Not to be confused with the letter ع, which has a similar looking initial form.

Hamza (Arabic: الهَمْزة‎, (al-)hamzah) (ء) is a letter in the Arabic alphabet, representing the glottal stop [ʔ]. Hamza is not one of the 28 "full" letters, and owes its existence to historical inconsistencies in the standard writing system. In the Phoenician and Aramaic alphabets, from which the Arabic alphabet is descended, the glottal stop was expressed by aleph (), continued by alif (  ) in the Arabic alphabet. However, alif was used to express both a glottal stop and a long vowel /aː/. To indicate that a glottal stop, and not a mere vowel, was intended, hamza was added diacritically to alif. In modern orthography, under certain circumstances, hamza may also appear on the line, as if it were a full letter, independent of an alif.

Hamzat waṣl[link]

The hamza letter on its own always represents hamzat qaṭʿ (همزة قطع); that is, a phonemic glottal stop. Compared to this, hamzat waṣl or hamzatu l-waṣl (همزة الوصل) is a non-phonemic glottal stop produced automatically at the beginning of an utterance. Although it can be written as alif carrying a waṣlah sign ٱ, it is usually indicated by a regular alif without a hamza. It occurs, for example, in the definite article al-, ism, ibn, imperative verbs and the perfective aspect of verb forms VII to X, but is not pronounced following a vowel: (e.g. al-baytu l-kabīru for written البيت الكبير). It occurs only at the beginning of a word following a preposition or the definite article.

Orthography[link]

The hamza can be written alone, as if it was a letter, or with a carrier, in which case it becomes a diacritic:

• Alone: (only one isolated form, the same form being also sometimes used in initial positions without perching it over an alif, and without joining with any following letter like most Arabic letters in initial positions):

• By itself as a high hamza (not used in Arabic language; only one isolated form, but actually used in medial and final positions where it will be non joining), after any Arabic letter (if that letter has an initial or medial form, these forms will be changed to isolated or final forms respectively:

• Combined with a letter:

Summary[link]

• Initial hamza is always perched over or under an alif, or sometimes over a dotless yāʾ. Otherwise, surrounding vowels determine the seat of the hamza – but, preceding long vowels or diphthongs are ignored (as are final short vowels).
• i- over u- over a- if there are two conflicting vowels that “count”; on the line if there are none.
• As a special case, āʾa, ūʾa and awʾa require hamza on the line, instead of over an alif as you would expect from rule #1. (See III.1b below.)
• Two adjacent alifs are never allowed. If the rules call for this, replace the combination by a single alif-madda.

Detailed description[link]

• Logically, hamza is just like any other letter, but it may be written in different ways. It has no effect on the way other letters are written. In particular, surrounding long vowels are written just as they always are, regardless of the “seat” of the hamza – even if this results in the appearance of two consecutive waws or yaas.
• Hamza can be written in four ways – on its own (“on the line”) or over an alif, waw, or yaa, called the “seat” of the hamza. When written over yaa, the dots that would normally be written underneath disappear.
• When, according to the rules below, a hamza with an alif seat would occur before an alif which represents the vowel ā, instead a single alif is written with the madda symbol over it.
• The rules for hamza depend on whether it occurs as the initial, middle, or final letter (not sound) in a word. (Thus, final short inflectional vowels do not count, but when –an is written as alif + nunation, it does count and the hamza is considered medial.)

I. If the hamza is initial:

• If the following letter is a short vowel: fatḥah (a) (as in أفراد ʾafrād) or ḍammah (u) (as in أصول ʾuṣūl), the hamza is written over a place-holding alif; kasrah (i) (as in إسلام ʾislām) the hamza is written under a place-holding alif. This is called "hamza on a wall".

• If the letter following the hamza is an alif itself: (as in آكل ʾākul) alif madda will occur.

II. If the hamza is final:

• If a short vowel precedes: the hamza is written over the letter (ʾalif, wāw, or yāʾ) corresponding to the short vowel.
• Otherwise: the hamza is written on the line (as in شيء šayʾ "thing").

III. If the hamza is medial:

• If a long vowel or diphthong precedes, the seat of the hamza is determined mostly by what follows:

• If i or u follows, the hamza is written over yāʾ or wāw, accordingly.
• Otherwise, the hamza wants to be written on the line. If a yāʾ precedes, however, this would conflict with the stroke joining the yāʾ to the following letter, so the hamza is written over yāʾ. (as in جئت)

• Otherwise, both preceding and following vowels have an effect on the hamza.

• If there is only one vowel (or two of the same kind), that vowel determines the seat (ʾalif, wāw, or yāʾ).
• If there are two conflicting vowels, i takes precedence over u, u over a, so miʾa "hundred" is written مئة, with hamza over the yāʾ.
• Alif-madda will occur if appropriate.

Not surprisingly given the complexity of these rules, there is some disagreement.

• Barron’s 201 Arabic Verbs follows these rules exactly (although the sequence ūʾū does not occur; see below).
• John Mace’s Teach Yourself Arabic Verbs and Essential Grammar presents alternative forms in almost all cases when hamza is followed by a long ū. The motivation appears to be to avoid two wāws in a row. Generally, the choice is between the form following the rules here, or an alternative form using hamza over yaa in all cases. Example forms are masʾūl, yaǧīʾūna, yašāʾūna. Exceptions:

• In the sequence ūʾū, e.g. yasūʾūna, the alternatives are hamza on the line, or hamza over yāʾ, when the rules here would call for hamza over wāw. Perhaps the resulting sequence of three waws would be especially repugnant?
• In the sequence yaqraʾūna, the alternative form has hamza over alif, not yāʾ.
• The forms yabṭuʾūna, yaʾūbu have no alternative form. (But note yaqraʾūna with the same sequence of vowels!)

• Haywood and Nahmad’s A new Arabic grammar does not write the paradigms out in full but in general agrees with John Mace’s book, including the alternative forms – and sometimes lists a third alternative where the entire sequence ʾū is written as a single hamza over wāw instead of as two letters.
• "Al-Kitaab fii Ta:allum ..." presents paradigms with hamza written the same way throughout, regardless of what the rules above say. Thus yabdaʾūna with hamza only over alif, yaǧīʾūna with hamza only over yāʾ, yaqraʾīna with hamza only over alif although this is not allowed in any of the previous three books. (This appears to be an over-generalization on the part of the Al-Kitaab writers.)

Encodings[link]

In Unicode, the letter is assigned to U+0621 ء arabic letter hamza (HTML: ء).

Latin representations[link]

There are different ways to represent hamza in Latin transliteration:

• In the International Phonetic Alphabet (IPA), the sound of the glottal stop is represented by: ʔ.
• There is a tradition of using ', the simple apostrophe, whereas a reversed one, or backquote, represents `ayn (ع).
• Some standard transliterations such as DIN 31635, transliterate it with a modifier letter right half ring ʾ and others such as ALA-LC with the modifier letter apostrophe ʼ.
• Different unstandardized symbols, as 2 in Arabic chat alphabet.

See also[link]

• ʼ and ʾ
• Aleph
• Arabic alphabet
• Glottal stop (letter)
• Harakat
• Romanization of Arabic
• Arabic phonology
• Varieties of Arabic
• WP:IPA for Arabic
• ʻOkina

v t e Arabic عربي Overviews Language Alphabet History Romanization Numerology Influence on other languages Alphabet Arabic numerals Eastern numerals Arabic braille Diacritics Hamza Tāʾ marbūṭah Letters ʾAlif Bāʾ Tāʾ Ṯāʾ Ǧīm Ḥāʾ Ḫāʾ Dāl Ḏāl Rāʾ Zayn Sīn Šīn Ṣād Ḍād Ṭāʾ Ẓāʾ ʿAyn Ġayn Fāʾ Qāf Kāf Lām Mīm Nūn Hāʾ Wāw Yāʾ Eras Ancient North Arabian Classical Modern Notable varieties Standardized Modern Standard Arabic Regional Egyptian Iraqi Levantine Maghrebi Sudanese Arabian Yemeni Ethnic/Religious Judeo-Arabic Academic Literature Names Linguistics Phonology Sun and moon letters ʾIʿrāb (inflection) Grammar Triliteral root Mater lectionis IPA Quranic Arabic Corpus

Husain Ibn Muhammed Abdullah (born July 27, 1985) is an American football safety who is currently a Free Agent of the National Football League. But has been offered a contract by the Minnesota Vikings. He was signed by the Vikings as an undrafted free agent in 2008. He played college football at Washington State. He is the younger brother of Arizona Cardinals' safety Hamza Abdullah.

High school[link]

Abdullah attended Pomona High school and was most well known for his athletics. Abdullah received praise not only in basketball but in golf as well. While Abdullah loved playing basketball and golf, he decided to pursue his true passion: football. In high school, Abdullah received many honorable awards as he represented his school football team as captain. Abdullah is a defensive back and also is a contributor to the special teams unit as a kick returner. During Abdullah's sophomore year, he was awarded the team's Defensive MVP and was nominated as Rookie of the Year. During his junior year, Abdullah won the All-Inland Valley award and as a senior, Abdullah stood as the number 9 ranked safety in the west coast.

NFL career[link]

Abdullah was an undrafted rookie who later signed with the Minnesota Vikings. He served as a backup from 2008 to 2009. Before the 2010 season he was named the starting strong safety, the competition in the offseason and preseason was thought to be between Tyrell Johnson and Jamarca Sanford, but Abdullah won the job. During the 2011 season, Abdullah became the starting free safety.

Personal information[link]

Abdullah is the son to Yusuf and Sa'eeda Johnwell.^[1] He lived in a very large family as he is one of twelve children. Abdullah succeeded in high school in athletics as he played basketball, golf and football. In the end he decided to pursue his football career as he accepted an offer to play for Washington State University. As a practicing Muslim, Abdullah observes fasting in Ramadan --even during the football season.^[2]

References[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2011)

Hamza Yusuf
Hamza Yusuf at Doha Academy Education Conference in Qatar, 2010.
Born	Mark Hanson 1958 (age 53–54) Walla Walla, Washington, United States
Residence	Northern California, United States
Occupation	Islamic scholar
Religion	Sunni Islam[1][2]
Spouse	Liliana (Umm Yahya) Hanson
Website
Sandala.org

Hamza Yusuf Hanson is an American Islamic scholar^[3][4], and (with Zaid Shakir and Hatem Bazian) is co-founder of Zaytuna College in Berkeley, California, United States. He is a convert to Islam, and is one of the signatories of A Common Word Between Us and You, an open letter by Islamic scholars to Christian leaders, calling for peace and understanding. He has described the 9/11 attacks as "an act of 'mass murder, pure and simple'". Condemning the attacks, he has also stated "Islam was hijacked ... on that plane as an innocent victim".^[5] The Guardian newspaper in the United Kingdom reported that he "is arguably the west's most influential Islamic scholar" and added that "many Muslims find his views hard to stomach."^[6]

Biography[link]

Hamza Yusuf was born to two academics^[7] in Washington State and raised in Northern California. In 1977, he became Muslim and subsequently traveled to the Muslim world and studied for ten years in the United Arab Emirates, Saudi Arabia, as well as North and West Africa.^[8] Hamza Yusuf spent four years studying in the United Arab Emirates and elsewhere in the Middle East. Later he traveled to West Africa and studied in Mauritania, Medina, Algeria, and Morocco under such scholars as Murabit al Haaj; Baya bin Salik, head of the Islamic court in Al-'Ain, United Arab Emirates; Muhammad Shaybani, Mufti of Abu Dhabi; Hamad al-Wali; and Muhammad al-Fatrati of Al Azhar University in Cairo, Egypt.^{[citation needed]} After more than a decade abroad, he returned to the United States and earned degrees in nursing from Imperial Valley College and religious studies at San José State University.^{[citation needed]}

Hamza Yusuf is a co-founder of Zaytuna College, located in Berkeley, California. He is an advisor to Stanford University's Program in Islamic Studies and the Center for Islamic Studies at Berkeley's Graduate Theological Union.^{[citation needed]} He also serves as a member of the board of advisors of George Russell's One Nation, a national philanthropic initiative that promotes pluralism and inclusion in America. In addition, he serves as vice-president for the Global Center for Guidance and Renewal, which was founded and is currently presided over by Abdallah Bin Bayyah, one of the top jurists and masters of Islamic sciences in the world.^{[citation needed]}

Hamza Yusuf has promoted Islamic sciences and classical teaching methodologies throughout the world. He has also been an advocate for social justice, peace, and conviviality among peoples and places. For several years, he has argued that the "them versus us" problem is fundamentally flawed, and, in R. D. Laing’s term, a “knot” that will destroy people if they do not extricate themselves from it.^{[citation needed]}

Hamza Yusuf has served as an advisor to many organizations, leaders, and heads of state.^{[citation needed]} He has been an innovator in modern Islamic education^{[citation needed]}, founding the highly imitated Deen Intensives, and with Ibrahim Osi-Efa, he started the first Rihla program in England, which has been running for over fifteen years. Dozens of young Muslims who were influenced by his call to reviving traditional Islamic studies in the West went to the Muslim lands in the nineties and early part of the current decade to study, many of who are now teachers in their own right.^{[citation needed]}

With Eissa Bougari, Hamza Yusuf initiated a media challenge to the Arab world that resulted in a highly successful cultural religious program that he hosted for three years and was one of the most watched programs in the Arab world during Ramadan.^{[citation needed]} Cambridge Media Studies stated that this program had a profound influence on subsequent religious programming in the Arab world. He has also been interviewed on BBC several times and was the subject of a BBC documentary segment The Faces of Islam, ushering in the new millennium, as it aired at 11:30 pm on December 31, 1999. Hamza Yusuf has been an outspoken critic of American foreign policy as well as Islamic extremist responses to those policies.^{[citation needed]}

He has drawn criticism from both the extreme right in the West and Muslim extremists in the East.^[9] He told The Guardian: "Many people in the west do not realise how oppressive some Muslim states are – both for men and for women. This is a cultural issue, not an Islamic one. I would rather live as a Muslim in the west than in most of the Muslim countries, because I think the way Muslims are allowed to live in the west is closer to the Muslim way. A lot of Muslim immigrants feel the same way, which is why they are here."^[10]

He and colleagues founded the Zaytuna Institute in 1996, which has established an international reputation^{[citation needed]} for presenting a classical picture of Islam in the West and which is dedicated to the revival of traditional study methods and the sciences of Islam. Hamza Yusuf currently resides in Northern California with his wife and five children.^{[citation needed]}

Hamza Yusuf has also authored several encyclopedia articles and research papers. His published books include The Burda (2003), Purification of the Heart (2004), The Content of Character (2004), The Creed of Imam al-Tahawi (2007), Agenda to Change our Condition (2007), and Walking on Water (2010). Forthcoming are The Prayer of the Oppressed, and The Helpful Guide.^{[citation needed]}

Hamza Yusuf is the first American lecturer to teach in Morocco's prestigious and oldest university, the University of Al-Karaouine in Fes.^[11] He is married and has five children, all boys.

Critical reception[link]

Jordan's Royal Islamic Strategic Studies Centre placed him on its list of the top 50 most influential Muslims in the world.^{[citation needed]} The magazine Egypt Today described him as a kind of theological rock star, "the Elvis Presley of western Muslims."^[12] Recently, Hamza Yusuf was ranked as "the Western world's most influential Islamic scholar" by The 500 Most Influential Muslims, edited by John Esposito and Ibrahim Kalin, (2009).^[13]

Publications[link]

Books Authored[link]

• The Burda The Burda (2003)
• Purification of the Heart: Signs, Symptoms and Cures of the Spiritual Diseases of the Heart (2004)
• The Content of Character (2004)
• The State We Are In: Identity, Terror, and the Law of Jihad (contributing Author) (2006)
• The Creed of Imam al-Tahawi The Creed of Imam Al-Tahawi (2007)
• Agenda to Change our Condition co-authored with Zaid Shakir (2007)
• Walk on Water: The wisdom of Jesus Walk on Water: The wisdom of Jesus (2010)
• Educating your Child in Modern Times

Books with Foreword or note[link]

• Instruction of the Student: The Method of Learning
• The Prophetic Invocations By Mostafa Al-Badawi

Book Edited with Zaid Shakir[link]

• Submission Faith and Beauty Submission Faith and Beauty, The Religion of Islam by Joseph Lumbard (2009)

Papers[link]

• Caesarean Moon Births Part 1
• Caesarean Moon Births Part 2
• Climbing Mount Purgatorio
• Religion, Violence, and the Modern World
• Generous Tolerance in Islam and its Effects on the Life of a Muslim
• Chess in the Light of the Jurist
• Who are the Disbelievers?

References[link]

External links[link]

Wikimedia Commons has media related to: Hamza Yusuf

Websites[link]

• Sandala.org – Official website of Hamza Yusuf
• Zaytuna.org – Zaytuna College
• Sheikhhamza.com – Contains list of books recommended by Hamza Yusuf and a biography

See also[link]

• Zaytuna College
• Zaid Shakir

Yusuf Islam / Cat Stevens
Cat Stevens in Böblingen, Germany in 1976
Background information
Birth name	Steven Demetre Georgiou
Also known as	Steve Adams, Yusuf
Born	(1948-07-21) 21 July 1948 (age 63) Marylebone, London, England, United Kingdom
Genres	Folk rock, psychedelic rock,[1] soft rock,[1] pop rock,[1] synthpop,[2] electro,[3] nasheed, spoken word, hamd
Occupations	Singer-songwriter, musician
Instruments	Vocals, guitar, bass, mandolin, organ, piano, mellotron, double bass, percussion
Years active	1966–1980 (as Cat Stevens) 1995–present (as Yusuf Islam)
Labels	Deram, Island, A&M, Jamal, Ya
Associated acts	Alun Davies
Website	www.yusufislam.com
Notable instruments
Baldwin piano Epiphone Casino Fender Rhodes Fender Telecaster Gibson Everly Brothers Flattop Gibson ES-335 Gibson J-200

Yusuf Islam (born Steven Demetre Georgiou, 21 July 1948), commonly known by his former stage name Cat Stevens, is an English singer-songwriter, multi-instrumentalist, educator, philanthropist, and prominent convert to Islam.^[4]

His early 1970s record albums Tea for the Tillerman and Teaser and the Firecat were both certified triple platinum in the United States by the RIAA.^[5] His 1972 album Catch Bull at Four sold half a million copies in the first two weeks of release alone and was Billboard's number-one LP for three consecutive weeks.^[6] He has also earned two ASCAP songwriting awards in consecutive years for "The First Cut Is the Deepest", which has been a hit single for four different artists.^[7]

Stevens converted to Islam in December 1977^[8] and adopted the name Yusuf Islam the following year. In 1979, he auctioned all his guitars for charity^[9] and left his music career to devote himself to educational and philanthropic causes in the Muslim community. He has been given several awards for his work in promoting peace in the world, including the 2003 World Award, the 2004 Man for Peace Award, and the 2007 Mediterranean Prize for Peace. In 2006, he returned to pop music with his first album of new pop songs in 28 years, entitled An Other Cup. He now goes professionally by the single name Yusuf.^[10][11] His most recent album, Roadsinger, was released on 5 May 2009.

Early life (1948–1965)[link]

Steven Georgiou, born in Marylebone, London, England,^[12] was the third child of a Greek-Cypriot father, Stavros Georgiou (b. 1900),^[13] and a Swedish mother, Ingrid Wickman (b. 1915).^[14] He has an older sister, Anita, and brother, David.^[12] The family lived above the Moulin Rouge, a restaurant that his parents operated on the north end of Shaftesbury Avenue which was a short walk from Piccadilly Circus in the Soho theatre district of London. All family members worked in the restaurant.^[12] His parents divorced when he was about 8 years old, but they continued to maintain the family restaurant and live above it.

Although his father was Greek Orthodox and his mother a Swedish Baptist, Georgiou was sent to a Catholic school, St. Joseph Roman Catholic Primary School in Macklin Street, which was closer to his father's business on Drury Lane.^[15] Georgiou developed an interest in piano at a fairly young age, eventually using the family baby grand piano to work out the chords, since no one else there played well enough to teach him.^[16] Inspired by the popularity of The Beatles, at age 15 he extended his interest to the guitar,^[8] convinced his father to pay £8 for his first instrument, and began playing it and writing songs.^[16] He would escape at times from his family responsibilities to the rooftop above their home, and listen to the tunes of the musicals drifting from just around the corner^[12] from Denmark Street, which was then the centre of the British music industry.^[8] Later, Stevens has emphasised that the advent of West Side Story in particular affected him, giving him a "different view of life", he said in 2000, on a VH1 Behind the Music programme.^[17] With interests in both art and music, he and his mother moved to Gävle, Sweden, where he attended primary school (Solängsskolan) and started developing his drawing skills after being influenced by his uncle Hugo Wickman, a painter. They subsequently returned to England.^[18]

He attended other local West End schools, where he says he was constantly in trouble, and did poorly in everything but art. He was called "the artist boy" and mentions that "I was beat up, but I was noticed".^[19] He went on to take a one-year course of study at Hammersmith School of Art,^[20] as he considered a career as a cartoonist. Though he enjoyed art (his later record albums would feature his original artwork on his album covers),^[19] he wanted to establish a musical career and began to perform originally under the stage name "Steve Adams" in 1965 while at Hammersmith.^[20][21] At that point, his goal was to become a songwriter. Among the musicians who influenced him were Bob Dylan, Nina Simone, blues artists Lead Belly and Muddy Waters,^[22] John Lennon, Biff Rose (who played on his first album), Leo Kottke,^[19] and Paul Simon.^[23] He also wanted to emulate composers who wrote musicals, like Ira Gershwin and Leonard Bernstein. In 1965 he signed a publishing deal with Ardmore & Beechwood and cut several demos, including "The First Cut Is the Deepest".^[24]

Musical career (1966–1970)[link]

Early musical career[link]

Georgiou began to perform his songs in coffee houses and pubs. At first he tried forming a band, but soon realised he preferred performing solo.^[16] Thinking that his given name might not be memorable to prospective fans, he chose a stage name Cat Stevens, in part because a girlfriend said he had eyes like a cat, but mainly because he said, "I couldn't imagine anyone going to the record store and asking for 'that Steven Demetre Georgiou album'. And in England, and I was sure in America, they loved animals."^[25] In 1966, at age 18, he impressed manager/producer Mike Hurst, formerly of British vocal group The Springfields, with his songs and Hurst arranged for him to record a demo and then helped him get a record deal. The first singles were hits. "I Love My Dog" charted at number 28, and "Matthew and Son", the title song from his debut album, went to number 2.^[26] "I'm Gonna Get Me a Gun" reached Britain's Top 10, and the album Matthew and Son itself began charting. The original version of the The Tremeloes cover hit, "Here Comes My Baby", was written and recorded by Stevens.

	"The First Cut is the Deepest" (1967) noicon Sample of "The First Cut is the Deepest", performed by Cat Stevens. Appears on New Masters.
Problems listening to this file? See media help.

Over the next two years, Stevens recorded and toured with an eclectic group of artists ranging from Jimi Hendrix to Engelbert Humperdinck. Stevens was considered a fresh-faced teen star, placing several single releases in the British pop music charts.^[27] Some of that success was attributed to the pirate radio station Wonderful Radio London, which gained him fans by playing his records. In August 1967, he went on the air with other recording artists who had benefited from the station to mourn its closure.^[28]

His December 1967 album New Masters failed to chart in the United Kingdom. The album is now most notable for his song "The First Cut Is the Deepest", a song he sold for £30 to P.P. Arnold that was to become a massive hit for her,^[29] and an international hit for Keith Hampshire, Rod Stewart, James Morrison, and Sheryl Crow. Forty years after he recorded the first demo of the song, it earned him two back-to-back ASCAP "Songwriter of the Year" awards, in 2005 and 2006.^[30][31]

Tuberculosis[link]

Stevens contracted tuberculosis in 1969^[19][32] and was close to death at the time of his admittance to the King Edward VII Hospital, Midhurst;^[32] he spent months recuperating in the hospital and a year of convalescence. During this time Stevens began to question aspects of his life, and spirituality. He later said, "to go from the show business environment and find you are in hospital, getting injections day in and day out, and people around you are dying, it certainly changes your perspective. I got down to thinking about myself. It seemed almost as if I had my eyes shut."^[26]

He took up meditation, yoga, and metaphysics;^[33] read about other religions; and became a vegetarian.^[25] As a result of his serious illness and long convalescence,^[33] and as a part of his spiritual awakening and questioning, he wrote as many as forty songs, many of which would appear on his albums in years to come.^[9]

Changes in musical sound after illness[link]

The lack of success of Stevens' second album mirrored a difference of personal tastes in musical direction, and a growing resentment at producer Mike Hurst's attempts to re-create another album like that of his debut, with heavy-handed orchestration, and over-production,^[23] rather than the folk rock sound Stevens was attempting to produce. He admits having purposefully sabotaged his own contract with Hurst, making outlandishly expensive orchestral demands and threatening legal action, which resulted in his goal: release from his contract with Deram Records, a sub-label of major Decca Records.^[26] Upon regaining his health at home after his release from the hospital, Stevens recorded some of his newly written songs on his tape recorder, and played his changing sound for a few new record executives. After hiring agent Barry Krost, who had arranged for an audition with Chris Blackwell of Island Records, Blackwell offered him a "chance to record [his songs] whenever and with whomever he liked, and more importantly to Cat, however he liked".^[33] With Krost's recommendation, Stevens signed with Paul Samwell-Smith, previously the bassist of the Yardbirds, to be his new producer.^[34]

Musical career (1970–1978)[link]

Height of popularity[link]

Healthy and sporting a new beard, Stevens was armed with a catalogue of new songs that reflected his new perspective on what he wanted to bring to the world with his music. His previous work had sold in the United Kingdom, but Stevens was still relatively unknown by the public across the Atlantic. To rectify this, after signing with Island Records in 1970, an American distribution deal was arranged with A&M Records' Jerry Moss in North America. Stevens began work on Mona Bone Jakon, a folk rock based album.

Producer Paul Samwell-Smith paired Stevens with guitarist Alun Davies, who was currently working as a session musician. Alun was the more experienced veteran of two albums which already had begun to explore the emerging genres of skiffle and folk rock music. Davies was also thought a perfect fit with Stevens in particular for his "fingerwork" on the guitar, harmonising and his backing vocals. They originally met just to record Mona Bone Jakon,^[35] but developed a fast friendship. Davies, like Stevens, was a perfectionist,^[36] appearing after all the sound checks had been completed, just to be sure that all the equipment and sound were prepared for each concert.^[37] He collaborated with Stevens on all but two of the succeeding albums Stevens released, and performed and recorded with him until Stevens' retirement. Their friendship continued, however, and when Stevens re-emerged as Yusuf Islam after 27 years, Davies appeared again performing at his side, and has remained there.

	"Wild World" (1971) noicon Sample of "Wild World", performed by Cat Stevens. Appears on Tea for the Tillerman.
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The first single released from Mona Bone Jakon was "Lady D'Arbanville", which Stevens wrote about his young American girlfriend Patti D'Arbanville. The record, with a madrigal sound unlike most music played on pop radio, with sounds of djembes and bass in addition to Stevens' and Davies' guitars, reached number 8 in the UK. It was the first of his hits to get real airplay in the United States.^[26] It sold over one million copies, and was awarded a gold record in 1971.^[38] Other songs written for D'Arbanville included "Maybe You're Right", and "Just Another Night".^[39] In addition, the song "Pop Star", about his experience as a teen star, and "Katmandu", featuring Genesis frontman Peter Gabriel playing flute, were featured. Mona Bone Jakon was an early example of the solo singer-songwriter album format that was becoming popular for other artists as well. Rolling Stone magazine compared its popularity with that of Elton John's Tumbleweed Connection, saying it was played "across the board, across radio formats".^[40]

Mona Bone Jakon was the precursor for Stevens' international breakthrough album, Tea for the Tillerman, which became a Top 10 Billboard hit. Within six months of its release, it had sold over 500,000 copies, attaining gold record status in the United States and in Britain. The combination of Stevens' new folk rock style and accessible lyrics which spoke of everyday situations and problems, mixed with the beginning of spiritual questions about life, would remain in his music from then on. The album features the Top 20 single "Wild World"; a parting song after D'Arbanville moved on. "Wild World" has been credited as the song that gave Tea for the Tillerman 'enough kick' to get it played on FM radio; and the head of Island Records, Chris Blackwell, was quoted as calling it "the best album we’ve ever released".^[23] Other album cuts include "Hard-Headed Woman", and "Father and Son", a song sung both in baritone and tenor, about the struggle between fathers and their sons who are faced with their own personal choices in life. In 2001, this album was certified by the RIAA as a Multi-Platinum record, having sold 3 million copies in the United States at that time.^[41] It is ranked at No. 206 in Rolling Stone Magazine's 2003 list of the "500 Greatest Albums of All Time".^[42]

	"Father and Son" (1970) noicon Sample of "Father and Son", performed by Cat Stevens. Appears on Tea for the Tillerman.
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After the end of his relationship with D'Arbanville, Stevens noted the effect it had on writing his music, saying,

"Everything I wrote while I was away was in a transitional period and reflects that. Like Patti. A year ago we split; I had been with her for two years. What I write about Patti and my family... when I sing the songs now, I learn strange things. I learn the meanings of my songs late..."^[42]

Having established a signature sound, Stevens enjoyed a string of successes over the following years. 1971's Teaser and the Firecat album reached number two and achieved gold record status within three weeks of its release in the United States. It yielded several hits, including "Peace Train", "Morning Has Broken" (a Christian hymn with lyrics by Eleanor Farjeon), and "Moon Shadow". This album was also certified by the RIAA as a Multi-Platinum record in 2001, with over three million US sales through that time. When interviewed on a Boston radio station, Stevens said about Teaser and the Firecat:

"I get the tune and then I just keep on singing the tune until the words come out from the tune. It's kind of a hypnotic state that you reach after a while when you keep on playing it where words just evolve from it. So you take those words and just let them go whichever way they want... 'Moonshadow'? Funny, that was in Spain, I went there alone, completely alone, to get away from a few things. And I was dancin' on the rocks there... right on the rocks where the waves were, like, blowin' and splashin'. Really, it was so fantastic. And the moon was bright, ya know, and I started dancin' and singin' and I sang that song and it stayed. It's just the kind of moment that you want to find when you're writin' songs."^[43]

For seven months from 1971 to 1972 Stevens was romantically linked to popular singer Carly Simon while both were produced by Samwell-Smith. During that time both wrote songs for and about one another. Simon wrote and recorded at least two Top 50 songs, "Legend in Your Own Time" and "Anticipation" about Stevens. He reciprocated in his song to her, after their romance, entitled, "Sweet Scarlet".^[44][45][46]

His next album, Catch Bull at Four, released in 1972, was his most rapidly successful album in the United States, reaching gold record status in 15 days, and holding the number-one position on the Billboard charts for three weeks. This album continued the introspective and spiritual lyrics that he was known for, combined with a rougher-edged voice and a less acoustic sound than his previous records, utilising synthesisers and other instruments. Although the sales of the album indicated Stevens' popularity, the album did not produce any real hits, with the exception of the single "Sitting", which charted at number 16. Catch Bull at Four was Platinum certified in 2001.

Exploration with movie soundtracks[link]

In July 1970, Stevens recorded one of his songs, "But I Might Die Tonight", for the Jerzy Skolimowski film Deep End.^[47] In 1971, Stevens provided nine songs to the soundtrack of the black comedy Harold and Maude which became a popular cult movie celebrating the free spirit, and brought Stevens' music to a wider audience, continuing to do so long after he stopped recording in the late 1970s. Among the songs were "Where Do the Children Play?", "Trouble", and "I Think I See the Light". Two of the songs, "Don't Be Shy" and "If You Want to Sing Out, Sing Out", were not released on any album until their inclusion in 1984 on a second "greatest hits" collection: Footsteps in the Dark: Greatest Hits, Vol. 2.

After his religious conversion in the late 1970s, Stevens stopped granting permission for his songs to be used in films. However, almost twenty years later, in 1997, the movie Rushmore was allowed to use his songs "Here Comes My Baby" and "The Wind", showing a new willingness on his part to release his music from his Western "pop star" days.^[17] This was followed in 2000 by the inclusion of "Peace Train" in the movie Remember the Titans,^[48] in 2000 by the use in Almost Famous of the song "The Wind",^[49] and in 2006 the inclusion of "Peace Train" on the soundtrack to We Are Marshall.^[50] In 2007, an excerpt of "If You Want To Sing Out, Sing Out" is sung by characters in Charlie Bartlett whose title character resembles the character of Harold in Harold and Maude, where the song first appeared.^[51] In 2009, the song "Father and Son" was in the soundtrack of the movie The Boat That Rocked (known as Pirate Radio in the U.S.). In 2010, the song "Wild World" was sung out by characters in the TV series Skins.

Later recordings[link]

Subsequent releases in the 1970s also did well on the charts and in ongoing sales, although they did not touch the success he had from 1970 to 1973. In 1973, Stevens moved to Rio de Janeiro, Brazil, as a tax exile from the United Kingdom, however, he later donated the money to UNESCO.^[52] During that time he created the album Foreigner, which was a departure from the music that had brought him to the height of his fame. It differed in several respects: entirely written by Stevens, he dropped his band and produced the record without the assistance of Samwell-Smith, who had played a large role in catapulting him to fame, and instead of guitar, he played keyboard instruments throughout the album. It was intended to show a funk/soul element rising in popularity that Stevens had come to appreciate. One side of Foreigner was continuous, much different from the radio-friendly pop tunes fans had come to expect. In November 1973 he performed side two of the album at the Aquarius Theater in Hollywood, with a pre-arranged uninterrupted quadraphonic simulcast on the ABC network titled the "Moon and Star" concert; this performance included his band, but they were all but overshadowed by an orchestra. The album produced a couple of singles including "The Hurt", but did not reach the heights he had once enjoyed.

	"Later" (1973) noicon Sample of "Later", performed by Cat Stevens. Appears on Foreigner.
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The follow-up to Foreigner was Buddha and the Chocolate Box, largely a return to the instrumentation and styles employed in Teaser and the Firecat and Tea for the Tillerman. Featuring the return of Alun Davies and best known for "Oh Very Young", Buddha and the Chocolate Box reached platinum status in 2001. Stevens' next album was the concept album Numbers, a less successful departure for him.

In April 1977, his Izitso album updated his pop rock and folk rock style with the extensive use of synthesisers,^[53] giving it a more synthpop style.^[2] "Was Dog a Doughnut" in particular was an early techno-pop fusion track and a precursor to the 1980s electro music genre,^[3] making early use of a music sequencer.^[54] Izitso included his last chart hit, "(Remember the Days of the) Old Schoolyard", an early synthpop song^[2] that utilised a polyphonic synthesiser; it was a duet with fellow UK singer Elkie Brooks.^[54] Linda Lewis appears in the song's video, with Cat Stevens singing to her, as they portray former schoolmates, singing to each other on a schoolyard merry-go-round. This is one of the few music videos that Stevens made, other than simple videos of concert performances.

His final original album under the name Cat Stevens was Back to Earth, released in late 1978, which was also the first album produced by Samwell-Smith since his peak in single album sales in the early 1970s.

Several compilation albums were released before and after he stopped recording. After Stevens left Decca Records they bundled his first two albums together as a set, hoping to ride the commercial tide of his early success; later his newer labels did the same, and he himself released compilations. The most successful of the compilation albums was the 1975 Greatest Hits which has sold over 4 million copies in the United States. In May 2003 he received his first Platinum Europe Award^[55] from the IFPI for Remember Cat Stevens, The Ultimate Collection, indicating over one million European sales.

Religious conversion[link]

Yusuf in 2008

While on holiday in Marrakech, Morocco, shortly after visiting Ibiza, Stevens was intrigued by the sound of the Aḏhān, the Islamic ritual call to prayer, which was explained to him as "music for God". Stevens said, "I thought, music for God? I’d never heard that before – I’d heard of music for money, music for fame, music for personal power, but music for God!"^[56]

In 1976 Stevens nearly drowned off the coast of Malibu, California, USA and said he shouted: “Oh God! If you save me I will work for you.” He related that right afterward a wave appeared and carried him back to shore. This brush with death intensified his long-held quest for spiritual truth. He had looked into "Buddhism, Zen, I Ching, Numerology, tarot cards and Astrology".^[25] Stevens' brother David Gordon brought him a copy of the Qur'an as a birthday gift from a trip to Jerusalem.^[17] Stevens took to it right away, and began his transition to Islam.

During the time he was studying the Qur'an, he began to identify more and more with the name of Joseph, a man bought and sold in the market place, which is how he says he had increasingly felt within the music business.^[34] Regarding his conversion, in his 2006 interview with Alan Yentob,^[57] he stated, "to some people, it may have seemed like an enormous jump, but for me, it was a gradual move to this." And, in a Rolling Stone magazine interview, he reaffirmed this, saying, "I had found the spiritual home I'd been seeking for most of my life. And if you listen to my music and lyrics, like "Peace Train" and "On The Road To Find Out", it clearly shows my yearning for direction and the spiritual path I was travelling."^[58]

Stevens formally converted to the Islamic religion on 23 December 1977, taking the name Yusuf Islam in 1978. Yusuf is the Arabic rendition of the name Joseph. He stated that he "always loved the name Joseph" and was particularly drawn to the story of Joseph in the Qur'an.^[34] Although he discontinued his pop career, he was persuaded to perform one last time before what would become his twenty-five year musical hiatus. Appearing with his hair freshly shorn and an untrimmed beard, he headlined a charity concert on 22 November 1979 in Wembley Stadium to benefit UNICEF's International Year of the Child.^[59] The concert closed with a performance by Stevens, David Essex, Alun Davies, and Stevens' brother, David, who wrote the song that was the finale, "Child for a Day".^[59]

Yusuf married Fauzia Mubarak Ali on 7 September 1979,^[59] at Regent's Park Mosque in London. They have five children and three grandchildren and currently live in London, spending part of each year in Dubai.^[10]

Life as Yusuf Islam (1978–present)[link]

Muslim faith and musical career[link]

Following his conversion, Yusuf abandoned his music career. When he became a Muslim in 1977, he said, the Imam at the mosque was told that he was a pop star, and he told Yusuf that it was fine to continue as a musician, so long as the songs were morally acceptable. But Yusuf says he knew there were aspects of the music business, such as vanity and temptations, that did go against the teachings of the Qur'an,^[60] and this was the primary reason he gave for retreating from the spotlight. But in his first performance on the television show Later... with Jools Holland, 27 years after leaving the music business, and in other interviews, he gave different reasons for leaving: "A lot of people would have loved me to keep singing," he said. "You come to a point where you have sung, more or less ... your whole repertoire and you want to get down to the job of living. You know, up until that point, I hadn't had a life. I'd been searching, been on the road."^[15]

Estimating in January 2007 that he continues to earn approximately $1.5 million USD a year from his Cat Stevens music,^[61] he decided to use his accumulated wealth and ongoing earnings from his music career on philanthropic and educational causes in the Muslim community of London and elsewhere. In 1981, he founded the Islamia Primary School in Salusbury Road in the north London area of Kilburn and, soon after, founded several Muslim secondary schools; in 1992, Yusuf set up The Association of Muslim Schools (AMS-UK), a charity that brought together all the Muslim schools in the UK. He is also the founder and chairman of the Small Kindness charity, which initially assisted famine victims in Africa and now supports thousands of orphans and families in the Balkans, Indonesia, and Iraq.^[62] He served as chairman of the charity Muslim Aid from 1985 to 1993.^[63]

In 1985, Yusuf decided to return to the public spotlight for the first time since his religious conversion, at the historic Live Aid concert, concerned with the famine threatening Ethiopia. Though he had written a song especially for the occasion, his appearance was skipped when Elton John's set ran too long.^[64]

Salman Rushdie controversy[link]

The singer attracted controversy in 1989, during an address to students at London's Kingston University, where he was asked about the fatwa calling for the death of author Salman Rushdie. The media interpreted his response as support for the fatwa. Yusuf released a statement the following day denying that he supported vigilantism, and claiming that he had merely recounted the legal Islamic punishment for blasphemy. In a BBC interview, he displayed a newspaper clipping from that period, with quotes from his statement. Subsequent comments made by him in 1989 on a British television programme were also seen as being in support of the fatwa. In a statement in the FAQ section of one of his Web sites, Yusuf asserted that while he regretted the comments, he was joking and that the show was improperly edited.^[65] In the years since these comments, he has repeatedly denied ever calling for the death of Rushdie or supporting the fatwa.^[9][58]

11 September 2001 attacks[link]

Immediately following the 11 September 2001, attacks on the United States, he said:

I wish to express my heartfelt horror at the indiscriminate terrorist attacks committed against innocent people of the United States yesterday. While it is still not clear who carried out the attack, it must be stated that no right-thinking follower of Islam could possibly condone such an action. The Qur'an equates the murder of one innocent person with the murder of the whole of humanity. We pray for the families of all those who lost their lives in this unthinkable act of violence as well as all those injured; I hope to reflect the feelings of all Muslims and people around the world whose sympathies go out to the victims of this sorrowful moment.^[66][67]

He appeared on videotape on a VH1 pre-show for the October 2001 Concert for New York City, condemning the attacks and singing his song "Peace Train" for the first time in public in more than 20 years, as an a cappella version. He also donated a portion of his box-set royalties to the Fund for victims' families, and the rest to orphans in underdeveloped countries.^[68] During the same year, Yusuf Islam dedicated time and effort in joining the Forum Against Islamophobia and Racism, an organisation that worked towards battling misperceptions and acts against others because of their religious beliefs or their racial identity (or both), after many Muslims reported a backlash against them due in part to the grief caused by the events in the United States on 9-11.^[52]

Denial of entry into the United States[link]

On 21 September 2004, Yusuf was on a United Airlines flight from London to Washington, travelling to a meeting with U.S. entertainer Dolly Parton, who had recorded "Peace Train" several years earlier and was planning to include another Cat Stevens song on an upcoming album.^[57] While the plane was in flight, his name was flagged as being on a no fly list. Customs and Border Protection (CBP) officers alerted the United States Transportation Security Administration, which then diverted his flight to Bangor, Maine, where he was detained by officers from the Department of Homeland Security.^[69]

The following day, Yusuf was denied entry and flown back to the United Kingdom. A spokesman for Homeland Security claimed there were "concerns of ties he may have to potential terrorist-related activities".^[70] The Israeli government had deported Yusuf in 2000 over allegations that he provided funding to the Palestinian organisation Hamas;^[71] he denied doing so knowingly.^[72] "I have never knowingly supported or given money to Hamas," says Yusuf, who repeatedly has condemned terrorism and Islamic extremism.^[73] "At the time I was reported to have done it, I didn't know such a group existed. Some people give a political interpretation to charity. We were horrified at how people were suffering in the Holy Land."^[72] However, the United States Department of Homeland Security added him to a "watch list".^[20] The US removal provoked a small international controversy, and led British Foreign Secretary Jack Straw to complain personally to US Secretary of State Colin Powell at the United Nations.^[74] Powell responded by stating that the watchlist was under review, adding, "I think we have that obligation to review these matters to see if we are right".^[75]

Yusuf believed his inclusion on a "watch list" may have simply been an error: a mistaken identification of him for a man with the same name, but different spelling. On 1 October 2004 Yusuf requested the removal of his name, "I remain bewildered by the decision of the US authorities to refuse me entry to the United States".^[76] According to a statement by Yusuf, the man on the list was named "Youssef Islam", indicating that Yusuf himself was not the suspected terrorism supporter.^[15] Romanization of Arabic names can easily result in different spellings: the transliteration of the Islamic name for Joseph (Yusuf's chosen name) lists a dozen spellings.

Two years later, in December 2006 Yusuf was admitted without incident into the United States for several radio concert performances and interviews to promote his new record.^[77] Yusuf said of the incident at the time, that, "No reason was ever given, but being asked to repeat the spelling of my name again and again, made me think it was a fairly simple mistake of identity. Rumors which circulated after made me imagine otherwise."^[78]

Yusuf has written a song about the 2004 exclusion from the U.S., entitled "Boots and Sand", recorded in the summer of 2008 and featuring Paul McCartney, Alison Krauss, Dolly Parton, and Terry Sylvester.^[79]

Libel cases[link]

British reports regarding inadmissibility to the U.S.[link]

In October 2004 the British newspapers The Sun and The Sunday Times voiced their support for Yusuf's exclusion from the U.S., claiming that he had supported terrorism. Yusuf successfully sued for libel and received a substantial out-of-court financial settlement and apologies from the newspapers stating that he had never supported terrorism and acknowledging that he had recently been given a Man of Peace award from the private Nobel Peace Prize Laureates Committee. However The Sunday Times managing editor Richard Caseby said that while there was an "agreed settlement", they "always denied liability" and "disagreed with Cat Stevens' lawyers interpretation", but took a "pragmatic view" of the lawsuit.^[80]

Yusuf responded that he was "delighted by the settlement [which] helps vindicate my character and good name. ... It seems to be the easiest thing in the world these days to make scurrilous accusations against Muslims, and in my case it directly impacts on my relief work and damages my reputation as an artist. The harm done is often difficult to repair", and added that he intended to donate the financial award given to him by the court to help orphans of the tsunami in the Indian Ocean.^[80]

Yusuf wrote about the experience in a newspaper article titled "A Cat in a Wild World".^[81]

False rumour regarding unveiled women[link]

On 18 July 2008, Yusuf received substantial undisclosed damages from the World Entertainment News Network following their distribution of the false rumour that the singer did not speak to unveiled women.^[82] The allegations first surfaced in German newspaper B.Z. after Yusuf's trip to Berlin in March 2007 to collect the Echo music award for "life achievements as musician and ambassador between cultures".^[83] Once again he was awarded damages after the World Entertainment News Network allowed an article to be published on Contactmusic.com, a "website said to have 2.2 million page views a month",^[82] alleging that Yusuf would not speak to unveiled women with the exception of his wife. His solicitor was reported as having said that "he was made out to be 'so sexist and bigoted that he refused at an awards ceremony to speak to or even acknowledge any women who were not wearing a veil'".^[82][84] The offending news agency apologised, admitting that Yusuf has never had any problem in working with women and, contrary to the article in question, never has required a third party as an intermediary to function at work.^[83] The money from this lawsuit will go to Yusuf's Small Kindness Charity.^[82]

Yusuf himself discusses this topic on his website, saying, "It’s true that I have asked my manager to respectfully request lady presenters refrain from embracing me when giving awards or during public appearances, but that has nothing to do with my feelings or respect for them. Islam simply requires me to honour the dignity of ladies or young girls who are not closely related to me, and avoid physical intimacy, however innocent it may be." He adds, "My four daughters all follow the basic wearing of clothes which modestly cover their God-given beauty. They’re extremely well educated; they do not cover their faces and interact perfectly well with friends and society."^[85]

Return to music[link]

Yusuf at the 2009 MOJO Awards in London.

Yusuf gradually resumed his musical career in the 1990s. His initial recordings had not included any musical instruments other than percussion, and featured lyrics about Islamic themes. He invested in building his own recording studio which he named Mountain of Light Studios in the late 1990s, and he was featured as a guest singer on "God Is the Light", a song on an album of nasheeds by the group Raihan. In addition, he invited and collaborated with other Muslim singers, including Canadian artist Dawud Wharnsby. After Yusuf's friend, Irfan Ljubijankic, the Foreign Minister of Bosnia and Herzegovina, was killed by a Serbian rocket attack, Yusuf appeared at a 1997 benefit concert in Sarajevo and recorded a benefit album named after a song written by Ljubijankic, I Have No Cannons That Roar.^[86] Realizing there were few educational resources designed to teach children about the Islamic religion, Yusuf wrote and produced a children's album, A Is for Allah, in 2000^[87] with the assistance of South African singer-songwriter Zain Bhikha. The title song was one Yusuf had written years before to introduce his first child to both the religion and the Arabic alphabet. He also established his own record label, "Jamal Records", and Mountain of Light Productions, and he donates a percentage of his projects' proceeds to his Small Kindness charity, whose name is taken from the Qur'an.^[88]

On the occasion of the 2000 re-release of his Cat Stevens albums, he explained that he had stopped performing in English due to his misunderstanding of the Islamic faith. "This issue of music in Islam is not as cut-and-dried as I was led to believe ... I relied on heresy [sic],^[89] that was perhaps my mistake."^[87]

Yusuf has reflected that his decision to leave the Western pop music business was perhaps too quick with too little communication for his fans. For most, it was a surprise, and even his guitarist, Alun Davies said in later interviews that he hadn't believed that Stevens would actually go through with it, after his many forays into other religions throughout their relationship.^[34] Yusuf himself has said the "cut" between his former life and his life as a Muslim might have been too quick, too severe, and that more people might have been better informed about Islam, and given an opportunity to better understand it, and himself, if he had simply removed those items that were considered harām, in his performances, allowing him to express himself musically and educate listeners through his music without violating any religious constraints.^[90]

In 2003, after repeated encouragement from within the Muslim world,^[91] Yusuf once again recorded "Peace Train" for a compilation CD, which also included performances by David Bowie and Paul McCartney. He performed "Wild World" in Nelson Mandela's 46664 concert with his former session player Peter Gabriel, the first time he had publicly performed in English in 25 years. In December 2004, he and Ronan Keating released a new version of "Father and Son": the song entered the charts at number two, behind Band Aid 20's "Do They Know It's Christmas?" They also produced a video of the pair walking between photographs of fathers and sons, while singing the song. The proceeds of "Father and Son" were donated to the Band Aid charity. Keating's former group, Boyzone, had a hit with the song a decade earlier. As he had been persuaded before, Yusuf contributed to the song, because the proceeds were marked for charity. However, this marked a point in his artistic career where he entertained the concept of using more than simply voice and drums.

On 21 April 2005 Yusuf gave a short talk before a scheduled musical performance in Abu Dhabi, United Arab Emirates, on the anniversary of Muhammad's birthday. He said, "There is a great deal of ignorance in the world about Islam today, and we hope to communicate with the help of something more refined than lectures and talks. Our recordings are particularly appealing to the young, having used songs as well as Qur'an verses with pleasing sound effects..."^[92] Yusuf observed that there are no real guidelines about instruments and no references about the business of music in the Qur'an, and that Muslim travellers first brought the guitar to Moorish Spain. He noted that Muhammad was fond of celebrations, as in the case of the birth of a child, or a traveller arriving after a long journey. Thus, Yusuf concluded that healthy entertainment was acceptable within limitations, and that he now felt that it was no sin to perform with the guitar. Music, he now felt, is uplifting to the soul; something sorely needed in troubled times.^[93] At that point, he was joined by several young male singers who sang backing vocals and played a drum, with Yusuf as lead singer and guitarist. They performed two songs, both half in Arabic, and half in English; "Tala'a Al-Badru Alayna", an old song in Arabic which Yusuf recorded with a folk sound to it, and another song, "The Wind East and West", which was newly written by Yusuf and featured a distinct R&B sound.

With this performance, Yusuf began slowly to integrate instruments into both older material from his Cat Stevens era (some with slight lyrical changes) and new songs, both those known to the Muslim communities around the world and some that have the same Western flair from before with a focus on new topics and another generation of listeners.^[90]

In a 2005 press release, he explained his revived recording career:

After I embraced Islam, many people told me to carry on composing and recording, but at the time I was hesitant, for fear that it might be for the wrong reasons. I felt unsure what the right course of action was. I guess it is only now, after all these years, that I've come to fully understand and appreciate what everyone has been asking of me. It's as if I've come full circle; however, I have gathered a lot of knowledge on the subject in the meantime.^[91]

In early 2005, Yusuf released a new song entitled "Indian Ocean" about the 2004 tsunami disaster. The song featured Indian composer/producer A. R. Rahman, a-ha keyboard player Magne Furuholmen and Travis drummer Neil Primrose. Proceeds of the single went to help orphans in Banda Aceh, one of the areas worst affected by the tsunami, through Yusuf's Small Kindness charity. At first, the single was released only through several online music stores but later featured on the compilation album Cat Stevens: Gold. "I had to learn my faith and look after my family, and I had to make priorities. But now I've done it all and there's a little space for me to fill in the universe of music again."^[95]

On 28 May 2005, Yusuf delivered a keynote speech and performed at the Adopt-A-Minefield Gala in Düsseldorf. The Adopt-A-Minefield charity, under the patronage of Paul McCartney, works internationally to raise awareness and funds to clear landmines and rehabilitate landmine survivors. Yusuf attended as part of an honorary committee which also included George Martin, Richard Branson, Boutros Boutros-Ghali, Klaus Voormann, Christopher Lee and others.^[96]

In mid-2005, Yusuf played guitar for the Dolly Parton album, Those Were the Days, on her version of his "Where Do the Children Play?" (Parton had also covered "Peace Train" a few years earlier.)

In May 2006, in anticipation of his forthcoming new pop album, the BBC1 programme "Imagine" aired a 49-minute documentary with Alan Yentob called Yusuf: The Artist formerly Known as Cat Stevens. This documentary film features rare audio and video clips from the late 1960s and 1970s, as well as an extensive interview with Yusuf, his brother David Gordon, several record executives, Bob Geldof, Dolly Parton, and others outlining his career as Cat Stevens, his conversion and emergence as Yusuf Islam, and his return to music in 2006. There are clips of him singing in the studio when he was recording An Other Cup as well as a few 2006 excerpts of him on guitar singing a few verses of Cat Stevens songs including "The Wind" and "On the Road to Find Out".^[57]

Yusuf has credited his then 21-year-old son Muhammad Islam, also a musician and artist, for his return to secular music, when the son brought a guitar back into the house, which Yusuf began playing.^[9] Muhammad's professional name is Yoriyos^[10][97] and his debut album was released in February 2007.^[98] Yoriyos created the art on Yusuf's album An Other Cup, something that Cat Stevens did for his albums in the 1970s.

Starting in 2006, the Cat Stevens song "Tea for The Tillerman" was used as the theme tune for the Ricky Gervais BBC-HBO sitcom Extras. A Christmas-season television commercial for gift-giving by the diamond industry aired in 2006 with Cat Power's cover of "How Can I Tell You". That song is also covered by John Frusciante of the Red Hot Chili Peppers frequently in concert.

In December 2006, Yusuf was one of the artists who performed at the Nobel Peace Prize Concert in Oslo, Norway, in honour of the prize winners, Muhammad Yunus and Grameen Bank. He performed the songs "Midday (Avoid City After Dark)", "Peace Train", and "Heaven/Where True Love Goes". He also gave a concert in New York City that month as a Jazz at Lincoln Center event, recorded and broadcast by KCRW-FM radio, along with an interview by Nic Harcourt. Accompanying him, as in the Cat Stevens days, was Alun Davies, on guitar and vocals.

	"I Think I See the Light" (2007) noicon Sample of "I Think I See the Light", performed by Yusuf Islam at BBC Sessions
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In April 2007, BBC1 broadcast a concert given at the Porchester Hall by Yusuf as part of BBC Sessions, his first live performance in London in 28 years (the previous one being the UNICEF "Year of the Child" concert in 1979). He played several new songs along with some old ones like "Father and Son", "The Wind", "Where Do the Children Play?", "Don't Be Shy", "Wild World", and "Peace Train".

In July 2007, he performed at a concert in Bochum, Germany, in benefit of Archbishop Desmond Tutu's Peace Centre in South Africa and the Milagro Foundation of Deborah and Carlos Santana. The audience included Nobel Laureates Mikhail Gorbachev, Desmond Tutu and other prominent global figures. He later appeared as the final act in the German leg of Live Earth in Hamburg performing some classic Cat Stevens songs and more recent compositions reflecting his concern for peace and child welfare. His set included Stevie Wonder's "Saturn", "Peace Train", "Where Do the Children Play?", "Ruins", and "Wild World". He performed at the Peace One Day concert at the Royal Albert Hall on 21 September 2007.^[99] In 2008 Yusuf contributed the song "Edge of Existence" to the charity album Songs for Survival, in support of the indigenous rights organisation Survival International.

In January 2009, Yusuf released a charity song in aid of children in Gaza. He recorded a rendition of the George Harrison song "The Day the World Gets Round", along with the German bassist Klaus Voorman, who formerly collaborated with The Beatles. Yusuf said that all proceeds from the song will be donated to the U.N. agency in charge of Palestinian refugees, UNRWA, and to the nonprofit group Save the Children to be directed to aiding Gaza residents.^[100] Israeli Consul David Saranga criticised Yusuf for not dedicating the song to all the children who are victims of the violence, including Israeli children.^[101]

[edit] 2006: An Other Cup

In March 2006, Yusuf finished recording his first all-new pop album since 1978.^[102] The album, An Other Cup, was released internationally in November 2006 on his own label, Ya Records (distributed by Polydor Records in the UK and internationally by Atlantic Records) — the 40th anniversary of his first album, Matthew and Son. A single, called Heaven/Where True Love Goes, was simultaneously released. The album was produced with Rick Nowels, who has worked with Dido and Rod Stewart. The performer is noted as "Yusuf", with a cover label identifying him as "the artist formerly known as Cat Stevens". The art on the album is credited to Yoriyos. Yusuf wrote all of the songs except "Don't Let Me Be Misunderstood",^[103] and recorded it in the United States and the United Kingdom.^[102]

Yusuf actively promoted this album, appearing on radio, television and in print interviews. In November, 2006, he told the BBC, "It's me, so it's going to sound like that of course ... This is the real thing.... When my son brought the guitar back into the house, you know, that was the turning point. It opened a flood of, of new ideas and music which I think a lot of people would connect with."^[104] Originally, Yusuf began to return only to his acoustic guitar as he had in the past, but his son encouraged him to "experiment", which resulted in the purchase of a Stevie Ray Vaughan Fender Stratocaster^[105] in 2007.

Also in November 2006, Billboard magazine was curious as to why the artist is credited as just his first name, "Yusuf" rather than "Yusuf Islam".^[95] His response was "Because 'Islam' doesn't have to be sloganized. The second name is like the official tag, but you call a friend by their first name. It's more intimate, and to me that's the message of this record." As for why the album sleeve says "the artist formerly known as Cat Stevens", he responded, "That's the tag with which most people are familiar; for recognition purposes I'm not averse to that. For a lot of people, it reminds them of something they want to hold on to. That name is part of my history and a lot of the things I dreamt about as Cat Stevens have come true as Yusuf Islam."^[95]

Yusuf was asked by the Swiss periodical Das Magazin why the title of the album was An Other Cup, rather than "Another Cup". The answer was that his breakthrough album, Tea for the Tillerman in 1970, was decorated with Yusuf's painting of a peasant sitting down to a cup of steaming drink on the land. Yusuf commented that the two worlds "then, and now, are very different". His new album shows a steaming cup alone on this cover. His answer was that this was actually an other cup; something different; a bridge between the East and West, which Yusuf explained was his own perceived role. He added that, through him, "Westerners might get a glimpse of the East, and Easterners, some understanding of the West. The cup, too, is important; it's a meeting place, a thing meant to be shared."^[94]

On CBS Sunday Morning in December 2006, he said, "You know, the cup is there to be filled ... with whatever you want to fill it with. For those people looking for Cat Stevens, they'll probably find him in this record. If you want to find [Yusuf] Islam, go a bit deeper, you'll find him."^[9]

Yusuf has since described the album as being too "over-produced" and refers to An Other Cup as being a necessary hurdle he had to overcome before he could release his new album, Roadsinger.

[edit] 2009–present: Roadsinger, appearances and tours

In January 2009, Yusuf recorded a George Harrison song, "The Day the World Gets 'Round", collaborating with Klaus Voormann. Proceeds from the single were donated to a charity to help the people of war-torn Gaza. To promote the new single, Voormann re-designed his famous Beatles Revolver album cover, drawing a picture of a young Cat Stevens along with himself and Harrison.^[106]

Performance 28 May 2009 at Shepherds Bush Empire, London for Island Records' 50th Anniversary

A new pop album, Roadsinger, was released on 5 May 2009. The lead track, "Thinking 'Bout You", received its debut radio play on a BBC programme on 23 March 2009.^[107] Unlike An Other Cup, Yusuf promoted the new album with appearances on American television as well as in the U.K. He appeared on the Chris Isaak Hour on the A&E network in April 2009, performing live versions of his new songs, "World O'Darkness", "Boots and Sand", and "Roadsinger". On 13 May he appeared on The Tonight Show with Jay Leno in Los Angeles, and on 14 May, on The Colbert Report in New York City, performing the title song from the Roadsinger album. On 15 May, he appeared on Late Night with Jimmy Fallon, performing "Boots and Sand" and "Father and Son". On 24 May he appeared on the BBC's The Andrew Marr Show, where he was interviewed and performed the title track of Roadsinger. On 15 August, he was one of many guests at Fairport Convention's annual Fairport's Cropredy Convention where he performed five songs accompanied by Alun Davies, with Fairport Convention as his backing band.

A world tour was announced on his web site to promote the new album. He was scheduled to perform at an invitation-only concert at New York City's Highline Ballroom on 3 May^[108] and to go on to Los Angeles, Chicago and Toronto, as well as some to-be-announced European venues.^[10] However, the New York appearance was postponed due to issues regarding his work visa. He appeared in May 2009 at Island Records' 50th Anniversary concert in London.^[10] In November and December 2009 Yusuf undertook his "Guess I'll Take My Time Tour" which also showcased his musical play Moonshadow. The tour took him to Dublin, where he had a mixed reception; subsequently he was well received in Birmingham and Liverpool, culminating in an emotional performance at the Royal Albert Hall in London. In June 2010 he toured Australia for the first time in 36 years,^[109] and New Zealand for the first time ever.^[110]

On 30 October 2010 Yusuf appeared at Jon Stewart and Stephen Colbert's Rally to Restore Sanity and/or Fear in Washington, DC, singing alongside Ozzy Osbourne. Yusuf performed "Peace Train" and Ozzy performed "Crazy Train" at the same time, followed by The O'Jays performance of "Love Train".^[111]

On 2 March 2011, Yusuf released his latest song, "My People", as a free download available through his official website, as well as numerous other online outlets.^[112] Said to have been recorded at a studio located within a hundred yards of the site of the Berlin Wall, the song is inspired by a series of popular uprisings in the Arab world.^[113]

On 1 April 2011, Yusuf launched a new tour website (yusufinconcert.com) to commemorate his first European tour in over 36 years scheduled from 7 May to 2 June 2011. The ten-date tour visited Germany, France, the Netherlands, Austria, Belgium and cities such as Stockholm, Hamburg, Oberhausen, Berlin, Munich, Rotterdam, Paris, Mannheim, Vienna and Brussels.^[114]

In May 2012, Moonshadow, a new musical by Yusuf, featuring music from throughout his career, will open at the Princess Theatre in Melbourne, Australia.^[115] The public can register on the musical's website (www.moonshadowthemusical.com.au) to receive updated news and information, including updates on ticket sales. According to the Theatre's website, "Through [Yusuf's] much loved songs and music, Moonshadow will take the audience on an incredible journey with a magical story of a young man and his moonshadow's struggle against the oncoming of darkness and the search for everlasting happiness".^[116]

Awards[link]

Philanthropic and humanitarian awards[link]

• 2003 World Award also known as the "World Social Award" for "humanitarian relief work helping children and victims of war".^[117]
• 2004 Man for Peace Award presented by Mikhail Gorbachev for his "dedication to promote peace, the reconciliation of people and to condemn terrorism", the ceremony was held in Rome, Italy and attended by five Nobel Peace Prize laureates.
• (2005) Honorary Doctorate by the University of Gloucestershire for services to education and humanitarian relief.^[118]
• 4 January 2007, The Mediterranean Prize for Peace in Naples, Italy. The award was received "as a result of the work he has done to increase peace in the world."^[119]
• 10 July 2007, honorary doctorate (LLD) by the University of Exeter, in recognition of "his humanitarian work and improving understanding between Islamic and Western cultures".^[120][121]
• 6 November 2009, Special Achievement Award of the German Sustainability Award.

Music awards and recognition[link]

• 2005 Nominated for induction into the Rock and Roll Hall of Fame^[122]
• 20 October 2005, ASCAP named Songwriter of the Year and Song of the Year for "The First Cut Is the Deepest"^[7]
• 8 June 2006, listed as number 49 in Paste magazine's "100 Best Living Songwriters"^[123]
• 11 October 2006, awarded Songwriter of the Year for the second year running, for the same song "The First Cut Is the Deepest"^[124]
• 25 March 2007, received the German ECHO "special award for life achievements as musician and ambassador between cultures", Europe's Grammy, in Berlin^[83]
• 2008 Nominated for induction into the Songwriters Hall of Fame^[125]

Discography[link]

(includes Yusuf discography)

See also[link]

• List of best-selling music artists
• List of converts to Islam
• Rolling Stone's 500 Greatest Albums of All Time

Notes and references[link]