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Dance
Modern dance
Originating culture	various
Originating era	Antiquity

Dance is a type of art that generally refers to movement of the body, usually rhythmic and to music,^[1] performed in many different cultures and used as a form of expression, social interaction or presented in a spiritual or performance setting.

Dance may also be regarded as a form of nonverbal communication between humans, and is also performed by other animals (bee dance, patterns of behaviour such as a mating dance). Gymnastics, figure skating and synchronized swimming are sports that incorporate dance, while martial arts kata are often compared to dances. Motion in ordinarily inanimate objects may also be described as dances (the leaves danced in the wind).

Definitions of what constitutes dance are dependent on social, cultural, aesthetic, artistic and moral constraints and range from functional movement (such as folk dance) to virtuoso techniques such as ballet. Dance can be participatory, social or performed for an audience. It can also be ceremonial, competitive or erotic. Dance movements may be without significance in themselves, such as in ballet or European folk dance, or have a gestural vocabulary/symbolic system as in many Asian dances. Dance can embody or express ideas, emotions or tell a story.

Dancing has evolved many styles. Breakdancing and Krumping are related to the hip hop culture. African dance is interpretative. Ballet, Ballroom, Waltz, and Tango are classical styles of dance while Square Dance and the Electric Slide are forms of step dances.

Every dance, no matter what style, has something in common. It not only involves flexibility and body movement, but also physics. If the proper physics are not taken into consideration, injuries may occur.

Choreography is the art of creating dances. The person who creates (i.e., choreographs) a dance is known as the choreographer.

Origins and history[link]

Ancient Greek bronze statuette of a veiled and masked dancer, 3rd - 2nd century BC, found in Alexandria, Egypt.

Dance does not leave behind clearly identifiable physical artifacts such as stone tools, hunting implements or cave paintings. It is not possible to say when dance became part of human culture.

Joseph Jordania recently suggested, that dance, together with rhythmic music and body painting, was designed by the forces of natural selection at the early stage of hominid evolution as a potent tool to put groups of human ancestors in a battle trance, a specific altered state of consciousness. In this state hominids were losing their individual identity and were acquiring collective identity.^[2] Jonathan Pieslak's research shows, that some contemporary military units use loud group singing and dancing in order to prepare themselves for the dangerous combat missions.^[3] According to Jordania, this trance-inducing ability of dance comes from human evolutionary past and includes as well a phenomenon of military drill^[4] which is also based on shared rhythmic and monotonous group activity.

Dance has certainly been an important part of ceremony, rituals, celebrations and entertainment since before the birth of the earliest human civilizations. Archeology delivers traces of dance from prehistoric times such as the 9,000 year old Rock Shelters of Bhimbetka paintings in India and Egyptian tomb paintings depicting dancing figures from c. 3300 BC.

One of the earliest structured uses of dances may have been in the performance and in the telling of myths. It was also sometimes used to show feelings for one of the opposite gender. It is also linked to the origin of "love making." Before the production of written languages, dance was one of the methods of passing these stories down from generation to generation.^[5]

Another early use of dance may have been as a precursor to ecstatic trance states in healing rituals. Dance is still used for this purpose by many cultures from the Brazilian rainforest to the Kalahari Desert.^[6]

Sri Lankan dances goes back to the mythological times of aboriginal yingyang twins and "yakkas" (devils). According to a Sinhalese legend, Kandyan dances originated 250 years ago, from a magic ritual that broke the spell on a bewitched king. Many contemporary dance forms can be traced back to historical, traditional, ceremonial, and ethnic dance.

Partner Dancing in Art

Dance at Bougival by Pierre-Auguste Renoir (1882–83)

Eadweard Muybridge's phenakistoscope "A Couple Waltzing" (c.1893)

Classification and genres[link]

Dance categories by number of interacting dancers are mainly solo dance, partner dance and group dance. Dance is performed for various purposes like ceremonial dance, erotic dance, performance dance, social dance etc.

Dancing and music[link]

Many early forms of music and dance were created and performed together. This paired development has continued through the ages with dance/music forms such as: jig, waltz, tango, disco, salsa, electronica and hip-hop. Some musical genres have a parallel dance form such as baroque music and baroque dance; others, such as classical music and classical ballet, developed separately.

Although dance is often accompanied by music, it can also be presented independently or provide its own accompaniment (tap dance). Dance presented with music may or may not be performed in time to the music depending on the style of dance. Dance performed without music is said to be danced to its own rhythm^{[citation needed]}.

Ballroom dancing is a dance art form which combines athletic fitness with artistically skillful dance steps.

Saman Dance from Gayo people of Sumatra, Indonesia

Morris dancing in the grounds of Wells Cathedral, Wells, England

An amateur dancesport competition at MIT

Professional dancers at the Tropicana Club, Havana, Cuba, in 2008

Dance studies and techniques[link]

In the early 1920s, dance studies (dance practice, critical theory, Musical analysis and history) began to be considered an academic discipline. Today these studies are an integral part of many universities' arts and humanities programs. By the late 20th century the recognition of practical knowledge as equal to academic knowledge led to the emergence of practice research and practice as research. A large range of dance courses are available including:

• Professional practice: performance and technical skills
• Practice research: choreography and performance
• Ethnochoreology, encompassing the dance-related aspects of: anthropology, cultural studies, gender studies, area studies, postcolonial theory, ethnography, etc.
• Dance therapy, or dance-movement therapy
• Dance and technology: new media and performance technologies
• Laban Movement Analysis and somatic studies

Academic degrees are available from BA (Hons) to PhD and other postdoctoral fellowships, with some dance scholars taking up their studies as mature students after a professional dance career.

Dance competitions[link]

A dance competition is an organized event in which contestants perform dances before a judge or judges for awards, and in some cases, monetary prizes. There are several major types of dance competitions, distinguished primarily by the style or styles of dances performed. Major types of dance competitions include:

• Competitive dance, in which a variety of theater dance styles such as: acro, ballet, jazz, hip-hop, lyrical, and tap, are permitted.
• Open competitions, that permit a wide variety of dance styles. A popular example of this is the TV program So You Think You Can Dance.
• Dancesport, which is focused exclusively on ballroom and latin dance. Popular examples of this are TV programs Dancing with the Stars and Strictly Come Dancing.
• Single-style competitions, such as; highland dance, dance team, and Irish dance, that only permit a single dance style.

Today, there are various dances and dance show competitions on television and the Internet.

Occupations[link]

There are several careers connected with dancing: Dancer, dance teacher, dance sport coach, dance therapist and choreographer.

Dancer

Dance training differs depending on the dance form. There are university programs and schools associated with professional dance companies for specialised training in classical dance (e.g. Ballet) and modern dance. There are also smaller, privately owned dance studios where students may train in a variety of dance forms including competitive dance forms (e.g. Latin dance, ballroom dance, etc.) as well as ethnic/traditional dance forms.

Professional dancers are usually employed on contract or for particular performances/productions. The professional life of a dancer is generally one of constantly changing work situations, strong competition pressure and low pay. Professional dancers often need to supplement their income, either in dance related roles (e.g., dance teaching, dance sport coaches, yoga) or Pilates instruction to achieve financial stability.

In the U.S. many professional dancers are members of unions such as the American Guild of Musical Artists, the Screen Actors Guild and Actors' Equity Association. The unions help determine working conditions and minimum salaries for their members.

Dance teachers

Dance teacher and operators of dance schools rely on reputation and marketing. For dance forms without an association structure such as Salsa or Tango Argentino they may not have formal training. Most dance teachers are self employed.

Dancesport coaches

Dancesport coaches are tournament dancers or former dancesports people, and may be recognised by a dance sport federation.

Choreographer

Choreographers are generally university trained and are typically employed for particular projects or, more rarely may work on contract as the resident choreographer for a specific dance company. A choreographic work is protected intellectual property. Dancers may undertake their own choreography.

By ethnicity or region[link]

India[link]

South indian folk dance like a horse known as Poi Kal Kudirai

During the first millennium BCE in India, many texts were composed which attempted to codify aspects of daily life. In the matter of dance, Bharata Muni's Natyashastra (literally "the text of dramaturgy") is one of the earlier texts. Though the main theme of Natyashastra deals with drama, dance is also widely featured, and indeed the two concepts have ever since been linked in Indian culture. The text elaborates various hand-gestures or mudras and classifies movements of the various limbs of the body, gait, and so on. The Natyashastra categorised dance into four groups and into four regional varieties, naming the groups: secular, ritual, abstract, and, interpretive. However, concepts of regional geography has altered and so have regional varieties of Indian dances. Dances like "Odra Magadhi", which after decades long debate, has been traced to present day Mithila, Orissa region's dance form of Odissi (Orissi), indicate influence of dances in cultural interactions between different regions.^[7]

From these beginnings rose the various classical styles which are recognised today. Therefore, all Indian classical dances are to varying degrees rooted in the Natyashastra and therefore share common features: for example, the mudras, some body positions, and the inclusion of dramatic or expressive acting or abhinaya. The Indian classical music tradition provides the accompaniment for the dance, and as percussion is such an integral part of the tradition, the dancers of nearly all the styles wear bells around their ankles to counterpoint and complement the percussion.

Bhangra in the Punjab[link]

The Punjab area overlapping India and Pakistan is the place of origin of Bhangra. It is widely known both as a style of music and a dance. It is mostly related to ancient harvest celebrations, love, patriotism or social issues. Its music is coordinated by a musical instrument called the 'Dhol'. Bhangra is not just music but a dance, a celebration of the harvest where people beat the dhol (drum), sing Boliyaan (lyrics) and dance.It developed further with the Vaisakhi festival of the Sikhs.

Dances of Sri Lanka[link]

The devil dances of Sri Lanka or "yakun natima" are a carefully crafted ritual with a history reaching far back into Sri Lanka's pre-Buddhist past. It combines ancient "Ayurvedic" concepts of disease causation with psychological manipulation. The dance combines many aspects including Sinhalese cosmology, the dances also has an impact on the classical dances of Sri Lanka.^[8]

Harlequin and Columbine from the mime theater at Tivoli Gardens, Copenhagen, Denmark

In Europe and North America[link]

Concert (or performance) dance[link]

Ballet[link]

Ballet developed first in Italy and then in France from lavish court spectacles that combined music, drama, poetry, song, costumes and dance. Members of the court nobility took part as performers. During the reign of Louis XIV, himself a dancer, dance became more codified. Professional dancers began to take the place of court amateurs, and ballet masters were licensed by the French government. The first ballet dance academy was the Académie Royale de Danse (Royal Dance Academy), opened in Paris in 1661. Shortly thereafter, the first institutionalized ballet troupe, associated with the Academy, was formed; this troupe began as an all-male ensemble but by 1681 opened to include women as well.^[5]

A small dance company rehearses for an outdoor performance in Stuyvesant Cove Park in Manhattan, New York City

20th-century concert dance[link]

At the beginning of the 20th century, there was an explosion of innovation in dance style characterized by an exploration of freer technique. Early pioneers of what became known as modern dance include Loie Fuller, Isadora Duncan, Mary Wigman and Ruth St. Denis. The relationship of music to dance serves as the basis for Eurhythmics, devised by Emile Jaques-Dalcroze, which was influential to the development of Modern dance and modern ballet through artists such as Marie Rambert. Eurythmy, developed by Rudolf Steiner and Marie Steiner-von Sivers, combines formal elements reminiscent of traditional dance with the new freer style, and introduced a complex new vocabulary to dance. In the 1920s, important founders of the new style such as Martha Graham and Doris Humphrey began their work. Since this time, a wide variety of dance styles have been developed; see Modern dance.

The influence of African American dance[link]

African American dances are those dances which have developed within African American communities in everyday spaces, rather than in dance studios, schools or companies and its derivatives, tap dance, disco, jazz dance, swing dance, hip hop dance and breakdance. Other dances, such as the lindy hop with its relationship to rock and roll music and rock and roll dance have also had a global influence.

See also[link]

Dance portal

References[link]

Notes

Further reading

• Adshead-Lansdale, J. (Ed.) (1994) Dance History: An Introduction. Routledge. ISBN 0-415-09030-X.
• Carter, A. (1998) The Routledge Dance Studies Reader. Routledge. ISBN 0-415-16447-8.
• Charman, S. Kraus, R, G. Chapman, S. and Dixon-Stowall, B. (1990) History of the Dance in Art and Education. Pearson Education. ISBN 0-13-389362-6.
• Cohen, S, J. (1992) Dance As a Theatre Art: Source Readings in Dance History from 1581 to the Present. Princeton Book Co. ISBN 0-87127-173-7.
• Daly, A. (2002) Critical Gestures: Writings on Dance and Culture. Wesleyan University Press. ISBN 0-8195-6566-0.
• Dils, A. (2001) Moving History/Dancing Cultures: A Dance History Reader. Wesleyan University Press. ISBN 0-8195-6413-3.
• Miller, James, L. (1986) Measures of Wisdom: The Cosmic Dance in Classical and Christian Antiquity, University of Toronto Press. ISBN 0-8020-2553-6.

External links[link]

Find more about Dance on Wikipedia's sister projects:
	Definitions and translations from Wiktionary
	Images and media from Commons
	Learning resources from Wikiversity
	News stories from Wikinews
	Quotations from Wikiquote
	Source texts from Wikisource
	Textbooks from Wikibooks

•  Chisholm, Hugh, ed. (1911). "Dance". Encyclopædia Britannica (11th ed.). Cambridge University Press. 
• Historic illustrations of dancing from 3300 B.C. to 1911 A.D. from Project Gutenberg
• United States National Museum of Dance and Hall of Fame

"Pumped Up Kicks" is a song by American indie pop band Foster the People. It was released as the group's debut single in September 2010, and the following year was included on their EP Foster the People and their debut album Torches. "Pumped Up Kicks" became the group's breakthrough hit and was one of the most popular songs of 2011. The song was written and recorded by frontman Mark Foster while he was working as a commercial jingle writer. Contrasting with the upbeat musical composition, the lyrics describe the homicidal thoughts of a troubled youth.

The track received considerable attention after it was posted online in 2010 as a free download, and it helped the group garner a multi-album record deal with Columbia Records imprint Startime International before they had issued a commercial release. The song became both a crossover hit and a sleeper hit in 2011, as it received significant airplay on modern rock and contemporary hit radio stations. The song spent eight consecutive weeks at number three on the Billboard Hot 100 chart in the United States, making it the first Billboard Alternative Songs number-one single to crack the U.S. top 5 since Kings of Leon's "Use Somebody" in 2009. The song was widely praised by critics, and it has been licensed for use in a wide range of popular media since its release. "Pumped Up Kicks" received a Grammy Award nomination for Best Pop Duo/Group Performance.

Recording[link]

Soon after Mark Foster formed Foster the People in 2009, he wrote and recorded "Pumped Up Kicks" in five hours while working as a commercial jingle writer at Mophonics in Los Angeles.^[1][2] Thinking that he was just recording a demo, he played all of the instruments on the song. Ultimately, Foster's original version of the song is what ended up being released.^[3]

Composition and inspiration[link]

The lyrics to "Pumped Up Kicks" are written from the perspective of a troubled and delusional youth with homicidal thoughts.^[3] The lines in the chorus warn potential victims to "outrun my gun" and that they "better run, better run, faster than my bullet". Foster said, "I was trying to get inside the head of an isolated, psychotic kid."^[3] He wrote the lyrics in order to "bring awareness" to the issue of gun violence amongst youth, which he feels is an epidemic perpetuated by "lack of family, lack of love, and isolation".^[5][6] The song's title refers to shoes that the narrator's peers wear as a status symbol.^[7] The issue of youth violence is a matter close to the group. Foster was bullied in high school, while bassist Cubbie Fink has a cousin who survived the Columbine High School massacre in 1999. Fink said of his cousin's experience, "She was actually in the library when everything went down, so I actually flew out to be with her the day after it happened and experienced the trauma surrounding it and saw how affected she was by it. She is as close as a sister, so obviously, it affected me deeply. So to be able to have a song to create a platform to talk about this stuff has been good for us."^[4]

Contrasting with the dark lyrics of the song, the music, which was written first, is upbeat. Foster said, "It's a 'fuck you' song to the hipsters in a way—but it's a song the hipsters are going to want to dance to."^[3] Jeffery Berg of Frontier Psychiatrist said, "I was so engrossed with the cheery melody of its chorus that it took me a few listens to discover that the lyrics suggest dark, Columbine revenge."^[8]

Due to the opening lyrics, "Robert's got a quick hand," many have speculated that the song is a reference to Robert Hawkins, perpetrator of Omaha's Westroads Mall shooting. The band's publicist refutes this with "This is completely false. The character name in the song is just a coincidence."^[9] For play on the television channels MTV and MTVu, the words "gun" and "bullet" were removed from the song's chorus.^[10] Foster believes many have misinterpreted the song's meaning, and he has written letters to his record label and called radio stations to complain. He explained, "The song is not about condoning violence at all. It's the complete opposite. The song is an amazing platform to have a conversation with your kids about something that shouldn't be ignored, to talk about it in a loving way."^[2]

Release and promotion[link]

Initial attention[link]

"Pumped Up Kicks" was written by Mark Foster (pictured) while he was working as a jingle writer. Initially posted on his website as a free download, the song grew in popularity through viral outlets and earned the band a record deal.

"Pumped Up Kicks" drew considerable attention online after Foster posted the song on his website as a free download in early 2010; Nylon magazine used the track in an online advertising campaign,^[11] and through various blogs, it went viral.^[12] Foster the People first performed the song live at the Stand Up Charity Benefit in Venice in February.^[13] The group, yet to be signed, reached additional audiences with performances at the South by Southwest music festival in March 2010.^[14] Foster was emailed by many people about the song, and needing professional guidance, he contacted artist manager Brent Kredel at Monotone, Inc., saying, "Everyone is calling me and emailing me—what do I do? Who are the good guys, who are the bad guys?" Kredel recalled that "He went from the guy who couldn't get a hold of anyone to being the guy who had hundreds of emails in his inbox." Kredel and Brett Williams were subsequently hired to co-manage Foster the People, and they helped the group get a multi-album record deal with Columbia Records imprint Startime International in May 2010.^[11]

"Pumped Up Kicks" was licensed for use in a July 2010 episode of the TV series Entourage, the first of many instances in which Foster the People's music was licensed in popular media.^[11] Wishing to release a record that would back up the song's success, the group wrote new material between July–September 2010.^[11] The song received its first widespread radio play in July 2010 on Sirius XM's Alt Nation channel and the Australian radio station Triple J.^[15] The song was released as their debut single on September 14, 2010.^{[citation needed]} In November, the University of Maryland's radio station WMUC played the song, marking its debut on US terrestrial radio.^[16] The song placed at number 32 in the Triple J's Hottest 100 for 2010,^[17] a big achievement due to the band being relatively unknown in Australia. Still, the group was inexperienced as a live act, and as a result, their booking agent Tom Windish secured them several club shows "to help them get their sea legs." Foster the People promoted these concerts in January 2011 by emailing fans who had downloaded "Pumped Up Kicks" from their website, notifying them of the shows. The group continued to grow its fanbase with a month-long residency of concerts in January at The Echo nightclub in Los Angeles. By the group's third show at the venue, according to Windish, "there were hundreds of people trying to get in outside... It was an obvious turning point that could be measured in numbers." The residency also drew the attention of music supervisors in attendance who would later help the group license their music.^[11]

Commercial breakthrough[link]

In January 2011, the band issued their first commercial non-single release, a self-titled EP on which "Pumped Up Kicks" appeared. Around the same time, many alternative radio stations began playing "Pumped Up Kicks", including Los Angeles terrestrial stations KROQ-FM and KYSR, and it continued to gain popularity on Alt Nation.^[11] Mark Foster credits Sirius XM's airplay with the song's success, saying, "Alt Nation played our music before any other radio outlet in the country."^[18] On January 29, the song debuted on Billboard's Rock Songs chart and a week later, it debuted on the Alternative Songs chart. In May, the track debuted at number 96 on the Billboard Hot 100, and later that month, the group released their first full-length studio album, Torches, on which "Pumped Up Kicks" appears.^[11] On May 23, 2011, BBC Radio 1 DJ Greg James selected the song as his Record of the Week, which ran until May 27. During this time, James released an accompanying video of him dancing to the song which he entitled and promoted "The Bum Dance".^[19]

The song proved to be a crossover hit, peaking at number three on the Rock Songs chart in July and number one on the Alternative Songs chart in June, while breaking into the top 40 of the Hot 100 in late July and appearing on the Adult Top 40 and Mainstream Top 40 charts. Columbia senior VP of promotion Lee Leipsner said, "It was one of the only alternative bands I remember in a while that you could actually dance to. And the fact that the record has a groove and rhythmic feel to it—not heavy guitar-based at all—gave us a wide opportunity to cross the record." He credits the song's crossover success and push into the top 40 to a June presentation of new music by Clear Channel president of national programming platforms Tom Poleman. According to Leipsner, "After we showed our presentation, we had so many Clear Channel major-market programmers come up to us and say, 'The record I want to play besides Adele is Foster the People.'" "Pumped Up Kicks" peaked at number three on the Hot 100, spending eight consecutive weeks at the position.^[11] It has been certified 3× platinum in the US, Canada,^[20][21] and Australia,^[22] while receiving a gold certification in Germany.^[23] The song ranked as the sixth-best-selling digital song of 2011, selling 3.61 million copies.^[24]

Music video[link]

The music video, directed by Josef Geiger, was filmed at multiple locations in Los Angeles with insert footage from San Francisco^{[citation needed]} and features the band playing a show. There are also cuts to band members doing other activities, such as playing frisbee and surfing. The video peaked at #21 on the MuchMusic Countdown in Canada.^[25] The video has received over 83 million views on YouTube.^[2]

Reception[link]

Critical reaction[link]

"Pumped Up Kicks" received positive reviews from critics. Barry Walters of Spin said that with the song as their debut single, Foster the People "announce themselves as major players".^[26] Jon Dolan of Rolling Stone described the song as having a "slinky groove, misty guitar flange and delicious astral-wimp vocals".^[27] Rob Webb of NME drew some parallels between the song and other indie pop hits like "Young Folks", "Paris", and "Kids" describing its rise in popularity as thus: "artist writes (undeniably brilliant) pop song, makes it catchy as hell, but quirky enough for the 'cool' crowd, song subsequently gets some big pimping from every blog/radio station/Hype Machine user on the planet and, seemingly overnight, becomes utterly, irritatingly inescapable."^[28] August Brown of the Los Angeles Times called it a "reputation-making single" that "cakes Foster in Strokes-y vocal distortion atop a loping synth bass".^[29] Jon Pareles of The New York Times called it a "pop ditty with dazed, dweeby vocals and a handclapping chorus that warns, 'You better run, better run, outrun my gun'".^[30] BBC Music's Mark Beaumont called the song a "psychedelic block party skipping tune". Reflecting on the song's fusion of various musical elements, Beaumont said the song is a prime example of how they "adapt Animal Collective's art-tronic adventurousness to incorporate the funky danceability of Scissor Sisters, the fuzzy pop catchiness of 'Kids' and the knack of throwing in deceptively downbeat twists akin to Girls, Sleigh Bells or Smith Westerns".^[31] Matt Collar of Allmusic said the song, like other tracks from the album, is "catchy, electro-lite dance-pop that fits nicely next to such contemporaries as MGMT and Phoenix".^[32] The Guardian's Michael Hann was less receptive, saying it "amounts to little more than a bassline and a chorus" and that "It's as irresistible as it is infuriating".^[33]

Accolades[link]

A Rolling Stone readers poll named it the second-best song of summer 2011.^[34] Claire Suddath of Time magazine named "Pumped Up Kicks" one of the Top 10 Songs of 2011.^[35] In end-of-year polls, writers for Rolling Stone selected "Pumped Up Kicks" as the 11th-best song of 2011,^[36] while the publication's readers voted it the year's sixth-best song.^[37] A listeners poll by Toronto radio station CFNY-FM (102.1 The Edge) voted it #1 in a list of the top 102 new rock songs of 2011.^[38] Entertainment Weekly selected the song as the second-best single of 2011.^[39] NME ranked it number 21 on its list of the "50 Best Tracks of 2011", writing, "Unusually for a song so omnipresent, listening to its hyper-upbeat melodies about a psycho high-school kid-killer is still an enjoyable experience."^[40] The magazine's readers voted "Pumped Up Kicks" the year's eighth-best song.^[41] At the end of 2011, the song received a Grammy Award nomination for Best Pop Duo/Group Performance.^[42]

Impact[link]

In an article for The Huffington Post, DJ Louie XIV singled out "Pumped Up Kicks" as one of several popular songs that helped usher in the return of commercially successful indie music. In discussing the growing acceptance of fringe cultures, he wrote, "It seems only fitting, then, that the soundtrack to this time period should be music that was itself once viewed as fringe culture."^[43] Reflecting on the song's success, Gary Trust, the associate director of charts/radio for Billboard, said, "They're walking a tightrope very well in terms of eras, formats and styles. When you mix all that together, it becomes a very good recipe for a hit that works on so many levels. It's the perfect song." Foster said of the song, "There's a spirit there and that's what people resonate with. 'Pumped Up Kicks' wasn't an accident."^[2]

Use in popular media[link]

The song was used in TV series such as Entourage,^[44] Gossip Girl, CSI:NY, Cougar Town, Homeland, Warehouse 13 and The Vampire Diaries and also in the 2011 films Friends with Benefits^[11] and Fright Night, as well as sampled in Shawn Chrystopher's song "All the Other Kids", from his 2010 hip-hop album You, and Only You. The whistling part of the song is part of the rotation of bumper music played on the Michael Medved syndicated radio program. The song is also used on the BBC programme Match of the Day. On October 8, 2011, Foster the People performed the song on Saturday Night Live. The song was also used in Australian beer XXXX's "XXXX Summer Bright Lager" television commercial.^[45]

Cover versions and remixes[link]

The official remix of the single was released by New York City-duo The Knocks in April 2011, under the name "Pumped Up Kicks (The Knocks Speeding Bullet Remix)", and was made available to subscribers to the band's email list. The song was covered by Weezer during their 2011 North American Tour, at the Orange County Fair on August 4, 2011. Weezer also played the song during their grandstand performance at the Minnesota State Fair on September 3, 2011.^[46] Mark Foster said in reaction, "Nine years ago, I met Rivers Cuomo at a party, and I had my acoustic guitar with me. He taught me how to play 'Say It Ain't So'. So nine years later, to watch him play one of my songs - it was wild. I can't wait to meet him and remind him of that story."^[47]

In 2011, The Kooks covered song in BBC Radio 1's Live Lounge.^[48] Australian musician Owl Eyes performed a version of "Pumped Up Kicks" for Triple J's Like a Version. In the Triple J Hottest 100, 2011, Owl Eyes' version came in at 28, four positions higher than the original did the previous year. Singer-songwriters Dani Shay and Justin Chase covered the song in a theatrical music video October 2011^[49] and released the single in November 2011.^[50] A parody of the song was performed by Taylor Swift and Zac Efron on The Ellen DeGeneres Show, as a serenade to the host. Its lyrics were about how they felt weird when Ellen used to put them as a couple when they were not.^[51] On March 12, 2012 singers Lex Land and Charlotte Sometimes performed the song during the second "Battle Round" episode of The Voice.^[52]

Track listing[link]

Charts[link]

Release history[link]

See also[link]

• List of number-one Billboard Alternative Songs of 2011
• List of number-one dance airplay hits of 2011 (U.S.)
• List of number-one singles of 2012 (Australia)

References[link]