The Public Broadcasting Service (PBS) is a non-profit American public broadcasting television network with 354 member TV stations in the United States which hold collective ownership.^[2] Its headquarters is in Arlington, Virginia.

PBS is the most prominent provider of television programs to U.S. public television stations, distributing series such as PBS NewsHour, Masterpiece, and Frontline. Since the mid-2000s, Roper polls commissioned by PBS have consistently placed the service as America's most-trusted national institution.^[3] However, PBS is not responsible for all programming carried on public TV stations; in fact, stations usually receive a large portion of their content (including most pledge drive specials) from third-party sources, such as American Public Television, NETA, WTTW National Productions and independent producers. This distinction is a frequent source of viewer confusion.^[4]

PBS also has a subsidiary called National Datacast (NDI), which offers datacasting services via member stations. This helps PBS and its member stations earn extra revenue.

Overview[link]

PBS was founded on October 5, 1970, at which time it took over many of the functions of its predecessor, National Educational Television (NET), which later merged with station WNDT, Newark, New Jersey, to form WNET.^[5] In 1973, it merged with Educational Television Stations.

Unlike the model of America's commercial broadcasting television networks, in which affiliates give up portions of their local advertising airtime in exchange for network programming, PBS member stations pay substantial fees for the shows acquired and distributed by the national organization.

This relationship means that PBS member stations have greater latitude in local scheduling than their commercial broadcasting counterparts. Scheduling of PBS-distributed series may vary greatly from market to market. This can be a source of tension as stations seek to preserve their localism, and PBS strives to market a consistent national line-up. However, PBS has a policy of "common carriage" requiring most stations to clear the national prime-time programs on a common broadcast programming schedule, so that they can be more effectively marketed on a national basis.

Unlike its radio counterpart, National Public Radio, PBS has no central program production arm or news department. All of the programming carried by PBS, whether news, documentary, or entertainment, is created by (or in most cases produced under contract with) other parties, such as individual member stations. WGBH in Boston is one of the largest producers of educational television programming, including American Experience, Masterpiece Theater, Nova, Antiques Roadshow and Frontline, as well as many other children's and lifestyle shows. News programs are produced by WETA-TV (PBS Newshour) in Washington, D.C., WNET in New York and WPBT in Miami. The Charlie Rose interview show, Secrets of the Dead, NOW on PBS, Nature, and Cyberchase come from or through WNET in New York. Once a program is offered to, and accepted by, PBS for distribution, PBS (and not the member station that supplied the program) retains exclusive rights for rebroadcasts during the period for which such rights were granted; the suppliers do maintain the right to sell the program in non-broadcast media such as DVDs, books, and sometimes PBS licensed merchandise (but sometimes grant such ancillary rights as well to PBS).

PBS stations are commonly operated by non-profit organizations, state agencies, local authorities (e.g., municipal boards of education), or universities in their city of license. In some U.S. states, PBS stations throughout the entire state may be organized into a single regional "subnetwork" called a state network (e.g., Alabama Public Television). Unlike public broadcasters in most other countries, PBS does not own any of the stations that broadcast its programming (i.e., there are no PBS owned-and-operated stations (O&O) anywhere in the country). This is partly due to the origins of the PBS stations themselves, and partly due to historical broadcast license issues.

In the modern broadcast marketplace, this organizational structure is considered outmoded by some media critics.^{[citation needed]} A common restructuring proposal is to reorganize the network so that each state would have one PBS member which would broadcast state-wide. However, this proposal is controversial, as it would reduce local community input into PBS programming, especially considering how PBS stations are significantly more community-oriented, according to the argument, than their commercial broadcasting counterparts.

In 1994, The Chronicle of Philanthropy, an industry publication, released the results of the largest study of charitable and non-profit organization popularity and credibility. The study showed that PBS was ranked as the 11th "most popular charity/non-profit in America" from over 100 charities researched, with 38.2% of Americans over the age of 12 choosing "love" and "like a lot" for PBS.^[6][7][8][9]

In December 2009, PBS signed up for the Nielsen ratings audience measurement reports for the first time.^[10]

Programming[link]

Primetime[link]

• Fine arts (Great Performances, Live from the Metropolitan Opera, Live from Lincoln Center, and Evening at Pops)
• Drama (Mystery!, American Playhouse, and Masterpiece)
• Science (Nova and Scientific American Frontiers)
• History (American Experience, History Detectives)
• Public affairs (Frontline, NOW on PBS, Wide Angle, PBS NewsHour, Nightly Business Report, Full Focus)
• Independent films (P.O.V., and Independent Lens)

Daytime and children[link]

PBS Kids has imported British children's series from the BBC and ITV (for example, Tots TV, Teletubbies, Boohbah, and Thomas the Tank Engine), as well as children's shows from Canada (i.e., The Big Comfy Couch, Theodore Tugboat, Wimzie's House and Polka Dot Door). On June 4, 2007, their first imported Australian children's TV series debuted on PBS – Raggs. Some of the programs subsequently moved to commercial television (for example, Ghostwriter, and The Magic School Bus).

Big Bird of Sesame Street

However, PBS is not the only distributor of public television programming to the member stations. Other distributors have emerged from the roots of the old companies that had loosely held regional public television stations in the 1960s. Boston-based American Public Television (former names include Eastern Educational Network and American Program Service) is second only to PBS for distributing programs to U.S. non-commercial stations. Another distributor is NETA (formerly SECA), whose properties have included The Shapies and Jerry Yarnell School of Fine Art. In addition, the member stations themselves also produce a variety of local shows, some of which subsequently receive national distribution through PBS or the other distributors.

PBS stations are known for rebroadcasting British television costume dramas and comedies (acquired from the BBC and other sources); consequently, it has been joked that PBS means "Primarily British Series." However, a significant amount of sharing takes place. The BBC and British broadcasters such as Channel 4 often cooperate with PBS stations, producing material that is shown on both sides of the Atlantic. Less frequently, Canadian, Australian, and other international programming appears on PBS stations (such as The Red Green Show, currently distributed by syndicator Executive Program Services); the public broadcasting syndicators are more likely to offer this programming to the U.S. public stations. PBS is also known for broadcasting British comedy and science fiction programs such as 'Allo 'Allo!, Are You Being Served?, The Benny Hill Show, Doctor Who, Father Ted, Fawlty Towers, Harry Enfield and Chums, Keeping Up Appearances, Monty Python's Flying Circus, Mr. Bean and Red Dwarf.

Contributing stations[link]

Stations and/or networks that have produced or presented PBS-distributed programming include:

PBS networks[link]

PBS has also spun-off a number of TV networks, often in partnership with other media companies: PBS YOU (ended January 2006, and largely succeeded by American Public Television's Create), PBS KIDS (ended October 1, 2005), PBS KIDS Sprout, PBS World (commenced August 15, 2007), and PBS-DT2 (once a feed of HDTV and letterboxed programming for digitally equipped member stations, now essentially the network's programming feed split into HD01 for eastern stations and HD02 for western), along with packages of PBS programs that are similar to local stations' programming, the PBS Satellite Service feeds. PBS Kids GO! was promised for October 2006, but PBS announced in July that they would not be going forward with it as an independent network feed (as opposed to the pre-existing two-hour week daily block on PBS).

Some or all are available on many digital cable systems, on free-to-air (FTA) TV via communications satellites,^[11] as well as via direct broadcast satellite. With the transition to terrestrial digital television broadcasts, many are also often now available as "multiplexed" (multicasting) channels on some local stations' standard-definition digital signals, while DT2 is found among the HD signals. PBS Kids announced that they will have an early-morning Miss Lori and Hooper block with four PBS Kids shows usually around 08:00. With the absence of advertising, network identification on these PBS networks were limited to utilization at the end of the program, which includes the standard series of bumpers from the "Be More" campaign.

Regional networks[link]

While various digital subchannels are operated on a regional or statewide basis, the creation of individual PBS member stations or groups of stations is called a state network. While not operated or controlled by the national PBS organization, these extra channels typically rebroadcast portions of the programming from the main PBS service in addition to local and regional public affairs coverage and are carried as subchannels of existing PBS stations.

Also carried nationally on the digital channels or in some dayparts on some PBS stations are Create (American Public Television, how-to programming); World (informally known as PBS World initially), featuring documentary and news, with some music and cultural, programming; MHz WorldView (a project of Commonwealth Public Broadcasting, featuring international news, drama and cultural programming, including Australian football coverage); and V-me (administered at WNET), a Spanish language educational, cultural and entertainment service with commercial partnerships. None of these services are part of the PBS network.

PBS Kids[link]

Founded in 1993, PBS Kids is the brand for children's programming aired by PBS in the United States. The PBS Kids network, which was established in 1999 and ran for seven years, was largely funded by DirecTV. The channel ceased operation on October 1, 2005, in favor of a new joint commercial venture, PBS Kids Sprout. However, the original programming block still exists on PBS.

Sports broadcast on PBS[link]

The network has shown some sporting events in its history.

During the 1970s and 1980s PBS was the leading American tennis broadcaster.^[12][13] Bud Collins and Donald Dell were PBS announcers. PBS was the first American network to regularly broadcast tennis tournaments.^{[citation needed]} PBS also broadcast Tennis for the Future, hosted by Vic Braden.^[14]

In 1982, PBS, ESPN and ABC provided the first thorough American television coverage of the FIFA World Cup. PBS aired same day highlights of the top game of the day. Toby Charles was PBS' play-by-play announcer.

From 1984 to 1987, PBS broadcast Ivy League football. Dick Galiette and Upton Bell called games for the first season and Marty Glickman and Bob Casciola called the games in 1985. In 1986, PBS increased its coverage and had two announcing teams, Brian Dowling and Sean McDonough, who had been the sideline reporter for the prior two seasons were the play by play announcers and Bob Casciola and Len Simonian were the color analysts. For the final season McDonough and Jack Corrigan were the game announcers and Mike Madden was the sideline reporter.^[15]

Another PBS sports series was The Sporting Life, an interview series hosted by Jim Palmer.^[16] The Sporting Life premiered in 1985 and was canceled soon after.

Many state public broadcasting stations, such as Mississippi Public Broadcasting, Georgia Public Broadcasting, Maine Public Broadcasting Network, and Nebraska Educational Television, broadcast high school sports championships, and college sports games not seen on commercial TV (such as baseball, gymnastics, tennis, etc.).

Criticism and controversy[link]

Public need[link]

PBS was founded to provide diversity in programming at a time when most television was broadcast over the public airwaves by only three privately owned national networks (as opposed to the multitude of programming sources provided by today's private cable or satellite delivery services). There is debate as to whether or not the PBS system has outlived its public necessity.^[17] Public television proponents maintain that the original mandate to provide universal access, particularly to rural viewers and those who cannot afford to pay for the private television services, remains vital.^{[citation needed]} In addition, they argue that PBS provides some types of critical television shows which would not be shown at all on the commercial broadcasting television networks and television channels, including extensive non-commercial educational children's programming, scientific exposition, in-depth documentaries and investigative journalism.^{[citation needed]}

On-the-air fundraising[link]

Since 53% to 60% of public television's revenues come from private membership donations and grants,^[18] most stations solicit individual donations by methods including fundraising, pledge drives or telethons which can disrupt regularly scheduled programming. Some viewers find this a source of annoyance since normal programming is often replaced with specials aimed at a wider audience to solicit new members and donations.^[19] Thank you announcements paid for by business contributors often run between different shows that resemble TV commercials.

Political/ideological bias[link]

• The Public Broadcasting Act of 1967 [1] required a "strict adherence to objectivity and balance in all programs or series of programs of a controversial nature". It also prohibited the federal government from interfering or controlling what is broadcast.

• In at least one instance (a 1982 broadcast of the United States Information Agency program Let Poland be Poland about the martial law declared in Poland in 1981), Congress has expressly encouraged PBS to abandon its conventional position of non-partisan neutrality. The program, a protest against the imposition of martial law by a Soviet-backed régime, contained commentary from many well-known celebrities. While widely viewed in the U.S., it met with skepticism on the part of European broadcasters due to concerns that the show, "provocative and anticommunist," was intended as propaganda.^[20][21]

• Individual programs have been the targets of organized campaigns by those with opposing views, including former United States Secretary of Education Margaret Spellings.^[22]

• Kenneth Tomlinson, who took over at Corporation for Public Broadcasting (CPB) in 2003, began his tenure by asking for Karl Rove's assistance in overturning a regulation that half the CPB board have practical experience in radio or television. Later he appointed an outside consultant to monitor the regular PBS program NOW with Bill Moyers. Told that the show had "liberal" leanings, Moyers eventually resigned in 2005 after more than three decades as a PBS regular, citing political pressure to alter the content of his program and saying Tomlinson had mounted a "vendetta" against him.^[23] Moyers eventually returned to host Bill Moyers Journal, after Tomlinson resigned. Subsequently, PBS made room temporarily for conservative commentator Tucker Carlson, formerly of MSNBC and co-host of CNN's Crossfire, and The Journal Editorial Report with Paul Gigot, an editor of The Wall Street Journal editorial page (this show has since moved to Fox News Channel) to partially balance out the perceived left-leaning PBS shows.^[24] On November 3, 2005 CPB announced the resignation of Tomlinson amid investigations of improper financial dealings with consultants.^[24]

See also[link]

References[link]

Further reading[link]

• B.J. Bullert, Public Television: Politics and the Battle over Documentary Film, Rutgers Univ Press 1997
• Barry Dornfeld, Producing Public Television, Producing Public Culture, Princeton University Press 1998
• Ralph Engelman, Public Radio and Television in America: A Political History, Sage Publications 1996
• James Ledbetter, Made Possible by: The Death of Public Broadcasting in the United States, Verso 1998

External links[link]

• Official website
• PBS "Red Book" (presentation guidelines for PBS programming)
• Video interview with PBS President Paula Kerger
• Current, the newspaper about public TV and radio in the United States
• Twitter Page

PBS may refer to:

in broadcasting:

• Public Broadcasting Service, an American non-profit television service
• 3PBS (106.7FM), an Australian community (Melbourne) radio station
• Pacific Broadcasting Systems, a Filipino radio network
• Palestine Broadcasting Service (1936–1948), a defunct radio station located in the British Mandate for Palestine
• Philippine Broadcasting Service, a Filipino government-owned radio network
• Progressive Broadcasting System (early 1950s), a defunct American radio network
• Public Broadcasting Service of Bosnia and Herzegovina (PBSBiH), the former name of Radio and Television of Bosnia and Herzegovina (BHRT), a public broadcasting organization located in Bosnia and Herzegovina
• Public Broadcasting Services, a Maltese public broadcasting company

in communications and networking:

• PBS A/S, a Danish company specializing in electronic payment systems
• Preferential Bidding System, a computer system for employee work-duty bidding

in computer science:

• Pasteboard server, a Cocoa service dæmon in the Mac OS X operating system
• Portable Batch System, a computer software that performs job scheduling

in education:

• Pfadibewegung Schweiz, the German-language name for the Swiss Guide and Scout Movement, the Swiss guiding and scouting association
• Positive behavior support, an evidence-based approach to reducing problem behavior and increasing prosocial behavior^{[clarification needed]}

in medicine:

• Pharmaceutical Benefits Scheme, a program of the Australian Government that provides subsidised prescription drugs to the country's residents.

in music:

• Positive Black Soul, a Senegalese hip-hop group

In science:

• pBS, the genetic abbreviation for PBluescript, a phagemid used in cloning with bacteriophage
• PbS, the chemical abbreviation for Lead(II) sulfide, an inorganic compound
• PBS, the chemical abbreviation for Sodium perborate, a white, odorless, water-soluble chemical compound with chemical formula NaBO3
• Painful bladder syndrome, an alternate name for interstitial cystitis, a chronic, severely debilitating disease of the urinary bladder
• Phosphate buffered saline, a buffer solution commonly used in biological research
• Polarization beam splitter, see Beam-splitting polarizers
• Positive behavior support, an evidence-based approach to reducing problem behavior and increasing prosocial behavior^{[clarification needed]}
• Primer binding site, in virology, an RNA-element^{[clarification needed]}

in other:

• Parti Bersatu Sabah, a Malaysian political party
• Paul Brown Stadium, a American sports stadium located in Cincinnati, Ohio
• Pearls Before Swine (comic strip), an American comic strip written and illustrated by Stephan Pastis
• Points-based immigration system (United Kingdom), a British scheme of regulating immigration to the United Kingdom from outside the European Economic Area
• Privatbanen Sønderjylland (also known under the byname EuroRail), a defunct Danish railway operating company
• Product breakdown structure, a project-management tool
• Public Buildings Service, one of the two divisions of the United States General Services Administration
• XPBS-1 patrol bomber, a United States Navy patrol bomber; see Sikorsky VS-44

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Fred McFeely Rogers (March 20, 1928 – February 27, 2003) was an American educator, Presbyterian minister, songwriter, author, and television host. Rogers was most famous for creating and hosting Mister Rogers' Neighborhood (1968–2001), which featured his gentle, soft-spoken personality and directness to his audiences.^[1]

Initially educated to be a minister, Rogers was displeased with the way television addressed children and made an effort to change this when he began to write for and perform on local Pittsburgh-area shows dedicated to youth. The Public Broadcasting Service developed his own nationally-aired show in 1968 and, over the course of three decades on television, he became an indelible American icon of children's entertainment and education, as well as a symbol of compassion, patience, and morality.^[2] He was also known for his advocacy of various public causes. His testimony before a lower court in favor of time shifting was cited in a U.S. Supreme Court decision on the Betamax case, and he gave now-famous testimony to a U.S. Senate committee, advocating government funding for children's television.^[3]

Rogers was honored extensively for his life work in children's education. He received the Presidential Medal of Freedom, the United States' highest civilian honor; a Peabody Award for his career; and was inducted into the Television Hall of Fame. Two resolutions recognizing his work were unanimously passed by U.S. Congress, one of his trademark sweaters was acquired and is on display at the Smithsonian Institution, and several buildings and works of art in Pennsylvania are dedicated to his memory.

In 1996, Mister Fred Rogers was ranked #35 on TV Guide's 50 Greatest TV Stars of All Time.^[4]

Personal life[link]

Fred McFeely Rogers was born in Latrobe, Pennsylvania, 40 miles (65 km) southeast of Pittsburgh, to James and Nancy Rogers; he had one sister, Elaine Rogers Crozier.^[5] Early in life he spent much of his free time with his maternal grandfather, Fred McFeely, who had an interest in music. He would often sing along as his mother would play the piano and himself began playing at five.^[6]

Rogers graduated from Latrobe High School (1946),^[7] He studied at Dartmouth College (1946–48),^[8] then transferred to Rollins College in Winter Park, Florida, where he earned a B.A. in Music Composition in 1951.^[9]

At Rollins he met Sara Joanne Byrd, an Oakland, Florida native; they married on June 9, 1952.^[10] They had two sons, James (b. 1959) and John (b. 1961).^[11] In 1963 Rogers graduated from Pittsburgh Theological Seminary and was ordained a minister in the Presbyterian Church.

During the course of his career, he garnered forty honorary degrees.^[6] Rogers was red-green color blind,^[12] swam every morning, was a vegetarian, and neither smoked nor drank.^[13]

Rogers had an apartment in New York City and a summer home on Nantucket island in Massachusetts.^[11][14]

Television career[link]

Early work[link]

Fred Rogers on set in the late 1960s

Fred Rogers had a life-changing moment when he first saw television in his parents' home. He entered seminary after college; but, after his first experience as a viewer, he wanted to explore the potential of the medium.^[14] In an interview with CNN in his later years, Rogers stated, "I went into television because I hated it so, and I thought there was some way of using this fabulous instrument to be of nurture to those who would watch and listen."^[13]

He thus applied for a job at NBC in New York City in 1951 and was hired because of his Music degree. Rogers spent three years working on the production staffs for such music-centered programming as NBC Opera Theater. He also worked on Gabby Hayes' show for children. Ultimately, Rogers decided that commercial television's reliance on advertisement and merchandising undermined its ability to educate or enrich young audiences, so he quit NBC.

In 1954, he began working at WQED, a Pittsburgh public television station, as a puppeteer on a local children's show The Children's Corner. For the next seven years, he worked with host Josie Carey in unscripted live TV, developing many of the puppets, characters, and music used in his later work, such as King Friday XIII, and Curious X the Owl.

Rogers began wearing his famous sneakers when he found them to be quieter than his work shoes as he moved about behind the set. He was also the voices of King Friday XIII and Queen Sara Saturday (named after his wife), rulers of the neighborhood, as well as X the Owl, Henrietta Pussycat, Daniel Striped Tiger, Lady Elaine Fairchild, and Larry Horse. The show won a Sylvania Award^[15] for best children's show, and was briefly broadcast nationally on NBC.

During these eight years, he would leave the WQED studios during his lunch breaks to study theology at the nearby Pittsburgh Theological Seminary. Rogers, however, was not interested in preaching; and, after his ordination, he was specifically charged to continue his work with Children's Television. He had also done work at the University of Pittsburgh's program in Child Development and Child Care.

In 1963, Rogers moved to Toronto, where he was contracted by the Canadian Broadcasting Corporation (CBC) to develop a 15-minute children's television program: Misterogers, [sic]^[16] which would be his debut in front of the camera. The show was a hit with children but lasted for only three seasons. Many of his famous set pieces—Trolley, Eiffel Tower, the 'tree', and 'castle'—were created by CBC designers. While in Canada, Rogers brought his friend and understudy Ernie Coombs, who would go on to create Mr. Dressup, a very successful and long-running children's show in Canada, and similar in many ways to Mister Rogers' Neighborhood. Mr. Dressup also used some of the songs that would be featured on Rogers' later program.

In 1966, Rogers acquired the rights to his program from the CBC and moved the show to WQED in Pittsburgh, where he had worked on The Children's Corner. He developed the new show for the Eastern Educational Network. Stations that carried the program were limited but did include educational stations in Boston, Washington, D.C., and New York City.

After returning to Pittsburgh, Rogers attended and participated in activities at the Sixth Presbyterian church in the Squirrel Hill neighborhood of Pittsburgh, a More Light congregation which he attended until his death.^[17]

Distribution of Mister Rogers' Neighborhood began on February 19, 1968. The following year, the show moved to PBS (Public Broadcasting Service). In 1971, Rogers formed Family Communications, Inc. (FCI), and the company established offices in the WQED building in Pittsburgh. Initially, the company served solely as the production arm of Mister Rogers' Neighborhood, but now develops and produces an array of children's programming and educational materials.

[edit] Mister Rogers' Neighborhood

A sweater worn by Rogers, on display in the Smithsonian Institution's Museum of American History.

Mister Rogers' Neighborhood began airing in 1968 and ran for 895 episodes; the last set of new episodes was taped in December 2000 and began airing in August 2001. At its peak, in 1985, 8% of U.S households tuned in to the show.^[6]

• Each episode began the same way: Mister Rogers is seen coming home, singing his theme song "Won't You Be My Neighbor?", and changing into sneakers and a zippered cardigan sweater.
• In a typical episode, Rogers might have an earnest conversation with his television audience, interact with live guests, take a field trip to such places as a bakery or a music store, or watch a short film.
• Typical video subjects included demonstrations of how such inanimate objects as bulldozers and crayons work or are manufactured.
• Each episode included a trip to Rogers' "Neighborhood of Make-Believe" featuring a trolley with its own chiming theme song, a castle, and the kingdom's citizens, including King Friday XIII. The subjects discussed in the Neighborhood of Make-Believe often allowed further development of themes discussed in Mister Rogers' "real" neighborhood.
• Mister Rogers often fed his fish during episodes. They were originally named Fennel and Frieda.
• Typically, each week's episode explored a major theme, such as going to school for the first time.
• Originally, most episodes ended with a song entitled "Tomorrow", and Friday episodes looked forward to the week ahead with an adapted version of "It's Such a Good Feeling." In later seasons, all episodes ended with "Feeling."

Visually, the presentation of the show was very simple, and it did not feature the animation or fast pace of other children's shows, which Rogers thought of as "bombardment".^[3] Rogers also believed in not acting out a different persona on camera compared to how he acted off camera, stating that "One of the greatest gifts you can give anybody is the gift of your honest self. I also believe that kids can spot a phony a mile away."^[18] Rogers composed almost all of the music on the program.^{[note 1]} He wanted to teach children to love themselves and others, and he addressed common childhood fears with comforting songs and skits. For example, one of his famous songs explains how a child cannot be pulled down the bathtub drain because he or she will not fit. He even once took a trip to the Children's Hospital of Pittsburgh to show children that a hospital is not a place to fear. During the Gulf War (1990–91), he assured his audience that all children in the neighborhood would be well cared for and asked parents to promise to take care of their own children. The message was aired again by PBS during the media storm that preceded the 2003 invasion of Iraq.

Other television work[link]

In 1994, Rogers created another one-time special for PBS called Fred Rogers' Heroes which consisted of documentary portraits of four real-life people whose work helped make their communities better. Rogers, uncharacteristically dressed in a suit and tie, hosted in wraparound segments which did not use the "Neighborhood" set.

For a time Rogers produced specials for parents as a precursor to the subject of the week on the Neighborhood called "Mister Rogers Talks To Parents About [topic]". Rogers didn't host those specials though as other people like Joan Lunden, who hosted the Conflict special, and other news announcers played MC duties in front of a gallery of parents while Rogers answered questions from them. These specials were made to prep the parents for any questions the children might ask after watching the episodes on that topic of the week.

The only time Rogers appeared on television as someone other than himself was in 1996, when he played a preacher on one episode of Dr. Quinn, Medicine Woman.^[6]

In the mid-1980s, the Burger King fast-food chain lampooned Rogers' image with an actor called "Mr. Rodney", imitating Rogers' television character.^[19] Rogers found the character's pitching fast food as confusing to children, and called a press conference in which he stated that he did not endorse the company's use of his character or likeness (Rogers did no commercial endorsements of any kind throughout his career, though he acted as a pitchman for several non-profit organizations dedicated to learning over the years). The chain publicly apologized for the faux pas, and pulled the ads.^[20] By contrast, Fred Rogers found Eddie Murphy's parody of his show on Saturday Night Live, "Mister Robinson's Neighborhood," amusing and affectionate, which was also initially broadcast at a time of night when his own child audience was not likely to see it.^[21]

Emmys for programming[link]

Mister Rogers' Neighborhood won four Emmy awards, and Rogers received one for lifetime achievement.

During the 1997 Daytime Emmys, the Lifetime Achievement Award was presented to Rogers. The following is an excerpt from Esquire's coverage of the gala, written by Tom Junod:

Mister Rogers went onstage to accept the award — and there, in front of all the soap opera stars and talk show sinceratrons, in front of all the jutting man-tanned jaws and jutting saltwater bosoms, he made his small bow and said into the microphone, "All of us have special ones who have loved us into being. Would you just take, along with me, ten seconds to think of the people who have helped you become who you are. Ten seconds of silence."

And then he lifted his wrist, looked at the audience, looked at his watch, and said, "I'll watch the time." There was, at first, a small whoop from the crowd, a giddy, strangled hiccup of laughter, as people realized that he wasn't kidding, that Mister Rogers was not some convenient eunuch, but rather a man, an authority figure who actually expected them to do what he asked. And so they did. One second, two seconds, three seconds — and now the jaws clenched, and the bosoms heaved, and the mascara ran, and the tears fell upon the beglittered gathering like rain leaking down a crystal chandelier. And Mister Rogers finally looked up from his watch and said softly "May God be with you," to all his vanquished children.^[14][22]

Other works[link]

This section requires expansion.

Rogers wrote many of the songs that were used on his television program, and more than 36 books including:

• Eight New Experiences titles:
  • Moving
  • Going to the Doctor
  • Going to the Hospital
  • Going to Day Care
  • Going to the Potty
  • Making Friends
  • The New Baby
  • When a Pet Dies (1998)
• The World According to Mister Rogers: Important Things to Remember (2003)

Advocacy[link]

Rogers meeting with President George W. Bush in 2002.

PBS funding[link]

In 1969, Rogers appeared before the United States Senate Subcommittee on Communications. His goal was to support funding for PBS and the Corporation for Public Broadcasting, in response to significant proposed cuts. In about six minutes of testimony, Rogers spoke of the need for social and emotional education that public television provided. He passionately argued that alternative television programming like his Neighborhood helped encourage children to become happy and productive citizens, sometimes opposing less positive messages in media and in popular culture. He even recited the lyrics to one of his songs.

The chairman of the subcommittee, John O. Pastore, was not previously familiar with Rogers' work, and was sometimes described as impatient. However, he reported that the testimony had given him goosebumps, and declared, "I think it's wonderful. Looks like you just earned the $20 million." The subsequent congressional appropriation, for 1971, increased PBS funding from $9 million to $22 million.^[23]

VCR[link]

During the controversy surrounding the introduction of the household VCR, Rogers was involved in supporting the manufacturers of VCRs in court. His 1979 testimony in the case Sony Corp. of America v. Universal City Studios, Inc. noted that he did not object to home recording of his television programs, for instance, by families in order to watch together at a later time. This testimony contrasted with the views of others in the television industry who objected to home recording or believed that devices to facilitate it should be taxed or regulated.

The Supreme Court considered the testimony of Rogers in its decision that held that the Betamax video recorder did not infringe copyright. The Court stated that his views were a notable piece of evidence "that many [television] producers are willing to allow private time-shifting to continue" and even quoted his testimony in a footnote:

Some public stations, as well as commercial stations, program the "Neighborhood" at hours when some children cannot use it ... I have always felt that with the advent of all of this new technology that allows people to tape the "Neighborhood" off-the-air, and I'm speaking for the "Neighborhood" because that's what I produce, that they then become much more active in the programming of their family's television life. Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been "You are an important person just the way you are. You can make healthy decisions." Maybe I'm going on too long, but I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important.^[24]

Death, awards, and memorials[link]

Rogers was diagnosed with stomach cancer in December 2002, not long after his retirement. He underwent surgery on January 6, 2003, which was unsuccessful.^[5][25] A week earlier, he served as grand marshal of the Tournament of Roses Parade, with Art Linkletter and Bill Cosby.^[26]

Rogers died on the morning of February 27, 2003 at his home with his wife by his side, less than a month before he would have turned 75.^[5] His death was such a significant event in Pittsburgh that the entire front page of the Pittsburgh Post-Gazette published the next day devoted its coverage to him.^[27] The Reverend William P. Barker presided over a public memorial in Pittsburgh. More than 2,700 people attended the memorial at Heinz Hall, including former Good Morning America host David Hartman, Teresa Heinz Kerry, philanthropist Elsie Hillman, PBS President Pat Mitchell, Arthur creator Marc Brown, and The Very Hungry Caterpillar author-illustrator Eric Carle.^[11] Speakers remembered Rogers' love of children, devotion to his religion, enthusiasm for music, and quirks. Teresa Heinz Kerry said of Rogers, "He never condescended, just invited us into his conversation. He spoke to us as the people we were, not as the people others wished we were."^[28] Rogers is interred at Unity Cemetery in Latrobe.

On New Years Day of 2004, Michael Keaton hosted the PBS TV special Fred Rogers: America's Favorite Neighbor. It was released on DVD September 28 that year. Keaton was a former stagehand on the show before he quit to become an actor. To mark what would have been his 80th birthday, Rogers' production company sponsored several events to memorialize him, including "Won't You Wear a Sweater Day", during which fans and neighbors were asked to wear their favorite sweaters in celebration.^[29]

The television industry honored Rogers with a George Foster Peabody Award "in recognition of 25 years of beautiful days in the neighborhood" in 1987,^[30] the same year he was initiated as an honorary member of Phi Mu Alpha Sinfonia Fraternity, the national fraternity for men of music.^[31] Rogers was a National Patron of Delta Omicron, an international professional music fraternity.^[32] He was inducted into the Television Hall of Fame in 1999.^[33] One of Rogers' iconic sweaters was acquired by the Smithsonian Institution, which displays it as a "Treasure of American History".^[34] In 2002 Rogers received the PNC Commonwealth Award in Mass Communications.^[35]

He was furthermore awarded the Presidential Medal of Freedom in 2002, for his contributions to children's education, justified by President George W. Bush, who said, "Fred Rogers has proven that television can soothe the soul and nurture the spirit and teach the very young". A year later, the U.S. Senate unanimously passed Resolution 16 to commemorate the life of Fred Rogers.^[1] It read, in part, "Through his spirituality and placid nature, Mr. Rogers was able to reach out to our nation's children and encourage each of them to understand the important role they play in their communities and as part of their families. More importantly, he did not shy away from dealing with difficult issues of death and divorce but rather encouraged children to express their emotions in a healthy, constructive manner, often providing a simple answer to life's hardships."

Following Rogers' death, the U.S. House of Representatives in 2003 unanimously passed Resolution 111 honoring Rogers for "his legendary service to the improvement of the lives of children, his steadfast commitment to demonstrating the power of compassion, and his dedication to spreading kindness through example."^[36]

The same year the U.S. Presbyterian Church approved an overture "to observe a memorial time for the Reverend Fred M. Rogers" at its General Assembly.^[37] The rationale for the recognition of Rogers reads, "The Reverend Fred Rogers, a member of the Presbytery of Pittsburgh, as host of Mister Rogers’ Neighborhood since 1968, had a profound effect on the lives of millions of people across the country through his ministry to children and families. Mister Rogers promoted and supported Christian values in the public media with his demonstration of unconditional love. His ability to communicate with children and to help them understand and deal with difficult questions in their lives will be greatly missed."^[38]

Several buildings, monuments, and works of art are dedicated to Rogers' memory, including a mural sponsored by the Pittsburgh-based Sprout Fund in 2006, "Interpretations of Oakland," by John Laidacker that featured Mr. Rogers.^[39] Saint Vincent College in (Latrobe, Pennsylvania) completed construction of The Fred M. Rogers Center for Early Learning and Children's Media in 2008.^[40] The Fred Rogers Memorial Statue on the North Shore near Heinz Field in Pittsburgh^[41] was created by Robert Berks and dedicated in 2009.^[42]

The asteroid 26858 Misterrogers is named after Rogers. This naming, by the International Astronomical Union, was announced on May 2, 2003 by the director of the Henry Buhl Jr. Planetarium & Observatory at the Carnegie Science Center in Pittsburgh. The science center worked with Rogers' Family Communications, Inc. to produce a planetarium show for preschoolers called "The Sky Above Mister Rogers' Neighborhood", which plays at planetariums across the United States.^[43][44]

False rumors[link]

A false rumor claims that Fred Rogers was once a U.S. Marine sniper in the Vietnam War. The rumor appeared on the Internet in 1994 and re-emerged several times over the next ten years, most notably after his death in 2003.^[45][46] However, Rogers never served in any branch of the military. Beginning in 1963, Rogers developed the Misterogers program for the Canadian Broadcasting Corporation. In 1966, he moved back to Pittsburgh, Pennsylvania in the U.S. where he produced Mister Rogers' Neighborhood through the height of U.S. military involvement in Vietnam. Related claims that Rogers had a number of military tattoos are also entirely false.^[47]

See also[link]

Biography portal

• Colcom Foundation

Notes[link]

1. ^ Bits of incidental music, such as improvisations from members of the orchestra or music from guests to the program, weren't composed by Rogers. The recurring iconic songs, however, were all Rogers' work.

References[link]