Uplifting trance

Uplifting trance (often synonymous with epic trance, anthem trance, emotional trance, or euphoric trance) is a large subgenre of trance music. The name, which emerged in the wake of progressive trance in 1996, is derived from the feeling which listeners claim to get (often described as a "rush"). The genre, which originated in Germany, is massively popular in the trance scene, and is one of the dominant forms of dance music worldwide. Historically it is related to the emergence of psychedelic trance and the two styles influenced each other. Classical music strongly influenced the development of uplifting trance both in the 1990s and at present, with film music also considered influential.

Characteristics

In general, uplifting trance is a style much lighter in tone than other trance genres (such as Goa). Instead of the darker tone of Goa, uplifting trance uses similar chord progressions as progressive trance, but tracks' chord progressions usually rest on a major chord, and the balance between major and minor chords in a progression will determine how "happy" or "sad" the progression sounds. The genre features longer major chord progressions in all elements (lead synth, bass, and treble). It also contains extended breakdowns, and relegation of arpeggiation (the melodic part of the song, usually consisting of "Saw Synths/Square Lead" type sounds) to the background while bringing wash effects to the fore (the harmonic element of the music, or "background fill", usually consisting of synth choir/voice/string chord progressions). There is a close relation between uplifting trance and uplifting house. As a rule of thumb, trance beats in the range of 136–142 BPM. Uplifting trance very commonly employs side-chain compression, a modern production technique. It is commonly referred to as "ducking the kick", where the background strings/synths have their volume automated, creating a pulsing effect on the off-beat.

Remix

A remix is a piece of media which has been altered from its original state by adding, removing, and/or changing pieces of the item. A song, piece of artwork, book, video, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new.

Most commonly, remixes are associated with music and songs. Songs are remixed for a variety of reasons:

Originality

Originality is the aspect of created or invented works by as being new or novel, and thus can be distinguished from reproductions, clones, forgeries, or derivative works. An original work is one not received from others nor one copied from or based upon the work of others.. It is a work created with a unique style and substance. The term "originality" is often applied as a compliment to the creativity of artists, writers, and thinkers. The idea of originality as we know it was invented by Romanticism, with a notion that is often called romantic originality.

The concept of originality is culturally contingent. It became an ideal in Western culture starting from the 18th century. In contrast, at the time of Shakespeare it was common to appreciate more the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".

Originality in law

In law, originality has become an important legal concept with respect to intellectual property, where creativity and invention have manifest as copyrightable works. In the patent law of the United States and most other countries, only original inventions are subject to protection. In addition to being original, inventions submitted for a patent must also be useful and nonobvious.

Trance

Trance denotes any state of awareness or consciousness other than normal waking consciousness. Trance states may occur involuntarily and unbidden.

The term trance may be associated with hypnosis, meditation, magic, flow, and prayer. It may also be related to the earlier generic term, altered states of consciousness, which is no longer used in "consciousness studies" discourse.

Etymology

Trance in its modern meaning comes from an earlier meaning of "a dazed, half-conscious or insensible condition or state of fear", via the Old French transe "fear of evil", from the Latin transīre "to cross", "pass over". This definition is now obsolete.

Working models

Wier, in his 1995 book, Trance: from magic to technology, defines a simple trance (p. 58) as a state of mind being caused by cognitive loops where a cognitive object (thoughts, images, sounds, intentional actions) repeats long enough to result in various sets of disabled cognitive functions. Wier represents all trances (which include sleep and watching television) as taking place on a dissociated trance plane where at least some cognitive functions such as volition are disabled; as is seen in what is typically termed a 'hypnotic trance'. With this definition, meditation, hypnosis, addictions and charisma are seen as being trance states. In Wier's 2007 book, The Way of Trance, he elaborates on these forms, adds ecstasy as an additional form and discusses the ethical implications of his model, including magic and government use which he terms "trance abuse".

Aly & Fila

Aly & Fila are an Egyptian trance music duo made up of Aly Amr Fathalah (a.k.a. Aly) and Fadi Wassef Naguib (a.k.a. Fila). They host an Internet radio show called Future Sound of Egypt (every Monday at 4PM US Eastern / 9PM UK / 22:00 Central European Time on Digitally Imported radio). In 2011, their track "We Control The Sunlight", which featured Jwaydan Moyine was chosen as "Tune of the Year" on Armin Van Buuren's show A State of Trance.

History

Aly Amr Fathalah (Aly) and Fadi Wassef Naguib (Fila), the Egyptian duo, were both born in 1981 and have known each other since kindergarten. After falling in love with the music of Paul Van Dyk, The Thrillseekers and Chicane they built their first small studio and started doing electronic music and DJing from 1999. Once they established themselves in Egypt, they decided to go international signing with the German record label Euphonic Records in 2002. Their first release, "Eye of Horus," received huge airplay from the likes of Paul Van Dyk, Armin Van Buuren, DJ Tiësto and many others. The track was licensed to Fundamental Recordings in the Netherlands and reached number 4 position in the Dutch Dance charts.