The 49th Annual Grammy Awards was a ceremony honoring the best in music for the recording year beginning September 15, 2005 and ending September 14, 2006 in the United States. The awards were handed out on Sunday February 11, 2007 at the Staples Center in Los Angeles, California. The Dixie Chicks were the night's biggest winners winning a total of five awards. Mary J. Blige received the most nominations, with eight. Don Henley was honored as MusiCares Person of the Year two nights prior to the show on February 9, 2007. The show won an Emmy for "Outstanding Lighting Direction (electronic, multicamera) for VMC Programming".

Performances[link]

The performance of Roxanne by The Police to open the show promoted the start of their reunion tour.

Presenters[link]

Awards[link]

General[link]

Record Of the Year

• "Be Without You" - Mary J. Blige
  • Bryan-Michael Cox & Ron Fair producers; Danny Cheung, Tal Herzberg, Dave "Hard-Drive" Pensado & Allen Sides, engineers/mixers
• "You're Beautiful" - James Blunt
  • Tom Rothrock, producer; Tom Rothrock & Mike Tarantino, engineers/mixers
• "Not Ready to Make Nice" - Dixie Chicks
  • Rick Rubin, producer; Richard Dodd, Jim Scott & Chris Testa, engineers/mixers
• "Crazy" - Gnarls Barkley
  • Danger Mouse, producer; Ben H. Allen, Danger Mouse & Kennie Takahashi, engineers/mixers
• "Put Your Records On" - Corrine Bailey Rae
  • Steve Chrisanthou, producer; Steve Chrisanthou & Jeremy Wheatley, engineers/mixers

Album of the Year

• Taking the Long Way - Dixie Chicks
  • Rick Rubin, producer; Richard Dodd, Jim Scott & Chris Testa, engineers/mixers; Richard Dodd, mastering engineer
• St. Elsewhere - Gnarls Barkley
  • Danger Mouse, producer; Ben H. Allen, Danger Mouse & Kennie Takahashi, engineers/mixers; Mike Lazer, mastering engineer
• Continuum - John Mayer
  • Steve Jordan & John Mayer, producers; John Alagía, Michael Brauer, Joe Ferla, Chad Franscoviak, Manny Marroquin & Dave O'Donnell, engineers/mixers; Greg Calbi, mastering engineer
• Stadium Arcadium - Red Hot Chili Peppers
  • Rick Rubin, producer; Ryan Hewitt, Mark Linett & Andrew Scheps, engineers/mixers; Vlado Meller, mastering engineer
• FutureSex/LoveSounds - Justin Timberlake
  • Nate (Danja) Hills, Jawbreakers, Rick Rubin, Timbaland & Justin Timberlake, producers; Jimmy Douglass, Serban Ghenea, Padraic Kerin, Jason Lader, Andrew Scheps, Timbaland & Ethan Willoughby, engineers/mixers; Herb Powers, Jr., mastering engineer

Song of the Year

• "Be Without You" - Mary J. Blige
  • Johntá Austin, Mary J. Blige, Bryan-Michael Cox & Jason Perry, songwriters
• "Jesus, Take The Wheel" - Carrie Underwood
  • Brett James, Hillary Lindsey & Gordie Sampson, songwriters
• "Not Ready to Make Nice" - Dixie Chicks
  • Martie Maguire, Natalie Maines, Emily Robison & Dan Wilson, songwriters
• "Put Your Records On" - Corrine Bailey Rae
  • John Beck, Steve Chrisanthou & Corinne Bailey Rae, songwriters
• "You're Beautiful" - James Blunt
  • James Blunt, Amanda Ghost & Sacha Skarbek, songwriters

Best New Artist

• Carrie Underwood
• Chris Brown
• Corrine Bailey Rae
• Imogen Heap
• James Blunt

Pop[link]

Best Female Pop Vocal Performance

• "Ain't No Other Man" - Christina Aguilera
• "Unwritten" - Natasha Bedingfield
• "You Can Close Your Eyes" - Sheryl Crow
• "Stupid Girls" - P!nk
• "Black Horse and the Cherry Tree" - KT Tunstall

Best Male Pop Vocal Performance

• "You're Beautiful" - James Blunt
• "Save Room" - John Legend
• "Jenny Wren" - Paul McCartney
• "Waiting On The World To Change" - John Mayer
• "Bad Day" - Daniel Powter

Best Pop Performance by a Duo or a Group With Vocals

• "I Will Follow You Into The Dark" - Death Cab For Cutie
• "My Humps" - The Black Eyed Peas
• "Over My Head (Cable Car)" - The Fray
• "Is It Any Wonder?" - Keane
• "Stickwitu" - The Pussycat Dolls

Best Pop Collaboration With Vocals

• "For Once in My Life" - Tony Bennett & Stevie Wonder
• "One" - Mary J. Blige & U2
• "Always On Your Side" - Sheryl Crow & Sting
• "Promiscuous" - Nelly Furtado & Timbaland
• "Hips Don't Lie" - Shakira & Wyclef Jean

Best Pop Instrumental Performance

• "Mornin'" - George Benson (& Al Jarreau)
• "Drifting" - Enya
• "Subterfuge" - Béla Fleck & The Flecktones
• "Song H" - Bruce Hornsby
• "My Favorite Things" - The Brian Setzer Orchestra

Best Pop Instrumental Album

• New Beginnings - Gerald Albright
• Fire Wire - Larry Carlton
• X - Fourplay
• Fingerprints - Peter Frampton
• Wrapped in a Dream - Spyro Gyra

Best Pop Vocal Album

• Back to Basics - Christina Aguilera
• Back to Bedlam - James Blunt
• Continuum - John Mayer
• The River in Reverse - Elvis Costello & Allen Toussaint
• FutureSex/LoveSounds - Justin Timberlake

Dance[link]

Best Dance Recording

• "Suffer Well"
  • Ben Hillier, producer; Steve Fitzmaurice & Ben Hillier, mixers (Depeche Mode)
• "Ooh La La"
  • Goldfrapp, producers; Mark "Spike" Stent, mixer (Goldfrapp)
• "Get Together"
  • Madonna & Stuart Price, producers; Mark "Spike" Stent, mixer (Madonna)
• "I'm With Stupid"
  • Trevor Horn, producer; Robert Orton, mixer (Pet Shop Boys)
• "Sexy Back"
  • Nate "Danja" Hills, Timbaland & Justin Timberlake, producers; Jimmy Douglass, mixer (Justin Timberlake)

Best Electronic/Dance Album

• Supernature - Goldfrapp
• Confessions On A Dance Floor - Madonna
• A Lively Mind - Paul Oakenfold
• Fundamental - Pet Shop Boys
• The Garden - Zero 7

Traditional Pop[link]

Best Traditional Pop Vocal Album

• Duets: An American Classic - Tony Bennett
• Caught In The Act - Michael Bublé
• Wintersong - Sarah McLachlan
• Bette Midler Sings the Peggy Lee Songbook - Bette Midler
• Timeless Love - Smokey Robinson

Jazz[link]

Best Contemporary Jazz Album

• The Hidden Land – Béla Fleck and the Flecktones
• People People Music Music − Groove Collective
• Rewind That – Christian Scott
• Sexotica – Sex Mob
• Who Let the Cats Out? – Mike Stern

Best Jazz Vocal Album

• Footprints – Karrin Allyson
• Easy To Love – Roberta Gambarini
• Live At Jazz Standard With Fred Hersch – Nancy King
• From This Moment On – Diana Krall
• Turned To Blue - Nancy Wilson

Best Jazz Instrumental Solo

• "Some Skunk Funk" – Michael Brecker
• "Paq Man" – Paquito D'Rivera
• "Freedom Jazz Dance" – Taylor Eigsti
• "Hippidy Hop" (Drum Solo) – Roy Haynes
• "Hope" – Branford Marsalis

Best Jazz Instrumental Album, Individual or Group

• Sound Grammar – Ornette Coleman
• The Ultimate Adventure – Chick Corea
• Saudades – Trio Beyond
• Beyond The Wall – Kenny Garrett
• Sonny, Please – Sonny Rollins

Best Large Jazz Ensemble Album

• Some Skunk Funk – Randy Brecker with Michael Brecker, Jim Beard, Will Lee, Peter Erskine, Marcio Doctor and Vince Mendoza conducting The WDR Big Band Köln
• Spirit Music – Bob Brookmeyer and the New Art Orchestra
• Streams Of Expression – the Joe Lovano Ensemble
• Live In Tokyo At The Blue Note – Mingus Big Band
• Up From The Skies, Music of Jim McNeely – The Vanguard Jazz Orchestra

Best Latin Jazz Album

• Codes – Ignacio Berroa
• Cubist Music – Edsel Gomez
• Simpático – The Brian Lynch/Eddie Palmieri Project
• Absolute Quintet – Dafnis Prieto
• Viva – Diego Urcola, Edward Simon, Avishai Cohen, Antonio Sánchez and Pernell Saturnino

References[link]

External links[link]

• Official Website.
• Complete list of all nominees and winners

Grammy Awards
54th Grammy Awards
The Grammy awards are named for the trophy: a small, gilded gramophone statuette.
Awarded for	Outstanding achievements in the music industry
Presented by	National Academy of Recording Arts and Sciences
Country	United States
First awarded	1959
Official website	grammy.com
Television coverage
Network	NBC (1959–1970) ABC (1971–1972) CBS (1973–present)

A Grammy Award (originally called Gramophone Award) – or Grammy – is an accolade by the National Academy of Recording Arts and Sciences of the United States to recognize outstanding achievement in the music industry. The annual presentation ceremony features performances by prominent artists, and some of the awards of more popular interest are presented in a widely viewed televised ceremony. It is the music equivalent to the Emmy Awards for television, the Tony Awards for stage performances, and the Academy Awards for motion pictures.

The first Grammy Awards ceremony was held on May 4, 1959, and it was set up to honor musical accomplishments by performers for the year 1958. Following the 2011 ceremony, NARAS overhauled many Grammy Award categories for 2012. The 54th Grammy Awards were held on February 12, 2012, at the Staples Center in Los Angeles, California.

History[link]

The Grammy Awards had their origin in the Hollywood Walk of Fame project in the 1950s.^[1][2] As the recording executives chosen for the Walk of Fame (Tabinda Walk) committee worked at compiling a list of important recording industry people who might qualify for a Walk of Fame star, they realized there were many more people who were leaders in their business who would never earn a star on Hollywood Boulevard. The music executives decided to rectify this by creating an award given by their industry similar to the Oscars and the Emmys. This was the beginning of the National Academy of Recording Arts and Sciences. After it was decided to create such an award, there was still a question of what to call it; one working title was the Eddie, to honor the inventor of the phonograph, Thomas Edison. They finally settled on using the name of Edison's invention, the gramophone, for the awards, which were first given for the year 1958.^[3][4][5]

Gramophone trophy[link]

The gold-plated trophies, each depicting a gilded gramophone, are made and assembled by hand by Billings Artworks in Ridgway, Colorado. In 1990 the original Grammy design was revamped, changing the traditional soft lead for a stronger alloy less prone to damage, and making the trophy bigger and grander.^[6] The trophies with the recipient's name engraved on them are not available until after the award announcements, so "stunt" trophies are re-used each year for the broadcast.^[7]

As of February 2009, 7,578 Grammy trophies had been awarded.^[8]

Categories[link]

Bonnie Raitt holding the Grammys she won at the 1990 Grammy Awards.

The "General Field" are four awards which are not restricted by genre.

• Album of the Year is awarded to the performer and the production team of a full album.
• Record of the Year is awarded to the performer and the production team of a single song.
• Song of the Year is awarded to the writer(s)/composer(s) of a single song.
• Best New Artist is awarded to a performer who releases, during the Eligibility Year, the first recording that establishes the public identity of that artist (which is not necessarily their first proper release).

Other awards are given for performance and production in specific genres, as well as for other contributions such as artwork and video. Special awards are given for longer-lasting contributions to the music industry.

Because of the large number of award categories (78 in 2012), and the desire to feature several performances by various artists, only the ones with the most popular interest are presented directly at the televised award ceremony.

2012 category restructuring[link]

On April 6, 2011, The Recording Academy announced a drastic overhaul of many Grammy Award categories for 2012.^[9] The number of categories were diminished from 109 to 78. The most important change is the elimination of the distinction between male and female soloists and between collaborations and duo/groups in various genre fields (pop, rock, R&B, country, and rap). Also, several categories for instrumental soloists were discontinued. Recordings in these categories now fall under the general categories for best solo performances.

In the rock field, the separate categories for hard rock and metal albums have been combined and the Best Rock Instrumental Performance category were be eliminated due to a waning number of entries.

In R&B, the distinction between best contemporary R&B album and other R&B albums has been eliminated. They now feature in one, general Best R&B Album category.

In rap, the categories for best rap soloist and best rap duo or group have been merged into the new Best Rap Performance category.

The most eliminations occurred in the roots category. Up to and including 2011, there were separate categories for various regional American music forms, such as Hawaiian music, Native American music and Zydeco/Cajun music. Due to the consistently low number of entries for these categories, The Recording Academy decided to combine all these music variations into the new Best Regional Roots Music Album, including polka, which lost its own separate category in 2009.

In the same genre field, the traditional and contemporary blues categories and the traditional and contemporary folk categories each were consolidated into one per genre, due to the number of entries and given the challenges in distinguishing between contemporary folk and Americana, and contemporary and traditional blues. In the world music genre field, the traditional and contemporary categories have also been merged.

In the classical genre field, its main category Best Classical Album has been discontinued because most recipients in this category had also won in one of the other classical categories for the same album. Classical recordings are now eligible for the main Album of the Year category.

There are also a few minor name changes to better reflect the nature of the separate categories. It was determined by the Recording Academy that the word "gospel" in the gospel genre field tends to conjure up the images and sounds of traditional soul gospel and leaves out the current contemporary Christian music (CCM). Therefore the genre field and some categories have been renamed as Gospel/Contemporary Christian Music.

Nomination process[link]

Record companies and individuals may submit recordings to be nominated. Nominations are made online and a physical copy of the work is sent to the National Academy of Recording Arts and Sciences. Once a work is entered, reviewing sessions are held, by more than 150 experts from the recording industry, to determine whether the work is eligible and entered in the correct category for official nomination.

The resulting list is circulated to all NARAS members, each of whom may vote to nominate in the general field (Record of the Year, Album of the Year, Song of the Year, and Best New Artist) and in no more than nine out of 30 other fields on their ballots. The five recordings that earn the most votes in each category become the nominees. There may be more than five nominees if there is a tie in the nomination process.

Whereas members of the Academy of Motion Picture Arts and Sciences are generally invited to screenings or are sent DVDs of movies nominated for Oscars, NARAS members do not receive nominated recordings.

After nominees have been determined, final voting ballots are sent to Recording Academy members, who may then vote in the general fields and in no more than eight of the 30 fields. NARAS members are encouraged, but not required, to vote only in their fields of expertise. Ballots are tabulated secretly by the major independent accounting firm Deloitte Touche Tohmatsu.^[10] Following the tabulation of votes the winners are announced at the Grammy Awards. The recording with the most votes in a category wins and it is possible to have a tie. Winners are presented with the Grammy Award and those who do not win are given a medal for their nomination.

In both voting rounds, Academy members are required to vote based upon quality alone, and not to be influenced by sales, chart performance, personal friendships, regional preferences or company loyalty. The acceptance of gifts is prohibited. Members are urged to vote in a manner that preserves the integrity of the academy.

The eligibility period for the 2012 Grammy Awards was October 1, 2010 to September 30, 2011.

Venue[link]

Prior to 1971, the Grammy Award ceremonies were held in different locations on the same day. Originally New York City and Los Angeles were the host cities. Chicago joined being a host city in 1962, and then Nashville became the fourth location in 1965.

The 1971 ceremony, held at the Hollywood Palladium in Los Angeles, was the first to take place in one location. The ceremony was then moved to Madison Square Garden's Felt Forum in New York City, and then Nashville's Tennessee Theatre in the following two years. Then from 1974 to 2003, the Grammys were held in various venues in New York City and Los Angeles. Notable locations included New York City's Madison Square Garden and Radio City Music Hall; and Los Angeles' Shrine Auditorium, the Staples Center and the Hollywood Palladium.

In 2004, the Staples Center became the permanent home of the award ceremonies. The Grammy Museum was built across the street from Staples Center in LA Live to preserve the history of the Grammy Awards. Embedded on the sidewalks at the museum streets are bronze disks, similar to the Hollywood Walk of Fame, honoring each year's top winners, Record of the Year, Best New Artist, Album of the Year, and Song of the Year.

Leading winners[link]

With 31 Grammy Awards, Sir Georg Solti is the artist with the most Grammy wins.^[11] Alison Krauss is the biggest winner among female artists with 27 awards.^[12] U2, with 22 Grammy Awards, holds the record for most awards won by a group.

Criticism[link]

The Grammy Awards has received criticism from various recording artists and music journalists.

When his band Pearl Jam won a Grammy in the category Best Hard Rock Performance in 1996, singer Eddie Vedder commented on stage: "I don't know what this means. I don't think it means anything."^[13] Glen Hansard, leader of the Irish rock group The Frames, stated in 2008 that the Grammys represent something outside of the real world of music "that's fully industry based." He said he wasn't that interested in attending that year's ceremony, even though he had been nominated for two different awards.^[13] Maynard James Keenan, lead singer of metal band Tool, did not attend the Grammy Awards ceremony to receive one of their awards. He explained his reasons:

It has also been criticized for generally awarding or nominating more commercially successful albums rather than critically successful albums.^[15][16] In a 2011 article, Los Angeles Times writer Randall Roberts was critical of the nominations for the 54th Grammy Awards, particularly for the Album of the Year category, noting the exclusion of Kanye West's My Beautiful Dark Twisted Fantasy, "the most critically acclaimed album of the year, a career-defining record", as a snub in favor of nominating less substantial albums.^[17] Roberts went on to criticize the Grammy Awards for being "mired in the past" and out of touch with "new media" and trends amongs music listeners such as music sharing, stating:

In an article for Time, journalist Touré also responded to the snub and expressed his general displeasure with the awards, stating "I don’t pretend to understand the Grammys. I have never been able to discern a consistent logic around who gets nominated or who gets statues. I comprehend the particular logic of the Oscars, but not the big awards for music. My normal state of confusion around what drives Grammy decisions was exponentialized this week when, to the shock of many, Kanye’s masterpiece My Beautiful Dark Twisted Fantasy was not nominated for a Grammy for Album of the Year."^[18] He went on to compare understanding the Grammy Awards to Kremlinology and commented on The Recording Academy's exclusion of more "mature" hip hop albums as Album of the Year nominees, noting that it occasionally opts to nominate "pop-friendly" hip hop albums instead.^[18]

In a 2011 profile for The New York Times following the 53rd Grammy Awards, frontman Justin Vernon of indie band Bon Iver was asked his opinion of the Grammys and how he would react to a nomination for his group, to which he responded, "You know I was thinking about that a couple of months ago, someone asked me that, and I was like 'I would go and I would' – and I don’t think the Bon Iver record is the kind of record that would get nominated for a Grammy – 'I would get up there and be like, ‘This is for my parents, because they supported me,’' because I know they would think it would be stupid of me not to go up there. But I kinda felt like going up there and being like: 'Everyone should go home, this is ridiculous. You should not be doing this. We should not be gathering in a big room and looking at each other and pretending that this is important.' That’s what I would say."^[19] He reaffirmed this sentiment and felt the Grammys are held in too, saying:

98 percent of the people in that room, their art is compromised by the fact that they’re thinking that, and that they’re hoping to get that award. And who is that award given by? It’s like they think it’s literally handed down by the musical-history gods. And I don’t know who the voters are. Like, I have a friend who’s a voter who was like, “I had to be a voter because I don’t trust the other voters.” And I was like, “Me either!” And it’s just not important and people spend too much time thinking about it.^[19]

—Justin Vernon

Bon Iver subsequently received four nominations in November for the 54th Grammy Awards.^[19] After winning the award, Vernon said in his acceptance, "It's really hard to accept this award. There's so much talent out here [...] and there's a lot of talent that's not here tonight. It's also hard to accept because you know, when I started to make songs I did it for the inherent reward of making songs, so I'm a little bit uncomfortable up here."^[20]

In his article "Everything Is Praised Again", Jon Caramanica of The New York Times criticized Grammy voters for being "conservative" and disregarding more "forward-looking" music, and wrote in response to the 54th Grammy Awards, "for the umpteenth time, the Grammys went with familiarity over risk, bestowing album of the year honors (and several more) on an album that reinforced the values of an older generation suspicious of change."^[21] He cited the Grammy successes of Lauryn Hill's The Miseducation (1999), Norah Jones' Come Away with Me (2003), and Adele's 21 (2011) as examples of "the Grammys dropp[ing] a boatload of awards on a young female singer-songwriter and her breakthrough album." Of Kanye West's absence from the ceremony, Caramanica stated, "He didn’t even bother to show up for the broadcast, which was well enough, because hip-hop was almost completely marginalized".^[21]

In an article for The Huffington Post, music executive and author Steve Stoute criticized the Recording Academy and the Grammy Awards for having "lost touch with contemporary popular culture" and noted "two key sources" for it: "(1) over-zealousness to produce a popular show that is at odds with its own system of voting and (2) fundamental disrespect of cultural shifts as being viable and artistic."^[22] Stoute accused them of snubbing artists with more cultural impact, citing respective loses by the critical and commercial successes in Eminem's The Marshall Mathers LP (2000) and Kanye West's Graduation (2007) in the Album of the Year category, and stated:

As an institution that celebrates artistic works of musicians, singers, songwriters, producers and technical specialists, we have come to expect that the Grammys upholds all of the values that reflect the very best in music that is born from our culture. Unfortunately, the awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate. [...] While there is no doubt in my mind of the artistic talents of Steely Dan or Herbie Hancock, we must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation. It is this same cultural impact that acknowledged the commercial and critical success of Michael Jackson's Thriller in 1984.^[22]

—Steve Stoute

TV broadcasts and ratings[link]

Prior to the first live Grammys telecast in 1971 on American Broadcasting Company (ABC), a series of taped annual specials in the 1960s called The Best on Record were broadcast on National Broadcasting Company (NBC). The first Grammy Award telecast took place on the night of November 29, 1959, as an episode of the NBC anthology series Sunday Showcase, which was normally devoted to plays, original TV dramas, and variety shows. Until 1971, awards ceremonies were held in both New York and Los Angeles, with winners accepting at one of the two. Pierre Cossette bought the rights to broadcast the ceremony from the National Academy of Recording Arts and Sciences and organized the first live telecast.^[23] CBS Broadcasting bought the rights in 1973 after moving the ceremony to Nashville, Tennessee; the American Music Awards were created for ABC (by Dick Clark) as a result.

The Recording Academy announced on June 21, 2011 that it had reached a new deal with CBS to keep the awards show on the network for another 10 years. CBS also broadcasted the annual nominations concert special on November 30, 2011 from Los Angeles. The Grammys aired on February 12, 2012. The 2011 Grammy Award show had 26.6 million viewers.

See also[link]

• National Academy of Recording Arts & Sciences
• Latin Academy of Recording Arts & Sciences
• Latin Grammy Awards
• Grammy Museum

Notes and references[link]

External links[link]

Look up Grammy in Wiktionary, the free dictionary.

• Official website
• Grammy Awards winners at Grammy.com (searchable database)

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Christina Aguilera
Aguilera attending the launch of the Montblanc John Lennon edition in September 2010.
Background information
Birth name	Christina María Aguilera
Born	(1980-12-18) December 18, 1980 (age 31) Staten Island, New York, U.S.
Origin	Wexford, Pennsylvania, U.S.
Genres	Pop, R&B, soul, dance-pop[1]
Occupations	Singer-songwriter,[2][3][4] record producer, dancer, television personality,[5] actress
Instruments	Vocals
Years active	1993–present
Labels	RCA
Website	christinaaguilera.com

Christina María Aguilera (born December 18, 1980) is an American recording artist and actress. Aguilera first appeared on national television in 1990 as a contestant on the Star Search program, and went on to star in Disney Channel's television series The Mickey Mouse Club from 1993 to 1994. Aguilera signed to RCA Records after recording "Reflection",^[6] the theme song for the animated film Mulan (1998).

In 1999, Aguilera came to prominence following her debut album Christina Aguilera, which was a commercial success spawning three number one singles on the Billboard Hot 100—"Genie in a Bottle", "What a Girl Wants", and "Come On Over Baby (All I Want Is You)."^[7] Her sophomore and her debut Latin-pop album, Mi Reflejo (2000), a Christmas third studio album, My Kind of Christmas (2000), and several collaborations followed which garnered Aguilera worldwide success, though she was displeased with her lack of input in her music and image.^[8] After parting from her management, Aguilera took creative control over her fourth studio album, Stripped (2002).^[9] The album's second single, "Beautiful", was a commercial success and helped the album's commercial performance amidst controversy over Aguilera's image.^[10][11][12] Aguilera followed up Stripped with the soul, jazz and blues inspired, Back to Basics (2006), released to positive critical acclaim.^[13] The album produced three singles "Ain't No Other Man", "Hurt" and "Candyman". Four years later Aguilera released her sixth studio album, Bionic (2010), which incorporated aspects of R&B, electropop, and synthpop and was met with mixed reviews and low sales.^{[14][15][16][17]} Aguilera's seventh studio album is set to be released in 2012.

Aside from being known for her vocal ability, music videos and image, musically, she includes themes of dealing with public scrutiny, her childhood, and female empowerment in her music.^[18] Apart from her work in music, she has also dedicated much of her time as a philanthropist for charities, human rights and world issues which include her work as a UN ambassador for the World Food Programme.^[19][20] She made her feature film debut in the musical Burlesque (2010), earning Aguilera a Golden Globe nomination for Best Original Song. Aguilera's work has earned her numerous awards and accolades, including a star on the Hollywood Walk of Fame, four Grammy Awards and one Latin Grammy Award, amongst seventeen and three nominations respectively. Rolling Stone ranked her number fifty-eight on their list of the 100 Greatest Singers of All Time, ranking as the youngest and only artist on the list under the age of thirty.^[21] She was ranked the 20th Artist of the 2000–09 decade by Billboard^[22] and is the second top selling single artist of the 2000s behind Madonna.^[23] Aguilera's albums sales are estimated at over 50 million units worldwide, making her one of the best-selling music artists of all time.^[24][25] Aguilera is currently a coach and judge on The Voice.

Life and career[link]

1980–98: Early life and career beginnings[link]

Aguilera was born in Staten Island, New York, to Fausto Wagner Xavier Aguilera, a sergeant in the US Army at the time, and Shelly Loraine (née Fidler), a Spanish teacher. Aguilera's father was born in Guayaquil, Ecuador^[26] and her mother, who is American, is of German, Irish, Welsh, and Dutch ancestry.^[27] Her father was stationed at Earnest Harmon Air Force Base in Stephenville, Newfoundland and Labrador and Japan. Aguilera lived with both her father and mother, up until their divorce when she was seven years old. Aguilera then lived with her mother, and her younger sister Rachel, at her grandmother's home in Rochester, Pennsylvania, a town outside Pittsburgh. According to both Aguilera and her mother, her father was very controlling, as well as physically and emotionally abusive. In an interview with Rolling Stone Aguilera revealed, "there was so much domestic violence going on when I grew up with my dad travelling in the military. I think the reason that my drive was so strong and I was so passionate about music was because I grew up in an environment of domestic violence."^[28] She later sang about her difficult childhood in the songs "I'm OK" on Stripped, and "Oh Mother" on Back to Basics. Even though he has made several attempts to reconnect with her, Aguilera ruled out any chance of a reunion.^[29] Since then, her mother has married a paramedic named Jim Kearns, and has changed her name.^[30]

As a child, Aguilera aspired to be a singer. She was known locally as "the little girl with the big voice",^[29] singing in local talent shows and competitions. She attended Rochester Area School District, Marshall Middle School near Wexford and North Allegheny Intermediate High School. On March 15, 1990, she appeared on Star Search singing "A Sunday Kind of Love", but lost the competition at number 2. Soon after losing on Star Search, she returned home and appeared on Pittsburgh's KDKA-TV's Wake Up With Larry Richert to perform the same song. Throughout her youth in Pittsburgh, Aguilera sang "The Star-Spangled Banner" before Pittsburgh Penguins hockey, Pittsburgh Steelers football and Pittsburgh Pirates baseball games, including during the 1992 Stanley Cup Finals.^[31] Her talent was kept a secret to avoid bullying of other children. Following her television appearances Aguilera experienced resentment and bullying including an incident in which her peers slashed the tires on her family's car.^[32] Following several incidents Aguilera was later home schooled.^[29] Aguilera recalls, "doing what I did and maybe being a little smaller, I was definitely picked on and bullied for the attention that I got. It was definitely unwanted attention and there was a lot of unfairness about it."^[33]

In 1991, Aguilera auditioned for a role on The Mickey Mouse Club; however, she did not meet the age requirements. Two years later, she joined the cast, performing musical numbers and sketch comedy, until the show's cancellation in 1994.^[34] Her co-stars included Justin Timberlake, Britney Spears, Ryan Gosling and Keri Russell where they nicknamed her "the Diva"^[35] for her performance style and voice. At the age of fourteen, Aguilera recorded her first song, "All I Wanna Do", a hit duet with Japanese singer Keizo Nakanishi.^[36] In 1997, she represented the United States at the international Golden Stag Festival with a two-song set.^[37] Aguilera entered talent contests on "teen night" at the Pegasus Lounge, a gay and lesbian nightclub in Pittsburgh,^[38] and later at Lilith Fair.^[39] In 1998, Aguilera sent in a demo of her singing Whitney Houston's "Run to You" to Disney who were looking for a singer to record the song "Reflection" for their animated feature film Mulan (1998).^[40] The demo caught the attention of producer and label executive Ron Fair who would later mentor her throughout her career and led to Aguilera earning a contract with RCA Records the same week.^[9] "Reflection" peaked within the top twenty on the Adult Contemporary Singles Chart, and it was nominated for a Golden Globe Award for Best Original Song.

[edit] 1999–01: Christina Aguilera, Mi Reflejo and new management

Under the exclusive representation of Steve Kurtz, Aguilera's self-titled debut album Christina Aguilera was released on August 24, 1999. It reached the top of the Billboard 200 and Canadian album charts, shipping eight million copies in the US^[41] and over seventeen million copies worldwide.^[42] The album is also included in the Top 100 Albums of All Time list of The Recording Industry Association of America (RIAA) based on US sales.^[43] Released during the teen pop era of 1999 the album was well received by several critics, Stephen Thomas Erlewine of AllMusic writes that Aguilera's debut "remains firmly within the teen-oriented dance-pop genre, but done right." Concluding that the album is "lightweight in the best possible sense – breezy, fun, engaging, and enjoyable on each repeated listen. Out of the deluge of teen-pop albums in 1999, this feels like the best of the lot."^[44] Her debut single, "Genie in a Bottle" was an instant hit reaching No.1 on the Billboard Hot 100 and in several countries worldwide. Her follow-up singles "What a Girl Wants" and "Come On Over Baby (All I Want Is You)" topped the Hot 100 as well during 1999 and 2000 while "I Turn to You" reached number three. She is one of the few artists to have multiple No.1 singles from a debut album in Billboard's history.^[45] She made a cameo appearance on an episode of Beverly Hills, 90210, performed on MTV's New Year's Special as MTV's first artist of the millennium, and the Super Bowl XXXIV halftime show. Aguilera wanted to display the range and audacity in her voice during the promotion of the album, and performed acoustic sets and appeared on television shows accompanied only by a piano. At the 42nd Grammy Awards Aguilera received a Best Female Pop Vocal Performance Grammy nomination for "Genie in a Bottle" and despite earlier predictions, she won the Grammy Award for Best New Artist.^[46]

In 2000, Aguilera began recording her first Spanish-language album with producer Rudy Pérez in Miami.^[47][48] Later in 2000, Aguilera, first emphasized her Latin heritage by releasing her first Spanish album, Mi Reflejo on September 12, 2000. This album contained Spanish versions of songs from her English debut as well as new Spanish tracks. Though some criticized Aguilera for trying to cash in on the Latin music boom at the time. According to Pérez, Aguilera was only semi-fluent, while recording. She understood the language, because she has grown up with her father, who is a native of Ecuador. He added "Her Latin roots are undeniable".^[47] The album peaked at number twenty-seven on the Billboard 200 and went No.1 on the Billboard Latin charts for a record 20 weeks. In 2001, it won Aguilera a Latin Grammy Award for Best Female Pop Vocal Album. The album was later certified 6× Platinum (Latin field) in the US Aguilera won the World Music Award and Billboard award as the best selling Latin artist that year. Aguilera also released a Christmas album, My Kind of Christmas, on October 24, 2000 and performed "The Christmas Song" at the White House that year.^[41] The album's only single, "The Christmas Song" made Aguilera one of three artists to take the song into the top twenty on the Billboard Hot 100.^[49] The single and My Kind of Christmas were both certified Platinum in the US^[50][51] Aguilera was Billboard's top female artist for 2000.^[52]

Aguilera's first concert tour, Christina Aguilera: In Concert (also known as "Sears & Levis Tour ") began in the summer of 2000 in the US and ended early 2001 where she toured South America and Asia. A concert special aired on ABC titled My Reflection which was released to DVD and certified Gold in the US.^[53] Aguilera was rumored to have dated MTV VJ Carson Daly.^[54] Rumors of their relationship were fueled after the release of Eminem's song, "The Real Slim Shady" in which he also insinuated a romance between her and rocker Fred Durst. Aguilera responded saying the lyrics were "disgusting, offensive and, above all, not true."^[55] Their feud ended two years later backstage at the Video Music Awards after Aguilera presented the rapper an award onstage.^[56] She dated Puerto Rican dancer Jorge Santos. Santos appeared on her tour and music videos throughout 2000. They dated for nearly two years until the relationship ended on September 11, 2001.^[57] He remained her dancer well into 2002.^[58]

Ricky Martin asked Aguilera to duet with him on the track "Nobody Wants to Be Lonely" from his album Sound Loaded; released in 2001 as the album's second single. The single reached No.1 on the World Chart and top ten in several countries. In 2001, Aguilera, Lil' Kim, Mýa, and Pink were chosen to remake Labelle's 1975 single "Lady Marmalade" for the film Moulin Rouge! and its soundtrack. The song peaked at No.1 on the Billboard Hot 100 for five weeks and was the most successful airplay-only single in history.^[59] It also reached number one in eleven other countries and earned all four performers a Grammy Award for Best Pop Collaboration with Vocals. Aguilera's appearance in the music video was compared to that of Twisted Sister frontman Dee Snider.^[60] The video won two MTV Video Music Awards including Video of the Year in 2001, where Aguilera accepted the award saying, "I guess the big hair paid off."^[61]

That same year, the single "Just Be Free" emerged into record stores which was one of the demos Aguilera recorded when she was around fifteen years old. When RCA Records discovered the single, they advised fans not to purchase it.^[62] Months later, Warlock Records was set to release Just Be Free, an album which contains the demo tracks. Aguilera filed a breach of contract and unfair competition suit against Warlock and the album's producers to block the release.^[63] Instead, the two parties came to a settlement to release the album. Aguilera lent out her name, likeness and image for an unspecified amount of damages. Many of the details of the lawsuit remain confidential. When the album was released in August 2001, it had a photograph of Aguilera when she was fifteen years old.^[64]

Although Aguilera's debut album was commercially successful, she was dissatisfied with the music and image her management had created for her. Aguilera was marketed as a bubblegum pop singer because of the genre's upward financial trend.^[65] She mentioned plans of her next album to have much more depth, both musically and lyrically.^[66] Aguilera's views of Steve Kurtz's influence in matters of the singer's creative direction, the role of being her exclusive personal manager and overscheduling had in part caused her to seek legal means of terminating their management contract. In October 2000, Aguilera filed a breach of fiduciary duty lawsuit against her manager Kurtz for improper, undue and inappropriate influence over her professional activities, as well as fraud. According to legal documents, Kurtz did not protect her rights and interests. Instead, he took action that was for his own interest, at the cost of hers. She petitioned the California State Labor Commission to nullify the contract. Aguilera revealed while recording her then upcoming album, "I was being overworked. You find out that someone you thought was a friend is stealing money behind your back, and it's heartbreaking. I put faith in the people around me, and unfortunately, it bit me in the butt."^[67] After terminating Kurtz's services, Irving Azoff was hired as her new manager.

[edit] 2002–05: New image, Stripped and marriage

On October 26, 2002, Aguilera's fourth studio album, Stripped, was released. The album sold more than 330,000 copies in the first week and peaked at number two on the Billboard 200. Unlike her previous work, the album showcased Aguilera's raunchier side.^[68] The majority of Stripped was co-written by Aguilera (who had recently signed a global music publishing contract with BMG Music Publishing), and was influenced by many different subjects and music styles, including contemporary R&B, gospel, soul, balladry, pop rock, and hip hop.^[69] The majority of the album was produced by Scott Storch and singer-songwriter Linda Perry who produced her more personal records. Rockwilder and singer Alicia Keys also contributed a track each. Upon initial release, the album was very well received by critics, although Aguilera's vocals were overlooked as she began to cultivate a more sexually provocative image.^[70] After the release of the album, she took part in photoshoots for magazines, many of these photographs featured her nude or semi-nude. Her cover for Rolling Stone,^[71] featured the singer only wearing boots and a well-placed electric guitar. It was during this time Aguilera referred to herself as "Xtina", even getting a tattoo of her nickname on the back of her neck and several piercings.^[72]

Aguilera performing during during Stripped Live... on Tour in 2003

Initially, the raunchy image had a negative effect on Aguilera in the US, especially after the release of her controversial "Dirrty" music video.^[11] She denied that this change was a matter of publicity, claiming that the image better reflected her true personality than did the image she cultivated back in 1999. Aguilera defended the video stating it was about power and control adding, "I'm also at the forefront. I'm in the power position, in complete command of everything around me."^[41] While the video for "Dirrty" became very popular on MTV, it disappointed on the US singles chart. However, the single was a hit worldwide, reaching No.1 in the UK and Ireland. The second single, "Beautiful" received critical praise. The classically influenced ballad reached number one in several countries and peaked at No.2 in the US. "Beautiful" earned Aguilera the Grammy for Best Female Pop Vocal Performance. Three more singles ("Fighter", "Can't Hold Us Down" featuring Lil' Kim, "The Voice Within") were released in the following two years and were hits that helped the album stay on the charts for the next two years. Stripped stayed on the U.S. and UK album charts well into 2004, and went on to be certified four-times platinum in the US with over thirteen million copies sold worldwide.^[73] It appeared at number ten on Billboard's year-end album chart and Aguilera was the top female artist for 2003.^[74] Kelly Clarkson's second single "Miss Independent" was co-written by Aguilera, having been half-finished for Stripped.

Aguilera performing during Stripped Live... on Tour in 2003

Aguilera joined Justin Timberlake that June on the final leg of his international Justified tour, held in the US. This portion of the tour became a co-headliner called the Justified/Stripped Tour. In August, an overhead lighting grid collapsed from the ceiling of the Boardwalk Hall in Atlantic City, New Jersey, causing major damage to the sound and video equipment below. Because the collapse occurred hours before the show, only a few stagehands were injured, but a few shows were cancelled or postponed. In the fourth quarter of that year, Aguilera continued to tour internationally without Timberlake, and changed the name of the tour to the Stripped World Tour. She also dyed her hair black. It was one of the top-grossing tours of that year, and sold out most of its venues. Rolling Stone readers named it the best tour of the year.^[75] That same year she hosted the 2003 MTV Europe Music Awards and was a special guest performer with the Pussycat Dolls' dance troupe performing at the Roxy Theatre and Viper Room in Los Angeles. She also appeared on a Maxim spread alongside them, her second Maxim cover that year set record sales for the issue making it the top selling issue to date. By the end of the year she topped the annual Hot 100 list saying, "we had fun working with certain clothes, or the lack thereof."^[76][77][78]