- published: 08 Jun 2009
- views: 301
- author: CubbyE
0:51
Portable Network Graphic over .tiff or .jpeg
PNG File Format Assignment SCC Creative Troubleshooting CubbyE Productions...
published: 08 Jun 2009
author: CubbyE
Portable Network Graphic over .tiff or .jpeg
PNG File Format Assignment SCC Creative Troubleshooting CubbyE Productions
6:56
1.6k Graphics Pack [Download]
Here is my first graphics pack guys! Sorry the video is a bit long, but it covers just abo...
published: 09 Jan 2012
author: PeeweeHD
1.6k Graphics Pack [Download]
Here is my first graphics pack guys! Sorry the video is a bit long, but it covers just about everything in the pack, i recommend watching it all. As always, the best stuff is in this pack, use it wisely :) How about a like for all the content in the pack?? Would be much appreciated. DL: www.gamefront.com Enjoy! - Pez
- published: 09 Jan 2012
- views: 15283
- author: PeeweeHD
2:59
Tutorial - How To: Add Logo/Watermark To Video With iMovie 9, (iLife '11).
In this clip I am going to add a simple text logo/watermark, (it could just as easily be a...
published: 29 Apr 2011
author: Nathan Mino
Tutorial - How To: Add Logo/Watermark To Video With iMovie 9, (iLife '11).
In this clip I am going to add a simple text logo/watermark, (it could just as easily be a graphic), to iMovie 9.0.2 quickly and painlessly. And WITHOUT getting the blacked-out box over your logo. The steps are fairly simple: 1. Load your iMovie project 2. Create an alpha, (transparent), Portable Network Graphics image in your favorite image editing software with the same dimensions as your project, (mine was 1280x720). 3. Copy/Paste your logo, or create your graphic. 4. Save file as png. 5. Drag this image on to your clip and adjust image runtime to your preference. 6. Edit Crop/Fit/Ken Burns and finalize project. Hope this was helpful
- published: 29 Apr 2011
- views: 4787
- author: Nathan Mino
7:04
Using CSS To Create a Fixed, Content-Overlapping Footer
In this tutorial, I demonstrate how to create a footer that features an image that is (1) ...
published: 05 Feb 2010
author: WeArePurpose
Using CSS To Create a Fixed, Content-Overlapping Footer
In this tutorial, I demonstrate how to create a footer that features an image that is (1) always positioned on the bottom of the screen and (2) that slightly covers some of the content area to create a nice design overlay. Aside from the image creation in Photoshop, I only use CSS and HTML to create this page. This tutorial continues where the previous left off, with some minor formatting modifications. To see the previous tutorial, visit: www.youtube.com In the video, I mention that I will touch on why I use Portable Network Graphics (PNGs), but I forgot to mention it. Basically, the upsides to this image format are a relatively small file size and support for transparency. Please note that this tutorial features one of several methods available to create a fixed, overlapping footer. You will have to tailor your footer width, height, and position for your own needs.
- published: 05 Feb 2010
- views: 5683
- author: WeArePurpose
3:16
GFX // Tutorial Three - Rendering C4D Text into PhotoShop - PaNiiKzZ
Tutorial Three coming at you with an explanation on how to render text from C4D with a tra...
published: 08 May 2011
author: FuZeStudios
GFX // Tutorial Three - Rendering C4D Text into PhotoShop - PaNiiKzZ
Tutorial Three coming at you with an explanation on how to render text from C4D with a transparent background so you can put it into Photoshop. Remember that it's in the Render Settings and you need to set it as either a Mac OSx: Portable Network Graphics Image or simply a PNG on PC. It's nice and easy, but if you got stuck, post a comment and I'll do my best to answer it Check out the other tutorials as well on how to use the Pen Tool and how to create simple 3D text. Don't forget to follow us on Twitter: www.twitter.com and like us on Facebook: www.facebook and enjoy this video!
- published: 08 May 2011
- views: 3632
- author: FuZeStudios
1:47
Render Test - Sony Vegas - MainConcept AVC/AAC - 1072p - 10M bps - Color Corrector - Pan/Crop
SOURCES 1. Pictures - Test Cards Resolution - 1920 x 1080 pixels Format - PNG (Portable Ne...
published: 07 Apr 2011
author: Peter Stopka
Render Test - Sony Vegas - MainConcept AVC/AAC - 1072p - 10M bps - Color Corrector - Pan/Crop
SOURCES 1. Pictures - Test Cards Resolution - 1920 x 1080 pixels Format - PNG (Portable Network Graphics) 2. Pictures - Settings Resolution - 1920 x 1080 pixels Format - BMP (Bitmap Image File) 3. Game - Heroes of Newerth Resolution - 1920 x 1080 pixels Graphics Settings - Ultra, All On FRAPS - 3.4.1 Video Capture Settings: Frames per Seconds - 29.97 Video Size - Full Size Sound Capture Settings: Record Win7 sound - Yes Set Sound Channel - Stereo Record external input - No Extra Capture Settings: Hide mouse cursor in video - No Lock framerate while recording - No Force lossless RGB capture - No SONY VEGAS - 10.0c Project Settings Video: Width - 1920 Height - 1072 Field order - None (progressive scan) Pixel aspect ratio - 1.0000 (Square) Output rotation: 0° (original) Frame rate - 29.970 (NTSC) Stereoscopic 3D mode - Off Pixel format - 8-bit Full-resolution rendering quality - Best Motion blur type - Gaussian Deinterlace method - None Adjust source media to better match project or render settings - No Project Settings Audio: Master bus mode - Stereo Number of stereo busses - 0 Sample rate (Hz) - 48 000 Bit depth - 16 Resample and stretch quality - Best Ruller, Summary, Audio CD: Set Default Settings Render Settings: Type - MainConcept AVC/AAC (*.mp4) Template - Default Render Video Settings: Frame size - (Custom frame size) Width - 1920 Height - 1072 Allow source to adjust frame size - No Profile - Main Frame rate - 29.970 (NTSC) Allow source to adjust frame rate - No ...
- published: 07 Apr 2011
- views: 3551
- author: Peter Stopka
1:19
NEW Youtube Layout Template / Background PSD Download! [Cosmic Panda]
~ Read Me ~ Please leave a like/favourite and comment if you download and use this. ©2011 ...
published: 02 Dec 2011
author: TheGFXUniverse
NEW Youtube Layout Template / Background PSD Download! [Cosmic Panda]
~ Read Me ~ Please leave a like/favourite and comment if you download and use this. ©2011 Nebula Graphics via TheGFXUniverse. » Download Here ( Now part of my 1K GFX Pack ) - www.youtube.com You may also be interested in this - more free layouts: » www.youtube.com External Links ————————————————————————— Second Channel! www.youtube.com Follow me on Twitter! » twitter.com Facebook Page! » on.fb.me ————————————————————————— Thank You for watching, I hope you enjoy my content and hopefully stay active and watch future videos! Feel free to share, subscribe, favourite, like and comment! ————————————————————————— ~ Nebula ~
- published: 02 Dec 2011
- views: 12345
- author: TheGFXUniverse
4:02
Free Interface Background Giveaway / Speed Art [New Cosmic Panda Layout]
~ Read Me ~ Please leave a LIKE & FAVOURITE and COMMENT if you enjoyed the video! ©2011 Ne...
published: 29 Jan 2012
author: TheGFXUniverse
Free Interface Background Giveaway / Speed Art [New Cosmic Panda Layout]
~ Read Me ~ Please leave a LIKE & FAVOURITE and COMMENT if you enjoyed the video! ©2011 Nebula Graphics via TheGFXUniverse. » Download Link - dl.dropbox.com It is not a PSD file. I like to be credited for everything I do, sadly this barely happens when people are able to remove my signature. I hope you understand. » Music Artist - www.youtube.com Social Links: ————————————————————————— Follow me on Twitter! » twitter.com ————————————————————————— Thank You for watching, I hope you enjoy my content and hopefully stay active and watch future videos! Feel free to share, subscribe, favourite, like and comment! ————————————————————————— ~ Nebula ~
- published: 29 Jan 2012
- views: 2009
- author: TheGFXUniverse
3:44
Sharzy - Rosie Marara (Papua New Guinea Music)
What is it about Sharzy that makes his music so appealing? So attractive? I’m not a musi...
published: 01 Mar 2012
author: Kangom Nawe
Sharzy - Rosie Marara (Papua New Guinea Music)
What is it about Sharzy that makes his music so appealing? So attractive? I’m not a music expert in that I know the correct terms and descriptions that’ll enable me to pick at every detail of his album from lyrics to musical arrangements to confidently say that it’s this part mixed with that, or that section that blends with this – that makes Sharzy’s music what it is. His music is something you can listen to on just about any given day, in just about any circumstance. You can listen to any of Sharzy’s albums or songs while sipping on coconut juice, with the ocean breeze caressing your face, sand between your toes whilst the sun beams reflect off a crystal clear ocean or in the night club, when your groggy and tired of trying to keep up with the fast-paced techno beats, then the DJ pops in a Sharzy track and you’re off with the rest of the crowd… racing for a spot on the dance floor all the while lip-syncing in time with the song. Let’s face it… Sharzy and his music are, in a word, Magnetic. Samson Allan Saeni, aka SHARZY, is in his mid 30’s and is the eldest in a family of six. Melanesian in race, he was born and raised in the Solomon Islands and came up with the name ‘Sharzy’ because it means ‘Brother’ in his mother-tongue. www.facebook.com www.chmsupersound.com
- published: 01 Mar 2012
- views: 3778
- author: Kangom Nawe
0:28
Decerto Video Overlay | PSD
Hope you enjoy this fully customisable PSD. Download Link : www.mediafire.com...
published: 25 Jan 2012
author: Jack Middleton
Decerto Video Overlay | PSD
Hope you enjoy this fully customisable PSD. Download Link : www.mediafire.com
- published: 25 Jan 2012
- views: 762
- author: Jack Middleton
3:36
'The Storm' Speed Art // By Nebula
~ Read Me ~ Please leave a LIKE & FAVOURITE and COMMENT if you enjoyed the video! ©2012 Ne...
published: 06 Feb 2012
author: TheGFXUniverse
'The Storm' Speed Art // By Nebula
~ Read Me ~ Please leave a LIKE & FAVOURITE and COMMENT if you enjoyed the video! ©2012 Nebula Graphics via TheGFXUniverse. » Full HQ Image - db.tt » Music Artist - Something A La Mode Social Links: ————————————————————————— Follow me on Twitter! » twitter.com ————————————————————————— Thank You for watching, I hope you enjoy my content and hopefully stay active and watch future videos! Feel free to share, subscribe, favourite, like and comment! ————————————————————————— ~ Nebula ~
- published: 06 Feb 2012
- views: 776
- author: TheGFXUniverse
3:36
'Illuminated' Movie Poster Speed Art // By Nebula
~ Read Me ~ This was made as part of my Media Studies project and was my second version of...
published: 17 Feb 2012
author: TheGFXUniverse
'Illuminated' Movie Poster Speed Art // By Nebula
~ Read Me ~ This was made as part of my Media Studies project and was my second version of a poster for the film trailer I created. I left out movie details such as actors names and release date for the final image but will use them as another version. Thanks for reading and watching. Please leave a LIKE & FAVOURITE and COMMENT if you enjoyed the video! ©2012 Nebula Graphics via TheGFXUniverse. » Full HQ Image - db.tt » Music Artist - Klaypex - www.youtube.com Social Links: ————————————————————————— Follow me on Twitter! » twitter.com ————————————————————————— Thank You for watching, I hope you enjoy my content and hopefully stay active and watch future videos! Feel free to share, subscribe, favourite, like and comment! ————————————————————————— ~ Nebula ~
- published: 17 Feb 2012
- views: 948
- author: TheGFXUniverse
0:21
46 Textures Pack (Free Download)
Download: www.mediafire.com More on my blog: www.milosgavrilovic.com Subscribe my channel ...
published: 25 Apr 2012
author: MilosGavrilovic
46 Textures Pack (Free Download)
Download: www.mediafire.com More on my blog: www.milosgavrilovic.com Subscribe my channel for more downloads and tutorials.
- published: 25 Apr 2012
- views: 6548
- author: MilosGavrilovic
0:19
Any To Icon 3.4 Registration Serial key
khurramssoftwares.blogspot.com {my blog} www.mediafire.com {download link} Key is also in ...
published: 15 Aug 2011
author: KhurramSoftwares
Any To Icon 3.4 Registration Serial key
khurramssoftwares.blogspot.com {my blog} www.mediafire.com {download link} Key is also in the file no survey or fake link Any to Icon converts BMP, JPEG, GIF, PNG, PCX, PSD, TGA, TIFF, WMF, WBMP, XPM, XBM and CUR formats into Windows icons. You can add files and folders from Windows Explorer or other file shells using drag and drop. You also can paste bitmaps from the clipboard and change color resolution and size to create customized icons. It's possible to convert 256-color icons into True Color icons and vice versa. In addition, you can split icon libraries into individual icons. Any to Icon allows you to extract icons from folders and libraries and place them into the directory of your choice. The application has wizard and command line interfaces that make it simple to process multiple files at once. You can find many images on the Internet and convert them to icons for use on your Windows desktop, in applications and elsewhere. Supported formats: ICO - Windows Icon CUR - Windows Cursor BMP - Windows Bitmap GIF - Compuserve Graphics Interchange Format JPG - JPEG JFIF Image PNG - Portable Network Graphics PCX - ZSoft Publisher's Paintbrush Image PSD - Adobe Photoshop Image TGA - Truevision Targa Image TIF - TIFF Image WMF - Windows Metafile EMF - Enhanced Windows Metafile WBMP - Wireless Bitmap XBM - X Bitmap XPM - X Pixmap ICL, EXE, DLL, SCR, IL, NIL and other icon libraries
- published: 15 Aug 2011
- views: 4122
- author: KhurramSoftwares
Vimeo results:
11:27
Percebeiros (Sea Bites) 1920x1080
http://www.enpiedeguerra.tv/percebeiros/
(12 min) Corto documental dirigido por David Ber...
published: 03 Dec 2011
author: enpiedeguerra
Percebeiros (Sea Bites) 1920x1080
http://www.enpiedeguerra.tv/percebeiros/
(12 min) Corto documental dirigido por David Beriain sobre la historia de Serxio Ces, percebeiro de Cedeira, Galicia.
Preseleccionado para los Premios Goya 2012.
Sinopsis:
Ruge el viento. El mar golpea los acantilados. Dos metros de roca, ésa es la franja de agua y oxígeno en la que crece el percebe. Dos metros donde el mar se ensaña, donde bate con fuerza milenaria. Una frontera de olas y espuma en la que Serxo y sus compañeros luchan por un bocado de mar.
Una frontera de valor y miedo. De temeridad y sentido común. Dos metros sin margen de error. Ahí vive el percebe. Ahí vive Serxo.
Percebeiros es la batalla contra el mar de unos guerreros que no se consideran héroes.
___
CREDITS
DAVID BERIAIN Director
David Beriain is a Spanish war correspondent that has covered conflicts in Iraq, Afghanistan, Congo, Colombia and Kashmir, among others. He is currently in charge of coordinating the fea- ture section at Medina Media, a production com- pany based out of Spain.
Beriain is one of the few reporters in the world that has managed to infiltrate the FARC guerrilla camps in Colombia. His work there made him a finalist for the Bayeux-Calvados, the most pres- tigious international award for war correspon- dents. He has interviewed the Taliban command- ers who killed Spanish soldiers, met with the twelve-year-old hitmen that Colombian druglords exploit as child soldiers, and even accompanied the American Army on some of their most danger- ous military operations in Iraq and Afghanistan. His latest TV documentary took him to Eastern Congo, where he covered the conflict between the Congolese Army and the rebels who fight, kill and rape in order to gain the control of the Coltan and Cassiterite mines.
During his time at Sea Bites, Beriain was in charge of producing the story and coordinating all the members in the team. He was the one who convinced everyone to get on board and as a true leader, he turned a group of people who did not know each other into a real team.
(+34) 609 72 71 61 beriain.david@gmail.com enpiedeguerra.tv/


FERNANDO UREÑA Script Writer
Fernando Ureña is a Spanish editor and script writer. For the past three years, he has worked as a script analyst for Cuatro’s national fiction shows. He has also supervised the scripts for several other Spanish networks such as Canal+, Digital+, TVE or Audiovisual Sport. He is currently writing the scripts for various Spanish movies, a work he combines with his editorial tasks at some of Spain’s most prestigious publishing compa- nies.
Ureña gave birth to the idea of Sea Bites.
He conceived the story and was David Beriain’s second hand in the team. They wrote the script together and Ureña followed the entire process of video-editing, post-production and sonorization.
(+34) 655 01 89 80 fmumary@gmail.com
SERGIO CARO Director of photography
Sergio Caro is a Spanish photographer and cam- eraman. He is specialized in international con- flicts and illegal immigration in Europe. His 2005 photographs of Sub-Saharan immigrants being hauled away by bus to be abandoned in the desert won him the Visa D’Or at the International Photo- journalists Awards in Perpignan, one of the most prestigious ceremonies in the world. His photo- graphs have been published in renowned media such as Newsweek, Le Figaro or the Financial Times. As a television cameraman, he has cov- ered Iraq, Afghanistan and Congo together with David Beriain.
Together with Ernesto Villalba, he created Once Upon a Time, a multimedia company that por- trays unique characters from a very artistic point of view.
In Sea Bites, Caro’s ten years of experience al- lowed him to hang himself from the rocks just as the barnacle fishermen did and taking as many risks as they do. He also played the role of direc- tor of photography coordinating all the camera- men at work.
(+34) 656 55 06 57 sergio@sergiocaro.com sergiocaro.com/

ERNESTO VILLALBA Cameraman
Ernesto Villalba is a Spanish multimedia journal- ist. He is a co-founder of Once Upon a Time, a pioneer online production company that makes short films and other multimedia materials for the web. The company’s first work, “Time to Time”, was selected by Innovative Interactivity as one of the fifty best multimedia packages of the year. Since 2008, he has directed all graphic design- and social media-related strategies for REC, the main feature aired by Cuatro, one of Spain’s “Big Five” TV networks.
Villalba is currently focused on his work at Once Upon a Time developing several documentary projects and combines them with his role as a teacher for several innovative seminars.
In Sea Bites, he was the cameraman that followed Serxo, our protagonist, outside the sea. Villalba’s particular sensitivity made our protagonist feel so comfortable with him that he even got the nick- name “Sombra”, shadow in Spanish.
(+34) 667 55 56 10 ernestovillalba.photo@gmail.com e
11:27
Percebeiros (Sea Bites) 1280x720
Corto Documental dirigido por David Beriain sobre la historia de Serxio Ces, percebeiro de...
published: 03 Dec 2011
author: enpiedeguerra
Percebeiros (Sea Bites) 1280x720
Corto Documental dirigido por David Beriain sobre la historia de Serxio Ces, percebeiro de Cedeira, Galicia.
Preseleccionado para los Premios Goya 2012.
Sinopsis
Ruge el viento. El mar golpea los acantilados. Dos metros de roca, ésa es la franja de agua y oxígeno en la que crece el percebe. Dos metros donde el mar se ensaña, donde bate con fuerza milenaria. Una frontera de olas y espuma en la que Serxo y sus compañeros luchan por un bocado de mar.
Una frontera de valor y miedo. De temeridad y sentido común. Dos metros sin margen de error. Ahí vive el percebe. Ahí vive Serxo.
Percebeiros es la batalla contra el mar de unos guerreros que no se consideran héroes
_____
CREDITS
DAVID BERIAIN Director
David Beriain is a Spanish war correspondent that has covered conflicts in Iraq, Afghanistan, Congo, Colombia and Kashmir, among others. He is currently in charge of coordinating the fea- ture section at Medina Media, a production com- pany based out of Spain.
Beriain is one of the few reporters in the world that has managed to infiltrate the FARC guerrilla camps in Colombia. His work there made him a finalist for the Bayeux-Calvados, the most pres- tigious international award for war correspon- dents. He has interviewed the Taliban command- ers who killed Spanish soldiers, met with the twelve-year-old hitmen that Colombian druglords exploit as child soldiers, and even accompanied the American Army on some of their most danger- ous military operations in Iraq and Afghanistan. His latest TV documentary took him to Eastern Congo, where he covered the conflict between the Congolese Army and the rebels who fight, kill and rape in order to gain the control of the Coltan and Cassiterite mines.
During his time at Sea Bites, Beriain was in charge of producing the story and coordinating all the members in the team. He was the one who convinced everyone to get on board and as a true leader, he turned a group of people who did not know each other into a real team.
(+34) 609 72 71 61 beriain.david@gmail.com enpiedeguerra.tv/


FERNANDO UREÑA Script Writer
Fernando Ureña is a Spanish editor and script writer. For the past three years, he has worked as a script analyst for Cuatro’s national fiction shows. He has also supervised the scripts for several other Spanish networks such as Canal+, Digital+, TVE or Audiovisual Sport. He is currently writing the scripts for various Spanish movies, a work he combines with his editorial tasks at some of Spain’s most prestigious publishing compa- nies.
Ureña gave birth to the idea of Sea Bites.
He conceived the story and was David Beriain’s second hand in the team. They wrote the script together and Ureña followed the entire process of video-editing, post-production and sonorization.
(+34) 655 01 89 80 fmumary@gmail.com
SERGIO CARO Director of photography
Sergio Caro is a Spanish photographer and cam- eraman. He is specialized in international con- flicts and illegal immigration in Europe. His 2005 photographs of Sub-Saharan immigrants being hauled away by bus to be abandoned in the desert won him the Visa D’Or at the International Photo- journalists Awards in Perpignan, one of the most prestigious ceremonies in the world. His photo- graphs have been published in renowned media such as Newsweek, Le Figaro or the Financial Times. As a television cameraman, he has cov- ered Iraq, Afghanistan and Congo together with David Beriain.
Together with Ernesto Villalba, he created Once Upon a Time, a multimedia company that por- trays unique characters from a very artistic point of view.
In Sea Bites, Caro’s ten years of experience al- lowed him to hang himself from the rocks just as the barnacle fishermen did and taking as many risks as they do. He also played the role of direc- tor of photography coordinating all the camera- men at work.
(+34) 656 55 06 57 sergio@sergiocaro.com sergiocaro.com/

ERNESTO VILLALBA Cameraman
Ernesto Villalba is a Spanish multimedia journal- ist. He is a co-founder of Once Upon a Time, a pioneer online production company that makes short films and other multimedia materials for the web. The company’s first work, “Time to Time”, was selected by Innovative Interactivity as one of the fifty best multimedia packages of the year. Since 2008, he has directed all graphic design- and social media-related strategies for REC, the main feature aired by Cuatro, one of Spain’s “Big Five” TV networks.
Villalba is currently focused on his work at Once Upon a Time developing several documentary projects and combines them with his role as a teacher for several innovative seminars.
In Sea Bites, he was the cameraman that followed Serxo, our protagonist, outside the sea. Villalba’s particular sensitivity made our protagonist feel so comfortable with him that he even got the nick- name “Sombra”, shadow in Spanish.
(+34) 667 55 56 10 ernestovillalba.photo@gmail.com ernestovillalba.com/

SERGIO CARMONA Underwater
6:16
Making Of: Percebeiros (Sea Bites)
Making Of: Percebeiros (SEA BITES) short documentary (10min.)
http://www.enpiedeguerra.tv...
published: 02 Oct 2011
author: enpiedeguerra
Making Of: Percebeiros (Sea Bites)
Making Of: Percebeiros (SEA BITES) short documentary (10min.)
http://www.enpiedeguerra.tv/percebeiros/
Editado por Elena Delgado de León. @elenade_leon
Download PDF with the TEAM and EQUIPMENT:
enpiedeguerra.tv/ALMACEN/SEA_BITES.pdf
CREDITS
DAVID BERIAIN Director
David Beriain is a Spanish war correspondent that has covered conflicts in Iraq, Afghanistan, Congo, Colombia and Kashmir, among others. He is currently in charge of coordinating the fea- ture section at Medina Media, a production com- pany based out of Spain.
Beriain is one of the few reporters in the world that has managed to infiltrate the FARC guerrilla camps in Colombia. His work there made him a finalist for the Bayeux-Calvados, the most pres- tigious international award for war correspon- dents. He has interviewed the Taliban command- ers who killed Spanish soldiers, met with the twelve-year-old hitmen that Colombian druglords exploit as child soldiers, and even accompanied the American Army on some of their most danger- ous military operations in Iraq and Afghanistan. His latest TV documentary took him to Eastern Congo, where he covered the conflict between the Congolese Army and the rebels who fight, kill and rape in order to gain the control of the Coltan and Cassiterite mines.
During his time at Sea Bites, Beriain was in charge of producing the story and coordinating all the members in the team. He was the one who convinced everyone to get on board and as a true leader, he turned a group of people who did not know each other into a real team.
(+34) 609 72 71 61 beriain.david@gmail.com enpiedeguerra.tv/


FERNANDO UREÑA Script Writer
Fernando Ureña is a Spanish editor and script writer. For the past three years, he has worked as a script analyst for Cuatro’s national fiction shows. He has also supervised the scripts for several other Spanish networks such as Canal+, Digital+, TVE or Audiovisual Sport. He is currently writing the scripts for various Spanish movies, a work he combines with his editorial tasks at some of Spain’s most prestigious publishing compa- nies.
Ureña gave birth to the idea of Sea Bites.
He conceived the story and was David Beriain’s second hand in the team. They wrote the script together and Ureña followed the entire process of video-editing, post-production and sonorization.
(+34) 655 01 89 80 fmumary@gmail.com
SERGIO CARO Director of photography
Sergio Caro is a Spanish photographer and cam- eraman. He is specialized in international con- flicts and illegal immigration in Europe. His 2005 photographs of Sub-Saharan immigrants being hauled away by bus to be abandoned in the desert won him the Visa D’Or at the International Photo- journalists Awards in Perpignan, one of the most prestigious ceremonies in the world. His photo- graphs have been published in renowned media such as Newsweek, Le Figaro or the Financial Times. As a television cameraman, he has cov- ered Iraq, Afghanistan and Congo together with David Beriain.
Together with Ernesto Villalba, he created Once Upon a Time, a multimedia company that por- trays unique characters from a very artistic point of view.
In Sea Bites, Caro’s ten years of experience al- lowed him to hang himself from the rocks just as the barnacle fishermen did and taking as many risks as they do. He also played the role of direc- tor of photography coordinating all the camera- men at work.
(+34) 656 55 06 57 sergio@sergiocaro.com sergiocaro.com/

ERNESTO VILLALBA Cameraman
Ernesto Villalba is a Spanish multimedia journal- ist. He is a co-founder of Once Upon a Time, a pioneer online production company that makes short films and other multimedia materials for the web. The company’s first work, “Time to Time”, was selected by Innovative Interactivity as one of the fifty best multimedia packages of the year. Since 2008, he has directed all graphic design- and social media-related strategies for REC, the main feature aired by Cuatro, one of Spain’s “Big Five” TV networks.
Villalba is currently focused on his work at Once Upon a Time developing several documentary projects and combines them with his role as a teacher for several innovative seminars.
In Sea Bites, he was the cameraman that followed Serxo, our protagonist, outside the sea. Villalba’s particular sensitivity made our protagonist feel so comfortable with him that he even got the nick- name “Sombra”, shadow in Spanish.
(+34) 667 55 56 10 ernestovillalba.photo@gmail.com ernestovillalba.com/

SERGIO CARMONA Underwater cameraman
Sergio Carmona is a Spanish cameraman that has worked in more than 30 countries for over 10 years. He has also been a professional scuba diver for 15 years, he owns more than 10 techin- cal specialities and has performed around 2,000 immersions.
Carmona usually works in documentary filmmak- ing and is specialized in social and environmental issues. He has worked for around 20 documen- taries, and has also contributed as a producer,
22:45
Life is Good - Episode Two with Ruth Dela Rama - Dizon
What Makes A Smart Phone A Genius Phone?
So, what’s the difference between just being sma...
published: 20 Sep 2011
author: jonnie_anzures
Life is Good - Episode Two with Ruth Dela Rama - Dizon
What Makes A Smart Phone A Genius Phone?
So, what’s the difference between just being smart to being a genius?
There's an immense variance between being really bright and being intellectually gifted. While geniuses do tend to be extraordinarily intelligent, they also use imagination and creativity to conceive, realize or envisage something unique. They blaze new trails instead of just trudging down the beaten path. For the genius, the ability to imagine new possibilities is as important as intelligence.
Great geniuses in world history are central to our advancements in science, technology and understanding. Without geniuses from Archimedes to Stephen Hawking, our understanding of mathematics, literature and music would be completely different. Concepts that we now take for granted, like gravity, planetary orbits and black holes, might still be undiscovered.
In the same way, the LG Optimus cell phone is a concept – a genius prototype of the way mobile phones will be built and used in the near future.
On The Cellular Level
The telephone is a good way to talk to people without having to offer them a drink. (Fran Lebowitz)
It’s a fact that form and function are significant factors when buying a cell phone but performance is the most decisive dynamic to be considered. Never forget that a cell phone is only as good as the calls it makes. Thus, even if your handset has the best attributes but can’t make or take a single decent quality call, it’s virtually useless. Even the snatchers in Quiapo and Arranque won’t spend a New York minute trying to filch your phone.
While it’s true that the strength of a carrier's network is critical to making good calls, the strength of the phone's antenna and receiver play a big part in performance as well. The fact is, you are buying a cell phone so it follows that at its very core, your handset should serve its one true purpose – call the guy at the other receiving end.
So, for form, function and performance, who you gonna call?
No -- not The GBs – call the Optimus, and you’ll discover that it doesn’t scrimp on the most basic function of any cell phone.
If you know the name and if you know the number, you can spend all your unli time talking until your jaw hurts because the LG Optimus cell phone’s 1500 mAh Li-Ion battery can last for up to 400 hours of stand-by or up to 7 hours and 50 minutes of talk time. You don’t even have to lift a finger to do it – with built-in voice dialing, your command is the phone’s wish.
When the time comes when every one of your friends and family members eventually catch up with you in the 3G trend, you’ll be ready to make true video calls with the phone’s 1.3 MP secondary front-facing camera which you can use for high quality video chats.
Additionally, I like the text messaging service’s threaded view. I do most of my communication via SMS and having this feature in the Optimus lessens the confusion of piecing together an ongoing SMS conversation especially if you’re discussing various issues with several people.
Add a proximity sensor feature (so my phone knows if I’m nearby so it can rest and save energy while I’m away), an accelerometer and a gyroscope, and the LG Optimus becomes one handy BFF (best fone forever).
The Fast and The Nitrous
There's a way to do it better - find it.
Thomas A. Edison
The LG Optimus 2X uses NVIDIA’s Next Generation Tegra, the world’s first processor for the mobile web, specifically designed for the high-resolution needs of tablets.
According to the NVIDIA website, Tim Bajarin, President of Creative Strategies, Inc. said, “The new NVIDIA Tegra processor has a unique feature set critical for tablets -- fast web browsing with fully rendered pages, uncompromised graphics, snappy user interface and HD video -- all with the battery life we’ve only seen with cell phones.”
The key to the Tegra’s capabilities are eight independent processors, including the world’s first dual core CPU for mobile applications. These processors are used together or independently to optimize power usage at all times. With its ultra low-power design, Tegra delivers over 16 hours of HD video or 140 hours of music -- on a single charge.
The Next Generation Tegra is a leap in mobile computing performance for the following reasons:
The world’s first Dual-core 1GHz ARM Cortex-A9 processor, ULP GeForce GPU, Tegra 2 chipset.
Eight independent processors that make short work of web browsing, HD video encode and decode and mobile 3D gaming.
10x faster than the processors used in smart phones today, and up to 4x the performance of the previous generation Tegra processor.
Advanced TSMC 40nm process with active power management.
The series emphasizes low power consumption and high performance for playing audio and video.
At a maximum CPU clock rate 1.2 GHz (dual-core), it's just .6 GHz short of the dual core PC I'm using now, and my computer plays Crysis, Call of Duty - M
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1:10
Render Test - Sony Vegas - Sony AVC - 1080p @ 29.970fps - 10M bps - Color Corrector
SOURCES 1. Picture - Test Card Resolution - 1920 x 1080 pixels Format - PNG (Portable Netw...
published: 07 Apr 2011
author: Peter Stopka
Render Test - Sony Vegas - Sony AVC - 1080p @ 29.970fps - 10M bps - Color Corrector
SOURCES 1. Picture - Test Card Resolution - 1920 x 1080 pixels Format - PNG (Portable Network Graphics) 2. Game - World of Warcraft - Cataclysm Resolution - 1920 x 1080 pixels Graphics Settings - Ultra, All On 3. Game - Heroes of Newerth Resolution - 1920 x 1080 pixels Graphics Settings - Ultra, All On 4. Game - Crysis 2 Resolution - 1920 x 1080 pixels Graphics Settings - Hardcore Extra Tweaks Radial Blur - Off Motion Blur - Off MSAA - Off Edge AA - Off FRAPS - 3.4.1 Video Capture Settings: Frames per Seconds - 29.97 Video Size - Full Size Sound Capture Settings: Record Win7 sound - Yes Set Sound Channel - Stereo Record external input - No Extra Capture Settings: Hide mouse cursor in video - No Lock framerate while recording - No Force lossless RGB capture - No SONY VEGAS - 10.0c Project Settings Video: Width - 1920 Height - 1080 Field order - None (progressive scan) Pixel aspect ratio - 1.0000 (Square) Output rotation: 0° (original) Frame rate - 29.970 (NTSC) Stereoscopic 3D mode - Off Pixel format - 8-bit Full-resolution rendering quality - Best Motion blur type - Gaussian Deinterlace method - None Adjust source media to better match project or render settings - No Project Settings Audio: Master bus mode - Stereo Number of stereo busses - 0 Sample rate (Hz) - 48 000 Bit depth - 16 Resample and stretch quality - Best Ruller, Summary, Audio CD: Set Default Settings Render Settings: Type - Sony AVC (*.mp4) Template - Internet 1920x1080-30p Render Video Settings: Include ...
- published: 07 Apr 2011
- views: 768
- author: Peter Stopka
0:35
Battlefield 3 Free GFX Pack // By Nebula
~ Read Me ~ Please leave a LIKE & FAVOURITE and COMMENT if you download and use! ©2011 Neb...
published: 30 Dec 2011
author: TheGFXUniverse
Battlefield 3 Free GFX Pack // By Nebula
~ Read Me ~ Please leave a LIKE & FAVOURITE and COMMENT if you download and use! ©2011 Nebula Graphics via TheGFXUniverse. » Download Here ( Now part of my 1K GFX Pack ) - www.youtube.com » Music - Battlefield 3 Main Theme (cut by me) Social Links: ————————————————————————— Follow me on Twitter! » twitter.com ————————————————————————— Thank You for watching, I hope you enjoy my content and hopefully stay active and watch future videos! Feel free to share, subscribe, favourite, like and comment! ————————————————————————— ~ Nebula ~
- published: 30 Dec 2011
- views: 1680
- author: TheGFXUniverse
1:10
Render Test - Sony Vegas - MainConcept AVC/AAC - 1080p @ 29.970fps - 10M bps - Color Corrector
SOURCES 1. Picture - Test Card Resolution - 1920 x 1080 pixels Format - PNG (Portable Netw...
published: 07 Apr 2011
author: Peter Stopka
Render Test - Sony Vegas - MainConcept AVC/AAC - 1080p @ 29.970fps - 10M bps - Color Corrector
SOURCES 1. Picture - Test Card Resolution - 1920 x 1080 pixels Format - PNG (Portable Network Graphics) 2. Game - World of Warcraft - Cataclysm Resolution - 1920 x 1080 pixels Graphics Settings - Ultra, All On 3. Game - Heroes of Newerth Resolution - 1920 x 1080 pixels Graphics Settings - Ultra, All On 4. Game - Crysis 2 Resolution - 1920 x 1080 pixels Graphics Settings - Hardcore Extra Tweaks Radial Blur - Off Motion Blur - Off MSAA - Off Edge AA - Off FRAPS - 3.4.1 Video Capture Settings: Frames per Seconds - 29.97 Video Size - Full Size Sound Capture Settings: Record Win7 sound - Yes Set Sound Channel - Stereo Record external input - No Extra Capture Settings: Hide mouse cursor in video - No Lock framerate while recording - No Force lossless RGB capture - No SONY VEGAS - 10.0c Project Settings Video: Width - 1920 Height - 1080 Field order - None (progressive scan) Pixel aspect ratio - 1.0000 (Square) Output rotation: 0° (original) Frame rate - 29.970 (NTSC) Stereoscopic 3D mode - Off Pixel format - 8-bit Full-resolution rendering quality - Best Motion blur type - Gaussian Deinterlace method - None Adjust source media to better match project or render settings - No Project Settings Audio: Master bus mode - Stereo Number of stereo busses - 0 Sample rate (Hz) - 48 000 Bit depth - 16 Resample and stretch quality - Best Ruller, Summary, Audio CD: Set Default Settings Render Settings: Type - MainConcept AVC/AAC (*.mp4) Template - Default Render Video Settings: Frame size ...
- published: 07 Apr 2011
- views: 946
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18:30
DEFCON 15: How smart is Intelligent Fuzzing - or - How stupid is Dumb Fuzzing?
Speaker: Charlie Miller Senior Security Analyst, Independent Security Evaluators Dynamic a...
published: 29 Jan 2011
author: ChRiStIaAn008
DEFCON 15: How smart is Intelligent Fuzzing - or - How stupid is Dumb Fuzzing?
Speaker: Charlie Miller Senior Security Analyst, Independent Security Evaluators Dynamic analysis, or fuzzing, is a popular method of finding security vulnerabilities in software. Fuzzing may be used by a developer to find potential problems as part of the quality-assurance process or may be used to find potential exploits in an existing software application. Fuzzing has grown in popularity because it is much easier (and often more effective) to generate and run arbitrary inputs than it is to perform a manual code audit or use software reverse engineering. However, the quality of the fuzzing analysis depends heavily on the quality and quantity of the fuzzed inputs. These inputs, called test cases, are normally constructed in one of two ways: mutation-based or generation-based. In mutation-based fuzzing, known good data are collected and then modified; modifications may be random or heuristic. The advantage of mutation-based fuzzing is that little or no knowledge of the protocol or application under study is required, however it is likely that the collected test cases will only test the most common functionality. Generation-based fuzzing starts from a specification or RFC, which describes the file format or network protocol, and constructs test cases from these documents. Generation-based fuzzing is a much more complete method of fuzzing, but it requires a significant amount of up-front work to study the specification and manually generate test cases. In this talk we ...
- published: 29 Jan 2011
- views: 429
- author: ChRiStIaAn008