4:21
TIME ZONE • PAYPA (FEAT. FRENCH MONTANA) | (2012)
NEW SONG SUBSCRIBE FOR MORE TIME ZONE • PAYPA (FEAT. FRENCH MONTANA) | (2012) TIME ZO...
published: 19 Jun 2012
Author: dailymuzikTV
TIME ZONE • PAYPA (FEAT. FRENCH MONTANA) | (2012)
NEW SONG SUBSCRIBE FOR MORE TIME ZONE • PAYPA (FEAT. FRENCH MONTANA) | (2012) TIME ZONE • PAYPA (FEAT. FRENCH MONTANA) | (2012) TIME ZONE • PAYPA (FEAT. FRENCH MONTANA) | (2012)
0:59
Time Zones & How They Work
NASA Kids Science News segment explaining time zones and how they work....
published: 13 Apr 2009
Author: NASAKidsScienceNews
Time Zones & How They Work
NASA Kids Science News segment explaining time zones and how they work.
2:03
Latitude, Longitude, and Time Zones (clip)
A skillful combination of animation, live photography and representational models of the E...
published: 30 Oct 2009
Author: phoenixfilmandvideo
Latitude, Longitude, and Time Zones (clip)
A skillful combination of animation, live photography and representational models of the Earth clearly illustrate latitude and longitude, the prime meridian and time zones. A Coronet release. (Revised Edition) 13 minutes, color. Direct link to purchase the DVD: www.phoenixlearninggroup.com
1:50
Why We Have Time Zones (clip)
What are time zones? Why do we have them? To help demonstrate this sometimes difficult con...
published: 30 Oct 2009
Author: phoenixfilmandvideo
Why We Have Time Zones (clip)
What are time zones? Why do we have them? To help demonstrate this sometimes difficult concept, a variety of techniques are used, including animation and fast-motion photography. "Why We Have Time Zones" shows how sundials and clocks are based on the movement of the sun across the sky. Also clearly shown is the arrangement of time zones in North America. Produced by Peter Matulavich. 12 minutes, color. Direct link to purchase the DVD: www.phoenixlearninggroup.com
6:28
Time Zone - The Wildstyle (Original 12'' Dub Mix)
Label:Carrere, Celluloid Catalog#:13.442, 13.442 Format:Vinyl, 7" Country:France Rele...
published: 05 Sep 2009
Author: RippenRoblez
Time Zone - The Wildstyle (Original 12'' Dub Mix)
Label:Carrere, Celluloid Catalog#:13.442, 13.442 Format:Vinyl, 7" Country:France Released:1984 Genre:Electronic, Hip Hop Style:Electro Credits:Producer - Bernard Zekri
4:23
TIME ZONE PAYPA FT FRENCH MONTANA & C-RICO REMIX
REMIX I DID... IM ON VERSE 1... twitter - @iamcrico DOWNLOAD THIS @ - www.hulkshare.com ww...
published: 05 Sep 2012
Author: CRico860
TIME ZONE PAYPA FT FRENCH MONTANA & C-RICO REMIX
REMIX I DID... IM ON VERSE 1... twitter - @iamcrico DOWNLOAD THIS @ - www.hulkshare.com www.IAMCRICO.tk
4:25
Real World: Longitude and Time Zones
What determines how long a second, minute, or hour lasts? Learn about the development of t...
published: 09 Jul 2010
Author: NASAeClips
Real World: Longitude and Time Zones
What determines how long a second, minute, or hour lasts? Learn about the development of the units of time and how they depend on the rotation of Earth on its axis. Learn how time zones are related to lines of longitude.
2:09
Animaniacs - When You're Traveling from Nantucket
From episode 87 - Yakko explains the different time zones in song....
published: 13 Jul 2010
Author: AnimaniacsVol4Vids
Animaniacs - When You're Traveling from Nantucket
From episode 87 - Yakko explains the different time zones in song.
2:12
Time Zones (DS3)
Time Zones. An attempt to make logical sense of the abstract concept of different time zon...
published: 28 Dec 2007
Author: ThePeoplesPalace
Time Zones (DS3)
Time Zones. An attempt to make logical sense of the abstract concept of different time zones in different parts of the world. The sound collage is from 1983.
16:21
GEG-103-OL: Time Zones
GEG-103-OL: Time Zones...
published: 01 Oct 2009
Author: LLCCedu
GEG-103-OL: Time Zones
GEG-103-OL: Time Zones
10:09
RSA Animate - The Secret Powers of Time
Professor Philip Zimbardo conveys how our individual perspectives of time affect our work,...
published: 24 May 2010
Author: theRSAorg
RSA Animate - The Secret Powers of Time
Professor Philip Zimbardo conveys how our individual perspectives of time affect our work, health and well-being. Time influences who we are as a person, how we view relationships and how we act in the world.
10:55
Let's Play Time Zone (World 1: 1991 AD)
A funky little gem from the latter years of the NES/Famicom. Turns out this game was never...
published: 15 Sep 2008
Author: docsigma
Let's Play Time Zone (World 1: 1991 AD)
A funky little gem from the latter years of the NES/Famicom. Turns out this game was never released in America, and what I've got my hands on is an unofficial fan translation. Cool! This game is really fun... nothing new or exciting, but it does what it does quite well. And it's just fun, dammit!
8:59
Time Differences in Different Time Zones
Calculating flight times across time zones...
published: 10 May 2011
Author: khanacademy
Time Differences in Different Time Zones
Calculating flight times across time zones
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
Author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
Author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
1:40
Dry Bones
This project was a collaborative effort that spanned countries & time zones with several a...
published: 13 Oct 2011
Author: danDifelice
Dry Bones
This project was a collaborative effort that spanned countries & time zones with several artists working long hours to finally put this piece out. The passage comes from an Old Testament prophecy, taken from Ezekiel 37. Not only is the text extremely descriptive and visual, lending itself to beautiful imagery, but show that where there is death and exile, hope and life can be found.
Dry Bones would not have been possible without the extremely talented artists with loads of patience, who I had the privilege of working with.
Dan DiFelice. Director, Compositor, VFX Director
David Tate. DP, Editor
Michael Rinnan. CG Artist: Tracking, Muscle Dev/Animation
Renato Marques. CG Artist: Skin & Vein Dev/Animation
Justin Burton. CG Artist: Previz
Matt Fezz. Colorist
Salomon Ligthelm. Score/Sound Design
Chris Baden. Talent
Luke Atencio. VO Artist
We shot the piece entirely on the 7d and post work was done in c4d and Nuke. The project started in April with boards & CG dev, we shot in early June outside of Las Vegas, and spent June through October refining the CG as well as the composite, sound design, and color.
Dry Bones started off as a personal project of mine, but had it not been for Adam Devizia & the A/G picking up DB and funding a significant portion of it, it's possible the project would have not taken flight.
Special thanks to:
Michael Jones & Glenn Stewart for your collaborative efforts, and Justin Jackson for use of your truck.
Skulls & Skeleton Provided by:
Dapper Cadaver www.dappercadaver.com
and ABC/Universal
0:58
BLOOD DIAMOND
Africa has had a devastating history of blood diamond wars. Blood diamond refers to a diam...
published: 10 Apr 2012
Author: ABOVE
BLOOD DIAMOND
Africa has had a devastating history of blood diamond wars. Blood diamond refers to a diamond mined in a war zone and then sold to finance an invading army's war efforts, usually in Africa where more than two-thirds of the worlds diamonds are extracted.
This site specific social / political word play was painted on the exterior wall of Johannesburg's largest diamond trader Jewel City.
Jewel City is a six-block mega-precinct that serves as a base for some 300 diamond traders as well as South Africa’s Diamond Board and State Traders Association.
Jewel City is the largest diamond exporter in the southern hemisphere with over R7-Billion worth of Diamonds being exported every year.
I was able to get away with this diamond wall heist because I told the owners I would paint in big letters "Diamonds are a woman's best friend" on the exterior of their building. The owners loved the idea and all quickly agreed.
The next day I had started painting but what the owners didn't know is that I lied to them and was hijacking their wall. Like any premeditated robbery, situations are not what they seem and shit can flip from best friends to worst enemies in a few moments.
I assume the owners were too busy trading diamonds inside the mega centre they never took the time to come out and see I was painting a controversial word play about the diamond trade and how it's fueled so much bloodshed in wars making it one of man's worst enemies.
www.goabove.com
Music by: Bonobo. title: Pick up
Youtube results:
3:30
DJ Mikas - Timezone (Official Music Video)
Beatport: www.beatport.com Facebook: www.facebook.com Twitter: twitter.com Web: www.progre...
published: 20 Feb 2012
Author: Progressivegrooves
DJ Mikas - Timezone (Official Music Video)
Beatport: www.beatport.com Facebook: www.facebook.com Twitter: twitter.com Web: www.progressivegrooves.com Fresh after his recent successful collabs with DJ Sage on Terminal-4 and Black Hole Recordings, DJ Mikas continues to rock the scene with a strong solo single. Timezone is a no-nonsense, big-room trance track which willl yet again pleasantly surprise dance music fans around the World. Timezone starts off with a bassline more gritty than the best dubstep tracks around and quickly progresses with a huge build ending in a pure anthem. This is Mikas' biggest and most heavy track to date. For the music video, Mikas was able to use footage from famous Japanese videographer Masaya Kitaguchi, also known as Darwinfish105. The video features impressive timelapse shots from various places in Tokyo. Timezone will be availble March 5th on Beatport, iTunes, Track It Down, Audiojelly, Juno and every other major retailer. DJ Mikas has a weekly radio show called TranceClass Radio which available as a podcast on iTunes itunes.apple.com TranceClass Radio is broadcast every week: Thursdays on Trance Radio Athens (FM 107.2) 21:00 UTC+2 Thursdays on Pure.fm (Global Channel) 19:00 GMT Wednesdays on 1Mix Radio 20:00 GMT Mondays on Eilo.org 16:00 GMT Connect: www.facebook.com www.twitter.com www.progressivegrooves.com http
2:57
Time Zone (Freestyle) - Anon & I.Blast (Official Video)
Anon & I.Blast Time Zone (Freestyle) Directed By Believe Production Reps Up / R Music ...
published: 17 Sep 2012
Author: iBlastdg
Time Zone (Freestyle) - Anon & I.Blast (Official Video)
Anon & I.Blast Time Zone (Freestyle) Directed By Believe Production Reps Up / R Music Entertainment 2012
4:51
男闘呼組- TIME ZONE
local band AD199X plays TIME ZONE by 男闘呼組at the ohio state uni...
published: 01 May 2009
Author: thezidane
男闘呼組- TIME ZONE
local band AD199X plays TIME ZONE by 男闘呼組at the ohio state university japanese spring festival
9:14
Time Zone - Wildstyle 1983
Special New Mix by Francois Kevorkian / Paul 'Groucho' Smykle Produced by Afrika B...
published: 10 Jun 2010
Author: miller4th502nd
Time Zone - Wildstyle 1983
Special New Mix by Francois Kevorkian / Paul 'Groucho' Smykle Produced by Afrika Bambaataa & Bernard Zekri