Look up burton in Wiktionary, the free dictionary.

Burton may refer to:

People[link]

• Burton (name)

Places[link]

Australia[link]

• Burton, South Australia, a suburb of Adelaide

Canada[link]

• Burton, British Columbia
• Burton, New Brunswick
• Burton, Ontario
• Burtons, Nova Scotia
• Burton, Durham Region, Ontario
• Burton, Parry Sound District, Ontario
• Burton, Prince Edward Island
• Lac-Burton, Quebec
• Burton Lake, Saskatchewan

United Kingdom[link]

England[link]

• Burton, Gowy, near Tarporley in Cheshire
• Burton, Ledsham and Willaston, on the Wirral Peninsula in Cheshire
• Burton-in-Kendal, Cumbria
• Burton, Dorset
• Burton, Lincolnshire
• Burton-upon-Stather, North Lincolnshire
• Burton, Northumberland
• Burton upon Trent, Staffordshire
  • Burton (UK Parliament constituency), covering Burton upon Trent and surrounding areas
• Burton, Sussex
• Burton, Wiltshire

Wales[link]

• Burton, Wrexham
• Burton, Pembrokeshire

United States[link]

• Burton, Arizona
• Burton, Arkansas
• Burton, Georgia
• Burton, Idaho
• Burton, Illinois
• Burton, Kentucky
• Burton, Louisiana
• Burton, Michigan (Genesee County)
• Burton, Shiawassee County, Michigan
• Burton, Mississippi
• Burton, Howard County, Missouri
• Burton, Wayne County, Missouri
• Burton, Montana
• Burton, Nebraska
• Burton, North Carolina
• Burton, Ohio
• Burton, Cimarron County, Oklahoma
• Burton, Hughes County, Oklahoma
• Burton, Noble County, Oklahoma
• Burton, South Carolina
• Burton, Tennessee
• Burton, Johnson County, Texas
• Burton, Washington County, Texas
• Burton, Utah
• Burton, Clark County, Washington
• Burton, King County, Washington
• Burton, West Virginia
• Burton, Wisconsin

Business[link]

• Burton Brothers, a New Zealand photographic firm
• Burton Snowboards, a snowboard & snow sportswear manufacturer.
• Burton (clothing), a menswear retailer in the UK
• Burton car, a Dutch sports car

Other[link]

• Burton process, a thermal cracking process invented by William M. Burton, used to produce diesel fuel
• Burton (nut), edible nut in the Hican family
• Burton car, a Dutch sports car

See also[link]

• Burton Township (disambiguation)
• All pages beginning with "Burton"
• All pages with titles containing "Burton"
• Bruton (disambiguation)
• Burdon
• Helms-Burton Act

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Tim Burton
Burton at the 64th Venice Film Festival in 2007
Born	Timothy Walter Burton (1958-08-25) August 25, 1958 (age 53) Burbank, California, U.S.
Nationality	American
Education	Burbank High School
Alma mater	California Institute of the Arts
Occupation	Film director, film producer, writer, artist
Years active	1982–present
Notable work(s)	The Nightmare Before Christmas, Beetlejuice, Batman, Edward Scissorhands, Sweeney Todd: The Demon Barber of Fleet Street, Corpse Bride, Dark Shadows (film), Abraham Lincoln: Vampire Hunter (film)
Influenced by	Edgar Allan Poe, Stanley Kubrick, Christopher Lee, Wes Craven, Vincent Price, Ray Harryhausen, Roger Corman, Alan Moore, Ed Wood, Stephen King, John Carpenter, Alfred Hitchcock, Charles Addams, Steven Spielberg
Influenced	Shane Acker, Zack Snyder, Len Wiseman, Daniel Knauf, David Slade, Joss Whedon, Rob Zombie, James Wan
Spouse	Lena Gieseke (1989–1993)
Partner	Lisa Marie (1993–2001) Helena Bonham Carter (2001–present)
Children	Billy Ray Burton (2003–) Nell Burton (2007–)
Awards	See below
Website
timburton.com

Timothy Walter "Tim" Burton^[1] (born August 25, 1958) is an American film director, film producer, writer and artist. He is famous for quirky-themed movies such as Beetlejuice, Edward Scissorhands, The Nightmare Before Christmas, Ed Wood, Sleepy Hollow, Corpse Bride, Sweeney Todd: The Demon Barber of Fleet Street, and Dark Shadows and for blockbusters such as Pee-wee's Big Adventure, Batman, Batman Returns, Planet of the Apes, Charlie and the Chocolate Factory, and Alice in Wonderland, which was the second highest-grossing film of 2010, and the tenth highest-grossing film of all time.^[2]

Burton is known for using recurring collaborators on his works; among them are Johnny Depp, who has become a close friend of Burton since their first film together; musician Danny Elfman, who has composed for all but five of the films Burton has directed or produced; and domestic partner Helena Bonham Carter. He also wrote and illustrated the poetry book The Melancholy Death of Oyster Boy & Other Stories, published in 1997, and a compilation of his drawings, entitled The Art of Tim Burton, was released in 2009. Burton has directed 16 films and produced 12, as of 2012. His latest films are an adaptation of the soap opera Dark Shadows, released on May 10, 2012,^[3] and a remake of his 1984 short, Frankenweenie, scheduled to be released on October 5, 2012.^[4]

Early life[link]

Burton was born in 1958, in the city of Burbank, California, to Jean Burton (née Erickson), the owner of a cat-themed gift shop, and Bill Burton, a former minor league baseball player who would later work for the Burbank Park and Recreation Department.^[5][6] As a preteen, Burton would make short films in his backyard on Evergreen Street using crude stop motion animation techniques or shoot them on 8 mm film without sound. (One of his oldest known juvenile films is The Island of Doctor Agor, that he made when he was 13 years old.) Burton studied at Burbank High School, but he was not a particularly good student. He was a very introspective person, and found his pleasure in painting, drawing and watching films. His future work would be heavily influenced by the works of such childhood heroes as Dr. Seuss and Roald Dahl,^[7] as well as Edgar Allan Poe and the horror and science fiction films he watched, such as Godzilla, and films made by Hammer Film Productions, the works of Ray Harryhausen and Vincent Price.

After graduating from Burbank High School with Jeff Riekenberg, Burton attended the California Institute of the Arts to study character animation. Some of his classmates were John Lasseter, Brad Bird, John Musker and Henry Selick. (In the future, Selick and Burton would work together in The Nightmare Before Christmas and James and the Giant Peach.)

As a student in CalArts, Burton made the shorts Stalk of the Celery Monster and King and Octopus.^[8] They remain only in fragments today.

Early career: 1980s[link]

Burton graduated from CalArts in Santa Clarita, California in 1979. The success of his short film Stalk of the Celery Monster attracted the attention of Walt Disney Productions' animation studio, who offered young Burton an animator's apprenticeship at their studio. He worked as an animator, storyboard artist and concept artist on films such as The Fox and the Hound, The Black Cauldron and Tron. However, Burton's personal style clashed with Disney's standards, and he longed to work on solo projects.

While at Disney in 1982, Burton made his first short, Vincent, a six-minute black-and-white stop motion film based on a poem written by the filmmaker, and depicting a young boy who fantasizes that he is his (and Burton's) hero Vincent Price, with Price himself providing narration. The film was produced by Rick Heinrichs, whom Burton had befriended while working in the concept art department at Disney. The film was shown at the Chicago Film Festival and released, alongside the teen drama Tex, for two weeks in one Los Angeles cinema. This was followed by Burton's first live-action production Hansel and Gretel, a Japanese-themed adaptation of the Brothers Grimm fairy tale for the Disney Channel, which climaxes in a kung-fu fight between Hansel and Gretel and the witch. Having aired once at 10:30 pm on Halloween 1983 and promptly shelved, prints of the film are extremely difficult to locate, which contributes to the rumor that this project does not exist. (In 2009, the short went on display in the Museum of Modern Art, and in 2011 the short also played at the Tim Burton art exhibit at the LACMA).

Burton's next live-action short, Frankenweenie, was released in 1984. It tells the story of a young boy who tries to revive his dog after it is run over by a car. Filmed in black-and-white, it stars Barret Oliver, Shelley Duvall (with whom he would work again in 1986, directing an episode of her Faerie Tale Theatre) and Daniel Stern. After Frankenweenie was completed, Disney fired Burton, under the pretext of him spending the company's resources on doing a film that would be too dark and scary for children to see.

Pursuing then an opportunity to make a full-length film, he was approached by Griffin Dunne to direct the black comedy film After Hours. However, after Martin Scorsese's project The Last Temptation of Christ was cancelled (although it would later be completed and released in 1988), he showed an interest in directing it. Respectfully, Burton bowed out.

[edit] Pee-wee's Big Adventure

Not long after, actor Paul Reubens saw Frankenweenie and chose Burton to direct the cinematic spin-off of his popular character Pee-wee Herman. Pee-wee Herman gained mainstream popularity with a successful stage show at The Groundlings and then the Roxy which was later turned into an HBO special. The film, Pee-wee's Big Adventure (1985), was made on a budget of $8 million and grossed more than $40 million at the box office. Burton, a fan of the eccentric musical group Oingo Boingo, asked songwriter Danny Elfman to provide the music for the film. Since then, Elfman has provided the score for all but five of the films Burton has directed and/or produced, those exceptions being Cabin Boy, Ed Wood, James and the Giant Peach and Sweeney Todd: The Demon Barber of Fleet Street.

[edit] Beetlejuice

After directing episodes for the revitalized version of TV series of '50s/'60s anthology horror series Alfred Hitchcock Presents and Shelley Duvall's Faerie Tale Theatre, Burton received his next big project: Beetlejuice (1988), a supernatural comedy horror about a young couple forced to cope with life after death, as well as a family of pretentious yuppies invading their treasured New England home including their teenage daughter Lydia (Winona Ryder) whose obsession with death allows her to see them. Starring Alec Baldwin and Geena Davis, and featuring Michael Keaton as the obnoxious bio-exorcist Beetlejuice, the film grossed $80 million on a relatively low budget and won an Academy Award for Best Makeup. It would be converted into a cartoon of the same name, with Burton playing a role as executive producer, that ran on ABC and later Fox.

[edit] Batman

Burton's ability to produce hits with low budgets impressed studio executives, and he received his first big budget film, Batman. The production was plagued with problems. Burton repeatedly clashed with the film's producers, Jon Peters and Peter Guber, but the most notable debacle involved casting. For the title role, Burton chose to cast Michael Keaton as Batman following their previous collaboration in Beetlejuice, despite Keaton's average physique, inexperience with action films, and reputation as a comic actor. Although Burton won in the end, the furor over the casting provoked enormous fan animosity, to the extent that Warner Brothers' share price slumped.^{[citation needed]} Burton had considered it ridiculous to cast a "bulked-up" ultra-masculine man as Batman, insisting that the Caped Crusader should be an ordinary (albeit fabulously wealthy) man who dressed up in an elaborate bat costume to frighten criminals. Burton cast Jack Nicholson as The Joker (Tim Curry being his second choice) in a move that helped assuage fans' fears, as well as attracting older audiences not as interested in a superhero film.^{[citation needed]}

When the film opened in June 1989, it was backed by the biggest marketing and merchandising campaign in film history at the time, and became one of the biggest box office hits of all time, grossing well over US$250 million in the US alone and $400 million worldwide (numbers not adjusted for inflation) and earning critical acclaim for the performances of both Keaton and Nicholson, as well as the film's production aspects, which won the Academy Award for Best Art Direction. The success of the film helped establish Burton as a profitable director, and it also proved to be a huge influence on future superhero films, which eschewed the bright, all-American heroism of Richard Donner's Superman for a grimmer, more realistic look and characters with more psychological depth. It also became a major inspiration for the successful 1990s cartoon Batman: The Animated Series, in as much as the darkness of the picture and its sequel allowed for a darker Batman on television.

Burton claimed that The Killing Joke was a major influence on his film adaptation of Batman:

"I was never a giant comic book fan, but I've always loved the image of Batman and The Joker. The reason I've never been a comic book fan—and I think it started when I was a child—is because I could never tell which box I was supposed to read. I don't know if it was dyslexia or whatever, but that's why I loved The Killing Joke, because for the first time I could tell which one to read. It's my favorite. It's the first comic I've ever loved. And the success of those graphic novels made our ideas more acceptable."^[9]

1990s[link]

[edit] Edward Scissorhands

In 1990, Burton co-wrote (with Caroline Thompson) and directed Edward Scissorhands, re-uniting with Winona Ryder from Beetlejuice. His friend Johnny Depp, a teen idol at the end of the 1980s due primarily to his work on the hit TV series 21 Jump Street, was cast in the title role of Edward, who was the creation of an eccentric and old-fashioned inventor (played by Vincent Price in one of his last screen appearances). Edward looked human, but was left with scissors in the place of hands due to the untimely death of his creator. Set in suburbia (and shot in Lutz, Florida), the film is largely seen as Burton's autobiography of his childhood in Burbank. Price at one point is said to have remarked, "Tim is Edward." Depp wrote a similar comment in the foreword to Mark Salisbury's book, Burton on Burton, regarding his first meeting with Burton over the casting of the film. Edward is considered one of Burton's best movies by some critics.^[10] Following this collaboration with Burton, Depp starred in Ed Wood, Sleepy Hollow, Charlie and the Chocolate Factory, Corpse Bride, Sweeney Todd: The Demon Barber of Fleet Street, Alice in Wonderland, and Dark Shadows.

In 2004, Matthew Bourne came to Burton with the idea to turn the story of Edward into a ballet. In 2005, the ballet first aired. It has now toured the UK, the US, Canada, Australia and parts of Europe.

[edit] Batman Returns

The day Warner Brothers had declined to make the more personal Scissorhands even after the success of Batman, Burton finally agreed to direct the sequel for Warner Brothers on the condition that he would be granted total control. The result was Batman Returns which featured Michael Keaton returning as the Dark Knight, and a new triad of villains: Danny DeVito (as the Penguin), Michelle Pfeiffer (as Catwoman) and Christopher Walken as Max Shreck, an evil corporate tycoon and original character created for the film (similar to Superman III's Ross Webster). Darker and considerably more personal than its predecessor, concerns were raised that the film was too scary for children. Audiences were even more uncomfortable at the film's overt sexuality, personified by the sleek, fetish-inspired styling of Catwoman's costume. One critic remarked, "too many villains spoiled the Batman", highlighting Burton's decision to focus the storyline more on the villains instead of Batman. The film also polarized the fanbase, with some loving the darkness and quirkiness, while others felt it was not true to the core aspects of the source material. Burton made many changes to the Penguin which would be applied to the Penguin in both comics and television. While in the comics, he was an ordinary man, Burton created a freak of nature resembling a penguin with webbed, flipper-like fingers, a hooked, beak-like nose, and a penguin-like body (resulting in a rotund, obese man). Released in 1992, Batman Returns grossed $282.8 million worldwide, making it another financial success, though not to the extent of its predecessor. Paul Reubens a.k.a. Pee-Wee from Pee-wee's Big Adventure has a cameo as the Penguin's father.

[edit] The Nightmare Before Christmas

Next, Burton wrote and produced (but did not direct, due to schedule constraints on Batman Returns) The Nightmare Before Christmas (1993), originally meant to be a children's book in rhyme. The film was directed by Henry Selick and written by Caroline Thompson, based on Burton's original story, world and characters. The film received positive reviews for the film's stop motion animation, musical score and original storyline and was a box office success, grossing $50 million. Burton collaborated with Selick again for James and the Giant Peach (1996), which Burton co-produced. The film helped to generate a renewed interest in stop-motion animation.

A deleted scene from The Nightmare Before Christmas features a group of vampires playing hockey on the frozen pond with the decapitated head of Burton. The head was replaced by a jack-o'-lantern in the final version.

[edit] Cabin Boy

In 1994, Burton and frequent co-producer Denise Di Novi produced the 1994 fantasy-comedy Cabin Boy, starring comedian Chris Elliott and directed/written by Adam Resnick. Burton was originally supposed to direct the film after seeing Elliott perform on Get a Life, but handed the directing responsibility to Resnick once he was offered Ed Wood. The film was almost entirely panned by critics, even earning Chris Elliott a 1995 Razzie Award for "Worst New Star".^[11] The film also has a 45% "rotten" rating on Rotten Tomatoes, indicating more mixed contemporary reviews.

[edit] Ed Wood

His next film, Ed Wood (1994), was of a much smaller scale, depicting the life of Ed Wood, a filmmaker sometimes called "the worst director of all time". Starring Johnny Depp in the title role, the film is an homage to the low-budget science fiction and horror films of Burton's childhood, and handles its comical protagonist and his motley band of collaborators with surprising fondness and sensitivity. Owing to creative squabbles during the making of The Nightmare Before Christmas, Danny Elfman declined to score Ed Wood, and the assignment went to Howard Shore. While a commercial failure at the time of its release, Ed Wood was well-received by critics. Martin Landau received an Academy Award in the Best Supporting Actor category for his portrayal of Bela Lugosi, as well as the Academy Award for Best Makeup.

[edit] Batman Forever

Despite his intention to still lead the Batman franchise, Warner Bros. considered Batman Returns too dark and unsafe for children. To attract the young audience, it was decided that Joel Schumacher, who had directed films like The Client, lead the third film, while Burton would only produce it in conjunction with Peter McGregor-Scott. Following this change and the changes made by the new director, Michael Keaton resigned from the lead role and was replaced by Val Kilmer. Filming began in late 1994 and recognized with new actors: Tommy Lee Jones, Nicole Kidman, Chris O'Donnell and Jim Carrey; the only two actors who returned were Pat Hingle and Michael Gough. The film, a mixture of darkness that characterized the saga with colors and neon signs proposed by Schumacher, was a huge box office success of $336 million, despite controversy over the characters and plot. Despite their friendship, Burton often disagreed with Schumacher's decisions, especially in the filming of several scenes which were removed from the final cut (later added as deleted scenes on the 2005 DVD release). Warner Bros. demanded Schumacher delete those scenes so the film did not have the same tone as its predecessor Batman Returns. According to an interview with Janet Scott Batchler, Burton's only involvement as producer with Batman Forever was approving Schumacher as director and Lee and Janet Scott Batchler as the writers. Burton did not contribute story ideas and the Riddler was not considered for the villain until Schumacher and the Batchlers were at the development stage. Schumacher was rehired to lead another sequel, the infamous Batman & Robin, in which Burton, for unknown reasons, did not participate.

[edit] James and the Giant Peach

In 1996, Burton and Selick reunited for the musical fantasy James and the Giant Peach, based on the book by Roald Dahl. The film, a combination of live action and stop motion footage, starred Richard Dreyfuss, Susan Sarandon, David Thewlis, Simon Callow and Jane Leeves among others, with Burton producing and Selick directing. The film was mostly praised by critics, and was nominated for the Academy Award for Best Original Musical or Comedy Score (by Randy Newman).

[edit] Mars Attacks!

Elfman and Burton reunited for Mars Attacks! (1996). Based on a popular science fiction trading card series, the film was a hybrid of 1950s science fiction and 1970s all-star disaster films. Coincidence made it an inadvertent spoof of the blockbuster, Independence Day, made around the same time and released five months earlier. The film boasted an all-star cast, including Jack Nicholson, Glenn Close, Anette Bening, Danny DeVito, Pierce Brosnan, Michael J. Fox, Sarah Jessica Parker, Natalie Portman, Lukas Haas, Martin Short, Rod Steiger, Christina Applegate, and Jack Black.

[edit] Sleepy Hollow

Sleepy Hollow, released in late 1999, had a supernatural setting and another offbeat performance by Johnny Depp as Ichabod Crane, now a detective with an interest in forensic science rather than the schoolteacher of Washington Irving's original tale. With Hollow, Burton paid homage to the horror films of the English company Hammer Films. Christopher Lee, one of Hammer's stars, was given a cameo role. A host of Burton regulars appeared in supporting roles (Michael Gough, Jeffrey Jones and Christopher Walken, among others) and Christina Ricci was cast as Katrina van Tassel. A well-regarded supporting cast was headed by Miranda Richardson, Michael Gambon, Richard Griffiths and Ian McDiarmid. Mostly well-received by critics, and with a special mention to Elfman's Gothic score, the film won an Academy Award for Best Art Direction, as well as two BAFTAs for Best Costume Design and Best Production Design. A box office success, Sleepy Hollow was also a turning point for Burton. Along with change in his personal life (separation from actress Lisa Marie), Burton changed radically in style for his next project, leaving the haunted forests and colorful outcasts behind to go on to directing Planet of the Apes which, as Burton had repeatedly noted, was "not a remake" of the earlier film.

2000s[link]

[edit] Planet of the Apes

Planet of the Apes was a commercial success, grossing $68 million in its opening weekend. The film has received mixed reviews and is widely considered inferior to the first adaptation of the novel. One criticism was that the movie went for a more watered down "popcorn" feel than the dark, cerebral and nihilistic tone of the 1968 film. The film was a significant departure from Burton's usual style, and there was much subsequent debate about whether the film was really Burton's, or if he was just a "hired gun" who did what he was asked.^[12] Burton reportedly clashed with the studio during the whole making of the film, once going as far as abruptly leaving the set for the day. There were also many reports about last-minute changes in the film. The film enjoyed commercial success and had an ending that clearly suggested the possibility of a sequel, but neither the studio nor Burton gave indications of making another Apes movie. During the making of the film, Burton met actress Helena Bonham Carter, who would later become his long-term domestic partner. In 2011, Rise of the Planet of the Apes was released without Burton's involvement.

[edit] Big Fish

In 2003, Burton directed Big Fish, based on the novel Big Fish: A Novel of Mythic Proportions by Daniel Wallace. The film is about a father telling the story of his life to his son using exaggeration and color. Starring Ewan McGregor as young Edward Bloom and Albert Finney as an older Edward Bloom, the film also stars Jessica Lange, Billy Crudup, Danny DeVito, Alison Lohman and Marion Cotillard. Big Fish is also notable as the first role, playing "Young Ruthie", of Miley Cyrus, credited under her birth name, Destiny Hope Cyrus. Big Fish received four Golden Globe nominations as well as an Academy Award nomination for the musical score by Danny Elfman. Big Fish was also the second collaboration with Burton and Helena Bonham Carter, who played the characters of Jenny and the Witch.

[edit] Charlie and the Chocolate Factory

Burton at premiere of the film in 2005.

Charlie and the Chocolate Factory (2005) is an adaptation of the book of the same name by Roald Dahl. Starring Johnny Depp as Willy Wonka, Freddie Highmore as Charlie Bucket and Helena Bonham Carter as Mrs. Bucket, the film generally took a more faithful approach to the source material than the 1971 adaptation, Willy Wonka & the Chocolate Factory, although some liberties were taken, such as adding Wonka's issue with his father (played by Christopher Lee). Charlie and the Chocolate Factory was later nominated for the Academy Award for Best Costume Design. The film made over $207 million domestically. Filming proved difficult as Burton and Danny Elfman had to work on this and Burton's Corpse Bride at the same time.

[edit] Corpse Bride

Corpse Bride (2005) was Burton's first full-length stop-motion film as a director, featuring the voices of Johnny Depp as Victor and Helena Bonham Carter (for whom the project was specifically created) as Emily in the lead roles. In this film, Burton was able again to use his familiar styles and trademarks, such as the complex interaction between light and darkness, and of being caught between two irreconcilable worlds.

"Bones"[link]

"Bones" (2006) is the only music video Burton has directed to date. The song "Bones" is the sixth overall single by American indie rock band The Killers, the second released from their second studio album, Sam's Town. Starring in this video were actors Michael Steger and Devon Aoki. Also featured in the video are scenes from films like Creature from the Black Lagoon, Jason and the Argonauts and Lolita.

The band, as well as Steger and Aoki, change temporarily into partial CG skeletal versions of themselves, before becoming complete skeletons by the end of the video. At the 2007 Shockwaves NME Awards, it won the award for Best Video.

[edit] Sweeney Todd: The Demon Barber of Fleet Street

Tim Burton (right) and Pedro Almodóvar (left) at the première of Sweeney Todd: The Demon Barber of Fleet Street in Madrid, in 2007

The DreamWorks/Warner Bros. production was released on December 21, 2007. Burton's work on Sweeney Todd won the National Board of Review Award for Best Director,^[13] received a Golden Globe nomination for Best Director^[14] and won an Academy Award for Best Art Direction. Helena Bonham Carter won an Evening Standard British Film Award for her portrayal of Mrs. Lovett, as well as a Golden Globe nomination. The film blends explicit gore and Broadway tunes, and was well received by critics. Johnny Depp was nominated for the Best Actor Oscar for the role of Sweeney Todd. Depp also won the Golden Globe for Best Actor in a Musical/Comedy, as well as the award for Best Villain as Todd in the 2008 MTV Awards.

[edit] 9

Tim Burton speaking about 9 at Comic-Con, 2009.

In 2005, filmmaker Shane Acker released his short film 9, a story about a sentient rag doll living in a post-apocalyptic world who tries to stop machines from destroying the rest of his eight fellow rag dolls. The film won numerous awards and was nominated for an Academy Award for Best Animated Short Film. After seeing the short film, Tim Burton and Timur Bekmambetov, director of Wanted, showed interest in producing a feature-length adaptation of the film. Directed by Acker, the full-length film was produced by Burton, written by Acker (story) and Pamela Pettler (screenplay, co-writer of Corpse Bride) and featured the voice work of Elijah Wood, John C. Reilly, Jennifer Connelly, Christopher Plummer, Martin Landau, Crispin Glover and Fred Tatasciore, among others. This was Burton's first animated movie aside from his stop-motion films.

2010s[link]

[edit] Alice in Wonderland

In Burton's version, the story is set 13 years after the original Lewis Carroll tales. Mia Wasikowska, who featured in the HBO series In Treatment and Defiance, was cast as Alice. The original start date was May 2008.^[15] Torpoint and Plymouth were the locations used for filming from September 1 – October 14, and the film remains set in the Victorian era. During this time, filming took place in Antony House in Torpoint.^[16] 250 local extras were chosen in early August.^[17][18] Other production work took place in London.^[19] The film was originally to be released in 2009, but was pushed to March 5, 2010.^[20] Johnny Depp plays the Mad Hatter, while Matt Lucas, star of Little Britain, is both Tweedledee and Tweedledum; Helena Bonham Carter portrays the Red Queen; Stephen Fry is the Cheshire Cat; Anne Hathaway stars as the The White Queen; Alan Rickman voices Absolem the Caterpillar, Michael Sheen voices McTwisp the White Rabbit and Crispin Glover's head and voice were added onto a CGI body to play the Knave of Hearts.

Tim Burton appeared at the 2009 Comic-Con in San Diego, California, to promote both 9 and Alice in Wonderland. When asked about the filmmaking process by an attendee, he mentioned his "imaginary friend" who helps him out, prompting Johnny Depp to walk on stage to the applause of the audience. The film won two Academy Awards for Best Art Direction and Best Costume Design.

[edit] Dark Shadows

Burton's film Dark Shadows once again starred Johnny Depp in the leading role. The film was based on the original Dark Shadows gothic soap opera, which aired on ABC from 1966 to 1971. Members of the cast included Helena Bonham Carter, Michelle Pfeiffer, Eva Green, Jackie Earle Haley, Bella Heathcote, Gulliver McGrath, and Chloë Grace Moretz. The filming began in April 2011, with the film released on May 11, 2012. Danny Elfman once again composed and conducted the score and soundtrack for the film, and Colleen Atwood was the costume designer. It has received mixed to negative reviews from critics, some of whom think it is a tongue-in-cheek gothic comedy, visually appealing and fitting as an adaptation of the melodramatic soap opera, whereas others think the film has a very loose plot, is not particularly humorous, and that Burton and Depp's collaborative efforts have worn thin. Depp's performance has also had a mixed reception, with some claiming his performance is the best thing about the film, while others have accused him of overacting.

Future projects[link]

Burton is remaking his 1984 short film Frankenweenie as a feature-length stop motion film, distributed by Walt Disney Pictures.^[21] The film is set to be released on October 5, 2012.^[22]

On January 19, 2010, it was announced that after Dark Shadows, Burton's next project would be a Wicked-like film that showed the origin and the past of Sleeping Beauty's antagonist Maleficent. In an interview with Fandango published February 23, 2010, however, he denied he was directing any upcoming Sleeping Beauty film.^[23] However, on November 23, 2010, in an interview with MTV, Burton confirmed that he was indeed putting together a script for Maleficent.^[24] It was announced in The Hollywood Reporter on May 16, 2011 that Burton was no longer attached to Maleficent.^[25]

Burton will also co-produce Abraham Lincoln: Vampire Hunter with Timur Bekmambetov, who will also serve as director. The film, set to be released on June 22, 2012, is based on the novel by Seth Grahame-Smith, also author of Pride and Prejudice and Zombies, who also wrote the film's screenplay. It has also been reported that Burton will be directing a 3-D stop-motion animation adaptation of The Addams Family, which was confirmed by Christopher Meledandri.^[26] On July 19, 2010, he was announced as the director of the upcoming film adaptation of Monsterpocalypse.^[27]

Personal life[link]

Burton was married to Lena Gieseke, a German-born artist, for two years, whom he left to live with model and actress Lisa Marie; she acted in the films he made during their relationship from 1992 to 2001, most notably in Ed Wood and Mars Attacks!. After leaving her, Burton then developed a romantic liaison with English actress Helena Bonham Carter, whom he met while filming Planet of the Apes. Lisa Marie responded in 2005 by holding an auction of personal belongings that Burton had left behind, much to his dismay.^[28]

Burton and Bonham Carter have two children: a son, Billy Raymond, named after his and Bonham Carter's fathers, born October 4, 2003; and a daughter, Nell, born December 15, 2007.^[29] Close friend Johnny Depp is a godfather of both of Burton's children. In Burton on Burton, Depp wrote the introduction, stating, "What more can I say about him? He is a brother, a friend, my godson's father. He is a unique and brave soul, someone that I would go to the ends of the earth for, and I know, full and well, he would do the same for me."

Burton was the President of the Jury for the 63rd annual Cannes Film Festival, which was held from May 12 to May 24, 2010 in Cannes, France.^[30]

On March 15, 2010, Burton received the insignia of Chevalier of Arts and Letters from Minister of Culture, Frédéric Mitterrand.^[31]

Burton has stated his favorite films are Dracula AD 1972, The Wicker Man, The Golden Voyage of Sinbad, The War of the Gargantuas, and The Omega Man.^[32]

Recurring collaborators[link]

Burton often casts certain actors in multiple directing projects. This includes Helena Bonham Carter, Johnny Depp, Danny DeVito, Conchata Ferrell, Albert Finney, Carmen Filpi, Michael Gough, Pat Hingle, Jan Hooks, Rance Howard, Jeffrey Jones, O-Lan Jones, Michael Keaton, Christopher Lee, Lisa Marie, Catherine O'Hara, Michelle Pfeiffer, Vincent Price, Missi Pyle, Paul Reubens, Alan Rickman, Deep Roy, Winona Ryder, Diane Salinger, Glenn Shadix, Martin Short, Timothy Spall, Sylvia Sidney, Christopher Walken, Frank Welker, and Paul Whitehouse.

Burton also often works with certain crew members in multiple directing projects. This includes composer Danny Elfman, screenwriters Caroline Thompson, John August, and Seth Grahame-Smith, producers Denise Di Novi, Allison Abbate, and Richard D. Zanuck, costume designer Colleen Atwood, production designers Bo Welch, Alex McDowell, and Rick Heinrichs, cinematographers Philippe Rousselot and Dariusz Wolski, and editor/executive producer Chris Lebenzon.

Exhibitions[link]

"Tim Burton" at Museum of Modern Art[link]

From November 22, 2009 to April 26, 2010, Burton had a retrospective at the MoMA in New York with over 700 "drawings, paintings, photographs, storyboards, moving-image works, puppets, maquettes, costumes, and cinematic ephemera," including many from the filmmaker's personal collection.^[33][34] The show also includes amateur and student films, music videos, commercials, and digital slide shows, as well as a complete set of features and shorts.^[35]

"Tim Burton" at the Australian Centre for the Moving Image (ACMI)[link]

From MoMA, the "Tim Burton" exhibition traveled directly to Australian Centre for the Moving Image in Melbourne. Running from June 24 to October 10, 2010, the ACMI exhibition will incorporate additional material from Burton's Alice in Wonderland, which was released in March.^[36]

"Tim Burton" at the TIFF Bell Lightbox[link]

The exhibition was displayed at the TIFF Bell Lightbox in Toronto, Ontario, Canada from November 26, 2010 to April 17, 2011. It was accompanied by several personal appearances by Burton as well as a retrospective of his films.

"Tim Burton" at the Los Angeles County Museum of Art (LACMA)[link]

"The Art of Tim Burton" was exhibited at the Los Angeles County Museum of Art from May 29 to October 31, 2011 in the Museum's Resnick Pavilion.^[37] LACMA has also featured six films of Tim Burton's idol, Vincent Price, for the actor's 100th birthday during the closing weekend of the Exhibit.

"Tim Burton" at the Cinémathèque Française[link]

"Tim Burton, the exhibition/Tim Burton, l'exposition" is exhibiting at the Cinémathèque Française from March 7 to August 5, 2012 in Paris, France.^[38] All Tim Burton's movies are programmed during the exhibition.

Bibliography[link]

• Burton on Burton, edited by Mark Salisbury (1995, revised editions 2000, 2006)
• The Melancholy Death of Oyster Boy & Other Stories (1997)
• The Art of Tim Burton, written by Leah Gallo (2009)

Filmography[link]

Year	Film	Director	Producer	Writer
1982	Vincent	Y		Y
1984	Frankenweenie	Y		Y
1985	Pee-wee's Big Adventure	Y
1988	Beetlejuice	Y
1989	Batman	Y
1990	Edward Scissorhands	Y	Y	Y
1992	Batman Returns	Y	Y
1993	The Nightmare Before Christmas		Y	Y
1994	Cabin Boy		Y
	Ed Wood	Y	Y
1995	Batman Forever		Y
1996	James and the Giant Peach		Y
	Mars Attacks!	Y	Y
1999	Sleepy Hollow	Y
2001	Planet of the Apes	Y
2003	Big Fish	Y
2005	Charlie and the Chocolate Factory	Y
	Corpse Bride	Y	Y
2007	Sweeney Todd: The Demon Barber of Fleet Street	Y
2009	9		Y
2010	Alice in Wonderland	Y
2012	Dark Shadows	Y
	Abraham Lincoln: Vampire Hunter		Y
	Frankenweenie	Y	Y	Y

Short films[link]

• The Island of Doctor Agor (1971)
• Houdini: The Untold Story (1976)
• Stalk of the Celery Monster (1979)
• Doctor of Doom (1979)
• Luau (1982)

Animator filmography[link]

• The Lord of the Rings (1978) (uncredited)
• Stalk of the Celery Monster (1979)
• The Fox and the Hound (1981) (uncredited)
• Tron (1982) (uncredited)

Cameos and other film work[link]

• Singles (1992)
• Hoffa (1992)
• The Nightmare Before Christmas (deleted scene)
• Men in Black 3 (2012)

Art filmography[link]

• Frankenweenie (1984) (storyboard artist, uncredited)
• The Black Cauldron (1985) (conceptual artist, uncredited)

Internet shorts[link]

• The World of Stainboy (2000)

Television[link]

• Hansel and Gretel (1982) (director)
• Faerie Tale Theatre – episode Aladdin and His Wonderful Lamp (1989) (director)
• The New Alfred Hitchcock Presents – episode The Jar (1984) (director)
• Beetlejuice: The Animated Series (1989–1991) (executive producer)
• Family Dog (1993) (animation designer, executive producer)
• Hollywood Gum – French commercial, director (1997)
• Kung Fu and Mannequin – Timex commercials, director (2001)

Music videos[link]

• "Bones" by The Killers (2006)

See also[link]

• List of unproduced Tim Burton projects

Awards[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (January 2011)

Emmy Award

• (1990) Won — Outstanding Animated Program / Beetlejuice

Academy Awards

• (2006) Nominated — Best Animated Feature / Corpse Bride

BAFTA Awards

• (2004) Nominated — Best Direction / Big Fish

Cannes Film Festival

• (1994) Nominated — Palme d'Or / Ed Wood

Chicago Film Critics Association Awards

• (2004) Nominated — Best Director / Big Fish

Golden Globe Awards

• (2008) Nominated — Best Director – Motion Picture / Sweeney Todd: The Demon Barber of Fleet Street

National Board of Review Awards

• (2008) Won — Best Director / Sweeney Todd: The Demon Barber of Fleet Street

Producers Guild of America Awards

• (2006) Nominated — Animated Motion Picture / Corpse Bride
• (2008) Honored — Scream Awards: Scream Immortal Award, for his unique interpretation of horror and fantasy
• (2009) Won — Best Producer / 9

64th Venice International Film Festival

• (2007) Honored — Golden Lion for Lifetime Achievement

Lacanian Psychoanalysis Prize

• (2010) Won

the Order of the Arts and Letters

• (2010) Knighted by Culture Minister of France

References[link]

Further reading[link]

• Bassil-Morozow, Helena (2010): Tim Burton: The Monster and the Crowd. Routledge, London, ISBN 978-0-415-48971-3 Read Introduction at JungArena.com
• Heger, Christian (2010): Mondbeglänzte Zaubernächte. Das Kino von Tim Burton. Schüren, Marburg, ISBN 978-3-89472-554-9 Read Excerpts at Libreka.de
• Gallo, Leah (2009): The Art of Tim Burton. Steeles Publishing, Los Angeles, ISBN 978-1-935539-01-8
• Magliozzi, Ron / He, Jenny (2009): Tim Burton. The Museum of Modern Art, New York, ISBN 978-0-87070-760-5
• Lynette, Rachel (2006): Tim Burton, Filmmaker. KidHaven Press, San Diego, CA, ISBN 0-7377-3556-2
• Page, Edwin (2006): Gothic Fantasy: The Films of Tim Burton. Marion Boyars Publishers, London, ISBN 0-7145-3132-4
• Salisbury, Mark (2006): Burton on Burton. Revised Edition. Faber and Faber, London, ISBN 0-571-22926-3
• Fraga, Kristian (2005): Tim Burton – Interviews. University Press of Mississippi, Jackson, MS, ISBN 1-57806-758-8
• Odell, Colin / Le Blanc, Michelle (2005): Tim Burton. The Pocket Essentials, Harpenden 2005, ISBN 1-904048-45-5
• McMahan, Alison (2005): The Films of Tim Burton: Animating Live Action in Contemporary Hollywood. Continuum, New York, ISBN 0-8264-1566-0 Read Chapter 3 at FilmsOfTimBurton.com
• Smith, Jim / Matthews, J. Clive (2002): Tim Burton. Virgin, London, ISBN 0-7535-0682-3
• Woods, Paul A, (2002): Tim Burton: A Child's Garden of Nightmares. Plexus, London, ISBN 0-85965-310-2
• Merschmann, Helmut (2000): Tim Burton: The Life and Films of a Visionary Director (translated by Michael Kane). Titan Books, London, ISBN 1-84023-208-0
• Hanke, Ken (1999): Tim Burton: An Unauthorized Biography of the Filmmaker. Renaissance Books, Los Angeles, ISBN 1-58063-046-4

External links[link]

Wikimedia Commons has media related to: Tim Burton

• Burton's official website
• A website Burton is mentioned on
• A Fantastic Site For Him
• Senses of Cinema: Great Directors Critical Database – Tim Burton
• Tim Burton at the Internet Movie Database

Richard Burton
In Cleopatra (1963) This file is nominated for deletion. See commons:Commons:Deletion requests/File:Burton, Richard (Cleopatra).jpg
Born	Richard Walter Jenkins (1925-11-10)10 November 1925 Pontrhydyfen, Wales
Died	5 August 1984(1984-08-05) (aged 58) Céligny, Switzerland
Cause of death	Cerebral haemorrhage
Nationality	Welsh
Occupation	Actor
Years active	1944–84
Spouse	Sybil Williams (1949–63; divorced) Elizabeth Taylor (1964–74, 1975–76; divorced) Suzy Hunt (1976–82; divorced) Sally Hay (1983–84; his death)
Children	Kate Burton Jessica Burton Liza Todd Burton Maria Burton
Signature

Richard Burton, CBE (10 November 1925 – 5 August 1984) was a Welsh actor.^[1] He was nominated seven times for an Academy Award, six of which were for Best Actor in a Leading Role (without ever winning), and was a recipient of BAFTA, Golden Globe and Tony Awards for Best Actor. Although never trained as an actor, Burton was, at one time, the highest-paid actor in Hollywood. He remains closely associated in the public consciousness with his second wife, actress Elizabeth Taylor; the couple's turbulent relationship was rarely out of the news.^[2]

Childhood and education[link]

Richard Burton was born Richard Walter Jenkins in the village of Pontrhydyfen, Neath Port Talbot, Wales. He grew up in a working class, Welsh-speaking household, the twelfth of thirteen children.^[3] His father, Richard Walter Jenkins, was a short, robust coal miner, a "twelve-pints-a-day man" who sometimes went off on drinking and gambling sprees for weeks. Burton later claimed, by family telling, that "He looked very much like me...That is, he was pockmarked, devious, and smiled a great deal when he was in trouble. He was, also, a man of extraordinary eloquence, tremendous passion, great violence."^[4]:23

Burton was less than two years old in 1927 when his mother, Edith Maude (née Thomas), died at the age of 43^[5]:2 after giving birth to her 13th child.^[6] His sister Cecilia and her husband Elfed took him into their Presbyterian mining family in nearby Port Talbot (an English-speaking steel town).^[3][7] Burton said later that his sister became "more mother to me than any mother could have ever been... I was immensely proud of her... she felt all tragedies except her own". Burton's father would occasionally visit the homes of his grown daughters but was otherwise absent.^{[8]:7, 10} Also important in young Burton's life was Ifor (Ivor), the brother 19 years his senior. A miner and rugby player, Ifor "ruled the household with the proverbial firm hand".^[5]:7

Burton showed a talent for English and Welsh literature at grammar school, and demonstrated an excellent memory, though his consuming interest was sports – rugby (in fact famous Welsh centre Bleddyn Williams said in his autobiography that Burton could have gone far as a player^[9]), cricket, and table tennis^[10] He later said, "I would rather have played for Wales at Cardiff Arms Park than Hamlet at the Old Vic."^[8]:17 He earned pocket money by running messages, hauling horse manure, and delivering newspapers. He started to smoke at the age of eight and drink regularly at twelve.^[4]:25–26 Inspired by his schoolmaster, Philip H. Burton, he excelled in school productions, his first being The Apple Cart.^[4]:29 Philip could not legally adopt Burton because their age difference was one year short of the minimum twenty years required.^{[Did he want to? clarification needed][11]:47} Burton early on displayed an excellent speaking and singing voice and won an Eisteddfod prize as a boy soprano.^[4]:27

Burton left school at sixteen for full-time work. He worked for the local wartime Co-operative committee, handing out supplies in exchange for coupons, but then considered other professions for his future, including boxing, religion and singing.^[4]:27 When Burton joined the Port Talbot Squadron of the Air Training Corps as a cadet, he re-encountered Philip Burton, his former teacher, who was the commander. Richard also joined a youth drama group led by Leo Lloyd, a steel worker and avid amateur thespian, who taught him the fundamentals of acting.

Philip Burton, recognising Richard's talent, then adopted him as his ward and Richard returned to school, and, being older than most of the boys, he was very attractive to some of the girls.^[4]:30–31 Philip Burton later said, "Richard was my son to all intents and purposes. I was committed to him."^[4]:34 Philip Burton tutored his charge intensely in school subjects and also worked at developing the youth's acting voice, including outdoor voice drills which improved his projection.^[8]:38

In 1943, at the age of eighteen, Richard Burton (who had now taken his teacher's surname but would not change it by deed poll for several years^[5]:41), was allowed into Exeter College, Oxford for a special term of six months study, made possible because he was an air force cadet obligated to later military service. He subsequently did serve in the RAF (1944–1947) as a navigator. Burton's eyesight was too poor for him to be considered pilot material.^[10]

Early acting career[link]

In the 1940s and early 1950s Burton worked on stage and in cinema in the United Kingdom. Before his war service with the Royal Air Force, he starred as Professor Higgins in a YMCA production of Pygmalion. He earned his first professional acting fees doing radio parts for the BBC.^[4]:35 He had made his professional acting debut in Liverpool and London, appearing in Druid's Rest, a play by Emlyn Williams (who also became a guru), but his career was interrupted by conscription in 1944.^[8]:44 Early on as an actor, he developed the habit of toting around a book-bag filled with novels, dictionaries, a complete Shakespeare, and books of quotations, history, and biography, and enjoyed solving crossword puzzles. Burton could, given any line from Shakespeare's works, recite from memory the next several minutes of lines.^[12] His Welsh love of language was paramount, as he famously stated years later, with a tearful Elizabeth Taylor at his side, "The only thing in life is language. Not love. Not anything else."^[8]:43

In 1947, after his discharge from the RAF, Burton went to London to seek his fortune. He immediately signed up with a theatrical agency to make himself available for casting calls.^[4]:45 His first film was The Last Days of Dolwyn, set in a Welsh village about to be drowned to provide a reservoir. His reviews praised him for his "acting fire, manly bearing, and good looks."^[4]:48

Burton met his future wife, the young actress Sybil Williams, on the set, and they married in February 1949. They had two daughters, and divorced in 1963 after Burton's widely reported affair with Elizabeth Taylor. In the years of his marriage to Sybil, Burton appeared in the West End in a highly successful production of The Lady's Not for Burning, alongside Sir John Gielgud and Claire Bloom, in both the London and NewYork productions. He had small parts in various British films: Now Barabbas Was A Robber; Waterfront (1950) with Robert Newton; The Woman with No Name (1951); and a bigger part as a smuggler in Green Grow the Rushes, a B-movie.^[8]:70–71

Reviewers took notice of Burton: "He has all the qualifications of a leading man that the British film industry so badly needs at this juncture: youth, good looks, a photogenic face, obviously alert intelligence, and a trick of getting the maximum of attention with a minimum of fuss."^[4]:51 In the 1951 season at Stratford, he gave a critically acclaimed performance and achieved stardom as Prince Hal in Shakespeare's Henry IV, Part 1 opposite Anthony Quayle's Falstaff. Philip Burton arrived at Stratford to help coach his former charge, and he noted in his memoir that Quayle and Richard Burton had their differences about the interpretation of the Prince Hal role. Richard Burton was already demonstrating the same independence and competitiveness as an actor that he displayed off-stage in drinking, sport, or story-telling.^[8]:73

Kenneth Tynan said of Burton's performance, "His playing of Prince Hal turned interested speculation to awe almost as soon as he started to speak; in the first intermission local critics stood agape in the lobbies."^[4]:51 Suddenly, Richard Burton had fulfilled his guardian's wildest hopes and was admitted to the post-War British acting circle which included Anthony Quayle, John Gielgud, Michael Redgrave, Hugh Griffith and Paul Scofield. He even met Humphrey Bogart, a fellow hard drinker, who sang his praises back in Hollywood.^[4]:56 Lauren Bacall recalled, "Bogie loved him. We all did. You had no alternative." Burton bought the first of many cars and celebrated by increasing his drinking.^[8]:73–74 The following year, Burton signed a five-year contract with Alexander Korda at £100 a week, launching his Hollywood career.

Hollywood and later career[link]

Richard Burton in the film Cleopatra (1963)

In 1952, Burton successfully made the transition to a Hollywood star; on the recommendation of Daphne du Maurier, he was given the leading role in My Cousin Rachel opposite Olivia de Havilland.^[4]:59 Burton arrived on the Hollywood scene at a time when the studios were struggling. Television's rise was drawing away viewers and the studios looked to new stars and new film technology to staunch the bleeding. 20th Century Fox negotiated with Korda to borrow him for this film and a further two at $50,000 a film. The film was a critical success. It established Burton as a Hollywood leading man and earned him his first Academy Award nomination and the Golden Globe Award for New Star of the Year – Actor. In Desert Rats (1953), Burton plays a young English captain in the North African campaign during World War II who takes charge of a hopelessly out-numbered Australian unit against the indomitable Field Marshal Erwin Rommel (James Mason). Mason, another actor known for his distinctive voice and excellent elocution, became a friend of Burton's and introduced the new actor to the Hollywood crowd. In short order, he met Judy Garland, Greta Garbo, Stewart Granger, Jean Simmons, Deborah Kerr, and Cole Porter, and Burton met up again with Humphrey Bogart.^[8]:82 At a party, he met a pregnant Elizabeth Taylor (then married to Michael Wilding) whose first impression of Burton was that "he was rather full of himself. I seem to remember that he never stopped talking, and I had given him the cold fish eye."^[4]:60

The following year he created a sensation by starring in The Robe, the first film to premiere in the wide-screen process CinemaScope, winning another Oscar nomination. He replaced Tyrone Power, who was originally cast in the role of Marcellus, a noble but decadent Roman in command of the detachment of Roman soldiers that crucified Jesus Christ, who, haunted by his guilt from this act, is eventually led to his own conversion. Marcellus' Greek slave (played by Victor Mature) guides him as a spiritual teacher, and his wife (played by Jean Simmons) follows his lead, although it will mean both their deaths. The film marked a resurgence in Biblical blockbusters.^[8]:85 Burton was offered a seven-year, $1 million contract by Darryl F. Zanuck at Fox, but he turned it down, though later the contract was revived and he agreed to it.^[8]:87 It has been suggested that remarks Burton made about blacklisting Hollywood while filming The Robe may have explained his failure to ever win an Oscar, despite receiving seven nominations.

In 1954, Burton took his most famous radio role, as the narrator in the original production of Dylan Thomas's Under Milk Wood, a role he would reprise in the film version twenty years later. He was also the narrator, as Winston Churchill, in the highly successful 1960 television documentary series The Valiant Years.^[4]:90

Stage career[link]

Burton was still juggling theatre with film, playing Hamlet and Coriolanus at the Old Vic theatre in 1953 and alternating the roles of Iago and Othello with the Old Vic's other rising matinee idol John Neville. Hamlet was a challenge that both terrified and attracted him, as it was a role many of his peers in the British theatre had undertaken, including John Gielgud and Laurence Olivier.^[8]:93 Bogart, on the other hand, warned him as Burton left Hollywood, "I never knew a man who played Hamlet who didn't die broke."^[4]:67 Once again, Philip Burton provided expert coaching. Claire Bloom played Ophelia, and their work together led to a turbulent affair.^[8]:94 His reviews in Hamlet were good but he received stronger praise for Coriolanus. His fellow actor Robert Hardy said, "His Coriolanus is quite easily the best I've ever seen" but Hamlet was "too strong".^[8]:93

Burton appeared on Broadway, receiving a Tony Award nomination for Time Remembered (1958) and winning the award for playing King Arthur in the musical Camelot (1960), directed by Moss Hart and written by Alan Jay Lerner and Frederick Loewe.^[4]:67 Julie Andrews, fresh from her triumph in My Fair Lady, played Guenevere to Burton's King Arthur, with Robert Goulet as Lancelot completing the love triangle. The production was troubled, with both Loewe and Hart falling ill, numerous revisions upsetting the schedule and the actors, and the pressure building due to great expectations and huge advance sales. The show's running time was nearly five hours. Burton took it all in his stride and calmed people down with statements like "Don't worry, love." Burton's intense preparation and competitive desire served him well. He was generous and supportive to others who were suffering in the maelstrom. According to Lerner, "he kept the boat from rocking, and Camelot might never have reached New York if it hadn't been for him."^[4]:93 As in the play, both male stars were enamoured of their leading lady, newly married Andrews. When Goulet turned to Burton for advice, Burton had none to offer, but later he admitted, "I tried everything on her myself. I couldn't get anywhere either."^[4]:94 Burton's reviews were excellent, Time magazine stated that Burton "gives Arthur the skilful and vastly appealing performance that might be expected from one of England's finest young actors." The show's album was a major seller. The Kennedys, newly in the White House, also enjoyed the play and invited Burton for a visit, establishing the link of the idealistic young Kennedy administration with Camelot.

He then put his stage career on the back burner to concentrate on film, although he received a third Tony Award nomination when he reprised his Hamlet under John Gielgud's direction in 1964 in a production that holds the record for the longest run of the play in Broadway history (136 performances).^[4]:148 The performance was immortalised both on record and on a film that played in US theatres for a week in 1964 as well as being the subject of books written by cast members William Redfield and Richard L. Sterne. Burton took the role on just after his marriage to Taylor. Since Burton disliked wearing period clothing, Gielgud conceived a production in a "rehearsal" setting with a half-finished set and actors wearing their street clothes (carefully selected while the production really was in rehearsal). Burton's basic reading of Hamlet, which displeased some theatre-goers, was of a complex manic-depressive personality, but during the long run he varied his performance considerably as a self-challenge and to keep his acting fresh. On the whole, Burton had good reviews. Time said that Burton "put his passion into Hamlet's language rather than the character. His acting is a technician's marvel. His voice has gem-cutting precision."^[4]:144 The opening night party was a lavish affair, attended by six hundred celebrities who paid homage to the couple. The most successful aspect of the production was generally considered to be Hume Cronyn's performance as Polonius, winning Cronyn the only Tony Award that he would ever receive in a competitive category.

After his Hamlet, Burton did not return to the stage for twelve years until 1976 in Equus. (He did accept the role of Humbert Humbert in Alan Jay Lerner's musical adaptation of Lolita entitled Lolita, My Love. However he withdrew and was replaced by friend and fellow Welshman John Neville.) His performance as psychiatrist Martin Dysart won him both a special Tony Award for his appearance, but he had to make Exorcist II: The Heretic – a film he hated – before Hollywood producers would allow him to repeat his role in the 1977 film version. The final stage performance in which he starred was a critically reviled production of Noël Coward's Private Lives, opposite his ex-wife Elizabeth Taylor, in 1983. Most reviewers dismissed the production as a transparent attempt to capitalise on the couple's celebrity, although they grudgingly praised Burton as having the closest connection to Coward's play of anyone in the cast.

Hollywood career in the 1950s and 1960s[link]

In terms of critical success, Burton's Hollywood roles throughout the 1950s did not live up to the early promise of his debut. Burton returned to Hollywood to star in Prince of Players, another historical Cinemascope film, this time concerning Edwin Booth, famous American actor and brother of Abraham Lincoln's assassin John Wilkes Booth. A weak script undermined a valiant effort by Burton, although the view of director Philip Dunne was that "The fire and intensity were there, but that was all. He hadn't yet mastered the tricks of the great movie stars, such as Gary Cooper."^[4]:71 Next came Alexander the Great (1956), written, directed, and produced by Robert Rossen, with Burton in the title role, on a loan out to United Artists, and again with Claire Bloom co-starring. Contrary to Burton's expectations, the "intelligent epic" was a wooden, slow-paced flop.^[4]:75

In The Rains of Ranchipur, Burton plays a noble Hindu doctor who attempts the spiritual recovery of an adulteress (Lana Turner). Critics felt that the film lacked star chemistry, with Burton having difficulty with the accent, and relied too heavily on Cinemascope special effects including an earthquake and a collapsing dam. Burton returned to the theatre in Henry V and Othello, alternating the roles of Iago and Othello. He and Sybil then moved to Switzerland to avoid high British taxes and to try to build a nest egg, for themselves and for Burton's family.^[4]:75 He returned to film again in Sea Wife, shot in Jamaica and directed by Roberto Rossellini. A young Joan Collins (then called by the tabloids "Britain's bad girl") plays a nun shipwrecked on an island with three men. But Rossellini was let go after disagreements with Zanuck. According to Collins, Burton had a "take-the-money-and-run attitude" toward the film. Burton turned down the lead for Lawrence of Arabia, also turned down by Marlon Brando, which went to newcomer Peter O'Toole.^[4]:75–77

Then in 1958, he was offered the part of Jimmy Porter, "an angry young man" role, in the film version of John Osborne's play Look Back in Anger, a gritty drama about middle-class life in the British Midlands, directed by Tony Richardson, and again with Claire Bloom as co-star. Though it didn't do well commercially (many critics felt Burton, at 33, looked too old for the part) and Burton's Hollywood box office aura seemed to be diminishing, Burton was proud of the effort and wrote to his mentor Philip Burton, "I promise you that there isn't a shred of self-pity in my performance. I am for the first time ever looking forward to seeing a film in which I play".^[8]:125 Next came The Bramble Bush and Ice Palace in 1960, neither important to Burton's career.

After playing King Arthur in Camelot on Broadway for six months, Burton replaced Stephen Boyd as Mark Antony in the troubled production Cleopatra (1963). Twentieth Century-Fox's future appeared to hinge on what became the most expensive movie ever made up until then, reaching almost $40 million.^[4]:97 The film proved to be the start of Burton's most successful period in Hollywood; he would remain among the top 10 box-office earners for the next four years. During the filming, Burton met and fell in love with Elizabeth Taylor, who was married to Eddie Fisher. The two would not be free to marry until 1964 when their respective divorces were complete. On their first meeting on the set, Burton said "Has anyone ever told you that you're a very pretty girl?" Taylor later recalled, "I said to myself, Oy gevalt, here's the great lover, the great wit, the great intellectual of Wales, and he comes out with a line like that."^[4]:103 In their first scenes together, he was shaky and missing his lines, and she soothed and coached him. Soon the affair began in earnest and Sybil, seeing this as more than a passing fling with a leading lady, was unable to bear it. She fled the set, first for Switzerland, then for London.

The gigantic scale of the troubled production, Taylor's bouts of illness and fluctuating weight, the off-screen turbulence—all generated enormous publicity, which by-and-large the studio embraced. Zanuck stated, "I think the Taylor-Burton association is quite constructive for our organization."^[4]:118 The six-hour film was cut to under four, eliminating many of Burton's scenes, but the result was viewed the same—a film long on spectacle dominated by the two hottest stars in Hollywood. Their private lives turned out to be an endless source of curiosity for the media, and their marriage was also the start of a series of on-screen collaborations. In the end, the film did well enough to recoup its great cost.

Burton played Taylor's tycoon husband in The V.I.P.s, an all-star film set in the VIP lounge of London Airport which proved to be a box-office hit. Then Burton portrayed the archbishop martyred by Henry II in the title role of Becket, turning in an effective, restrained performance, contrasting with Peter O'Toole's manic portrayal of Henry.^[4]:130

In 1964, Burton triumphed as defrocked Episcopal priest Dr. T. Lawrence Shannon in Tennessee Williams' The Night of the Iguana directed by John Huston, a film which became another critical and box office success. Richard Burton's performance in The Night of the Iguana may be his finest hour on the screen, and in the process helped put the town of Puerto Vallarta on the map (the Burtons later bought a house there). Part of Burton's success was due to how well he varied his acting with the three female characters, each of whom he tries to seduce differently: Ava Gardner (the randy hotel owner), Sue Lyon (the nubile American tourist), and Deborah Kerr (the poor, repressed artist).^[4]:135

Against his family's advice, Burton married Taylor on Sunday 15 March 1964, in Montreal. Ever optimistic, Taylor proclaimed, "I'm so happy you can't believe it. This marriage will last forever".^[4]:140 At the hotel in Boston, the rabid crowd clawed at the newlyweds, Burton's coat was ripped and Taylor's ear was bloodied when someone tried to steal one of her earrings.^[4]:142

After an interruption playing Hamlet on Broadway, Burton returned to film as British spy Alec Leamas in The Spy Who Came in from the Cold. Burton and Taylor continued making films together though the next one The Sandpiper (1965) was poorly received. Following that, he and Taylor had a great success in Mike Nichols's film (1966) of the Edward Albee play Who's Afraid of Virginia Woolf?, in which a bitter erudite couple spend the evening trading vicious barbs in front of their horrified and fascinated guests, played by George Segal and Sandy Dennis. Burton was not the first choice for the role of Taylor's husband. Jack Lemmon was offered the role first, but when he backed off, Jack Warner, with Taylor's insistence, agreed on Burton and paid him his price. Albee preferred Bette Davis and James Mason, fearing that the Burtons' strong screen presence would dominate the film.^{[4]:155, 163} Nichols, in his directorial debut, managed the Burtons brilliantly. The script, adapted from Albee's play by Hollywood veteran Ernest Lehman, broke new ground for its raw language and harsh depiction of marriage. Although all four actors received Oscar nominations for their roles in the film (the film received a total of thirteen), only Taylor and Dennis went on to win. So immersed had the Burtons become in the roles of George and Martha over the months of shooting, after the wrap Richard Burton said, "I feel rather lost."^[4]:142 Later the couple would state that the film took its toll on their relationship, and that Taylor was "tired of playing Martha" in real life.^[8]:206

Their lively version of Shakespeare's The Taming of the Shrew (1967), directed by Franco Zeffirelli, was a notable success. Later collaborations, however, The Comedians (1967), Boom! (1968), and the Burton-directed Doctor Faustus (1967) (which had its genesis from a theatre production he staged and starred in at the Oxford University Dramatic Society) were critical and commercial failures. He did enjoy a final commercial blockbuster with Clint Eastwood in Where Eagles Dare in 1968^[13] but his last film of the decade, Anne of the Thousand Days (1969), was a commercial and critical disappointment. In spite of those failures, it performed remarkably well at that year's Academy awards (receiving ten nominations, including one for Burton's performance as Henry VIII), which many thought to be largely the result of an expensive advertising campaign by Universal Studios.^[14]

Later career[link]

Because of Burton and Taylor's extravagant spending and his support of his family and others (42 people at one point), Burton agreed to work in mediocre films that hurt his career. He recognised his financial need to do so, and that in the New Hollywood era of cinema he or Taylor would not soon again be paid as well as at the height of their stardom.^[13] Films he made during this period included Bluebeard (1972), Hammersmith Is Out (1972), The Klansman (1974), and Exorcist II: The Heretic (1977). He did enjoy one major critical success in the 1970s in the film version of his stage hit Equus, winning the Golden Globe Award as well as an Academy Award nomination. Public sentiment towards his perennial frustration at not winning an Oscar made many pundits consider him the favourite to finally win the award, but on Oscar Night he lost to Richard Dreyfuss in The Goodbye Girl.

In 1976 Burton received a Grammy in the category of Best Recording for Children for his narration of The Little Prince by Antoine de Saint-Exupéry. He also found success in 1978, when he narrated Jeff Wayne's Musical Version of The War of the Worlds. His distinctive performance became a necessary part of the concept album – so much so that a hologram of Burton is used to narrate the live stage show (touring in 2006, 2007, 2009 and 2010) of the musical.

Burton had an international box office hit with The Wild Geese (1978), an adventure tale about mercenaries in Africa. The film was a success in the UK and Europe but had only limited distribution in the U.S. owing to the collapse of the studio that funded it and the lack of an American star in the movie. He returned to appearing in critically reviled films like The Medusa Touch (1978), Circle of Two (1980), and the title role in Wagner (1983), a role he said he was born to play, after his success in Equus. His last film performance, as O'Brien in Nineteen Eighty-Four, was critically acclaimed.^[13]

At the time of his death, Burton was preparing to film Wild Geese II, the sequel to The Wild Geese, which was eventually released in 1985. Burton was to reprise the role of Colonel Faulkner, while his friend Sir Laurence Olivier was cast as Rudolf Hess. After his death, Burton was replaced by Edward Fox, and the character changed to Faulkner's younger brother.

Oscars[link]

He was nominated six times for an Academy Award for Best Actor and once for an Academy Award for Best Supporting Actor – but he never won. From 1982, he and Becket co-star Peter O'Toole shared the record for the male actor with the most nominations (7) for a competitive acting Oscar without ever winning. In 2007, O'Toole was nominated for an eighth time (and subsequently lost), for Venus (however, O'Toole received an Academy Honorary Award in 2003).

Television[link]

Burton rarely appeared on television, although he gave a memorable performance as Caliban in a televised production of The Tempest for The Hallmark Hall of Fame in 1960. Later appearances included the television film Divorce His – Divorce Hers (1973) opposite then-wife Elizabeth Taylor (a prophetic title, since their first marriage would be dissolved less than a year later), a remake of the classic film Brief Encounter (1974) that was considered vastly inferior to the 1945 original, and a critically applauded performance as Winston Churchill in The Gathering Storm (1974). A critically panned film he made about the life of Richard Wagner (noted for having the only onscreen teaming of Laurence Olivier, John Gielgud and Ralph Richardson in the same scenes) was shown as a television miniseries in 1983 after failing to achieve a theatrical release in most countries, but Burton enjoyed a personal triumph in the American television miniseries Ellis Island in 1984, receiving a posthumous Emmy Award nomination for his final television performance.

Television played an important part in the fate of his Broadway appearance in Camelot. When the show's run was threatened by disappointing reviews, Burton and co-star Julie Andrews appeared on The Ed Sullivan Show to perform the number What Do The Simple Folk Do?. The television appearance renewed public interest in the production and extended its Broadway run.

Burton showed a subtle flair for comedy in a 1970 guest appearance with Elizabeth Taylor on the sitcom Here's Lucy, where he recited, in a plumber's uniform, a haunting excerpt of a speech from Shakespeare's Richard II. He later parodied this role in an episode of Television Show The Fall Guy.

In 1997, archive footage of Burton was used in the first episode of the television series Conan.^[15]

Book[link]

In 1964, Burton wrote a semi-autobiographical book A Christmas Story, which is an endearing tale of a Christmas Eve in a Welsh mining village, during the Depression.^[16]

Personal life[link]

Burton was married five times and he had four children. From 1949 until their divorce in 1963, he was married to producer Sybil Williams, by whom he had two daughters, Katherine "Kate" Burton (born 10 September 1957) and Jessica Burton (born 1961). He was married twice, consecutively, to actress Elizabeth Taylor, from 15 March 1964 to 26 June 1974 and from 10 October 1975 to 29 July 1976. Their first wedding took place in Montreal,^[12] and their second wedding occurred, 16 months after their divorce, in the Chobe National Park in Botswana. In 1964, the couple adopted a daughter from Germany, Maria Burton (born 1 August 1961). Burton also adopted Taylor's daughter by the late producer Mike Todd, Elizabeth Frances "Liza" Todd Burton (born 6 August 1957).^[17] Their relationship as portrayed in Who's Afraid of Virginia Woolf? was popularly likened to Burton and Taylor's real-life marriage.^[18] Burton disagreed with others about Taylor's famed beauty, saying that calling her "the most beautiful woman in the world is absolute nonsense. She has wonderful eyes, but she has a double chin and an overdeveloped chest, and she’s rather short in the leg."^[19] In August 1976, a month after his second divorce from Taylor, Burton married model Susan Hunt, the former wife of Formula 1 Champion James Hunt;^[20] the marriage ended in divorce in 1982. From 1983 until his death in 1984, Burton was married to make-up artist Sally Hay.

In 1957 Burton became a tax exile by moving to Switzerland, where he lived until his death. It is widely believed he was never offered a knighthood due to his tax exile status, together with his attacks on Churchill and other controversial public opinions.

In 1968 Burton's elder brother, Ifor, slipped and fell, breaking his neck, after a lengthy drinking session with Burton at the actor's second home in Céligny, Switzerland. The injury left him paralysed from the neck down.^[21] His younger brother Graham Jenkins opined it may have been guilt over this that caused Burton to start drinking very heavily, particularly after Ifor died in 1973.^[22]

In a February 1975 interview with his friend David Lewin he said he "tried" homosexuality. He also suggested that perhaps all actors were latent homosexuals, and "we cover it up with drink".^[23] In 2000, Ellis Amburn's biography of Elizabeth Taylor suggested that Burton had an affair with Laurence Olivier and tried to seduce Eddie Fisher^{[page needed]}, although this was strongly denied by Burton's younger brother Graham Jenkins.^[24]

Burton's gravestone at the Vieux Cemetery in Céligny. He is buried a few paces away from Alistair MacLean's grave.

Burton was notorious for his unrestrained pursuit of women while filming. Joan Collins wrote that when she rejected his on-set advances, he embarked on a series of liaisons with other women including an elderly black maid who, according to Collins, was "almost toothless". Collins playfully told Burton that she believed he would sleep with a snake if he had the chance, to which Burton is alleged to have replied "only if it was wearing a skirt, darling".

He was an insomniac and a notoriously heavy drinker. However, ongoing back pain and a dependence upon pain medications have been suggested as the true cause of his misery. He was also a heavy smoker from the time he was just eight years old; and by his own admission in a December 1977 interview with Sir Ludovic Kennedy, Burton was smoking 60–100 cigarettes per day. According to his younger brother Graham Jenkins's 1988 book Richard Burton: My Brother, he smoked at least a hundred cigarettes a day.

His father, also a heavy drinker, refused to acknowledge his son's talents, achievements and acclaim.^[7] In turn, Burton declined to attend his funeral, in 1957.^[10] Like Burton, his father died from a cerebral haemorrhage, in January 1957, at the age of 81.

Burton admired and was inspired by the actor and dramatist Emlyn Williams. He employed his son Brook Williams as his personal assistant and adviser and he was given small roles in some of the films in which Burton starred.^[25]

Burton was banned permanently from BBC productions in November 1974 for writing two newspaper articles questioning the sanity of Winston Churchill and others in power during World War II – Burton reported hating them "virulently" for the alleged promise to wipe out all Japanese people on the planet.^[26] The publication of these articles coincided with what would have been Churchill's centenary, and came after Burton had played him in a favourable light in A Walk with Destiny, with considerable help from the Churchill family. In one article he accused Churchill of having Welsh miners shot during strikes in the 1920s.^{[citation needed]} Ironically, Burton got along well with Churchill when he met him at a play in London, and kept a bust of him on his mantelpiece. On the Parkinson show in November 1974 Burton told a funny story about meeting Churchill; however, according to Robert Hardy, it was not true.^{[citation needed]} Politically Burton was a lifelong socialist, although he was never as heavily involved in politics as his close friend Stanley Baker. He greatly admired Democratic Senator Robert F. Kennedy and once got into a sonnet-quoting contest with him. In 1973 Burton agreed to play Josef Broz Tito in a biopic, since he greatly admired the Yugoslav leader. While filming in Yugoslavia he publicly proclaimed that he was a communist, saying he felt no contradiction between earning vast sums of money for films and holding very left-wing views since "unlike capitalists, I don't exploit other people."^[27] Burton courted further controversy in 1976 when he wrote a controversial article about his friend and fellow Welsh thespian Stanley Baker, who had recently died from pneumonia at the age of 48.^{[citation needed]}

Health issues[link]

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The 1988 biography of Burton by Melvyn Bragg^[8] provides a detailed description of the many health issues that plagued Burton throughout his life. In his youth, Burton was a star athlete and well known for his athletic abilities and strength. By the age of 41 he had declined so far in health that his arms were by his own admission thin and weak. He suffered from bursitis, possibly aggravated by faulty treatment, arthritis, dermatitis, cirrhosis of the liver and kidneys, as well as developing, by his mid-forties, a pronounced limp. How much of this was due to his intake of alcohol is impossible to ascertain, according to Bragg, because of Burton's reluctance to be treated for alcohol addiction; however, in 1974, Burton spent six weeks in a clinic to recuperate from a period during which he had been drinking three bottles of vodka a day. He was also a regular smoker, with an intake of between three and five packs a day for most of his adult life. Health issues continued to plague him until his death of a stroke at the age of 58.

Death[link]

Burton died at age 58 from a brain haemorrhage on 5 August 1984 at his home in Céligny, Switzerland, and is buried there.^[28] Although his death was sudden, his health had been declining for several years, and he suffered from a constant and severe pain in the neck. He had been warned that his liver was enlarged as early as March 1970,^[21] and had been diagnosed with cirrhosis of the liver and kidneys in April 1981. Burton was buried in a red suit, a tribute to his Welsh roots, and with a copy of Dylan Thomas' poems.^[29] He and Taylor had discussed being buried together; his widow Sally purchased the plot next to Burton's and erected a large headstone across both, likely to prevent Taylor from being buried there.^[30]

Awards and nominations[link]