Pedestrians in New York City jay walk during the evening rush hour.

A pedestrian at the intersection of Alinga Street and Northbourne Avenue, Canberra, Australia.

A sign in Belo Horizonte, Brazil, directing pedestrians to an overpass for safe crossing.

A pedestrian is a person traveling on foot, whether walking or running. In some communities, those traveling using tiny wheels such as roller skates, skateboards, and scooters are also included as pedestrians. In modern times, the term mostly refers to someone walking on a road or footpath, but this was not the case historically.

History[link]

Walking has always been the primary means of human locomotion. The first humans walked out of Africa about 60,000 years ago.^[1] They walked along the coast of India to reach Australia. They walked across Asia to reach the Americas, and from Central Asia into Europe.

During the 18th and 19th centuries, pedestrianism (walking) was a popular spectator sport just as equestrianism still is in places such as Great Britain and the United States. One of the most famous pedestrians of that period was Captain Robert Barclay Allardice, known as "The Celebrated Pedestrian", of Stonehaven in Scotland. His most impressive feat was to walk 1 mile (1.6 km) every hour for 1000 hours, which he achieved between 1 June and 12 July 1809. This feat captured many people's imagination, and around 10,000 people came to watch over the course of the event. During the rest of the 19th century, many people tried to repeat this feat, including Ada Anderson who developed it further and walked a half-mile (800 m) each quarter-hour over the 1,000 hours.

Since the 19th century, interest in walking as a sport has dropped. It is still an Olympic sport, but fails to catch public attention as it did. However major walking feats are still performed, such as the Land's End to John o' Groats walk in the United Kingdom, and the traversal of North America from coast to coast. The first person to walk around the world was Dave Kunst who started his walk travelling east from Waseca, Minnesota on 20 June 1970 and completed his journey on 5 October 1974 when he re-entered the town from the west. These feats are often tied to charitable fundraising and are undertaken by celebrities such as Sir Jimmy Savile and Ian Botham as well as by others.

Health and environment[link]

Regular walking is important both for human health and for the natural environment. Frequent exercise such as walking tends to reduce the chance of obesity and related medical problems. In contrast, using a car for short trips tends to contribute both to obesity and via vehicle emissions to climate change: internal combustion engines are more inefficient and highly polluting during their first minutes of operation (engine cold start). General availability of public transportation encourages walking, as it will not, in most cases, take one directly to one's destination.

Footpaths and roads[link]

The pedestrian Bauman Street in Kazan, Russia.

Colorful pedestrian Light Tunnel at Detroit's DTW airport, United States.

Roads often have a designated footpath for pedestrian traffic, called the sidewalk in American English and the pavement in British English. There are also footpaths not associated with a road; these include urban short cuts and also rural paths used mainly by ramblers, hikers, or hill-walkers. Footpaths in mountainous or forested areas may also be called trails. Pedestrians share some footpaths with horses and bicycles: these paths may be known as bridleways. Other byways used by walkers are also accessible to vehicles. There are also many roads with no footpath. Some modern towns (such as the new suburbs of Peterborough in England) are designed with the network of footpaths and cycle paths almost entirely separate from the road network.

The term trail is also used by the authorities in some countries to mean any footpath that is not attached to a road or street.^[2] If such footpaths are in urban environments and are meant for both pedestrians and bicyclists, they can be called shared-use paths^[3] or multi-use paths in general and official usage.

Some shopping streets are for pedestrians only. Some roads have special pedestrian crossings. A bridge solely for pedestrians is a footbridge.

Under British law, regardless of whether there is a footpath, pedestrians have the right to use most public roads, excluding motorways and some toll tunnels and bridges such as the Blackwall Tunnel and the Dartford Crossing. It is usually advised that pedestrians should walk in the opposite direction to oncoming traffic on a road with no footpath. However sharing roads with fast-moving traffic is highly dangerous.

In California the definition of a pedestrian has been broadened to include anyone on any human powered vehicle that is not a bicycle, as well as people operating self-propelled wheelchairs by reason of physical disability.^[4]

Pedestrianisation[link]

Efforts are under way by pedestrian advocacy groups to restore pedestrian access to new developments, especially to counteract newer developments, 20% to 30% of which in the United States do not include sidewalks. Some activists advocate large auto-free zones where pedestrians only or pedestrians and some non-motorised vehicles are allowed. Many urbanists have extolled the virtues of pedestrian streets in urban areas. In the U.S. the proportion of households without a car is 8%, but a notable exception is New York City, the only locality in the United States where more than half of all households do not own a car (the figure is even higher in Manhattan, over 75%).^[5]

The use of cars for short journeys is officially discouraged in many parts of the world, and construction or separation of dedicated walking routes receives a high priority^{[citation needed]} in most large European city centres - among other places -^[where?] often in conjunction with public transport enhancements.^[which?] In Copenhagen the world's longest pedestrian shopping area, Strøget, has been developed over the last 40 years principally due to the work of Danish architect Jan Gehl, a principle of urban design known as copenhagenization.

See also[link]

• Dérive aimless walking usually through city streets
• Footpath
• Junior safety patrol
• List of U.S. cities with most pedestrian commuters
• Pedestrian zone
• Traffic calming
• Walkability
• Walking

References[link]

1. ^ Wells, Spencer (2005). "Genographic Project". http://www.nationalgeographic.com/genographic. 
2. ^ U.S. Department of Transportation Trail - A path of travel for recreation and/or transportation within a park, natural environment, or designated corridor that is not classified as a highway, road, or street.
3. ^ Shared-use paths, U.S. Department of Administration
4. ^ California Vehicle Code
5. ^ 2001 U.S. National Household Travel Survey highlights

External links[link]

Look up pedestrian in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Pedestrian transport

• America Walks - American pedestrian advocacy group
• Living Streets Aotearoa - New Zealand pedestrian advocacy group
• Living Streets - UK pedestrian advocacy group
• Keep Left - a campaign to establish the UK pedestrian protocol
• Transportation Alternatives: Pedestrian Advocacy
• Pednet - For pedestrian activists and walking advocates internationally
• Street quality promotion by street parties
• Perils For Pedestrians on Blip TV
• Walkable Communities

Ray Bradbury
Born	(1920-08-22) August 22, 1920 (age 91) Waukegan, Illinois
Nationality	American
Period	1938–present
Genres	Science fiction, fantasy, horror fiction, mystery (fiction)
Notable work(s)	The Martian Chronicles, Fahrenheit 451, Something Wicked This Way Comes
Influences H. P. Lovecraft, George Orwell, Mary Shelley, Edgar Allan Poe, George Bernard Shaw, Jules Verne, H.G. Wells, Yevgeny Zamyatin, Alex Raymond, Jack Williamson, Edgar Rice Burroughs
Influenced Leigh Brackett,[1] Neil Gaiman, Kim Harrison, Stephen King, [2], Dean Koontz, Charles L. Grant
Signature
www.raybradbury.com

Ray Douglas Bradbury (born August 22, 1920) is an American fantasy, horror, science fiction, and mystery writer. Best known for his dystopian novel Fahrenheit 451 (1953) and for the science fiction stories gathered together as The Martian Chronicles (1950) and The Illustrated Man (1951), Bradbury is one of the most celebrated among 20th and 21st century American writers of speculative fiction. Many of Bradbury's works have been adapted into television shows or films.

Early life[link]

Bradbury was born in 1920^[3] in Waukegan, Illinois^[4] to Esther Moberg Bradbury, a Swedish immigrant, and Leonard Spaulding Bradbury,^[5] a power and telephone lineman.^[6]

Ray Bradbury is related to the American Shakespeare scholar Douglas Spaulding.^[7] He is also directly descended from Mary Bradbury, who was tried, convicted and sentenced to hang as a witch in Salem, Massachusetts in 1692. She was married to Captain Thomas Bradbury of Salisbury, Massachusetts.

Bradbury was a reader and writer throughout his youth^[8] who was greatly influenced by the writings of Edgar Allan Poe. Bradbury was especially impressed with Poe's ability to draw readers into his works. In his youth, he spent much time in the Carnegie library in Waukegan, Illinois, reading such authors as H.G. Wells, Jules Verne, and his favorite author, Edgar Rice Burroughs who wrote novels such as Tarzan of the Apes and The Warlord of Mars.^[9] He loved Burroughs' The Warlord of Mars so much that at the age of twelve he wrote his own sequel.^[10] An aunt read him short stories when he was a child.^[11] He used this library as a setting for much of his novel Something Wicked This Way Comes, and depicted Waukegan as "Green Town" in some of his other semi-autobiographical novels—Dandelion Wine, Farewell Summer—as well as in many of his short stories.^[12]

He attributes to two incidents his lifelong habit of writing every day. The first of these, occurring when he was three years old, was his mother's taking him to see Lon Chaney's performance in The Hunchback of Notre Dame^[13]. The second incident occurred in 1932, when a carnival entertainer, one Mr. Electrico,^[14] touched the young man on the nose with an electrified sword, made his hair stand on end, and shouted, "Live forever!" It was from then that Bradbury wanted to live forever and decided on his career as an author in order to do what he was told: live forever. It was at that age that Bradbury first started to do magic. Magic was his first great love. If he had not discovered writing, he would have become a magician.^[15]

The Bradbury family lived in Tucson, Arizona in 1926–27 and 1932–33 as the father pursued employment, each time returning to Waukegan, but eventually settled in Los Angeles in 1934, when Ray was thirteen. Bradbury graduated from Los Angeles High School, where he took poetry and short story writing courses that furthered his interest in writing,^[16] but he did not attend college. Instead, he sold newspapers at the corner of South Norton Avenue and Olympic Boulevard. In regard to his education, Bradbury said:

It was in UCLA's Powell Library, in a study room with typewriters for rent, that Bradbury wrote his classic story of a book-burning future, The Fireman, which contained about 25,000 words. It was later published at about 50,000 words under the name, Fahrenheit 451.^[18]

Career[link]

Bradbury in 1975

Ray Bradbury was free to start a career in writing when, owing to his bad eyesight, he was rejected admission into the military during World War II. Having been inspired by science fiction heroes like Flash Gordon and Buck Rogers, Bradbury began to publish science fiction stories in fanzines in 1938. Bradbury was invited by Forrest J Ackerman to attend the Los Angeles Science Fiction Society, which at the time met at Clifton’s Cafeteria in downtown Los Angeles. This was where he met the writers Robert A. Heinlein, Emil Petaja, Fredric Brown, Henry Kuttner, Leigh Brackett, and Jack Williamson.^{[citation needed]} His first published story was "Hollerbochen's Dilemma", which appeared in the fanzine Imagination! in January, 1938. Launching his own fanzine in 1939, titled Futuria Fantasia, he wrote most of its four issues, each limited to under 100 copies. Between 1941 and 1947, he was a contributor to Rob Wagner's film magazine, Script.

Bradbury's first paid piece, "Pendulum", written with Henry Hasse, was published in the pulp magazine Super Science Stories in November 1941, for which he earned $15.^[19] He became a full-time writer by the end of 1942. His first collection of short stories, Dark Carnival, was published in 1947 by Arkham House, a small press in Sauk City, Wis., owned by writer August Derleth.

A chance encounter in a Los Angeles bookstore with the British expatriate writer Christopher Isherwood gave Bradbury the opportunity to put The Martian Chronicles into the hands of a respected critic. Isherwood's glowing review^[20] followed.

Once described as a "Midwest surrealist", he is generally labeled a science fiction writer. Bradbury resists that categorization, however:

First of all, I don't write science fiction. I've only done one science fiction book and that's Fahrenheit 451, based on reality. It was named so to represent the temperature at which paper ignites. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it's fantasy. It couldn't happen, you see? That's the reason it's going to be around a long time—because it's a Greek myth, and myths have staying power.^[21]

On another occasion, Bradbury observed that the novel touches on the alienation of people by media:

In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.^[22]

Besides his fiction work, Bradbury has written many short essays on the arts and culture, attracting the attention of critics in this field. Bradbury also hosted "The Ray Bradbury Theater" which was based on his short stories. Bradbury was a consultant for the American Pavilion at the 1964 New York World's Fair and the original exhibit housed in Epcot's Spaceship Earth geosphere at Walt Disney World.^[23][24][25] In the 1980s, he concentrated on detective fiction.^[26]

Personal life[link]

Ray Bradbury married Marguerite McClure (1922–2003) in 1947, and they had four daughters. Bradbury has never obtained a driver's license.^[27]

Bradbury was a close friend of Charles Addams, and Addams illustrated the first of Bradbury's stories about the Elliotts, a family that would resemble Addams' own Addams Family placed in rural Illinois. Bradbury's first story about them was "Homecoming," published in the 1946 Halloween issue of Mademoiselle, with Addams illustrations. He and Addams planned a larger collaborative work that would tell the family's complete history, but it never materialized, and according to a 2001 interview, they went their separate ways.^[28] In October 2001, Bradbury published all the Family stories he had written in one book with a connecting narrative, From the Dust Returned, featuring a wraparound Addams cover of the original 'Homecoming' illustration.^[29]

Another close friend is animator Ray Harryhausen. During a BAFTA 2010 awards tribute in honour of Ray Harryhausen's 90th birthday, Bradbury talks of how he first met Harryhausen at Forrest J Ackerman's house when they were both 18 years old. Their shared love for Sci-Fi, King Kong, and the King Vidor directed film The Fountainhead, written by Ayn Rand, was the beginning of a lifelong friendship. These early influences inspired the pair to believe in themselves and affirm their career choices. Since their first meeting they have kept in touch at least once a month, spanning over 70 years of friendship.^[30].

Bradbury made regular appearances at science fiction conventions until 2009 when he retired from the circuit on the grounds of old age and lack of energy.^{[citation needed]}

Despite the numerous (and often prescient) technological predictions of his novels, he has expressed skepticism about the value of the Internet to society, stating that it has reduced people's ability to communicate and hold conversations with each other.^{[citation needed]} He has also exhibited scepticism with regard to modern technology by resisting the conversion of his work into e-books and stating that

"We have too many cellphones. We've got too many internets. We have got to get rid of those machines. We have too many machines now."^[31]

Bradbury has chosen a burial place at Westwood Village Memorial Park Cemetery and a headstone that reads "Author of Fahrenheit 451".^[32][33]

Critical reception[link]

Critical opinion of Bradbury's work is sharply divided. In his review of The Martian Chronicles,^[20] Christopher Isherwood wrote:

... the sheer lift and power of a truly original imagination exhilarates... His is a very great and unusual talent.

At the other extreme, science fiction author and critic Damon Knight wrote:^[34]

Although [Bradbury] has a large following among science fiction readers, there is at least an equally large contingent of people who cannot stomach his work at all... His imagination is mediocre; he borrows nearly all his backgrounds and props, and distorts them badly; wherever he is required to invent anything—a planet, a Martian, a machine—the image is flat and unconvincing.

Bibliography[link]

Adaptations to other media[link]

From 1951 to 1954, 27 of Bradbury's stories were adapted by Al Feldstein for EC Comics, and 16 of these were collected in the paperbacks, The Autumn People (1965) and Tomorrow Midnight (1966), both published by Ballantine Books with cover illustrations by Frank Frazetta.

Also in the early 1950s, adaptations of Bradbury's stories were televised on a variety of anthology shows, including Tales of Tomorrow, Lights Out, Out There, Suspense, CBS Television Workshop, Jane Wyman's Fireside Theatre, Star Tonight, Windows and Alfred Hitchcock Presents. "The Merry-Go-Round," a half-hour film adaptation of Bradbury's "The Black Ferris," praised by Variety, was shown on Starlight Summer Theater in 1954 and NBC's Sneak Preview in 1956. During that same period, several stories were adapted for radio drama, notably on the science fiction anthologies Dimension X and its successor X Minus One.

Producer William Alland first brought Bradbury to movie theaters in 1953 with It Came from Outer Space, a Harry Essex screenplay developed from Bradbury's screen treatment "Atomic Monster". Three weeks later came the release of Eugène Lourié's The Beast from 20,000 Fathoms (1953), which featured one scene based on Bradbury's "The Fog Horn", about a sea monster mistaking the sound of a fog horn for the mating cry of a female. Bradbury's close friend Ray Harryhausen produced the stop-motion animation of the creature. Bradbury would later return the favor by writing a short story, "Tyrannosaurus Rex", about a stop-motion animator who strongly resembled Harryhausen. Over the next 50 years, more than 35 features, shorts, and TV movies were based on Bradbury's stories or screenplays.

Bradbury was hired in 1953 by director John Huston to work on the screenplay for the 1956 film Moby Dick, which was faithfully based on the novel by Herman Melville and starred Gregory Peck as Captain Ahab, Richard Basehart as Ishmael, and Orson Welles as Father Mapple. A significant result of the film was Bradbury's book Green Shadows, White Whale, a semi-fictionalized account of the making of the film, including Bradbury's dealings with Huston and his time in Ireland, where exterior scenes that were set in New Bedford, Massachusetts, were filmed.

Bradbury's short story I Sing the Body Electric (from the book of the same name) was adapted for the 100th episode of The Twilight Zone. The episode was first aired on May 18, 1962.

In 1965, three of Ray Bradbury's stories were adapted for the stage. These included The Wonderful Ice Cream Suit, The Day It Rained Forever and Device Out Of Time. The latter was adapted from his 1957 novel Dandelion Wine. The plays debuted at the Coronet Theater in Hollywood and featured Booth Coleman, Joby Baker, Fredric Villani, Arnold Lessing, Eddie Sallia, Keith Taylor, Richard Bull, Gene Otis Shane, Henry T. Delgado, F. Murray Abraham, Anne Loos and Len Lesser. The director was Charles Rome Smith and the production company was Pandemonium Productions.

Oskar Werner and Julie Christie starred in Fahrenheit 451 (1966), an adaptation of Bradbury's novel directed by François Truffaut.

In 1966 Bradbury helped Lynn Garrison create AVIAN, a specialist aviation magazine. For the first issue Bradbury wrote a poem – Planes that land on grass.

In 1969, The Illustrated Man was brought to the big screen, starring Rod Steiger, Claire Bloom and Robert Drivas. Containing the prologue and three short stories from the book, the film received mediocre reviews.

The Martian Chronicles became a three-part TV miniseries starring Rock Hudson which was first broadcast by NBC in 1980. Bradbury found the miniseries "just boring".^[35]

The 1983 horror film Something Wicked This Way Comes, starring Jason Robards and Jonathan Pryce, is based on the Bradbury novel of the same name.

In 1984, Michael McDonough of Brigham Young University produced "Bradbury 13," a series of 13 audio adaptations of famous Ray Bradbury stories, in conjunction with National Public Radio. The full-cast dramatizations featured adaptations of "The Ravine," "Night Call, Collect," "The Veldt", "There Was an Old Woman," "Kaleidoscope," "Dark They Were, and Golden-Eyed", "The Screaming Woman," "A Sound of Thunder," "The Man," "The Wind," "The Fox and the Forest," "Here There Be Tygers" and "The Happiness Machine". Voiceover actor Paul Frees provided narration, while Bradbury himself was responsible for the opening voiceover; Greg Hansen and Roger Hoffman scored the episodes. The series won a Peabody Award as well as two Gold Cindy awards and was released on CD on May 1, 2010. The series began airing on BBC Radio 4 Extra on June 12, 2011.

From 1985 to 1992 Bradbury hosted a syndicated anthology television series, The Ray Bradbury Theater, for which he adapted 65 of his stories. Each episode would begin with a shot of Bradbury in his office, gazing over mementoes of his life, which he states (in narrative) are used to spark ideas for stories. During the first two seasons, Bradbury also provided additional voiceover narration specific to the featured story and appeared on screen.

Five episodes of the USSR science fiction TV series This Fantastic World adapted Ray Bradbury's stories I Sing The Body Electric, Fahrenheit 451, A Piece of Wood, To the Chicago Abyss, and Forever and the Earth.^[36] A Soviet adaptation of "The Veldt" was filmed in 1987.^[37]

The 1998 film The Wonderful Ice Cream Suit, released by Touchstone Pictures, was written by Ray Bradbury. It was based on his story "The Magic White Suit" originally published in The Saturday Evening Post in 1957. The story had also previously been adapted as a play, a musical, and a 1958 television version.

In 2002, Bradbury's own Pandemonium Theatre Company production of Fahrenheit 451 at Burbank's Falcon Theatre combined live acting with projected digital animation by the Pixel Pups. In 1984, Telarium released a for Commodore 64 based on Fahrenheit 451.^[38] Bradbury and director Charles Rome Smith co-founded Pandemonium in 1964, staging the New York production of The World of Ray Bradbury (1964), adaptations of "The Pedestrian", "The Veldt", and "To the Chicago Abyss."

In 2005, the film A Sound of Thunder was released, loosely based upon the short story of the same name. The film The Butterfly Effect revolves around the same theory as A Sound of Thunder and contains many references to its inspiration.^[39] Short film adaptations of A Piece of Wood and The Small Assassin were released in 2005 and 2007 respectively.^[40][41]

In 2005, it was reported that Bradbury was upset with filmmaker Michael Moore for using the title Fahrenheit 9/11, which is an allusion to Bradbury's Fahrenheit 451, for his documentary about the George W. Bush administration. Bradbury expressed displeasure with Moore's use of the title but stated that his resentment was not politically motivated. Bradbury asserts that he does not want any of the money made by the movie, nor does he believe that he deserves it. He pressured Moore to change the name, but to no avail. Moore called Bradbury two weeks before the film's release to apologize, saying that the film's marketing had been set in motion a long time ago and it was too late to change the title.^[42]

In 2008, the film Ray Bradbury's Chrysalis was produced by Roger Lay Jr. for Urban Archipelago Films, based upon the short story of the same name. The film won the best feature award at the International Horror and Sci-Fi Film Festival in Phoenix. The film has international distribution by Arsenal Pictures and domestic distribution by Lightning Entertainment.^[43]

In 2010, The Martian Chronicles was adapted for radio by Colonial Radio Theatre on the Air.

Bradbury's works and approach to writing are documented in Terry Sanders' film Ray Bradbury: Story of a Writer (1963).

Honors[link]

• The Ray Bradbury Award, presented by the Science Fiction and Fantasy Writers of America for screenwriting, was named in Bradbury's honor.
• For his contribution to the motion picture industry, Ray Bradbury was given a star on the Hollywood Walk of Fame at 6644 Hollywood Blvd.
• In 1971, an impact crater on Earth's moon was named "Dandelion Crater" by the Apollo 15 astronauts, in honor of Bradbury's novel Dandelion Wine.
• Ray Bradbury Park was dedicated in Waukegan, Illinois in 1990. The author was present for the ribbon-cutting ceremony. The park contains locations described in Dandelion Wine, most notably the "113 steps" stairs. In 2009 an interpretive panel designed by artist Michael Pavelich was added to the park detailing the history of Ray Bradbury and Ray Bradbury Park.
• An asteroid discovered in 1992 was named "9766 Bradbury" in his honor.
• In 1994, Bradbury received the Peggy V. Helmerich Distinguished Author Award, presented annually by the Tulsa Library Trust.
• In 1994, He won an Emmy Award for the screenplay of The Halloween Tree.
• Medal for Distinguished Contribution to American Letters Award for 2000 from the National Book Foundation.^[44]
• Honorary doctorate from Woodbury University in 2003. Bradbury presents the Ray Bradbury Creativity Award each year at Woodbury University. Winners include sculptor Robert Graham, actress Anjelica Huston, Cosmopolitan editor Helen Gurley Brown, director Irvin Kershner, humorist Stan Freberg, and architect Jon A. Jerde.
• On November 17, 2004, Bradbury was the recipient of the National Medal of Arts, presented by President George W. Bush and Laura Bush. Bradbury has also received the World Fantasy Award life achievement, Stoker Award life achievement, SFWA Grand Master, SF Hall of Fame Living Inductee, and First Fandom Award. He received an Emmy Award for his work on The Halloween Tree. He received the Prometheus Award for Fahrenheit 451.
• On April 16, 2007, Bradbury received a special citation from The Pulitzer Board, "for his distinguished, prolific, and deeply influential career as an unmatched author of science fiction and fantasy."^[45]
• In 2007, Bradbury received the French Commandeur Ordre des Arts et des Lettres medal.
• In 2008, he was named SFPA Grandmaster.^[46]
• In 2010, Spike TV Scream Awards Comic-Con Icon Award went to Ray Bradbury
• In 2010, on occasion of his 90th birthday, Bradbury received Pulsar Award from Sarajevo SF Club PulSar

Notes[link]

References[link]

• Albright, Donn (1990). Bradbury Bits & Pieces: The Ray Bradbury Bibliography, 1974-88. Starmont House. ISBN 1-55742-151-X. 
• Eller, Jonathan R.; Touponce, William F. (2004). Ray Bradbury: The Life of Fiction. Kent State University Press. ISBN 0-87338-779-1. 
• Nolan, William F. (1975). The Ray Bradbury Companion: A Life and Career History, Photolog, and Comprehensive Checklist of Writings. Gale Research. ISBN 0-8103-0930-0. 
• Paradowski, Robert J.; Rhynes, Martha E. (2001). Ray Bradbury. Salem Press. 
• Reid, Robin Anne (2000). Ray Bradbury: A Critical Companion. Greenwood Press. ISBN 0-313-30901-9. 
• Tuck, Donald H. (1974). The Encyclopedia of Science Fiction and Fantasy. Chicago: Advent. pp. 61–63. ISBN 0-911682-20-1. 
• Weist, Jerry (2002). Bradbury, an Illustrated Life: A Journey to Far Metaphor. William Morrow and Company. ISBN 0-06-001182-3. 
• Weller, Sam (2005). The Bradbury Chronicles: The Life of Ray Bradbury. HarperCollins. ISBN 0-06-054581-X. 

Further Reading:

Eller, Jonathan B. Becoming Ray Bradbury. University of Illinois Press. ISBN 0-252-03629-8.

External links[link]

Wikiquote has a collection of quotations related to: Ray Bradbury

Wikimedia Commons has media related to: Ray Bradbury

• Ray Bradbury - Official Website
• Bradburymedia - detailed coverage of Bradbury's work in film, TV, radio, theatre
• Sam Weller (Spring 2010). "Ray Bradbury, The Art of Fiction No. 203". Paris Review. http://www.theparisreview.org/interviews/6012/the-art-of-fiction-no-203-ray-bradbury. 
• Ray Bradbury at the Internet Movie Database
• Ray Bradbury at the Internet Speculative Fiction Database
• Center for Ray Bradbury Studies
• Ray Bradbury: Story of a Writer, film by Terry Sanders
• Survey of Bradbury Scholarship - Chronological analysis of Bradbury criticism
• Full stories list with filter by collection, year and alphabet
• A film clip "Ray Bradbury: Story of a Writer by David L. Wolper" is available for free download at the Internet Archive [more]
• Works by Ray Bradbury on Open Library at the Internet Archive
• Ray Bradbury biography at the Science Fiction Hall of Fame