, he made a guest appearance in an episode of ABC's highly rated sitcom Home Improvement. The storyline had Chappelle and real-life friend comedian Jim Breuer ask Tim Taylor for advice on their girlfriends. The characters' single outing in the episode proved so popular that ABC decided to give them their own spin-off sitcom titled Buddies. However, after taping a pilot episode, Jim Breuer was fired and replaced with actor Christopher Gartin. Buddies premiered in March 1996 to disappointing ratings. The show was cancelled after only four episodes out of thirteen that were produced. Nine years later, in May 2005, ten of the episodes were released on a single-disc DVD to capitalize on Chappelle's new-found fame.

After the failure of Buddies, Chappelle starred in another pilot. According to Chappelle, the network was uncomfortable with the African-American cast and wanted white actors added. Chappelle resisted and subsequently accused the network of racism. Shortly after this incident, Chappelle's father died. Chappelle returned to Ohio and considered leaving the entertainment business.^[2][10]

He later appeared as a nightclub comedian in the 1996 comedy The Nutty Professor starring Eddie Murphy, one of his major comedic influences. He also had a minor role in 1997's Con Air. He and Neal Brennan co-wrote the 1998 cult stoner film Half Baked, Chappelle's first starring role, about a group of marijuana-smoking friends trying to get their friend out of jail. That same year, he appeared in "Pilots and Pens Lost", a 1998 episode of The Larry Sanders Show's sixth season, in which he and the executives of the show's nameless television network satirized the treatment to which scriptwriters and show creators were subjected, as well as the executives' knee-jerk tendencies toward racial stereotypes. In December of that year Chappelle appeared as Tom Hanks' friend and confidant in You've Got Mail. In 1999, he appeared in the Martin Lawrence film Blue Streak.

In 2000, Chappelle recorded his first HBO special, Dave Chappelle: Killin' Them Softly, in Washington, DC.^[11] He followed this up with an appearance as "Conspiracy Brother" in the 2002 racial satire Undercover Brother.

[edit] 2003–2006: Standup and Chappelle's Show

In 2003, Chappelle debuted his own weekly sketch comedy show on Comedy Central called Chappelle's Show. The show parodied many aspects of American culture including racial stereotypes, politics and pop culture. Along with comedy skits, the show also featured musical performances by mostly hip-hop and soul artists.

Chappelle's pointed social and political commentary quickly helped the show garner critical and commercial success as well as controversy.^[10][12] Richard Pryor, one of Chappelle's comedic influences, was a fan of the show and stated that he had "passed the torch" to Chappelle.^[10] Chappelle received two Emmy nominations for the show.^[13] Additionally, the DVD set became the best-selling DVD of a television show to date, overtaking the previous best-selling, The Simpsons first season DVD. It had sold over 3 million copies.^[14] Due to the show's popularity, Comedy Central's parent company Viacom reportedly offered Chappelle a $55 million contract (giving Chappelle a share of DVD sales) to continue production of Chappelle's Show for two more years while allowing him to do side projects. Chappelle had stated that sketches are not his favorite form of comedy, and that the characteristics of the show's format were somewhat like short films.

In June 2004, based on the popularity of the "Rick James" sketch, it was announced that Chappelle was in talks to portray Rick James in a biopic from Paramount Pictures (also owned by Viacom).^[15] James's estate disagreed with the proposed comical tone of the film and put a halt to the talks.^[16]

In 2004, Chappelle recorded his second comedy special, this time airing on Showtime - Dave Chappelle: For What It's Worth, at San Francisco's Fillmore Auditorium.^[17]

Season three turbulence[link]

In a June 2004 stand-up performance in Sacramento, California, Chappelle walked off the stage after berating his audience for constantly shouting "I'm Rick James, bitch!," which became a catchphrase from the popular "Rick James" sketch. After a few minutes, Chappelle returned and continued by saying, "The show is ruining my life." He stated that he disliked working "20 hours a day" and that the popularity of the show was making it difficult for him to continue his stand-up career, which was "the most important thing" to him. He also told the audience:

You know why my show is good? Because the network officials say you're not smart enough to get what I'm doing, and every day I fight for you. I tell them how smart you are. Turns out, I was wrong. You people are stupid.^[18]

Season 3 was scheduled to air on May 31, 2005, but in that month, Chappelle stunned fans and the entertainment industry when he abruptly left during production of the third season of Chappelle's Show and took a trip to South Africa. Chappelle has since stated that he was unhappy with the direction the show had taken.

Coming here I don't have the distractions of fame. It quiets the ego down. I'm interested in the kind of person I've got to become. I want to be well rounded and the industry is a place of extremes. I want to be well balanced. I've got to check my intentions, man.^[19]

Return[link]

In June 2005, Chappelle performed impromptu stand-up shows in Los Angeles.^[20][21][22] He then went on a tour that began in Newport, Kentucky, not far from his Ohio home.^[23] He also made a surprise appearance on HBO's Def Poetry where he performed two poems, titled Fuck Ashton Kutcher and How I Got the Lead on "Jeopardy!."^[24] He was interviewed for Inside the Actors Studio on December 18, 2005 at Pace University's Michael Schimmel Center for the Arts. The show premiered on February 12, 2006.^[25] Chappelle stated that the death of his father in 1998 had an impact on his decision to go to South Africa. By throwing himself into his work, he had not taken a chance to mourn his father's death. He also said the rumors that he was in drug or psychiatric treatment only persuaded him to stay in South Africa.^[2]

He continued:

I would go to work on the show and I felt awful every day, that's not the way it was. ... I felt like some kind of prostitute or something. If I feel so bad, why keep on showing up to this place? I'm going to Africa. The hardest thing to do is to be true to yourself, especially when everybody is watching.

Chappelle also said that he felt some of his sketches were "socially irresponsible."^[26][27] He singled out the "pixie sketch" in which pixies appear to people and encourage them to reinforce stereotypes of their races. In the sketch, Chappelle is wearing blackface and is dressed as a character in a minstrel show.^[28] According to Chappelle, during the filming of the sketch, a crew member was laughing in a way that made him feel uncomfortable and made him rethink the show.^[26][27] Chappelle said, "it was the first time I felt that someone was not laughing with me but laughing at me."^[26]

During these interviews, Chappelle did not rule out returning to Chappelle's Show to "finish what we started," but promised that he would not return without changes to the production, such as a better working environment. He also stated he would like to donate half of the DVD sales to charity.^[29] Chappelle expressed disdain at the possibility of his material from the unfinished third season being aired, saying that to do so would be "a bully move," and that he would not return to the show if Comedy Central were to air the unfinished material.^[27] On July 9, 2006, Comedy Central aired the first episode of Chappelle's Show: The Lost Episodes. An uncensored DVD release of the episodes was made available on July 25.

The show still plays in syndication on several television networks despite the relatively small number of episodes compared to most American syndicated television programs.^{[citation needed]}

[edit] Dave Chappelle's Block Party

The site of Dave Chappelle's Block Party in Brooklyn.

Chappelle was the star and producer of the Michel Gondry-directed documentary Dave Chappelle's Block Party, which chronicles a Chappelle-hosted concert in the Clinton Hill neighborhood of Brooklyn on September 18, 2004. Several musical artists, including Kanye West, The Roots, Erykah Badu, Mos Def, Dead Prez and Jill Scott are featured in the movie both performing in the concert and in conversation off-stage. The most surprising highlight of the event was the "last minute" reunion of popular 1990s hip hop group The Fugees. Chappelle toured several cities in February and March 2006 to promote the film under the moniker "Block Party All-Stars featuring Dave Chappelle". Universal Pictures' genre division Rogue Pictures released the film in the United States on March 3, 2006.

2007–present[link]

In April 2007, Chappelle set a stand-up endurance record at the Laugh Factory Sunset Strip comedy club, beating comedian Dane Cook's record of 3 hours and 50 minutes. In December of the same year, Chappelle broke his own record with a time of 6 hours and 12 minutes. Cook reclaimed the record in January 2008, with a time of 7 hours.^[30] On November 19, 2009 Chappelle performed at the Laugh Factory in Los Angeles, where it was speculated that he would aim to take back the record. However, he was disqualified according to the club owner, after he left the stage, five hours into his routine.^[31]

Chappelle again appeared on Inside the Actors Studio and in celebration of the show's 200th episode, he humorously interviewed the show's usual host, James Lipton. The episode aired on November 11, 2008.

Personal life[link]

Chappelle lives with his wife Elaine, two sons,^[28] Sulayman^[32] and Ibrahim,^[33] and daughter Sonal, on a 65-acre (260,000 m²) farm,^[2][10] just outside Yellow Springs, Ohio.^[23] He also owns several houses in Xenia, Ohio. Regarding his home in Yellow Springs, Ohio, Chappelle says, "Turns out you don't need $50 million to live around these parts, just a nice smile and a kind way about you. You guys are the best neighbors ever," he stated at a blues and jazz festival in the town in mid-September 2006. "That's why I came back and that's why I'm staying."^[34]

Chappelle is a Muslim, having converted to Islam in 1998. He told Time Magazine in a May 2005 interview, "I don’t normally talk about my religion publicly because I don’t want people to associate me and my flaws with this beautiful thing. And I believe it is beautiful if you learn it the right way."^[35]

Filmography[link]

This section requires expansion.

Discography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Dave Chappelle

Wikiquote has a collection of quotations related to: Dave Chappelle

• Dave Chappelle at the Internet Movie Database
• Video of Anderson Cooper 360 Interview
• Fresh Air Interview in 2004

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (May 2010)

The Basics
The Basics at the Oxford Art Factory, 2010
Background information
Origin	Melbourne, Australia
Genres	Rock
Years active	2002–present
Labels	Independent, Albert Records
Associated acts	Gotye, Down Hills Home, Dog With Wheels, Blood Red Bird
Website	The Basics Official Website
Members
Wally De Backer Kris Schroeder Tim Heath
Past members
Michael Hubbard
Notable instruments
Lead guitar, drums, bass guitar.

The Basics ( /ˈbæzɪtʃ/ BAZZ-ich) are a three-piece band from Melbourne, Australia, formed by Wally De Backer and Kris Schroeder in 2002. Their style has been described as anything from 'indie-pop' to 'rock'n'roll' to 'pop-rock', though their records show they span a wide range of genres, including reggae, ska, country, and electro-pop. They are "recognised as one of Australia's hardest-working bands".^[1]

With close to 1000 shows in their ten-year career, their live performances are well-known for their sense of humour and energy.^[2]

Formation[link]

The Basics were formed after Kris met Wally at a party in Melbourne.^[3] The event was to see off the young aspiring producer, who was about to depart for Los Angeles, and together with a number of musician friends, the two jammed on some blues-rock standards. Later that night, they bonded over a mutual love of The Beatles, 70s and 80s cartoon theme songs and old Sierra adventure games.

Initially, they played around Melbourne as an acoustic guitar/drums combo, starting at The Opposition in Frankston and the House of Fools in Footscray, where in late 2002 they met Michael Hubbard and later invited him to join them on electric guitar.^[4] Though lacking any real experience with the instrument, Kris willingly purchased his first bass guitar, and the trio was born. During this time, the group start performing songs with more complicated three-part harmony.

During late 2002 and early 2003, The Basics recorded and released an album called Get Back through MGM Distribution. They began what was to become regular tours of the East and West coasts of Australia.

2004-2005: Current lineup[link]

Tim Heath joined the group in June 2004, after Michael decided to pursue his solo career, which has included being one half of Down Hills Home.^[4] Tim was reportedly the only person to reply to an advertisement in Melbourne's Beat Magazine looking for a new guitarist. Tim apparently answered the advertisement - which said the applicant "must have a love of 50s and 60s rock'n'roll" - thinking that he would be meeting "a couple of old guys to play with on the weekends over some beers". They soon recorded For Girls Like You.

The Basics in 2005 continued to tour and play small festivals, and after releasing For Girls Like You through MGM Distribution, they departed for a national tour of Australia, which lasted for two months and took them to every Australian state and territory. Stuart Padbury, a young Melbourne sound engineer, joined them on much of this tour. On returning, the band began demonstrating songs for a new album.

2006-2009: Touring and soundtracks[link]

In 2006, The Basics began recording what was to become known as Stand Out/Fit In. Taking several months, it was not completed until the end of the year, despite intentions to have it released in June. Instead, they held a successful 'album preview', where each of the tracks was demonstrated in 'rough form' accompanied by a music video for each (produced by Melbourne photographic artist James Bryans). The band also talked about the origins of the songs. This event brought a lot of attention to the band for the idea's originality. They pre-released a radio single 'Just Hold On' from the album. The band were invited to play the hugely popular Homebake Festival in Sydney, where they received a great response, after being introduced onto the stage by a short stocky Asian guy with big calves ("one of the highlights" wrote The Daily Telegraph).

In 2007, the band departed on a tri-state residency which saw them play Melbourne, Sydney and Brisbane every week for the month of April - a bold move which brought further attention to the band for its original idea.^[5] Riding on the wave of this tour, Schroeder, De Backer and Heath departed on their first overseas tour which saw them performing 26 shows around Japan, Norway and the United Kingdom.^[6] They also toured twice more up the East Coast, one of which was with popular Japanese band The Bawdies. Their song 'Rattle My Chain' was used in a series of commercials for Volvo Australia. The song 'Hey There!' featured in the British film The Bank Job - starring Jason Statham - and was used as the backing for a February 2007 short film directed by Tim Longhurst called The Rip. Their song 'Better' was featured in a surfing documentary about the invention of the shortboard in 1967.

In 2008, the band appeared on Australia's Channel 9 for Australia Day celebrations, performing two of their songs - 'Just Hold On' and 'Hey There!' - to an estimated audience of 2 million. Securing an Australian Government grant, they embarked on a two-month tour of Australia, specifically targeting "culturally underprivileged groups" in rural and regional schoolchildren and Indigenous communities. The programme had them holding masterclasses and performing alongside Indigenous groups in the remote Northern Territory and Queensland.^[7][8] Their initiative also had them raising money for the charity Lifeline^{[disambiguation needed ]}, their contribution to which was recognised with a plaque at the end of the tour. Season two of Californication starring David Duchovny featured their cover of the classic 'Have Love, Will Travel', most famously covered by 'The Sonics'.

In 2009, The Basics for the first time enjoyed the support of Australian radio network Triple J, which had reportedly snubbed the band's previous material.^[9] The singles 'With This Ship' and 'Like A Brother' were added to the station's playlist, and momentum carried The Basics overseas for a second tour of the United Kingdom and Norway, and also a series of shows in Dublin, Ireland. They were joined by the longtime front-of-house engineer Stuart Padbury, who had been mixing them since 2005. The band was often seen in the Grafton Street Mall in Dublin, busking to promote their concerts there. Their second show in Oslo, Norway, saw the band perform with Hot Tub, one of the members of the Norwegian boy band "Boyzvoice", in his first performance for several years. Season Eight of Scrubs featured the song 'Lookin' Over My Shoulder'.

Despite all this promise, the band's album Keep Your Friends Close - produced and part-recorded by Peter Cobbin at London's Abbey Road Studios - though enjoying many favourable reviews,^{[10][11][12][13]} failed to impress Richard Kingsmill, music director of Triple J. This effectively ended the band's apparent upward spiral and the resulting album launch tour was reportedly "trying".

2010: Hiatus and live album[link]

In 2010, following the band's fourth stint at the Tamworth Country Music Festival, and the recording of a yet-unreleased live album, an indefinite hiatus was announced on the band's websites. This was in part due to the impending release of a new album produced by Wally for his Gotye project, and also to reported tensions within the band following the previous year's disappointments.

However, this hiatus was soon broken with a two-month residency at the Northcote Social Club in Melbourne, which saw an apparent return to form.^[14] The band's EP "Wait For You" enjoys airplay on Triple J.^[15] The Basics also played a one-off show at Sydney's Oxford Art Factory.^[16]

On 20 August 2010, The Basics released their fourth LP /ðəˈbæzɪtʃ/, available free and exclusively from their website for digital download^[17]. The band had reportedly moved to expand their listenership through this free giveaway, though 300 "Deluxe" CD/vinyl versions have been printed. /ðəˈbæzɪtʃ/ was recorded at the Northcote Social Club on 6 February, "in front of a live studio audience", and like the previous record, was mixed by Peter Cobbin at Abbey Road Studios. Technically a self-titled album, the phonetics spell out the accurate pronunciation of the band’s name. Kris Schroeder: "For years we’ve worked at bringing our live energy into the studio and thus far it’s been a bit hit-and-miss. Our trick this time was to pull a switcheroo and bring the studio to us instead; the result is the best and closest to us we’ve sounded yet."

Melbourne thespian and Dog With Wheels bassist David Bramble - friends with Heath from university days - has occasionally joined the band on tour, playing keys, often while sporting a large moustache. Other guests have included Jake Mason (saxophone), also of Cookin' on 3 Burners and The Bamboos^{[disambiguation needed ]}, Gideon Brazil (saxophone, flute), Simon Imrei (guitar and vocals) and Monty MacKenzie (saxophone).

Covers have often made an appearance from various sources: to date, some of the bands covered have been Cream, The Kinks, The Rolling Stones, The Police, Neil Young, Bob Dylan, New Kids on the Block, Richard Berry, Sonny Curtis and The Crickets, JJ Cale, Harry Nilsson, Bill Scott, Ryan Adams and The Coasters (via The Beatles for their cover of Three Cool Cats).

Members[link]

Current

• Wally De Backer - drums, vocals (2002-present)
• Kris Schroeder - bass, vocals (2002-present)
• Tim Heath - guitar, vocals (2004-present)

Former

• Michael Hubbard - guitar, vocals (2002-2004)

Discography[link]

Albums[link]

• Get Back (15 January 2004)
• Stand Out/Fit In (5 May 2007)
• Keep Your Friends Close (25 September 2009)
• /ðəˈbæzɪtʃ/ (20 August 2010)

EP[link]

• For Girls Like You (11 July 2005)
• Lookin' Over My Shoulder (10 February 2007)
• Like A Brother (5 June 2009)
• Wait For You (21 May 2010)

Singles[link]

• Call It Rhythm & Blues (20 August 2004)
• Just Hold On
• With This Ship (22 February 2009)

Upcoming projects[link]

The band is taking a three year hiatus, with an announced return to the stage together in early 2014. Wally De Backer launched Making Mirrors under his Gotye act in August 2011, Tim Heath will be touring and recording with Blood Red Bird, and Kris Schroeder recorded a solo EP titled, Patience in the Face of Control, before leaving Australia to work with the Red Cross in Kenya for a two year sabbatical.

References[link]

External links[link]

• Official Website
• Myspace Website