Great powers are recognized in an international structure such as the United Nations Security Council.^[1][2][3] Shown here is the Security Council Chamber.

A great power is a state that has is recognized as having the ability to exert its influence on a global scale. Great powers characteristically possess military and economic strength and diplomatic and soft power influence which may cause small powers to consider the opinions of great powers before taking actions of their own. International relations theorists have posited that great power status can be characterized into power capabilities, spatial aspects, and status dimensions. Sometimes the status of great powers is formally recognized in conferences such as the Congress of Vienna^[1][4][5] or an international structure such as the United Nations Security Council.^[1][2][6]

The term "great power" was first used to represent the most important powers in Europe during the post-Napoleonic era. The "Great Powers" constituted the "Concert of Europe" and claimed the right to joint enforcement of the postwar treaties. ^[7] The formalization of the division between small powers^[8] and great powers came about with the signing of the Treaty of Chaumont in 1814. Since then, the international balance of power has shifted numerous times, most dramatically during World War I and World War II. While some nations are widely considered to be great powers, there is no definitive list of them.

Characteristics[link]

There are no set or defined characteristics of a great power. These characteristics have often been treated as empirical, self-evident to the assessor.^[9] However, this approach has the disadvantage of subjectivity. As a result, there have been attempts to derive some common criteria and to treat these as essential elements of great power status.

Early writings on the subject tended to judge states by the realist criterion, as expressed by the historian A. J. P. Taylor when he noted that "The test of a great power is the test of strength for war."^[10] Later writers have expanded this test, attempting to define power in terms of overall military, economic, and political capacity.^[11] Kenneth Waltz, the founder of the neorealist theory of international relations, uses a set of five criteria to determine great power: population and territory; resource endowment; economic capability; political stability and competence; and military strength. These expanded criteria can be divided into three heads: power capabilities, spatial aspects, and status.^[5]

Power dimensions[link]

Leopold Von Ranke was one of the first to attempt to scientifically document the great powers.

As noted above, for many, power capabilities were the sole criterion. However, even under the more expansive tests, power retains a vital place.

This aspect has received mixed treatment, with some confusion as to the degree of power required. Writers have approached the concept of great power with differing conceptualizations of the world situation, from multi-polarity to overwhelming hegemony. In his essay, 'French Diplomacy in the Postwar Period', the French historian Jean-Baptiste Duroselle spoke of the concept of multi-polarity: "A Great power is one which is capable of preserving its own independence against any other single power."^[12]

This differed from earlier writers, notably from Leopold von Ranke, who clearly had a different idea of the world situation. In his essay 'The Great Powers', written in 1833, von Ranke wrote: "If one could establish as a definition of a Great power that it must be able to maintain itself against all others, even when they are united, then Frederick has raised Prussia to that position."^[13] These positions have been the subject of criticism.^[5]

Spatial dimension[link]

All states have a geographic scope of interests, actions, or projected power. This is a crucial factor in distinguishing a great power from a regional power; by definition the scope of a regional power is restricted to its region. It has been suggested that a great power should be possessed of actual influence throughout the scope of the prevailing international system. Arnold J. Toynbee, for example, observes that "Great power may be defined as a political force exerting an effect co-extensive with the widest range of the society in which it operates. The Great powers of 1914 were 'world-powers' because Western society had recently become 'world-wide'."^[14]

Other suggestions have been made that a great power should have the capacity to engage in extra-regional affairs and that a great power ought to be possessed of extra-regional interests, two propositions which are often closely connected.^[15]

Status dimension[link]

Formal or informal acknowledgment of a nation's great-power status has also been a criterion for being a great power. As political scientist George Modelski notes, "The status of Great power is sometimes confused with the condition of being powerful, The office, as it is known, did in fact evolve from the role played by the great military states in earlier periods ... But the Great power system institutionalizes the position of the powerful state in a web of rights and obligations."^[16]

This approach restricts analysis to the post-Congress of Vienna epoch; it being there that great powers were first formally recognized.^[5] In the absence of such a formal act of recognition it has been suggested that great power status can arise by implication, by judging the nature of a state's relations with other great powers.^[17]

A further option is to examine a state's willingness to act as a great power.^[17] As a nation will seldom declare that it is acting as such, this usually entails a retrospective examination of state conduct. As a result this is of limited use in establishing the nature of contemporary powers, at least not without the exercise of subjective observation.

Other important criteria throughout history are that great powers should have enough influence to be included in discussions of political and diplomatic questions of the day, and have influence on the final outcome and resolution. Historically, when major political questions were addressed, several great powers met to discuss them. Before the era of groups like the United Nations, participants of such meetings were not officially named, but were decided based on their great power status. These were conferences which settled important questions based on major historical events. This might mean deciding the political resolution of various geographical and nationalist claims following a major conflict, or other contexts.

There are several historical conferences and treaties which display this pattern, such as the Congress of Vienna, the Congress of Berlin, the discussions of the Treaty of Versailles which redrew the map of Europe, and the Treaty of Westphalia.

History[link]

The Congress of Vienna by Jean-Baptiste Isabey, 1819.

Different sets of great, or significant, powers have existed throughout history; however, the term "great power" has only been used in scholarly or diplomatic discourse since the Congress of Vienna in 1815.^[4][5] The Congress established the Concert of Europe as an attempt to preserve peace after the years of Napoleonic Wars.

Lord Castlereagh, the British Foreign Secretary, first used the term in its diplomatic context, in a letter sent on February 13, 1814: "It affords me great satisfaction to acquaint you that there is every prospect of the Congress terminating with a general accord and Guarantee between the Great powers of Europe, with a determination to support the arrangement agreed upon, and to turn the general influence and if necessary the general arms against the Power that shall first attempt to disturb the Continental peace."^[7]

The Congress of Vienna consisted of five main powers: the United Kingdom, the Austrian Empire, Prussia, France, and Russia. These five primary participants constituted the original great powers as we know the term today.^[5] Other powers, such as Spain, Portugal, and Sweden were consulted on certain specific issues, but they were not full participants. Hanover, Bavaria, and Württemberg were also consulted on issues relating to Germany.

Of the five original great powers recognised at the Congress of Vienna, only France and the United Kingdom have maintained that status throughout to the present day, although France was conquered and occupied during World War II. After the Congress of Vienna, the British Empire emerged as the pre-eminent power, due to its navy and the extent of its territories, which signalled the beginning of the Pax Britannica and of The Great Game between Britain and Russia. The balance of power between the Great Powers became a major influence in European politics, prompting Otto von Bismarck to say "All politics reduces itself to this formula: try to be one of three, as long as the world is governed by the unstable equilibrium of five great powers."^{[18][19][20][21]}

Over time, the relative power of these five nations fluctuated, which by the dawn of the 20th century had served to create an entirely different balance of power. Some, such as the United Kingdom and Prussia (as part of the newly formed German state), experienced continued economic growth and political power.^[22] Others, such as Russia and Austria-Hungary, stagnated.^[23] At the same time, other states were emerging and expanding in power, largely through the process of industrialization. The foremost of these emerging powers were Japan after the Meiji Restoration and the United States after its civil war, both of which had been minor powers in 1815. By the dawn of the 20th century the balance of world power had changed substantially since the Congress of Vienna. The Eight-Nation Alliance was a belligerent alliance of eight nations against the Boxer Rebellion in China. It formed in 1900 and consisted of the five Congress powers plus Italy, Japan, and the United States, representing the great powers at the beginning of 20th century.^[24]

Great powers at war[link]

Shifts of international power have most notably occurred through major conflicts.^[25] The conclusion of the Great War and the resulting treaties of Versailles, St-Germain, and Trianon witnessed Great Britain, France, Italy, Japan and the United States as the chief arbiters of the new world order.^[26] In the aftermath of World War I the German Empire was defeated, the Austria-Hungarian empire was divided into new, less powerful states and the Russian Empire fell to a revolution. During the Treaty of Versailles the "Big Three" — France, Great Britain and the United States — held noticeably more power and influence on the proceedings and outcome of the treaty than Italy or Japan.^[27][28][29]

The victorious great powers also gained an acknowledgement of their status through permanent seats at the League of Nations Council, where they acted as a type of executive body directing the Assembly of the League. However, the Council began with only four permanent members — Great Britain, France, Italy, and Japan – because the United States, meant to be the fifth permanent member, left because the US Senate voted on 19 March 1920 against the ratification of the Treaty of Versailles, thus preventing American participation in the League.

When World War II started in 1939, it divided the world into two alliances – the Allies (the United Kingdom and France at first, followed in 1941 by the Soviet Union, the United States, and China); and the Axis powers consisting of Germany, Italy and Japan.^{[30][nb 1]} The end of World War II saw the United States, United Kingdom, and Soviet Union emerge as the primary victors. The importance of the Republic of China and France was acknowledged by their inclusion, along with the other three, in the group of countries allotted permanent seats in the United Nations Security Council.

The "Big Three" of Europe at the Yalta Conference: Winston Churchill, Franklin D. Roosevelt and Joseph Stalin.

Since the end of the World Wars, the term "great power" has been joined by a number of other power classifications. Foremost among these is the concept of the superpower, used to describe those nations with overwhelming power and influence in the rest of the world. It was first coined in 1944 by William T.R. Fox^[31] and according to him, there were three superpowers: the British Empire, the United States, and the Soviet Union. But by the mid 1950s the British Empire lost its superpower status, leaving the United States and the Soviet Union as the world's superpowers.^{[nb 2]} The term middle power has emerged for those nations which exercise a degree of global influence, but are insufficient to be decisive on international affairs. Regional powers are those whose influence is generally confined to their region of the world.

During the Cold War, the Asian power of Japan and the European powers of the United Kingdom, France, and West Germany rebuilt their economies. France and the United Kingdom maintained technologically advanced armed forces with power projection capabilities and maintain large defence budgets to this day. Yet, as the Cold War continued, authorities began to question if France and the United Kingdom could retain their long-held statuses as great powers.^[32] China, with the world's largest population, has slowly risen to great power status, with large growth in economic and military power in the post-war period. After 1949, the Republic of China began to lose its recognition as the sole legitimate government of China by the other great powers, in favour of the People's Republic of China. Subsequently, in 1971, it lost its permanent seat at the UN Security Council to the People's Republic of China.

Aftermath of the Cold War[link]

The present day governments thought of as great powers

---

  Great powers with permanent representation and veto power at the United Nations Security Council, and nuclear weapons recognised under the Nuclear Non-Proliferation Treaty: China, France, Russia, the United Kingdom and the United States.

  Great powers: Germany and Japan.

China, France, Russia, the United Kingdom and the United States are referred to as great powers.^[33] These five nations are the only states to have permanent seats with veto power on the UN Security Council. They are also the recognized "Nuclear Weapons States" under the Nuclear Non-Proliferation Treaty, and have the five largest military expenditures in the world.

After the dissolution of the Soviet Union, its UN Security Council permanent seat was transferred to the Russian Federation in 1991, as its successor state. The newly formed Russian Federation emerged on the level of a great power, leaving the United States as the only remaining global superpower^{[nb 3]} (although some support a multipolar world view).

However, there is no unanimous agreement among authorities as to the current status of these powers or what precisely defines a "great" power. Sources have at times referred to China,^[34] France, the United Kingdom,^[35] and Russia^[36][37][38] as "middle powers".

Japan and Germany have been classified as middle powers by some at different times.^[39][40][41] However, they are also referred to as great powers and grouped with the other great powers,^{[42][43][44][45]} despite their lack of permanent seats and veto power on the UN Security Council, nuclear weapons, or strategic military reach. Japan and Germany do however have economic strength, being the third and fourth largest economies respectively.

With continuing European integration, the European Union is increasingly being seen as a great power in its own right,^[46] with representation at the WTO and at G8 and G-20 summits. This is most notable in areas where the European Union has exclusive competence (i.e. economic affairs). It also reflects a non-traditional conception of Europe's world role as a global "civilian power", exercising collective influence in the functional spheres of trade and diplomacy, as an alternative to military dominance.^[47] The European Union is not a sovereign state and has limited scope in the areas of foreign affairs and defence policy. These remain with the union's member states, which include three great powers (referred to as the "EU three"): France, Germany and the United Kingdom.

List of great powers by date

1815	c. 1880	c. 1900	1919	c. 1939	1946	c. 2000
Austrian Empire[1][4][5]	Austria-Hungary[48]	Austria-Hungary[24]
British Empire[1][4][5]	British Empire[48]	British Empire[24]	British Empire[27]	United Kingdom[nb 4][30]	United Kingdom[1][2][31]	United Kingdom[1][2][6]
					Republic of China[1][2]	China PR[1][2][6][49][50][51]
France[1][4][5]	France[48]	France[24]	France[27]	France[30]	France[1][2]	France[1][2][6]
Prussia[1][4][5]	German Empire[48]	German Empire[24]		Germany[30]		Germany[1][6]
	Italy[52][53][54][55]	Italy[24]	Italy[27]	Italy[30]
		Empire of Japan[24]	Empire of Japan[27][nb 5]	Empire of Japan[30]		Japan[1][6][49][56]
Russian Empire[1][4][5]	Russian Empire[48]	Russian Empire[24]		22x20px Soviet Union[30]	22x20px Soviet Union[1][2][31]	Russia[1][2][6][49]
		United States[24]	United States[27]	United States[30]	United States[1][2][31]	United States[1][2][6][57]

</noinclude>

See also[link]

Notes[link]

1. ^ Even though the book The Economics of World War II lists seven great powers at the start of 1939 (the British Empire, the Empire of Japan, France, the Kingdom of Italy, Nazi Germany, the Soviet Union and the United States), it focuses only on six of them, because France surrendered shortly after the war began^{[citation needed]} .
2. ^ The 1956 Suez Crisis suggested that the United Kingdom, financially weakened by two world wars, could not then pursue its foreign policy objectives on an equal footing with the new superpowers without sacrificing convertibility of its reserve currency as a central goal of policy. – from superpower cited by Adam Klug and Gregor W. Smith, 'Suez and Sterling', Explorations in Economic History, Vol. 36, No. 3 (July 1999), pp. 181–203.
3. ^ The fall of the Berlin wall and the breakup of the Soviet Union left the United States as the only remaining superpower in the 90's.
4. ^ After the Statute of Westminster came into effect in 1931 the United Kingdom no longer represented the British Empire in world affairs.
5. ^ "the prime minister of Canada (during the Treaty of Versailles) said that there were "only three major powers left in the world the United States, Britain and Japan" ... (but) The Great Powers could not be consistent. At the instance of Britain, Japan's ally, they gave Japan five delegates to the Peace Conference, just like themselves, but in the Supreme Council the Japanese were generally ignored or treated as something of a joke." from MacMillan, Margaret (2003). Paris 1919. United States of America: Random House Trade. p. 306. ISBN 0-375-76052-0. 

References[link]

Further reading[link]

• The Tragedy of Great Power Politics by John J. Mearsheimer
• Theory of International Politics by Kenneth N Waltz
• World Politics: Trend and Transformation by Eugene R. Witkopf
• The Rise and Fall of the Great Powers by Paul Kennedy
• France and the Nazi Threat: The Collapse of French Diplomacy 1932–1939 by Jean-Baptiste Duroselle, Introduction by Anthony Adamthwaite (Enigma Books, ISBN 1-929631-15-4)

Stan Lee
Stan Lee in 2007
Born	(1922-12-28) December 28, 1922 (age 89) New York City, New York, US
Nationality	American
Area(s)	Writer, editor, publisher, producer, actor, reality show host
Notable works	Fantastic Four Hulk Spider-Man Thor Iron Man X-Men
Awards	Jack Kirby Hall of Fame
Spouse	Joan Lee (m. 1947–present)
Signature
150px

Stan Lee (born December 28, 1922) is an American comic book writer, editor, actor, producer, publisher, television personality, and the former president and chairman of Marvel Comics.

In collaboration with several artists, most notably Jack Kirby and Steve Ditko, he co-created Spider-Man, the Hulk, the X-Men, the Fantastic Four, Iron Man, Thor, and many other fictional characters, introducing complex, naturalistic characters and a thoroughly shared universe into superhero comic books. In addition, he headed the first major successful challenge to the industry's censorship organization, the Comics Code Authority, and forced it to reform its policies. Lee subsequently led the expansion of Marvel Comics from a small division of a publishing house to a large multimedia corporation.

He was inducted into the comic book industry's Will Eisner Comic Book Hall of Fame in 1994 and the Jack Kirby Hall of Fame in 1995.

Early life[link]

Stan Lee was born Stanley Martin Lieber in New York City on December 28, 1922, in the apartment of his Romanian-born Jewish immigrant parents, Celia (née Solomon) and Jack Lieber, at the corner of West 98th Street and West End Avenue in Manhattan.^[1][2][3] His father, trained as a dress cutter, worked only sporadically after the Great Depression,^[1] and the family moved further uptown to Fort Washington Avenue,^[4] in Washington Heights, Manhattan. When Lee was nearly 9, his only sibling, brother Larry Lieber, was born.^[5] He said in 2006 that as a child he was influenced by books and movies, particularly those with Errol Flynn playing heroic roles.^[6] By the time Lee was in his teens, the family was living in a one-bedroom apartment at 1720 University Avenue in The Bronx. Lee described it as "a third-floor apartment facing out back", with him and his brother sharing a bedroom and his parents using a foldout couch.^[5]

Lee attended DeWitt Clinton High School in The Bronx.^[7] In his youth, Lee enjoyed writing, and entertained dreams of one day writing The Great American Novel,^[8] He has said that in his youth he worked such part-time jobs as writing obituaries for a news service and press releases for the National Tuberculosis Center; delivering sandwiches for the Jack May pharmacy to offices in Rockefeller Center; working as an office boy for a trouser manufacturer; ushering at the Rivoli Theater on Broadway;^{[citation needed]} and selling subscriptions to the New York Herald Tribune newspaper. He graduated high school early, at age 16½ in 1939, and joined the WPA Federal Theatre Project.^[9]

Career[link]

Early career[link]

With the help of his uncle Robbie Solomon,^[10][11] Lee became an assistant in 1939 at the new Timely Comics division of pulp magazine and comic-book publisher Martin Goodman's company.^[11] Timely, by the 1960s, would evolve into Marvel Comics. Lee, whose cousin Jean^[12] was Goodman's wife, was formally hired by Timely editor Joe Simon.^[11]

His duties were prosaic at first. "In those days [the artists] dipped the pen in ink, [so] I had to make sure the inkwells were filled", Lee recalled in 2009. "I went down and got them their lunch, I did proofreading, I erased the pencils from the finished pages for them".^[13] Marshaling his childhood ambition to be a writer, young Stanley Lieber made his comic-book debut with the text filler "Captain America Foils the Traitor's Revenge" in Captain America Comics #3 (May 1941), using the pseudonym "Stan Lee", which years later he would adopt as his legal name. Lee later explained in his autobiography and numerous other sources that he had intended to save his given name for more literary work. This initial story also introduced Captain America's trademark ricocheting shield-toss, which immediately became one of the character's signatures.^[14]

He graduated from writing filler to actual comics with a backup feature, "'Headline' Hunter, Foreign Correspondent", two issues later. Lee's first superhero co-creation was the Destroyer, in Mystic Comics #6 (Aug 1941). Other characters he created during this period fans and historians call the Golden Age of comics include Jack Frost, debuting in USA Comics #1 (Aug. 1941), and Father Time, debuting in Captain America Comics #6 (Aug. 1941).^[15]

When Simon and his creative partner Jack Kirby left late in 1941, following a dispute with Goodman, the 30-year-old publisher installed Lee, just under 19 years old, as interim editor.^[16] The youngster showed a knack for the business that led him to remain as the comic-book division's editor-in-chief, as well as art director for much of that time, until 1972, when he would succeed Goodman as publisher.^[17][18]

Lee entered the United States Army in early 1942 and served stateside in the Signal Corps, writing manuals, training films, and slogans, and occasionally cartooning. His military classification, he says, was "playwright"; he adds that only nine men in the U.S. Army were given that title.^[19] Vincent Fago, editor of Timely's "animation comics" section, which put out humor and funny animal comics, filled in until Lee returned from his World War II military service in 1945. Lee now lived in the rented top floor of a brownstone in the East 90s in Manhattan.^[20]

He married Joan Clayton Boocock on December 5, 1947,^[21] and in 1949, the couple bought a two-story, three-bedroom home at 1084 West Broadway in Woodmere, New York, on Long Island, living there through 1952.^[22] By this time, the couple had daughter Joan Celia "J.C." Lee, born in 1950; another child, Jan Lee, died three days after delivery in 1953.^[23] Lee by this time had bought a home at 226 Richards Lane in the Long Island town of Hewlett Harbor, New York, where he and his family lived from 1952 to 1980,^[24] including the 1960s period when Lee and his artist collaborators would revolutionize comic books.

In the mid-1950s, by which time the company was now generally known as Atlas Comics, Lee wrote stories in a variety of genres including romance, Westerns, humor, science fiction, medieval adventure, horror and suspense. By the end of the decade, Lee had become dissatisfied with his career and considered quitting the field.^[25][26]

Marvel revolution[link]

In the late 1950s, DC Comics editor Julius Schwartz revived the superhero archetype and experienced a significant success with its updated version of the Flash, and later with super-team the Justice League of America. In response, publisher Martin Goodman assigned Lee to create a new superhero team. Lee's wife urged him to experiment with stories he preferred, since he was planning on changing careers and had nothing to lose.^[25][26]

Lee acted on that advice, giving his superheroes a flawed humanity, a change from the ideal archetypes that were typically written for preteens. Before this, most superheroes were idealistically perfect people with no serious, lasting problems.^[27] Lee introduced complex, naturalistic characters^[28] who could have bad tempers, fits of melancholy, vanity; they bickered amongst themselves, worried about paying their bills and impressing girlfriends, got bored or even were sometimes physically ill.

The first superhero group Lee and artist Jack Kirby created was the Fantastic Four. The team's immediate popularity led Lee and Marvel's illustrators to produce a cavalcade of new titles. With Kirby primarily, Lee created the Hulk, Iron Man, Thor and the X-Men; with Bill Everett, Daredevil; and with Steve Ditko, Doctor Strange and Marvel's most successful character, Spider-Man, all of whom lived in a thoroughly shared universe.^[29]

Comics historian Peter Sanderson wrote that in the 1960s:

DC was the equivalent of the big Hollywood studios: After the brilliance of DC's reinvention of the superhero ... in the late 1950s and early 1960s, it had run into a creative drought by the decade's end. There was a new audience for comics now, and it wasn't just the little kids that traditionally had read the books. The Marvel of the 1960s was in its own way the counterpart of the French New Wave.... Marvel was pioneering new methods of comics storytelling and characterization, addressing more serious themes, and in the process keeping and attracting readers in their teens and beyond. Moreover, among this new generation of readers were people who wanted to write or draw comics themselves, within the new style that Marvel had pioneered, and push the creative envelope still further.^[30]

Stan Lee's Marvel revolution extended beyond the characters and storylines to the way in which comic books engaged the readership and built a sense of community between fans and creators.^[31] Lee introduced the practice of including a credit panel on the splash page of each story, naming not just the writer and penciller but also the inker and letterer. Regular news about Marvel staff members and upcoming storylines was presented on the Bullpen Bulletins page, which (like the letter columns that appeared in each title) was written in a friendly, chatty style.

Throughout the 1960s, Lee scripted, art-directed, and edited most of Marvel's series, moderated the letters pages, wrote a monthly column called "Stan's Soapbox," and wrote endless promotional copy, often signing off with his trademark phrase "Excelsior!" (which is also the New York state motto). To maintain his taxing workload, yet still meet deadlines, he used a system that was used previously by various comic-book studios, but due to Lee's success with it, became known as the "Marvel Method" or "Marvel style" of comic-book creation. Typically, Lee would brainstorm a story with the artist and then prepare a brief synopsis rather than a full script. Based on the synopsis, the artist would fill the allotted number of pages by determining and drawing the panel-to-panel storytelling. After the artist turned in penciled pages, Lee would write the word balloons and captions, and then oversee the lettering and coloring. In effect, the artists were co-plotters, whose collaborative first drafts Lee built upon.

Because of this system, the exact division of creative credits on Lee's comics has been disputed, especially in cases of comics drawn by Kirby and Ditko. Lee shares co-creator credit with Kirby and Ditko on, respectively, the Fantastic Four and Spider-Man feature film series.

In 1971, Lee indirectly helped reform the Comics Code.^[32] The US Department of Health, Education and Welfare had asked Lee to write a comic-book story about the dangers of drugs and Lee conceived a three-issue subplot in The Amazing Spider-Man #96–98 (cover-dated May–July 1971), in which Peter Parker's best friend becomes addicted to pills. The Comics Code Authority refused to grant its seal because the stories depicted drug use; the anti-drug context was considered irrelevant. With Goodman's cooperation and confident that the original government request would give him credibility, Lee had the story published without the seal. The comics sold well and Marvel won praise for its socially conscious efforts. The CCA subsequently loosened the Code to permit negative depictions of drugs, among other new freedoms.^[33]

Lee also supported using comic books to provide some measure of social commentary about the real world, often dealing with racism and bigotry. "Stan's Soapbox", besides promoting an upcoming comic book project, also addressed issues of discrimination, intolerance, or prejudice.^[34][35]

Later career[link]

Signed photo of Lee at the 1975 San Diego Comic Con.

In later years, Lee became a figurehead and public face for Marvel Comics. He made appearances at comic book conventions around America, lecturing at colleges and participating in panel discussions. By this time he owned a vacation home on Cutler Lane in Remsenburg, New York^[36] and, from 1975 to 1980, a two-bedroom condominium on the 14th floor of 220 East 63rd Street in Manhattan.^[37] He moved to California in 1981 to develop Marvel's TV and movie properties. He has been an executive producer for, and has made cameo appearances in, Marvel film adaptations and other movies. He and his wife bought a home in West Hollywood, California previously owned by comedian Jack Benny's radio announcer, Don Wilson.^[38] Lee was briefly president of the entire company, but soon stepped down to become publisher instead, finding that being president was too much about numbers and finance and not enough about the creative process he enjoyed.^[39]

Peter Paul and Lee began to start a new Internet-based superhero creation, production and marketing studio, Stan Lee Media, in 1998. It grew to 165 people and went public, but near the end of 2000, investigators discovered illegal stock manipulation by Paul and corporate officer Stephan Gordon.^[40] Stan Lee Media filed for Chapter 11 bankruptcy protection in February 2001.^[41] Paul was extradited to the U.S. from Brazil, and pleaded guilty to violating SEC Rule 10b-5 in connection with trading of his stock in Stan Lee Media.^[42][43] Lee was never implicated in the scheme.

In the 2000s, Lee did his first work for DC Comics, launching the Just Imagine... series, in which Lee reimagined the DC superheroes Superman, Batman, Wonder Woman, Green Lantern and the Flash.^[44]

In 2001, Lee, Gill Champion and Arthur Lieberman formed POW! (Purveyors of Wonder) Entertainment to develop film, television and video game properties. Lee created the risqué animated superhero series Stripperella for Spike TV. In 2004 he announced a superhero program that would feature Ringo Starr, the former Beatle, as the lead character.^[45] Additionally, in August of that year, Lee announced the launch of Stan Lee's Sunday Comics,^[46] hosted by Komikwerks.com, where monthly subscribers could read a new, updated comic and "Stan's Soapbox" every Sunday. The column has not been updated since February 15, 2005.

In 2006, Marvel commemorated Lee's 65 years with the company by publishing a series of one-shot comics starring Lee himself meeting and interacting with many of his co-creations, including Spider-Man, Doctor Strange, the Thing, Silver Surfer and Doctor Doom. These comics also featured short pieces by such comics creators as Joss Whedon and Fred Hembeck, as well as reprints of classic Lee-written adventures.^{[citation needed]}

On March 15, 2007, Stan Lee Media's new president, Jim Nesfield, filed a lawsuit against Marvel Entertainment for $5 billion, claiming that the company is co-owner of the characters that Lee created for Marvel.^[47] On June 9, 2007, Stan Lee Media sued Lee; his newer company, POW! Entertainment; POW! subsidiary QED Entertainment; and other former Stan Lee Media staff at POW!^[48]

In 2008, Lee wrote humorous captions for the political fumetti book Stan Lee Presents Election Daze: What Are They Really Saying?.^[49] In April of that year, at the New York Comic Con, Viz Media announced that Lee and Hiroyuki Takei were collaborating on the manga Karakuridôji Ultimo, from parent company Shueisha.^[50] That same month, Brighton Partners and Rainmaker Animation announced a partnership POW! to produce a CGI film series, Legion of 5.^[51] That same month, Virgin Comics announced Lee would create a line of superhero comics for that company.^[52] He is also working on a TV adaptation of the novel Hero.^[53] He wrote the foreword to the 2010 non-fiction e-book memoir Skyscraperman by skyscraper fire-safety advocate Dan Goodwin, who had climbed skyscrapers dressed as Spider-Man.^[54]

Lee promoting Stan Lee's Kids Universe at the 2011 New York Comic Con.

In 2009, he and the Japanese company Bones produced its first manga feature, Heroman, serialized in Square Enix's Monthly Shōnen Gangan; the feature was adapted to anime in April 2010.^[55][56]

In October 2010, Lee's SLG Entertainment partnered with Guardian Media Entertainment on The Guardian Project to create superhero mascots for the National Hockey League.^[57]

In August 2011, Lee announced his support for the Eagle Initiative, a program to find new talent in the comic book field.^[58]

In 2011, Lee was writing a live-action musical, The Yin and Yang Battle of Tao.^[59] In October, Lee announced he would partner with 1821 Comics on a multimedia imprint for children, Stan Lee’s Kids Universe, a move he said addressed the lack of comic books targeted for children; and that he was collaborating with the company on its futuristic graphic novel Romeo & Juliet: The War, by writer Max Work and artist Skan Srisuwan.^[60][61]

Action figure[link]

At the 2007 Comic-Con International, Marvel Legends introduced a Stan Lee action figure. The body beneath the figure's removable cloth wardrobe is a re-used mold of a previously released Spider-Man action figure, with only minor changes.^[62]

Charity work[link]

The Stan Lee Foundation was founded in 2010 to focus on literacy, education and the arts. Its stated goals include supporting programs and ideas that improve access to literacy resources, as well as promoting diversity, national literacy, culture and the arts.^[63]

Stan Lee has donated portions of his personal effects to the University of Wyoming at various times, between 1981 and 2001.^[64]

Awards and honors[link]

• Lee has received several awards for his work, including being inducted into the comic book industry's Will Eisner Comic Book Hall of Fame in 1994 and the Jack Kirby Hall of Fame in 1995.
• On November 17, 2008, Stan Lee was awarded the National Medal of Arts.^[34][65]
• The County of Los Angeles declared October 2, 2009 Stan Lee Day.^[66]
• The City of Long Beach declared October 2, 2009 Stan Lee Day.^[66]
• Lee won the Comic-Con Icon Award 2009 at Scream Awards.^[67]
• Lee received the 2,428th star on the Hollywood Walk of Fame on January 4, 2011.
• On January 21, 2012, Lee received the Vanguard Award from the Producers Guild of America.^[68]

Fictional portrayals[link]

Stan Lee and his collaborator Jack Kirby appear as themselves in The Fantastic Four No.10 (January 1963), the first of several appearances within the fictional Marvel Universe.^[69] The two are depicted as similar to their real-world counterparts, creating comic books based on the "real" adventures of the Fantastic Four.

Kirby later portrayed himself, Lee, production executive Sol Brodsky, and Lee's secretary Flo Steinberg as superheroes in What If #11, "What If the Marvel Bullpen Had Become the Fantastic Four?", in which Lee played the part of Mister Fantastic. Lee has also made numerous cameo appearances in many Marvel titles, appearing in audiences and crowds at many characters' ceremonies and parties, and hosting an old-soldiers reunion in Sgt. Fury and his Howling Commandos No.100 (July 1972). Lee appeared, unnamed, as the priest at Luke Cage and Jessica Jones' wedding in New Avengers Annual #1. He pays his respects to Karen Page at her funeral in the Daredevil "Guardian Devil" story arc,^{[volume & issue needed]} and appears in The Amazing Spider-Man (June 1977).

In Marvel's July 1997 "Flashback" event, a top-hatted caricature of Lee as a ringmaster introduced stories which detailed events in Marvel characters' lives before they became superheroes, in special "-1" editions of many Marvel titles. The "ringmaster" depiction of Lee was originally from Generation X #17 (July 1996), where the character narrated a story set primarily in an abandoned circus. Though the story itself was written by Scott Lobdell, the narration by "Ringmaster Stan" was written by Lee, and the character was drawn in that issue by Chris Bachalo.

Under his given name of Stanley Lieber, Stan Lee appears briefly in Paul Malmont's 2006 novel The Chinatown Death Cloud Peril.^{[citation needed]}

Lee and other comics creators are mentioned on page 479 of Michael Chabon's 2000 novel about the comics industry The Amazing Adventures of Kavalier and Clay. Chabon also acknowledges a debt to Lee and other creators on the book's Author's Note page.

On one of the last pages of Truth: Red, White, and Black, Lee appears in a real photograph among other celebrities on a wall of the Bradley home.^{[citation needed]}

In Stan Lee Meets Superheroes, which Lee wrote, he comes in to contact with some of his favorite creations.

Stan Lee and Jack Kirby appear as professors in Marvel Adventures Spider-Man #19.

Film and television appearances[link]

Marvel television[link]

• One of Lee's earliest contributions to animation based on Marvel properties was narrating the 1980s Incredible Hulk animated series, always beginning his narration with a self-introduction and ending with "This is Stan Lee saying, Excelsior!" Lee had previously narrated the "Seven Little Superheroes" episode of Spider-Man and His Amazing Friends, which the Hulk series was paired with for broadcast.
• Lee did the narration for the original 1989 X-Men animated series pilot titled X-Men: Pryde of the X-Men.
• Lee was an executive producer of the 1990s animated TV series Spider-Man. He appeared as himself in animated form in the series finale episode titled "Farewell, Spider-Man". Spider-Man is transported by Madame Web into the "real" world where he is a fictional character. He meets Lee and the two swing around until Spider-Man drops him off on top of a building; Madame Web appears and brings Spider-Man back to his homeworld. Realizing he is stuck on a roof, Lee muses, hoping the Fantastic Four will show up and lend a hand.
• He also voices the character "Frank Elson" in an episode of Spider-Man: The New Animated Series series broadcast by MTV in 2003, and titled "Mind Games" (Parts 1 & 2, originally aired on August 15 & 22, 2003).
• He voiced a loading dock worker named Stan on The Spectacular Spider-Man in the episode "Blueprints".
• In the pilot episode of The Superhero Squad Show, Lee voices the mayor of the city, preparing to give away the city's key when disaster strikes.
• Lee has appeared in episodes of the Disney XD TV series Ultimate Spider-Man as a high school janitor named Stan, in which he makes references to Lee's real-life career. In the pilot, "Great Power", he mentions Irving Forbush, a character Lee co-created in 1955 as a literary device.^[70] He appears in Episode 6, "Why I Hate Gym".^[71]

Marvel films[link]

Lee has had cameo appearances in many films based on Marvel characters that he created or co-created:

• In the TV-movie The Trial of the Incredible Hulk (1989), Lee's first appearance in a Marvel movie or TV project is as a jury foreman in the trial of Dr. David Banner.
• In X-Men (2000), Lee appears as a hotdog stand vendor on the beach when Senator Kelly emerges naked onshore after escaping from Magneto.
• In Spider-Man (2002), he appeared during Spider-Man's first battle with the Green Goblin, pulling a little girl away from falling debris. In the DVD's deleted scenes, Lee has an expanded cameo in which he plays a street vendor who tries to sell Peter Parker a pair of sunglasses "just like the X-Men wear."
• In Daredevil (2003), as a child, Matt Murdock stops Lee from crossing the street and getting hit by a bus.
• In Hulk (2003), he appears walking alongside former TV-series Hulk Lou Ferrigno in an early scene, both as security guards at Bruce Banner's lab. It was his first speaking role in a film based on one of his characters.
• In Spider-Man 2 (2004), Lee pulls an innocent person away from danger during Spider-Man's first battle with Doctor Octopus. In a deleted scene that appears as an extra on the film's DVD release, Lee has another cameo, saying, "Look, Spider-Man stole that child's sneakers."
• In Fantastic Four (2005), Lee appears for the first time as a character from the comics, in a role credited as Willie Lumpkin, the mail carrier who greets the Fantastic Four as they enter the Baxter Building.
• In X-Men: The Last Stand (2006), Lee and Chris Claremont appear as two of Jean Grey's neighbors in the opening scenes set 20 years ago. Lee, credited as "Waterhose man," is watering the lawn when Jean telekinetically redirects the water from the hose into the air.
• In Spider-Man 3 (2007), Lee appears in a credited role as "Man in Times Square". He stands next to Peter Parker, both of them reading a news bulletin about Spider-Man, and commenting to Peter that, "You know, I guess one person can make a difference". He then says his catch phrase, "'Nuff said."
• In Fantastic Four: Rise of the Silver Surfer (2007), Lee appears as himself at Reed Richards' and Susan Storm's first wedding, being turned away by a security guard for not being on the guest list. In Fantastic Four Annual No.3 (1965), in which the couple married, Lee and Jack Kirby are similarly turned away.
• In Iron Man (2008), Lee (credited as "Himself") appears at a gala cavorting with three blonds, where Tony Stark mistakes him for Hugh Hefner.^[72] In the theatrical release of the film, Stark simply greets Lee as "Hef" and moves on without seeing Lee's face; another version of the scene was filmed where Stark realizes his mistake, but Lee graciously responds, "That's okay, I get this all the time."^[73]
• In The Incredible Hulk (2008), Lee appears as a hapless citizen who accidentally ingests a soft drink mixed with Bruce Banner's blood, leading to the discovery of Dr. Banner's location in a bottling plant in Brazil.
• In Iron Man 2 (2010), during the Stark Expo, Lee, wearing suspenders and a red shirt and black and purple tie, is greeted by Tony Stark as "Larry King".
• In Thor (2011), Lee appears among many people at the site where Thor's hammer Mjolnir lands on earth. He tears the back off his pickup truck in an attempt to pull Mjolnir out of the ground with a chain and causes everyone to laugh by asking, "Did it work?".
• In Captain America: The First Avenger (2011), Lee is again used as comic relief, this time portraying a general in World War II. When Captain America/Steve Rogers is queued to a stage to receive an award, a man goes on stage to tell the presenter that Rogers will not be attending. The general mistakes the man for Rogers, commenting, "I thought he'd be taller." Lee said in April 2011, "Marvel Studios has upgraded my cameo for the Captain America movie! They’ve given me one more word of dialogue than originally planned!"^[74]
• In The Avengers (2012), Lee makes a cameo appearance as a man interviewed by the media about his opinion concerning the Avengers thwarting the Chitauri's attack on Manhattan Island. Lee's character responds with, "Superheroes in New York? Give me a break", and then returns to a game of chess with a fellow senior citizen. ^[75]
• In The Amazing Spider-Man (2012), Lee is scheduled to have a cameo in an action scene where he plays a librarian oblivious to the fight between Spider-Man and the Lizard happening behind him.^[76]

Warner/DC properties[link]

In the original February 7, 1998, broadcast airing of the Superman: The Animated Series episode "Apokolips... Now! Part 2" on the Kids' WB programming block, an animated Stan Lee was visible mourning the death of Daniel "Terrible" Turpin, a character based on his longtime Marvel Comics collaborator Jack Kirby. This shot was later modified to remove the likeness of Lee and other of background Marvel characters when the episode was released on DVD.^[77]

Other film, TV, and video[link]

• In the 1990s, Lee hosted the documentary series The Comic Book Greats and interviewed notable comic book creators such as Chris Claremont, Jim Lee, Todd McFarlane, Rob Liefeld and Whilce Portacio.
• Lee has an extensive cameo in the 1995 Kevin Smith film Mallrats. He plays himself, this time visiting the mall to sign books at a comic store. Later, he takes on the role of a sage-like character, giving Jason Lee's character, Brodie Bruce (a longtime fan of Stan's), advice on his love life. He also recorded interviews with Smith for the non-fiction video Stan Lee's Mutants, Monsters, and Marvels (2002).
• Lee is the host of the 2010 History Channel documentary series Stan Lee's Superhumans.
• Lee makes a cameo appearance as the "Three Stooges Wedding Guest" in the 2004 Disney film The Princess Diaries 2: Royal Engagement.
• Lee hosted and judged contestants in the SyFy series Who Wants to Be a Superhero?
• Lee appears with director Kevin Smith and 2000s Marvel editor-in-chief Joe Quesada in the DVD program Marvel Then & Now: An Evening with Stan Lee and Joe Quesada, hosted by Kevin Smith.
• Lee was interviewed on the History Channel show Superhuman by Daniel Browning Smith, who held several Guinness Records for extreme flexibility^[78] due to having Ehlers-Danlos Syndrome, a genetic condition affecting collagen formation. Smith had created his own comic book to display his own struggles as an outcast for his flexibility, and legitimately surprised Lee with a quick demonstration of his talent.
• In the animated series Jim Henson's Muppet Babies, Lee plays himself in a live-action scene of the "Comic Capers" episode.
• Lee appeared as himself in an extended self-parodying sketch on the episode "Tapping a Hero" of Robot Chicken.
• Lee appears as himself in writer-director Larry Cohen's The Ambulance (1990), in which Eric Roberts plays an aspiring comics artist.
• In "I Am Furious Yellow", the April 28, 2002, episode of The Simpsons, Lee voices the animated Stan Lee, who is a prolonged visitor to Comic Book Guy's store. He asks if Comic Book Guy is the stalker of Lynda Carter – the star of the 1970s show Wonder Woman – and shows signs of dementia, such as breaking a customer's toy Batmobile by trying to cram a Thing action figure into it (claiming that he "made it better"), hiding DC comics behind Marvel comics, and believing that he is the Hulk (and fails trying to become the Hulk, while Comic Book Guy comments he couldn't even change into Bill Bixby). Lee also appeared on the commentary track along with other Simpsons writers and directors on the episode for The Simpsons Season 13 box set released in 2010. In a later Simpsons episode, "Worst Episode Ever", Lee's picture is seen next to several others on the wall behind the register, under the heading "Banned for life".
• Lee appears as himself in the Mark Hamill-directed Comic Book: The Movie (2004), a direct-to-video mockumentary primarily filmed at the 2002 San Diego Comic-Con.
• Lee made an appearance on December 21, 2006, on the NBC game show Identity.
• Lee appeared as himself in "The Excelsior Acquisition", a third season episode of The Big Bang Theory, in March 2010.^[79] He appears at the front door of his house wearing Fantastic Four pajamas, ultimately calling into the rest of the house, "Joanie, call the police!" to get rid of Sheldon.
• Lee voices the Mayor of Superhero City in the Super Hero Squad Show.
• He plays a bus driver in the 16th episode of the first season of Heroes.^[80]
• Lee made a guest appearance as himself in "Bottom's Up", a season seven episode of the TV series Entourage. He guest-starred in "Glimpse", a season five episode of Eureka that aired in July 2011.^[81]
• Lee appears in "The Guardian", the October 7, 2010, episode of Nikita, as Hank Excelsior, a witness to a bank robbery who is interviewed by a TV reporter.
• Lee was interviewed in the 2011 documentary Superheroes.
• Lee is scheduled to appear on X Japan's music video "Born to be Free".^[82]
• Lee portrayed himself at a CIA holiday party in the fifth season of Chuck, in which it is revealed in that universe he secretly works for the government and has a romantic interest in General Beckman.
• Stan Lee appeared in the eleventh episode of season five of The Guild, in which he was captured at a convention by the character Zaboo's Master Chief cosplaying henchmen.^{[episode needed]}
• Stan Lee portrayed a future version of Tony Stark in "Episode 205 – The Future!" of the comedy web series Avengers Assemble!. In this episode, he delivered from the future a cryptic message to the rest of his fellow Avengers, but constantly frustrated his companions due to his ineptness with the technology of his future era.^[83]

Video games and applications[link]

• Lee narrates the 2000 video game Spider-Man,^[84] the 2001 sequel Spider-Man 2: Enter Electro^[85] and 2010's Spider-Man: Shattered Dimensions.^[86][87]
• Lee made his first-ever onscreen video game appearance as a senator named after himself in Marvel Ultimate Alliance 2.^[88]
• Lee narrates the The Avengers Origins: Hulk and Avengers Origins: Assemble! apps for the iPad, iPhone, and iPod Touch, which were released by Disney Publishing Worldwide in February 2012.^[89]
• Lee is a playable character in Activision's The Amazing Spider-Man video game, which is scheduled to be released in June 2012, as a tie-in to the film of the same name.^[90]

Personal life[link]

Lee's favorite authors include Stephen King, H. G. Wells, Mark Twain, Arthur Conan Doyle, William Shakespeare, Charles Dickens, and Harlan Ellison.^[91] He is also a fan of the films of Bruce Lee.^[92]

Bibliography[link]

Lee's comics work includes:^[93]

DC[link]

• DC Comics Presents: Superman #1 (2004)
• Just Imagine Stan Lee creating:
  • Aquaman (with Scott McDaniel) (2002)
  • Batman (with Joe Kubert) (2001)
  • Catwoman (with Chris Bachalo) (2002)
  • Crisis (with John Cassaday) (2002)
  • Flash (with Kevin Maguire) (2002)
  • Green Lantern (with Dave Gibbons) (2001)
  • JLA (with Jerry Ordway) (2002)
  • Robin (with John Byrne) (2001)
  • Sandman (with Walt Simonson) (2002)
  • Secret Files and Origins (2002)
  • Shazam! (with Gary Frank) (2001)
  • Superman (with John Buscema) (2001)
  • Wonder Woman (with Jim Lee) (2001)

Marvel[link]

• Amazing Spider-Man #1–100, 105–110, 116–118, 200 (1962–80); (backup stories): #634–655 (2010–11)^[94]
• Avengers #1–35 (1963–66)
• Captain America #100–141 (1968–71) (continues from Tales of Suspense #99)
• Daredevil, #1–9, 11–50, 53 (1964–69)
• Daredevil, vol. 2, #20 (backup story) (2001)
• Epic Illustrated #1 (Silver Surfer) (1980)
• Fantastic Four #1–114, 120–125 (1961–72); #296 (1986)
• The Incredible Hulk #1–6 (continues to Tales to Astonish #59)
• Journey into Mystery (Thor) plotter #83–96 (1962–63), writer #97–125 (1963–66) (continues to Thor #126)
• Ravage 2099 #1–7 (1992–93)
• Savage She-Hulk #1 (1980)
• Sgt. Fury #1–28 (1963–66)
• Silver Surfer #1–18 (1968–70)
• Silver Surfer vol. 2, #1 (1982)
• Silver Surfer: Parable #1–2 (1988)
• Solarman #1–2 (1989–90)
• Strange Tales (diverse stories): #9, 11, 74, 89, 90–100 (1951–62); (Human Torch): #101–109, 112–133; (Doctor Strange): #110–111, 115–142, 151–158 (1962–67); (Nick Fury, Agent of S.H.I.E.L.D.: #135–147, 150–152 (1965–67)
• Tales to Astonish (diverse stories): #1, 6, 12–13, 15–17, 24–33 (1956–62); Ant-Man/Giant Man: #35–69 (1962–65) (Incredible Hulk: #59–101 (1964–1968); Sub-Mariner: #70–101 (1965–68)
• Tales of Suspense (diverse stories): #7, 9, 16, 22, 27, 29–30 (1959–62); (Iron Man): plotter #39–46 (1963), writer #47–98 (1963–68) (Captain America): #58–99 (1964–86)
• Thor #126–192, 200 (1966–72), 385 (1987)
• What If (Fantastic Four) #200 (2011)
• The X-Men #1–19 (1963–66)

Other[link]

• Ultimo (Manga original concept)
• How to Draw Comics the Marvel Way