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Put down your remote control
Throw out your TV Guide
Put away your jacket
There's no need to go outside
Don't you know that we control the horizontal
We control the verticle, too
We gonna make a couch potato out of you
That's what we gonna do now
Don't change the channel
Don't touch that dial
We got it all on UHF
Kick off your sneakers
Stick around for a while
We got it all on UHF
Don't worry 'bout your laundry
Forget about your job
Just crank up the volume
And yank off the knob
We got it all, we got it all, we got it all on UHF
Disconnect the phone and leave the dishes in the sink
You better put away your homework
Prime time ain't no time to think
All you do is make yourself a TV dinner
Press your face right up against the screen
We gonna show you thangs you ain't ever seen
If you know what I mean, now
Don't change the channel
Don't touch that dial
We got it all on UHF
Kick off your sneakers
Stick around for a while
We got it all on UHF
Don't worry 'bout your laundry
Forget about your job
Just crank up the volume
And yank off the knob
We got it all, we got it all, we got it all on UHF
You can watch us all day
You can watch us all night
You can watch us any time that you please
You can sit around and stare at the picture tube
'Till your brain turns into cottage cheese
Well, now
Don't change the channel
Don't touch that dial
We got it all on UHF
Kick off your sneakers
Stick around for a while
We got it all on UHF
Don't worry 'bout your laundry
Forget about your job
Just crank up the volume
And yank off the knob
We got it all, we got it all, we got it all on UHF
We got it all on UHF (UHF)
We got it all on UHF (UHF)
We got it all on UHF (UHF)
We got it all on UHF (we got it all)
We got it all on UHF (UHF)
We got it all on UHF (UHF)
We got it all on UHF (UHF)
We got it all on UHF (we got it all)
We got it all (we got it all) on UHF (we got it)
(We got it) we got (we got it) it all (we got it) on UHF (we got it all)
We got it all on UHF (we got it all)
We got it all on UHF (UHF)
We got it all (we got it all) on UHF (on UHF)
We got it all on UHF
We got it all on UHF (UHF)
We got it all (we got it all) on UHF (we go it)
We got it all on UHF
We got it all on UHF
We got it all on UHF
We got it all on UHF (UHF)
We got it all on UHF (UHF)
UHF | |
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File:UHFposter.jpg Theatrical release poster |
|
Directed by | Jay Levey |
Produced by | John W. Hyde Gene Kirkwood |
Written by | "Weird Al" Yankovic Jay Levey |
Starring | "Weird Al" Yankovic David Bowe Fran Drescher Victoria Jackson Kevin McCarthy Michael Richards Anthony Geary Billy Barty Trinidad Silva |
Music by | John Du Prez |
Cinematography | David Lewis |
Editing by | Dennis M. O'Connor |
Distributed by | Orion Pictures |
Release date(s) |
|
Running time | 97 minutes |
Country | United States |
Language | English |
Budget | $5 million |
Box office | $6,157,157 |
UHF is a 1989 American comedy film starring "Weird Al" Yankovic, David Bowe, Fran Drescher, Victoria Jackson, Kevin McCarthy, Michael Richards, Gedde Watanabe, Billy Barty, Anthony Geary, Emo Philips and Trinidad Silva, to whose memory the film is dedicated.
The title refers to Ultra High Frequency television broadcasting and the small, local, often rerun-oriented programs such stations often broadcast.
The film was directed by Jay Levey, Yankovic's manager, who also co-wrote the screenplay with him. It was released by Orion Pictures.
The film was distributed as The Vidiot from UHF in Australia, New Zealand and parts of Europe. On several parts of the DVD, Yankovic expresses how much he despises the international title. He suggested The Vidiot when producers suggested that overseas audiences wouldn't know what the title meant, and they combined the two titles.[1]
Contents |
George Newman ("Weird Al" Yankovic) is a daydreamer whose hyperactive imagination keeps him from holding a steady job. His gambling uncle, Harvey Bilchik, wins the deed to Channel 62, a bankrupt UHF television station, in a poker game, and prodded by his wife, gives control of the station to George. George and his best friend Bob (David Bowe) meet the Channel 62 staff which is made up of the receptionist and wannabe reporter Pamela Finklestein (Fran Drescher), dwarf photojournalist and cameraman Noodles MacIntosh (Billy Barty), and eccentric engineer Philo (Anthony Geary). George attempts to introduce himself to the rival VHF network station, Channel 8, but its owner, the cynical R.J. Fletcher (Kevin McCarthy) chases him out angrily. On his way out of the station, he encounters the janitor, Stanley Spadowski (Michael Richards), recently fired by Fletcher, and offers him a job at Channel 62.
Though George creates new shows, including the kid-friendly but poorly named "Uncle Nutzy's Clubhouse" which he hosts, the workload and bad debt of the station get to him. Amid the stress, he forgets his girlfriend Teri's (Victoria Jackson) birthday, who breaks up with him over the incident. Despondent, George turns "Uncle Nutzy's Clubhouse" over to Stanley so he and Bob can go out for a drink. Arriving at the bar, they find that all the patrons are excitedly watching Stanley's antics on Channel 62. Realizing they have a hit on their hands, George and Bob are revived and inspired. They come up with ideas for more original shows in Channel 62's lineup, all spearheaded by the newly retitled "Stanley Spadowski's Clubhouse."
As Channel 62's popularity grows, Fletcher becomes furious that a UHF station is getting better ratings than his network's programming. He learns that Harvey Bilchik is the owner of the station and has just gambled away $75,000 at the horse races. Fletcher makes Harvey the offer of covering his debt to his bookie, Big Louie, in return for ownership of Channel 62, which he would then only too happily shut down (legally he cannot own two stations in the same town). George learns of the deal and calls his aunt, who forces her husband to hold off, allowing George time to raise the money Harvey owes by selling investment stock in Channel 62 through a telethon.
The telethon starts off successfully, led by Stanley's boundless energy, but Fletcher sends his goons to kidnap Stanley. Without Stanley, the telethon grinds to a halt. George then leads a group to infiltrate Channel 8 and rescue Stanley. They return in time to successfully finish the telethon just before Harvey's debt comes due, saving the station and making it a publicly-owned company. Fletcher, on the other hand, finds out that the penny, a 1955 doubled-die cent he mockingly gave to a beggar earlier in the film was rare and worth thousands, resulting in Channel 62 making its goal. He also discovers that a slanderous conversation of his contempt for his station's viewers was secretly recorded and rebroadcast by Philo, and that Channel 8 failed to file paperwork to renew its broadcast license with the FCC, which revokes his license and takes the station off the air. As the film ends, George and Teri rekindle their relationship, while the rest of the employees and fans of Channel 62 celebrate.
Throughout the film, there are cutaway scenes that are comic homages to popular shows of the time, through either George's imagination or shows specifically for Channel 62. For example, a dream sequence includes a music video for Yankovic's "Money for Nothing/Beverly Hillbillies*" in both the audio and visual style of the Dire Straits' "Money for Nothing", and fake commercials for Plots 'R Us Mortuary Service, Gandhi II, Conan the Librarian and Spatula City are shown throughout the film.
UHF has an approval rating of a "Rotten" 55% on Rotten Tomatoes from 22 reviews counted.[2]
According to Yankovic's Behind the Music episode, UHF enjoyed one of the most successful test screenings in Orion's history. Orion Pictures released UHF on July 21, 1989 as a hopeful summer blockbuster, hoping that Yankovic would pull them out of the water. However, critical response was negative, and it was out of the theaters by the end of the month.[citation needed] Yankovic has stated that it was not a "critic movie". As "Weird Al" states in his commentary of the movie, UHF was thought to be the movie that would "save the studio" for Orion. He was treated very well because of this. He states in the commentary: "Every morning I would wake up to fresh strawberries next to my bed. Then, when the movie bombed, I woke up and...no more strawberries!"
Within the month prior, and up to the release of UHF, bigger blockbuster movies like Ghostbusters 2, Honey I Shrunk the Kids, Lethal Weapon 2, Batman, Licence to Kill, When Harry Met Sally, and Weekend at Bernie's were also released by studios. [3] The draw to these blockbuster movies is also attributable to the lower attendance at "UHF's" premiere.
UHF has since become a cult classic, becoming very popular on cable and home video.[citation needed] The movie was rereleased in Europe and North America on VHS, but because of the little money earned at the box office, it soon fell out of print. In the several years UHF was out of print, the film developed a cult following, and fans of Yankovic and the film in general pawed desperately for a copy. The prices of them skyrocketed, ranging from fifty to a hundred dollars or more. Finally, UHF was released on DVD in 2002 by MGM, and in its debut week it became a top ten bestseller in Variety. The North American DVD contains numerous extras including a music video of the movie's theme song, a commentary track featuring director Jay Levey and Yankovic himself (with surprise guest appearances by costar Michael Richards and Emo Philips), and a deleted scenes reel with Yankovic's commentary.
A webseries called The Real UHF which was heavily inspired by UHF started in 2009, and starred Dr. Demento, Neil Hamburger, and Count Smokula. It featured guest appearances from Devo, George Clinton, and others. The series was the brainchild of Zack Wolk, an intern for Tim and Eric Awesome Show, Great Job!
Yankovic also released a quasi-soundtrack for the film in late 1989, entitled UHF - Original Motion Picture Soundtrack and Other Stuff, which featured songs (and commercials) from the movie as well as his own new, unrelated studio material.
Most of the individual locations used during the creation of the film are in Tulsa, Oklahoma.
The Burger World location was Harden's Hamburgers at 6835 East 15th Street in Tulsa, and Bowling for Burgers was filmed at Rose Bowl Lanes on East 11th Street. The bar location was Joey's House of the Blues at 2222 East 61st Street. The building used for Kuni's Karate School belongs to the Tulsa Pump Company and is located at 114 West Archer in Tulsa, while "Crazy Eddie's Used Car Emporium" was filmed on the lot of Ernie Miller Pontiac at 4700 South Memorial.[4] Indoor scenes for both Channels 8 and 62 were filmed on a sound stage in a shopping mall (Kensington Galleria, at 71st and Lewis) that was in the process of being closed down and converted to office space. The dead fish in the Wheel of Fish game show were real, obtained from the White River Fish Market. The news desk was located at OETA, a local PBS member station.
Channel 8's exterior is an office block (6655 South Lewis Building) occupied by Hewlett-Packard. The "U-62" building was constructed around KGTO 1050's AM radio transmitter site (5400 West Edison Street); the real KGTO studios had been moved elsewhere in 1975. Just the tower itself remains at this location today.[5] The airport scenes were taken at Tulsa International Airport.
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