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- Published: 23 Apr 2009
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- Author: Leyana225
The spinto voice type is recognisable by its tonal "slice" or squillo. This enables the singer to cut through the wall of sound produced by a full Romantic orchestra in a wide variety of roles, excluding only the most taxing ones written by the likes of Richard Wagner (such as Brünhilde, Isolde, Tristan and Siegfried), Giacomo Meyerbeer (John of Leyden), Verdi (Otello), Puccini (Turandot, Calaf) and Richard Strauss (Elektra).
The British soprano Rosalind Plowright defines a spinto voice as one that has a tonal colour one down from its range. For example, a voice with a mezzo's tone colour and the high notes of a soprano, or a voice with a tenor range and a baritone's tone colour, is a spinto. She names Plácido Domingo as an instance of the latter. Plowright's generalisation fails to hold true for all spinto tenors, however. Giovanni Martinelli, Giacomo Lauri-Volpi, Georges Thill and Jussi Björling, for instance, successfully sang spinto roles such as Radames or Canio with bright-toned voices that lacked any trace of baritonal colouration.
Category:Voice types Category:Opera terminology Category:Italian loanwords
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