3:41
Tinchy Stryder Ft. N -Dubz - Number 1
'Click here to join the Tinchy Stryder database' zaphod.uk.vvhp.net...
published: 02 Apr 2009
author: islandrecords
Tinchy Stryder Ft. N -Dubz - Number 1
'Click here to join the Tinchy Stryder database' zaphod.uk.vvhp.net
published: 02 Apr 2009
views: 24109589
3:29
2AM - No.1 (넘버원)
This is the PV of the song No.1 by 2AM for their support of the South Korean National Foot...
published: 25 May 2010
author: koreanpride2
2AM - No.1 (넘버원)
This is the PV of the song No.1 by 2AM for their support of the South Korean National Football Team in the 2010 FIFA World Cup in Africa. Single: No.1 Release date is May 25, 2010
published: 25 May 2010
author: koreanpride2
views: 286392
4:08
Nelly - Number 1 (#1)
Uh Uh Uh I just gotta bring it to their attention dirty Thats all... [Nelly] You better wa...
published: 22 Jul 2007
author: THEG5
Nelly - Number 1 (#1)
Uh Uh Uh I just gotta bring it to their attention dirty Thats all... [Nelly] You better watch who you talkin 'bout Runnin ya mouf, like ya know me You gon' fuck around and check why the "Show Me" get called the "Show me" While one-on-one you can't hold me if your last name was Haynes The only way you word me out, is stitch my name on your pants No resident of France (wooo), but ya swear I'm from Paris Hundred Six karats, total, nah thats per wrist Tryina comfirm this, my chains to yo chains I'm like Sprint or Motorola, no service, outta ya range Your outta ya brains, thinkin I'ma shout out ya name You gotta come up with better ways than that just to get ya fame All that pressure you applyin, it's time to ease off Before I hit ya from the blind side, takin ya sleves off As much as we's floss, still hard to please boss Don't be lyin, bitchin and cryin, suck it up as a loss Cause ya, acts is whack, ya whole lable is whack And matta fact eh eh eh eh eh eh, hold that (Chorus) I am number one Don't matter if ya like it, herr take it, sit down and write it I am number one, eh eh eh eh eh eh Now let me ask ya man What does it take to be number one Two is not a winner and three nobody remembers, eh What does it take to be number one, eh, eh, eh, eh, eh, eh [Woman] Do ya like it when I shake it for ya , Daddy Move it all around (wooo) Let ya getta peak before it touches the ground [Nelly] Hell yeah, ma Love a girl that's willin to learn, willin to get in the driver's seat, and ...
published: 22 Jul 2007
author: THEG5
views: 1287493
3:37
Erik Satie - Gymnopédie No.1
Alfred Eric Leslie Satie (Honfleur, 17 May 1866 -- Paris, 1 July 1925) was a French compos...
published: 07 May 2012
author: DistantMirrors
Erik Satie - Gymnopédie No.1
Alfred Eric Leslie Satie (Honfleur, 17 May 1866 -- Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie. Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrograph" or "phonometrician" (meaning "someone who measures (and writes down) sounds") preferring this designation to that of "musician," after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911. In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings. Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd. The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie. These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedies ...
published: 07 May 2012
author: DistantMirrors
views: 3064140
7:32
GTA IV - Mission #27 - No. 1
Grand Theft Auto IV Mission Walkthrough Video (NO SPOILER - Storyline cutscenes are not sh...
published: 22 Jan 2009
author: GTASeriesVideos
GTA IV - Mission #27 - No. 1
Grand Theft Auto IV Mission Walkthrough Video (NO SPOILER - Storyline cutscenes are not shown in this video) Mission No. 027 Location: Broker \ Dukes, Liberty City Mission Name: No. 1 Mission Boss: Brucie Kibbutz For more, visit: ● www.gta-series.com ● http
published: 22 Jan 2009
author: GTASeriesVideos
views: 372150
9:56
Andy Lau 劉德華- Everyone is No. 1 (Full Version)
Andy Lau 劉德華- Everyone is No. 1 (Full Version)...
published: 18 Jul 2008
author: tiffanyann5152
Andy Lau 劉德華- Everyone is No. 1 (Full Version)
Andy Lau 劉德華- Everyone is No. 1 (Full Version)
published: 18 Jul 2008
author: tiffanyann5152
views: 177119
2:32
SNSD Special - No.1 (BoA) 2/2 07 Gayo Fest.S Dec29.2007 GIRLS' GENERATION Live 720p HD
k-pop snsd no.1 live "No.1" boa 2007 gayo festival sonyuhshidae soshi sonyeoshidae girls'g...
published: 21 Dec 2010
author: aslotuss47
SNSD Special - No.1 (BoA) 2/2 07 Gayo Fest.S Dec29.2007 GIRLS' GENERATION Live 720p HD
k-pop snsd no.1 live "No.1" boa 2007 gayo festival sonyuhshidae soshi sonyeoshidae girls'generation gg
published: 21 Dec 2010
author: aslotuss47
views: 194813
3:14
BoA - No.1 (Japanese)
Song: No.1 Artist: BoA Kwon Lyrics: Jikan wa kaze no eou na Hayasa de sugiru keredo Taiset...
published: 28 Aug 2008
author: animefreakz91
BoA - No.1 (Japanese)
Song: No.1 Artist: BoA Kwon Lyrics: Jikan wa kaze no eou na Hayasa de sugiru keredo Taisetsu na mono wa itsumo Mamotte kita tsumori da yo Massugu na hitomi ni wa Kimi dake wo utsusu yo *You're still my NO. 1 kimi to deai Kagayaiteru kono shunkan wo kanjite iru yo Negai yo todoke you're still my NO. 1 Mayottari ah... nayandari Toki ni wa namida o misete Shinjiru tsuyosa o shitte yuku Want you get get my love I want you get my love Sou, dekinai koto nante Nani hitotsu nai yo You're still my NO. 1 kimi to deai Shinjiru koto wasurenai yuuki o mitsuketa yo Negai wo komete you're still my NO. 1 Te o nobaseba todokisou na yume no saki ni wa Hitotsu hitotsu kasanete kita kotae ga hora Repeat * Kimi to deai Shinjiru koto wasurenai yuuki o mitsuketa yo Negai wo komete you're still my NO. 1 (You're still my NO.1)
published: 28 Aug 2008
author: animefreakz91
views: 679676
Vimeo results:
2:11
A History Of The Title Sequence
WINNER OF THE VIMEO AWARDS 2012 in CATEGORY MOTION GRAPHICS! Thanks so much for voting eve...
published: 11 Jul 2011
author: jurjen versteeg
A History Of The Title Sequence
WINNER OF THE VIMEO AWARDS 2012 in CATEGORY MOTION GRAPHICS! Thanks so much for voting everyone! Watch a short 1 min. making of here, which was shown at the awards: vimeo.com/44046584
Graduation project 2011
Designed as a possible title sequence for a fictitious documentary, this film shows a history of the title sequence in a nutshell. The sequence includes all the names of title designers who had a revolutionary impact on the history and evolution of the title sequence. The names of the title designers all refer to specific characteristics of the revolutionary titles that they designed.
This film refers to elements such as the cut and shifted characters of Saul Bass' Psycho title, the colored circles of Maurice Binder's design for Dr. No and the contemporary designs of Kyle Cooper and Danny Yount.
This title sequence refers to the following designers and their titles:
Georges Méliès - Un Voyage Dans La Lune, Saul Bass - Psycho, Maurice Binder - Dr. No, Stephen Frankfurt - To Kill A Mockingbird, Pablo Ferro - Dr. Strangelove, Richard Greenberg - Alien, Kyle Cooper - Seven, Danny Yount - Kiss Kiss Bang Bang / Sherlock Holmes
CREDITS
Direction and Animation: Jurjen Versteeg / www.synple.nl
Music and sound design: Lea Jurida / www.jurida.com
Many thanks to all the people who helped me realizing this project!
For some more info on the concept and the production process, please check out the interview on 'Forget the Film, Watch The Titles': http://bit.ly/pzvXXE
Watch a short 1min. making of here: vimeo.com/44046584
3:45
wingsuit base jumping
1st song: Contact - Violence
2nd: Diz Organ & Sackcloth Fashion - Under Man
no green/blue ...
published: 21 Sep 2008
author: Ali
wingsuit base jumping
1st song: Contact - Violence
2nd: Diz Organ & Sackcloth Fashion - Under Man
no green/blue screen in this video
ⓒMatchstick Productions
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
3:37
Ferias no Brasil
Our holidays in brazil.
;)
music: El Guincho - Bombay
UPDATE: I made a new video in Mala...
published: 20 Feb 2011
author: Javi Devitt
Ferias no Brasil
Our holidays in brazil.
;)
music: El Guincho - Bombay
UPDATE: I made a new video in Malaysia, check this out http://vimeo.com/34142337
www.javidevitt.com
Youtube results:
4:15
mv to be number 1
มิวสิควิดีโอ ทูบีนัมเบอร์วัน จากโครงการทูบีนัมเบอร์วัน เอ็มวีนี้ถ่ายที่ ตึก คิงพาวเวอร์ ซอ...
published: 23 Oct 2008
author: iceindytv
mv to be number 1
มิวสิควิดีโอ ทูบีนัมเบอร์วัน จากโครงการทูบีนัมเบอร์วัน เอ็มวีนี้ถ่ายที่ ตึก คิงพาวเวอร์ ซอยรางน้ำ ตอนนั้นคิงพาวเวอร์ ยังสร้างไม่เสร็จมั๊ง ส่วนของวิดีโอ นี่ปรับแต่งเพิ่มแสง เพิ่มสี เพิ่มความเรืองรองอลังการงานสร้าง ตามสไตล์ครับ อิๆ แล้วส่วนของภาพการ์ตูน วาดกันสองคน ลายเส้นสองเรื่องไม่เหมือนกัน เรื่องแรกของสืบศักดิ์ นักตะกร้อ กะเรื่องที่สองของพันช์ ตัวการ์ตูนเค้าวาดมาให้อีกที ส่วนการทำอนิเมชั่น ผมจัดการเอง อิๆ
published: 23 Oct 2008
author: iceindytv
views: 100519
3:29
2AM Worldcup Song "No.1" MV
2AM 월드컵송 No.1.avi FIFA official worldcup album "Listen Up" 2AM,월드컵송 "No.1"...
published: 25 May 2010
author: ibighit
2AM Worldcup Song "No.1" MV
2AM 월드컵송 No.1.avi FIFA official worldcup album "Listen Up" 2AM,월드컵송 "No.1"
published: 25 May 2010
author: ibighit
views: 88926
2:20
To Be Number One - WC 90 Song
English version of Un estate italiana, official song of Italia 90, during the opening cere...
published: 30 Sep 2009
author: Acig1981
To Be Number One - WC 90 Song
English version of Un estate italiana, official song of Italia 90, during the opening ceremony in Milan. Lyrics: This is what we've worked for all our lives Reaching for the highest goal we can We choose to give it all When competition calls Time records the victory in our hearts To win or lose is not the only thing It's all in how we play for the fairest game This is the chance we take Reaching for the top Time records the victory in our hearts To be number one... Running like the wind (Like the wind) Playing hard but always playing fair (Oh yeah...) To be number one... Winning again and again Reaching higher through Italian sky (Through Italian sky) To be number one... To be number one...number one...
published: 30 Sep 2009
author: Acig1981
views: 129101