Rachel Bluwstein

Rachel Bluwstein Sela (September 20 (Julian calendar), 1890 - April 16, 1931) was a Hebrew poet who immigrated to Palestine in 1909. She is known by her first name, Rachel, (Hebrew: רחל‎) or as Rachel the poetess (Hebrew: רחל המשוררת‎).

Biography[link]

Rachel was born in Saratov^[1] in Russia on September 20, 1890, the eleventh daughter of Isser-Leib and Sophia Bluwstein, and granddaughter of the rabbi of the Jewish community in Kiev. During her childhood, her family moved to Poltava, Ukraine, where she attended a Russian-speaking Jewish school and, later, a secular high school. She began writing poetry at the age of 15. When she was 17, she moved to Kiev and began studying painting^[2].

At the age of 19, Rachel visited Eretz Israel with her sister en route to Italy, where they were planning to study art and philosophy. They decided to stay on as Zionist pioneers, learning Hebrew by listening to children’s chatter in kindergartens ^[3]. They settled in Rehovot and worked in the orchards. Later, Rachel moved to Kvutzat Kinneret on the shores of the Sea of Galilee, where she studied and worked in a women's agricultural school^[3]. At Kinneret, she met Zionist leader A. D. Gordon who was to be a great influence on her life, and to whom she dedicated her first Hebrew poem. During this time, she also met and had a romantic relationship with Zalman Rubshov - object of many of her love poems^{[citation needed]}- who later became known as Zalman Shazar and was the third president of Israel.

In 1913, on the advice of A. D. Gordon, she journeyed to Toulouse, France to study agronomy and drawing. When World War I broke out, unable to return to Palestine, she returned instead to Russia where she taught Jewish refugee children. In Russia she suffered from poverty and strenuous labour, as well as the reappearance of her childhood lung disease^[3]. It may have been at this point in her life that she contracted tuberculosis^[4]. Lonely, ill and famished, she had only one hope left: to return to Palestine. And so in 1919, after the war, she boarded the first ship to leave Russia to Israel^[3]

After the end of the war in 1919 she returned to Palestine on board the ship Ruslan and for a while joined the small agricultural kibbutz Degania, a settlement neighboring her previous home at Kinneret. However, shortly after her arrival she was diagnosed with tuberculosis, then an incurable disease.

Rachel's House in No. 64 Street of the Prophets in Jerusalem (1925)

Now unable to work with children for fear of contagion, she was expelled from Degania and left to fend for herself. In 1925 she lived briefly in a small white house in the courtyard of No. 64 Street of the Prophets in Jerusalem (courtyard of the William Holman Hunt House).^[5] She spent the rest of her life traveling and living in Tel Aviv (scarcely making a living by providing private lessons in Hebrew and French^[3]) and finally settled in a sanatorium for tuberculosis patients in Gedera.^[6]

Rachel died on April 16, 1931, at the age of 40. She is buried in the Kinneret cemetery in a grave overlooking the Sea of Galilee, following her wishes as expressed in her poem If Fate Decrees. Alongside her are buried many of the socialist ideologues and pioneers of the second and third waves of immigration. Naomi Shemer was buried near Rachel, according to Shemer's wish^[2]

Poetry[link]

Rachel began writing in Russian as a youth, but the majority of her work was written in Hebrew. Most of her poems were written in the final six years of her life, usually on small notes to her friends^[3]. In 1920 her first poem, “Mood”, was published in the Hebrew newspaper Davar^[7]. Eventually the majority of her poems was published there on a weekly basis, and quickly became popular with the Jewish community in the Palestine and later, in the State of Israel.

Rachel is known for her lyrical style, briefness of her poems, and the revolutionary simplicity of her conversational tone^[8].The majority of her poetry is set in the pastoral countryside of Eretz Israel. Many of her poems echo her feelings of longing and loss, a result of her inability to realize her aspirations in life. In several poems she mourns the fact that she will never have a child of her own. Lyrical, exceedingly musical and characterized by its simple language and deep feeling, her poetry deals with fate, her own difficult life, and death. Her love poems emphasize the feelings of loneliness, distance, and longing for the beloved. It also touches upon the hardships and laments of a pioneer reminiscing of times spent in labouring on the land. Her lighter poetry is ironic, often comic. Her writing was influenced by French imagism, Biblical stories, and the literature of the Second Aliyah pioneers. Another major creative influence on Rachel’s poetry was the Acmeists and their leader, the Russian poet Anna Akhmatova. Rachel’s style reflects the movement’s strive for “clarity, accuracy, conciseness, and economy of language” in poetry^[4].

In some poems Rachel expresses identification with biblical figures such as Rachel, her namesake matriarch^[9], and Michal, wife of David.

Rachel also wrote a one-act comic play Mental Satisfaction, which was performed but not published in her lifetime. This ironic vignette of pioneer life was recently rediscovered and published in a literary journal.^[10]

Acclaim[link]

Rachel was the first Jewish woman poet in Palestine to receive recognition in a genre that was comprised solely of men^[7]. Anthologies of her poetry remain bestsellers to this day. Many of her poems were set to music, both during her lifetime and afterwards, and are widely sung by Israeli singers. Her poems are included in the mandatory curriculum in Israeli schools. A selection of her poetry was translated to English and published under the title Flowers of Perhaps: Selected Poems of Rahel, by the London publisher Menard. Poems by Rachel have been translated to English, German, Czech, Polish, Esperanto, Italian, Serbo-Croatian, Hungarian, Basque (by Benito Lertxundi) and Slovak.

In his foreword to the 1994 edition of Flowers of Perhaps, the acclaimed Israeli poet Yehuda Amichai stated: "What may be most remarkable about the poetry of Ra'hel, a superb lyric poet, is that it has remained fresh in its simplicity and inspiration for more than seventy years."

In 2011, Rachel was chosen as one of four great Israeli poets whose portraits would be on Israeli currency (the other three being Leah Goldberg, Shaul Tchernichovsky, and Nathan Alterman).^[11]

Published works[link]

Rachel's grave at the Kineret Cemetery

Poetry Books Published in Hebrew

• Aftergrowth, Davar, 1927 (Safiah, ספיח)
• Across From, Davar, 1930 (Mineged, מנגד)
• Nevo, Davar, 1932 (Nevo, נבו)

Later Compilations and Editions in Hebrew

• Poems, Davar, 1935 (Shirat Rachel, שירת רחל)
• The Poems and Letters of Rachel, in Manuscript, Hotza'at Kineret, 1969 (Shiray Rachel ve-Michtavayha be-Ktav Yada שירי רחל ומכתביה בכתב ידה)
• Inside and Outside Home (children), Sifriat Poalim, 1974 (Ba-Bayit U Ba-Hutz, בבית ובחוץ)
• As Rachel Waited, Tamuz, 1982 [Ke-Hakot Rachel, כחכות רחל]
• Poems, Letters, Writings, Dvir, 1985 (Shirim, Michtavim, Reshimot, שירים, מכתבים, רשימות)
• In My Garden, Tamuz, 1985 (Be-Gani Neta`aticha, בגני נטעתיך)
• Will You Hear My Voice, Bar, 1986 (Ha-Tishmah Koli, התשמע קולי)
• Rachel's Poems, Sridot, 1997 (Shirei Rahel, שירי רחל)

Books in Translation

• English: Flowers of Perhaps: Selected Poems of Rahel London, Menard, 1995, ISBN 1-874320-02-0
• German: Berlin, Hechalutz, 1936; Tel Aviv, Davar, 1970
• Spanish: Barcelona, Riopiedras, 1985
• Yiddish: Winnipeg, WIZO U.S.A. and Canada, 1932
• Buenos Aires, Kium Farlag, 1957

Individual poems have been published in Afrikaans, Arabic, Chinese, Dutch, English, Esperanto, French, Frisian, German, Greek, Hungarian, Italian, Japanese, Portuguese, Romanian, Serbo-Croatian, Slovak, Spanish, Ukrainian, Vietnamese, Welsh, and Yiddish.

References[link]

External links[link]

• Biography and bibliography from the Institute for the Translation of Hebrew Literature
• Rachel's Poetry in English at Poems Found in Translation
• Full text of Rachel's poetry, in Hebrew
• Rachel\Mood (basic translation of her poem "Helech Nefesh"), in English

This article improperly uses one or more religious texts as primary sources without referring to secondary sources that critically analyze them. Please help improve this article by adding references to reliable secondary sources, with multiple points of view.

Saint Rachel
Rachel and Jacob by William Dyce
Holy Matriarch
Born	Paddan-aram
Died	Canaan
Honored in	Judaism Islam Christianity
Major shrine	Rachel's Tomb
Feast	Roman Catholicism: 1 November[1] Orthodox Church: Sunday before Christmas

Rachel (Hebrew: רחל, Modern Raḥel Tiberian Rāḫēl, Rāḥēl ISO 259-3 Raḥel ; meaning "ewe"^[2]) as described in the Bible, is a prophet and the favorite wife of Jacob, one of the three Biblical Patriarchs, and mother of Joseph and Benjamin. She was the daughter of Laban and the younger sister of Leah, Jacob's first wife. Jacob was her first cousin, and she was the youngest niece of Rebecca.

Marriage to Jacob[link]

Rachel is first mentioned in the Bible in Genesis 29 when Jacob happens upon her as she is watering her lamb. He had traveled a great distance to find his mother's brother, Laban. Rebekah had sent him there to be safe from his furious twin brother, Esau.

During Jacob's stay, he fell in love with Rachel and agreed to work seven years for Laban in return for her hand in marriage. On the night of the wedding, the bride was veiled and Jacob did not notice that Leah, Rachel's older sister, had been substituted for Rachel. Whereas "Rachel was lovely in form and beautiful," "Leah had tender eyes"^[3]. Later Jacob confronted Laban, who excused his own deception by insisting that the older sister should marry first. He assured Jacob that after his wedding week was finished, he could take Rachel as a wife as well, and work another seven years as payment for her.

After Leah had given birth to four sons, Rachel remained unable to conceive. She became jealous of Leah and gave Jacob her maidservant, Bilhah, to be a surrogate mother for her. Bilhah gave birth to two sons that Rachel named and raised (Dan and Naphtali). Leah responds by offering her handmaid Zilpah to Jacob, and names and raises the two sons (Gad and Asher) that Zilpah bears. According to some commentaries, Bilhah and Zilpah, are actually half-sisters of Leah and Rachel.^[4]

After Leah conceived again, Rachel was finally blessed with a son, Joseph, who would become Jacob's favorite child.

Death and burial[link]

Fresco by Giovanni Battista Tiepolo of Rachel sitting on the idols.

After Joseph's birth, Jacob decided to return to the land of Canaan with his family. Fearing that Laban would deter him, he fled with his two wives, Leah and Rachel, and twelve children without informing his father-in-law. Laban chased him and accused him of stealing his idols. Indeed, Rachel had taken her father's idols, hidden them inside her camel's seat cushion, and sat upon them. Not knowing that the idols were in his wife's possession, Jacob pronounced a curse on whoever had them: "With whoever you will find your gods, he will not live" (Genesis 31:32). Laban proceeded to search the tents of Jacob and his wives, but when he came to Rachel's tent, she told her father, "Let not my lord be angered that I cannot rise up before you, for the way of women is upon me" (Genesis 31:35). Laban left her alone, but the curse Jacob had pronounced came true shortly thereafter.

Near Ephrath, Rachel went into a difficult labor with her second son, Benjamin. The midwife tells her in the middle of the birth that her child is a boy.^[5] Before she died, Rachel named her son Ben Oni ("son of my mourning"), but Jacob called him Ben Yamin (Benjamin). Rashi explains that Ben Yamin either means "son of the right" (i.e., "south"), since Benjamin was the only one of Jacob's sons born in Canaan, which is to the south of Paddan Aram; or it could mean "son of my days," as Benjamin was born in Jacob's old age.

Rachel's Tomb, near Bethlehem, 1891

Rachel was buried by Jacob on the road to Efrat, just outside Bethlehem.^[6] Today a site claimed to be Rachel's Tomb, located between Bethlehem and the Israeli settlement of Gilo, is visited by tens of thousands of visitors each year.^[7]

Rachel and Jacob by James Tissot.

Rachel's children[link]

Rachel's son, Joseph, is destined to be the leader of Israel's tribes between exile and nationhood. This role is exemplified in the Biblical story of Joseph, who prepared the way in Egypt for his family's exile there,^[8] and in the future figure of Mashiach ben Yosef (Messiah, son of Joseph), who will fight the apocalyptic Wars of Gog and Magog, preparing the way for the kingship of Mashiach ben David (Messiah, son of David) and the messianic age.^[9][10] She also had a second son named Benjamin; she died during labor with him.

Additional references in the Bible[link]

• In Jeremiah 31:15, the prophet speaks of 'Rachel weeping for her children' (KJV). This is interpreted in Judaism as Rachel crying for an end to her descendants' sufferings and exiles following the destruction by the Babylonians of the First Temple in ancient Jerusalem. According to the Midrash, Rachel spoke before God: "If I, a mere mortal, was prepared not to humiliate my sister and was willing to take a rival into my home, how could You, the eternal, compassionate God, be jealous of idols, which have no true existence, that were brought into Your home (the Temple in Jerusalem)? Will You cause my children to be exiled on this account?" God accepted her plea and promised that, eventually, the exile would end and the Jews would return to their land.^[11]

• In the second chapter of the Gospel of Matthew (part of the New Testament), this reference from Jeremiah is interpreted as a prediction of the Massacre of the Innocents by Herod the Great in his attempt to kill the young Jesus. The Jeremaic prophecy is the inspiration behind the medieval dramatic cycle Ordo Rachelis, concerned with the infancy of Jesus.

• Mordechai, the hero of the Book of Esther, and Queen Esther herself, were descendants of Rachel through her son Benjamin. The Book of Esther details Mordechai's lineage as "Mordechai the son of Yair, the son of Shimi, the son of Kish, a man of the right (ish yemini)" (Esther 2:5). The designation of ish yemini refers to his membership in the Tribe of Benjamin (ben yamin, son of the right). The rabbis comment that Esther's ability to remain silent in the palace of Ahasuerus, resisting the king's pressure to reveal her ancestry, was inherited from her ancestor Rachel, who remained silent even when Laban brought out Leah to marry Jacob.

Islamic view of Rachel[link]

Rachel is revered in Islam, and while not specifically referred to in the Quran, she is known by references to her in the collection of stories known as Qisas Al-Anbiya (Tales of the Prophets or Lives of the Prophets).^[12] The story of how Jacob fell in love with Rachel is told in the Qisas Al-Anbiya, and her beauty is described. Her role as mother to Joseph and Benjamin is the central theme of these narratives on her life.^[13]

Wikimedia Commons has media related to: Jacob and Rachel

Look up Rachel or רחל in Wiktionary, the free dictionary.

References[link]

Naomi Shemer (Hebrew: נעמי שמר‎; July 13, 1930 – June 26, 2004) was a leading^[1] Israeli songwriter hailed as the "first lady of Israeli song and poetry."^[2][3]

Biography[link]

Naomi Semer was born on Kvutzat Kinneret, a kibbutz her parents had helped found, on the shores of the Sea of Galilee. In the 1950s she served in the Israeli Defense Force's Nahal entertainment troupe, and studied music at the Rubin Academy in Jerusalem. She first married actor Gideon Shemer and had a daughter, Lali. They were later divorced; she went on to marry attorney Mordechai Horowitz, with whom she had a son, Ariel.^[4]

Israeli songwriter Naomi Shemer's grave on the shores of the Sea of Galilee (Kinneret). The stones were left by visitors, in keeping with an ancient Jewish custom

Death[link]

Shemer continued to write and perform until her death. She died of cancer in 2004, aged 73.

Songwriting career[link]

Shemer did her own songwriting and composing, set famous poems to music, such as those of the Israeli poet, Rachel, and adapted well-known songs into Hebrew, such as the Beatles songs "Let It Be."^{[citation needed]}

She composed in 1963 Hurshat Ha'Eucalyptus (The Eucalyptus Grove), a song that evokes Kvutzat Kinneret where she was born,^[5] and sung in a recent version by Ishtar.

In 1967, she wrote the famous patriotic song Yerushalayim Shel Zahav, sung by Shuly Nathan. Inspired by the Basque lullabye Pello Joxepe (something Shemer admitted to later on), it was originally for the Israeli Music Festival, and she added another verse after the Six-Day War that year.

Awards[link]

In 1983, Shemer received the Israel Prize for Hebrew song (words and melody).^[6]

In 2005, she was voted the 6th-greatest Israeli of all time, in a poll by the Israeli news website Ynet to determine whom the general public considered the 200 Greatest Israelis.^[7]

Works[link]

• All My Songs (Almost), 1967, published by Yedioth Ahronoth

• The Second Book, copyright 1975, published by Lulav

• Number Three (Sefer Gimel), copyright 1982, published by Lulav

• Book Four (Sefer Arbah), copyright 1995, published by Shva Publishers

See also[link]

• List of Israel Prize recipients

References[link]

External links[link]

• Obituary for Naomi Shemer
• Tikkun Toronto
• Basque Folk tune, inspiration for Jerusalem of Gold
• Saxon, Wolfgang. Naomi Shemer, 74, Poet and Composer, Dies, New York Times obituary, June 29, 2004 (retrieved January 26, 2010)

Graciela Araya (born May 16, 1962) is an Austrian mezzo-soprano of Chilean birth who has had a prolific international opera career since the early 1980s. Though her repertoire is extensive, her signature part is the title role in Carmen which she has performed over 400 times.

Born in Concepción, Chile, Araya was a voice student of Marta Duran in Santiago and Tomas Demolitsas in São Paulo. She made her stage debut in Santiago in 1981 as Maria in West Side Story. She made her first opera appearance the following year as Enrichetta di Francia in I puritani at the Municipal Theater of Santiago with Christina Deutekom as Elvira and Carlo Felice Cillario conducting. In 1983 she made appearances at the Theatro Municipal in São Paulo and the Theatro Municipal in Rio de Janeiro.

In 1984 Araya won a scholarship to study and perform at the Deutsche Oper Berlin. She made her European debut with the company that year as Gedankenstimme in the world premiere of Siegfried Matthus's Die Weise von Liebe und Tod des Cornets Christoph Rilke under the direction of Maximilian Schell. After finishing her internship in Berlin, she joined the Aachen Opera where she was committed for two years. She then sang for three years with the Deutsche Oper am Rhein before joining the roster of principal artists at the Vienna State Opera where she was committed for 12 seasons. She became an Austrian citizen while working in Vienna.

As a guest artist, Araya has performed in leading roles with the Royal Opera, London, the Opéra National de Paris, La Monnaie, the Vlaamse Opera, De Nederlandse Opera, La Fenice, the Teatro dell'Opera di Roma, the Teatro Regio in Turin, the Metropolitan Opera, Los Angeles Opera, Seattle Opera, the New National Theatre Tokyo, and the Bregenz Festival among others. Her Carnegie Hall debut was on June 4, 2007 as Zanetto by Pietro Mascagni. She created the role of Donna Maria d'Avalos in the opera Gesualdo by Alfred Schnittke in the Vienna State Opera. 1987 saw her as Orfeo, in Orfeo ed Euridice directed by Peter Werhahn, for which she won the O.E. Hasse-Preis for best young artist in Germany. Other roles she has performed on stage include Amneris in Aida, Charlotte in Werther, Clairon in Capriccio, Concepcion in L'heure espagnole, Dalila in Samson et Dalila, Geschwitz in Lulu, Herodias in Salome, Jocasta in Oedipus rex, Kundry in Parsifal, Laura in La Gioconda, and Venus in Tannhäuser.

External links[link]

• Official Site
• Carnegie Hall
• Interview
• Vlaamese Opera Bio
• O.E. Hasse-Preis

Memorial plaque in memory of Ofra Haza at her childhood home in 39 Boaz Street, Tel Aviv

Ofra Haza (Hebrew: עפרה חזה, Arabic: عفرة حزة; born Bat-Sheva Ofrah Hazah 19 November 1957 –– 23 February 2000) was an Israeli singer of Yemenite Jewish origin, an actress and international recording artist.

Her voice has been described as mezzo-soprano,^[1] of near-flawless tonal quality, capable of lending itself to a variety of musical styles with apparent ease.^{[citation needed]}

Inspired by a love of her Yemenite Jewish culture, the appeal of her musical art quickly spread to a wider Middle Eastern audience, somehow bridging the divide between Israel and the Arab countries. As her career progressed, Haza was able to switch between traditional and more commercial singing styles without jeopardizing her credibility. Her music fused elements of Eastern and Western instrumentation, orchestration and dance-beat. She became successful in Europe and the Americas; during her singing career, she earned many platinum and gold discs.

Early life[link]

Haza was born the youngest of nine children, to a Yemenite Jewish family, in the poor Tel Aviv neighborhood of Hatikvah. Her first home was at 39 Boaz Street.

At the age of 12, Haza joined a local theater troupe, and manager Bezalel Aloni spotted her singing talent. He staged many of his productions around Haza, and later became her manager and mentor. At the age of 19, she was Israel's first pop star and retrospectively, music journalists described her as "The Madonna of the East".

By the time she had completed her military service in 1979, Haza had matured as a singer and was ready to launch a solo career.

Career[link]

Her first album, entitled Al Ahavot Shelanu (Our Love), was released in 1980 and yielded a string of popular radio hits, including Hageshem (The Rain), Shir Ahava La'chayal (Love Song For The Soldier), Kmo Tzipor (Like A Bird) and what ultimately became her signature song in Israel, Shir Ha'frecha (The Bimbo Song). The latter was written for the film Schlager (1979) in which Haza played a leading role. At first, radio stations across the country refused to play the song due to its lyrics, which at the time were unaccepted, but it quickly climbed the charts and reached No. 1, where it stayed for five consecutive weeks. Later in the year, the album reached gold status.

A second album soon followed, Bo Nedaber (Let's Talk), eventually going gold, which included the hugely popular hits Tfila (Prayer) and Simanim Shel Ohavim (Lovers Signs).

Her third album, Pituyim (Temptations) came out in 1982 and enjoyed equal success, reaching gold status as well, with such hits as Gabriel and Kol Yom Matchila Shana (A New Year Starts Everyday). With this album, more well-known writers agreed to write her songs, including Tzvika Pick and Nurit Hirsh.

In 1983, Haza's career jumped to a new level of success and popularity. At the Eurovision Song Contest, she came in a close second to the Luxembourg entry with the song "Chai" (Alive). Her popularity in Israel reached enormous heights. Her first platinum album, "Chai", released in 1983, became her biggest-selling album to date, and the title track was voted the No. 1 song of the year. Author and historian John Kennedy O'Connor notes in The Eurovision Song Contest – The Official History that Haza's performance of this song was highly symbolic as it contains the lyric "Israel Is Alive". As the contest was held in Munich, Germany, the scene of the 1972 Olympic's massacre, there was considerable patriotism involved with the Israeli entry.^[2] Additional hits from the album included Amen Lamilim (Amen For Words) and Sof Hakayitz (End Of Summer). Haza was voted "Female Vocalist Of The Year" four years in a row, from 1980 through 1983. Later that year, Haza released Shirey Moledet which consisted of her renditions of well-known Israeli folk songs, eventually going platinum as well. Public response was so overwhelming, she went on to release two more volumes (in 1985 and 1987).

Bait Ham (Warm House) was released in 1984 and included such hits as Yad Beyad (Hand In Hand), Itcha Halayla (With You Tonight) and the title track. The album quickly went gold. In December that year, Haza released what was to become the turning-point of her career, a collection of Yemenite songs, simply titled Yemenite Songs. Despite lukewarm radio airplay, the album went on to become a best-seller, quickly reaching platinum status. This LP was reissued in the United States by Shanachie Records under the title Fifty Gates of Wisdom.

The album Adama (Earth) followed in 1985 and saw the top writers in the country contribute to the album: Sasha Argov, Naomi Shemer, Ya'akov Orland and Ehud Manor, among others. The album produced the enormously popular hits, Adama, Goral Echad (One Destiny) and Mishehu Holech Tamid Iti (Someone Always Walks With Me), and reached gold status. Later that year, Ofra released "Shirey Moledet B", a continuation of her renditions of well known Israeli folk songs. The album went gold.

In 1986, Haza tried to update her sound and gathered with acclaimed producer Izhar Ashdot to create Yamim Nishbarim (Broken Days). The album had an edgy rock sound and the lyrics were deep and personal and written by Haza herself. The album went gold and produced the hits Kol Haklafim (Open Your Cards), Bo Ve-Nagen Oti (Come and Play Me) and Hake'ev Haze (This Pain).

When asked about her musical roots in an interview on KCRW-FM radio (1993, Santa Monica), Haza spoke of her Yemenite Jewish parents, a childhood filled with music and singing and a passion for traditional Yemenite songs, picked up from her mother. Questioned about the theatre troupe, she spoke of poverty and the total neglect of successive governments for the Hatikvah neighborhood; and how, by way of protest, the community had rallied to create something positive and dramatic, which would make others sit up and take notice of the forgotten neighbourhood.

International artist[link]

Her major international breakthrough came in the wake of the album Shirei Teiman (Yemenite songs), which she recorded in 1984. The album consisted of songs that Haza had heard in childhood, using arrangements that combined authentic Middle Eastern percussion with classical instruments.^[3] Further recognition came with the single "Im Nin'Alu", taken from the album Shaday (1988), which won the New Music Award for Best International Album of the Year.^[4] The song topped the Eurochart for two weeks in June that year and was on heavy rotation on MTV channels across the continent. In the annals of classical hip-hop this song would be extensively re-released, re-mixed and sampled, for example on Coldcut's remix of Eric B. & Rakim's "Paid in Full,". The single made only a brief appearance in the UK top 40 singles chart, but became a dance floor favorite across Europe and the USA, topping the German charts for nine weeks. Subsequent singles were also given the dance-beat / MTV-style video treatment, most notably, Galbi, Daw Da Hiya and Mata Hari, but none quite matched the runaway success of her first hit. Im Nin'alu would go on to be featured on an in-game radio playlist of the video game Grand Theft Auto: Liberty City Stories, released in 2005 and featured on Panjabi MC's album "Indian Timing" in 2009.

Haza also received critical acclaim for the albums Fifty Gates of Wisdom (1988), Desert Wind (1989), Kirya (1992), Ofra Haza (1997) and for her collection of children's songs, L'Yeladim (1982).

In 1992, Kirya (co-produced by Don Was) received a Grammy nomination.^[4]

In 1994, Haza released her first Hebrew album in seven years, Kol Haneshama (The Whole Soul). Though not an initial chart success, the album produced one of her biggest hits to date, Le'orech Hayam (Along The Sea). The song did not have any substantial chart success upon its release to radio but became an anthem after Haza performed it on the assembly in memorial to deceased Prime Minister Yitzhak Rabin, a week after he was assassinated. Radio stations around the country started playing it and people took notice. Its lyrics became even more symbolic following Haza's own death in 2000.

Collaborations and performances[link]

A memorial to Ofra Haza in Ha'tikva neighborhood garden, Tel Aviv

Her collaborative work with internationally established acts included the single "Temple of Love (Touched by the Hand of Ofra Haza)", recorded with The Sisters of Mercy in 1992. Thomas Dolby co-produced Yemenite Songs and Desert Wind, where he was also a guest musician. Haza guested on Dolby's album Astronauts And Heretics (1992), singing on the track "That's Why People Fall In Love". She recorded "My Love Is for Real" with Paula Abdul in 1995 and on Sarah Brightman's album Harem, Haza's vocals were included on "Mysterious Days", thanks to an idea by Brightman's partner Frank Peterson (ex-Enigma), who produced both Harem (2003) and the album Ofra Haza (1997).

For the Kirya album, Iggy Pop, a friend of Don Was, performed the narration on "Daw Da Hiya" and Haza joined him and a host of other stars for the video and single release "Give Peace A Chance" in 1991. She also sang on the soundtracks of Colors (1988), Dick Tracy (1990), Wild Orchid (1990), Queen Margot (1994) and The Prince of Egypt (1998). In The Prince of Egypt, she voiced the small role of Yocheved, as well as singing "Deliver Us". When Hans Zimmer, who was working with Haza on the music for The Prince of Egypt, introduced her to the artists, they thought that she was so beautiful that they drew Yocheved, whom Haza voiced, to look like the singer. For The Prince of Egypt's soundtracks, Haza sang the song "Deliver Us" in 19 languages (including Czech — "Tak vyveď nás", Dutch — "Verlos ons, Heer", English — "Deliver Us", Finnish — "Johdata", French (Canadian and European) — "Délivre nous", German — "Erlöse uns", Greek — "Eleftheri", Hebrew — "Hoshia Na", Hungarian — "Szabadíts", Italian — "Ascoltaci", Norwegian — "Befri Oss", Polish — "Uwolnij Nas", Portuguese (Brazilian and Portugal) — "Liberte Nos", Spanish (Latin and Castilian) — "Libéranos", Swedish — "Befria Oss"; Turkish – "Mýsýr Prensi"; about half of these were sung phonetically). On the soundtrack of The Governess (1998), Haza is the featured singer on seven of the twelve tracks and worked closely with film music composer Edward Shearmur. In 1999, she performed (together with late Pakistani artist Nusrat Fateh Ali Khan) the track "Forgiveness", on the contemporary symphony album The Prayer Cycle by Jonathan Elias. As a featured background vocalist, Haza's voice has been recorded, re-mixed or sampled for Black Dog's "Babylon" single, Eric B and Rakim's "Paid In Full (Coldcut Remix)" and for the M/A/R/R/S hit "Pump Up The Volume". The single "Love Song" has been re-mixed by DJs many times, its powerful vocal performance and comparatively sparse musical arrangement making it the perfect vehicle for a dance-rhythm accompaniment.

Covers of songs by other artists included the Carole King / James Taylor classic "You've Got a Friend", Madonna's "Open Your Heart", Gary Moore's "Separate Ways", and Led Zeppelin's "Kashmir".

There were many distinguished live performances and Haza spoke with fond memories of her visits to Japan and Turkey. Notable too, was her performance at the 1994 Nobel Peace Prize Ceremony in Oslo, where she appeared alongside Irish singer Sinéad O'Connor. "Paint Box" was written specially for the event. Her 1990 live recording, Ofra Haza At Montreux Jazz Festival was released in 1998.

Haza shared duets and concert performances with Glykeria, Yehudit Ravitz, Paul Anka, Paula Abdul, Michael Jackson, Iggy Pop, Hoite, Buddha Bar, Ishtar, Gidi Gov, Whitney Houston, Tzvika Pick, Khaled, Prachim Yerushalaim, The Sisters of Mercy, Thomas Dolby, Stefan Waggershausen, Eric B and Rakim, Gila Miniha, Hans Zimmer, Hagashash Hachiver, Yaffa Yarkoni, Shoshana Damari and posthumously with Sarah Brightman.

At the fall of 1999, Haza recorded new material for a new album that she worked on with Ron Aviv, a music producer from Petah Tikva. At the time, she also worked with the Finnish violinist Linda Brava, who released a previously unreleased track called Tarab on her MySpace page on 14 May 2010. On the track, Haza sings in English, Arabic and Hebrew, while Brava plays the electric violin. The track might be the last recording of Haza, before she died.^[5]

Marriage[link]

On 15 July 1997, Haza married businessman Doron Ashkenazi. They had no children together. Ashkenazi died of a suspected drug overdose after Haza's death, on 7 April 2001,^[6] leaving a daughter from his previous marriage and a 14-year-old adopted son Shai Ashkenazi.^[7]

Death[link]

Ofra Haza's grave in Yarkon Cemetery

Ofra Haza died on 23 February 2000 at the age of 42, of AIDS-related pneumonia. While the fact of her HIV infection is now generally acknowledged, the decision by the major Israeli newspaper Ha'aretz to report about it shortly after her death caused controversy in Israel.^[8]

After Haza's death was announced, Israeli radio stations played non-stop retrospectives of her music and then Prime Minister Ehud Barak praised her work as a cultural emissary, commenting that she also represented the Israeli success story — "Ofra emerged from the Hatikvah slums to reach the peak of Israeli culture. She has left a mark on us all".

The disclosure that Haza had likely died as a result of AIDS added another layer to the public mourning. The fact that a star with a reputation for clean living could be stricken caused shock among fans, debate about the media's potential invasion of her privacy, and speculation about how she had become infected. Immediately after her death, the media placed blame on her husband for giving her the disease.^[9] As reported indirectly some years later, her husband, who died in 2001, had said that she became infected as a result of a blood transfusion in a hospital following a miscarriage.^[10]

She is buried in the Artists section of Yarkon Cemetery in Petah Tikva near Tel Aviv.

Legacy[link]

Bezalel Aloni, Haza's manager and producer of 28 years, published a book Michtavim L'Ofra (Letters to Ofra) in 2007. The book is partly Aloni's autobiography and partly a biography of Haza, and includes letters written by Aloni.^[11]

In 2005, she was voted the 32nd-greatest Israeli of all time, in a poll by the Israeli news website Ynet to determine whom the general public considered the 200 Greatest Israelis.^[12]

On 22 March 2007, on the seventh anniversary of her death, the Tel Aviv-Jaffa Municipality and the Tel Aviv Development Fund renamed part of the public park in the Hatikva Quarter Gan Ofra (Ofra's Park) in her honor. The park is placed at the end of Bo'az street where Haza's childhood home was. The park features a children's playground, symbolizing her love for children and the old quarter where she grew up and always came back to.

Tributes[link]

• Touched By The Hand of Ofra Haza Fanzine (2008–09) was a tribute fanzine.
• Sharim Ofra (Singing Ofra) 2002 – A tribute concert to commemorate the life of Ofra Haza where Israeli singers sang Haza's songs.

Documentaries[link]

• Life & Death of Ofra Haza 2002 – Aired on the Israeli channel 2, 29 January 2002. This documentary in Hebrew focuses on Haza's entire life and career until her sad death.
• Sodot (Secrets) 2005 – Aired on Israeli channel YES, this documentary in Hebrew and partly English is about Haza's life and attempts to answer questions surrounding her death.
• Dokoceleb Ofra Haza 2007 – Aired on the Israeli entertainment station HOT, 22 February 2007. This documentary in Hebrew focuses on Haza's career, achievements and marriage.
• Lost Treasure of Ofra Haza 2010 – Aired on the Israeli channel 10, 22 February 2010. This documentary in Hebrew and partly English focuses on Haza's inheritance.

Albums with Shechunat Hatikvah Workshop Theatre[link]

• 1974 — Ahava Rishona (First Love)
• 1976 — Vehutz Mizeh Hakol Beseder (Aside From That All Is Ok)
• 1977 — Atik Noshan (Ancient Old)

Solo albums[link]

Soundtracks[link]

See also[link]

• Mizrahi Music
• List of mezzo-sopranos in non-classical music

References[link]