2:39
THE COMPANY YOU KEEP Trailer | TIFF Festival 2012
tiff.net...
published: 30 Aug 2012
Author: tiff
THE COMPANY YOU KEEP Trailer | TIFF Festival 2012
tiff.net
31:25
THE MASTER Press Conference | Festival 2012
tiff.net...
published: 08 Sep 2012
Author: tiff
THE MASTER Press Conference | Festival 2012
tiff.net
5:53
Tiff Needell evo track battle: Nissan GT-R vs Porsche 911 Carrera S
evo's latest signing, Tiff Needell, puts the 2012 Nissan GT-R and the brand new '9...
published: 28 Mar 2012
Author: EVOTV
Tiff Needell evo track battle: Nissan GT-R vs Porsche 911 Carrera S
evo's latest signing, Tiff Needell, puts the 2012 Nissan GT-R and the brand new '991' Porsche 911 Carrera S against each other on track at the Bedford Autodrome in the UK. Against each other - and against the clock - which do you think will go quickest?
8:24
What is the Difference Between a JPG GIF TIFF PNG and EPS
smallbusinessplanned.com Find out the difference between a JPG, GIF, TIFF, PNG and EPS. Un...
published: 05 Jun 2010
Author: David Moloney
What is the Difference Between a JPG GIF TIFF PNG and EPS
smallbusinessplanned.com Find out the difference between a JPG, GIF, TIFF, PNG and EPS. Understand the differences and know when to use each image format. For more tips checkout my site at smallbusinessplanned.com
2:44
THE SAPPHIRES Trailer | TIFF Festival 2012
tiff.net...
published: 30 Aug 2012
Author: tiff
THE SAPPHIRES Trailer | TIFF Festival 2012
tiff.net
3:44
The Tiff
Created by Matthew Lincoln forCMF3D in 2012 as part of the CMF Distinguished Filmmaker'...
published: 25 Jun 2012
Author: cmf3d
The Tiff
Created by Matthew Lincoln forCMF3D in 2012 as part of the CMF Distinguished Filmmaker's Network using Panasonic technology. Note: you need to choose a 3D option to view the movie properly on your computer. Campus MovieFest is the world's largest student film festival. CMF3D is the world's first 3D film festival and is powered by Panasonic. Visit www.cmf3d.com for more info and to make your own 3D movie.
10:49
CBC Live @TIFF
Latest TIFF updates and celebrity interviews live from the heart of the festival....
published: 06 Sep 2012
Author: CBCtv
CBC Live @TIFF
Latest TIFF updates and celebrity interviews live from the heart of the festival.
33:25
CBC Live @ TIFF - Day 2
Latest TIFF updates and celebrity interviews live from the heart of the festival....
published: 07 Sep 2012
Author: CBCtv
CBC Live @ TIFF - Day 2
Latest TIFF updates and celebrity interviews live from the heart of the festival.
2:28
9.79* Trailer | TIFF Festival 2012
tiff.net...
published: 31 Jul 2012
Author: tiff
9.79* Trailer | TIFF Festival 2012
tiff.net
1:07
PASSION Trailer | TIFF Festival 2012
tiff.net...
published: 23 Aug 2012
Author: tiff
PASSION Trailer | TIFF Festival 2012
tiff.net
32:19
CBC Live @ TIFF Day 4
Your daily fix of the biggest stars and best films at the 2012 Toronto International Film ...
published: 09 Sep 2012
Author: CBCtv
CBC Live @ TIFF Day 4
Your daily fix of the biggest stars and best films at the 2012 Toronto International Film Festival.
3:53
Toronto Batman does TIFF - Toronto International Film Festival
Hollywood's biggest stars descend upon Toronto and Toronto Batman is determined to mee...
published: 15 Sep 2012
Author: TheSeanWardShow
Toronto Batman does TIFF - Toronto International Film Festival
Hollywood's biggest stars descend upon Toronto and Toronto Batman is determined to meet them. Watch Toronto Batman greet film-goers in line for movies, upstage the red carpet, and crash the media suites. produced and directed by Sean Ward - a presentation of The Sean Ward Show twitter.com twitter.com seanward.net
3:09
THE ACT OF KILLING Trailer | TIFF Festival 2012
tiff.net...
published: 29 Aug 2012
Author: tiff
THE ACT OF KILLING Trailer | TIFF Festival 2012
tiff.net
8:06
BMW M5 (E60) Tested by Tiff Needell (Fifth Gear)
Tiff Needell goes to the South of France to test the new BMW M5 on the streets of the Le M...
published: 17 Apr 2006
Author: Eneko Prins
BMW M5 (E60) Tested by Tiff Needell (Fifth Gear)
Tiff Needell goes to the South of France to test the new BMW M5 on the streets of the Le Mans circuit and on a high speed circuit.
Vimeo results:
3:16
Drive-by Shooting: Using Your Car to Make Better Videos
Great filmmakers should never let a lack of funds get in the way of an epic project. If yo...
published: 25 Sep 2012
Author: Vimeo Video School
Drive-by Shooting: Using Your Car to Make Better Videos
Great filmmakers should never let a lack of funds get in the way of an epic project. If you're searching for a piece of equipment to give your film a polished edge, look no further than your garage. A car can supply that extra professional look without costing extra professional dollars.
Eastern Sea - "A Lie" (http://www.theeasternsea.com)
Riff Tiffs - "Snflwr" (http://rifftiffs.bandcamp.com)
Walker Lukens & Grand Child - "Jim" (http://www.walkerlukens.com/)
Caddywhompus - "Eat Chest" (http://caddywhompus.bandcamp.com)
Check out the full lesson here: https://vimeo.com/videoschool/lesson/275/drive-by-shooting-using-your-car-to-make-better-videos
Also, take a gander at the behind the scenes footage: https://vimeo.com/50160337
5:21
Made in New York
Made in New York
http://www.facebook.com/madeinurcity
Filmed & Edited by Siemieniec Thom...
published: 21 Sep 2011
Author: tomson
Made in New York
Made in New York
http://www.facebook.com/madeinurcity
Filmed & Edited by Siemieniec Thomas "Tomson"
http://patrice.elfangelis.fr/book/
Produced by Schweitzer Jeremy "Props"
Shot entirely on the Canon 60D
Canon Lenses used: fixe EF 28/2.8 and Sigma EX fisheye - 8 mm
Dancers:
5 CREW DYNASTY:
Blue-Eye
Comix
Invertebrate
Julz
Kien
K'otic
Menace
Rampage
Serg
Trix
(BEAST COAST):
Lil' Tony
Whorah
BROOKLYN ZOO:
Bear
Broly
Ecuasian
Kixs
Oreo
TiffStar
BREAKS KRU:
Nemesis
DYNAMIC ROCKERS:
Kid Glyde
Lacuna
Meen 187
MIGHTY ZULU KWEENS / DOMESTIC APES:
Connie Rock
NATURAL BORN KILLAHZ:
C-Rock
Jla Rok
Lil'Vicious
Nova
Rival
Ready Roc
Saigon
Sandman
Zpin
REPSTYLES CREW:
Pete Nasty
STREET MASTERS / DOMESTIC APES:
ABGirl
Elmo
Paranoia Ape
SUPREME BEINGS:
Jiggz
Queen N.V.
THE FOOT CLAN:
Merlin
TEEN TITANS:
Gara
Nebula
Tips
X-FENZ:
Beast Boy
Samo
Steve Da Fiend
Will Da Beast
WASHINGTON HEIGHTS:
Saul
Serious
Hox Rox
4:28
Wave Machines - The Greatest Escape We Ever Made
This is the music video for Wave Machine's track "The Greatest Escape We Ever Made", direc...
published: 23 Apr 2009
Author: Token Films
Wave Machines - The Greatest Escape We Ever Made
This is the music video for Wave Machine's track "The Greatest Escape We Ever Made", directed by Stuart Lanceley and produced by Token Films.
For this video, I rediscovered the joy and agony of stop-motion animation. It's the reason I first got into film-making.
I created a paper edit first, then shot the band with a Sony Z1 camcorder.
I edited this footage together in Final Cut Pro and then exported every frame as a TIFF. These stills were printed and cut out. It was then re-shot using the digital stills function on a Canon HV30 video camera before all the stills were brought back into FCP once again.
Et Voila!
Hope you enjoy it.
If you want to know more about the band, they have a free download and links to myspace, facebook etc. at http://www.wavemachines.co.uk
Many thanks to the wonderful people who helped me with the epic amount of animation necessary, I couldn't have kept going without you! Thanks also to the band for doing so much printing and cutting out, well done to you all!
Stuart
Thanks 25 times-per-second to: Scott Spencer, Fiona Turner, Sarah Sebastian, Ant Hickin, Callum Turner, Patrick McGowan, Libby Lanceley, Jose Diaz, Chris Tomlinson, Dino Deasha, Stephen Clarke, Melanie Gabriel and if there's anyone else i forgot to put your here let me know (i owe you a pint).
3:03
PIANOS by AGF: visualized by AAU VFX Mograph
This project was created in 2010 as an audio/motion visualization challenge.
School: Acad...
published: 26 Mar 2010
Author: AAU Mograph
PIANOS by AGF: visualized by AAU VFX Mograph
This project was created in 2010 as an audio/motion visualization challenge.
School: Academy of Art University, San Francisco
Department: Computer Arts, VFX
Class: Compositing for Motion Graphics 2
Instructor: Colin Evoy Sebestyen
Here is the lesson plan and challenge presented to the students:
CREATIVE BRIEF
This project will visualize "Pianos", an audio composition by AGF. The piece will be broken into sections and handed off to a different designer. You need to abstract what is being said – the only allowable graphic structure is within a 5 x 5 grid framework. How can you use grids to abstract the concepts of your section? You can not use any pictorial representations – no images, only abstractions used to represent the ideas of each stanza through rhythm, timing, pacing and feel.
How can you use the restriction of line, symbol and shape within the grid? You must use only greyscale, no colors are allowed. The temporal movement of the graphics can be animated to reflect the audio intonation, message, or be generated from the audio data frequency levels. For example, if the stanza is referencing nature, you could execute an abstraction of the movement of leaves. If there is stress in the vocal, your animation could reflect that intonation. The lines, symbols and shapes created inside the grid can be derived from the following techniques: shape layers, a mosaic effect, or mask animation. All shapes have to reference and be based on the grid.
LINE, PLANE, SHAPE
Lines can have any width or can mix thicks and thins. They can be attached from point to point in any fashion you like, but must be attached inside the grid in some way.
Planes can be used, turning the grid into a small icon or a modular series of squares. Each square can act as a pixel, with simple binary boolean operations filling in each square.
Shapes can be created using the grid as a guide. Each point inside the grid needs to act as the edges of the shape with each shape intersecting and layering with one another. Curves can be utilized, but they must visibly reference and accentuate the underlying grid system.
AFTER EFFECTS
Execution of your shape animations inside of AE should be the length of your audio segment; however, each series of shapes can be reused or looped depending on your abstraction concept.
You are required to create three animation sequences based on your given audio segment. These three animations must all work in the same concept, For example, if you create points and lines that are based on 45-degree angles, you need to preserve this rule of modularity through your three animations.
Limiting these basic textures to simple shapes and planar abstractions will pay off when we move the textures to the third dimension. Your shape animations will work as transparency channels (masks) or luminance channels (brightness) when we map them to our primitives.
Render your texture files out as 800 x 800 square image sequences, along with Quicktime movie preview versions.
C4D PRODUCTION
When creating your materials inside C4D, you may map your Quicktime textures to the color, luminance, or alpha channels – or a combination of all three. As long as your animations adhere to the same systems, the look of your materials should be visually consistent.
Using the power of cloner objects, effectors, and the CS_tool camera rigs we have explored so far in this course, you are required to animate a section of the poem in C4D. Your geometry should be limited to these simple primitives: sphere, cube, pyramid, or cylinder. How these shapes are replicated in space is up to you. You are welcome to clone cloner objects and mix and match the different modes as best illuminates your concept of the text.
You can manipulate the clones however you like using effectors – for example, random value mappings of the scale property. How the clones are arrayed in 3D space needs to reflect your concepts of your black and white grid animations. This means a system of rules that you carry through from 2D to 3D. What does a grid mean when taken to the volume space of XYZ?
The lighting setups – with the exception of those of you who wish to experiment with the HDRI lighting kit – and non-luminance properties of the material options on your clones will be locked to the example file. This setup is to insure that our animations will have some consistency from designer to designer. However, camera animation, primitive type, clone number, and arrangement are all up to you.
VARIABLES:
To provide opportunities for variety, you are allowed two variables in your piece. The use of these variables is optional; including them will bring you further away from your initial 2D grid animations and add technical complexity to your piece.
Variable 1 - Type:
Introducing one piece of type will heavily influence how your materials and abstractions will be perceived. If you do choose a word, choose it carefully. You as the designer can pick the one word t
Youtube results:
1:41
I DECLARE WAR Trailer | TIFF Festival 2012
tiff.net...
published: 09 Aug 2012
Author: tiff
I DECLARE WAR Trailer | TIFF Festival 2012
tiff.net
2:21
INESCAPABLE Trailer | TIFF Festival 2012
tiff.net...
published: 11 Aug 2012
Author: tiff
INESCAPABLE Trailer | TIFF Festival 2012
tiff.net
1:54
Salmon Fishing In The Yemen - Official TIFF Clip 1
Subscribe ow.ly | Facebook ow.ly | Twitter ow.ly Release Date: 16 February 2012 Genre: Dra...
published: 23 Sep 2011
Author: trailers
Salmon Fishing In The Yemen - Official TIFF Clip 1
Subscribe ow.ly | Facebook ow.ly | Twitter ow.ly Release Date: 16 February 2012 Genre: Drama Cast: Emily Blunt, Ewan McGregor, Kristin Scott Thomas Directors: Lasse Hallström Writer: Simon Beaufoy, Paul Torday Studio: Alliance Entertainment Plot: Stuffy government fisheries scientist Fred is asked by a fishing-obsessed Arab Sheik to do the seemingly impossible - introduce British salmon to the Wadis of the Yemen. Despite considerable trepidation, Fred is finally won over by the charismatic Arab, who reveals that fishing brings him closer to God, and he hopes it will have the same effect on his countrymen. Fred also begins to fall for the Sheik's beautiful legal representative Harriet; and so he rises to the Sheik's eccentric challenge, casting off his English reserve on a transformative journey of self discovery and late blooming love.
3:29
Tiff Needell's Powerslide Tutorial
************************************************ Tiff Needell tries to teach some Special ...
published: 24 Apr 2006
Author: Eneko Prins
Tiff Needell's Powerslide Tutorial
************************************************ Tiff Needell tries to teach some Special Service Comando to Powerslide. It's a lot harder than it looks. Car used: BMW M3 Cabrio (E46) **********************************************