Ernst Cassirer

Born	(1874-07-28)July 28, 1874 Breslau, Silesia, Prussia (now Wrocław, Poland)
Died	April 13, 1945(1945-04-13) (aged 70) New York, United States of America
Era	20th-century philosophy
Region	Western Philosophy
School	Neo-Kantianism
Influenced by Immanuel Kant, Hermann Cohen, Johann Wolfgang von Goethe
Influenced Leo Strauss

Ernst Cassirer (German pronunciation: [kaˈsiːʁəʁ]; July 28, 1874 – April 13, 1945) was a German philosopher. Trained within the Neo-Kantian Marburg School, he followed his mentor Hermann Cohen in attempting to supply an idealistic philosophy of science, but after Cohen's death he developed a theory of symbolism, and used it to expand phenomenology of knowledge into a more general philosophy of culture. He is one of the leading C20th advocates of philosophical idealism.

Biography[link]

Cassirer was born in Breslau (Wrocław), Silesia, into a Jewish family. He studied literature and philosophy at the University of Berlin. After working for many years as a Privatdozent at the Friedrich Wilhelm University in Berlin, he was elected in 1919 to the Philosophy chair at the newly-founded University of Hamburg, where he lectured until 1933, supervising amongst others the doctoral thesis of Leo Strauss. Because he was Jewish, he left Germany when the Nazis came to power.

After leaving Germany he taught for a couple of years in Oxford, before becoming a professor at Gothenburg University. When Cassirer considered Sweden too unsafe, he applied for a post at Harvard, but was rejected because thirty years earlier he had rejected a job offer from them. In 1941 he became a visiting professor at Yale University, before moving to Columbia University in New York City, where he lectured from 1943 until his death in 1945.

His son, Heinz Cassirer, was also a Kantian scholar.

History of Science[link]

Cassirer's first major published writings were a history of modern thought from the Renaissance to Kant. In accordance with his Marburg neo-Kantianism he concentrated upon epistemology. His reading of the scientific revolution, in books such as "The Individual and the Cosmos in Renaissance Philosophy" (1927), as a “Platonic” application of mathematics to nature, influenced historians such as E. A. Burtt, E. J. Dijksterhuis, and Alexandre Koyré.

Philosophy of Science[link]

In "Substance and Function" (1910), he writes about late nineteenth-century developments in physics and the foundations of mathematics. In "Einstein's Theory of Relativity" (1921) he defended the claim that modern physics supports a neo-Kantian conception of knowledge. He also wrote a book about Quantum Mechanics called "Determinism and Indeterminism in Modern Physics" (1936).

Philosophy of Symbolic Forms[link]

At Hamburg Cassirer discovered the Library of the Cultural Sciences founded by Aby Warburg. Warburg was an art historian who was particularly interested in ritual and myth as sources of archetypal forms of emotional expression. In Philosophy of Symbolic Forms (1923–1929) Cassirer argues that man (as he put it in his more popular 1944 book Essay on Man) is a "symbolic animal". Whereas animals perceive their world by instincts and direct sensory perception, humans create a universe of symbolic meanings. Cassirer is particularly interested in natural language and myth. He argues that science and mathematics developed from natural language, and religion and art from myth.

Heidegger Debate[link]

In 1929 Cassirer took part in an historically significant encounter with Martin Heidegger in Davos. Cassirer argues that while Kant's "Critique of Pure Reason" emphasizes human temporality and finitude, he also sought to situate human cognition within a broader conception of humanity. Cassirer challenges Heidegger's relativism by invoking the universal validity of truths discovered by the exact and moral sciences.

Philosophy of the Enlightenment[link]

Cassirer believed that reason's self-realization leads to human liberation. Mazlish (2000) however notes that Cassirer in his "The Philosophy of the Enlightenment" (1932) focuses exclusively on ideas, ignoring the political and social context in which they were produced.

The Logic of the Cultural Sciences[link]

In "The Logic of the Cultural Sciences" (1942) Cassirer argues that objective and universal validity can not only be achieved in the sciences, but also in practical, cultural, moral, and aesthetic phenomenon. Although inter-subjective objective validity in the natural sciences derives from universal laws of nature, Cassirer asserts that an analogous type of inter-subjective objective validity takes place in the cultural sciences.

The Myth of the State[link]

Cassirer's last work The Myth of the State (1946) was published posthumously. It traces the idea of a totalitarian state back to ideas promoted by thinkers such as Machiavelli and Hegel. He claimed that in the C20th politics there was a return back, with the active encouragement of philosophers such as Martin Heidegger, to the irrationality of myth, and in particular to a belief that there is such a thing as destiny.

Partial bibliography[link]

• Substance and Function (1910) & Einstein's Theory of Relativity (1921), English translation 1923 (at archive.org)
• Kant's Life and Thought (1918), English translation 1981
• Philosophy of Symbolic Forms (1923–29), English translation 1953–1957
• Language and Myth (1925), English translation (1946) by Susanne K. Langer
• The Individual and the Cosmos in Renaissance Philosophy (1927), English translation (1963) by Mario Domandi
• Philosophy of the Enlightenment (1932), English translation 1951
• The Logic of the Cultural Sciences (1942), English translation 2000 by S.G. Lofts (previously translated in 1961 as The Logic of the Humanities)
• An Essay on Man (written and published in English) (1944)
• The Myth of the State (written and published in English) (posthumous) (1946)
• The Problem of Knowledge: Philosophy, Science, and History since Hegel (1950) online edition
• Symbol, Myth, and Culture: Essays and Lectures of Ernst Cassirer, 1935-1945 ed. by Donald Phillip Verene (1981)

See also[link]

• Aby Warburg

Notes[link]

Further reading[link]

• Barash, Jeffrey Andrew. The Symbolic Construction of Reality: The Legacy of Ernst Cassirer (2008) excerpt and text search
• Friedman, Michael. A Parting of the Ways: Carnap, Cassirer, and Heidegger (2000) excerpt and text search
• Gordon, Peter Eli. Continental Divide: Heidegger, Cassirer, Davos (2010)
• Krois, John Michael. Cassirer: Symbolic Forms and History (1987)
• Schilpp, Paul Arthur (ed.). The Philosophy of Ernst Cassirer (1949)
• Schultz, William. Cassirer & Langer on Myth (2nd ed. 2000) excerpt and text search
• Skidelsky, Edward. Ernst Cassirer: The Last Philosopher of Culture (Princeton University Press, 2008) 288 pp. ISBN 978-0-691-13134-4. excerpt and text search

External links[link]

Wikiquote has a collection of quotations related to: Ernst Cassirer

• Ernst Cassirer entry by Michael Friedman in the Stanford Encyclopedia of Philosophy
• History of the Cassirer family
• Centre for Intercultural Studies
• Information Philosopher on Ernst Cassirer on Free Will

Charles Aznavour
Aznavour at the 1999 Cannes Film Festival
Background information
Birth name	Shahnour Vaghenag Aznavourian
Born	(1924-05-22) May 22, 1924 (age 88)
Origin	Paris, France
Genres	Pop Chanson Jazz
Occupations	Singer-songwriter, actor, public activist, diplomat
Years active	1936–present
Labels	EMI MusArm Records
Associated acts	Claude Lombard Katia Aznavour
Website	www.c-aznavour.com

Charles Aznavour, OC (born Shahnour Vaghenag Aznavourian; Armenian: Շահնուր Վաղինակ Ազնավուրեան; Shahnour Vaghinak Aznavurian;^[1] May 22, 1924) is an Armenian-French singer, songwriter, actor, public activist and diplomat. Besides being one of France's most popular and enduring singers, he is also one of the best-known singers in the world. Charles Aznavour (pronounced in French as Sharl Aznavoor) is known for his unique tenor^[2] voice: clear and ringing in its upper reaches, with gravelly and profound low notes. He has appeared in more than sixty movies, composed about a thousand songs (including 150 at least in English, 100 in Italian, 70 in Spanish, and 50 in German^[3]), and sold well over 100 million records.^[4]

In 1998, Charles Aznavour was named Entertainer of the Century by CNN and users of Time Online from around the globe. He was recognized as the century's outstanding performer, with nearly 18% of the total vote, edging out Elvis Presley and Bob Dylan.^[5] He has sung for presidents, popes, and royalty, as well as at humanitarian events, and is the founder of the charitable organization Aznavour for Armenia along with his long-time friend impresario Levon Sayan.

In 2009 he was appointed ambassador of Armenia to Switzerland, as well as Armenia's permanent delegate to the United Nations at Geneva.^[6] He started his new Aznavour en Toute Intimité tour in 2011.

Life and career[link]

Background[link]

Aznavour was born as Shahnour Vaghenagi Aznavourian in Paris the son of Armenian immigrants Michael Aznavourian (an Armenian^[7][8] from Akhaltsikhe,Georgia) and Knar Baghdasarian (from Izmir, Turkey), ^[9] who survived the Armenian Genocide.^[10] His father spent his youth in Tbilisi Georgia, where his family had moved for work (Charles's grandfather was a personal chef to the Governor General of Tbilisi).^[11] Later, after moving to France, Michael Aznavourian sang in restaurants before establishing his own Caucasian restaurant called Le Caucase. Missak Manouchian, a leader of French Resistance who was executed by the Nazis in 1944, had been a frequent guest at the Aznavourian's home, and Aznavourians had supported Misak and his wife Meliné when they were in hiding. Together with his wife, who was an actress, Michael introduced Charles to the world of theatre at an early age. Charles dropped out of school at the age of nine, already aspiring to the life of an artist. He began to perform at this time, and soon took the stage name "Aznavour". His big break came in 1946 when the singer Édith Piaf heard him sing and arranged to take him with her on tour in France and to the United States.^[12]

Music[link]

Often described as "France's Frank Sinatra ", Aznavour sings frequently about love. He has written musicals and about a thousand songs, and made more than one hundred records. Aznavour's voice is shaded towards the tenor range, but possesses the low range and coloration more typical of a baritone, contributing to his unique sound. Aznavour speaks and sings in many languages (French, English, Italian, Spanish, German, Russian, Armenian, Portuguese, Neapolitan), which has helped him perform at Carnegie Hall and other major venues around the world. He also recorded at least one song from the 18th century Armenian poet Sayat Nova, and a popular song, Im Yare^[13] in Armenian. Que C'est Triste Venise, sung in French, Italian (Com'è Triste Venezia), Spanish (Venecia Sin Ti), English (How Sad Venice Can Be), and German (Venedig in Grau), is one of Aznavour's most famous multilingual songs.

In 1974 Aznavour became a major success in the United Kingdom where his song "She" went to Number One in the charts. His other well-known song in the UK was "Dance in the Old Fashioned Way".

Artists who have recorded his songs and collaborated with Aznavour include Édith Piaf, Fred Astaire, Frank Sinatra (Aznavour was one of the rare European singers invited to duet with him^[14]), Andrea Bocelli, Bing Crosby, Ray Charles, Bob Dylan (he named Aznavour among the greatest live performers he's ever seen),^[15][16] Liza Minnelli, Elton John, Dalida, Serge Gainsbourg, Josh Groban, Petula Clark, Shirley Bassey, José Carreras, Laura Pausini, Nana Mouskouri and Julio Iglesias. Fellow French pop legend Mireille Mathieu has sung and recorded with Aznavour on numerous occasions. In 1974, Jack Jones recorded an entire album of Aznavour compositions entitled "Write Me A Love Song, Charlie", re-released on CD in 2006.^[17] Aznavour and Italian tenor Luciano Pavarotti sang Gounod's aria Ave Maria together. He performed with famed Russian cellist and friend Mstislav Rostropovich to inaugurate the French presidency of the European Union in 1995. Elvis Costello recorded "She" for the film Notting Hill. One of Aznavour's greatest friends and collaborators from the music industry is legendary Spanish operatic tenor Plácido Domingo, who often performs his hits, most notably a solo studio recording of "Les bateaux sont partis" in 1985 and duet versions of the song in French and Spanish in 2008, as well as multiple live renditions Aznavour's "Ave Maria". In 1994, Aznavour performed with Domingo and Norwegian soprano Sissel Kyrkjebø at Domingo's third annual Christmas in Vienna concert. The three singers performed a variety of carols, medleys, and duets, and the concert was televised throughout the world, as well as released on a CD internationally.^[18]

At the start of autumn in 2006, Aznavour initiated his farewell tour, performing in the US and Canada, and earning very positive reviews. Aznavour started 2007 with concerts all over Japan and Asia. The second half of 2007 saw Aznavour return to Paris for over 20 shows at the Palais des Congrès in Paris, followed by more touring in Belgium, the Netherlands, and the rest of France. He has repeatedly stated that this farewell tour, health permitting, will likely last beyond 2010. At 87, Aznavour is in excellent health, although admittedly 60 years on stage have made him "a little hard of hearing".^[19] He still sings in multiple languages and without persistent use of teleprompters, but typically sticks to just two or three (French and English being the primary two, with Spanish or Italian being the third) during most concerts.^[20] On 30 September 2006, Aznavour performed a major concert in Yerevan, the capital of Armenia to start off the cultural season "Arménie mon amie" in France. Armenian president Robert Kocharyan and French president Jacques Chirac, at the time on an official visit to Armenia, were in front-row attendance.^[21]

Charles Aznavour in concert (1988).

In 2006, 82-year-old Aznavour traveled to Cuba, where he, together with Chucho Valdés, recorded his new album Colore Ma Vie, presented at Aznavour's Moscow concert in April 2007. Later, in July 2007, Aznavour was invited to perform at the Vieilles Charrues Festival.

"Forever Cool" (2007), an album from Capitol/EMI, features Aznavour singing a new duet of "Everybody Loves Somebody Sometime" with the voice of the late Dean Martin.

Aznavour finished a tour of Portugal in February 2008. On 18 January 2008 he participated as guest vocalist with the contestants of the French reality show Star Academy and sang his famous Emmenez-Moi with contestant Jérémy Chapron. Throughout the spring of 2008, Aznavour toured South America, holding a multitude of concerts in Argentina, Brazil, Chile, and Uruguay. Summer saw him in Quebec, and a return to Latin America followed in autumn.

In 2008 an album of duets, Duos, was released. It is a collaborative effort featuring Aznavour and his greatest friends and partners from his long career in the music industry, including Céline Dion, Sting, Laura Pausini, Josh Groban, Paul Anka, Plácido Domingo, and many others.^[22] It was released on various dates in December 2008 across the world.^[23] His next album, Charles Aznavour and The Clayton Hamilton Jazz Orchestra (previously known as Jazznavour 2), is a continuation in the same vein as his hit album Jazznavour released in 1998, involving new arrangements on his classic songs with a jazz orchestra and other guest jazz artists. It was released on November 30, 2009.^[24]

In 2009 Aznavour also toured across America. The tour, named Aznavour en liberté,^[25] started in late April 2009 with a wave of concerts across the United States and Canada, took him across Latin America in the autumn, as well as the USA once again. In August 2011 Aznavour released a new album, Aznavour Toujours, featuring 11 new songs, and Elle, a French re-working of his greatest international hit, She. Following the release of Aznavour Toujours, 87-years old Aznavour began a tour across France and Europe, named Charles Aznavour en Toute Intimité, which started with 21 concerts in the "Olympia" theatre in Paris.^[26] On December 12, 2011 he gave a concert in Moscow State Kremlin Palace that attracted a capacity crowd.^[27] The concert was followed by standing ovation which continued for about 15 minutes.^[28]

In 2012, Aznavour embarks on a new North American leg of his "En toute intimité" tour, visiting Québec, New York and the Gibson Amphitheatre, the third-largest such venue in California, for multiple shows.

Film[link]

Aznavour has had a long and varied parallel career as an actor, appearing in over 60 films. In 1960 Aznavour starred in François Truffaut's Tirez sur le pianiste, playing a character called Édouard Saroyan. He also put in a critically acclaimed performance in the 1974 movie And Then There Were None. Aznavour had an important supporting role in 1979's The Tin Drum, winner of the Academy Award for Best Foreign Language Film in 1980. Aznavour starred in the 2002 movie Ararat playing Edward Saroyan, a movie director.

Armenia and abroad[link]

Since the 1988 earthquake in Armenia, Aznavour has been helping the country through his charity, Aznavour for Armenia. Together with his brother in-law and co-author Georges Garvarentz he wrote the song "Pour toi Arménie", which was performed by a group of famous French artists and topped the charts for 18 weeks. There is a square named after him in central Yerevan on Abovian Street, and a statue erected in Gyumri, which saw the most lives lost in the earthquake. In 1995 Charles Aznavour was appointed an Ambassador and Permanent Delegate of Armenia to UNESCO. Aznavour is a member of the Armenia Fund International Board of Trustees. The organization has rendered more than $150 million in humanitarian aid and infrastructure development assistance to Armenia since 1992. Charles Aznavour was appointed as "Officier" (Officer) of the Légion d'honneur in 1997.

In 2004 Aznavour received the title of "National Hero of Armenia" for his humanitarian work, Armenia's highest award. On December 26, 2008, President of Armenia Serzh Sargsyan signed a presidential decree for granting citizenship for the Republic of Armenia to Charles Aznavour whom he called a "prominent singer and public figure" and "a hero of the Armenian people".^[29]

An admirer of Quebec, where he played in Montreal cabarets before becoming famous, he has helped the career of Québécoise singer-songwriter Lynda Lemay in France, and has a house in Montreal. On 5 July 2008, he was invested as an honorary officer of the Order of Canada and performed the following day on the Plains of Abraham as a feature of the celebration of the 400th anniversary of the founding of Quebec City.^[30]

Aznavour and famed Senegalese singer Youssou N'Dour, with the collaboration of over 40 of France's most celebrated singers and musicians, recorded a music video band aid (clip) in the aftermath of the catastrophic 2010 Haiti earthquake, titled "1 geste pour Haïti chérie".^[31]

Personal life and cultural impact[link]

Charles Aznavour, a photo by Xavier Thomas.

Aznavour married his third wife, Swede Ulla Thorsell, in 1968. He has 5 children - Seda, Katia, Misha, Nicolas and Patrick. In 1990 he offered insights into his life to writer-director Michael Feeney Callan in his series My Riviera, which was filmed at and around Aznavour's home in Port Grimaud, in the South of France. He currently resides in Geneva, Switzerland.^[32]

His musicality and fame abroad is present in many other areas of pop culture. Aznavour's name was used as the basis for the name of the character Char Aznable by Yoshiyuki Tomino in his anime mecha series, Mobile Suit Gundam. His song "Parce Que Tu Crois" was sampled by Hip Hop producer Dr. Dre for the song "What's the Difference" (feat. Eminem & Xzibit), from his album 2001.^[33] He is mentioned in The Psychedelic Furs song "Sister Europe" ("The radio upon the floor/ is stupid, it plays Aznavour").

He has often joked about his physicality, the most infamous feature of which is his limited height; he stands only 160 cm (5 ft 3 in) tall, and Aznavour has made this a source of self-deprecating humour over the years.

Politics[link]

Charles Aznavour has been increasingly involved in French, Armenian, and international politics as his career has progressed. During the 2002 French presidential elections, when radical right-wing nationalist Jean-Marie Le Pen of the National Front made it into the runoff election, facing incumbent Jacques Chirac, Aznavour signed the "Vive la France" petition, and called on all French to "sing the Marseillaise" in protest.^[34] Chirac, a personal friend of Aznavour's, ended up winning in a landslide, carrying over 82% of the vote.

He has written a song about the Armenian Genocide, titled Ils sont tombés (known in English as "They fell").

He has also campaigned fervently for international copyright law reform. In November 2005 he met with President of the European Commission José Manuel Barroso^[35] on the issue of the review of term of protection for performers and producers in the EU, advocating an extension of the EU's term of protection from the current 50 years to the United States' law allowing 95 years, saying "[o]n term of protection, artists and record companies are of the same mind. Extension of term of protection would be good for European culture, positive for the European economy and would put an end the current discrimination with the U.S." He has also notably butted heads with French politician Christine Boutin over her defense of a "global license" flat-fee authorization for sharing of copyrighted files over the Internet, claiming that the license would eliminate creativity. In May 2009 the French Senate approved one of the strictest internet anti-piracy bills ever with a landslide 189-14 vote. Aznavour was a vocal proponent of the measure and considered it a rousing victory:

"If the youth can't make a living through creative work, they will do something else and the artistic world will be dealt a blow... There will be no more songs, no more books, nothing at all. So we had to fight..."^[36]

Along with holding the mostly ceremonial title of French ambassador-at-large to Armenia, Aznavour agreed to hold the position of Ambassador of Armenia to Switzerland on February 12, 2009:

"First I hesitated, as it is not an easy task. Then I thought that what is important for Armenia is important for us. I have accepted the proposal with love, happiness and feeling of deep dignity"^[37]

Awards and recognition[link]

• 1963, 1971 and 1980 - Edison Awards (three-time awardwinner)^[38]
• 1971 - Golden Lion Honorary Award at the Venice Film Festival for the Italian version of the song Mourir d'aimer
• 1995 - Large Medal of the French Academy
• 1995 - Ambassador of Goodwill and Permanent Delegate of Armenia to UNESCO^[39]
• 1996 - Induction into the Songwriters Hall of Fame
• 1997 - French Victoire award for Male artist of the year
• 1997 - Honorary César Award
• 1997 - Officier (Officer) of the Legion d'honneur
• 2004 - National Hero of Armenia^[40]
• 2006 - Honorary prize at 30th Cairo Film Festival
• 2008 - Honorary Officer of the Order of Canada^[41]
• 2008 - Citizenship of the Republic of Armenia
• 2009 - MIDEM Lifetime Achievement Award^[42]
• 2009 - Grigor Lusavorich award of Nagorno-Karabakh Republic^[43]
• 2009 - Officer of the National Order of Quebec^[44]
• 2010 - Honorary order "For outstanding contribution to strengthening cultural ties between Russia and France"^[45]

Discography[link]

Filmography[link]

Actor[link]

• La Guerre des gosses (1936) – Extra
• Adieu chérie (1946) (as Aznavour) – Le duettiste
• Entrez dans la danse (1948)
• Une gosse sensass' (1957) – Le chanteur
• Paris Music Hall (1957) – Charles
• La Tête contre les murs (1959) – Heurtevent
• Les Dragueurs (1959) – Joseph Bouvier
• Pourquoi viens-tu si tard? (1959) – Un danseur
• Oh! Qué mambo (1959) (uncredited) – Un spectateur au cabaret
• Le Testament d'Orphée (1960) (uncredited) – The Curious Man
• Un taxi pour Tobrouk (1960) – Samuel Goldmann
• Tomorrow Is My Turn (Le Passage du Rhin) (1960) – Roger
• Tirez sur le pianiste (1960) – Charlie Kohler/Édouard Saroyan
• Gosse de Paris (1961)
• Les Lions sont lâchés (1961) – Charles, un convive de Marie-Laure
• Esame di guida - tempo di Roma (1962) – Marcello
• Horace 62 (1962) – Horace Fabiani
• Le Diable et les dix commandements (1962) – Denis Mayeux (episode "Homicide point ne seras")
• Les Quatre vérités (1962) – Charles
• Les Vierges (1963) – Berthet
• Cherchez l'Idole (1963) – Aznavour
• Le Rat d'Amérique (1963) – Charles
• Thomas l'imposteur (1964)
• Alta infedeltà (1964) – Giulio (segment "Peccato nel Pomeriggio")
• La Métamorphose des cloportes (1965) – Edmond
• Le Facteur s'en va-t-en guerre (1966) – Thibon
• Paris au mois d'août (1966) – Henri Plantin
• Caroline chérie (1968) – Postillon
• Candy (1968) – Hunchback juggler
• Le Temps des loups (1969) – Inspector
• The Adventurers (1970) – Marcel Campion
• L'Amour (1970) – Le présentateur
• The Games (1970) – Pavel Vendek
• The Selfish Giant (1971) – Narrator (French version)
• Un beau monstre (1971) – Inspector Leroy
• Part des lions (1971) – Éric Chambon
• Les Intrus (1972) – Charles Bernard
• The Blockhouse (1973) – Visconti
• Dix Petits Negres (1974) Dir Peter Colinson, Produit par Gerard Thum
• Ein Unbekannter rechnet ab (1974) – Michel Raven
• Sky Riders (1976) – Insp. Nikolidis
• Folies bourgeoises (1976) – Dr. Lartigue
• Die Blechtrommel (1979) – Sigismund Markus
• Ciao, les mecs (1979) – L'amnésique
• Der Zauberberg (1982) – Naphta
• Qu'est-ce qui fait courir David? (1982) – Léon, le père de David
• Les Fantômes du chapelier (1982) – Kachoudas
• Une jeunesse (1983) – Bellun
• Viva la vie! (1984) – Édouard Takvorian
• Yiddish Connection (1986) – Aaron Rapoport
• Mangeclous (1988) – Jérémie
• Il Maestro (1989) – Romualdi
• Le chinois (1989) – Charles Cotrel
• Charles Aznavour Armenia 1989 (1989)
• Les Années campagne (1992) – Le grand-père/Grandfather
• Pondichéry, dernier comptoir des Indes (1997) – Léo Bauman
• Le Comédien (1997) – Monsieur Maillard
• Laguna (2001)
• Truth About Charlie (2002) – Himself
• Ararat (2002) – Edward Saroyan
• Le Père Goriot (2004) – Jean-Joachim Goriot
• Ennemis publics (2005)
• The Colonel (2006) – Père Rossi
• Up (2009) – Carl Fredricksen (French Voice)

Concerts[link]

Video[link]

• 1977 Großer Unterhaltungsabend – Charles Aznavour (Essen, Germany 1977). VHS Nikkatsu Video Films Co., Ltd./Japan
• 1982 An Evening with Charles Aznavour (Duke of York's Theatre, London 1982). VIP Videocasette Diffusion, VHS SECAM MU 550

Laserdisc[link]

• 1982 An Evening with Charles Aznavour (Duke of York's Theatre, London 1982) [content differs from the video version]

DVD[link]

• 1999 Aznavour Live - Palais des Congrès 97/98 (EMI)
• 2001 Aznavour Live - Olympia 68/72/78/80 (EMI)
• 2001 Charles Aznavour au Carnegie Hall (New York, June 1996) (EMI)
• 2001 AZNAVOUR – Pour toi Arménie (At Erevan Opera, September 1996)
• 2002 Patrick Bruel – Entre-Deux (C. Aznavour sings Parlez-moi d'amour [with Patrick Bruel])
• 2003 AZNAVOUR LIVE – Palais des Congrès 1994 (EMI)
• 2004 Aznavour – Minelli au Palais des Congrès de Paris (EMI)
• 2004 Toronto 1980 (as a Bonus to the Aznavour/Indispensables CD Boxset) (EMI)
• 2004 80, Bon Anniversaire Charles – Palais des congrès 2004 (EMI)
• 2004 Bon anniversaire Charles! (TV broadcast concert for Charles Aznavour 80th anniversary, May 22, 2004) (EMI)
• 2005 Charles Aznavour 2000 – Concert intégral (EMI)
• 2006 The Royal Opera – Die Fledermaus (Covent Garden, London 31-12-1983) (C. Aznavour sings She)
• 2007 Charles Aznavour : En concert à Erevan (EMI)
• 2007 Aznavour - Palais des Congrès de Paris (1987) [not the same concert as the CD version] (EMI)
• 2008 Charles Aznavour et ses amis au Palais Garnier (EMI)
• 2009 Anthologie 1955–1972 - 3 DVD Box Set (PAL Only) (INA / EMI)
• 2010 Anthologie volume 2 1973–1999 - 3 DVD Box Set (PAL Only) (INA / EMI)

FILMS Documentary[link]

• Charles Aznavour - Armenia 1989, (Armenfilm) 1989 color 10min. 35mm. Director Levon Mkrtchyan. The film is about the humanitarian aid that Charles Aznavour, a famous French singer of Armenian origin, brought to Armenia after the Spitak earthquake in 1988.^[46]
• Christmas in Vienna III, A Christmas gala concert live from Vienna on 22 December 1994 with Aznavour, Plácido Domingo and Sissel Kyrkjebø, featuring the Vienna Symphony conducted by famed Croatian conductor Vjekoslav Šutej.
• Making of "Colore ma vie", A making-of featurette released in 2007 coinciding with the release of Aznavour's latest studio album, Colore ma vie. Filmed in Havana and Paris, it shows his collaboration with Chucho Valdez and the thoughts, opinions, and artistry the two put into the album.
• Appeared on The Muppet Show Episode 9. Taping Dates: June 29 - July 1, 1976. Original Airdates: January 17, 1977 (New York) and January 22, 1977 (LA)

See also[link]

• Charles Aznavour Museum
• List of best-selling music artists
• Franco-Armenian relations
• Ils Sont Tombés

References[link]

External links[link]

• Official site
• Charles Aznavour on imusic.am
• "Portrait de S.E. Charles Aznavour" (in French). Embassy of the Republic of Armenia in Switzerland. http://www.armenian.ch/index.php?id=ambassador. Retrieved 2010-02-21. 
• Charles Aznavour at the Internet Movie Database
• Charles Aznavour at the Songwriters Hall of Fame
• Biography by Radio France International
• Charles Aznavour - Armenian-Russian Pages

Live performances[link]

• Charles Aznavour - "Ave Maria" performance
• Charles Aznavour - "Hier encore" performance
• Charles Aznavour - "Paris au mois d'août" performance

Dino Buzzati-Traverso (Italian pronunciation: [ˈdino butˈtsati]; 16 October 1906 – 28 January 1972) was an Italian novelist, short story writer, painter and poet, as well as a journalist for Corriere della Sera. His worldwide fame is mostly due to his novel Il deserto dei Tartari, translated into English as The Tartar Steppe.

Life[link]

Buzzati was born at San Pellegrino, Belluno, in his family's ancestral villa. Buzzati's mother, a veterinarian by profession, was Venetian and his father, a professor of international law, was from an ancient Bellunese family. Buzzati was the second of his parents' four children. In 1924, he enrolled in the law faculty of the University of Milan, where his father once taught. As he was completing his studies in law, he was hired, at the age of 22, by the Milanese newspaper Corriere della Sera, where he would remain until his death. He began in the corrections department, and later worked as a reporter, special correspondent, essayist, editor and art critic. It is often said that his journalistic background informs his writing, lending even the most fantastic tales an aura of realism.

Buzzati himself comments on the connection (as cited by Lawrence Venuti):

It seems to me, fantasy should be as close as possible to journalism. The right word is not "banalizing", although in fact a little of this is involved. Rather, I mean that the effectiveness of a fantastic story will depend on its being told in the most simple and practical terms.^[1]

During World War II, Buzzati served in Africa, as a journalist attached to the Regia Marina. After the end of the war, Il deserto dei Tartari was published Italy-wide and quickly brought critical recognition and fame to the author. He married Almeria Antoniazzi in 1964, which also marked the release of his last novel, Un amore. In 1972, Buzzati died of cancer after a protracted illness.

He was an atheist^[2].

Works summary[link]

Buzzati began writing fiction in 1933. His works of fiction include five novels, theatre and radio plays, librettos, numerous books of short stories and poetry. His librettos include four for operas by Luciano Chailly, as well as that of the opera La giacca dannata by Giulio Viozzi.

He wrote a children's book La famosa invasione degli orsi in Sicilia (translated by Frances Lobb into English as The Bears' Famous Invasion of Sicily). Lemony Snicket wrote an introduction and reader's companion to a 2005 English edition.

Also an acclaimed and exhibited artist, Buzzati also combined his artistic and writerly exploits into making a comic book based on the myth of Orpheus, Poema a fumetti.

The Tartar Steppe, his most famous novel, tells the story of a military outpost that awaits a Tartar invasion. In its sentiment and its conclusions, it has been compared to existentialist works, notably Albert Camus's The Myth of Sisyphus.^[3]

His writing is sometimes cited as magical realism, social alienation, and the fate of the environment and of fantasy in the face of unbridled technological progress are recurring themes. He has also written a variety of short stories featuring fantastic animals such as the bogeyman and, his own invention, the colombre (il colombre).

Bibliography[link]

• Bàrnabo delle montagne (Barnabo of the Mountains, 1933)
• Il segreto del Bosco Vecchio (1935)
• Il deserto dei Tartari (The Tartar Steppe, 1940)
• I Sette Messaggeri (The Seven Messengers, 1942 - short stories)
• La famosa invasione degli orsi in Sicilia (The Bears' Famous Invasion of Sicily, 1945)
• Il grande ritratto (1960)
• Un amore (A Love Affair, 1963)
• Il capitano Pic e altre poesie (1965, poetry)
• Il colombre (1966, Short stories)
• Poema a Fumetti (Poem Strip, 1969—graphic novel)

References[link]

• Giuseppe Leone, "Dino Buzzati e le grandi "costruzioni" letterarie - La "fortezza di Bastiani" non è "Il castello" di Kafka", Il Punto Stampa, Lecco, Italy, April 1997.

External links[link]

• Biography on IMDb
• Biography (Italian)