Sunday, October 21, 2012

The Pur' swa' der...s - You're Mine

Goofy names are nothing new in Rock & Roll, with the misspelling of band names and use of Umlauts and symbols, i never really understood it and as you can tell by this 45 its been going on for a looooooooong time.

I pulled this little New Jersey gem out of a box of shit recently. A nice little garage number. Nothing to punky or wild but cool non-the-less. I'm always on the look out for shitz from my home state. Don't ask me why. I was happy to leave that over run w/ Jersey Shore type scum bags, bennies, old people & half a police state in the dust, yet i still feel the need to collect all things Jer-Z....

As for the Pur' swa' der...s here is some info i lifted: Winners of the 1967 New Jersey Battle of the Bands, The Pur'Swa'Der...s would later compete in the National Battle and finish in a very respectable sixth place. A very successful regional band, The Pur'Swa'Der...s toured for three years as part of a traveling auto show, and recorded a couple of original singles. The band would later morph into The Strimbling Blimbles and record a very successful single before calling it quits in 1971.


You can read a pretty keen interview w/ band member Jim Corbett HERE:

The Pur' swa' der...S - You're Mine

Thursday, October 18, 2012

The Cadillacs - Broken Heart - My Girl Friend


Going in the way back time machine here w/ some R&B;/Doo Wop from 1957 from The Cadillacs. I post another 45 by them HERE: a while back. To some people this style of music is a dead art form but i personally really dig it. And yes, i still still listen to Celtic Frost, Hellhammer & Discharge....

As for The Cadillacs, here is the wiki info:

The Cadillacs were an American rock and roll and doo-wop group from Harlem, New York; active from 1953 to 1962. The group was noted for their 1955 hit "Speedoo", which was instrumental in attracting White audiences to Black rock and roll performers.

The group came together as The Carnations in 1953, with members Earl Carroll (lead vocalist), Bobby Phillips, Lavern Drake (bass vocalist), and Gus Willingham. As the group moved into the recording studios, James "Poppa" Clark was added as a fifth member, and the name "The Cadillacs" was given to them. The group's first recording came in July 1954, with Josie Records #765, featuring Gloria and Wonder Why.
In 1955, Willingham and Clark left the group and were replaced by Earl Wade and Charles Brooks. At this time, the group first began to experiment with choreography, suggested by manager Esther Navarro. Later that year came the group's biggest hit, "Speedoo", Carroll's nickname. Lavern Drake left the group in 1956 and was replaced by J. R. Bailey.
In 1957, differences in opinion caused the group to split. One group was initially known as The Four Cadillacs, with current bass J. R. Bailey, former bass Lavern Drake, and new members Roland Martinez and Bobby Spencer. The previous year, Bobby Spencer had written the "My Boy Lollipop" pop song shuffle for Barbie Gaye, which was played by Alan Freed and secured Barbie Gaye a spot in his 1956 Christmas Show opening for Little Richard. In 1964, an Ernest Ranglin produced ska version of the she song became a multi-million seller for Jamaican teenager Millie Small and made producer Chris Blackwell rich, leading to further development of his Island Records label.
The other four current members - Carroll, Wade, Brooks, and Phillips - continued recording separately, later as Earl Carroll and the Cadillacs. Bailey's group also included former group saxophonist Jesse "Tex" Powell, and recorded in early 1958 as Jesse Powell and the Caddys. Both groups recorded simultaneously on Josie Records. Later in 1958, the groups combined back into one. Carroll's backup vocalists, Wade, Brooks, and Phillips, all decided to retire and Carroll joined Bailey, Drake, Martinez and Spencer. Carroll's lead spot had been given to Spencer and Bailey, and he left shortly thereafter, creating a new group, Speedo and the Pearls, which recorded briefly in 1959. In 1959, the Cadillacs are also featured in the movie Go Johnny, Go
The group split and re-formed in 1960, with Carroll, Martinez, Kirk Davis, and bass Ronnie Bright. Later the group was Carroll, Martinez, the returning Bobby Spencer, Milton Love, and Reggie Barnes. Martinez, Love and Barnes were all members of The Solitares at one time.
In 1961, the group began to resemble The Coasters in their music. The lineup shifted again, now with Carroll, Martinez, Curtis Williams, Ray Brewster, and Irving Lee Gail. Carroll was out by 1963 to enter the group they'd been emulating, The Coasters, with Carl Gardner, Billy Guy, and former Cadillac Ronnie Bright. 1963 also ended the group's run on Josie Records.
Brewster and Martinez brought in former members Bobby Spencer and J. R. Bailey and continued to record through 1963. The group split, with Bailey joining the Jive Five. Brewster brought in former Cadillac/Solitare Milton Love with Solitares Bobby Baylor and Fred Barksdale. This group recorded briefly in 1964. Spencer became lead vocalist, with Joey Levine (Ohio Express, Reunion) as backing vocalist, for Crazy Elephant, a bubblegum music group, in 1969.
The Cadillacs were back in 1970 with J. R. Bailey, Bobby Spencer, original member Bobby Phillips (who had retired from Speedo's group during the split), and new member Leroy Binns, of The Charts. Steven Brown later replaced Phillips. Teddy Pendergrass came on as the groups drummer. The group split into the mid 1970s and some members joined Herold Melvin and the Bluenotes, including Teddy Pendergrass as drummer. In 1979 Earl Carroll, Earl Wade, Bobby Phillips, and Johnny Brown came together for a Subaru commercial.


The Cadillacs - Broken Heart

The Cadillacs - My Girl Friend

Tuesday, October 16, 2012

Jimmie McFarland and the Monks - I (Who Have Nothing) - Let Me Be Your Man

Scarce info is available on Mr. Jimmie McFarland but Venus records was a small label from 1966 distributed by VAULT Records...

I don't think i've heard a bad version of the tune I (WHO HAVE NOTHING) Written by: (Mogul, Donald, Leiber, Stoller) Produced by Steve Benson Productions.

LET ME BE YOUR MAN Written by:(Crawford, Lopez, McFarland) Produced by Steve Benson Productions. Cool little guitar break in this one.

If anyone has more info on Mr. McFarland please drop it! 'Till then enjoy this little promo record from 1966.

Jimmie McFarland and the Monks - I (Who Have Nothing)

Jimmie McFarland and the Monks - Let Me Be Your Man

Tuesday, October 9, 2012

Lush - My Lord

OK Anons, here it is.... Track 3 to the summer 2012 100 degree heat mix.

I picked this 45 up a while back having known nothing about it, but the shirtless goofy ass grins on these dudes (and one dude wearing camo) & the fact that it was cheap, made me pick it up. The interwebs say its from 1983 but it sounds much earlier than that to my ears. Vogue records was a Belgian branche of French label and distributor Disques Vogue, established in 1958 by taking over Belgian distributor Discovogue. After the bankruptcy in 1986, VB was bought by rackjobber Sonica and renamed into distribution firm Distrisound. As for the band itself, the limited stuff i can find is all written in Belgian/Dutch/French or whatever so I don't know what any of it means. And being the lazy dumb ignorant American i am, i do not have the moxy to put forth the effort to find out.

Enjoy!

Lush - My Lord

Thursday, October 4, 2012

Johnny Bond - Sick Sober And Sorry

been down this road before.... a little drinking regret...

As for Mr. Bond....

Cyrus Whitfield Bond (June 1, 1915 – June 12, 1978), known professionally as Johnny Bond, was a popular American country music entertainer of the 1940s through the 1960s.
Contents

Bond was born in Enville, Oklahoma. He got his first break working for Jimmy Wakely in the late 1930s and went on to join Gene Autry's Melody Ranch in 1940. He also acted on occasion in films including Wilson and Duel in the Sun; and was later a regular on the 1950s Los Angeles country music television series Town Hall Party.
He is best known for his 1947 hit "Divorce Me C.O.D.", one of his seven top ten hits on the Billboard country charts. In 1965 at age 50 he scored the biggest hit of his career with the comic "Ten Little Bottles", which spent four weeks at No. 2. Bond's other hits include "So Round, So Firm, So Fully Packed" (1947), "Oklahoma Waltz" (1948), "Love Song in 32 Bars" (1950), "Sick Sober and Sorry" (1951) and "Hot Rod Lincoln" (1960).
He died of a heart attack in 1978, at the age of 63. Bond was elected to the Country Music Hall of Fame in 1999, and to the Nashville Songwriters Hall of Fame.


Johnny Bond - Sick Sober And Sorry

Tuesday, October 2, 2012

The Cryan Shames - Ben Franklin's Almanac

Killer FUZZ rockin' B-Side to "Sugar And Spice" on the Destination record label (before they were picked up by Columbia). June 1966!

Chicago's Cryan Shames found huge success from the A-side of this 45, "Sugar and Spice", but the flip "Ben Franklin's Almanac" is their finest garage moment and might surprise you. It has a fantastic guitar break too. The Destination label was also home to the Boyz excellent pop 45 "Come With Me".

http://www.garagehangover.com/


The Cryan Shames - Ben Franklin's Almanac

Thursday, September 27, 2012

Hey Anonymous, you still out there....???

Back in June I posted a mix. The Summer 2012 100 Degree Heat Mix - The Devils Music Mix Vol. 23. I asked folks to guess the tracks. A few were guessed right away and then the mix sat there dormant for months and then I got an Anonymous player who started guessing everything in site! Well, he got stuck on a few and this is one of the tracks. So for all his hard work and effort I am throwing him a bone and giving him one of the unguessed tracks. So here it is.... Track 9 from The Summer 2012 Summer 100 Degree Heat Mix, Ussery from 1973 with some great Hendrix/Trower inspired guitar rock.

Ussery - Listen To The Melody

For those that might want to try the remaining tracks or just check the mix out, you can do so HERE:

There is also an older mix I did back in May 2011 called Mind Games where i asked people to call out the tracks.... I got a few tracks guessed and then nothing. Go have a stab at it PLEASE & THANK YOU.

Cheers!
DD

Friday, September 21, 2012

The Group Called (Us) - Promise Me - American Girl And Liverpool Boy



Another flea market find. I actually found 2 copies, one on an orange label and another on a yellow label... The group called (us) - Looks like this is semi rare "Northern" soul & mod rocker, as a few copies i've seen on the web are selling out of the UK for around 40 to 60 pounds.... not bad for a buck i'd say. Yeah mine aint mint and you can hear a few pops and crackles but it's all in the hunt....

As for the group called "us" this is from 1964 and i would guess that the liverpool thing was a direct stab at the whole beatles / britsih invasion thing but still sounds very 60's doo wop. Jimmy Ienner arrtanged & produced it who produced the Raspberries, Three Dog Night & Grand Funk in the 70's.... Other than that, you got me....

The Group Called (Us) - Promise Me

The Group Called (Us) -American Girl And Liverpool Boy

Tuesday, September 18, 2012

The Groop - Tears And Joys


The Groop: A shortlived sunshine pop act, formed and disbanded in 1969. It consisted of Susan Musmanno, Corlynn Hanney, Brian Griffith and Richard Caruso. They recorded one self-titled LP in 1969 and this 45 was featured on the "Midnight Cowboy" movie soundtrack.

I'm down w/ the fuzz guitar...

The Groop - Tears And Joys

Wednesday, September 12, 2012

The Vice-Roys - Buzz-Bomb

Another 50 cent flea market find. Today we have the Vice-Roys w/ Buzz-Bomb. A nice little surfy garage number from 1963 w/ cool sax, some mean guitar licks & killer keyboard fills.

Yeah, it's seen better days but hey, for 50 cents i aint complaining.... and since it is free to you, you shouldn't either...

As for the Vice-Roys.....??? Looks like they were a Seattle Washington band.... Other than that your guess is as good as mine.

Edit: Oops, per the comments of BobbyM these guys were not from the PNW but a Chicago area band. And they had a very minor hit in '63 with "Seagrams". They followed that one up with "Buzz-Bomb"....

Thanks BobbyM!

The Vice-Roys - Buzz-Bomb

Tuesday, September 11, 2012

WPRB 103.3 Princeton Sign Off Jan. 14th 1986



Found this old tape of WPRB sign off from Jan. 14th 1986. I used to tape this station because they did punk rock shows. Just found a tape of a punk show from jan 13th - 14th 1986 and this old sign off was at the end. Man, it brought back some memories....

Saturday, September 8, 2012

One And Six-Tenths Shing-A-Ling

I just pulled this weirdo out of a box of trashed 45's @ the flea today... I have no idea.... The flip is a pretty standard Bossa Nova and the label just says "One In Every Six-Tenths Of A Second Bossa Nova". This little surfy garage diddy clocks in at just under 1 minuet.... Any one have ANY idea what this thing is....???

One And Six-Tenths Shing-A-Ling

Thursday, September 6, 2012

Willie Colón - MC2 (Theme Realidades)

Latin Funk Supreme!

The Devil's Music quietly slipped passed 1 million hits over the labor Day Weekend and i was to busy out & about to really do any "blog" celebrating, but I did pick up this wicked Latin funk 45 for a mere 50 cents over the weekend. So here goes, in honor of my one millionth hit.... MC2 by Willie Colon from 1975 on the Fania label.

As for Mr. Colon, here is his Wiki:

William Anthony Colón (born 28 April 1950) is a Nuyorican salsa musician. Primarily a trombonist, Colón also sings, writes, produces and acts. He is also involved in municipal politics in New York City.

Willie Colón was born in the South Bronx, New York, to Puerto Rican parents. He picked up the trumpet from a young age, and later switched to trombone, inspired by the all-trombone sound of Mon Rivera and Barry Rogers. He spent some summers at his maternal grandmother’s sister’s (La finca de Celín y Ramón) farm in in the outskirts of Manatí, Puerto Rico on the road to neighboring Ciales, Puerto Rico.[1]
He was signed to Fania Records at 15 and recorded his first album at age 17, which ultimately sold more than 300,000 copies. Due to fortuitous events, the main record producer at Fania at the time, Johnny Pacheco, recommended Héctor Lavoe to him.[2]
Mr. Colón has been a civil rights, community and political activist since the age of 16. He has served as a member of the Latino Commission on AIDS and the United Nations Immigrant Foundation, President of the Arthur Schomburg Coalition for a Better New York, member of the Board of Directors of the Congressional Hispanic Caucus Institute.[3] In 1995, Mr. Colón became the first minority to serve on the American Society of Composers, Authors and Publishers (ASCAP) national board and is now a member of the ASCAP FOUNDATION.[4][5]

Musical career

Beyond the trombone, he has also worked as a composer, arranger, and singer, and eventually as a producer and director. Combining elements of jazz, rock, and salsa, his work incorporates the rhythms of traditional music from Cuba, Puerto Rico, Brazil, and "that 'other' ancestral homeland, Africa", representing the mostly one-way flow from Puerto Rico to the New York-based diaspora.[6] "His life and music commute back and forth between his home turf in the Bronx and his ancestral Puerto Rico, with more than casual stop-offs in other musical zones of the Caribbean."[6] Colón "makes the relation between diaspora and Caribbean homeland the central theme of his work," particularly in his 1971 Christmas album, Asalto navideño.[6] The lyrics and music of the songs on this album "enact the diaspora addressing the island culture in a complex, loving but at the same time mildly challenging way."[6][7]
He went on to have many successful collaborations with salsa musicians and singers such as Ismael Miranda, Celia Cruz and Soledad Bravo, and singer-songwriter Rubén Blades.[8] On his website, Colón claims to hold the "all time record for sales in the Salsa genre, [having] created 40 productions that have sold more than thirty million records worldwide."[9]
One significant overarching theme in Colón's music, which draws from many cultures and several different styles, is an exploration of the competing associations that Puerto Ricans have with their home and with the United States. Colón uses his songs to depict and investigate the problems of living in the U.S. as a Puerto Rican,[10] and also to imply the cultural contributions that Puerto Ricans have to offer.[6]



Willie Colon - MC2 (Theme Realidades)

Sunday, September 2, 2012

The Devil's Music goes over 1 million hits......

and i got nothing....

Cheers & Thanks to all who have stopped by.

Tuesday, August 28, 2012

Leon McAuliff- I Aint Gonna Hurt No More

A little country rocker w/ some rockabilly tinges from 1961 on the Cimarron label out of Oaklahoma from Mr. Leon McAuliff.

Leon was a native of Houston, Texas. How could anyone forget Bob Wills when he'd call out on his recordings, "take it away, Leon...". A reknowned steel guitarist bar none. Take a listen to "Steel Guitar Rag". He was part of the Bob Wills sound for many years. Later on, he formed his own band. And was at one time recording on Cimarron records. He just about adopted Tulsa, Oklahoma as a home town from his many years there both with Bob Wills and his own band. Let's read about this famed steel guitarist and band leader.

He was held in such high regard by the folks in Tulsa, that the Tulsa Chamber of Commerce held a program dedicated to Leon, in the spring of 1952 or 1953.

Leon started his career off playing with W. Lee O'Daniels' Lightcrust Doughboys. Then he moved on to play with legendary Bob Wills and his Texas Playboys. Bob Wills had a habit of saying "Take it away, Leon..." as part of the recordings and performances and it became one of those things that became part of hillbilly lore. He did about 50 recordings with Bob Wills and the Texas Playboys while he was with them.

Then, in 1945, Leon organized his own band. Around mid-1953, it looks like their most recent release was "Sugar and Salt" that featured a vocal by Jimmy Hall. The flip side was a tune called "Panhandle Waltz", a steel guitar number featuring a solo by Leon.

Around mid-1953, he doing a daily show over the 50,000 watt KVOO in Tulsa from 12:15pm. He also appeared on Wednesday nights at 11:00pm as well as Saturday nights at 10:30pm on a show called the "Western Dance Parade".

Leon and his band also played for the dancers every Wednesday and Saturday evenings at the Cimmaron Ball Room in Tulsa as well as other personal appearances in the area.

Leon was married and had two kids, a daughter and son.

Credits & Sources

Cowboy Songs No. 27 (July 1953); American Folk Publications, Inc.; Derby, CT.


Leon McAuliff- I Aint Gonna Hurt No More

Sunday, August 26, 2012

Luther Ingram - Puttin' Game Down

50 cent funk.

Pickens have been slim lately. I bought 2 records this weekend for $1.00.

This is one of them.

As for Mr. Ingram:

Luther Ingram (November 30, 1937 — March 19, 2007) was an American R&B; and soul singer and songwriter. His most successful record, "(If Loving You Is Wrong) I Don't Want to Be Right", reached no. 1 on the Billboard R&B; chart and no. 3 on the Hot 100 in 1972.
Contents

Born Luther Thomas Ingram in Jackson, Tennessee, his early interest in music led to him making his first record in 1965 at the age of 28. His first three recordings failed to chart but that changed when he signed for KoKo Records in the late 1960s, and his first hit "My Honey And Me" peaked at #55 on the Hot 100 on 14 February 1970. Many of his songs appeared in the pop and R&B; charts, even though Koko was only a small label, owned by his manager and record producer, Johnny Baylor. Koko and Baylor were closely associated with the Memphis based Stax Records label during the height of its commercial success.
Ingram is best known for the hit, "(If Loving You Is Wrong) I Don't Want to Be Right", written by Homer Banks, Carl Hampton and Raymond Jackson. The song reached number one on Billboard 's R&B; chart and peaked at number three on that publication's Hot 100 chart in the summer of 1972. The track stayed in the Hot 100 for 18 weeks, ultimately selling a reported four million copies.[1] The song was later successfully covered by Millie Jackson and Barbara Mandrell; it has also been recorded by Bobby "Blue" Bland, Rod Stewart and Isaac Hayes.
Other popular tracks for Ingram included "Ain't That Loving You (For More Reasons Than One)", "Let's Steal Away To The Hideaway" and "I'll Be Your Shelter." He also co-authored "Respect Yourself", a million seller for the Staples Singers in 1971. The acetate demo version of Ingram's, "Exus Trek", became a sought after Northern soul track. With the Stax connections, Ingram recorded at the Memphis label's studios, as well as other southern-based studios such as Muscle Shoals. He was opening act for Isaac Hayes for some years, and often used Hayes' Movement band and female backing group for his 1970s recordings. He recorded into the 1980s, and whilst only managing lower R&B; chart hits, he remained a popular stage draw.
Ingram died on March 19, 2007, at a Belleville, Illinois, hospital of heart failure. According to his wife Jacqui Ingram, he had suffered for years from diabetes, kidney disease and partial blindness.


Luther Ingram - Puttin' Game Down

Wednesday, August 22, 2012

Uge - Mad Charles - Mad Charles Love Theme


Hey Red Boy look what i found...!

From Sommerville NJ its Mad Charles: the World’s First Singer, Songwriter, Karate Robot who CRUNCHES the evil opposition! He seeks peace BUT he will fight and destroy all EVIL!

Fats Pinto don't stand a chance!





Uge - Mad Charles

Uge - Mad Charles Love Theme

Thursday, August 16, 2012

Toussaint McCall - Nothing Takes The Place Of You & Thin, delicious animal meat


Thin, delicious animal meat, mutton, not to mention veal, from the foundation of all good a pot of soup; it is therefore far better to procure those people fragments which will give the most wealthy succulence, and such just like fresh-killed. Stagnant the meat selections makes these lousy, as well as excessive fat shouldn't be so well modified for developing it. The main art form inside authoring fine loaded broth, is actually in order to the proportion the several elements that the flavors of one would certainly not most important throughout one additional, understanding that all of the posts of which it happens to be penned, can develop a powerful agreeable totally. To accomplish this, therapy will have to be obtained that the root base and also herbs really are flawlessly most certainly wiped clean, which the stream is undoubtedly proportioned with the range of animal products and also other constituents. In most cases a new quart of water may very well be capable of a pound for steak just for sauces, not to mention fifty percent the total amount regarding gravies. With regard to making soups or perhaps gravies, gentle simmering and also slowly building up is normally incomparably the right. Perhaps it is remarked, but, that a truly great broth can't ever be manufactured however in a new well-closed charter yacht, although, it could be that, more wholesomeness is usually gotten from an infrequent contact with oxygen. A pot of soup definitely will, typically, originate from 3 to 5 numerous hours accomplishing, consequently they are improved completely ready the previous day they've been sought. As soon as the soup is cold, it may perhaps be extra comfortably together with utterly eradicated; so when it's always mixed away, care and attention must be applied to not interrupt the actual settlings in the bottom for the charter boat, which can be which means okay that they need to break free of using a sieve. Your tamis is the better strainer, if the particular soup is usually tv every once in awhile warm, allowed the tamis and pads come to be formerly steeped found in cool normal water. Crystal clear a pot of soup should be totally clear, in addition to thickened sauces regarding the consistence about remedy. To thicken while giving entire body to sauces and gravies, potato-mucilage, arrow-root, bread-raspings, isinglass, flour and then butter, barley, hemp, or even oat meal, inside a little fluids rubbed properly jointly, are widely-used. A joint of boiled beef pounded towards pulp, with a chunk of butter and also flour, and then rubbed via the sieve, and then over time added with any soup, can be came across a good component. In case the soups seems to be too thinner or too weakened , the cover from the central heating boiler need to be flourished, and also information allowed to heat right until a portion of the watery components get evaporated; and even a few of the thickening materials, previously discussed, could be put in. Any time a pot of soup plus gravies seem to be held from day to day with summer, they will be heated up on daily basis, make towards recent scalded pots and pans or tureens, plus positiioned in an awesome basement. For temperate weather conditions, alternate day could very well be acceptable.

Toussaint McCall - Nothing Takes The Place Of You

Monday, August 13, 2012

Chaino & His African Percussion Safari - The Jungle Chase - Jungle Drums Variations




Leon "Chaino" Johnson (1927 – July 8, 1999), the self-styled "percussion genius of Africa," was an American bongo player. After touring for several years on the Chitlin' Circuit, he released several albums and became popular with listeners of exotica music in the late 1950s and early 1960s. In the promotion of his albums, a fictional biography was developed, depicting Chaino as an orphan from a lost tribe in central Africa who had been rescued by a missionary after his tribe had been massacred. Chaino was actually born in Philadelphia and raised in Chicago....

I was very happy to find this rare japanese 45 in the wild @ a flea market, amongst a pile of trashed turd 45's.... something that doesn't happen everyday in the swamps of south Jersey....

the jungle chase might be one the best double entendre "songs" ever...

Chaino & His African Percussion Safari - - The Jungle Chase

Chaino & His African Percussion Safari - Jungle Drums Variations

Tuesday, August 7, 2012

Gloria Walker - Them Changes

The great classic "Them Changes" penned by Mr. Buddy Miles and recorded with Jimi Hendrix and The Band of Gypsies, later to be recorded by Mr. Miles for his own album.

This is a great soulful slightly funky version done by Miss Gloria Walker from 1972 of the Federal label.

Gloria Walker - Them Changes


Saturday, August 4, 2012

The Rogues - Chilly Willy

Unknown Soul/R&B; group acetate by The Rogues - Chilly Willy (Vocal by Norm) written by (Mike Stevens) 45 RPM Abtone Recording Studio 1733 Broadway N.Y., N.Y. 10019 LT 1-0960-1

I got this one with a bunch of other acetates i picked up a while back and can't find much about "The Rogues". Any help would be appreciated.... Sounds a bit like a more modern Coasters....

The Rogues - Chilly Willy