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Academy Award | |
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84th Academy Awards | |
220px An Academy Award statuette |
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Awarded for | Excellence in cinematic achievements |
Presented by | Academy of Motion Picture Arts and Sciences |
Country | United States |
First awarded | May 16, 1929 |
Official website | www.oscars.org |
An Academy Award is an award bestowed by the American Academy of Motion Picture Arts and Sciences (AMPAS)[1] to recognize excellence of professionals in the film industry, including directors, actors and writers. The Oscar statuette is officially named the Academy Award of Merit and is one of nine types of Academy Awards.
The formal ceremony at which the Awards of Merit are presented is one of the most prominent award ceremonies in the world, and is televised live in more than 100 countries annually. It is also the oldest award ceremony in the media; its equivalents, the Grammy Awards (for music), Emmy Awards (for television), and Tony Awards (for theatre) are modeled after the Academy.
The AMPAS was originally conceived by Metro-Goldwyn-Mayer studio boss Louis B. Mayer as a professional honorary organization to help improve the film industry’s image and help mediate labor disputes. The Oscar itself was later initiated by the Academy as an award "of merit for distinctive achievement" in the industry.[2]
The first Academy Awards ceremony was held on May 16, 1929, at the Hotel Roosevelt in Hollywood to honor the outstanding film achievements of the 1927/1928 film season. The 84th Academy Awards, honoring films in 2011, was held at the Hollywood and Highland Center on February 26, 2012.
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The first awards were presented on May 16, 1929, at a private brunch at the Hollywood Roosevelt Hotel with an audience of about 270 people. The post Academy Awards party was held at the Mayfair Hotel.[3] The cost of guest tickets for that night's ceremony was $5. Fifteen statuettes were awarded, honoring artists, directors and other personalities of the filmmaking industry of the time for their works during the 1927–1928 period.
Winners had been announced three months earlier; however that was changed in the second ceremony of the Academy Awards in 1930. Since then and during the first decade, the results were given to newspapers for publication at 11 pm on the night of the awards.[3] This method was used until the Los Angeles Times announced the winners before the ceremony began; as a result, the Academy has used a sealed envelope to reveal the name of the winners since 1941.[3]
For the first six ceremonies, the eligibility period spanned two calendar years. For example, the 2nd Academy Awards presented on April 3, 1930, recognized films that were released between August 1, 1928 and July 31, 1929. Starting with the 7th Academy Awards, held in 1935, the period of eligibility became the full previous calendar year from January 1 to December 31.
The first Best Actor awarded was Emil Jannings, for his performances in The Last Command and The Way of All Flesh. He had to return to Europe before the ceremony, so the Academy agreed to give him the prize earlier; this made him the first Academy Award winner in history. The honored professionals were awarded for all the work done in a certain category for the qualifying period; for example, Jannings received the award for two movies in which he starred during that period. Since the fourth ceremony, the system changed, and professionals were honored for a specific performance in a single film. As of the 83rd Academy Awards ceremony held in 2011[update], a total of 2,809 Oscars have been given for 1,853 awards.[4] A total of 302 actors have won Oscars in competitive acting categories or have been awarded Honorary or Juvenile Awards.
The 1939 film Beau Geste is the only movie that features as many as four Academy Award winners for Best Actor in a Leading Role (Gary Cooper, Ray Milland, Susan Hayward, Broderick Crawford) prior to any of the actors receiving the Best Actor Award.
At the 29th ceremony, held on March 27, 1957, the Best Foreign Language Film category was introduced. Until then, foreign-language films were honored with the Special Achievement Award.
Although there are seven other types of annual awards presented by the Academy (the Irving G. Thalberg Memorial Award, the Jean Hersholt Humanitarian Award, the Gordon E. Sawyer Award, the Scientific and Engineering Award, the Technical Achievement Award, the John A. Bonner Medal of Commendation, and the Student Academy Award) plus two awards that are not presented annually (the Special Achievement Award in the form of an Oscar statuette and the Honorary Award that may or may not be in the form of an Oscar statuette), the best known one is the Academy Award of Merit more popularly known as the Oscar statuette. Made of gold-plated britannium on a black metal base, it is 13.5 in (34 cm) tall, weighs 8.5 lb (3.85 kg) and depicts a knight rendered in Art Deco style holding a crusader's sword standing on a reel of film with five spokes. The five spokes each represent the original branches of the Academy: Actors, Writers, Directors, Producers, and Technicians.[5]
In 1928, MGM's art director Cedric Gibbons, one of the original Academy members, supervised the design of the award trophy by printing the design on a scroll.[6] In need of a model for his statuette, Gibbons was introduced by his future wife Dolores del Río to Mexican film director and actor Emilio "El Indio" Fernández. Reluctant at first, Fernández was finally convinced to pose nude to create what today is known as the "Oscar". Then, sculptor George Stanley (who also did the Muse Fountain[7] at the Hollywood Bowl) sculpted Gibbons's design in clay and Sachin Smith cast the statuette in 92.5 percent tin and 7.5 percent copper and then gold-plated it. The only addition to the Oscar since it was created is a minor streamlining of the base. The original Oscar mold was cast in 1928 at the C.W. Shumway & Sons Foundry in Batavia, Illinois, which also contributed to casting the molds for the Vince Lombardi Trophy and Emmy Awards statuettes. Since 1983,[8] approximately 50 Oscars are made each year in Chicago by Illinois manufacturer R.S. Owens & Company.[9]
In support of the American effort in World War II, the statuettes were made of plaster and were traded in for gold ones after the war had ended.[10]
The root of the name Oscar is contested. One biography of Bette Davis claims that she named the Oscar after her first husband, band leader Harmon Oscar Nelson;[11] one of the earliest mentions in print of the term Oscar dates back to a Time magazine article about the 1934 6th Academy Awards.[12] Walt Disney is also quoted as thanking the Academy for his Oscar as early as 1932.[13] Another claimed origin is that the Academy's Executive Secretary, Margaret Herrick, first saw the award in 1931 and made reference to the statuette's reminding her of her "Uncle Oscar" (a nickname for her cousin Oscar Pierce).[14] Columnist Sidney Skolsky was present during Herrick's naming and seized the name in his byline, "Employees have affectionately dubbed their famous statuette 'Oscar'".[15] The trophy was officially dubbed the "Oscar" in 1939 by the Academy of Motion Pictures Arts and Sciences.[16] Another legend reports that the Norwegian-American Eleanor Lilleberg, executive secretary to Louis B. Mayer, saw the first statuette and exclaimed, "It looks like King Oscar II!".[17] At the end of the day she asked, "What should we do with Oscar, put him in the vault?" and the name stuck.
Since 1950, the statuettes have been legally encumbered by the requirement that neither winners nor their heirs may sell the statuettes without first offering to sell them back to the Academy for US$1. If a winner refuses to agree to this stipulation, then the Academy keeps the statuette. Academy Awards not protected by this agreement have been sold in public auctions and private deals for six-figure sums.[18] In December 2011, Orson Welles' 1941 Oscar for Citizen Kane was put up for auction, after his heirs won a 2004 court decision that Welles did not sign any agreement to return the statue to the Academy.[19]
While the Oscar is under the ownership of the recipient, it is essentially not on the open market.[20] The case of Michael Todd's grandson trying to sell Todd's Oscar statuette illustrates that there are some who do not agree with this idea. When Todd's grandson attempted to sell Todd's Oscar statuette to a movie prop collector, the Academy won the legal battle by getting a permanent injunction. Although Oscar sales transactions have been successful, some buyers have subsequently returned the statuettes to the Academy, which keeps them in its treasury.[21]
Since 2004, Academy Award nomination results have been announced to the public in late January. Prior to that, the results were announced in early February.
The Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization, maintains a voting membership of 5,783 as of 2012[update].[22]
Academy membership is divided into different branches, with each representing a different discipline in film production. Actors constitute the largest voting bloc, numbering 1,311 members (22 percent) of the Academy's composition. Votes have been certified by the auditing firm PricewaterhouseCoopers (and its predecessor Price Waterhouse) for the past 73 annual awards ceremonies.[23]
All AMPAS members must be invited to join by the Board of Governors, on behalf of Academy Branch Executive Committees. Membership eligibility may be achieved by a competitive nomination or a member may submit a name based on other significant contribution to the field of motion pictures.
New membership proposals are considered annually. The Academy does not publicly disclose its membership, although as recently as 2007 press releases have announced the names of those who have been invited to join. The 2007 release also stated that it has just under 6,000 voting members. While the membership had been growing, stricter policies have kept its size steady since then.[24]
In May 2011, the Academy sent a letter advising its 6,000 or so voting members that an online system for Oscar voting will be implemented in 2013.[25]
Currently, according to Rules 2 and 3 of the official Academy Awards Rules, a film must open in the previous calendar year, from midnight at the start of January 1 to midnight at the end of December 31, in Los Angeles County, California, to qualify (except for the Best Foreign Language Film).[26] For example, the 2010 Best Picture winner, The Hurt Locker, was actually first released in 2008, but did not qualify for the 2009 awards as it did not play its Oscar-qualifying run in Los Angeles until mid-2009, thus qualifying for the 2010 awards.
Rule 2 states that a film must be feature-length, defined as a minimum of 40 minutes, except for short subject awards, and it must exist either on a 35 mm or 70 mm film print or in 24 frame/s or 48 frame/s progressive scan digital cinema format with native resolution not less than 1280x720.
Producers must submit an Official Screen Credits online form before the deadline; in case it is not submitted by the defined deadline, the film will be ineligible for Academy Awards in any year. The form includes the production credits for all related categories. Then, each form is checked and put in a Reminder List of Eligible Releases.
In late December ballots and copies of the Reminder List of Eligible Releases are mailed to around 6000 active members. For most categories, members from each of the branches vote to determine the nominees only in their respective categories (i.e. only directors vote for directors, writers for writers, actors for actors, etc.). There are some exceptions in the case of certain categories, like Foreign Film, Documentary and Animated Feature Film, in which movies are selected by special screening committees made up of members from all branches. In the special case of Best Picture, all voting members are eligible to select the nominees for that category. Foreign films must include English subtitles, and each country can submit only one film per year.[27]
The members of the various branches nominate those in their respective fields, while all members may submit nominees for Best Picture. The winners are then determined by a second round of voting in which all members are then allowed to vote in most categories, including Best Picture.[28]
The major awards are presented at a live televised ceremony, most commonly in February or March following the relevant calendar year, and six weeks after the announcement of the nominees. It is the culmination of the film awards season, which usually begins during November or December of the previous year. This is an elaborate extravaganza, with the invited guests walking up the red carpet in the creations of the most prominent fashion designers of the day. Black tie dress is the most common outfit for men, although fashion may dictate not wearing a bow-tie, and musical performers sometimes do not adhere to this. (The artists who recorded the nominees for Best Original Song quite often perform those songs live at the awards ceremony, and the fact that they are performing is often used to promote the television broadcast).
The Academy Awards is televised live across the United States (excluding Hawaii; they aired live for the first time in Alaska in 2011), Canada, the United Kingdom, and gathers millions of viewers elsewhere throughout the world.[29] The 2007 ceremony was watched by more than 40 million Americans.[30] Other awards ceremonies (such as the Emmys, Golden Globes, and Grammys) are broadcast live in the East Coast but are on tape delay in the West Coast and might not air on the same day outside North America (if the awards are even televised). The Academy has for several years claimed that the award show has up to a billion viewers internationally, but this has so far not been confirmed by any independent sources. The Awards show was first televised on NBC in 1953. NBC continued to broadcast the event until 1960 when the ABC Network took over, televising the festivities through 1970, after which NBC resumed the broadcasts. ABC once again took over broadcast duties in 1976; it is under contract to do so through the year 2020.[31]
After more than sixty years of being held in late March or early April, the ceremonies were moved up to late February or early March starting in 2004 to help disrupt and shorten the intense lobbying and ad campaigns associated with Oscar season in the film industry. Another reason was because of the growing TV ratings success of the NCAA Men's Division I Basketball Championship, which would cut into the Academy Awards audience. The earlier date is also to the advantage of ABC, as it now usually occurs during the highly profitable and important February sweeps period. (Some years, the ceremony is moved into early March in deference to the Winter Olympics.) Advertising is somewhat restricted, however, as traditionally no movie studios or competitors of official Academy Award sponsors may advertise during the telecast. The Awards show holds the distinction of having won the most Emmys in history, with 47 wins and 195 nominations.[32]
After many years of being held on Mondays at 9:00 p.m. Eastern/6:00 p.m Pacific, in 1999 the ceremonies were moved to Sundays at 8:30 p.m. Eastern/5:30 p.m. Pacific.[33] The reasons given for the move were that more viewers would tune in on Sundays, that Los Angeles rush-hour traffic jams could be avoided, and that an earlier start time would allow viewers on the East Coast to go to bed earlier.[34] For many years the film industry had opposed a Sunday broadcast because it would cut into the weekend box office.[35]
On March 30, 1981, the awards ceremony was postponed for one day after the shooting of President Ronald Reagan and others in Washington, D.C.
In 1993, an In Memoriam segment was introduced,[36] honoring those who had made a significant contribution to cinema who had died in the preceding 12 months, a selection compiled by a small committee of Academy members.[37] This segment has drawn criticism over the years for the omission of some names.
In 2010, the organizers of the Academy Awards announced that winners' acceptance speeches must not run past 45 seconds. This, according to organizer Bill Mechanic, was to ensure the elimination of what he termed "the single most hated thing on the show" – overly long and embarrassing displays of emotion.[38]
The Academy has also had recent discussions about moving the ceremony even further back into January, citing TV viewers' fatigue with the film industry's long awards season. But such an accelerated schedule would dramatically decrease the voting period for its members, to the point where some voters would only have time to view the contending films streamed on their computers (as opposed to traditionally receiving the films and ballots in the mail). Also, a January ceremony may have to compete with National Football League playoff games.[39]
The following is a listing of all Academy Awards ceremonies since 1929.[40][41][42]
Historically, the "Oscarcast" has pulled in a bigger haul when box-office hits are favored to win the Best Picture trophy. More than 57.25 million viewers tuned to the telecast for the 70th Academy Awards in 1998, the year of Titanic, which generated close to US$600 million at the North American box office pre-Oscars.[44] The 76th Academy Awards ceremony in which The Lord of the Rings: The Return of the King (pre-telecast box office earnings of US$368 million) received 11 Awards including Best Picture drew 43.56 million viewers.[45] The most watched ceremony based on Nielsen ratings to date, however, was the 42nd Academy Awards (Best Picture Midnight Cowboy) which drew a 43.4% household rating on April 7, 1970.[46]
By contrast, ceremonies honoring films that have not performed well at the box office tend to show weaker ratings. The 78th Academy Awards which awarded low-budgeted, independent film Crash (with a pre-Oscar gross of US$53.4 million) generated an audience of 38.64 million with a household rating of 22.91%.[47] In 2008, the 80th Academy Awards telecast was watched by 31.76 million viewers on average with an 18.66% household rating, the lowest rated and least watched ceremony to date, in spite of celebrating 80 years of the Academy Awards.[48] The Best Picture winner of that particular ceremony was another low-budget, independently financed film (No Country for Old Men).
In 1929, the first Academy Awards were presented at a banquet dinner at the Hollywood Roosevelt Hotel. From 1930–1943, the ceremony alternated between two venues: the Ambassador Hotel on Wilshire Boulevard and the Biltmore Hotel in downtown Los Angeles.
Grauman's Chinese Theater in Hollywood then hosted the awards from 1944 to 1946, followed by the Shrine Auditorium in Los Angeles from 1947 to 1948. The 21st Academy Awards in 1949 were held at the Academy Award Theater at what was the Academy's headquarters on Melrose Avenue in Hollywood.[49]
From 1950 to 1960, the awards were presented at Hollywood's Pantages Theatre. With the advent of television, the 1953–1957 awards took place simultaneously in Hollywood and New York first at the NBC International Theatre (1953) and then at the NBC Century Theatre (1954–1957), after which the ceremony took place solely in Los Angeles. The Oscars moved to the Santa Monica Civic Auditorium in Santa Monica, California in 1961. By 1969, the Academy decided to move the ceremonies back to Los Angeles, this time to the Dorothy Chandler Pavilion at the Los Angeles County Music Center.
In 2002, the Kodak Theatre became the permanent home of the award ceremonies. However, due to Eastman Kodak's bankruptcy issues, this theatre was renamed the Hollywood and Highland Center in the days preceding the February 26, 2012, awards ceremony.
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In the first year of the awards, the Best Director award was split into two separate categories (Drama and Comedy). At times, the Best Original Score award has also been split into separate categories (Drama and Comedy/Musical). From the 1930s through the 1960s, the Art Direction, Cinematography, and Costume Design awards were likewise split into two separate categories (black-and-white films and color films).
Another award, entitled the Academy Award for Best Original Musical, is still in the Academy rulebooks and has yet to be retired. However, due to continuous insufficient eligibility each year, it has not been awarded since 1984 (when Purple Rain won).[50]
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The Board of Governors meets each year and considers new awards. To date, the following proposed awards have not been approved:
These awards are voted on by special committees, rather than by the Academy membership as a whole. They are not always presented on a consistent annual basis.
Due to the positive exposure and prestige of the Academy Awards, studios spend millions of dollars and hire publicists specifically to promote their films during what is typically called the "Oscar season". This has generated accusations of the Academy Awards being influenced more by marketing than quality. William Friedkin, an Academy Award-winning film director and former producer of the ceremony, expressed this sentiment at a conference in New York in 2009, describing it as "the greatest promotion scheme that any industry ever devised for itself".[53]
In addition, some winners critical of the Academy Awards have boycotted the ceremonies and refused to accept their Oscars. The first to do so was Dudley Nichols (Best Writing in 1935 for The Informer). Nichols boycotted the 8th Academy Awards ceremony because of conflicts between the Academy and the Writers' Guild.[54] George C. Scott became the second person to refuse his award (Best Actor in 1970 for Patton) at the 43rd Academy Awards ceremony. Scott described it as a 'meat parade', saying 'I don't want any part of it."[55][56][57] The third winner, Marlon Brando, refused his award (Best Actor in 1972 for The Godfather), citing the film industry's discrimination and mistreatment of Native Americans. At the 45th Academy Awards ceremony, Brando sent Sacheen Littlefeather to read a 15-page speech detailing his criticisms.[54]
Tim Dirks, editor of AMC's filmsite.org, has written of the Academy Awards,
Unfortunately, the critical worth, artistic vision, cultural influence, and innovative qualities of many films are not given the same voting weight. Especially since the 1980s, moneymaking "formula-made" blockbusters with glossy production values have often been crowd-pleasing titans (and Best Picture winners), but they haven't necessarily been great films with depth or critical acclaim by any measure.[58]
Acting prizes in certain years have been criticized for not recognizing superior performances so much as being awarded for sentimental reasons,[59] personal popularity,[60] atonement for past mistakes,[61] or presented as a "career honor" to recognize a distinguished nominee's entire body of work.[62]
The following events are closely associated with the annual Academy Awards ceremony:
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Hugh Jackman | |
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Jackman at the Sydney premiere for Real Steel, September 2011 |
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Born | Hugh Michael Jackman (1968-10-12) 12 October 1968 (age 43) Sydney, New South Wales, Australia |
Occupation | Actor |
Years active | 1994–present |
Spouse | Deborra-Lee Furness (1996–present) |
Hugh Michael Jackman (born 12 October 1968) is an Australian actor and producer who is involved in film, musical theatre, and television.
Jackman has won international recognition for his roles in major films, notably as action/superhero, period and romance characters. He is known for his role as Wolverine in the X-Men film series, as well as for his leads in Kate & Leopold, Van Helsing, The Prestige, Australia, and Real Steel. Jackman is a singer, dancer, and actor in stage musicals, and won a Tony Award for his role in The Boy from Oz.
In November 2008, Open Salon named Jackman one of the sexiest men alive.[1] Later that same month, People magazine named Jackman "Sexiest Man Alive."[2]
A three-time host of the Tony Awards, winning an Emmy Award for one of these appearances, Jackman also hosted the 81st Academy Awards on 22 February 2009.[3]
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Jackman was born in Sydney, New South Wales, the youngest of five children of English parents Chris Jackman and Grace Watson, and the second child to be born in Australia (he also has a younger half-sister, from his mother's re-marriage).[4] One of his paternal great-grandfathers was Greek.[5] His parents divorced when he was eight, and he remained with his accountant father and siblings, while his mother moved back to England.[6] As a child, Jackman liked the outdoors, spending a lot of time at the beach and on camping trips and vacations all over Australia. He wanted to see the world: "I used to spend nights looking at atlases. I decided I wanted to be a chef on a plane. Because I'd been on a plane and there was food on board, I presumed there was a chef. I thought that would be an ideal job."[7]
Jackman went to primary school at Pymble Public School and later attended the all-boys Knox Grammar School, where he starred in its production of My Fair Lady in 1985, and became the captain of the school in 1986.[8] Following graduation, he spent a gap year working at Uppingham School in England.[9] On his return, he studied at the University of Technology, Sydney, graduating in 1991 with a BA in Communications.[10] In his final year of university, he took a drama course to make up additional credits. The class did Václav Havel's The Memorandum with Jackman as the lead.[4] He later commented, "In that week I felt more at home with those people than I did in the entire three years [at university]".[11]
After obtaining his BA, Jackman completed the one-year course "The Journey" at the Actors' Centre in Sydney.[4] About studying acting full-time, he stated, "It wasn't until I was 22 that I ever thought about my hobby being something I could make a living out of. As a boy, I'd always had an interest in theater. But the idea at my school was that drama and music were to round out the man. It wasn't what one did for a living. I got over that. I found the courage to stand up and say, 'I want to do it'."[7] After completing "The Journey", he was offered a role on the popular soap opera Neighbours but turned it down[12] to attend the Western Australian Academy of Performing Arts of Edith Cowan University in Perth, Western Australia, from which he graduated in 1994.[13]
Jackman has said he "always loved acting but when I started at drama school I was like the dunce of the class. It just wasn’t coming right to me. Everyone was cooler, everyone seemed more likely to succeed, everyone seemed more natural at it and in retrospect I think that is good. I think it is good to come from behind as an actor. I think it is good to go into an audition thinking 'Man I’ve got to be at my best to get this gig.'"[14]
On the night of his final Academy graduation performance, Jackman received a phone call offering him a role on Correlli: "I was technically unemployed for thirteen seconds." Correlli, devised by Australian actress Denise Roberts, was a 10-part drama series on ABC, Jackman's first major professional job, and where he met his future wife Deborra-Lee Furness: "Meeting my wife was the greatest thing to come out of it."[7] The show lasted only one season.
After Correlli Jackman went on the stage in Melbourne. In 1996, Jackman played Gaston in the local Walt Disney production of Beauty and the Beast, and Joe Gillis in Sunset Boulevard.[4] During his stage musical career in Melbourne, he starred in the 1998 Midsumma festival cabaret production Summa Cabaret. He also hosted Melbourne's Carols by Candlelight and Sydney's Carols in the Domain.
Jackman's early film work includes Erskineville Kings and Paperback Hero (1999), and his television work includes Law of the Land, Halifax f.p., Blue Heelers, and Banjo Paterson's The Man from Snowy River.
Jackman became known outside of Australia in 1998, when he played the leading role of Curly in the Royal National Theatre's acclaimed stage production of Oklahoma!, in London's West End.[4] The performance earned him an Olivier Award nomination for Best Actor in a Musical. Jackman said "I totally felt like it can't get any better than this. On some level that production will be one of the highlights of my career."[7] He also starred in the 1999 film version of the same stage musical, which has been screened in many countries.
In 1999, Jackman was cast as Wolverine in Bryan Singer's X-Men (2000), replacing Dougray Scott. His co-stars included Patrick Stewart, James Marsden, Famke Janssen, and Ian McKellen. According to a CBS interview in November 2006, Jackman's wife Deborra-Lee Furness told him not to take the role, a comment she later told him she was glad he ignored.
Wolverine was tough for Jackman to portray because he had few lines, but a lot of emotion to convey in them. To prepare, he watched Clint Eastwood in the Dirty Harry movies and Mel Gibson in Road Warrior. "Here were guys who had relatively little dialogue, like Wolverine had, but you knew and felt everything. I'm not normally one to copy, but I wanted to see how these guys achieved it."[7] Jackman was adamant about doing his own stunts for the movie. "We worked a lot on the movement style of Wolverine, and I studied some martial arts. I watched a lot of Mike Tyson fights, especially his early fights. There's something about his style, the animal rage, that seemed right for Wolverine. I kept saying to the writers, 'Don't give me long, choreographed fights for the sake of it. Don't make the fights pretty."[7]
Jackman also had to get used to wearing Wolverine's claws. "Every day in my living room, I'd just walk around with those claws, to get used to them. I've got scars on one leg, punctures straight through the cheek, on my forehead. I'm a bit clumsy. I'm lucky I didn't tell them that when I auditioned."[7]
Jackman, at 6 feet 2.5 inches (1.89 m),[15] stands a foot taller than Wolverine, who is said in the original comic book to be 5 feet 3 inches (1.60 m).[16] Hence, the filmmakers were frequently forced to shoot Jackman at unusual angles or only from the waist up to make him appear shorter than he actually is, and his co-stars wore platform soles. Jackman was also required to add a great deal of muscle for the role, and in preparing for the fourth film in the series, he bench-pressed over 300 pounds.[17] An instant star upon the film's release, Jackman later reprised his role in 2003's X2: X-Men United, 2006's X-Men: The Last Stand, and 2009's X-Men Origins: Wolverine. He also cameos as Wolverine in 2011's X-Men: First Class.
Jackman starred as Leopold in the 2001 romantic comedy film Kate & Leopold, a role for which he received a Best Actor Golden Globe nomination.[4] Jackman plays a Victorian English duke who accidentally time-travels to 21st-century Manhattan, where he meets Kate (Meg Ryan), a cynical advertising executive. In 2001, Jackman also starred in the action/drama Swordfish with John Travolta and Halle Berry. This was the second time Jackman worked with Berry, and the two have worked together twice more in the X-Men movies.
He hosted an episode of Saturday Night Live in 2001.[18]
In 2002, Jackman sang the role of Billy Bigelow in the musical Carousel in a special concert performance at Carnegie Hall with the Orchestra of St. Luke's.
In 2004, Jackman won the Tony Award and the Drama Desk Award for Outstanding Actor in a Musical for his 2003–2004 Broadway portrayal of Australian songwriter and performer Peter Allen in the hit musical The Boy from Oz, which he also performed in Australia in 2006.[4] In addition, Jackman hosted the Tony Awards in 2003, 2004, and 2005, garnering positive reviews. His hosting of the 2004 Tony Awards earned him an Emmy Award for Outstanding Individual Performer in a Variety, Musical or Comedy program.
Jackman co-starred with Daniel Craig on Broadway at the Schoenfeld Theatre in a limited engagement of the play A Steady Rain, which ran from 10 September 2009 to 6 December 2009.[19]
He returned to Broadway in a new show, Hugh Jackman, Back on Broadway at the Broadhurst Theatre, which began performances on 25 October 2011 and concluded on 1 January 2012.[20]
After 2003's X2: X-Men United, Jackman played the title role of monster killer Gabriel Van Helsing in the 2004 film Van Helsing.[4] Jackman and the film were noted in Bruce A. McClelland's book "Slayers and Their Vampires: A Cultural History of Killing the Dead".
Jackman was one of the choices to play James Bond in 2006's Casino Royale, but eventually lost out to Daniel Craig.[21] Jackman starred in the 2006 film The Prestige, directed by Christopher Nolan and co-starring Christian Bale, Michael Caine, and Scarlett Johansson. As Robert Angier, Jackman portrayed a magician who built up a rivalry with contemporary Alfred Borden in attempt to one-up each other in the art of deception. Jackman stated that his main reason for doing The Prestige was to work with the musician David Bowie, who played scientist Nikola Tesla.
Jackman portrayed three different characters in Darren Aronofsky's science-fiction film The Fountain: Tommy Creo, a neuroscientist, who's torn between his wife, Izzi (Rachel Weisz) who is dying of a brain tumor, and his work at trying to cure her; Captain Tomas Creo, a Spanish Conquistador in 1532 Seville; and a future astronaut, Tom, travelling to a golden nebula in an eco-spacecraft seeking to be reunited with Izzi. Jackman said The Fountain was his most difficult film thus far due to the physical and emotional demands of the part.
Jackman also starred in Woody Allen's 2006 film Scoop opposite Scarlett Johansson. That year he also reprised the role of Wolverine in X-Men: The Last Stand. He rounded out 2006 with two animated films: Happy Feet, directed by George Miller, in which he voiced the part of Memphis, an emperor penguin; and Flushed Away, where Jackman supplied the voice of a rat named Roddy who ends up being flushed down a family's toilet into the London sewer system. Flushed Away co-starred Kate Winslet and Ian McKellen (Jackman's fourth time working with him).
In 2007, Jackman produced and guest-starred in the television musical-dramedy series Viva Laughlin, which was canceled by CBS after two episodes. Jackman's 2008 movies included Deception (which he starred in and produced), Uncle Jonny, and Australia.
In 2008, director Baz Luhrmann cast Jackman to replace Russell Crowe as the male lead in his much-publicized epic film, Australia, which co-starred Nicole Kidman. The movie was released in late November 2008 in Australia and the U.S.
Jackman played a tough, independent cattle drover, who reluctantly helps an English noblewoman in her quest to save both her philandering husband's Australian cattle station and the half-caste Aboriginal child she finds there.
Of the movie, Jackman said, "This is pretty much one of those roles that had me pinching myself all the way through the shoot. I got to shoot a big-budget, shamelessly old-fashioned romantic epic set against one of the most turbulent times in my native country's history, while, at the same time, celebrating that country's natural beauty, its people, its cultures.... I'll die a happy man knowing I've got this film on my CV."[22]
Jackman's X-Men sequel film, X-Men Origins: Wolverine, opened in 2009.
Jackman had a one-man show at the Curran Theatre in San Francisco from 3–15 May 2011.[23] The production was a mixture of his favorite Broadway and Hollywood musical numbers, backed by a 17-piece orchestra, from shows including Oklahoma and The Boy from Oz. The show had a run-time of approximately 100 minutes, and also included slide shows of Jackman's youth, family, and work, as well as some one-on-one interaction with the audience. Jackman was backed by fellow musical theatre veterans Merle Dandridge and Angel Reda.[24][25]
In 2005, Jackman joined with longtime assistant John Palermo to form a production company, Seed Productions, whose first project was Viva Laughlin in 2007. Jackman's wife Deborra-Lee Furness is also involved in the company, and Palermo had three rings made with a "unity" inscription for himself, Furness, and Jackman.[34] Jackman said, "I'm very lucky in the partners I work with in my life, Deb and John Palermo. It really works. We all have different strengths. I love it. It's very exciting."[35]
The Fox-based Seed label has grown in size to include execs Amanda Schweitzer, Kathryn Tamblyn, Allan Mandelbaum and Joe Marino, with Alana Free operating the Sydney-based production office whose goal is to mount modest-budget films to harness local talent in Jackman's home country.
As a philanthropist, Jackman is a longtime proponent of microcredit – the extension of very small loans to prospective entrepreneurs in impoverished countries. He is a vocal supporter of Muhammad Yunus, microcredit pioneer and the 2006 Nobel Peace Prize winner.[36][37][38]
Jackman is a global advisor of the Global Poverty Project, for which he narrated a documentary;[39] and he and the project's founder Hugh Evans visited the UN for the cause in 2009.[40] Jackman hosted a preview of the Global Poverty Project Presentation in New York together with Donna Karran, Lisa Fox and his wife Deborra-Lee.[41] He is also a World Vision ambassador and participated in the climate week NYC ceremony on 21 September 2009.[42][43]
Jackman supports The Art of Elysium[44] and the MPTV Fund Foundation,[45] and he and his wife Deborra-Lee Furness are patrons of the Bone Marrow Institute in Australia.[46] Jackman also narrated the 2008 documentary about global warming, The Burning Season.[47]
Jackman also uses his Twitter account for charity. On 14 April 2009 Jackman posted on his Twitter page that he would donate $100,000 to one individual's favorite non profit organization.[48] On 21 April 2009 he revealed his decision to donate $50,000 to Charity:Water and $50,000 to Operation of Hope.[49][50]
Hugh Jackman and Daniel Craig made a unique place for themselves in the history of Broadway Cares/Equity Fights AIDS fundraising 8 December 2009, when it was announced that they had raised $1,549,953 in the 21st annual Gypsy of the Year competition, from six weeks of curtain appeals at their hit Broadway drama, A Steady Rain.[51]
Jackman has shown keen interest in sports. In high school, he played rugby union and cricket, took part in high jumping and was on the swimming team.[4] He enjoys basketball and kayaking.[53] He has expressed an interest in football, committing his support to Norwich City FC.[54] In the United States, Jackman supports the Philadelphia Union of Major League Soccer, attending a game at PPL Park in June 2010.[55] On 22 June 2011, Jackman again attended a home Union match against Sporting KC, sitting in front of the Sons of Ben supporters section, nicknamed "The River End".
Jackman is a longtime fan and supporter of the Manly-Warringah Sea Eagles, a NRL club based in Sydney's north.[56] He sang the national anthem at the 1999 NRL Grand Final.[57]
Jackman also guest starred on the 19 September 2011 edition of WWE Monday Night Raw, assisting Zack Ryder in a win over WWE United States Champion Dolph Ziggler. Jackman helped "Long Island Iced Z" get the 3 count in a non-title match by punching the champion in the jaw whilst the referee was not looking.[58][59]
Jackman plays the piano,[60] does yoga,[61] and has been a member of the School of Practical Philosophy since 1992.[62]
Jackman married Deborra-Lee Furness on 11 April 1996. They met on Correlli, an Australian television series. Jackman personally designed an engagement ring for Furness, and their wedding rings bore the Sanskrit inscription "Om paramar mainamar", translated as "we dedicate our union to a greater source".[63]
Furness had two miscarriages,[64] following which she and Jackman adopted two children, Oscar Maximillian (born 15 May 2000)[65] and Ava Eliot (born 10 July 2005).[66]
Year | Film | Role | Notes |
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1994 | Law of the Land | Charles McCray | 1 episode |
1995 | Correlli | Kevin Jones | 10 episodes |
1995 | Blue Heelers | Brady Jackson | 1 episode |
1996 | Man from Snowy River, TheThe Man from Snowy River | Duncan Jones | 5 episodes |
1999 | Erskineville Kings | Wace | Film Critics Circle of Australia Award for Best Actor Nominated – Australian Film Institute Award for Best Actor |
1999 | Paperback Hero | Jack Willis | |
2000 | X-Men | Logan / Wolverine | Saturn Award for Best Actor |
2001 | Kate & Leopold | Leopold | Nominated – Golden Globe Award for Best Actor – Motion Picture Musical or Comedy |
2001 | Someone Like You | Eddie | |
2001 | Swordfish | Stanley Jobson | |
2003 | X2 | Logan / Wolverine | Nominated – Empire Award for Best Actor |
2004 | Van Helsing | Gabriel Van Helsing | |
2004 | Van Helsing: The London Assignment | Gabriel Van Helsing | (voice) |
2005 | Stories of Lost Souls | Roger | segment "Standing Room Only" |
2006 | Happy Feet | Memphis | (voice) |
2006 | Flushed Away | Roddy | (voice) |
2006 | Prestige, TheThe Prestige | Robert Angier | Nominated – Australian Film Institute Award for Best Actor |
2006 | Fountain, TheThe Fountain | Tomas / Tommy / Tom Creo | Nominated – Satellite Award for Best Actor - Motion Picture Drama |
2006 | Scoop | Peter Lyman | |
2006 | X-Men: The Last Stand | Logan / Wolverine | |
2007 | Viva Laughlin | Nicky Fontana | TV series, also executive producer |
2008 | Deception | Wyatt Bose | Producer |
2008 | Uncle Jonny | Uncle Russell | |
2008 | Australia | The Drover | Nominated – Teen Choice Award for Choice Actor in a Drama |
2008 | Burning Season, TheThe Burning Season | Narrator | Documentary |
2009 | X-Men Origins: Wolverine | Logan / Wolverine | Also producer |
2011 | X-Men: First Class | Logan / Wolverine | Uncredited cameo IGN Award for Favorite Cameo[67] Scream Award for Best Cameo |
2011 | Snow Flower and the Secret Fan | Arthur | |
2011 | Real Steel | Charlie Kenton | People's Choice Award for Favorite Action Movie Actor Nominated - People's Choice Award for Favorite Movie Actor |
2012 | Butter | Boyd Bolton | Post-production |
2012 | Rise of the Guardians | Bunnymund (Easter Bunny) | (voice); Post-production |
2012 | Les Misérables | Jean Valjean | Filming |
Wikimedia Commons has media related to: Hugh Jackman |
Preceded by Matt Damon |
People's Sexiest Man Alive 2008 |
Succeeded by Johnny Depp |
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Name | Jackman, Hugh Michael |
Alternative names | |
Short description | Actor |
Date of birth | 12 October 1968 |
Place of birth | Sydney, New South Wales, Australia |
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Billy Crystal | |
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Crystal at the 2012 Tribeca Film Festival |
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Birth name | William Edward Crystal |
Born | (1948-03-14) March 14, 1948 (age 64) New York, New York, U.S. |
Nationality | American |
Years active | 1975–present |
Spouse | Janice Goldfinger (1970–present) |
Emmy Awards | |
Performance in Special Events 1989 The 31st Annual Grammy Awards Writing in a Variety or Music Program 1990 Midnight Train to Moscow 1991 The 63rd Annual Academy Awards 1992 The 64th Annual Academy Awards Individual Performance in a Variety or Music Program 1991 The 63rd Annual Academy Awards 1998 The 70th Annual Academy Awards |
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American Comedy Awards | |
Funniest Actor in a Motion Picture (Leading Role) 1989 When Harry Met Sally... 1991 City Slickers Funniest Male Performer in a TV Special (Leading or Supporting) Network, Cable or Syndication 1991 The 63rd Annual Academy Award 1992 The 64th Annual Academy Award 1993 The 65th Annual Academy Award 1998 The 70th Annual Academy Award Creative Achievement Award 1993 |
William Edward "Billy" Crystal[1] (born March 14, 1948) is an American actor, writer, producer, comedian, and film director. He gained prominence in the 1970s for playing Jodie Dallas on the ABC sitcom Soap and became a Hollywood film star during the late 1980s and 1990s, appearing in the critical and box office successes When Harry Met Sally... and City Slickers. He has hosted the Academy Awards nine times, including the 84th Academy Awards in 2012.[2]
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Crystal was born in the Doctor's Hospital in Manhattan and raised on Long Island in Long Beach, the son of Helen (née Gabler), a housewife, and Jack Crystal, a record company executive and jazz producer who also owned and operated the Commodore Record store.[3][4] His babysitter was occasionally Billie Holiday. His uncle was musician and songwriter Milt Gabler, and his brother, Richard "Rip" Crystal, is a television producer. Crystal grew up in a Jewish family that he has described as "large" and "loving".[5]
After graduation from Long Beach High School, Crystal attended Marshall University in Huntington, West Virginia on a baseball scholarship, having learned the game from his father, who pitched for St. John's University. Crystal never played a game at Marshall because the program was suspended during his freshman year, and because he was too busy being the Editor in Chief of The BG News from 1969–70.[6] He did not return to Marshall as a sophomore, staying back in New York with his future wife. He instead attended Nassau Community College and later New York University, where he graduated in 1970 with a BFA from its Tisch School of the Arts.[7]
Crystal returned to New York City and performed regularly at The Improv and Catch a Rising Star. He studied film and television direction under Martin Scorsese at New York University. In 1976, Crystal appeared on an episode of All in the Family. He was on the dais for The Dean Martin Celebrity Roast of Muhammad Ali on February 19, 1976, where he did impressions of both Ali and sportscaster Howard Cosell. He was scheduled to appear on the first episode of NBC Saturday Night (later renamed Saturday Night Live) (October 11, 1975), but his sketch was cut.[8] He did do a stand-up bit later in that first season as Bill Crystal, on the April 17, 1976, episode; the "Can you dig it? I knew that you could." portion of which was repeatedly quoted by characters in the 1977 feature film Saturday Night Fever.
Crystal's earliest prominent role was as Jodie Dallas on Soap, one of the first unambiguously homosexual characters in the cast of an American television series. He continued in the role during the series' entire 1977–1981 run.
In 1982, Billy Crystal hosted his own variety show, The Billy Crystal Comedy Hour on NBC. It lasted five episodes.
After hosting Saturday Night Live in 1984, he joined the regular cast.[8] His most famous recurring sketch was his parody of Fernando Lamas, Fernando, a smarmy talk show host whose catchphrase, "You look... mahvelous!," became a media sensation.[8] Crystal subsequently released an album of his stand-up material titled Mahvelous! in 1985, as well as the single "You Look Marvelous", which peaked at No. 58 on the Billboard Hot 100 during the same year. Also in the 1980s, Crystal starred in an episode of Shelley Duvall's Faerie Tale Theatre as the smartest of the three little pigs.
In 1996, Crystal was the guest star of the third episode of Muppets Tonight.
Billy Crystal hosted three Grammy Awards Telecasts: the 29th Grammys; the 30th Grammys; and the 31st Grammys.
Crystal's first film role was in Joan Rivers's 1978 film Rabbit Test. Crystal also made game show appearances such as The Hollywood Squares, All Star Secrets and The $20,000 Pyramid. He holds the record for getting his contestant partner to the top of the pyramid in winner's circle in the fastest time, 26 seconds.
Crystal appeared briefly in Rob Reiner's 1984 "rockumentary" This Is Spinal Tap as Morty The Mime, a waiter dressed as a mime at one of Spinal Tap's parties. He shared the scene with a then-unknown, non-speaking Dana Carvey. Crystal's line in the film was "Mime is money." He later starred in the action comedy Running Scared (1986). Reiner directed Crystal again in The Princess Bride (1987).
Reiner directed Crystal for a third time in the classic romantic comedy When Harry Met Sally... (1989), for which Crystal was nominated for a Golden Globe. Crystal then starred in the buddy comedy City Slickers (1991), which proved very successful both commercially and critically and for which Crystal was nominated for his second Golden Globe.
Following the success of these films, Crystal wrote, directed, and starred in Mr. Saturday Night (1992) and Forget Paris (1995). In the former, Crystal played a serious role in aging makeup, as an egotistical comedian who reflects back on his career. He directed the made-for-television movie 61* (2001) based on Roger Maris's and Mickey Mantle's race to break Babe Ruth's single-season home run record in 1961. This earned Crystal an Emmy nomination for Outstanding Directing for a Miniseries, Movie or a Special.
Crystal has continued working in film, including Analyze This (1999) and Analyze That (2002) with Robert De Niro, and in the English version of Howl's Moving Castle as the voice of Calcifer. He was originally asked to provide the voice of Buzz Lightyear in Toy Story (1995) but turned it down, a decision he later regretted due to the popularity of the series.[8] Crystal later went on to provide the voice of Mike Wazowski in the Pixar film Monsters, Inc. (2001), which was nominated for the inaugural Best Animated Feature Oscar.
Crystal hosted the Academy Awards broadcast in 1990–1993, 1997, 1998, 2000, 2004 and 2012; and he reportedly turned down hosting the 2006 ceremony to concentrate on his one-man show, 700 Sundays. He returned as emcee for the 2012 Oscar ceremony, after Eddie Murphy backed out of hosting.[9] His nine times as the M.C. is second only to Bob Hope's 18 in most ceremonies hosted. At the 83rd Academy Awards ceremony in 2011, he appeared as a presenter for a digitally inserted Bob Hope and before doing so was given a standing ovation. Film critic Roger Ebert said when Crystal came onstage about two hours into the show, he got the first laughs of the broadcast.[10] Crystal's hosting gigs have regularly included an introductory video segment in which he comedically inserts himself into scenes of that year's films in addition to a song following his opening monologue.
Crystal won the 2005 Tony Award for Best Special Theatrical Event for 700 Sundays, a two-act, one-man play, which he conceived and wrote about his parents and his childhood growing up on Long Island.[8] He toured the U.S. with the show in 2006 and Australia in 2007.
Following the initial success of the play, Crystal wrote the book 700 Sundays for Warner Books, which was published on October 31, 2005. In conjunction with the book and the play that also paid tribute to his uncle, Milt Gabler, Crystal produced two CD compilations: Billy Crystal Presents: The Milt Gabler Story, which featured his uncle's most influential recordings from Billie Holiday's "Strange Fruit" to "Rock Around the Clock" by Bill Haley & His Comets; and Billy Remembers Billie featuring Crystal's favorite Holiday recordings.
In 1986, Crystal started hosting Comic Relief on HBO with Robin Williams and Whoopi Goldberg.[8] Founded by Bob Zmuda, Comic Relief raises money for homeless people in the United States.
On September 6, 2005, on The Tonight Show with Jay Leno, Crystal and Jay Leno were the first celebrities to sign a Harley-Davidson motorcycle to be auctioned off for Gulf Coast relief.[11]
Crystal has participated in the Simon Wiesenthal Center Museum of Tolerance in Los Angeles. Portraying himself in a video, Crystal introduces museum guests to the genealogy wing of the museum.
Crystal is a Los Angeles Clippers fan.
On March 12, 2008, Crystal signed a minor league contract, for a single day, to play with the New York Yankees, and was invited to the team's major league spring training. He wore uniform number 60, in honor of his upcoming 60th birthday.[12] On March 13, in a spring training game against the Pittsburgh Pirates, Crystal led off as the designated hitter. He managed to make contact, fouling a fastball up the first base line, but was eventually struck out by Pirates pitcher Paul Maholm on 6 pitches and was later replaced in the batting order by Johnny Damon.[13] He was released on March 14, his 60th birthday.[14]
Crystal's boyhood idol was Yankee Hall of Fame legend Mickey Mantle who had signed a program for him when Crystal attended a game where Mantle had hit a homerun. Years later on The Dinah Shore Show, in one of his first television appearances, Crystal met Mantle in person and had Mantle re-sign the same program. Crystal would be good friends with Mickey Mantle until Mantle's death in 1995.
Crystal also was well known for his impressions of Yankee Hall of Famer turned broadcaster Phil Rizzuto. Rizzuto, known for his quirks calling games, did not travel to Anaheim, California in 1996 to call the game for WPIX. Instead, Crystal joined the broadcasters in the booth and pretended to be Rizzuto for a few minutes during the August 31 game.
Although a life-long Yankee fan,[15] he is a part-owner of the Arizona Diamondbacks, even earning a World Series ring in 2001 when the Diamondbacks beat his beloved Yankees.[16]
In the movie City Slickers, Crystal wears a New York Mets baseball cap.
Billy Crystal and his wife Janice (née: Goldfinger) married in June 1970, and have two daughters, actress Jennifer and producer Lindsay, and are now grandparents.[17] They reside in Pacific Palisades, California.[18]
In addition to his Golden Globe Award-nominations, Emmy Awards, and Tony Award, Crystal won the Drama Desk Award for Outstanding One-Person Show for 700 Sundays and received the Mark Twain Prize for American Humor in 2007.[19]
Year | Title | Role | Notes |
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1977–1981 | Soap | Jodie Dallas | TV series |
1977 | SST: Death Flight | David | |
1978 | Rabbit Test | Lionel Carpenter | |
Human Feelings | Angel | Made for TV | |
1980 | Animalympics | Lodge Turkell | Voice |
1984 | This Is Spinal Tap | Morty the Mime | |
1986 | Running Scared | Danny Constanzo | |
1987 | The Princess Bride | Miracle Max | |
Throw Momma from the Train | Larry Donner | ||
1988 | Memories of Me | Abbie | Writer/Producer |
1989 | When Harry Met Sally... | Harry Burns | American Comedy Award for Funniest Actor in a Motion Picture Nominated — Golden Globe Award for Best Actor – Motion Picture Musical or Comedy |
1991 | City Slickers | Mitch Robbins | Executive Producer American Comedy Award for Funniest Actor in a Motion Picture MTV Movie Award for Best Comedic Performance Nominated — Golden Globe Award for Best Actor – Motion Picture Musical or Comedy |
1992 | Horton Hatches the Egg | Narrator | Voice |
Mr. Saturday Night | Buddy Young, Jr. | Writer/Director/Producer Nominated — Golden Globe Award for Best Actor – Motion Picture Musical or Comedy |
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1994 | City Slickers II: The Legend of Curly's Gold | Mitch Robbins | Writer/Producer |
1995 | Forget Paris | Mickey Gordon | Writer/Director/Producer |
1996 | Muppets Tonight | Himself | Guest star on third episode |
Hamlet | First Gravedigger | ||
1997 | Deconstructing Harry | Larry | |
Fathers' Day | Jack Lawrence | ||
Friends | The Gynecologist (with Robin Williams) | TV Series | |
1998 | My Giant | Sam 'Sammy' Kamin | Writer/Producer |
1999 | Analyze This | Dr. Ben Sobel | Executive Producer |
2000 | The Adventures of Rocky and Bullwinkle | Mattress salesman | Uncredited |
2001 | 61* | Director | |
America's Sweethearts | Lee Phillips | Writer/Producer | |
Monsters, Inc. | Michael "Mike" Wazowski | Voice | |
2002 | Mike's New Car | Mike Wazowski | Short Film Subject Voice |
Analyze That | Dr. Ben Sobel | Executive Producer | |
2004 | Howl's Moving Castle | Calcifer | Voice |
2005 | Dinotopia: Quest for the Ruby Sunstone | Karl Scott | Voice |
2006 | Cars | Mike Car | Voice |
2009 | Make 'Em Laugh: The Funny Business Of America | Host | |
2010 | Tooth Fairy | Jerry | Uncredited |
Planet Sheen | Soldier Joagth | Voice Episode: What's Up Chock? |
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2011 | The Muppets | Himself | Scenes cut |
2012 | Parental Guidance | Artie Decker | To be released November 12, 2012 |
2013 | Monsters University | Mike Wazowski | Voice |
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Name | Crystal, Billy |
Alternative names | Crystal, William Edward |
Short description | |
Date of birth | 1948-3-14 |
Place of birth | New York City |
Date of death | |
Place of death |
Whoopi Goldberg | |
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Goldberg in New York City, November 2008 |
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Born | Caryn Elaine Johnson (1955-11-13) November 13, 1955 (age 56) New York City |
Occupation | Actress, comedienne, radio disc jockey, producer, author, singer-songwriter, talk show host, |
Years active | 1981–present |
Spouse | Alvin Martin (1973–1979; divorced) David Claessen (1986–1988; divorced) Lyle Trachtenberg (1994–1995; divorced) |
Partner | Frank Langella (1996–2001) |
Whoopi Goldberg ( /ˈhwʊpi/, born Caryn Elaine Johnson; November 13, 1955)[1][2] is an American comedienne, actress, singer-songwriter, political activist, author and talk show host.
Goldberg made her film debut in The Color Purple (1985) playing Celie, a mistreated black woman in the Deep South. She received a nomination for the Academy Award for Best Actress and won her first Golden Globe Award for her role in the film. In 1990, she starred as Oda Mae Brown, a psychic helping a slain man (Patrick Swayze) find his killer in the blockbuster film Ghost. This performance won her a second Golden Globe and an Academy Award for Best Supporting Actress. Notable later films include Sister Act and Sister Act 2, The Lion King, Made in America, How Stella Got Her Groove Back, Girl, Interrupted and Rat Race. She is also acclaimed for her roles as the bartender Guinan in Star Trek: The Next Generation and as Terry Doolittle in Jumpin' Jack Flash. More recently, she had performed the voice of Stretch in Toy Story 3 and made an appearance in Glee as Carmen Tibideaux.
Goldberg has been nominated for 13 Emmy Awards for her work in television. She was co-producer of the popular game show Hollywood Squares from 1998 to 2004. She has been the moderator of the daytime talk show The View since 2007. Goldberg has a Grammy, two Emmys, two Golden Globes, a Tony (for production, not acting), and an Oscar. In addition, Goldberg has a British Academy Film Award, four People's Choice Awards, and has been honored with a star on the Hollywood Walk of Fame. All of this has made her one of the most accomplished actors of her generation, and she is one of the few entertainers who have won an Emmy, Grammy, Oscar, and Tony Award.
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Goldberg was born Caryn Elaine Johnson in New York City and raised in Manhattan's Chelsea neighborhood, the daughter of Emma (née Harris), a nurse and teacher, and Robert James Johnson, Jr., a clergyman.[3][4] Goldberg has described her mother as a "stern, strong, and wise woman" who raised her as a single mother after Goldberg's father had left the family.[5] Goldberg's recent ancestors migrated north from Faceville, Georgia, Palatka, Florida, and Virginia.[6] Results of a DNA test, revealed in the 2006 PBS documentary African American Lives, traced part of her ancestry to the Papel and Bayote people of modern-day Guinea-Bissau. Her admixture test indicates that she is 92 percent is of sub-Saharan African origin and 8 percent is of European origin.[7][8]
Her stage name, Whoopi, was taken from a whoopee cushion; she has stated that "If you get a little gassy, you've got to let it go. So people used to say to me, 'You're like a whoopee cushion.' And that's where the name came from."[9][10] She adopted the traditionally German/Jewish surname Goldberg as a stage name because her mother felt the original surname of Johnson was not "Jewish enough" to make her a star.[11] According to an anecdote told by Nichelle Nichols in the documentary film Trekkies, a young Goldberg was watching Star Trek, and upon seeing Nichols' character Uhura, exclaimed, "Momma! There's a black lady on TV and she ain't no maid!"[12] This spawned life-long fandom of Star Trek for Goldberg, who would eventually accept a recurring guest-starring role on Star Trek: The Next Generation.
Between the years of 1979 and 1981, she lived in Communist East Germany, working in a number of theater productions. During her travels, she would smuggle various items into the country for the artists she stayed with.[13]
Goldberg trained under famed acting teacher Uta Hagen at the HB Studio. She first appeared onscreen in 1981–82 in Citizen: I'm Not Losing My Mind, I'm Giving It Away, an avant-garde ensemble feature by San Francisco filmmaker William Farley. Goldberg created The Spook Show, a one-woman show composed of different character monologues, in 1983. Director Mike Nichols was instantly impressed and offered to take the show to Broadway. The self-titled show ran from October 24, 1984 to March 10, 1985 for a total of 156 sold-out performances. While on Broadway, Goldberg's performance caught the eye of director Steven Spielberg. He was about to direct the film The Color Purple, based on Pulitzer Prize-winning novel by Alice Walker. Having read the novel, she was ecstatic at being offered a lead role in her first motion picture. Goldberg received compliments on her acting from Spielberg, Walker, and music consultant Quincy Jones. The Color Purple was released in late 1985, and was a critical and commercial success. It was later nominated for 11 Academy Awards including a nomination for Goldberg as Best Actress. The film did not win any of its Academy Award nominations, but Goldberg won the Golden Globe Award.
Goldberg starred in Penny Marshall's directorial debut, Jumpin' Jack Flash, and began a relationship with David Claessen, a director of photography on the set, and the couple married later that year. The film was a success, and during the next two years, three additional motion pictures featured Goldberg, Burglar, Fatal Beauty, and The Telephone. Though not as successful as her prior motion pictures, Goldberg still garnered awards from the NAACP Image Awards. Claessen and Goldberg divorced after the box office failure of The Telephone, which Goldberg was under contract to star in. She tried to sue the producers of the film, to no avail. The 1988 movie, Clara's Heart, was critically acclaimed, and featured a young Neil Patrick Harris. As the 1980s concluded, she participated in the numerous HBO specials of Comic Relief with fellow comedians Robin Williams and Billy Crystal.
In January 1990, Goldberg starred with Jean Stapleton in the TV situation comedy Bagdad Cafe. The show ran for two seasons on CBS. Simultaneously, Goldberg starred in The Long Walk Home, portraying a woman in the Civil Rights Movement. She played a psychic in the 1990 film Ghost, and became the first black female to win the Academy Award for Best Supporting Actress in nearly 50 years, and only the second black female in Oscar history to win an acting award.[citation needed] Premiere Magazine named her character, Oda Mae Brown, to the list of Top 100 best film characters of all time.[14]
Goldberg starred in Soapdish and had a recurring role on Star Trek: The Next Generation as Guinan, which she would reprise in two Star Trek movies. On May 29, 1992, Sister Act was released. The motion picture grossed well over US$100 million and Goldberg was nominated for a Golden Globe. Next, she starred in Sarafina!. During the next year, she hosted a late-night talk show, The Whoopi Goldberg Show and starred in two more motion pictures Made in America and Sister Act 2: Back in the Habit. From 1994 to 1995, Whoopi appeared in Corrina, Corrina, The Lion King (voice), The Pagemaster (voice), Boys on the Side, and Moonlight and Valentino. Goldberg became the first African-American female to host the Academy Awards in 1994. She hosted the Awards again in 1996, 1999, and 2002. Goldberg released four motion pictures in 1996: Bogus (with Gerard Depardieu and Haley Joel Osment), Eddie, The Associate (with Dianne Wiest) and Ghosts of Mississippi (with Alec Baldwin and James Woods). During the filming of Eddie, Goldberg began dating co-star Frank Langella, a relationship which lasted until early 2000. In October 1997, Goldberg and ghostwriter Daniel Paisner, cowrote Book, a collection featuring insights and opinions.[15][clarification needed] In November and December 2005, Goldberg revived her one-woman show on Broadway at the Lyceum Theatre in honor of its 20th anniversary.
From 1998 to 2001, Goldberg took supporting roles in the How Stella Got Her Groove Back with Angela Basset, Girl, Interrupted with Winona Ryder and Angelina Jolie, Kingdom Come, and Rat Race with an all-star ensemble cast. She also played the voice of Liz on the first four seasons of popular PBS program The Magic Schoolbus. She starred in the successful ABC-TV versions of Cinderella, A Knight in Camelot, and the TNT Original Movie Call Me Claus. In 1998, she gained a new audience when she became the "Center Square" on Hollywood Squares, hosted by Tom Bergeron. She also served as Executive Producer, for which she was nominated for 4 Emmys.[16] She left the show in 2002, and the "Center Square" was filled in with celebrities for the last two on-air seasons without Goldberg. In 2003, Goldberg returned to television, starring in the NBC comedy, Whoopi, which was canceled after one season. On her 48th birthday, Goldberg was honored with a star on the Hollywood Walk of Fame. Goldberg also appeared along side Samuel Jackson and Angela Bassett in the HBO special Unchained Memories, narrating slave narratives. During the next two years, she became a spokeswoman for Slim Fast and produced two television sitcoms: Lifetime's original drama Strong Medicine that ran for six seasons and Whoopi's Littleburg, a Nickelodeon show for younger children. Goldberg made guest appearances on Everybody Hates Chris, as an elderly character named Louise Clarkson. She produced the Noggin sitcom Just For Kicks, in early 2006. She was a guest at Elton John's 60th birthday bash and concert at Madison Square Garden on March 25, 2007.
On September 4, 2007, Goldberg became the new moderator and co-host of The View, replacing Rosie O'Donnell.[17] O'Donnell stated on her official blog that she wanted Goldberg to be moderator. Goldberg's debut as moderator drew 3.4 million viewers, 1 million fewer than O'Donnell's debut ratings. After two weeks, however, The View was averaging 3.5 million total viewers under Goldberg, a 7% increase from 3.3 million under O'Donnell the previous season.[18]
Goldberg's first appearance on the show was controversial when she made statements about Michael Vick's dogfighting as being "part of his cultural upbringing" and "not all that unusual" in parts of the South.[19][20] Another comment that stirred controversy was the statement that the Chinese "have a very different relationship to cats" and that "you and I would be very pissed if somebody ate kitty."[21] Some defended Goldberg, including her co-host Elisabeth Hasselbeck, saying that her comments were taken out of context by the press, because she repeated several times that she did not condone what Vick did.[22]
On more than one occasion, Goldberg has expressed strong disagreement and irritation with different remarks made by Elisabeth Hasselbeck, such as on October 3, 2007, when Hasselbeck commented that Hillary Clinton's proposed US$ 5,000 baby entitlement might lead to fewer abortions because of women wanting to keep the money.[23][24]
Goldberg also created controversy when on September 28, 2009, during a discussion of Roman Polanski's case, she opined that Polanski's rape of a thirteen year old in 1977[25][26] was not "rape-rape".[27] Goldberg later clarified that she had intended to highlight the exact charge brought against Polanski, namely statutory rape, i.e. unlawful sexual intercourse with a minor, rather than rape with an unwilling participant.[28] Polanski had been initially charged with "rape by use of drugs, perversion, sodomy, lewd and lascivious act upon a child under 14, and furnishing a controlled substance to a minor",[29] but under a plea bargain, Polanski pleaded guilty to unlawful sexual intercourse with a minor with the graver charges dropped,[30][31][32] before fleeing to France, hours before he was to be formally sentenced.[29]
After comedienne Kathy Griffin referred to Massachusetts Senator Scott Brown's daughters as "prostitutes", Goldberg said that if anyone insulted her daughter like that then "I would beat their ass." The audience reacted with shock, and support.[33][34]
Goldberg performed the role of Califia, the radiant Queen of the Island of California, for a theater presentation called Golden Dreams at Disney California Adventure Park, the second gate at the Disneyland Resort, in 2000. The show, which explains the history of the Golden State (California), opened on February 8, 2001, with the rest of the park. Golden Dreams closed in September 2008 to make way for the upcoming Little Mermaid ride planned for DCA.
In 2001, Goldberg hosted the 50th Anniversary of I Love Lucy, a 50s black-and-white sitcom, celebrating the legacy of Lucille Ball, Desi Arnaz, Vivian Vance, and William Frawley.[citation needed]
Goldberg hosted the 2001 documentary short, The Making of A Charlie Brown Christmas. In July 2006, Goldberg became the main host of the Universal Studios Hollywood Backlot Tour, in which she appears multiple times in video clips shown to the guests on monitors placed on the trams.
Along with her many contributions to film and television and her major impact on this industry, Whoopi Goldberg was a main narrator for HBO's 2003 film, Unchained Memories.
Goldberg made a guest appearance on the hit television show 30 Rock, in which she played herself. She is shown as endorsing her own workout video. In Season 4 of the show, Goldberg counsels Tracy Jordan on winning the "EGOT", the coveted combination of Emmy, Grammy, Oscar, and Tony awards.
Goldberg was involved in controversy in July 2004 when, at a fundraiser for John Kerry at Radio City Music Hall in New York, Goldberg made a sexual joke about President George W. Bush, by waving a bottle of wine, pointing toward her pubic area and saying: "We should keep Bush where he belongs, and not in the White House." Slim-Fast, took exception to these comments made by Goldberg and dropped her from the then current ad campaign.[35]
From August 2006 to March 2008, Goldberg hosted Wake Up With Whoopi, a nationally syndicated morning radio talk and entertainment program.
In October 2007, Goldberg announced on the air that she would be retiring from acting because she is no longer sent scripts, saying, "You know, there's no room for the very talented Whoopi. There's no room right now in the marketplace of cinema".[36]
On July 14, 2008, Goldberg announced on The View that from July 29 to September 7, she would perform in the Broadway musical Xanadu.
On November 13, 2008, Goldberg's birthday, she announced live on The View that she would be producing, along with Stage Entertainment, the premiere of Sister Act: The Musical at the London Palladium. The show began on Wednesday, May 6, 2009, with the official press night on June 2, 2009. The show featured actress Sheila Hancock and Patina Miller, amongst others.
She also gave a short message at the beginning of the Junior Eurovision Song Contest 2008 wishing all the participants good luck, and stressing the importance of UNICEF, the official charity of the Junior Eurovision Song Contest.[37]
Since its launch in 2008, Goldberg has been a contributor for wowOwow.com, a new website for women to talk culture, politics and gossip.[38]
Goldberg has also been an advocate for human rights worldwide, moderating a panel at the Alliance of Youth Movements Summit[39] on how social networks can be used to fight violent extremism[40] in 2008, and also moderating a panel at the UN in 2009[41] on human rights, children and armed conflict, terrorism, human rights and reconciliation.
On December 13, 2008, Goldberg guest starred on The Naked Brothers Band, a Nickelodeon rock- mockumentary television show. Before the episode premiered, on February 18, 2008, the band performed on The View and the band members were interviewed by Goldberg and Sherri Shepherd.
On December 18 through 20, 2009, Goldberg performed in the Candlelight Processional at Epcot in Walt Disney World. She was given a standing ovation during her final performance for her reading of the Christmas story and her tribute to the guest choirs performing in the show with her.[citation needed]
She also makes a guest appearance in Michael Jackson's short film for the single "Liberian Girl".
She made an appearance on the seventh season of the cooking reality show Hell's Kitchen by Gordon Ramsay where she was a special guest sitting at the chef's table in the kitchen where she was served by the contestants.[citation needed]
On January 14, 2010, Goldberg made a one-night-only appearance at the Minskoff Theatre to perform in the mega-hit musical The Lion King.[citation needed]
Goldberg made her West End debut as the Mother Superior in musical version of Sister Act for a limited engagement set for August 10–31, 2010,[42] but prematurely left the cast on August 27, to be with her family; her mother had suffered from a severe stroke.[43] However, she returned to the cast for five performances.[44] The show closed on October 30, 2010.[45]
In 2012, Goldberg guest starred as Jane Marsh, Sue Heck's guidance counsellor in "The Middle". In one scene, Jane reminds her co-workers that her birthday is November 13, Goldberg's actual birthday.
Goldberg has been married three times — in 1973 to Alvin Martin (divorced in 1979, one daughter), in 1986 to cinematographer David Claessen (divorced in 1988), and in 1994 to the actor Lyle Trachtenberg (divorced in 1995).[citation needed] She has also been romantically linked with actors Frank Langella and Ted Danson.[citation needed]
In 1973, when Goldberg was 18, she and Alvin Martin had one daughter, Alexandrea (now an actress and producer who has used the stage names Alex Martin and Alex Dean). Goldberg became a grandmother at the age of 34 when her then 16 year-old daughter gave birth to a daughter, Amarah Skye. And through Alex, Goldberg has another two grandchildren who are 6 and 9 years younger than Amarah.[46]
On August 29, 2010, Goldberg's mother Emma Johnson died after suffering a stroke.[47][48] Goldberg left London at the time, where she had been performing in Sister Act the Musical, but returned to perform on October 22, 2010.
She has admitted publicly to having been a "high functioning" drug addict years ago, at one point being too terrified to even leave her bed to go use the toilet.[49] Goldberg suffers from dyslexia.[50]
Goldberg currently lives near Glenmont the home of inventor Thomas Edison in the gated community of Llewellyn Park in West Orange, New Jersey.
Goldberg has received two Academy Award nominations, for The Color Purple and Ghost, winning for Ghost. She is the first African American to have received Academy Award nominations for both Best Actress and Best Supporting Actress. She is the recipient of the 1985 Drama Desk Award for Outstanding One-Person Show for her solo performance on Broadway. She has received eight Daytime Emmy nominations, winning two. She has received five (non-daytime) Emmy nominations. She has received three Golden Globe nominations, winning two. She won a Grammy Award in 1985 and a Tony Award as a producer of the Broadway musical Thoroughly Modern Millie. She has won three People's Choice Awards. In 1999, she received the Gay and Lesbian Alliance Against Defamation Vanguard Award for her continued work in supporting the gay and lesbian community. She has been nominated for five American Comedy Awards with two wins. In 2001, she won the prestigious Mark Twain Prize for American Humor at the Kennedy Center as well as the Women in Film Crystal Award for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry.[51] In 2009, Goldberg won the Daytime Emmy Award for Outstanding Talk Show Host for her role on The View. She shares the award with co-hosts Joy Behar, Sherri Shepherd, Elisabeth Hasselbeck and Barbara Walters.
Goldberg is one of few to win an Oscar, a Grammy, a Tony, and an Emmy. She has been seen in over 150 films, and during a period in the 1990s, Whoopi was the highest-paid actress of all time. Her humanitarian efforts include working for Comic Relief, recently reuniting with Billy Crystal and Robin Williams for the 20th Anniversary of Comic Relief.
In February 2002, Goldberg sent her Oscar statuette from Ghost to the Academy of Motion Picture Arts and Sciences to be cleaned and replated. During this time, the statuette was taken from its shipping container, and later retrieved by the shipping company, UPS.[52]
In 1990, Whoopi was officially named an honorary member of the Harlem Globetrotters exhibition basketball team by the members.[53]
She was awarded the Hans Christian Andersen Award for outstanding achievement by a dyslexic in 1987.[50]
On April 1, 2010, Whoopi Goldberg joined Cyndi Lauper in the launch of her Give a Damn campaign to bring a wider awareness of discrimination of the LGBT community. The campaign is to bring straight people to ally with the gay, lesbian, bisexual, transgender community. Other names included in the campaign are Jason Mraz, Elton John, Judith Light, Cynthia Nixon, Kim Kardashian, Clay Aiken, Sharon Osbourne, and Kelly Osbourne.[54] On a airing of The View on May 9, 2012, Whoopi stated that she is a Member of the National Rifle Association.[55]
Year | Film | Role | Notes |
---|---|---|---|
1982 | Citizen: I'm Not Losing My Mind, I'm Giving It Away | ||
1985 | The Color Purple | Celie Harris Johnson | Golden Globe Award for Best Actress – Motion Picture Drama NAACP Image Award for Outstanding Actress in a Motion Picture National Board of Review Award for Best Actress Nominated – Academy Award for Best Actress Nominated – Los Angeles Film Critics Association Award for Best Actress |
1986 | Jumpin' Jack Flash | Terri Doolittle | |
1987 | Burglar | Bernice 'Bernie' Rhodenbarr | |
Fatal Beauty | Rita Rizzoli | NAACP Image Award for Outstanding Actress in a Motion Picture | |
1988 | The Telephone | Vashti Blue | Nominated – Razzie Award for Worst Actress |
Clara's Heart | Clara Mayfield | ||
1989 | Comicitis | Herself | Short subject |
Beverly Hills Brats | Cameo | ||
Homer & Eddie love | Eddie Cervi | ||
1990 | Ghost | Oda Mae Brown | Academy Award for Best Supporting Actress American Comedy Award for Funniest Supporting Actress in a Motion Picture BAFTA Award for Best Actress in a Supporting Role Golden Globe Award for Best Supporting Actress – Motion Picture Kansas City Film Critics Circle Award for Best Supporting Actress NAACP Image Award for Outstanding Actress in a Motion Picture Saturn Award for Best Supporting Actress Nominated – Chicago Film Critics Association Award for Best Supporting Actor Nominated – New York Film Critics Circle Award for Best Actress Nominated – TV Land Award for Favorite Character from the "Other Side" |
The Long Walk Home | Odessa Cotter | NAACP Image Award for Outstanding Actress in a Motion Picture | |
1991 | Wisecracks | Herself | Documentary |
Blackbird Fly | Short subject | ||
Soapdish | Rose Schwartz | ||
1992 | Sister Act | Deloris Van Cartier/Sister Mary Clarence | American Comedy Award for Funniest Actress in a Motion Picture NAACP Image Award for Outstanding Actress in a Motion Picture Nominated – Golden Globe Award for Best Actress – Comedy or Musical Nominated – MTV Movie Award for Best Comedic Performance Nominated – MTV Movie Award for Best Female Performance |
The Player | Detective Susan Avery | ||
Sarafina! | Mary Masembuko | ||
The Magical World of Chuck Jones | Herself | Documentary | |
1993 | National Lampoon's Loaded Weapon | Sgt. Billy York | Uncredited cameo |
Naked in New York | Tragedy Mask on Theater Wall | ||
Made in America | Sarah Mathews | ||
Sister Act 2: Back in the Habit | Deloris Van Cartier/Sister Mary Clarence | Nominated – MTV Movie Award for Best Comedic Performance | |
1994 | Liberation | Narrator | Documentary |
The Lion King | Shenzi | Voice | |
The Little Rascals | Buckwheat's Mom | ||
Corrina, Corrina | Corrina Washington | ||
Star Trek Generations | Guinan | Uncredited Nominated – Saturn Award for Best Supporting Actress |
|
The Pagemaster | Fantasy | Voice | |
1995 | Boys on the Side | Jane Deluca | |
The Celluloid Closet | Herself | Documentary | |
Moonlight and Valentino | Sylvie Morrow | ||
Theodore Rex | Katie Coltrane | Fantafestival Award for Best Actress Nominated – Razzie Award for Worst Actress |
|
1996 | Eddie | Edwina 'Eddie' Franklin | Nominated – Razzie Award for Worst Actress |
Bordello of Blood | Hospital Patient | Uncredited | |
Bogus | Harriet Franklin | Nominated – Razzie Award for Worst Actress | |
The Associate | Laurel Ayres/Robert S. Cutty | ||
Ghosts of Mississippi | Myrlie Evers | Nominated – NAACP Image Award for Outstanding Actress in a Motion Picture | |
1997 | Pitch | Herself | Documentary, uncredited |
Mary Pickford: A Life on Film | Host/narrator | Documentary | |
A Christmas Carol | The Ghost of Christmas Past | Voice | |
Destination Anywhere | Cabbie | ||
In the Gloaming | Nurse Myrna | ||
An Alan Smithee Film: Burn Hollywood Burn | Herself | Special appearance Nominated – Razzie Award for Worst Screen Couple (with any combination of two people playing themselves) |
|
1998 | Titey | The Iceberg (voice) | Short subject |
Alegría | Baby Clown | ||
A Knight in Camelot | Dr. Vivien Morgan/Sir Boss | ||
How Stella Got Her Groove Back | Delilah Abraham | NAACP Image Award for Outstanding Supporting Actress in a Motion Picture Nominated – Acapulco Black Film Festival Black Film Award for Best Actress Nominated – American Comedy Award for Funniest Supporting Actress in a Motion Picture |
|
Junket Whore | Herself | Documentary | |
Rudolph the Red-Nosed Reindeer: The Movie | Stormella, The Evil Ice Queen | Voice | |
The Rugrats Movie | Ranger Margaret | ||
1999 | Alice in Wonderland | Cheshire Cat | |
The Magical Legend of the Leprechauns | The Grand Banshee | ||
Get Bruce | Herself | Documentary | |
The Deep End of the Ocean | Candy Bliss | ||
Girl, Interrupted | Valerie Owens, RN | ||
2000 | The Adventures of Rocky and Bullwinkle | Judge Cameo | Uncredited |
A Second Chance at Life | Narrator | Documentary | |
More Dogs Than Bones | Cleo | ||
2001 | Golden Dreams | Calafia, the Queen of California (Narrator) | Short subject |
Kingdom Come | Raynelle Slocumb | Nominated – NAACP Image Award for Outstanding Actress in a Motion Picture | |
Monkeybone | Death | ||
Rat Race | Vera Baker | ||
The Hollywood Sign | One of the women throwing dirt on coffin at funeral scene | Cameo | |
Call Me Claus | Lucy Cullin | ||
2002 | Searching for Debra Winger | Herself | Documentary |
Showboy | Cameo | ||
Star Trek Nemesis | Guinan | Uncredited | |
It's a Very Merry Muppet Christmas Movie | God | ||
2003 | Unchained Memories: Readings from the Slave Narratives | Narrator | Documentary |
Pauly Shore Is Dead | Herself | ||
Bitter Jester | |||
Beyond the Skyline | Short subject | ||
Blizzard | Blizzard | Voice | |
Good Fences | Mabel Spader | NAACP Image Award for Outstanding Actress in a Television Movie, Mini-Series or Dramatic Special Nominated – Black Reel Award for Television: Best Actress |
|
2004 | Pinocchio 3000 | Cyberina | Voice of |
Liberty's Kids | Deborah Samson/Robert Shurtliff | Episode 34 | |
The N-Word | Herself | Documentary | |
SuperBabies: Baby Geniuses 2 | |||
Jiminy Glick in Lalawood | |||
The Lion King 1½ | Shenzi | Voice | |
2005 | The Aristocrats | Herself | Documentary |
Racing Stripes | Frannie | Voice | |
The Magic Roundabout | Ermintrude | ||
2006 | Doogal | Voice | |
Everyone's Hero | Darlin' | ||
Farce of the Penguins | Helen | ||
2007 | Homie Spumoni | Thelma | |
If I Had Known I Was a Genius | Mom | ||
Nuremberg: A Vision Restored | Herself | Documentary | |
Mr. Warmth: The Don Rickles Project | |||
Our Country USA to Z | Herself (voice) | Short subject | |
The Sophisticated Misfit | Herself | Documentary | |
2008 | Stream | Jodi Moody floodi costrodi | |
Snow Buddies | Miss Mittens | Voice | |
Descendants | Red Flower | ||
2009 | Madea Goes to Jail | Herself | cameo |
Stream | Jodi | ||
2010 | Toy Story 3 | Stretch | Voice Nominated—IGN Movie Award for Best Ensemble Cast[56] |
For Colored Girls | Alice | Nominated – NAACP Image Award for Outstanding Supporting Actress in a Motion Picture | |
Teenage Paparazzo | Herself | ||
New York Street Games | Herself | Documentary | |
2011 | A Little Bit of Heaven | God | |
The Muppets | Herself | ||
2012 | Glee | Carmen Tibideaux |
Wikiquote has a collection of quotations related to: Whoopi Goldberg |
Wikimedia Commons has media related to: Whoopi Goldberg |
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Persondata | |
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Name | Goldberg, Whoopi |
Alternative names | Johnson, Caryn Elaine |
Short description | Actress, comedienne, author, singer |
Date of birth | 1955-11-13 |
Place of birth | New York City, New York |
Date of death | |
Place of death |
Steve Martin | |
---|---|
Martin in April 2011 |
|
Birth name | Stephen Glenn Martin |
Born | (1945-08-14) August 14, 1945 (age 66) Waco, Texas, United States |
Medium | Concert, film, recordings, television, books |
Nationality | American |
Years active | 1967–present |
Genres | Surreal humor, Musical comedy, physical comedy, sketch comedy, Wit/word play Music: bluegrass |
Influences | British television, Red Skelton, Jerry Lewis, Jack Benny, Laurel and Hardy, Wally Boag[1] |
Influenced | Judd Apatow, Will Arnett, Louis C.K., Stephen Colbert,[2] Eddie Izzard, Patton Oswalt,[3] Lucy Porter, Sarah Silverman, Jon Stewart |
Spouse | Victoria Tennant (1986–1994)[4] Anne Stringfield (2007–present) |
Signature | |
Website | www.stevemartin.com |
Emmy Awards | |
Outstanding Writing Achievement in Comedy, Variety or Music 1969 The Smothers Brothers Comedy Hour |
|
Grammy Awards | |
Best Comedy Album 1978 Let's Get Small 1979 A Wild and Crazy Guy Best Country Instrumental Performance 2002 Foggy Mountain Breakdown Best Bluegrass Album 2009 The Crow: New Songs for the 5-String Banjo |
|
American Comedy Awards | |
Lifetime Achievement Award in Comedy 2000 Lifetime Achievement |
|
NYFCC Award for Best Actor | |
All of Me (1984) |
Stephen Glenn "Steve" Martin (born August 14, 1945) is an American actor, comedian, author, playwright, producer, musician and composer. Martin came to public notice as a writer for the Smothers Brothers Comedy Hour, and later became a frequent guest on The Tonight Show. In the 1970s, Martin performed his offbeat, absurdist comedy routines before packed houses on national tours. In 2004, Comedy Central[5] ranked Martin at sixth place in a list of the 100 greatest stand-up comics.
Since the 1980s, having branched away from stand-up comedy, Martin has become a successful actor in both comedic and dramatic roles, as well as an author, playwright, pianist, and banjo player, eventually earning Emmy, Grammy, and American Comedy awards, among other honors.
Contents |
Martin was born in Waco, Texas,[6] the son of Mary Lee (née Stewart) and Glenn Vernon Martin, a real estate salesman and aspiring actor.[4][7] Martin was raised in Inglewood, California, and then later in Garden Grove, California, in a Baptist family.[8] Martin was a cheerleader of Garden Grove High School.[9] One of his earliest memories is of seeing his father, as an extra, serving drinks onstage at the Call Board Theatre on Melrose Place. During World War II, in England, Martin's father had appeared in a production of Our Town with Raymond Massey. Years later, he would write to Massey for help in Steve's fledgling career, but would receive no reply. Expressing his affection through gifts of cars, bikes, etc., Martin's father was stern, and not emotionally open to his son.[10] He was proud but critical, with Martin later recalling that in his teens his feelings for his father were mostly ones of hatred.[11] Martin's first job was at Disneyland, selling guidebooks on weekends and full-time during the summer school break. That lasted for three years (1955–1958). During his free time he frequented the Main Street Magic shop, where tricks were demonstrated to potential customers.[10] By 1960, he had mastered several of the tricks and illusions, and took a paying job there in August. There he perfected his talents for magic, juggling, and creating balloon animals, frequently performing for tips.[12] In his authorized biography, close friend Morris Walker suggests that Martin could "be described most accurately as an agnostic [...] he rarely went to church and was never involved in organized religion of his own volition".[13]
After high school graduation, Martin attended Santa Ana Junior College, taking classes in drama and English poetry. In his free time, he teamed up with friend and Garden Grove High School classmate Kathy Westmoreland to participate in comedies and other productions at the Bird Cage Theatre. He joined a comedy troupe at Knott's Berry Farm.[10] Later, he met budding actress Stormie Sherk, and they developed comedy routines and became romantically involved. Sherk's influence caused Martin to apply to the California State University, Long Beach, for enrollment with a major in Philosophy.[10] Stormie enrolled at UCLA, about an hour's drive north, and the distance eventually caused them to lead separate lives.[14]
Inspired by his philosophy classes, Martin considered becoming a professor instead of an actor-comedian. His time at college changed his life. "It changed what I believe and what I think about everything. I majored in philosophy. Something about non-sequiturs appealed to me. In philosophy, I started studying logic, and they were talking about cause and effect, and you start to realize, 'Hey, there is no cause and effect! There is no logic! There is no anything!' Then it gets real easy to write this stuff, because all you have to do is twist everything hard—you twist the punch line, you twist the non sequitur so hard away from the things that set it up".[15] Martin recalls wondering in a psychology class "What if there were no punch lines? What if there were no indicators? What if I created tension and never released it? What if I headed for a climax, but all I delivered was an anticlimax? What would the audience do with all that tension? Theoretically, it would have to come out sometime. But if I kept denying them the formality of a punch line, the audience would eventually pick their own place to laugh, essentially out of desperation."[16] Martin periodically spoofed his philosophy studies in his 1970s stand-up act, comparing philosophy with studying geology. "If you're studying geology, which is all facts, as soon as you get out of school you forget it all, but philosophy you remember just enough to screw you up for the rest of your life."[17]
In 1967, Martin transferred to UCLA and switched his major to theater. While attending college, he appeared in an episode of The Dating Game. Martin began working local clubs at night, to mixed notices, and at twenty-one he dropped out of college.[18]
In 1967, his former girlfriend Nina Goldblatt, a dancer on The Smothers Brothers Comedy Hour, helped Martin land a writing job with the show by submitting his work to head writer Mason Williams.[19] Williams initially paid Martin out of his own pocket. Along with the other writers for the show, Martin won an Emmy Award[20] in 1969, aged 23.[10] He also wrote for John Denver (a neighbor of his in Aspen, Colorado, at one point), The Glen Campbell Goodtime Hour, and The Sonny and Cher Comedy Hour. Martin's first TV appearance was on The Steve Allen Show in 1969. He says: "[I] appeared on The Virginia Graham Show, circa 1970. I looked grotesque. I had a hairdo like a helmet, which I blow-dried to a puffy bouffant, for reasons I no longer understand. I wore a frock coat and a silk shirt, and my delivery was mannered, slow and self-aware. I had absolutely no authority. After reviewing the show, I was depressed for a week."[21] During these years his roommates included comedian Gary Mule Deer and singer/guitarist Michael Johnson.[22] Martin opened for groups such as The Nitty Gritty Dirt Band, The Carpenters, and Toto. He appeared at San Francisco's The Boarding House, among other venues. He continued to write, earning an Emmy nomination for his work on Van Dyke and Company in 1976.
In the mid-1970s, Martin made frequent appearances as a stand-up comedian on The Tonight Show Starring Johnny Carson.,[21] and on The Gong Show, HBO's On Location and NBC's Saturday Night Live (SNL). SNL's audience jumped by a million viewers when he made guest appearances, though despite a common misconception, he was never a cast member.[10] Martin has guest-hosted Saturday Night Live 15 times, bested only in number of presentations by host Alec Baldwin (who has hosted 16 times as of September 2011). On the show, Martin popularized the air quotes gesture, which uses four fingers to make double quote marks in the air.[23] While on the show Martin became close with several of the cast members, including Gilda Radner. On the day Radner died of ovarian cancer in 1989, a visibly shaken Martin hosted SNL and featured footage of himself and Radner together in a 1978 sketch.
His TV appearances in the 1970s led to the release of comedy albums that went platinum.[10] The track "Excuse Me" on his first album, Let's Get Small, helped establish a national catch phrase.[10] His next album, A Wild and Crazy Guy (1978), was an even bigger success, reaching the No.2 spot on the US sales chart, selling over a million copies. "Just a wild and crazy guy" became another of Martin's known catch phrases.[10] The album featured a character based on a series of Saturday Night Live sketches where Martin and Dan Aykroyd played "Georgi" and "Yortuk" the Festrunk Brothers, a couple of bumbling Czechoslovak would-be playboys. The album ends with the song "King Tut", sung and written by Martin and backed by the "Toot Uncommons", members of the Nitty Gritty Dirt Band. It was later released as a single, reaching No.17 on the US charts in 1978 and selling over a million copies.[10][24] The song came out during the King Tut craze that accompanied the popular traveling exhibit of the Egyptian king's tomb artifacts. Both albums won Grammys for Best Comedy Recording in 1977 and 1978, respectively. Martin performed "King Tut" on the April 22, 1978, edition of SNL.
On his comedy albums, Martin's stand-up is self-referential and sometimes self-mocking. It mixes philosophical riffs with sudden spurts of "happy feet", banjo playing with balloon depictions of concepts like venereal disease, and the controversial kitten juggling (he is a master juggler). His style is off-kilter and ironic, and sometimes pokes fun at stand-up comedy traditions, such as Martin opening his act (from A Wild and Crazy Guy) by saying, "I think there's nothing better for a person to come up and do the same thing over and over for two weeks. This is what I enjoy, so I'm going to do the same thing over and over and over [...] I'm going to do the same joke over and over in the same show, it'll be like a new thing." Or: "Hello, I'm Steve Martin, and I'll be out here in a minute."[23][25] In one comedy routine, used on the Comedy Is Not Pretty! album, Martin claimed that his real name was "Gern Blanston". The riff took on a life of its own. There is a Gern Blanston website, and for a time a rock band took the moniker as their name.[26] He stopped stand-up in 1981 to concentrate on movies and never went back.[10]
By the end of the 1970s, Martin had acquired the kind of following normally reserved for rock stars, with his tour appearances typically occurring at sold-out arenas filled with tens of thousands of screaming fans. But unknown to his audience, stand-up comedy was "just an accident" for him; his real goal was to get into film.[15]
Martin's first film was a short, The Absent-Minded Waiter (1977). The seven-minute-long film, also featuring Buck Henry and Teri Garr, was written by and starred Martin. The film was nominated for an Academy Award as Best Short Film, Live Action. He made his first feature film appearance in the musical Sgt. Pepper's Lonely Hearts Club Band, where he sang The Beatles' "Maxwell's Silver Hammer". In 1979, Martin co-wrote and starred in his first full-length movie, The Jerk, directed by Carl Reiner. The movie was a huge success, grossing over $100 million on a budget of approximately $4 million.[27]
Stanley Kubrick met with him to discuss the possibility of Martin starring in a screwball comedy version of Traumnovelle (Kubrick later changed his approach to the material, the result of which was 1999's Eyes Wide Shut). Martin was executive producer for Domestic Life, a prime-time television series starring friend Martin Mull, and a late-night series called Twilight Theater. It emboldened Martin to try his hand at his first serious film, Pennies from Heaven, a movie he was anxious to perform in because of his desire to avoid being typecast. To prepare for that film, Martin took acting lessons from director Herbert Ross, and spent months learning how to tap dance. The film was a financial failure; Martin's comment at the time was "I don't know what to blame, other than it's me and not a comedy."[28]
Martin was in three more Reiner-directed comedies after The Jerk: Dead Men Don't Wear Plaid in 1982, The Man with Two Brains in 1983 and All of Me in 1984, possibly his most critically acclaimed comic performance to date.[29][30] In 1986, Martin joined fellow Saturday Night Live veterans Martin Short and Chevy Chase in ¡Three Amigos!, directed by John Landis, and written by Martin, Lorne Michaels, and singer-songwriter Randy Newman. It was originally entitled The Three Caballeros and Martin was to be teamed with Dan Aykroyd and John Belushi. In 1986, Martin was in the movie musical film version of the hit Off-Broadway play Little Shop of Horrors (based on a famous B-movie), playing the sadistic dentist, Orin Scrivello. The film was the first of three films teaming Martin with Rick Moranis. In 1987, Martin joined comedian John Candy in the John Hughes movie Planes, Trains and Automobiles. That same year, Roxanne, the film adaptation of Cyrano de Bergerac which Martin co-wrote, won him a Writers Guild of America, East award. It also garnered recognition from Hollywood and the public that he was more than a comedian. In 1988, he performed in the Frank Oz film Dirty Rotten Scoundrels, a remake of Bedtime Story, alongside Michael Caine.
Martin starred in the Ron Howard film Parenthood, with Moranis in 1989. He later met with Moranis to make the Mafia comedy My Blue Heaven in 1990. In 1991, Martin starred in and wrote L.A. Story, a romantic comedy, in which the female lead was played by his then-wife Victoria Tennant. Martin also appeared in Lawrence Kasdan's Grand Canyon, in which he played the tightly-wound Hollywood film producer, Davis, who was recovering from a traumatic robbery that left him injured, which was a more serious role for him. Martin also appeared in a remake of the comedy Father of the Bride in 1991 (followed by a sequel in 1995). He starred in the 1992 comedy HouseSitter, with Goldie Hawn and Dana Delany.
In David Mamet's 1997 thriller, The Spanish Prisoner, Martin played a darker role as a wealthy stranger who takes a suspicious interest in the work of a young businessman (Campbell Scott). He went on to star with Eddie Murphy in the 1999 comedy Bowfinger, which Martin also wrote. He appeared in a version of Waiting for Godot as Vladimir, with Robin Williams as Estragon and Bill Irwin as Lucky. In 1998, Martin guest starred with U2 in the 200th episode of The Simpsons titled "Trash of the Titans", providing the voice for sanitation commissioner Ray Patterson. In 1999, Martin and Hawn starred in a remake of the 1970 Neil Simon comedy, The Out-of-Towners. By 2003, Martin ranked 4th on the box office stars list, after starring in Bringing Down The House and Cheaper By The Dozen, each of which earned over $130 million at U.S. theaters. That same year, he also played the villainous Mr. Chairman in the animation/live action blend, Looney Tunes: Back in Action.
Martin wrote and starred in Shopgirl (2005), based on his own novella (2000), and starred in Cheaper by the Dozen 2. He also starred in the box office hit The Pink Panther in 2006, standing in Peter Sellers's shoes as the bumbling Inspector Clouseau, a role which he reprised in 2009's The Pink Panther 2. In Baby Mama (2008), he played the founder of a health food company, and in It's Complicated (2009), he played opposite Meryl Streep and Alec Baldwin. In 2009, an article in The Guardian listed Martin as one of the best actors never to receive an Oscar nomination.[31]
He appeared with Jack Black, Owen Wilson, and JoBeth Williams in the birdwatching comedy The Big Year, in 2011.
In 1993, Martin wrote his first full length play Picasso at the Lapin Agile. The first reading of the play took place in Beverly Hills, California at Steve Martin's home, with Tom Hanks reading the role of Pablo Picasso and Chris Sarandon reading the role of Albert Einstein. Following this, the play opened at the Steppenwolf Theatre Company in Chicago, Illinois, and played from October 1993 to May 1994, then went on to run successfully in Los Angeles, New York City and several other US cities.[32] In 2009, the La Grande, Oregon school board refused to allow the play to be performed after several parents complained about the content. In an open letter in the local Observer newspaper, Martin wrote "I have heard that some in your community have characterized the play as 'people drinking in bars, and treating women as sex objects.' With apologies to William Shakespeare, this is like calling Hamlet a play about a castle [...] I will finance a non-profit, off-high school campus production [...] so that individuals, outside the jurisdiction of the school board but within the guarantees of freedom of expression provided by the Constitution of the United States can determine whether they will or will not see the play".[33]
Throughout the 1990s, Martin wrote various pieces for The New Yorker. In 2002, he adapted the Carl Sternheim play The Underpants, which ran Off Broadway at Classic Stage Company and in 2008, co-wrote and produced Traitor, starring Don Cheadle. He has also written the novellas, Shopgirl (2000), and The Pleasure of My Company (2003), both more wry in tone than raucous.[34] A story of a 28-year-old woman behind the glove counter at the Neiman Marcus department store in Beverly Hills, Shopgirl was made into a film starring Martin and Claire Danes.[34] The film premiered at the Toronto Film Festival in September 2005 and was featured at the Chicago International Film Festival and the Austin Film Festival before going into limited release in the US. In 2007, he published a memoir, Born Standing Up, which TIME magazine named as one of the Top 10 Nonfiction Books of 2007, ranking it at #6, and praising it as "a funny, moving, surprisingly frank memoir."[35] In 2010, he published the novel An Object of Beauty.
Martin hosted Academy Awards solo in 2001 and 2003 and with Alec Baldwin in 2010.[36] In 2005, Martin co-hosted Disneyland: The First 50 Magical Years, marking the park's anniversary. Disney continued to run the show until March 2009, which now plays in the lobby of Great Moments with Mr. Lincoln.
Martin first picked up the banjo when he was around 17 years of age. Martin has claimed in several interviews and in his autobiography, "Born Standing Up", that he used to take 33 rpm bluegrass records and slow them down to 16 rpm and tune his banjo down, so the notes would sound the same. Martin was able to pick out each note, and perfect his playing.
Martin learned how to play the banjo with help from John McEuen, who later joined the Nitty Gritty Dirt Band. McEuen's brother later managed Martin as well as the Nitty Gritty Dirt Band. Martin did his stand-up routine opening for the band in the early 1970s. He had the band play on his hit song, "King Tut", being credited as "The Toot Uncommons" (as in Tutankhamun).
The banjo was a staple of Martin's 1970s stand-up career, and he periodically poked fun at his love for the instrument.[21] On the Comedy Is Not Pretty! album he included an all-instrumental jam, titled "Drop Thumb Medley", and played the track on his 1979 concert tour. His final comedy album, The Steve Martin Brothers (1981), featured one side of Martin's typical stand-up material, with the other side featuring live performances of Steve playing banjo with a bluegrass band.
In 2001, he played banjo on Earl Scruggs's remake of "Foggy Mountain Breakdown". The recording was the winner of the Best Country Instrumental Performance category at the following year's Grammys. In 2008, Martin appeared with the band, In the Minds of the Living, during a show in Myrtle Beach, South Carolina.[37]
In 2009, Martin released his first all-music album, The Crow: New Songs for the 5-String Banjo with appearances from stars such as Dolly Parton.[38] The album won the Grammy Award for Best Bluegrass Album in 2010.[39] Nitty Gritty Dirt Band member John McEuen produced the album.
Martin made his first appearance on The Grand Ole Opry on May 30, 2009.[40] In the American Idol season eight finals, he performed alongside Michael Sarver and Megan Joy in the song "Pretty Flowers". In June, Martin played banjo along with the Steep Canyon Rangers on A Prairie Home Companion, and began a two-month U.S. tour with the Rangers in September, including an appearances at the Hardly Strictly Bluegrass festival, Carnegie Hall and Benaroya Hall in Seattle.[41][42] In November, they went on to play at the Royal Festival Hall in London with support from Mary Black.[43] In 2010, Steve Martin and the Steep Canyon Rangers appeared at the New Orleans Jazzfest, Merlefest Bluegrass Festival in Wilkesboro, North Carolina, at Bonnaroo Music Festival, at the ROMP[44] Bluegrass festival in Owensboro, Kentucky, at the Red Butte Garden Concert series and on the BBC's Later... with Jools Holland.[45][46] Martin performed "Jubilation Day" with the Steep Canyon Rangers on The Colbert Report on March 21, 2011, on Conan on May 3, 2011, and on BBC's The One Show on July 6, 2011.[47] Martin performed a song he wrote called "Me and Paul Revere"[48] in addition to two other songs on the lawn of the Capitol Building in Washington, DC, at the "Capitol Fourth Celebration" on July 4, 2011.[49]
Martin was romantically involved with actress and singer Bernadette Peters, his costar in the films The Jerk and Pennies from Heaven, during the 1970s and early 1980s. He married actress Victoria Tennant on November 20, 1986, and the union lasted until 1994. On July 28, 2007, after three years together, Martin married Anne Stringfield, a writer and former staffer for The New Yorker magazine.[50] Former Nebraska Senator Bob Kerrey presided over the ceremony at Martin's Los Angeles home. Lorne Michaels, creator of Saturday Night Live, was best man.[50] Several of the guests, including close friends Tom Hanks, Eugene Levy, comedian Carl Reiner, and magician/actor Ricky Jay were not informed that a wedding ceremony would take place. Instead, they were told they were invited to a party, and were surprised by the nuptials.[50]
Investigators at Berlin's state criminal police office (LKA) think that Martin was one victim of a German art forgery scandal. In July 2004 Martin purchased what he believed to be a 1915 work by the German-Dutch painter Heinrich Campendonk, "Landschaft mit Pferden", or "Landscape With Horses", from a Paris gallery for what should have been a bargain price in the neighborhood of €700,000 (around $850,000 at the time). Before the purchase an expert authenticated the work and identified the painter's signature on a label attached to the back. Fifteen months later Martin put the painting up for sale, and auction house Christie's disposed of it in February 2006 to a Swiss businesswoman for €500,000 – a loss of €200,000. Police believe the fake Campendonk originated from an invented art collection devised by a group of German swindlers caught in 2010. Skillfully forged paintings from this group were sold to French galleries like the one where Martin bought the forgery.[51]
Year | Film | Role | Notes |
---|---|---|---|
1956 | Disneyland Dream | Documentary | |
1977 | The Absent-Minded Waiter | Short Subject | |
1978 | Sgt. Pepper's Lonely Hearts Club Band | Dr. Maxwell Edison | |
1979 | The Muppet Movie | Insolent Waiter | |
The Kids Are Alright | Documentary | ||
The Jerk | Navin R. Johnson | Also Writer | |
1981 | Pennies from Heaven | Arthur | Nominated – Golden Globe Award for Best Actor - Motion Picture Musical or Comedy |
1982 | Dead Men Don't Wear Plaid | Rigby Reardon | Also Writer |
1983 | The Man with Two Brains | Dr. Michael Hfuhruhurr | |
1984 | The Lonely Guy | Larry Hubbard | |
All of Me | Roger Cobb | National Society of Film Critics Award for Best Actor New York Film Critics Circle Award for Best Actor Nominated – Golden Globe Award for Best Actor - Motion Picture Musical or Comedy |
|
1985 | Movers & Shakers | Fabio Longio | |
1986 | Three Amigos | Lucky Day | Also Writer and Executive Producer |
Little Shop of Horrors | Orin Scrivello, DDS | Billed as "Special Appearance" | |
1987 | Roxanne | C.D. Bales | Also Writer and Executive Producer Los Angeles Film Critics Association Award for Best Actor National Society of Film Critics Award for Best Actor Writers Guild of America Award for Best Adapted Screenplay Nominated – Golden Globe Award for Best Actor - Motion Picture Musical or Comedy |
Planes, Trains and Automobiles | Neal Page | ||
1988 | Dirty Rotten Scoundrels | Freddy Benson | |
1989 | Parenthood | Gil Buckman | Nominated – Golden Globe Award for Best Actor - Motion Picture Musical or Comedy |
1990 | My Blue Heaven | Vinnie Antonelli | |
1991 | L.A. Story | Harris K. Telemacher | Also Writer and Executive Producer |
Father of the Bride | George Banks | Nominated – MTV Movie Award for Best Comedic Performance | |
Grand Canyon | Davis | ||
1992 | HouseSitter | Newton Davis | |
Leap of Faith | Jonas Nightengale | ||
1993 | And the Band Played On | The Brother | Cameo |
1994 | A Simple Twist of Fate | Michael McCann | Also Writer and Executive Producer |
Mixed Nuts | Philip | ||
1995 | Father of the Bride Part II | George Banks | Nominated – American Comedy Award for Funniest Actor in a Motion Picture (Leading Role) Nominated – Golden Globe Award for Best Actor - Motion Picture Musical or Comedy |
1996 | Sgt. Bilko | Master Sergeant Ernest G. Bilko | |
1997 | The Spanish Prisoner | Jimmy Dell | |
1998 | The Prince of Egypt | Hotep | Voice |
1999 | The Out-of-Towners | Henry Clark | |
Bowfinger | Bobby Bowfinger | Also writer | |
The Venice Project | Cameo | ||
Fantasia 2000 | Introductory Host | Disney Re-Release | |
2000 | Joe Gould's Secret | Charlie Duell | |
2001 | Novocaine | Frank Sangster | |
2002 | Smothered: The Censorship Struggles of the Smothers Brothers Comedy Hour | As himself | |
2003 | Bringing Down the House | Peter Sanderson | |
Looney Tunes: Back in Action | Mr. Chairman | ||
Cheaper by the Dozen | Tom Baker | ||
2004 | Jiminy Glick in Lalawood | Cameo | |
The Merchant of Venice | |||
2005 | Shopgirl | Ray Porter | Also Writer and Producer |
Cheaper by the Dozen 2 | Tom Baker | ||
Disneyland: The First 50 Magical Years | As himself | ||
2006 | The Pink Panther | Inspector Clouseau | A remake of the earlier series |
2008 | Baby Mama | Barry | |
Traitor | Writer and Producer | ||
2009 | The Pink Panther 2 | Inspector Clouseau | Also Screenplay Nominated - Razzie Award for Worst Actor |
It's Complicated | Adam Schaffer | ||
2011 | The Big Year | Stu Preissler |
Album | Year | Peak chart positions | Certifications | |
---|---|---|---|---|
US [54] |
US Bluegrass [54][55] |
|||
Let's Get Small | 1977 | 10 | — |
|
A Wild and Crazy Guy | 1978 | 2 | — |
|
Sgt. Pepper's Lonely Hearts Club Band soundtrack | 1978 | 5 | — |
|
Comedy Is Not Pretty! | 1979 | 25 | — |
|
The Steve Martin Brothers | 1981 | 135 | — | |
Little Shop of Horrors soundtrack | 1986 | — | — | |
The Crow: New Songs for the 5-String Banjo | 2009 | 93[58] | 1 | |
Rare Bird Alert[59] | 2011 | 43 | 1 | |
"—" denotes a title that did not chart. |
Single | Year | Peak chart positions |
---|---|---|
US [60] |
||
"Grandmother's Song" | 1977 | 72 |
"King Tut" | 1978 | 17 |
"Cruel Shoes" | 1979 | 91 |
Video | Year | Director |
---|---|---|
"Jubilation Day"[61] | 2011 | Ryan Reichenfeld |
Title | Year | Network |
---|---|---|
"Steve Martin: A Wild and Crazy Guy" | 1978 | NBC |
"All Commercials... A Steve Martin Special" | 1980 | NBC |
"Steve Martin: Comedy is Not Pretty" | 1980 | NBC |
"Steve Martin's Best Show Ever" | 1981 | NBC |
"The Winds of Whoopie" | 1983 | NBC |
Wikimedia Commons has media related to: Steve Martin |
Wikiquote has a collection of quotations related to: Steve Martin |
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Persondata | |
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Name | Martin, Steve |
Alternative names | Martin, Stephen Glen |
Short description | American comedian, writer, entertainer |
Date of birth | August 14, 1945 |
Place of birth | Waco, Texas, United States |
Date of death | |
Place of death |