Name | Channel 4 |
---|---|
Logosize | 150px |
Logofile | Channel 4 New Logo.svg |
Logoalt | Channel 4's logo is now cut out from a white background, and is shown in moving distortions that reveal programme-specific graphics underneath |
Launch | 2 November 1982 |
Picture format | 576i (SDTV 16:9)1080i (HDTV) |
Timeshift names | Channel 4+1 |
Share | 5.9%1.0% (+1) |
Share as of | June 2011 |
Share source | BARB |
Sister names | Film4,E4,More4,4Music,Kerrang!,Kiss,Magic,Q,Smash Hits!,The Box |
Owner | Channel Four Television Corporation |
Country | United Kingdom |
Web | channel4.com |
Terr serv 1 | Analogue |
Terr chan 1 | Normally tuned to 4(excluding Wales) (To be phased out nationwide by 2012) |
Terr serv 2 | Freeview |
Terr chan 2 | Channel 4Channel 8 (Wales)Channel 13 (+1)Channel 52 (HD, excluding Wales)(Currently being rolled out) |
Sat serv 1 | Freesat |
Sat chan 1 | Channel 104Channel 120 (Wales)Channel 121 (+1)Channel 126 (HD) |
Sat serv 2 | Sky |
Sat chan 2 | Channel 104Channel 117 (Wales)Channel 135 (+1)Channel 135, 136 +1 (IRL)Channel 140 (HD) |
Sat serv 3 | Astra 2D| |
Sat chan 3 | 10714H 22000 5/610729V 22000 5/6| |
Sat serv 4 | Astra 2A| |
Sat chan 4 | 12480V 27500 2/3| |
Sat serv 5 | Eurobird 1| |
Sat chan 5 | 12606V 27500 3/4 (HD)| |
Cable serv 1 | Virgin Media |
Cable chan 1 | Channel 104Channel 143 (+1)Channel 142 (HD) |
Cable serv 2 | UPC Ireland |
Cable chan 2 | Channel 111| |
Cable serv 3 | Cablecom (Switzerland) |
Cable chan 3 | Channel 163 (CH-D) |
adsl serv 1 | TalkTalk TV |
adsl chan 1 | Channel 4 |
online serv 1 | 4oD |
online chan 1 | Main online service of Channel 4 }} |
The channel was established to provide a fourth television service to the United Kingdom in addition to the television licence-funded BBC's two services and the single commercial broadcasting network, ITV.
The preamble of the remit as per the Communications Act 2003 states that:
"The public service remit for Channel 4 is the provision of a broad range of high quality and diverse programming which, in particular:demonstrates innovation, experiment and creativity in the form and content of programmes; appeals to the tastes and interests of a culturally diverse society; makes a significant contribution to meeting the need for the licensed public service channels to include programmes of an educational nature and other programmes of educative value; and exhibits a distinctive character."
The remit also involves an obligation to provide programming for schools, and a substantial amount of programming produced outside of Greater London.
name | Channel Four Television Corporation |
---|---|
type | Private/Limited |
foundation | 2 November 1982 |
location city | London |
location country | United Kingdom |
area served | United Kingdom |
industry | Broadcasting |
products | Television and Radio |
homepage | www.channel4.com |
intl | }} |
Towards the end of the 1980s, the government began a radical process of re-organisation of the commercial broadcasting industry, which was written onto the statute books by means of the Broadcasting Act 1990. Significantly, this meant the abolition of the IBA, and hence the Channel Four Television Company. The result led to the creation of a corporation to own and operate the channel, which would have a greater deal of autonomy and would eventually go on to establish its other operations. The new corporation, which became operational in 1993, remained publicly owned and was regulated by the new Independent Television Commission (ITC), created under the same act. The ITC and its duties were later replaced by Ofcom, which like its predecessor is responsible for appointing the Corporation's board, in agreement with the Secretary of State for Culture, Media and Sport.
In terms of the station's remit and other duties, the creation of the corporation meant little change; the new corporation would have to manage its own advertising, rather than this being carried out on its behalf by the local ITV contractors (see Funding).
The result was that Channel 4 as seen by the rest of the United Kingdom would be replaced in Wales by Sianel Pedwar Cymru (S4C) (). Operated by a specially created Welsh Fourth Channel Authority, S4C would air programmes in Welsh as made by HTV, the BBC, or from independent companies. Initially limited frequency space meant that Channel 4 could not be broadcast alongside S4C, though some English Channel 4 programmes would be aired at less popular times on the Welsh variant, a practice that carried on up until the closure of S4C's analogue transmissions in 2010.
Since then, carriage on digital cable, satellite and digital terrestrial has introduced Channel 4 to Welsh homes where it is now universally available.
The notion of a second commercial broadcaster in the United Kingdom had been around since the inception of ITV in 1954 and its subsequent launch in 1955; the idea of an 'ITV2' was long expected and pushed for. Indeed television sets sold throughout the 1970s and early 1980s had a spare channel called 'ITV/IBA 2'. Throughout ITV's history and until Channel 4 finally became a reality, a perennial dialogue existed between the GPO, the government, the ITV companies and other interested parties, concerning the form such an expansion of commercial broadcasting would take. It was most likely politics which had the biggest impact in leading to a delay of almost three decades before the second commercial channel became a reality. With what can crudely be summed up as a clash of ideologies between an expansion of ITV's commercial ethos and a public service approach more akin to the BBC, it was ultimately something of a compromise that eventually led to the formation of Channel 4 as launched in 1982.
One clear benefit of the 'late arrival' of the channel was that its frequency allocations at each transmitter had already been arranged in the early 1960s, when the launch of an ITV2 was highly anticipated. This led to very good coverage across most of the country and few problems of interference with other UK-based transmissions; a stark contrast to the problems associated with Channel 5's launch 14 and a half years later.
Upon its launch, Channel 4 committed itself to providing an alternative to the existing channels, an agenda in part set out by its remit which required the provision of programming to minority groups.
In step with its remit, the channel became well received both by minority groups and the arts and cultural worlds during this period, especially under Isaacs, where the channel gained a reputation for programmes on the contemporary arts. The channel often did not receive mass audiences for much of this period, however, as might be expected for a station focusing on minority interest.
Channel 4 also began the funding of independent films, such as the Merchant-Ivory docudrama The Courtesans of Bombay, during this time.
In 1992, Channel 4 also faced its first libel case by Jani Allan, a South African journalist, who objected to her representation in the documentary The Leader, His Driver and the Driver's Wife.
In the early 2000s, Channel Four began broadcasting reality formats such as Big Brother and obtained the rights to broadcast mass appeal sporting events like cricket and horse racing. This new direction increased ratings and revenues.
In addition, the channel launched a number of new television channels through its new 4Ventures off-shoot, including Film4, At The Races, E4 and More4 (see Other services).
Partially in reaction to its new 'populist' direction, the Communications Act 2003 directed the channel to demonstrate innovation, experimentation and creativity, appeal to the tastes and interests of a culturally diverse society and to include programmes of an educational nature which exhibit a distinctive character.
Under the leadership of Freeview founder Andy Duncan, 2005 saw a change of direction for Channel 4's digital channels. Channel 4 made E4 'free to air' on Digital Terrestrial, and launched a new 'free to air' digital channel called More4. By October, Channel 4 had joined the Freeview consortium. By July 2006, Film4 had also become a 'free to air' and re-started broadcasting on Digital Terrestrial.
Venturing into radio broadcasting, 2005 saw Channel 4 purchase 51 per cent of shares in the now defunct Oneword radio station with UBC Media holding on to the remaining shares. New programmes such as the weekly, half-hour The Morning Report news programme were among some of the new content Channel 4 provided for the station, with the name 4Radio being used. As of early 2009, however, Channel 4's future involvement in radio remained uncertain.
On 2 November 2007, the station celebrated its twenty-fifth birthday. It showed the first episode of Countdown, an anniversary Countdown special, as well as a special edition of The Big Fat Quiz and using the original multicoloured 1982-1996 blocks logo on presentation and idents using the Fourscore jingle throughout the day.
In November 2009, Channel 4 launched a week of 3D television, broadcasting selected programmes each night using stereoscopic ColorCode technology. The accompanying 3D glasses were distributed through Sainsbury's supermarkets.
On 28 March 2007, Channel 4 announced plans to launch a music channel "4Music" as a joint venture with British media company EMAP which would include carriage on the Freeview platform. On 15 August 2008, 4Music was launched across the UK. Recently, Channel 4 have announced interest in launching a high-definition version of Film4 on Freeview, to coincide with the launch of Channel 4 HD, however the fourth HD slot was given to Channel 5 instead. Channel 4 has since acquired a 50% stake in EMAP's TV business for a reported £28 million.
Due to its special status as a public service broadcaster with a specific remit, it is afforded free carriage on the terrestrial platforms, in contrast with other broadcasters such as ITV.
Channel 4 is also available overseas: parts of the European mainland have been able to receive terrestrial transmissions from the United Kingdom, and some overseas cable networks have carried the service.
Channel 4 Ulster has been available in large parts of Ireland, especially border counties which have been able to receive terrestrial transmissions from Northern Ireland. Channel 4 Ulster has been carried on Irish cable networks since the station went on the air in 1982. S4C has been available as a terrestrial transmission from Wales in southern counties such as Cork, Waterford, Wexford and Wicklow.
From 4 December 2006 Channel 4 was officially available to Sky viewers in Ireland; some programmes, mainly imports, are not aired on this channel variant, due to Channel 4 not owning the relevant broadcast rights within the country.
Channel 4 allowed Internet users in the United Kingdom to watch Channel 4 live on the Internet. However some programmes (mostly international imports) were not shown and this service no longer exists. Channel 4 is also provided by Virgin Mobile's DAB mobile TV service which has the same restrictions as the Internet live stream had.
Channel 4 also makes some of its programming available "on demand" via cable and the Internet (see 4oD).
Nowadays it pays for itself in much the same way as most privately run commercial stations, i.e. through the sale of on-air advertising, programme sponsorship, and the sale of any programme content and merchandising rights it owns, such as overseas sales and video sales. It also has the ability to subsidise the main network through any profits made on the corporation's other endeavours, which have in the past included subscription fees from stations such as E4 and Film4 (now no longer subscription services) and its 'video-on-demand' sales. In practice, however, these other activities are loss-making, and are subsidised by the main network. According to Channel 4's last published accounts, for 2005, the extent of this cross-subsidy was some £30 million.
The change in funding method came about by the Broadcasting Act 1990 when the new corporation was afforded the ability to fund itself. Originally this arrangement left a 'safety net' guaranteed minimum income should the revenue fall too low, funded by large insurance payments made to the ITV companies. Such a subsidy was never required, however, and these premiums were phased out by government in 1998. After the link with ITV was cut, the cross-promotion which had existed between ITV and Channel 4 also ended.
In 2007 due to severe funding difficulties, the channel sought government help and was granted a payment of £14 million over a six-year period. The money would have come from the television licence fee and would have been the first time that money from the licence fee had been given to any broadcaster other than the BBC. The plan was scrapped by The Secretary of State for Culture, Media and Sport, Andy Burnham, ahead of "broader decisions about the future framework of public service broadcasting". The broadcasting regulator Ofcom released their review in January 2009 in which they suggested that Channel 4 would preferably be funded by "partnerships, joint ventures or mergers".
Channel 4 is a "publisher-broadcaster", meaning that it commissions or "buys" all of its programming from companies independent of itself, and was the first broadcaster in the United Kingdom to do so on any significant scale. This had the consequence of starting an industry of production companies that did not have to rely on owning an ITV licence in order to see their programmes air, though since Channel 4, external commissioning has become regular practise on the numerous stations that have launched since, as well as on the BBC and in ITV (where a quota of 25% minimum of total output has been imposed since the 1990 Broadcasting Act came into force). Ironically, having been the first British broadcaster to completely commission its core product from third parties, and after 25 years in-house, Channel 4 will now become the last terrestrial broadcaster to outsource its transmission and playout operations (to Red Bee Media).
The requirement to obtain all content externally is stipulated in its licence. Additionally, Channel 4 also began a trend of owning the copyright and distribution rights of the programmes it aired, in a manner that is similar to the major Hollywood studios' ownership of television programs that they did not directly produce. Thus, although Channel 4 does not produce programmes, many are seen as belonging to it.
Channel 4 also pioneered the concept of stranded programming, where seasons of programmes following a common theme would be aired and promoted together. Some would be very specific, and run for a fixed period of time; the 4 Mation season, for example, showed innovative animation. Other, less specific strands, were (and still are) run regularly, such as T4, a strand of programming aimed at teenagers, on weekend mornings (and weekdays during school/college holidays); Friday Night Comedy, a slot where the channel would pioneer its style of comedy commissions, 4Music (now a separate channel) and 4Later, an eclectic collection of offbeat programmes transmitted to a cult audience in the early hours of the morning.
In its earlier years, Red Triangle was the name given to the airing of certain risqué art-house films due to the use of a red triangle DOG in the upper right of the screen, dubbed as being pornographic by many of Channel 4's critics, whilst general broadcasting of films on the station for many years came under the banner of Film on Four prior to the launch of the FilmFour brand and station in the late 1990s.
Its critically acclaimed news service, Channel 4 News, is supplied by ITN whilst its long-standing investigative documentary, Dispatches, causes perennial media attention.
In March 2010 these additional services were reviewed by the government's Culture, Media and Sport select committee. The channel and its Chief Executive were criticised for breaking service commitments, a lack of transparency in accounting for digital channels, poor governance and failed investments
Following the sale of Quiz Call (a gaming channel operated by the then-owned subsidiary Ostrich Media) in 2006, a restructure of 4Ventures saw many of its activities re-integrated back into the main channel's operations (including day-to-day running of E4, Film4 and More4).
4Rights, was formed from an amalgamation of Channel 4 International and Channel 4 Consumer Products. As part of the restructure, much of the 4Ventures management team either left the company - former chief executive (and Channel 4 commercial director) Rob Woodward, and managing director Anmar Kawash are now Chief Executive Officer and Chief Operating Officer respectively of STV Group plc - or transferred to other posts within Channel 4.
In 2007, the expanding, UK-based, independent distribution group Digital Rights Group (DRG) announced an intention to buy Channel 4 International (adding it to Zeal and ID Distribution among its other companies), following a review by Channel 4 of its commercial division. The deal was completed in November of the same year. The Consumer Products division has been retained by Channel 4 as part of a new, restructured, 4Rights division.
Channel 4 launched a subscription film channel, FilmFour, in November 1998. It was available on digital satellite television and digital cable. Companion services, such as FilmFour+1, FilmFour World and FilmFour Extreme were also available on some digital services. In 2003 Extreme and World were discontinued, and replaced with FilmFour Weekly. FilmFour Weekly closed in July 2006, when the main, newly named Film4 channel went free-to-view and became available on Digital Terrestrial. The switchover to digital terrestrial was heavily advertised. The adverts featured Lucy Liu, Christian Slater, Ewan McGregor, Dame Judi Dench, Gael García Bernal, Willem Dafoe, Mackenzie Crook, Rhys Ifans and Ray Winstone declaring "Film4 is now free" in various situations across London. It remains the only film channel available free on digital terrestrial television.
In 2002, Channel 4's film financing division (Film4 Productions) was seriously scaled back, due to massive losses, although total closure was averted. It had however had various successes, most notably Four Weddings and a Funeral and Trainspotting. In 1994, BAFTA/LA (the Los Angeles branch of the British Academy of Film & Television Arts) presented a full-length film festival in Los Angeles in conjunction with the American Cinematheque (the US equivalent of Britain's National Film Theatre) that saluted the considerable contributions to British film of Channel 4's film division since its inception. The festival presented many of the most celebrated Channel 4 films, and also featured panel discussions about Channel 4's role between Channel 4 chief executive Michael Grade and US TV producer Norman Lear.
When Channel 4 had the rights to broadcast test match cricket in England, the downtime of the FilmFour channel was often used to broadcast uninterrupted coverage of a match when the main channel was committed elsewhere, usually to racing. At these times FilmFour was available unencrypted and free-to-air.
In 2005 it launched on Digital Terrestrial. E4 now has as much coverage as other services available on Cable, Satellite and Digital Terrestrial like ITV2 and BBC Three. It is a very successful channel with a first look or sneak peek, with the next episode of some series, such as Hollyoaks and Desperate Housewives appearing on E4 immediately after the show on Channel 4 has finished. Also they have "Second Chance Sunday" which allows you to see programmes you have missed during the week on a Sunday. New show Skins was a massive success for E4, peaking at the 2 million mark - one of the most viewed premières in digital TV history. There has, however, been some criticism that E4 (like many other digital channels), relies on seemingly endless repeats of a small selection of shows (notably Friends), with further suggestion that it is often the same season of a particular show that is endlessly repeated.
During Big Brother, E4 plays host to live coverage of the show, subject to a delay. Until 2005, programmes on the channel did not air until 14.00 GMT, but on 12 August 2005 the widely-advertised E4 Music airs from 06.00 until 10.00 GMT, with various music shows and videos being showcased. This however is rested during Big Brother. Transmission of E4 Music has since declined and has been replaced with repeats of popular E4 shows. It has been declared that E4 Music has been moved permanently to the new 4Music channel. Since 2008, live coverage of Big Brother has been shortened during the day, until coming to a close in 2010.
E4 is widely available in Ireland in close to 70% of homes. It is carried on the NTL / Chorus cable networks and also on Sky. The channel operates a separate advertising opt-out in Ireland allowing advertisers to directly target Irish audiences. This has been a highly successful commercial operation and all airtime sales are handled on the channels behalf by Medialink in Dublin.
On Sundays, Channel 4's 4Music strand aired between 17:00 and midnight on The Hits. The first 'episode' was presented by the most successful female act of the century Sugababes, however 4Music Sundays were meant to feature live acts and also The Shockwaves Album Chart Show.
On 20 February 2008, it was announced that The Hits was to be rebranded as 4Music later in the year, and on 15 August 2008, Channel 4 replaced The Hits with 4Music. 4Music is available on Sky 360, Virgin 330 and Freeview 18. (See Box Television)
4Music also has its own monthly music magazine show, The Crush. Which is hosted by Rick Edwards.
Channel 4 +1, E4 +1 and More4 +1 all carry a "+1" indication onscreen. There was some concern about how it would be indicated on Channel 4 +1 as Channel 4 does not carry its own on-screen graphic. Eventually, a "+1" symbol that is derived from the Channel 4 logo was unveiled. Neither Film4 nor Film4 +1 carry on-screen graphics.
The channel carries the same schedule as Channel 4, broadcasting programmes in HD when available. Initially this has been mostly American imports (such as Ugly Betty for example) and movies, however, original programming such as Hollyoaks and Skins have been broadcast in HD. Although the intention is to increase the amount of "home grown" material being broadcast in HD. It has been announced as the UK's first full-time high definition channel from a terrestrial broadcaster.
Previously, in the summer of 2006, Channel 4 ran a six month closed trial of HDTV, as part of the wider Freeview HD experiment via the Crystal Palace transmitter to London and parts of the home counties, including the use of Lost and Desperate Housewives as part of the experiment, as US broadcasters such as ABC already have an HDTV back catalogue.
Channel 4 was the leading member of the 4 Digital Group consortium, which includes EMAP, UTV and STV Group plc as partners (although STV's involvement will cease when Virgin Radio is floated as a separate company). In July 2007 The group was awarded the 12 year licence to operate the second national DAB radio licence after having defeated its only rival, National Grid Wireless, in the three-month bidding process.
The service would have operated ten radio stations, including Channel 4 Radio, E4 Radio, Sky News Radio (operated by BSkyB and Global Radio) and Radio Disney (in association with Disney). Many of the services, especially Channel 4 Radio and E4 Radio would have competed directly with national BBC Radio stations. Podcast and text services were also to have been provided. In October 2008 Channel 4 announced that it was abandoning its plans for digital radio stations.
The successful multiplex consortium was expected to launch in 2008 with a taste of Channel 4 Radio's audio output made available earlier, including a revival of the channel's The Tube music programme, and a very small amount of 4radio-branded content was heard on Oneword until its closure in January 2008.
Channel 4, as part of its review of public serving spending in 2008 decided to focus its expenditure on TV content and decided to stop its radio plans, resulting in the closure of 4 Digital Group.
4oD is a video on demand service from Channel 4. Launched in November 2006, 4oD stands for "4 on Demand". The service offers a variety of programmes recently shown on Channel 4, E4, More4 or from their archives. However some programmes and movies are not available due to rights issues.
Channel 4 originally licensed an ancillary teletext service to provide schedules, programme information and features. The original service was called 4-Tel and was provided in collaboration with Oracle. In 1993, with Oracle losing its franchise to Teletext Ltd, the running of 4-Tel was taken over by Intelfax, and in 2002 was renamed FourText.
In 2003, Channel 4 awarded Teletext Ltd a ten year contract to run the channel's ancillary teletext service, named Teletext on 4. The service is provided on both Channel 4 analogue and digital television services, Channel 4, E4 and More4. This has now been ceased and Teletext is no longer available on Channel 4, ITV and Channel 5.
Despite nearly all Channel 4 programmes being commissioned from independent production companies, the Channel 4 headquarters originally contained a studio and post-production facility, marketed as 124 Facilities. The studio was used for Channel 4 programmes (such as T4 continuity), and other channels' programmes such as Channel 5's football coverage. The studio was closed at the end of October 2007 and only the post-production operation remains, though it is now managed by Red Bee Media.
A few exceptions exist to this rule for programming and continuity: Ireland has a dedicated variant broadcast on Sky Ireland which omits programmes for which broadcast rights are not held in Ireland. For example, the series Glee is not available on Channel 4 on Sky in Ireland.
Some of Channel 4's schools' programming (1980s/early '90s) were regionalised due to differences in curricula between different regions.
Part of Channel 4's remit covers the commissioning of programmes from outside London. Channel 4 has a dedicated director of nations and regions, Stuart Cosgrove, who is based in a regional office in Glasgow. As his job title suggests, it is his responsibility to foster relations with independent producers based in areas of the United Kingdom (including Wales) outside of London.
Advertising on Channel 4 does contain regular variation: prior to 1993, when ITV was responsible for selling Channel 4's advertising, each regional ITV company would provide the content of advertising breaks, covering the same transmitter area as themselves, and these breaks were often unique to that area. After Channel 4 became responsible for its own advertising, it continued to offer advertisers the ability to target particular audiences and divided its coverage area into six parts coining the term 'LEMNUS' standing for "London, The East [and South] of England, The Midlands, The North of England, Ulster and Scotland.
At present, Wales does not have its own advertising region, instead its viewers receive the southern region on digital platforms intentionally broadcast to the area, or the neighbouring region where analogue transmissions spill over into Wales. Ireland (the Republic) shares its advertising region with Northern Ireland (referred to by Channel 4 as the 'Ulster Macro') with many advertisers selling products for Ireland here. E4 has an advertising variant for Ireland, although Northern Ireland receives the UK version of E4. The six regions are also carried on satellite, cable and Digital Terrestrial.
Channel 5 and GMTV use a similar model to Channel 4 for providing their own advertising regions, despite also having a single national output of programming.
Category:Peabody Award winners Category:Media companies based in London Category:Statutory corporations of the United Kingdom government Category:1982 establishments in the United Kingdom Category:Television channels and stations established in 1982
bn:চ্যানেল ৪ ca:Channel 4 cy:Channel 4 da:Channel 4 de:Channel 4 es:Channel 4 fr:Channel 4 ko:채널 4 is:Channel 4 it:Channel 4 he:ערוץ 4 ms:Channel 4 nl:Channel 4 ja:チャンネル4 no:Channel 4 pl:Channel 4 pt:Channel 4 simple:Channel 4 fi:Channel 4 sv:Channel 4 tr:Channel 4 (Britanya) zh:英國第四台This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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