Dev Anand
Felicitation of Dev Anand by the Indo-American Society
Born	Dharam Dev Pishorimal Anand (1923-09-26)26 September 1923 Gurdaspur, Punjab, British India (now in Punjab, India)
Died	3 December 2011(2011-12-03) (aged 88) London, England
Residence	Mumbai, Maharashtra, India
Nationality	Indian
Other names	Dev Sahaab
Occupation	Actor, producer, director, co-founder Navketan Films (1949)
Years active	1946–2011
Spouse	Kalpana Kartik (1954–2011 his death)
Signature	150px

Dharam Dev Pishorimal Anand (26 September 1923 – 3 December 2011), better known as Dev Anand, was an Indian film actor, writer, director and producer known for his work in Hindi cinema. Part of the Anand family, he co-founded Navketan Films in 1949 with his elder brother Chetan Anand.^[1][2][3]

The Government of India honoured him with the Padma Bhushan in 2001 and the Dadasaheb Phalke Award in 2002 for his contribution to Indian cinema. His career spanned more than 65 years with acting in 114 Hindi films of which 109 have him play the main solo lead hero and he did 2 English films.

Early life[link]

Dev was born Dharam Dev Pishorimal Anand on 26 September 1923 ^[4] in the Shakargarh tehsil of the Gurdaspur district in Punjab (British India) (present-day Narowal district of Pakistan). His father Pishori Lal Anand was a well-to-do advocate. Dev was the third of four sons born to Pishori Lal Anand. One of Dev's younger sister is Sheela Kanta Kapur, who is mother of Shekhar Kapur. His older brothers were Manmohan Anand (Advocate, Gurdaspur Dist. Court) and Chetan Anand and younger one was Vijay Anand. Dev Anand spent his early years in Gharota village near Gurdaspur, Gurdaspur town. He did his schooling till matriculation from Sacred Heart School, Dalhousie, Himachal Pradesh (then in Punjab) and went to college Dharamsala in Himachal Pradesh before going to Lahore to study.^[5][6] Later Dev completed his graduation in English Literature from the Government College, Lahore in British India.

Career[link]

After graduating in English Literature from the Government College, Lahore (then in British India, now in Pakistan), Anand left his hometown for Bombay in the early 1940s. He began his career in the military censor's office at Churchgate, for a monthly salary of Rs. 165. Later he joined as a clerk in an accountancy firm for a salary of Rs. 85.^[7] He joined his older brother, Chetan, as a member of the Indian People's Theatre Association (IPTA).Dev Anand aspired to become a performer after seeing Ashok Kumar's performance in films like Achhut Kanya and Kismat.^[8] Dev Anand quoted in an interview that "I remember when I gatecrashed into the office of the man who gave me the first break, he kept looking at me — Babu Rao Pai of Prabhat Film Studios. At that time he made up his mind that this boy deserves a break and later mentioned to his people that ‘this boy struck me because of his smile and beautiful eyes and his tremendous confidence."^[9] Then he was soon offered the lead role in Prabhat Films' Hum Ek Hain (1946), a film about Hindu-Muslim unity, where Dev Anand played a Hindu boy and was paired opposite Kamala Kotnis.^[10] While shooting the film in Pune, Anand befriended the actor Guru Dutt. Between them, they agreed that if one of them was to become successful in the film industry, they would help the other to be successful. They formed a mutual understanding that when Anand produced a film, Dutt would direct it and when Dutt directed a film, Anand would act in it.^[11]

Late 40s and romance with Suraiya[link]

Dev Anand and Nargis starred in Birha Ki Raat (1950).

In the late 1940s, Anand was offered a few roles starring as the male lead opposite singer-actress Suraiya in woman-oriented films. He considered himself to be lucky to get a chance to star opposite such an established actress and accepted the offers. While shooting these films, he became romantically involved with Suraiya. The two of them were paired in seven films together: Vidya (1948), Jeet (1949), Shair (1949), Afsar (1950), Nili (1950), Do Sitare (1951) and Sanam (1951), all of which were successful at the box office. In these films, Suraiya was always first-biller in the credits, indicating that she was a bigger star than Anand. She fell in love with him during the shooting of the song Kinare kinare chale jayen ge from the film Vidya—while shooting the scene, the boat they were in capsized, and Anand saved Suraiya from drowning. Their entire affair was conducted in a clandestine manner, with friends like Durga Khote and Kamini Kaushal going out of their way to engineer secret rendezvous. On the sets of the film Jeet, Anand finally proposed to Suraiya and gave her a diamond ring worth Rs 3,000. Her maternal grandmother opposed the relationship as they were Muslim and Anand was Hindu, and so, Suraiya remained unmarried. They stopped acting together after her grandmother opposed their partnership, and Do Sitare was the last film in which they appeared.^[12][13] Although the films he starred in with Suraiya had been successful, the producers and directors of those films attributed their success to the acting prowess and screen presence of Suraiya. Anand began looking for an opportunity to play the main male lead in a film where his acting skills could be demonstrated, so as to dispel scepticism about his acting abilities.

Break and the 1950s[link]

Anand was offered his first big break by Ashok Kumar. He spotted Anand hanging around in the studios and picked him as the hero for the Bombay Talkies production, Ziddi (1948), co-starring Kamini Kaushal, which became an instant success. After Ziddi's success, Anand decided that he would start producing films. It was in the film Ziddi, where the first-ever Kishore-Lata duet, Yeh Kaun Aaya Karke Yeh Sola Singhar, was recorded.^[14] This duet was an instant hit, and from here, on both the playback singers' association with Dev Anand began. It continued for next four decades. His association with Kishore Kumar started when the former sang the first solo of his playback singing career – Marne Ki Duayen – picturised on Dev Anand in the movie Ziddi. Dev had forged a very strong bond of friendship with Kishore Kumar during the making of the film. In 1949, he launched his own company Navketan Films (which means "newness"), which, as of 2011, had produced 35 films.^[15]

Dev chose Guru Dutt as director for the crime thriller, Baazi (1951). The film, starring Dev Anand, Geeta Bali and Kalpana Kartik was a trendsetter, regarded as the forerunner of the spate of urban crime films that followed in Bollywood in the 1950s. The film Baazi saw debut of Kalpana Kartik (aka Mona Singh) as the lead female actress and Guru Dutt as a director. The collaboration was a success at the box office and the duo of Dev Anand and Kalpana Kartik were offered many films to star in together. They signed all the film offers and subsequently the movies Aandhiyan, Taxi Driver, House No. 44 and Nau Do Gyarah went on to become big hits too. During the making of film Taxi Driver, the couple fell in love and Dev proposed marriage to his heroine Kalpana. In 1954, Taxi Driver was declared a hit and the two decided to marry in a quiet ceremony. The couple had a son, Suneil Anand in 1956 and later a daughter, Devina, was born. After her marriage, Kalpana decided not to pursue her acting career further. Nau Do Gyarah was the couple's last movie together.

A rapid-fire style of dialogue delivery and a penchant for nodding while speaking became Dev's style in films like House No. 44, Pocket Maar, Munimji, Funtoosh, C.I.D. and Paying Guest.^[16] In the 1950s his films were of the mystery genre or light comedy love stories or were films with social relevance like Ek ke baad ek and Funtoosh.His style was lapped up by the audience and was widely imitated. He starred in a string of box office successes for the remainder of the 1950s opposite newcomer Waheeda Rehman in C.I.D., Solva Saal, Kala Pani, Kala Bazar and Baat Ek Raat Ki. Waheeda first became a star with C.I.D becoming a hit.^[17] In 1955 he also co-starred with Dilip Kumar in Insaniyat. With his acting in Kala Pani (1958), as the son who is willing to go to any lengths to clear his framed father's name, he won his first Filmfare award for Best Actor for the film.^[18] He attempted films of tragic genre occasionally like Pocketmaar (1956), Kala Pani (1958), Bombai Ka Baboo (1960) and Sharabi (1964) and tasted success with them. Dev also played a few characters with a negative shade, like in Jaal(1952) where he played a smuggler, then as an absconding gang member in Dushman, as a black marketer in Kala Bazar.^[19] Apart from his pair with Suraiya and Kalpana Kartik, his pair with Nutan and Waheeda Rehman was popular among the audiences in late 50’s and 60’s. His films Rahee and Aandhiyaan, were screened along with Raj Kapoor's Awaara. From the early fifties till mid sixties, the trio of Dilip Kumar, Raj Kapoor and Dev Anand ruled the roost.

Romance hero image in the 60s[link]

In the sixties, Dev Anand acquired a romantic image with films like Manzil and Tere Ghar Ke Samne with Nutan, Kinaare Kinaare with Meena Kumari, Maya with Mala Sinha, Asli-Naqli with Sadhana Shivdasani, Jab Pyar Kisise Hota Hai and Mahal with Asha Parekh and Teen Deviyaan opposite three heroines Kalpana, Simi Garewal and Nanda. In the film Teen Deviyaan, Dev Anand played a playboy.

His first colour film, Guide with Waheeda Rehman was based on the novel of the same name by R. K. Narayan. Dev Anand himself was the impetus for making the film version of the book. He met and persuaded Narayan to give his assent to the project.^[20] Dev Anand tapped his friends in Hollywood to launch an Indo-US co-production that was shot in Hindi and English simultaneously and was released in 1965. Guide, directed by younger brother Vijay Anand, was an acclaimed movie. Dev played Raju, a voluble guide, who supports Rosy (Waheeda) in her bid for freedom. He is not above thoughtlessly exploiting her for personal gains. Combining style with substance, he gave an affecting performance as a man grappling with his emotions in his passage through love, shame and salvation.

He reunited with Vijay Anand for the movie Jewel Thief, based on thriller genre which featured Vaijayantimala, Tanuja, Anju Mahendru, Faryal and Helen. Their next collaboration, Johny Mera Naam (1970), again a thriller, where Dev was paired opposite Hema Malini was a big hit.^[17] It was Johnny Mera Naam which made Hema Malini a big star.^[21]

Directorial debut and the 70s[link]

His directorial debut, the espionage drama Prem Pujari, was a flop but has developed a cult following over the years. He tasted success with his 1971 directorial effort, Hare Rama Hare Krishna which talked about the prevalent hippie culture. His find Zeenat Aman, who played the mini-skirt sporting, pot-smoking Janice, became an overnight sensation. Dev also became known as a filmmaker of trenchantly topical themes. This same year, he starred with Mumtaz in Tere Mere Sapne, an adaptation of A. J. Cronin's novel, The Citadel. The film was directed by Dev's brother, Vijay and was also successful.

In the 1970s, Raj Kapoor started playing roles of father in films like Kal Aaj Aur Kal in 1971 and Dharam Karam in 1974 and had put lot of weight and films with Dilip Kumar as lead hero were failures at the box office . Some of the hurriedly-made films with Dev Anand as the leading man—three each opposite Hema Malini and Zeenat Aman and Yeh Gulistaan Hamara with Sharmila Tagore became flops and posed a threat to his career as leading man. But he delivered commercial hits again with young heroines Yogita Bali and Rakhee in Banarasi Babu (1973), Hema Malini in Chhupa Rustam (1973) and Amir Garib (1974),^[22] Zeenat Aman in Heera Panna(1973), Warrant(1975)^[23] and Darling Darling(1977) and Parveen Babi in Bullet(1976). The presence of his discoveries in the 1970s—Zeenat, and later Tina Munim, in films and his good onscreen chemistry with beautiful young stars like Rakhee, Parveen Babi, Hema Malini, Zeenat Aman in various films boosted Dev's image as the evergreen star even though he was well into his fifties.

Political activism during the Emergency in the late 70s[link]

Dev Anand has also been politically active. He led a group of film personalities who stood up against the Internal Emergency imposed by the then Prime Minister of India, Indira Gandhi. He actively campaigned against her with his supporters in Indian parliamentary elections in 1977. He also formed a party called the "National Party of India", which he later disbanded.

The 1978 hit Des Pardes, directed by Dev Anand was the debut movie of actress Tina Munim and this film’s success gave him the tag of evergreen hero. He was 55 but he shared very good chemistry with the 20 year old Tina Munim. Dev Anand was offered lead role in Man Pasand by director Basu Chatterjee. Dev Anand’s successful run at the box office continued in the 1980s with Man Pasand, Lootmaar (both opposite Tina Munim), Swami Dada (1982) being both critically acclaimed and box office hits.

Later career[link]

Felicitation of Dev Anand by the Indo-American Society

Though Dev Anand’s demand as the lead hero had not decreased even in the 1980s, he decided that it was the right time to introduce his son Suneil Anand in films as the hero. He launched his son in the Kramer vs. Kramer inspired Anand Aur Anand (1984), which was produced and directed by Dev Anand himself and had music by R. D. Burman. He expected the film to do well but the film was a box office disaster and Suneil Anand decided not to act in films any more.

But films with Dev Anand as the lead hero Hum Naujawan (1985), Lashkar (1989) continued to be box office success and was appreciated by critics.^[24] Awwal Number (1990), where Dev Anand co-starred with Aamir Khan became an average grosser. Aamir said in an interview that Awwal Number is the only film he signed without reading the script because it was being directed by his senior Dev Anand. Aamir quoted “Dev saab was an icon for many generations and entertained us throughout his life.^[25] He was already 60 years old in 1983 when he acted with Padmini Kolhapure in Swami Dada but looked half his age and shared a good on screen chemistry. In 1989, his directorial venture Sachche ka Bolbala was released. Though critically acclaimed, it was a commercial failure.

Since the 1990s except for Awwal Number, rest of the eight films directed by him were box office failures. But Sau Crore (1991) and Censor (2000) were critically acclaimed. His last film Chargesheet (2011) was panned by critics across the board. The only two hero film he acted in were Insaniyat in 1955 with Dilip Kumar and Return of Jewel Thief with Dharmendra in 1996. He also starred in English films like The Evil Within(1970) where he was paired opposite Vietnamese actress Kieu Chinh and Zeenat Aman^[7] and Guide (English Version). Off the 114 Hindi films he appeared in 6 decades, Kahin Aur Chal (1968) and multistarrer film Ek Do Teen Chaar (1980) remained unreleased and Shrimanji (1968) had him in guest appearance and 82 were box office hits and 29 were commercial failures. By 2011, he held the record for being the first actor from Hindi films who has played the central solo lead character in maximum films—109.

Comparisons with Gregory Peck[link]

Often compared to the famous actor Gregory Peck the world over,^[26] Dev Anand said that he didn't feel ecstatic bearing the tag line bestowed on him in his hey days. "When you are at an impressionable age you make idols. But when you grow out of the phase, you develop your own persona. I don't want to be known as India's Gregory Peck, I am Dev Anand".^[27]

Acquainted to the Bollywood actor, Peck's personal interactions with him spanned four to five long meetings in Europe and Mumbai.^[27][28][29]

Dev Anand and Suraiya met Peck for the first time at Mumbai's Willingdon Club,after the Filmfare Awards in 1954, on Peck's stopover in the city from a schedule at Sri Lanka after shooting for Purple Plane. He knew of the 'Indian Star' as an actor, more so probably because of his romance with Suraiya was grabbing the headlines, and they had a chat. The second time they met in Rome when Dev Anand was on his way back from the Venice Film Festival, he visited him on the sets of Roman Holiday. "I was returning from the Venice film fest. I stopped my car and joined the crowd watching the shoot, hoping that his eyes would fall on me. As expected, he nodded and I walked up to him. He remembered me and we exchanged pleasantries." The third meeting was at London on the sets of Moby Dick. However, Suraiya asked for an exclusive meeting with her idol at her house. Though Anand says jealousy was natural for anyone in love, he didn't mind that he was not invited. "I didn't quite feel anything. It wasn't as if they were going to fall in love or make love. Even if they would have, it wouldn't have mattered. I was mature enough. Moreover, he wasn't my rival. I too was a big star by then," says Anand.

Critical appraisal[link]

Dev Anand has directed 19 films and produced 35 films of which 7 directorial ventures and 18 films respectively were commercially successful at the box office. He wrote the story for 13 of his films. Critics say his directorial ventures have always been ahead of its time. Dev Anand's films are well known for their hit songs. He is known to have been an active participant in the music sessions of a number of his films. His association with music composers Shankar-Jaikishen, O. P. Nayyar, Kalyanji-Anandji, Sachin Dev Burman and his son Rahul Dev Burman, lyricists Hasrat Jaipuri, Majrooh Sultanpuri, Neeraj, Shailendra, Anand Bakshi, and playback singers Mohammad Rafi, Hemant Kumar and Kishore Kumar produced some very popular songs. S.D Burman, R.D Burman, Rafi, Pran and Kishore Kumar were his closest friends from film industry.^[30][31]

In September 2007, Dev's own autobiography Romancing with Life was released at a birthday party with the Indian Prime Minister Dr. Manmohan Singh.^[32] In February 2011, his 1961 black and white film Hum Dono was digitised and colourised and released.

Dev Anand is credited with giving actors like Zarina Wahab in Ishq Ishq Ishq, Jackie Shroff in Swami Dada, Tabu in Hum Naujawan and Richa Sharma(Sanjay Dutt’s first wife) a break into the film industry, discovered Zeenat Amaan, Tina Munim and encouraging music composer Rajesh Roshan.^[7] Amit Khanna started his career with Navketan as executive producer in 1971 and had been secretary to Dev Anand in 70's. He adds, "The uniqueness of Navketan today is that it's the only film company in the world still run by the one who started it."^[33] Shatrughan Sinha disclosed in an interview that it was Dev Anand who gave him a break in films by giving a role in 'Prem Pujari' and since Dev had given Sinha a very small role in that film, he compensated for it by giving Sinha another role in his next film 'Gambler'. Sinha quoted "Later on we worked together in 'Sharif Badmash' and it was really a privilege to work with him,".^[34] It was under Dev Anand's Navketan Banner where Guru Dutt, Raj Khosla, Waheeda Rahman, S.D. Burman, Jaidev, Sahir Ludhianvi, Majrooh Sultanpuri, Yash Johar, Shekhar Kapoor, Kabir Bedi were given breaks into Hindi films and Dev launched actors Zaheera, Zaheeda Hussain, Zarina Wahab, Natasha Sinha, Ekta Sohini, Sabrina.

Death[link]

Dev Anand died in his room at The Washington Mayfair Hotel in London at the age of 88 on 3 December 2011 (4 December 2011 by Indian Standard Time) of a cardiac arrest.^[35][36][37] His death came just months after the release of his last film, Charge Sheet.^[38] Anand was reportedly in London for a medical check up at the time of his death.^[39] Condolences poured in from all corners of the Indian film industry, with most of them remembering his positive attitude towards life.^[38][40] On 10 December, his funeral service was held at a small chapel in London after which his casket was taken to the Putney Vale Crematorium in West London for cremation. His ashes were returned to India for immersion burial in the Godavari river.^[41]

Awards, honors and recognitions[link]

Civilian Honors[link]

• 2001 – Padma Bhushan (India's third highest civilian award from the Government of India)^[42]

National Film Awards[link]

• 2002 – Dadasaheb Phalke Award, India's highest award for cinematic excellence^[43]

Filmfare Awards[link]

• 1959 - Winner Best Actor for Kalapani ^[44]
• 1967 - Winner Best Film for Guide ^[45]
• 1967 - Winner Best Actor for Guide ^[45]
• 1991 - Winner Filmfare Lifetime Achievement Award ^[46]

National honors and recognitions[link]

• 1996 – Star Screen Lifetime Achievement Award
• 1997 – Mumbai Academy of Moving Images Award for his Outstanding Services to the Indian Film Industry
• 1998 – Lifetime Achievement Award by the Ujala Anandlok Film Awards Committee in Calcutta^[47]
• 1999 – Sansui Lifetime Achievement Award for his 'Immense Contribution to Indian Cinema' in New Delhi^[48]
• 2000 – Film Goers' Mega Movie Maestro of the Millennium Award in Mumbai^[49]
• 2001 – Special Screen Award for his contribution to Indian cinema
• 2001 – Evergreen Star of the Millennium Award at the Zee Gold Bollywood Awards on 28 April 2001 at the Nassau Coliseum, New York^[50]

• 2003 – Lifetime Achievement Award for "Outstanding Achievement in Indian Cinema" at IIFA Award in Johannesburg, South Africa ^[51]
• 2004 – Legend of Indian Cinema Award at Atlantic City (United States) ^[52]
• 2004 – Living Legend Award by the Federation of Indian Chamber of Commerce and Industry (FICCI) in recognition of his contribution to the Indian entertainment industry^[53]
• 2005 – Sony Golden Glory Award^[54]
• 2006 – ANR Award by the Akkineni International Foundation^[55]
• 2006 – Glory of India Award by IIAF, London^[56]
• 2007 – Punjab Ratan (Jewel of Punjab) Award by the World Punjabi Organisation (European Division) for his outstanding contribution in the field of art and entertainment.^[57]
• 2008 – Lifetime Achievement Award by Ramya Cultural Academy in association with Vinmusiclub^[58]
• 2008 – Lifetime Achievement Award by Rotary Club of Bombay^[59]
• 2008 – Awarded at the IIJS Solitaire Awards^[60]
• 2009 – Outstanding contribution to Indian cinema at the Max Stardust Awards^[61]
• 2009 – Legend Award was given to Dev Anand by Rajnikanth^[62]
• 2010 – Phalke Ratna Award by Dadasaheb Phalke Academy^[63]
• 2010 – Rashtriya Gaurav Award^[64]
• 2011 – Rashtriya Kishore Kumar Samman from the Government of Madhya Pradesh^[65]
• 2011 – NDTV Indian of the Year's Lifetime Achievement Award with Rahul Dravid^[66]

International honors and recognitions[link]

• In July 2000, in New York City, he was honoured by an Award at the hands of the then First Lady of the United States of America, Hillary Rodham Clinton, for his 'Outstanding Contribution to Indian Cinema'.^[67]
• In 2000, he was awarded the Indo-American Association "Star of the Millennium" Award in the Silicon Valley, California.
• Donna Ferrar, Member New York State Assembly, honoured him with a "New York State Assembly Citation" for his 'Outstanding Contribution to the Cinematic Arts Worthy of the Esteem and Gratitude of the Great State of New York' on 1 May 2001.
• In 2005, he was honoured with a "Special National Film Award" by the Government of Nepal at Nepal’s first NationIndian film festival in Stockholm.
• In 2008, he was guest of honour at a dinner hosted by the Provost of Highland Council in Inverness, Scotland to celebrate 10 years since he first worked in the Scottish Highlands. He spent several days in the area, en route to Cannes, as a guest of the Highlands and Islands Film Commission.

Filmography[link]

Further reading[link]

• Cinema Modern: Navketan Story, by Sidharth Bhatia. Harpercollins, 2011. ISBN 978-93-5029-096-5.

References[link]

External links[link]

Wikimedia Commons has media related to: Dev Anand

• RIP Dev Anand – Bollywood Mourns Dev Anand’s Death
• Dev Anand at the Internet Movie Database
• Dev Anand on Twitter
• List of Dev Anand songs
• Dev Anand at Find a Grave
• The Telegraph - Dev Anand Bio and Obituary

Katrina Kaif
Katrina Kaif in 2012
Born	(1984-07-16) 16 July 1984 (age 27) Hong Kong
Residence	Mumbai, Maharashtra, India
Nationality	British[1]
Ethnicity	British Indian
Occupation	Model, Actress
Years active	2003 – present

Katrina Kaif (born 16 July 1984^[2]) is a British Indian actress and former model who appears in Indian films, mainly in the Hindi-language film industry.^[3][4] She has also appeared in Telugu and Malayalam films. She was voted the sexiest Asian woman in the world by Eastern Eye in the years 2008, 2009 and 2010.^[5][6] Being a British citizen, she works in India on an employment visa.^[1]

Kaif made her acting debut with Kaizad Gustad's box office bomb Boom (2003). She tasted success in 2007 with Vipul Shah's Namastey London and followed with such films as Anees Bazmee's Welcome (2007), Abbas-Mustan's Race (2008) and Kabir Khan's New York (2009).^[7] She has since appeared in critically and commercially successful films like Prakash Jha's political thriller Rajneeti (2010) and Zoya Akhtar's dramedy Zindagi Na Milegi Dobara (2011).^[8]

Early years and personal life[link]

Kaif was born in Hong Kong,^[9] to an Indian Kashmiri father,^[10][11][12] Mohammed Kaif, and an English mother, Susanna Turquotte,^[13] both of whom are British citizens. Her parents divorced when she was very young. Kaif once stated, "My dad, unfortunately, and not out of choice, has had no influence on our upbringing, on our religious or social or moral bearings."^[14] When she came to India, she changed her surname to Kaif, because it was Indian in origin.^[15] Furthermore, Ayesha Shroff has maintained that the actress' original name is Katrina Turquotte.^[15] Kaif has seven siblings; a brother and six sisters.^[16] From Hong Kong, she and her family moved to China, then to Japan. From there she went to France when she was 8, and thereafter lived for a few months at a time in Switzerland, Poland, Germany, Belgium, and other European countries.^[17] Then she moved with her family to Hawaii, and eventually to her mother's home country of England. Although it is often assumed that Kaif is from London, she lived there only for three years before finally moving to Mumbai.^[17]

Religious views[link]

Kaif is known to have secular religious views, and has been to various religious places in India,^[18] including Hindu, Sikh and Islamic places of worship.^[19] She has been seen worshipping at Siddhivinayak temple, Hindu temples in Haridwar, Shirdi, Amritsar's Golden temple and Ajmer Sharif dargah.^[19][20][21]

Career[link]

Modeling and early film career (1998–2004)[link]

Kaif began her modeling career at age fourteen; her first assignment was for a jewelry campaign. She continued modeling in London under a contract with the Models 1 Agency and did campaigns for houses such as La Senza and Arcadius, and even walked on the London Fashion Week.^[22]

Kaif's modeling work led to her discovery by London-based filmmaker Kaizad Gustad, who gave her a part in his film Boom (2003). The film, which starred Amitabh Bachchan and Gulshan Grover, failed to make an impact. She then moved to Mumbai and was offered a number of modeling assignments, but filmmakers were hesitant to cast Kaif due to her poor command of Hindi.^[23][24]

Breakthrough (2005–2006)[link]

In 2005, Kaif made a cameo in Ram Gopal Verma's drama Sarkar, as Abhishek Bachchan's girlfriend. The same year, she landed her first major role in David Dhawan's adaptation of Cactus Flower, Maine Pyaar Kyun Kiya, where she was paired opposite Salman Khan. The film also featured Sushmita Sen, Arshad Warsi, Isha Koppikar and Sohail Khan in leading roles. Upon release, the film became a moderate success with Taran Adarsh, a prominent film critic, mentioning Kaif as a "complete revelation".^[25] The following year, she was paired opposite Akshay Kumar for the first time in Raj Kanwar's box-office flop Humko Deewana Kar Gaye. However, for her portrayal of Jia A. Yashvardhan, Adarsh wrote, "Taking giant strides as an actor, Katrina is, without doubt, the star of the show. It's her magnetic presence and dependable performance that you carry home once the show has ended." ^[26]

Success (2007– present)[link]

Katrina Kaif at Book launch of 'Raajneeti - The Film & Beyond, 2012

In 2007, Kaif appeared in four films, all of which were successful at the box office. Her first release was Vipul Shah's romantic-comedy Namastey London. Kaif portrayed the character of a British Indian girl named Jasmeet "Jazz" Malhotra, alongside Rishi Kapoor, Akshay Kumar and Clive Standen. Upon its release, the film became a major hit, with Nikhat Kazmi, of the The Times Of India praising the chemistry between the leading couple.^[27] She next played a supporting role in Anil Sharma's melodrama Apne. Featuring Dharmendra, Sunny Deol, Bobby Deol, Kirron Kher and Shilpa Shetty, the film was a box-office hit.^[28] Her next release was David Dhawan's unofficial remake of Hitch, Partner, where she starred alongside Salman Khan, Govinda, and Lara Dutta. Her final film of 2007, Welcome, directed by Anees Bazmee and co-starring Akshay Kumar, Paresh Rawal and Anil Kapoor, was declared a blockbuster in India,^[28] despite negative reviews from critics.

Her first release of 2008 was Abbas-Mustan's action-thriller Race; she played Saif Ali Khan's secretary, Sophia, who is secretly in love with his hostile stepbrother (played by Akshay Khanna). The film also featured Anil Kapoor, Bipasha Basu and Sameera Reddy in leading roles. Despite its success, Kazmi wrote, "Katrina is too pale as the blousy secretary who comes into her own only when she gets seductive with a Touch me, kiss me tenor. " ^[29]

Kaif was next seen in Anees Bazmee's action comedy Singh Is Kinng, portraying Akshay Kumar's love interest and Ranvir Shorey's fiancée. After its release, the film was declared a blockbuster, making it Kaif's sixth consecutive success at the box office. The movie also emerged as the third highest grossing film of 2008.^[30] Kaif's final release of the year, Subhash Ghai's Yuvvraaj, was a commercial failure,^[31] but its script made its way into the Library of the Academy of Motion Picture Arts & Sciences for artistic merit, original screenplay with a substance, and the film as a whole.^[32][33]

In 2009, she featured in Kabir Khan's terrorism drama New York, with John Abraham and Neil Nitin Mukesh. It was a critical and commercial success in both India and overseas.^[34] Kaif's performance was highly praised: Taran Adarsh wrote, "Katrina gives you the biggest surprise. Known for her glamour roles, Katrina proves that she can deliver if the director and writer offer her a role of substance. She's outstanding. In fact, people will see a new, different Katrina this time."^[35] For her performance, Kaif received her first Filmfare nomination in the Best Actress category.^[7] She next had a cameo in the star-studded action-thriller Blue, popularly known as India's first underwater thriller, with Akshay Kumar and Zayed Khan.^[36] However, it was declared a flop. In November 2009, she appeared along with Ranbir Kapoor, in Rajkumar Santoshi's blockbuster comedy Ajab Prem Ki Ghazab Kahani, as Jennifer Pinto. Critics mostly praised her fresh chemistry with Kapoor rather than her performance as a whole.^[37] Her final release that year was Priyadarshan's star-studded De Dana Dan with Akshay Kumar, Suniel Shetty, Paresh Rawal and Neha Dhupia. Despite a good opening, the film failed to do well at the box office.^[38]

Kaif's first release of 2010 was Prakash Jha's political thriller Raajneeti, where she appeared opposite Ranbir Kapoor and Arjun Rampal. The film was a modern-day adaptation of The Mahabharata set against the political backdrop of Delhi. Nana Patekar, Manoj Bajpai and Shruti Seth also played starring roles. Upon release, the film performed extremely well at the box office, and earned Kaif favourable reviews for her portrayal of the dynamic Indu Sakseria.^[39] Her final release that year was Farah Khan's brainless comedy Tees Maar Khan with Akshay Kumar.^[40] The film received unanimous negative reviews from critics and was declared a flop. However, Kaif's item number Sheila Ki Jawani became a major chartbuster.^[41]

Kaif (second from left) promoting ZNMD in Chandigarh with the cast of the film

In 2011, she was seen alongside Hrithik Roshan, Farhan Akhtar, Abhay Deol and Kalki Koechlin in Zoya Akhtar's dramedy Zindagi Na Milegi Dobara,^[42] which emerged as a major critical and commercial success. Kaif was praised for her portrayal of a fun-loving diving instructor Laila. Taran Adarsh wrote, "Katrina is a revelation...the actress continues to surprise you with her performances in film after film."^[43] She next featured in Yash Raj Films' comedy Mere Brother Ki Dulhan opposite Imran Khan and Ali Zafar.^[44] The film was successful at the box office, and earned Kaif positive notice for her portrayal of vivacious punk-rock girl Dimple Dixit, with Rahul Gangwani saying "the film ultimately belongs to Katrina Kaif. She sparkles, sizzles and infuses energy into the film."^[45] Consequently, she received her second Filmfare nomination in the Best Actress category.

As of January 2012, Kaif is set to appear in three high-profile productions under the Yash Raj Films banner such as Kabir Khan's spy thriller Ek Tha Tiger opposite Salman Khan, Yash Chopra's Untitled Project alongside Shah Rukh Khan and Anushka Sharma and Vijay Krishna Acharya's adventure film Dhoom 3 alongside Aamir Khan, Abhishek Bachchan, Uday Chopra and Rimi Sen.

Voice dubbing[link]

It should be noted that due to her poor knowledge of Hindi (and other Indian languages), Kaif's voice was often dubbed by another actress. However, with the exception of De Dana Dan she has used her own voice for all of her films since New York. Earlier, she had dubbed for films like Namastey London and Singh Is Kinng.^[46]

Brand endorsements[link]

In the year 2002, Katrina Kaif was chosen as Coca-Cola's brand ambassador in Tamil Nadu along with Tamil leading actor Vijay. The Coca-Cola advertisement was popular in Tamil Nadu, with Katrina Kaif and Vijay dancing to a Tamil song called "Gullu Gullu".^[47] She has also worked for several skin products companies, particularly Veet, as well as several multi-national brands, such as Panasonic.^[48] Katrina is now the brand ambassador of the national airline of the United Arab Emirates – Etihad Airways.^[49]

Awards[link]

She has won 14 awards including Filmfare awards and also nominated for 13 awards till now.

Filmography[link]

See also[link]

Bollywood portal

• British Indian

References[link]

External links[link]

Wikimedia Commons has media related to: Katrina Kaif

• Katrina Kaif at the Internet Movie Database

Waheeda Rehman
Born	(1936-05-14) 14 May 1936 (age 76) Chengalpattu, Tamil Nadu, British India
Other names	Waheeda Rahman
Occupation	Actress
Years active	1955–1991, 2002–present
Notable work(s)	Reshma in Reshma Aur Shera Rosie Marco/Miss Nalini in Guide Rajkumari Neel Kamal/Sita in Neel Kamal Nurse Radha in Khamoshi
Spouse	Shashi Rekhi (1974–2000 his death)

Waheeda Rehman (born14 May 1936), is an Indian film actress who appears in Bollywood movies and is known for many successful and critically acclaimed movies from 1950's, 60's and early 70's most notably C.I.D. (1956) and Guru Dutt classics such as Pyaasa (1957), 12 O'Clock (1958), Kaagaz Ke Phool (1959), Sahib Bibi Aur Ghulam. Her other notable works include Solva Saal (1958), Baat Ek Raat Ki (1962), Kohra (1964), Guide (1965), Teesri Kasam (1966), Aadmi and Khamoshi (1969).

Early life[link]

One of the most prominent actresses of the golden era, Waheeda Rehman was born into a traditional Telugu-speaking Muslim family in Chengalpattu, Tamil Nadu, British India.^[1] She and her sister learnt Bharatnatyam at Mumbai's Sri Rajarajeswari Bharata Natya Kala Mandir, where Guru T. K. Mahalingam Pillai, doyen among nattuvanars taught ^[2] and performed on stage together. Her father, who was a District Commissioner, died while she was still in her teens.^[3][4]

It is a common misconception that Rehman was born in Hyderabad.^[1] “It’s a long story,” she says, “When I was in Chennai, I did three to four Tamil and Telugu movies. In the first one, Kaalam Maari Pochu along with Gemini Ganesan a bilingual film which was made in Tamil and Telugu as Rojulu Maraayi, I did only a folk dance number in both Tamil and Telugu versions. However, it went on to become a hit! I was in Hyderabad celebrating its success and Guru Dutt happened to be there. He was on a lookout for new faces and heard that I could speak in Urdu. It is because he spotted me in Hyderabad that people assume I was born there.”^[1]

Her dream was to become a doctor but, due to circumstances and illness, she abandoned this goal. Instead helped by her supportive parents, she hit the silver screen with Telugu films Jayasimha (1955), followed by Rojulu Marayi (1955) and Tamil film Kaalam Maari Pochu (1956). It is in Vijaya-Suresh combines Ram aur Shyam (Remake of Telugu movie Ramudu Bheemudu) in 1967 that Waheeda acted again under the direction of the topnotch Telugu director Tapi Chanakya who incidentally directed her movies Rojulu Maaraayi in Telugu (1955) and Kaalam Maaripochu in Tamil (1956).

Career[link]

Waheeda Rehman, started her career in films in 1954 and her first successful films were the Telugu films Jayasimha (1955), followed by Rojulu Marayi (1955) and Tamil film Kaalam Maari Pochu (1956). In the success party of Rojulu Maaraayi, Guru Dutt noticed her and decided to groom her and make her act in Hindi Films. Waheeda considered Guru Dutt as her mentor.

Waheeda Rehman was discovered by Guru Dutt, after seeing her acting in Rojulu Maaraayi and was brought to Bombay (now Mumbai) and cast as a vamp in his production C.I.D. (1956), directed by Raj Khosla. A few years after joining the Hindi film industry, she lost her mother. After the success of C.I.D., Dutt gave her a leading role in Pyaasa (1957). Their next venture together, Kaagaz Ke Phool (1959), depicted the story of a successful director's decline after he falls for his leading lady. Dutt's existing marriage and her film successes with other directors caused them to drift apart personally and professionally, although they continued to work together into the 1960s Chaudhvin Ka Chand. She completed Sahib Bibi Aur Ghulam (1962) under some strain. They broke away from each other after the film's indifferent reception at the Berlin Film Festival in 1963. Soon afterward, Guru Dutt died on 10 October 1964 in Mumbai reportedly from an overdose of sleeping pills and alcohol.

Waheeda Rehman established a great working relationship with Dev Anand and together as a pair had number of successful films to their credit. The box office hits of the pair include C.I.D. (1956), Solva Saal (1958), Kala Bazar (1960), Baat Ek Raat Ki (1962) and Guide (1965) and box office duds were Roop Ki Rani Choron Ka Raja(1961) and Prem Pujari (1970). She reached in her peak with Guide (1965) and was much in demand. Rehman was cast as "Gulabi" in Satyajit Ray's Bengali film Abhijan in 1962. She was offered lead actress's role in films even opposite actors junior to her by experience like Dharmendra but they flopped. But she continued to taste success in the late sixties when she was paired with well established stars. She delivered hits opposite Dilip Kumar like Ram Aur Shyam, Aadmi and some box office duds with Rajendra Kumar and this helped her continue to get lead roles in early seventies. Her career's biggest hit Khamoshi came in 1970, opposite Rajesh Khanna.

Her career continued throughout the 1960s, 1970s, and 1980s. She won the Filmfare Best Actress Award for her roles in Guide (1965), where she hit the peak of her career and Neel Kamal (1968), but despite excellent offbeat roles in subsequent films, including a National Award winning performance in Reshma Aur Shera (1971), some of the films failed at the box office. Seeing her films being successful, Waheeda decided to experiment with roles, at this stage of career. She accepted Reshma Aur Shera, opposite her old co-star Sunil Dutt, with whom she had previously in sixties had hits like Ek Phool Char Kaante, Mujhe Jeene Do, Meri Bhabhi and Darpan. Her performance was appreciated by critics but the film failed at the box office. But Waheeda continued to experiment with roles and accepted the offer to play a mother to Jaya Bhaduri in Phagun(1973). This she regards the mistake of her career as after this film flopped, suddenly people started offering her motherly roles to heroes.

From the mid seventies, Waheeda's career as lead heroine ended and her career as character actor began. At around this time, Kamaljit who starred opposite her in Shagun (1964) proposed and then got married in 1974. After her appearance in Lamhe (1991) she retired from the film industry for 12 years.

In her new innings from seventies her successful films, where she played pivotal roles include, Kabhi Kabhie (1976),Trishul (1978), Jwalamukhi(1980), Namkeen and Namak Halaal (1982),Mashaal (1984), Chandni(1989), Rang De Basanti(2006).

In recent years she made a comeback playing elderly mother and grandmother roles in Om Jai Jagadish (2002), Water (2005) and Rang De Basanti (2006) and Delhi 6 (2009) which were all critically acclaimed.

In October 2004, a Waheeda Rehman film retrospective was held at the Seattle Art Museum and the University of Washington where Waheeda participated in spirited panel and audience discussions on her most memorable films—Pyaasa, Teesri Kasam and Guide—although her most successful film is still considered to be Khamoshi, with costar Rajesh Khanna.

Personal life[link]

After her marriage with Shashi Rekhi (screen name Kamaljeet) ^[5] on 27 April 1974, she shifted to a farmhouse in Bangalore. She bore two children named Sohail and Kashvi, who are both writers. On 21 November 2000, her husband died following a prolonged illness. She moved back to her ocean view bungalow in Bandra, Mumbai where she currently lives.

Awards[link]

• National Film Award for Best Actress for Reshma Aur Shera in 1971.
• Filmfare Best Actress Award for Guide in 1966^[6]
• Filmfare Best Actress Award for Neel Kamal in 1968^[7]
• Bengal Film Journalists' Association Awards, Best Actress (Hindi) for Teesri Kasam in 1967.^[8]
• Filmfare Lifetime Achievement Award in 1994^[9]
• NTR National Award for 2006.
• Padma Shri in 1972.
• Padma Bhushan in 2011.^[10]

Nominations[link]

• Filmfare Nomination as Best Supporting Actress — Sahib Bibi Aur Ghulam (1962)^[11]
• Filmfare Nomination as Best Actress — Ram Aur Shyam (1967)^[12]
• Filmfare Nomination as Best Actress — Khamoshi (1970)^[13]
• Filmfare Nomination as Best Supporting Actress — Kabhi Kabhie (1976)^[14]
• Filmfare Nomination as Best Supporting Actress — Namkeen (1982)^[15]
• Filmfare Nomination as Best Supporting Actress — Lamhe (1991)^[16]

Filmography[link]