N Is a Number is an hour-long documentary about Hungarian mathematician Paul Erdős.
Erdős was famously a prolific mathematician who collaborated widely....he coauthored over 1500 papers with 500 different collaborators. He was also a homeless methamphetamine user.
In 2003, 24-year-old machinist Juan Catalan faced the death penalty for allegedly shooting a key witness in a murder case. Catalan told police that he couldn't have committed the crime -- he was at a Los Angeles Dodgers game at the time. He had the ticket stubs and everything!
When police didn't buy his alibi, Catalan contacted the Dodgers, who pointed him to an unlikely hero: misanthropic comedian Larry David. On the day in question, David had been filming an episode of Curb Your Enthusiasm in Dodger Stadium. It was a long shot, but maybe Catalan could be seen in the background. When his attorney watched the outtakes, it took just 20 minutes to find shots of Catalan and his daughter chowing down on ballpark dogs while watching from the stands.
Thanks to the footage, Catalan walked free after five months behind bars. And Larry David found one more thing to be self-deprecating about. "I tell people that I've done one decent thing in my life, albeit inadvertently," joked David.
The NOAA's Dr. Christopher Fox does not believe its origin is man-made, such as a submarine or bomb, or familiar geological events such as volcanoes or earthquakes. While the audio profile of the Bloop does resemble that of a living creature, the source is a mystery both because it is different from known sounds and because it was several times louder than the loudest recorded animal, the blue whale.
In Reckless Unbound, photographer Christy Rogers takes photographs of brightly-clothed people underwater resulting in photos that resemble Baroque paintings. GUP Magazine says:
Without the use of post-production manipulation, Rogers' works are made in-camera, on the spot, in water and at night. She applies her technique to bodies submerged in water during tropical nights in Hawaii. Through a fragile process of experimentation, she builds elaborate scenes of coalesced colours and entangled bodies that exalt the human character as one of vigour and warmth, while also capturing the beauty and vulnerability of the tragic experience that is the human condition.
On Saturday, the Space Shuttle Endeavour was driven 12 miles through the streets of Los Angeles on its way to the California Science Center. It was a tight fit at times.
This has got to be some sort of record for quickest Lego parody of an event: watch as a Lego man jumps from a balloon hanging high in the air, just like Felix.
Pixar is showing this short in front of Finding Nemo 3D in the theaters. It's funny, a little disturbing, and perfect for the kids.
The embed is relatively low quality -- way to make your awesome short film look like shit, Disney/Pixar! -- so you should head over to their site to see it in crisp HD. (via ★pieratt)
There was a time when American Movie Classics used to show classic American movies, when The Learning Channel could teach you something, and when ABC Family broadcast family programming. Wired's Ruth Suehle has a look at six TV networks that have significantly changed their programming since their founding. The story of ABC Family, which used to be known as The Family Channel, is especially interesting:
Plan A was to use it for ABC re-runs. Too bad [ABC] didn't own the syndication rights to the stuff they wanted to show.
Plan B was an image makeover. They'd rename it XYZ (as in the opposite of ABC) and sell it to a younger, edgier audience. Too bad nobody read the contract that said the word "family" had to stay in the name forever.
Why? For that, we rewind to its beginning as Pat Robertson's Christian Broadcasting Network Satellite Service in 1979. That religious beginning followed the network through multiple sales, each of which has been required to continue broadcasting Robertson's The 700 Club, hence the reason that show is now bookended by the disclaimer, "The following/preceding CBN telecast does not reflect the views of ABC Family"as well as the network's slogan of the last few years, "A New Kind of Family."
Sometimes it's hard to tell if you are on the Internet or not. For example you are almost always typing into a box on a series of screens on your computer. Because of this, there are whole sections of the Internet that are pretty sure they are not on the Internet, because, they are just boxes, right? You could be typing into anything, who knows if it's public. This was true about LiveJournal for a long time. When you would link to a posting on LiveJournal, back in the day, you would get outraged emails about invasion of privacy. Because in their minds, they were just typing in their diary.
Korean pop music or K-pop has been steadily gaining popularity outside of Korea the last several years, and most of the artists share the trait of having been developed in a music factory. John Seabrook in the New Yorker looks at what the head of the first of these factories calls "cultural technology." There's a lot of fascinating stuff in this article.
In effect, Lee combined his ambitions as a music impresario with his training as an engineer to create the blueprint for what became the K-pop idol assembly line. His stars would be made, not born, according to a sophisticated system of artistic development that would make the star factory that Berry Gordy created at Motown look like a mom-and-pop operation. Lee called his system "cultural technology." In a 2011 address at Stanford Business School, he explained, "I coined this term about fourteen years ago, when S.M. decided to launch its artists and cultural content throughout Asia. The age of information technology had dominated most of the nineties, and I predicted that the age of cultural technology would come next." He went on, "S.M. Entertainment and I see culture as a type of technology. But cultural technology is much more exquisite and complex than information technology."
[...]
Lee and his colleagues produced a manual of cultural technology--it's known around S.M. as C.T.--that catalogued the steps necessary to popularize K-pop artists in different Asian countries. The manual, which all S.M. employees are instructed to learn, explains when to bring in foreign composers, producers, and choreographers; what chord progressions to use in what country; the precise color of eyeshadow a performer should wear in a particular country; the exact hand gestures he or she should make; and the camera angles to be used in the videos (a three-hundred-and-sixty-degree group shot to open the video, followed by a montage of individual closeups).
The AV Club has compiled a list of the 50 best films of the 1990s, which decade, when you look at this list, is starting to feel like a bit of a film golden age compared to now. Here's part one, part two, and part three.
Few talk about the '90s as a filmmaking renaissance on par with the late '60s and early '70s, but for many of the film critics at The A.V. Club, it was the decade when we were coming of age as cinephiles and writers, and we remember it with considerable affection. Those '70s warhorses like Martin Scorsese and Robert Altman posted some of the strongest work of their careers, and an exciting new generation of filmmakers -- Quentin Tarantino, Joel and Ethan Coen, Wong Kar-Wai, Olivier Assayas, David Fincher, and Wes Anderson among them -- were staking out territory of their own.
I've seen 35 of the 50 films and some of my favorites are Election, Eyes Wide Shut, Fargo, Groundhog Day, Boogie Nights, Being John Malkovich, Rushmore, Reservoir Dogs, Dazed and Confused, and Pulp Fiction. Some films I'm surprised didn't make the list: Iron Giant, Three Kings, Babe: Pig in the City, and The Insider.
Artists in the UK have created a 'Rain Room' inside the Barbican that gives the impression from the outside that it is pouring rain. 3D cameras make it so the rain stops when you walk through it. That is, the rain is everywhere you aren't, and you don't get wet at all.
Researchers in Copenhagan and Perth used DNA found in the leg bones of the extinct moa bird to determine the half-life of DNA: 521 years.
By comparing the specimens' ages and degrees of DNA degradation, the researchers calculated that DNA has a half-life of 521 years. That means that after 521 years, half of the bonds between nucleotides in the backbone of a sample would have broken; after another 521 years half of the remaining bonds would have gone; and so on.
The team predicts that even in a bone at an ideal preservation temperature of -5 ºC, effectively every bond would be destroyed after a maximum of 6.8 million years. The DNA would cease to be readable much earlier -- perhaps after roughly 1.5 million years, when the remaining strands would be too short to give meaningful information.