Bald Eagle
In Skagit Valley, Washington, United States
Conservation status
Least Concern (IUCN 3.1)[1]
Scientific classification
Kingdom:	Animalia
Phylum:	Chordata
Class:	Aves
Order:	Accipitriformes
Family:	Accipitridae
Genus:	Haliaeetus
Species:	H. leucocephalus
Binomial name
Haliaeetus leucocephalus (Linnaeus, 1766)
Subspecies
Also see text H. l. leucocephalus – Southern Bald Eagle H. l. washingtoniensis – Northern Bald Eagle
Bald Eagle range   Breeding resident   Breeding summer visitor   Winter visitor   On migration only Star: accidental records
Synonyms
Falco leucocephalus Linnaeus, 1766

The Bald Eagle (Haliaeetus leucocephalus Greek hali = salt, aeetus = eagle, leuco = white, cephalis = head) is a bird of prey found in North America. It is the national bird of the United States of America and appears on its Seal. This sea eagle has two known sub-species and forms a species pair with the White-tailed Eagle. Its range includes most of Canada and Alaska, all of the contiguous United States, and northern Mexico. It is found near large bodies of open water with an abundant food supply and old-growth trees for nesting.

Its diet consists mainly of fish, but it is an opportunistic feeder. It hunts fish by swooping down and snatching the fish out of the water with its talons. It is sexually mature at four years or five years of age. The Bald Eagle builds the largest nest of any North American bird, up to 4 meters (13 ft) deep, 2.5 meters (8.2 ft) wide, and one metric ton (1.1 tons) in weight.^[2]

The adult Bald Eagle is mainly brown with a white head and tail. The sexes are identical in plumage, but females are larger than males. The beak is large and hooked. The plumage of the immature is brown. Bald Eagles are not actually bald, the name derives from the older meaning of the word, "white headed".

In the late 20th century the Bald Eagle was on the brink of extirpation in the continental United States, while flourishing in much of Alaska and Canada. Populations recovered and stabilized, so the species was removed from the U.S. federal government's list of endangered species and transferred to the list of threatened species on July 12, 1995, and it was removed from the List of Endangered and Threatened Wildlife in the Lower 48 States on June 28, 2007.

Description[link]

The plumage of an adult Bald Eagle is evenly brown with a white head and tail. The tail is moderately long and slightly wedge-shaped. Males and females are identical in plumage coloration, but sexual dimorphism is evident in the species in that females are 25 percent larger than males.^[2] The beak, feet and irides are bright yellow. The legs are feather-free, and the toes are short and powerful with large talons. The highly developed talon of the hind toe is used to pierce the vital areas of prey while it is held immobile by the front toes.^[3] The beak is large and hooked, with a yellow cere.^[4]

The plumage of the immature is brown, speckled with white until the fifth (rarely fourth, very rarely third) year, when it reaches sexual maturity.^[2][3] Immature Bald Eagles are distinguishable from the Golden Eagle in that the former has a more protruding head with a larger beak, straighter edged wings which are held flat (not slightly raised) and with a stiffer wing beat, and feathers which do not completely cover the legs.^[5] The Bald Eagle has sometimes been considered the largest true raptor in North America (excluding the possibly unrelated California Condor), although the species overlaps in size with the American races of the Golden Eagle.^[6] It is certainly a large bird, with a body length of 70–102 centimeters (28–40 in). The wingspan is typically between 1.8 and 2.3 m (5.9 and 7.5 ft) and mass is usually between 2.5 and 7 kilograms (5.5 and 15 lb).^[6] Females are about 25 percent larger than males, averaging 5.8 kg (13 lb) and against the males' average weight of 4.1 kg (9.0 lb).^[2][7][8] The size of the bird varies by location and generally corresponds with Bergmann's rule, since the species increases in size further away from the Equator and the tropics. The smallest specimens are those from Florida, where mature males may weigh as little as 2.3 kg (5.1 lb) and have a wingspan of 1.68 m (5.5 ft). The largest eagles are from Alaska, where large females may weigh up to 7.5 kg (17 lb) and span 2.44 m (8.0 ft) across the wings.^[4] Among standard linear measurements, the wing chord is 51.5–69 cm (20.3–27 in), the tail is 12–19 cm (4.7–7.5 in) long, the culmen averages 5.5 cm (2.2 in) and the tarsus is 8 cm (3.1 in) on average.^[9]

The call consists of weak chirping whistles, harsher and more shrill from young birds than adults.^[5]

Taxonomy[link]

A species placed in the genus Haliaeetus (sea eagles) which gets both its common and scientific names from the distinctive appearance of the adult's head. Bald in the English name is derived from the word piebald, and refers to the white head and tail feathers and their contrast with the darker body.^[10] The scientific name is derived from Haliaeetus, New Latin for "sea eagle" (from the Ancient Greek haliaetos), and leucocephalus, Latinized Ancient Greek for "white head," from λευκος leukos ("white") and κεφαλη kephale ("head").^[11][12]

The Bald Eagle was one of the many species originally described by Linnaeus in his 18th century work Systema Naturae, under the name Falco leucocephalus.^[13]

There are two recognized subspecies of Bald Eagle:^[2][14]

• H. l. leucocephalus (Linnaeus, 1766) is the nominate subspecies. It is separated from H. l. washingtoniensis at approximately latitude 38° N, or roughly the latitude of San Francisco.^[15] It is found in the southern United States and Baja California.^[16]
• H. l. washingtoniensis (Audubon, 1827), synonym H. l. alascanus Townsend, 1897, the northern subspecies, is larger than southern nominate leucocephalus. It is found in the northern United States, Canada and Alaska.^[2][16] This subspecies reaches further south than latitude 38° N on the Atlantic Coast, where they occur in the Cape Hatteras area.^[15]

The Bald Eagle forms a species pair with the Eurasian White-tailed Eagle. This species pair consists of a white-headed and a tan-headed species of roughly equal size; the White-tailed Eagle also has overall somewhat paler brown body plumage. The pair diverged from other Sea Eagles at the beginning of the Early Miocene (c. 10 Ma BP) at the latest, but possibly as early as the Early/Middle Oligocene, 28 Ma BP, if the most ancient fossil record is correctly assigned to this genus.^[17] The two species probably diverged in the North Pacific, as the White-tailed Eagle spread westwards into Eurasia and the Bald Eagle spread eastwards into North America.^[18]

Habitat and range[link]

Juvenile with salmon, Katmai National Park

Bald Eagle in San Francisco Zoo

A bald eagle in flight, with its wings curved

The Bald Eagle prefers habitats near seacoasts, rivers, large lakes, oceans, and other large bodies of open water with an abundance of fish. Studies have shown a preference for bodies of water with a circumference greater than 11 km (7 mi), and lakes with an area greater than 10 square kilometers (4 sq mi) are optimal for breeding Bald Eagles.^[19]

The Bald Eagle requires old-growth and mature stands of coniferous or hardwood trees for perching, roosting, and nesting. Selected trees must have good visibility, an open structure, and proximity to prey, but the height or species of tree is not as important as an abundance of comparatively large trees surrounding the body of water. Forests used for nesting should have a canopy cover of no more than 60 percent, and no less than 20 percent, and be in close proximity to water.^[19]

The Bald Eagle is extremely sensitive to human activity, and is found most commonly in areas free of human disturbance. It chooses sites more than 1.2 km (0.75 mi) from low-density human disturbance and more than 1.8 km (1.1 mi) from medium- to high-density human disturbance.^[19] Occasionally Bald Eagles will venture into large estuaries or secluded groves within major cities, such as Hardtack Island on the Willamette River in Portland, Oregon or John Heinz National Wildlife Refuge at Tinicum in Philadelphia, Pennsylvania.^[20][21] Despite this sensitivity, a family of Bald Eagles moved to the Harlem neighborhood in New York City in 2010.^[22]

The Bald Eagle's natural range covers most of North America, including most of Canada, all of the continental United States, and northern Mexico. It is the only sea eagle endemic to North America. Occupying varied habitats from the bayous of Louisiana to the Sonoran Desert and the eastern deciduous forests of Quebec and New England, northern birds are migratory, while southern birds are resident, remaining on their breeding territory all year. At minimum population, in the 1950s, it was largely restricted to Alaska, the Aleutian Islands, northern and eastern Canada, and Florida.^[23]

Bald Eagles will also congregate in certain locations in winter. From November until February, one to two thousand birds winter in Squamish, British Columbia, about halfway between Vancouver and Whistler. The birds primarily gather along the Squamish and Cheakamus Rivers, attracted by the salmon spawning in the area.^[24]

It has occurred as a vagrant twice in Ireland; a juvenile was shot illegally in Fermanagh on January 11, 1973 (misidentified at first as a White-tailed Eagle), and an exhausted juvenile was captured in Kerry on November 15, 1987.

Behavior[link]

Head details

The Bald Eagle is a powerful flier, and soars on thermal convection currents. It reaches speeds of 56–70 kilometers per hour (35–43 mph) when gliding and flapping, and about 48 kilometers per hour (30 mph) while carrying fish.^[25] Its dive speed is between 120–160 kilometers per hour (75–99 mph), though it seldom dives vertically.^[26] It is partially migratory, depending on location. If its territory has access to open water, it remains there year-round, but if the body of water freezes during the winter, making it impossible to obtain food, it migrates to the south or to the coast. The Bald Eagle selects migration routes which take advantage of thermals, updrafts, and food resources. During migration, it may ascend in a thermal and then glide down, or may ascend in updrafts created by the wind against a cliff or other terrain. Migration generally takes place during the daytime, when thermals are produced by the sun.^[3]

Diet[link]

The Bald Eagle's diet is opportunistic and varied, but most feed mainly on fish.^[27] In the Pacific Northwest, spawning trout and salmon provide most of the Bald Eagles' diet.^[28]

Locally, eagles may rely largely on carrion, especially in winter, and they will scavenge carcasses up to the size of whales, though it seems that carcasses of ungulates and large fish are preferred. They also may sometimes feed on subsistence scavenged or stolen from campsites and picnics, as well as garbage dumps. Mammalian prey includes rabbits, hares, raccoons, muskrats, beavers, and deer fawns. Preferred avian prey includes grebes, alcids, ducks, gulls, coots, egrets, and geese. Most live prey are quite a bit smaller than the eagle, but predation has been recorded for animals up to the size of mature swans, adult raccoons and young ungulates, all of which are larger than eagles. Reptiles, amphibians and crustaceans (especially crabs) are preyed on when available.

With a freshly caught fish.

To hunt fish, easily their most important live prey, the eagle swoops down over the water and snatches the fish out of the water with its talons. They eat by holding the fish in one claw and tearing the flesh with the other. Eagles have structures on their toes called spicules that allow them to grasp fish. Osprey also have this adaptation.^[25] Bald Eagles have powerful talons and have been recorded flying with a 15-pound Mule Deer fawn.^[29] This feat is the record for the heaviest load carrying ever verified for a flying bird.^[30] It has been estimated that the gripping power (pounds by square inch) of the bald eagle is ten times greater than that of a human.^[31] Sometimes, if the fish is too heavy to lift, the eagle will be dragged into the water. It may swim to safety, but some eagles drown or succumb to hypothermia. When competing for food, eagles will usually dominate other fish-eaters and scavengers, aggressively displacing mammals such as coyotes and foxes, and birds such as corvids, gulls, vultures and other raptors. Bald Eagles may be displaced by themselves or by Golden Eagles. Neither species is known to be dominant, and the outcome depends on the individual animal. Occasionally, Bald Eagles will steal fish and other prey away from smaller raptors, such as Ospreys, a practice known as kleptoparasitism.^[32] Healthy adult Bald Eagles are not preyed on in the wild and are thus considered apex predators.^[33] In one case, an adult eagle investigating a Peregrine Falcon nest for prey items sustained a concussion from a swooping parent Peregrine, and ultimately died days later from it.^[34]

Reproduction[link]

Mating

Bald Eagles are sexually mature at four or five years of age. When they are old enough to breed, they often return to the area where they were born. It is thought that Bald Eagles mate for life. However, if one member of a pair dies or disappears, the other will choose a new mate. A pair which has repeatedly failed in breeding attempts may split and look for new mates.^[35] Bald Eagle courtship involves elaborate calls and flight displays. The flight includes swoops, chases, and cartwheels, in which they fly high, lock talons, and free fall, separating just before hitting the ground.^[36] The nest is the largest of any bird in North America; it is used repeatedly over many years and with new material added each year may eventually be as large as 4 meters (13 ft) deep, 2.5 meters (8.2 ft) across and weigh 1 metric ton (1.1 short tons);^[2] one nest in Florida was found to be 6.1 meters (20 ft) deep, 2.9 meters (9.5 ft) across, and to weigh 3 short tons (2.7 t).^[37] This nest is on record as the largest tree nest ever known.^[38] The nest is built out of branches, usually in large trees near water. When breeding where there are no trees, the Bald Eagle will nest on the ground. Eagles produce between one and three eggs per year, but it is rare for all three chicks to successfully fly. Both the male and female take turns incubating the eggs. The other parent will hunt for food or look for nesting material. The eggs average about 73 millimeters (2.9 in) long and have a breadth of 55 millimeters (2.2 in).^[25]

Newly fledged juvenile.

The average lifespan of Bald Eagles in the wild is around 20 years, with the oldest living to be about 30. In captivity, they often live somewhat longer. In one instance, a captive individual in New York lived for nearly 50 years. As with size, the average lifespan of an eagle population appears to be influenced by its location.^[39]

Relationship with humans[link]

Population decline and recovery[link]

Once a common sight in much of the continent, the Bald Eagle was severely affected in the mid-20th century by a variety of factors, among them the thinning of egg shells attributed to use of the pesticide DDT.^[40] Bald Eagles, like many birds of prey, were especially affected by DDT due to biomagnification. DDT itself was not lethal to the adult bird, but it interfered with the bird's calcium metabolism, making the bird either sterile or unable to lay healthy eggs. Female eagles laid eggs that were too brittle to withstand the weight of a brooding adult, making it nearly impossible for the eggs to hatch.^[23] It is estimated that in the early 18th century, the Bald Eagle population was 300,000–500,000,^[41] but by the 1950s there were only 412 nesting pairs in the 48 contiguous states of the US. Other factors in Bald Eagle population reductions were a widespread loss of suitable habitat, as well as both legal and illegal shooting. In 1930 a New York City ornithologist wrote that in the state of Alaska in the last 12 years approximately 70,000 Bald Eagles had been shot. Many of the hunters killed the Bald Eagles under the long held mistaken beliefs that Bald Eagles grabbed young lambs and even children with their talons.^[42] Later illegal shooting was described as "the leading cause of direct mortality in both adult and immature bald eagles," according to a 1978 report in the Endangered Species Technical Bulletin. In 1984, the National Wildlife Federation listed hunting, power-line electrocution, and collisions in flight as the leading causes of eagle deaths. Bald Eagle populations have also been negatively affected by oil, lead, and mercury pollution, and by human and predator intrusion.^[43]

The species was first protected in the U.S. and Canada by the 1918 Migratory Bird Treaty, later extended to all of North America. The 1940 Bald Eagle Protection Act in the U.S., which protected the Bald Eagle and the Golden Eagle, prohibited commercial trapping and killing of the birds. The Bald Eagle was declared an endangered species in the U.S. in 1967, and amendments to the 1940 act between 1962 and 1972 further restricted commercial uses and increased penalties for violators. Also in 1972, DDT was banned in the United States.^[44] DDT was completely banned in Canada in 1989, though its use had been highly restricted since the late 1970s.^[45]

First-year

With regulations in place and DDT banned, the eagle population rebounded. The Bald Eagle can be found in growing concentrations throughout the United States and Canada, particularly near large bodies of water. In the early 1980s, the estimated total population was 100,000 individuals, with 110,000–115,000 by 1992;^[2] the U.S. state with the largest resident population is Alaska, with about 40,000–50,000, with the next highest population the Canadian province of British Columbia with 20,000–30,000 in 1992.^[2]

It was officially removed from the U.S. federal government's list of endangered species on July 12, 1995, by the U.S. Fish & Wildlife Service, when it was reclassified from "Endangered" to "Threatened." On July 6, 1999, a proposal was initiated "To Remove the Bald Eagle in the Lower 48 States From the List of Endangered and Threatened Wildlife." It was de-listed on June 28, 2007.^[46] It has also been assigned a risk level of Least Concern category on the IUCN Red List.^[1]

In captivity[link]

Permits are required to keep Bald Eagles in captivity in the United States. Permits are primarily issued to public educational institutions, and the eagles which they show are permanently injured individuals which cannot be released to the wild. The facilities where eagles are kept must be equipped with adequate caging and facilities, as well as workers experienced in the handling and care of eagles. Bald Eagles cannot legally be kept for falconry in the United States. As a rule, the Bald Eagle is a poor choice for public shows, being timid, prone to becoming highly stressed, and unpredictable in nature. Native American Tribes can obtain a "Native American Religious Use" permit to keep non-releasable eagles as well. They use their naturally molted feathers for religious and cultural ceremonies. The Bald Eagle can be long-lived in captivity if well cared for, but does not breed well even under the best conditions.^[47] In Canada, a license is required to keep Bald Eagles for falconry.^[48]

Cultural significance[link]

The Bald Eagle is important in various Native American cultures, and as the national bird of the United States, is prominent in seals and logos, coinage, postage stamps, and other items relating to the U.S. federal government.

Role in Native American culture[link]

The Bald Eagle is a sacred bird in some North American cultures, and its feathers, like those of the Golden Eagle, are central to many religious and spiritual customs among Native Americans. Eagles are considered spiritual messengers between gods and humans by some cultures.^[49] Many pow wow dancers use the eagle claw as part of their regalia as well. Eagle feathers are often used in traditional ceremonies, particularly in the construction of regalia worn and as a part of fans, bustles and head dresses. The Lakota, for instance, give an eagle feather as a symbol of honor to person who achieves a task. In modern times, it may be given on an event such as a graduation from college.^[50] The Pawnee considered eagles as symbols of fertility because their nests are built high off the ground and because they fiercely protect their young. The Kwakwaka'wakw scattered eagle down to welcome important guests.^[51] The Choctaw explained that the Bald Eagle, who has direct contact with the upper world of the sun, is a symbol of peace.^[52]

During the Sun Dance, which is practiced by many Plains Indian tribes, the eagle is represented in several ways. The eagle nest is represented by the fork of the lodge where the dance is held. A whistle made from the wing bone of an eagle is used during the course of the dance. Also during the dance, a medicine man may direct his fan, which is made of eagle feathers, to people who seek to be healed. The medicine man touches the fan to the center pole and then to the patient, in order to transmit power from the pole to the patient. The fan is then held up toward the sky, so that the eagle may carry the prayers for the sick to the Creator.^[53]

Current eagle feather law stipulates that only individuals of certifiable Native American ancestry enrolled in a federally recognized tribe are legally authorized to obtain Bald or Golden Eagle feathers for religious or spiritual use. The constitutionality of these laws has been questioned by Native American groups on the basis that it violates the First Amendment by affecting ability to practice their religion freely.^[54][55]

National bird of the United States[link]

Seal of the President of the United States

The Bald Eagle is the national bird of the United States of America.^[56] The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery was prominent. On June 20, 1782, the Continental Congress adopted the still-current design for the Great Seal of the United States including a Bald Eagle grasping 13 arrows and a 13-leaf olive branch with its talons.^[57][58][59]

The Bald Eagle appears on most official seals of the U.S. government, including the Seal of the President of the United States and the Presidential Flag, and in many U.S. federal agency logos. Between 1916 and 1945, the Presidential Flag showed an eagle facing to its left (the viewer's right), which gave rise to the urban legend that the seal is changed to have the eagle face towards the olive branch in peace, and towards the arrows in wartime.^[60] Contrary to popular legend, there is no evidence that Benjamin Franklin ever supported the Wild Turkey, rather than the Bald Eagle, as a symbol of the United States. The origin of this claim is a letter Franklin wrote to his daughter in 1784 from Paris. However, this letter was a criticism of the Society of the Cincinnati, and does not mention the choice of the Bald Eagle for the Great Seal of the United States. Franklin opposed the creation of the Society because he viewed it, with its hereditary membership, as a noble order unwelcome in the newly independent Republic, contrary to the ideals of Lucius Quinctius Cincinnatus, for whom the Society was named; his reference to the two kinds of birds is interpreted as a satirical comparison between the Society of the Cincinnati and Cincinnatus.^[61]

See also[link]

North America portal

• Coat of arms of the Philippines
• List of national birds

References[link]

Further reading[link]

Identification[link]

• Grant, Peter J. (1988) The Co. Kerry Bald Eagle Twitching 1(12): 379-80 - describes plumage differences between Bald Eagle and White-tailed Eagle in juveniles

External links[link]

Wikimedia Commons has media related to: Haliaeetus leucocephalus

Wikispecies has information related to: Bald Eagle

• The National Eagle Center
• American Bald Eagle Foundation
• American Bald Eagle Information
• Bald Eagle Bird Sound
• Bald Eagle Information and Photographs

Video links[link]

• Video of Bald Eagles on the Internet Bird Collection
• Photo Field Guide on Flickr
• 100+ Bald Eagles

lez:Америкадин лекь

La Cantatrice Chauve — translated from French as The Bald Soprano or The Bald Prima Donna — is the first play written by Franco-Romanian playwright Eugène Ionesco. Nicolas Bataille directed the premiere on May 11, 1950 at the Théâtre des Noctambules, Paris. Since 1957 it has been in permanent showing at the Théâtre de la Huchette, which received a Molière d'honneur for its performances. With a record number of interpretations, it has become one of the most performed plays in France.^[1]

Origin[link]

The idea of the play came to Ionesco while he was trying to learn English with the Assimil method. He was impressed by the contents of the dialogues, often very sober and strange, so he decided to write an absurd play named L'anglais sans peine ("English without toil"). He originally wrote the play in his native language Romanian, then wrote it again in his adopted language French. The current title was set only after a verbal slip-up made by one of the actors during the rehearsals.^[2]

Plot summary[link]

The Smiths are a traditional couple from London who have invited another couple, the Martins, over for a visit. They are joined later by the Smiths' maid, Mary, and the local fire chief, who is also Mary's lover. The two families engage in meaningless banter, telling stories and relating nonsensical poems. At one point, Mrs. Martin converses with her husband as if he were a stranger she just met. As the fire chief turns to leave, he mentions "the bald soprano" in passing, which has a very unsettling effect on the others. Mrs. Smith replies that "she always wears her hair in the same style." After the Fire Chief's exit, the play devolves into a series of complete non-sequiturs, with no resemblance to normal conversation. It ends with the two couples shouting in unison "It's not that way. It's over here!," right before a blackout occurs. When the lights come back on, the scene starts from the beginning with the Martins reciting the Smiths' lines from the beginning of the play for a while before the curtain closes.

Meaning[link]

Like many plays in the theatre of the absurd genre, the underlying theme of The Bald Soprano is not immediately apparent. Many suggest that it expresses the futility of meaningful communication in modern society. The script is charged with non sequiturs that give the impression that the characters are not even listening to each other in their frantic efforts to make their own voices heard. There was speculation around the time of its first performance, categorising it as a parody. Ionesco states in an essay written to his critics, that he had no intention of parody, but if he were parodying anything, it would be everything.

The Bald Soprano appears to have been written as a continuous loop. The final scene contains stage instructions to start the performance over from the very beginning, with the Martin couple substituted for the Smith couple and vice versa. However, this decision was only added in after the show's hundredth premier, for it was originally for the Smiths to restart the show, in exactly the same manner as before.

According to Ionesco, he had several possible endings in mind, including a climax in which the "author" or "manager" antagonizes the audience, and even a version in which the audience would be shot with machine guns. However this was ultimately settled for a cheaper solution, the cycle. Ionesco told Claude Bonnefoy in an interview, "I wanted to give a meaning to the play by having it begin all over again with two characters. In this way the end becomes a new beginning but, since there are two couples in the play, it begins the first time with the Smiths and the second time with the Martins, to suggest the interchangeable nature of the characters: the Smiths are the Martins and the Martins are the Smiths".^[3]

See also[link]

• Le Monde's 100 Books of the Century

References[link]

Dolly Parton
Dolly Parton in a Press Conference, 2011.
Background information
Birth name	Dolly Rebecca Parton
Born	(1946-01-19) January 19, 1946 (age 66) Sevierville, Tennessee, United States
Genres	Country, country pop, pop, bluegrass
Occupations	Singer-songwriter, record producer, actress, author, musician, businesswoman
Instruments	Vocals, guitar, banjo, autoharp, piano, drums, appalachian dulcimer, harmonica, pennywhistle, recorder, fiddle, bass guitar, saxophone
Years active	1955[1]–present
Labels	Goldband (1957–59) Mercury Records (1962–64) Monument (1965–67) RCA (1967–86) CBS (1987–95) Rising Tide (1995–97) Decca (1997–98) Sugar Hill (1999–2006) Dolly Records (2007–present)
Associated acts	Brad Paisley, Reba McEntire, Porter Wagoner, Cat Stevens, Kenny Rogers, Emmylou Harris, Linda Ronstadt, Loretta Lynn, Tammy Wynette, Shania Twain, Juice Newton, Stella Parton, The Larkins, Altan, Billy Ray Cyrus, Miley Cyrus, Willie Nelson, Alison Krauss, Ricky Van Shelton, Vince Gill, Carrie Underwood
Website	dollypartonmusic.net

Dolly Rebecca Parton (born January 19, 1946^[2]) is an American singer-songwriter, author, multi-instrumentalist, actress and philanthropist, best known for her work in country music. As a songwriter, she has composed over 3,000 songs^[3], the best known of which include "I Will Always Love You" (a two-time U.S. country chart-topper for Parton, as well an international pop hit for Whitney Houston), "Jolene", "Coat of Many Colors", "9 to 5" and "My Tennessee Mountain Home". As an actress, she starred in the movies 9 to 5, The Best Little Whorehouse in Texas, Steel Magnolias, Straight Talk, Unlikely Angel and Joyful Noise. She is one of the most successful female country artists of all time; with an estimated 100 million in album sales, Dolly Parton is also one of the best selling artists of all time.^[4] She is known as "The Queen of Country Music".^[1]

Early years[link]

She was born in Sevierville, Tennessee, the fourth of twelve children of Avie Lee Parton (née Owens; October 5, 1923 – December 5, 2003) and Robert Lee Parton (March 22, 1921 – November 12, 2000), a tobacco farmer.^[5][6] Her siblings are: Willadeene Parton (born March 24, 1940), David Wilburn Parton (born March 30, 1942), Coy Denver "Denver" Parton (born August 16, 1943), Bobby Lee Parton (born February 18, 1948), Stella Mae Parton (born May 4, 1949), Cassie Nan Parton (February 12, 1951), Randel Huston "Randy" Parton (born December 15, 1953), Larry Gerald Parton (born and died July 6, 1955), Floyd and Frieda Estelle Parton (born June 1, 1957), and Rachel Ann Parton (born August 31, 1959). Her family was, as she has described them, "dirt poor".^[7] She outlined her family's lack of money in a number of her early songs, notably "Coat of Many Colors" and "In the Good Old Days (When Times Were Bad)". They lived in a rustic, dilapidated one-room cabin in Locust Ridge, Tennessee, a hamlet just north of the Greenbrier Valley, in the Locust Ridge area of the Great Smoky Mountains in Sevier County, a predominantly Pentecostal area.

Music played an important role in her early life, and her grandfather was a Pentecostal "holy-roller" preacher.^[8] When appearing in live concerts, she frequently performs spiritual songs.

Career discovery[link]

Dolly Parton began performing as a child, singing on local radio and television programs in the Eastern Tennessee area. By age nine, she was appearing on The Cas Walker Show on both WIVK Radio and WBIR-TV in Knoxville, Tennessee. At thirteen, she was recording (the single "Puppy Love")^[9] on a small Louisiana label, Goldband Records, and appeared at the Grand Ole Opry in Nashville, Tennessee. It was at the Opry, where she first met Johnny Cash, who encouraged her to go, where her heart took her, and not to care, what others thought.^[10] The day after she graduated from high school in 1964, Parton moved to Nashville taking many traditional elements of folklore and popular music from East Tennessee with her.

Parton's initial success came as a songwriter, writing two top ten hits with her uncle Bill Owens: Bill Phillips's "Put it off Until Tomorrow" and Skeeter Davis' 1967 hit "Fuel to the Flame". She also wrote a minor chart hit for Hank Williams Jr during this period.^[11] She had signed with Monument Records in late 1965, where she was initially pitched as a bubblegum pop singer,^[12] earning only one national-chart single, "Happy, Happy Birthday Baby", which did not crack the Billboard Hot 100.

The label agreed to let Parton sing country music after her composition, "Put It Off Until Tomorrow," as recorded by Bill Phillips (and with Parton, uncredited, on harmony), went to number six on the country music charts in 1966. Her first country single, "Dumb Blonde" (one of the few songs during this era, that she recorded but did not write), reached number twenty-four on the country music charts in 1967, followed the same year with Something Fishy, which went to number seventeen. The two songs anchored her first full-length album, Hello, I'm Dolly.

Marriage[link]

On May 30, 1966, she and Carl Thomas Dean were married in Ringgold, Georgia.^[13] She had met Dean at the Wishy-Washy Laundromat two years earlier on her first day in Nashville. His very first words to her were: "Y'all gonna get sunburnt out there, little lady."^[14]

Dean, who runs an asphalt road-surface-paving business in Nashville, has always shunned publicity and rarely accompanies her to any events. According to Parton, he has only ever seen her perform once. However, she has also commented in interviews that, although it appears they do not spend much time together, it is simply that nobody sees him. She also commented on Dean's romantic side claiming, that he will often do spontaneous things to surprise her, and sometimes even writes her poems.^[15]

The couple partly raised several of Parton's younger siblings at their home in Nashville, leading her nieces and nephews to refer to her as "Aunt Granny". She has no children of her own. Parton is also the godmother of actress and singer Miley Cyrus.^[16]

On May 30, 2011, they celebrated their 45th anniversary. Later, she said, "We're really proud of our marriage. It's the first for both of us. And the last."^[17]

Music career[link]

1967–75: Country music success[link]

In 1967, country entertainer Porter Wagoner invited Parton to join his organization, offering her a regular spot on his weekly syndicated television program The Porter Wagoner Show, as well as in his road show.

As in Her 1994 Autobiography,^[18] Initially, much of Wagoner's audience was unhappy, that Norma Jean, the performer whom Parton had replaced, had left the show, and was reluctant to accept Parton (sometimes chanting loudly for Norma Jean from the audience).^{[citation needed]} With Wagoner's assistance, however, Parton was eventually accepted. Wagoner also convinced his label, RCA Victor, to sign Parton. RCA decided to protect their investment by releasing her first single as a duet with Wagoner. That song, a cover of Tom Paxton's "The Last Thing on My Mind", released in late 1967, reached the country top ten in January 1968, launching a six-year streak of virtually uninterrupted top-ten singles for the pair.

Parton's first solo single for RCA, "Just Because I'm a Woman", was released in the summer of 1968 and was a moderate chart hit, reaching number seventeen. For the remainder of the decade, none of her solo efforts – even "In the Good Old Days (When Times Were Bad)", which later became a standard – were as successful as her duets with Wagoner. The duo was named Vocal Group of the Year in 1968 by the Country Music Association, but Parton's solo records were continually ignored. Wagoner and Parton were both frustrated by her lack of solo success, because he had a significant financial stake in her future: as of 1969, he was her co-producer and owned nearly half of Owepar, the publishing company Parton had founded with Bill Owens.

By 1970, both Parton and Wagoner had grown frustrated by her lack of solo chart success, and Porter had her record Jimmie Rodgers' "Mule Skinner Blues", a gimmick that worked. The record shot to number three on the charts, followed closely, in February 1971, by her first number-one single, "Joshua." For the next two years, she had a number of solo hits – including her signature song "Coat of Many Colors" (number four in 1971) – in addition to her duets. Though she had successful singles, none of them were blockbusters until "Jolene". Released in late 1973, the song topped the singles chart in February 1974 (it eventually also charted in the UK, reaching No. 7 in 1976, representing Parton's first UK success). Parton and Wagoner performed their last duet concert in April 1974, and she ceased appearing on his TV show in mid-1974, though they remained affiliated, with him helping to produce her records through 1975.^[18] The pair continued to release duet albums, their final release being 1975's Say Forever You'll Be Mine.

In 1974, her song, "I Will Always Love You", written about her professional break from Wagoner, went to number one on the country music charts. Around the same time, Elvis Presley indicated, that he wanted to cover the song. Parton was interested until Presley's manager, Colonel Tom Parker, told her, that it was standard procedure for the songwriter to sign over half of the publishing rights to any song Elvis recorded.^[19] Parton refused, and that decision is credited with helping to make her many millions of dollars in royalties from the song over the years.

1976–86: Branching out into pop music[link]

From 1974 to 1980, she consistently charted in the country Top 10, with no fewer than eight singles reaching number one. Parton had her own syndicated-television variety show, Dolly! (1976–1977). During this period, many performers, including Rose Maddox, Kitty Wells, Olivia Newton-John, Emmylou Harris, and Linda Ronstadt, covered her songs, and her siblings Randy and Stella all received recording contracts of their own.^[18]

It was also during this period, that Parton began to embark on a high-profile crossover campaign, attempting to aim her music in a more-mainstream direction and increase her visibility outside of the confines of country music. In 1976, she signed with the Los Angeles public-relations firm Katz-Gallin-Morey, working closely with Sandy Gallin, who served as her personal manager for the next twenty-five years.

With her 1976 album All I Can Do, co-produced by herself with Porter Wagoner, Parton began taking more of an active role in production, and began specifically aiming her music in a more mainstream, pop direction. Her first entirely self-produced effort, 1977's New Harvest ... First Gathering, highlighted Parton's pop sensibilities, both in terms of choice of songs - the album contained covers of the pop and R&B classics "My Girl" and "Higher and Higher" – and the album's production. While receiving generally favorable reviews, however, the album did not achieve the crossover success Parton had hoped for. Though it topped the country albums charts, it stalled at No. 71 on the pop albums chart; the album's single, "Light of a Clear Blue Morning" only reached No. 87 on the Hot 100.

After New Harvest's disappointing chart performance, Parton turned to high profile pop producer Gary Klein for her next album. The result, 1977's Here You Come Again, became her first million-seller, topping the country albums chart and reaching No. 20 on the pop albums chart; the Barry Mann-Cynthia Weil-penned title track topped the country singles chart, and became Parton's first top-ten single on the pop charts (reaching number three). A second single, the double A-sided single "Two Doors Down"/"It's All Wrong but It's All Right" also topped the country singles chart and crossed over to the pop top twenty. For the remainder of the 1970s and into the early 1980s, many of Parton's subsequent singles charted on both pop and country charts, simultaneously. Her albums during this period were developed specifically for pop-crossover success.

In 1978, Parton won a Grammy Award for Best Female Country Vocal Performance for her Here You Come Again album. She continued to have hits with "Heartbreaker" (1978), "Baby I'm Burning" and "You're the Only One" (both 1979), all of which charted in the pop singles Top 40, and all of which also topped the country-singles chart; 1979's "Sweet Summer Lovin'" became the first Parton single in two years to not top the country singles chart (though it still nonetheless reached the top ten). During this period, Parton's visibility continued to increase, with television appearances in 1977, 1978 and 1979. A highly publicized candid interview on a Barbara Walters Special in December 1977 (timed to coincide with Here You Come Again's release) was followed by appearances in 1978 on Cher's ABC television special, and her own joint special with Carol Burnett on CBS, Carol and Dolly in Nashville. She also served as one of three co-hosts (along with Roy Clark and Glen Campbell) on the CBS special Fifty Years of Country Music. In 1979, Parton hosted the NBC special The Seventies: An Explosion of Country Music, performed live at the Ford Theatre in Washington, D.C., and whose audience included President Jimmy Carter.

Parton's commercial success continued to grow during 1980, with three number-one hits in a row: the Donna Summer-written "Starting Over Again", "Old Flames Can't Hold a Candle to You", and "9 to 5", which topped the country and pop charts in early 1981.^[18]

With less time to spend songwriting as she focused on a burgeoning film career, during the early 1980s Parton recorded a larger percentage of material from noted pop songwriters, such as Barry Mann and Cynthia Weil, Rupert Holmes, Gary Portnoy and Carole Bayer Sager.

Dolly Parton in Honolulu, Hawaii, 1983.

"9 to 5", the theme song to the feature film 9 to 5 (1980) Parton starred in along with Jane Fonda and Lily Tomlin, not only reached number one on the country charts, but also, in February 1981, reached number one on the pop and the adult-contemporary charts, giving her a triple-number-one hit. Parton became one of the few female country singers to have a number-one single on the country and pop charts simultaneously. It also received a nomination for an Academy Award for Best Original Song.

Parton's singles continued to appear consistently in the country Top 10: between 1981 and 1985, she had 12 Top 10 hits; half of those were number-one singles. Parton continued to make inroads on the pop charts as well with a re-recorded version of "I Will Always Love You" from the feature film The Best Little Whorehouse in Texas (1982) scraping the Top 50 that year and her duet with Kenny Rogers, "Islands in the Stream" (written by the Bee Gees and produced by Barry Gibb), spent two weeks at number one in 1983.^[18] Other chart hits during this period included Parton's chart-topping cover of the 1969 First Edition hit "But You Know I Love You" and "The House of the Rising Sun" (both 1981), "Single Women", "Heartbreak Express" and "Hard Candy Christmas" (1982) and 1983's "Potential New Boyfriend", which was accompanied by one of Parton's first music videos, and which also reached the U.S. dance charts.

She also continued to explore new business and entertainment ventures such as her Dollywood theme park, that opened in 1986 in Pigeon Forge, Tennessee.

By the mid-1980s, her record sales were still relatively strong, with "Save the Last Dance for Me", "Downtown", "Tennessee Homesick Blues" (all 1984); "Real Love" (another duet with Kenny Rogers), "Don't Call It Love" (both 1985); and "Think About Love" (1986) all reaching the country-singles Top 10. ("Tennessee Homesick Blues" and "Think About Love" reached number one. "Real Love" also reached number one on the country-singles chart and also became a modest pop-crossover hit). However, RCA Records did not renew her contract after it expired that year, and she signed with Columbia Records in 1987.^[18]

1987–94: Return to country roots[link]

Along with Emmylou Harris and Linda Ronstadt, she released the decade-in-the-making Trio (1987) to critical acclaim. The album strongly revitalized Parton's somewhat stagnant music career, spending five weeks at number one on Billboard's Country Albums chart, selling several million copies and producing four Top 10 country hits including Phil Spector's "To Know Him Is to Love Him", which went to number one. Trio won the Grammy Award for Best Country Performance by a Duo or Group with Vocal and was nominated for a Grammy Award for Album of the Year. In 1987, she revived her television variety show, Dolly.

After a further attempt at pop success with 1987's Rainbow, Parton refocused on recording country material. White Limozeen (1989) produced two number-one hits in "Why'd You Come in Here Lookin' Like That" and "Yellow Roses". Although it looked like Parton's career had been revived, it was actually just a brief revival before contemporary country music came in the early 1990s and moved all veteran artists out of the charts.^[18]

A duet with Ricky Van Shelton, "Rockin' Years" (1991) reached number one but Parton's greatest commercial fortune of the decade came when Whitney Houston recorded "I Will Always Love You" for the soundtrack of the feature film The Bodyguard (1992); both the single and the album were massively successful.

Parton's soundtrack album from her own 1992 film, Straight Talk, however was less successful, though her 1993 album Slow Dancing with the Moon won critical acclaim, and did well on the charts, reaching #4 on the country albums charts, and #16 on the Billboard 200 albums charts.

She recorded "The Day I Fall in Love" as a duet with James Ingram for the feature film Beethoven's 2nd (1993). The songwriters (Sager, Ingram, and Clif Mangess) were nominated for an Academy Award for Best Original Song and Parton and Ingram performed the song on the awards telecast.

Similar to her earlier collabrative album with Harris and Ronstadt, Parton released Honky Tonk Angels in the fall of 1993 with Loretta Lynn and Tammy Wynette.^[20] It was certified as Gold Album by the Recording Industry Association of America and helped revive both Wynette's and Lynn's careers.

Also in 1994, Parton contributed the song "You Gotta Be My Baby" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization.

A live acoustic album, Heartsongs, featuring version of some of Parton's hits, as well as a number of traditional songs, was released in late 1994.

1995–present[link]

Dolly Parton in a Press Conference (Australia, 2011).

Parton's recorded output during the mid- to late-1990s remained steady, though somewhat eclectic.

Her 1995 re-recording of "I Will Always Love You" (performed as a duet with Vince Gill), from her album Something Special won the Country Music Association's Vocal Event of the Year Award for Parton and Gill.

The following year, Treasures, an album of covers of 1960s and '70s hits was released, and featured a diverse collection of material, including songs by Mac Davis, Pete Seeger, Kris Kristofferson, Cat Stevens, Neil Young, and Joni Mitchell. (A number of the acts who wrote or initially popularized the songs appeared on the album). Parton's recording of Stevens' "Peace Train" was later remixed and released as a dance single, reaching Billboard's dance singles chart.

Her 1998 country-rock album Hungry Again was made up entirely of her own compositions. Though neither of the album's two singles, "(Why Don't More Women Sing) Honky Tonk Songs" and "Salt in my Tears", charted, videos for both songs received significant airplay on CMT.

A second and more contemporary collaboration with Harris and Ronstadt, Trio II (1999), was released and its cover of Neil Young's "After the Gold Rush" won a Grammy Award for Best Country Collaboration with Vocals. Parton was also inducted into the Country Music Hall of Fame in 1999.^[20]

She recorded a series of bluegrass-inspired albums, beginning with The Grass Is Blue (1999), winning a Grammy Award for Best Bluegrass Album, and Little Sparrow (2001), with its cover of Collective Soul's "Shine" winning a Grammy Award for Best Female Country Vocal Performance. The third, Halos & Horns (2002) included a bluegrass version of the Led Zeppelin classic "Stairway to Heaven".

Parton released Those Were The Days (2005), her interpretation of hits from the folk-rock era of the late 1960s through the early 1970s. It featured such classics as John Lennon's "Imagine", Cat Stevens's "Where Do the Children Play?", Tommy James's "Crimson and Clover", and Pete Seeger's anti-war song "Where Have All the Flowers Gone?".

Parton earned her second Academy Award nomination for Best Original Song for "Travelin' Thru," which she wrote specifically for the feature film Transamerica (2005). Because of the song's theme of uncritical acceptance of a transgender woman, Parton received death threats.^[21] She also returned to number one on the country charts later in 2005 by lending her distinctive harmonies to the Brad Paisley ballad, "When I Get Where I'm Goin'".^[20]

In September 2007, Parton released her first single from her own record company, Dolly Records, entitled, "Better Get to Livin'," which eventually peaked at number forty-eight on the Billboard's Hot Country Songs chart. It was followed by the studio album, "Backwoods Barbie," which was released February 26, 2008, and reached number two on the country charts. The album's debut at number seventeen on the all-genre Billboard 200 albums chart has been the highest in her career.^[22] Backwoods Barbie produced four additional singles, including the title track, which was written as part of her score for 9 to 5: The Musical, an adaptation of her feature film Nine to Five.

After the sudden death of Michael Jackson, whom Parton knew personally, she released a video in which she somberly told of her feelings on Jackson and his death.^[23][24]

On October 27, 2009, Parton released a four-CD box set entitled "Dolly" that features 99 songs and spans most of her career.^[25] She released her second live DVD and album, Live From London in October 2009, which was filmed during her sold out 2008 concerts at London's O2 Arena.^[26] She is also working on a dance-oriented album, Dance with Dolly, which she hopes to release in 2010.^{[dated info][27]}

Longtime friend Billy Ray Cyrus, singer of Brother Clyde, released their self-titled debut album on August 10, 2010. Parton is featured on "The Right Time," which she co-wrote with Cyrus and Morris Joseph Tancredi.

She said in 2010 that she would like to start recording a country-dance album in November, and that it should be set for release in 2011. On January 6, 2011, Parton announced her new album would be titled, Better Day. In February 2011, she announced that she would embark on the Better Day World Tour on July 17, 2011, with shows in northern Europe and the U.S.^[28] The album's lead-off single, "Together You and I," was released on May 23, 2011, and Better Day was released on June 28, 2011.^[29]

In 2011, Parton voiced the character Dolly Gnome in the animated film Gnomeo and Juliet.

On February 11, 2012, after the sudden death of Whitney Houston, Dolly Parton stated, "Mine is only one of the millions of hearts broken over the death of Whitney Houston. I will always be grateful and in awe of the wonderful performance she did on my song, and I can truly say from the bottom of my heart, “Whitney, I will always love you. You will be missed.”^[30]

In concert and on tour[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2012)

Parton toured extensively from the late 1960s until the early 1990s. In the 1960s and 1970s, Parton toured alongside other country musicians including Porter Wagoner, George Jones and Linda Ronstadt. Parton toured as a headline act in 1977 and 1978 for promote her albums, Here You Come Again and Heartbreaker. In 1982, she toured to support her Heartbreak Express album, but health problems resulted in the cancellation of a number of that tour's dates. From 1984 to 1985, she toured alongside Kenny Rogers for the "Real Love Tour". She continued touring in 1986 with the "Thinkin' About Love Tour" and in 1989 for the "White Limozeen Tour". Her only tour in the 1990s was the "Eagle When She Files Tour," in 1991 and 1992. In 2002 she returned to the concert stage; she later went on the Backwoods Barbie Tour in 2008 promoting Backwoods Barbie.

Dollywood Foundation Shows[link]

From the early 1990s through 2001, her concert appearances were primarily limited to one weekend a year at Dollywood to benefit her Dollywood Foundation. The concerts normally followed a theme (similar to a Legends in Concert or, for example, a "fifties-music"-tribute concert). They have also included holiday shows during the Christmas season.

Halos & Horns Tour[link]

After a decade-long absence from touring, Parton decided to return in 2002 with the Halos & Horns Tour, an 18-city, intimate club tour to promote Halos & Horns (2002). House of Blues Entertainment, Inc. produced the tour and it sold out all its U.S. and European dates (her first^{[clarification needed]} in two decades).

Parton performing on the Grand Ol' Opry, 2005.

Hello, I'm Dolly Tour[link]

She returned to mid-sized-stadium venues in 2004 with her 36-city, U.S. and Canadian Hello, I'm Dolly Tour, a glitzier, more-elaborate stage show than two years earlier. With nearly 140,000 tickets sold, it was the tenth-biggest country tour of the year and grossed more than $6 million.

The Vintage Tour[link]

In late 2005, Parton completed a 40-city tour with The Vintage Tour promoting her new Those Were the Days (2005).

An Evening with Dolly Parton[link]

Parton scheduled mini concerts in late 2006 throughout the U.S. and Canada as a gear-up to her 17-city, 21-date An Evening with Dolly Parton. Running from March 6 to April 3, 2007, this was her first world tour in many years and her first tour in the United Kingdom since 2002.^[31]

The tour sold out in every European city and gained positive reviews. It grossed just over $16 million. The most-noted feature of the shows, despite Parton being 60, was that most in attendance had never seen her in concert before. This, coupled with Parton's European popularity, led to a rapturous reception whenever she took to the stage.

Backwoods Barbie Tour[link]

In 2008, Parton went on the Backwoods Barbie Tour. It was set to begin in the U.S. (February–April 2008) to coincide with the release of Backwoods Barbie (2008), her first mainstream-country album in 17 years.^[32] However, because of back problems she postponed all U.S. dates. The tour started March 28, 2008, with 13 U.S. dates,^[33] followed by 17 European shows.^[31][34]

She returned to the U.S. with a concert at Humphrey's By The Bay in San Diego, California, on August 1, 2008. She performed her Backwoods Barbie Tour on August 3, 2008, at the Greek Theatre in Los Angeles, California, to a sold-out crowd and standing ovations. From August 1 to November 1, she has scheduled 16 dates on both the east and west coasts of the U.S.^{[dated info][34]}

Better Day World Tour[link]

In 2011, Parton embarked on the Better Day World Tour to promote her 41st studio album, Better Day (2011). The tour began on July 17 and ended on December 1. With 49 shows, she visited the United States, Northern Europe, and Australia. The ticket sales were nearly 275,000 and the overall gross was $34 million, making the tour Parton's most successful. This tour was her first to visit Australia in 30 years.

Songwriting[link]

Parton is a successful songwriter, having begun by writing country-music songs with strong elements of folk music, based upon her upbringing in humble mountain surroundings, and reflecting her family's evangelical-Christian background. Her songs "Coat of Many Colors", "I Will Always Love You" and "Jolene" have become classics in the field, as have a number of others. As a songwriter, she is also regarded as one of country music's most-gifted storytellers, with many of her narrative songs based on persons and events from her childhood. On November 4, 2003, Dolly Parton was honored as a BMI Icon at the 2003 BMI Country Awards.^[35] She has earned over 35 BMI Pop and Country Awards throughout her prolific songwriting career.^[36] In 2001, she was inducted into the Songwriters Hall of Fame.^[37]

In a 2009 interview with CNN's Larry King Live, Parton indicated that she had written "at least 3,000" songs, having written seriously since the age of seven. Parton went on to say that she writes something every day, be it a song or an idea.^[38]

Compositions in films and television and covers[link]

Parton's songwriting has been featured prominently in several films.

In addition to the title song for Nine to Five (1980), she also recorded a second version of "I Will Always Love You" for The Best Little Whorehouse in Texas (1982). The second version was another number-one country hit and also managed to reach the pop charts going to number 53 in the U.S.

"I Will Always Love You" has been covered by many country artists, including Ronstadt, on Prisoner In Disguise (1975); Kenny Rogers, on Vote for Love (1996); and LeAnn Rimes, on Unchained Melody: The Early Years (1997). Whitney Houston performed it on The Bodyguard (1992) film soundtrack and her version became the best-selling hit ever both written and performed by a female vocalist, with worldwide sales of over twelve million copies. In addition, the song has been translated into Italian and performed by the Welsh opera singer Katherine Jenkins, a fact referred to by Dolly herself in the Birmingham (UK) concert of the 'Backwoods Barbie' Tour.

As a songwriter, Parton has twice been nominated for an Academy Award for Best Original Song, for "9 to 5" (1980) and "Travelin' Thru" (2005). "Travelin' Thru" did win as Best Original Song award at the Phoenix Film Critics Society Awards (2005). The song was also nominated for both the Golden Globe Award for Best Original Song (2005) and the Broadcast Film Critics Association Award (also known as the Critics' Choice Awards) for Best Song (2005).

A cover version of "Love Is Like A Butterfly", recorded by singer Clare Torry, was used as the theme music for the British TV show Butterflies.

[edit] American Idol appearance

The music-competition, reality-television show American Idol (since 2002) has weekly themes and the April 1–2, 2008, episodes' theme was "Dolly Parton Songs" with the nine then-remaining contestants each singing a Parton composition. Parton participated as a "guest mentor" to the contestants and also performed "Jesus and Gravity" (from Backwoods Barbie and released as a single in March 2008) receiving a standing ovation from the studio audience.

[edit] 9 to 5: The Musical

Parton wrote the score (and Patricia Resnick wrote the book) for 9 to 5: The Musical, a musical-theatre adaptation of Parton's feature film Nine to Five (1980). The musical ran at the Ahmanson Theatre, Los Angeles, California, in Fall 2008.

It opened on Broadway at the Marquis Theatre in New York City, on April 30, 2009, to mixed reviews.^[39] The title track of her Backwoods Barbie (2008), was written for the musical's character Doralee.^[40] Though her score (as well as the musical debut of actress Allison Janney) was praised, the show struggled and closed on September 6, 2009 after 24 previews and 148 performances.

Developing the musical was not an overnight process. According to a broadcast of the public-radio program Studio 360 (October 29, 2005),^[41] in October 2005 Parton was in the midst of composing the songs for a Broadway musical-theatre adaptation of the film. In late June 2007, 9 to 5: the Musical was read for industry presentations. The readings starred Megan Hilty, Allison Janney, Stephanie J. Block, Bebe Neuwirth and Marc Kudisch.^[42]

Ambassador Theatre Group announced a 2012 UK tour for Dolly Parton's 9 to 5: The Musical, commencing at Manchester Opera House, on October 12, 2012.^[43]

Musician[link]

Parton plays the autoharp, banjo, drums, dulcimer, fiddle, guitar, harmonica, flute, pennywhistle and piano.^[44] She began composing songs at the age of four, her mother often writing down the music as she heard Parton singing around the house. Parton often describes her talent as having "the gift of rhyme".

Acting career[link]