name | Terry Gilliam |
---|
birth date | November 22, 1940 |
---|
birth place | Medicine Lake, Minnesota, United States |
---|
birth name | Terrence Vance Gilliam |
---|
years active | 1967–present |
---|
spouse | Maggie Weston (1973–present) |
---|
occupation | Actor, animator, director, producer, screenwriter |
---|
Website | terrygilliamweb.com(Official Site)
}} |
---|
Terrence Vance "Terry" Gilliam (; born 22 November 1940) is an American-born British screenwriter, film director, animator, actor and member of the Monty Python comedy troupe. Gilliam is also known for directing several films, including ''Brazil'' (1985), ''The Adventures of Baron Munchausen'' (1988), ''The Fisher King'' (1991), ''12 Monkeys'' (1995), and ''Fear and Loathing in Las Vegas'' (1998). The only "Python" not born in Britain, he took British citizenship in 1968.
Early life
Gilliam was born in
Medicine Lake, Minnesota, the son of Beatrice (née Vance) and James Hall Gilliam, who was a traveling salesman for
Folgers before becoming a carpenter.
The family moved to Panorama City, California, in 1952. Gilliam attended Birmingham High School where he was class president and senior prom King, was voted "Most Likely to Succeed", and achieved straight A's. During high school, he began to avidly read ''Mad'' magazine, which was then edited by Harvey Kurtzman; this later influenced his work.
Gilliam later spoke to Salman Rushdie about defining experiences in the 1960s that would set the foundations for his views on the world, later influencing his art and career:
Career
Animations
Terry Gilliam started his career as an animator and strip cartoonist. One of his early
photographic strips for ''
Help!'' featured future Python cast-member
John Cleese. When ''Help!'' folded, Gilliam went to Europe, jokingly announcing in the very last issue that he was "being transferred to the European branch" of the magazine, which of course did not exist. Moving to England, he animated sequences for the children's series ''
Do Not Adjust Your Set'', which also featured
Eric Idle,
Terry Jones, and
Michael Palin.
Monty Python
Gilliam was a part of ''Monty Python's Flying Circus'' from its outset, at first credited as an animator (his name was listed separately after the other five in the closing credits), later as a full member. His cartoons linked the show's sketches together, and defined the group's visual language in other media (such as LP and book covers, and the title sequences of their films). Gilliam's animations mix his own art, characterized by soft gradients and odd, bulbous shapes, with backgrounds and moving cutouts from antique photographs, mostly from the
Victorian era.
Besides doing the animations, he also appeared in several sketches, though he rarely had any main roles and did considerably less acting in the sketches. He did however have some notable sketch roles such as Cardinal Fang of the Spanish Inquisition, "I Want More Beans!" (from "Most Awful Family in Britain 1974", Episode 45) and the Screaming Queen in a cape and mask singing "Ding dong merrily on high."
More frequently, he played parts that no one else wanted to play (generally because they required a lot of make-up or uncomfortable costumes, such as a recurring knight in armour who would end sketches by walking on and hitting one of the other characters over the head with a plucked chicken) and took a number of small roles in the films, including Patsy in ''Monty Python and the Holy Grail'' (which he co-directed with Terry Jones, where Gilliam was responsible for photography, while Jones would guide the actors' performances) and the jailer in ''Monty Python's Life of Brian''.
Directing
With the gradual break-up of the Python troupe between ''Life of Brian'' in 1979 and ''
The Meaning of Life'' in 1983, Gilliam became a screenwriter and director, building upon the experience he had acquired during the making of ''Monty Python and the Holy Grail''.
Gilliam says he used to think of his films in terms of trilogies, starting with ''Time Bandits'' in 1981. The 1980s saw Gilliam's self-written ''Trilogy of Imagination'' about "the ages of man" in ''Time Bandits'' (1981), ''Brazil'' (1985), and ''The Adventures of Baron Munchausen'' (1988). All are about the "craziness of our awkwardly ordered society and the desire to escape it through whatever means possible." All three movies focus on these struggles and attempts to escape them through imagination; ''Time Bandits'', through the eyes of a child, ''Brazil'', through the eyes of a thirty-something year old, and ''Munchausen'', through the eyes of an elderly man.
Throughout the 1990s, Gilliam directed his ''Trilogy of Americana'', ''The Fisher King'' (1991), ''12 Monkeys'' (1995), and ''Fear and Loathing in Las Vegas'' (1998), which were based on scripts by other people, played on North American soil, and while still being surreal, had less fantastical plots than his previous trilogy.
Themes and philosophy
As for his philosophical background in screenwriting and directing, Gilliam said on the TV show ''First Hand'' on RoundhouseTV: "There's so many film schools, so many media courses which I actually am opposed to. Because I think it's more important to be educated, to read, to learn things, because if you're gonna be in the media and if you'll have to say things, you have to ''know'' things. If you only know about cameras and 'the media', what're you gonna be talking about except cameras and the media? So it's better learning about philosophy and art and architecture ''[and]'' literature, these are the things to be concentrating on it seems to me. Then, you can ''fly...!''"
His films are usually highly imaginative fantasies. His long-time co-writer Charles McKeown comments about Gilliam's recurring interests, "the theme of imagination, and the importance of imagination, to how you live and how you think and so on ''[...]'' that's very much a Terry theme." Most of Gilliam's movies include plot-lines that seem to occur partly or completely in the characters' imaginations, raising questions about the definition of identity and sanity. He often shows his opposition to bureaucracy and authoritarian regimes. He also distinguishes "higher" and "lower" layers of society, with a disturbing and ironic style. His movies usually feature a fight or struggle against a great power which may be an emotional situation, a human-made idol, or even the person himself, and the situations do not always end happily. There is often a dark, paranoid atmosphere and unusual characters who formerly were normal members of society. His scripts feature black comedy and often end with a dark tragicomic twist.
As Gilliam is fascinated with the Baroque due to the historical age's pronounced struggle between spirituality and logical rationality, there is often a rich baroqueness and dichotomous eclecticity about his movies, with, for instance, high-tech computer monitors equipped with low-tech magnifying lenses in ''Brazil'', and in ''The Fisher King'' a red knight covered with flapping bits of cloth. He also is given to incongruous juxtapositions of beauty and ugliness, or antique and modern. Regarding Gilliam's theme of modernity's struggle between spirituality and rationality whereas the individual may become dominated by a tyrannical, soulless machinery of disenchanted society, film critic Keith James Hamel observed a specific affinity of Gilliam's movies with the writings of economic historian Arnold Toynbee and sociologist Max Weber, specifically the latter's concept of the ''Iron cage'' of modern rationality.
Look and style
Gilliam's films have a distinctive look not only in ''
mise-en-scene'' but even more so in photography, often recognizable from just a short clip; in order to create a surreal atmosphere of psychological unrest and a world out-of-balance, Gilliam makes frequent use of unusual camera angles, particularly
low-angle shots,
high-angle shots, and
Dutch angles.
Roger Ebert has said "his world is always
hallucinatory in its richness of detail." Most of his movies are shot almost entirely with
rectilinear ultra wide angle lenses of 28 mm
focal length or less in order to achieve a distinctive signature style defined by extreme
perspective distortion and extremely
deep focus. Gilliam's long-time director of photography
Nicola Pecorini has said, "with Terry and me, a long lens means something between a 40mm and a 65mm." This attitude markedly differs from the common definition in photography which qualifies 40mm to 65mm as the focal length of a
normal lens instead due to resembling natural human
field of view, unlike Gilliam's signature style defined by extreme perspective distortion due to his usual choice of focal length. In fact, over the years, the 14mm lens has become informally known as "The Gilliam" among film-makers due to the director's frequent use of it since at least ''Brazil''.
In another interview, Gilliam also mentioned, in relation to the 9.8mm Kinoptic lens he had first used on ''Brazil'', that wide-angle lenses make small film sets "look big". The widest lens he has used so far is an 8mm Zeiss lens employed on ''The Imaginarium of Doctor Parnassus''.
Production problems
thumb|left|Terry Gilliam at IFC Center. 4 October 2006.Gilliam has made a few extremely expensive movies beset with production problems. After the lengthy quarreling with
Universal Studios over ''
Brazil'', Gilliam's next picture, ''
The Adventures of Baron Munchausen'', cost around US$46 million, and then earned only about US$8 million in US ticket sales. The film saw no wide domestic release from
Columbia Pictures, which was in the process of being sold at the time.
In the mid-1990s, Gilliam and Charles McKeown developed a script for ''Time Bandits 2'', a project that never came to be made. Several of the original actors had died. Gilliam also attempted to direct a version of Charles Dickens's ''A Tale of Two Cities'', which collapsed due to disagreements over its budget and choice of lead actor.
In 1999, Gilliam attempted to film ''The Man Who Killed Don Quixote'', budgeted at US$32.1 million, among the highest-budgeted films to use only European financing; but in the first week of shooting, the actor playing Don Quixote (Jean Rochefort) suffered a herniated disc, and a flood severely damaged the set. The film was cancelled, resulting in an insurance claim of US$15 million. Despite the cancellation, the aborted project did yield the documentary ''Lost in La Mancha'', produced from film from a second crew that had been hired by Gilliam to document the making of ''Quixote''. After the cancellation, both Gilliam and the film's co-lead, Johnny Depp, wanted to revive the project. The insurance company involved in the failed first attempt withheld the rights to the screenplay for several years but the production was finally restarted in 2008.
Gilliam has attempted twice to adapt Alan Moore's ''Watchmen'' comics into a film. Both attempts (in 1989 and 1996) were unsuccessful. Most recently, unforeseeable problems again befell a Gilliam project when actor Heath Ledger died in New York City during the filming of ''The Imaginarium of Doctor Parnassus''.
On the other hand, Gilliam's first successful feature, ''Time Bandits'' (1981), earned more than eight times its original budget in the United States alone; ''The Adventures of Baron Munchausen'' (1988) was nominated for four Academy Awards (and won, among other European prizes, three BAFTA Awards); ''The Fisher King'' (1991) (his first film not to feature a member from Python) was nominated for five (and won the Academy Award for Best Supporting Actress); and ''12 Monkeys'' went on to take over US$168 million worldwide; whilst ''The Brothers Grimm'', despite a mixed critical reception, grossed over US$105 million worldwide. According to Box Office Mojo, his films have grossed an average of $26,009,723.
Recurring collaborators
Ever since his first Python-independent feature ''Jabberwocky'', Gilliam has shown a propensity to work with particular actors in numerous productions. Up until the 1990s, each of Gilliam's non-Python films was to feature at least one of his fellow
Monty Python alumni (particularly Palin, Cleese, and Idle), and for his finished projects Gilliam has worked with the following actors more than once (in order of first film appearance):
Derrick O'Connor (''Jabberwocky'', ''Time Bandits'', ''Brazil'')
Ian Holm (''Time Bandits'', ''Brazil'')
Peter Vaughan (''Time Bandits'', ''Brazil'')
Jack Purvis (''Time Bandits'', ''Brazil'', ''The Adventures of Baron Munchausen'')
Jim Broadbent (''Time Bandits'', ''Brazil'')
Charles McKeown (''Time Bandits'', ''Brazil'', ''The Adventures of Baron Munchausen'', ''The Imaginarium of Doctor Parnassus'')
Katherine Helmond (''Time Bandits'', ''Brazil'', ''Fear and Loathing in Las Vegas'')
Jonathan Pryce (''Brazil'', ''The Adventures of Baron Munchausen'', ''The Brothers Grimm'')
Simon Jones (''Brazil'', ''12 Monkeys'')
Robin Williams (''The Adventures of Baron Munchausen'', ''The Fisher King''; also was to play Cavaldi in ''The Brothers Grimm'' until objections by producers Bob and Harvey Weinstein)
Jeff Bridges (''The Fisher King'', ''Tideland'')
Michael Jeter (''The Fisher King'', ''Fear and Loathing in Las Vegas'')
Tom Waits (''The Fisher King'', ''The Imaginarium of Doctor Parnassus'')
Christopher Plummer (''12 Monkeys'', ''The Imaginarium of Doctor Parnassus'')
Christopher Meloni (''12 Monkeys'', ''Fear and Loathing in Las Vegas'')
Johnny Depp (''Fear and Loathing in Las Vegas'', ''The Imaginarium of Doctor Parnassus''; held the title role in Gilliam's first attempt at directing ''The Man Who Killed Don Quixote'' in 2000)
Verne Troyer (''Fear and Loathing in Las Vegas'', ''The Imaginarium of Doctor Parnassus'')
Heath Ledger (''The Brothers Grimm'', ''The Imaginarium of Doctor Parnassus'')
Peter Stormare (''The Brothers Grimm'', ''The Imaginarium of Doctor Parnassus'')
Other recurring collaborators include Gilliam's cinematographers Roger Pratt (''Brazil'', ''The Fisher King'', ''12 Monkeys'') and Nicola Pecorini (''Fear and Loathing in Las Vegas'', ''The Brothers Grimm'', ''Tideland'', ''The Imaginarium of Doctor Parnassus''), and his co-writer McKeown (''Brazil'', ''The Adventures of Baron Munchausen'', ''The Imaginarium of Doctor Parnassus'').
Gilliam and ''Harry Potter''
J. K. Rowling, author of the ''
Harry Potter'' series, is a fan of Gilliam's work. Consequently, he was Rowling's first choice to direct ''
Harry Potter and the Philosopher's Stone'' in 2000, but
Warner Bros. ultimately chose
Chris Columbus for the job. In response to this decision, Gilliam expressed that "I was the perfect guy to do ''Harry Potter''. I remember leaving the meeting, getting in my car, and driving for about two hours along
Mulholland Drive just so angry. I mean, Chris Columbus' versions are terrible. Just dull. Pedestrian." In 2006, Gilliam added that he found
Alfonso Cuarón's ''
Harry Potter and the Prisoner of Azkaban'' to be "really good...much closer to what I would've done." In retrospect, however, Gilliam has stated that he wouldn't have liked to direct any
''Potter'' film. In a 2005 interview with ''
Total Film'' magazine, he said that he would not enjoy working on such an expensive project due to interference from studio executives.
In ''Harry Potter and the Deathly Hallows Part 1'', director David Yates paid homage to Gilliam's 1985 film ''Brazil''.
Secret Tournament
In 2002, Gilliam directed a series of television advertisements called ''
Secret Tournament''. The advertisements were part of
Nike's
FIFA World Cup campaign, and featured a secret three-on-three tournament between the world's best football players inside a huge tanker ship, with the
Elvis Presley song "
A Little Less Conversation" playing during the advertisements.
Slava's Diabolo
In 1996, Gilliam directed the stage show ''Slava's Diabolo'' created and staged by Russian
clown artist
Slava Polunin. The show combines Polunin's clown style, characterized by deep non-verbal expression and interaction with the audience, with Gilliam's rich visuals and surrealistic imagery. The show premiered at the Noga hall of the Gesher theater in
Jaffa, Israel.
''The Imaginarium of Doctor Parnassus''
''
The Imaginarium of Doctor Parnassus'', directed and co-written by Gilliam, was released in 2009. In January 2007, Gilliam announced that he had been working on a new project with writing partner Charles McKeown. One day later, the fansite Dreams reported that the new project was titled ''The Imaginarium of Doctor Parnassus''. In October 2007, Dreams confirmed that this would be Gilliam's next project and was slated to star
Christopher Plummer and
Tom Waits. Production began in December 2007 in London.
On 22 January 2008, production of the film was disrupted following the death of Heath Ledger in New York City. ''Variety'' reports that Ledger's involvement had been a "key factor" in the film's financing. Production was suspended indefinitely by 24 January, but in February actors Johnny Depp, Jude Law, and Colin Farrell reportedly signed on to continue Ledger's role, transforming into multiple incarnations of his character in the "magical" world of the film. Thanks to this arrangement principal photography was completed 15 April 2008 on schedule. Editing was completed November 2008. According to the official ''ParnassusFilm'' Twitter channel launched on 30 March 2009, the film's post-production FX work finished on 31 March.
During the filming, Gilliam was accidentally hit by a bus and broke his back.
The UK release for the film was scheduled for 6 June 2009 but was pushed back to 16 October 2009. The USA release was on 25 December 2009. The film has had successful screenings including a premiere at the 62nd Cannes Film Festival. The director stated his intent to dedicate the film to Ledger. Depp, Farrell, and Law donated their proceeds from the film to Ledger's daughter.
The Damnation of Faust
Gilliam made his opera debut at London's
English National Opera in May 2011, directing ''
The Damnation of Faust'' by
Hector Berlioz. The production received positive reviews in the British press
Projects in development or shelved
Gilliam has several projects in various states of development, including an adaptation of
Neil Gaiman's and
Terry Pratchett's comic fantasy novel ''
Good Omens''. Other projects Gilliam has been trying to get off the ground since the 1990s are an adaptation of
Charles Dickens' ''
A Tale of Two Cities'' (starring
Mel Gibson), an adaptation of ''
A Connecticut Yankee in King Arthur's Court'' by
Mark Twain (which
has been adapted into movies several times before), and a script titled ''The Defective Detective'' that Gilliam has co-authored with
Richard LaGravenese (who wrote Gilliam's ''
The Fisher King'' before).
It was rumoured that Gilliam may direct – or be involved in the production of – the animated band Gorillaz' movie. In a September 2006 interview with ''Uncut'' magazine, Damon Albarn was reported saying "... we're making a film. We've got Terry Gilliam involved." However, in a more recent interview with Gorillaz-Unofficial, Jamie Hewlett, the co-creator of the band, stated that since the time of the previous interview, Damon's and his own fixation on the film had lessened. In an August 2008 ''Observer'' interview, Gorillaz band members Albarn and Hewlett revealed the nature and title of the project, ''Journey to the West'', a movie adaptation of the opera of the same name based on a 16th-century Chinese adventure story also known as ''Monkey''. In January 2008, while on set of ''The Imaginarium of Doctor Parnassus'', Gilliam stated that he was looking forward to the project, "But I'm still waiting to see a script!" Participating were producer Richard D. Zanuck and screenwriter Pat Rushin. When little was revealed about the nature of the film writer Pat Rushin suggested that his short story "Vow: A Prolix Parable" was an example of the screenplay's sensibility. An article at film website ''Tout Le Cine'' stated the film was to be about a reclusive and tortured data processing genius working on a mysterious project. Production was said to start May 2009. However, in June 2009 Gilliam stated that he had dropped the film having to invest more time than expected in the promotion of the 2009 film ''The Imaginarium of Doctor Parnassus'' as well as in preparation for his film of ''Don Quixote''.
Future projects
After regaining the rights to the screenplay of ''
The Man Who Killed Don Quixote'', Gilliam restarted pre-production in 2008, with Johnny Depp still attached to the project. The film will be reshot completely, and Rochefort's role will be recast. Michael Palin reportedly entered talks with Gilliam to step in for Rochefort and play Don Quixote. However, Gilliam revealed on Canadian talk show ''
The Hour'' on 17 December 2009, that
Robert Duvall had been cast to play Quixote.
On 16 December 2010, ''Variety'' reported that Gilliam is to "godfather" a film called ''1884'' which is described as an animated steampunk parody of George Orwell's ''Nineteen Eighty-Four'', with several former Pythons lending their voice talents to the project whereas Gilliam will be credited as "creative adviser".
Personal life
Gilliam has been married to the British make-up and costume designer Maggie Weston since 1973. She worked on ''Monty Python's Flying Circus'', many of the Python movies, and Gilliam's movies up to ''
The Adventures of Baron Munchausen''. They have three children, Amy (b. 1978), Holly (b. 1980), and Harry (b. 1988), who have also appeared in several of Gilliam's films.
In 1968, Gilliam obtained British citizenship, then held dual American and British citizenship for the next 38 years. In January 2006 he renounced his American citizenship. In an interview with ''Der Tagesspiegel'', he described the action as a protest against then President George W. Bush, and in an earlier interview with The Onion AV Club, he also indicated that it was related to concerns about future tax liability for his wife and children. As a result of renouncing his citizenship, Gilliam is only permitted to spend 30 days per year in the United States, fewer than ordinary British citizens. Gilliam also maintains a residence in Italy near the Umbria-Tuscany border. He has been instrumental in establishing the annual Umbria Film Festival, held in the nearby hill town of Montone.
Filmography
Feature
''Monty Python and the Holy Grail'' (1975) (co-directed with Terry Jones)
''Jabberwocky'' (1977)
''Time Bandits'' (1981)
''Brazil'' (1985)
''The Adventures of Baron Munchausen'' (1988)
''The Fisher King'' (1991)
''12 Monkeys'' (1995)
''Fear and Loathing in Las Vegas'' (1998)
''The Brothers Grimm'' (2005)
''Tideland'' (2005)
''The Imaginarium of Doctor Parnassus'' (2009)
Upcoming films:
''The Man Who Killed Don Quixote'' (in pre-production)
Shorts
''Storytime'' (animated short)
''The Miracle of Flight'' (1974) (animated short)
''The Crimson Permanent Assurance'' (1983) (a short supporting feature that accompanied ''Monty Python's The Meaning of Life'')
''The Legend of Hallowdega'' (2010)
''The Wholly Family'' (2011)
Advertisements
MTV "Boogeyman" (1987)
''Secret Tournament'' (2002)
''The Rematch'' (2002)
Awards, nominations and honours
''Brazil'' (1985)
*Los Angeles Film Critics Association Best Film, Director, and Screenplay
*1 Academy Awards nominations Best Original Screenplay
''The Adventures of Baron Munchausen'' (1988)
*3 BAFTA Awards Best Costume Design, Best Make Up Artist, Best Production Design
*3 Silver Ribbons awarded by the Italian National Syndicate of Film Journalists Best Cinematography, Best Costume Design, Best Production Design
*4 Academy Awards nominations Best Set Decoration, Best Costume Design, Best Visual Effects, Best Makeup
*4 Saturn Awards nominations Best Costumes, Best Fantasy Film, Best Make-Up, Best Special Effects
*Hugo Award nomination for Best Dramatic Presentation
''The Fisher King'' (1991)
*Academy Award Best Actress in a Supporting Role (Mercedes Ruehl)
*4 Academy Awards nominations Best Actor in a Leading Role (Robin Williams), Best Art Direction-Set Decoration, Best Music, Original Score, Best Writing, Screenplay Written Directly for the Screen
*Venice Film Festival Silver Lion Winner
*Toronto Film Festival People's Choice Award Winner
''Twelve Monkeys'' (1995)
*2 Academy Awards nominations Best Actor in a Supporting Role (Brad Pitt), Best Costume Design
*Berlin Film Festival Reader Jury of the "Berliner Morgenpost" – 3rd Place
''Fear and Loathing in Las Vegas'' (1998)
Cannes Film Festival Official Selection
''The Brothers Grimm'' (2005)
*Venice Film Festival Official Selection
''Tideland'' (2005)
San Sebastian Festival Winner of the FIPRESCI Prize
''The Imaginarium of Doctor Parnassus'' (2009)
*2 Academy Awards nominations Best Costume Design, Best Art Direction
*2 BAFTA Awards nominations Best Production Design, Best Make Up & Hair
*Best Fantasy Film nomination by the Costume Designers Guild of America
*British Independent Film Awards nomination for Best Achievement in Production
*International Press Academy Satellite Award Best Costume Design, 3 more nominations for Best Visual Effects, Best Art Direction & Production Design, Best Original Song
*Voted Best Fantasy Film of the Year by readers of the Total Sci-Fi Online magazine.
An asteroid, 9619 Terrygilliam, is named in his honor.
Gilliam was given the
BAFTA Academy Fellowship Award in 2009 for his contribution to motion picture arts.
Terry Gilliam awarded the Fellowship of the Kermodes, by film critic
Mark Kermode.
Gilliam was honored with the ''Director with Unique Visual Sensitivity Award'' at the
Camerimage film festival in
Łódź, Poland in 2009.
Further reading
References
External links
Terry Gilliam's Official Website
Watch Terry Gilliam's new film - The Wholly Family
Dreams – exclusive interviews with Gilliam and coverage of his films
Senses of Cinema: Terry Gilliam
The Terry Gilliam Files – Interviews and behind-the-scenes production stories
Extensive Terry Gilliam Filmography and Biography
Terry Gilliam's Cinématon. A 4 minutes portrait by Gérard Courant
Terry Gilliam: BAFTA A Life in pictures
Terry Gilliam Interviewed by Jonathan Derbyshire “The Imaginarium of Doctor Parnassus" on New Statesman
Category:1940 births
Category:American animators
Category:American expatriates in the United Kingdom
Category:American film directors
Category:American emigrants to the United Kingdom
Category:BAFTA winners (people)
Category:Best Director Empire Award winners
Category:British animators
Category:British film directors
Category:Copywriters
Category:Living people
Category:Monty Python members
Category:Naturalised citizens of the United Kingdom
Category:British people of American descent
Category:People from Hennepin County, Minnesota
Category:People from the San Fernando Valley
Category:Surrealist filmmakers
Category:American expatriates in the United Kingdom
be-x-old:Тэры Гіліям
bg:Тери Гилиъм
bs:Terry Gilliam
ca:Terry Gilliam
cs:Terry Gilliam
da:Terry Gilliam
de:Terry Gilliam
es:Terry Gilliam
eu:Terry Gilliam
fa:تری گیلیام
fr:Terry Gilliam
ko:테리 길리엄
hr:Terry Gilliam
id:Terry Gilliam
is:Terry Gilliam
it:Terry Gilliam
he:טרי גיליאם
la:Terry Gilliam
lb:Terry Gilliam
lt:Terry Gilliam
hu:Terry Gilliam
mk:Тери Гилијам
nl:Terry Gilliam
ja:テリー・ギリアム
no:Terry Gilliam
pl:Terry Gilliam
pt:Terry Gilliam
ro:Terry Gilliam
ru:Гиллиам, Терри
simple:Terry Gilliam
sk:Terry Gilliam
sr:Тери Гилијам
sh:Terry Gilliam
fi:Terry Gilliam
sv:Terry Gilliam
tg:Терий Гиллиам
tr:Terry Gilliam
zh:特里·吉列姆