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(feat. Memphis Bleek)
[Jay-Z:]
Bounce if you wanna bounce, ball if you wanna ball
Play if you wanna play, floss if you wanna floss
It's Alright, you heard, It's Alright, Holla back
Get ill if you wanna ill, smoke if you wanna smoke
Kill if you wanna kill, loc if you wanna loc
It's Alright, you heard It's Alright, yeah yeah
I need a ho in my life to blow on my dice
So we can make our points twice and skate out a town
I need that glow in my ice, E-Class
Ladies screamin Jigga you know we ease that, flowin out like Jees-ass
Jay-Z and me holdin the mic
so when you like you find MC's so impolite
And me I'm so into nice, got cats on the corner like
Don't me and Jigga be flowin alike
Nah, Not in your life ain't nobody copin like
Mr. Jay-Z, shit you're crazy
I'm hot like the six maybe, Deep dish with the great seats
I flow greater than you're navigator
I drop in you're town, block you're data
Pimps all comin through with a hot pair of gators
And a crew with rocks the size of craters
Can't touch like hot potatoes, Ya Heard
Bounce if you wanna bounce, ball if you wanna ball
Play if you wanna play, floss if you wanna floss
It's Alright, you heard, It's Alright, Holla back
Get ill if you wanna ill, smoke if you wanna smoke
Kill if you wanna kill, loc if you wanna loc
It's Alright, you heard It's Alright, Holla back
[Memphis Bleek:]
In the middle of a war rockin a vest
Who's the illest shorty alive, I confess
I take nine to the chest and I swear to the heaven sky's, I bless
The mics until the day I rest, till they can feel what I feel
I'ma try my best, and if you real like I real
you can provide the rest
Anything left out, you can blame it on the brain, not the heart
I'm playing my part, stretched out, just about the best out
Any nigga realer than me, is in a messhall with their chest out
Any rapper with less clout, sell more records than me
We extort them as soon as they record 'em, Bleek
My name is clear, back when a shorty used to braid my hair
On the project stairs, Once I drop to a ceaser Ma I don't need ya
From the block to the hot two-seaters
[Jay-Z:]
Bounce if you wanna bounce, ball if you wanna ball
Play if you wanna play, floss if you wanna floss
It's Alright, you heard, It's Alright, Holla back
Get ill if you wanna ill, smoke if you wanna smoke
Kill if you wanna kill, loc if you wanna loc
It's Alright, you heard It's Alright, Check
On the two Jew-el's I blew more money than Latrell, who else
They don't know you, think they know you too well, you jell
Like Flubber I hover above the city in a private jet, the livest set
Press you're brakes, Feds wanna investigate, Mr. I don't cop nothin
Less than eight, and anything involved with my name
Regardless of the fame
It's hard, I can't even walk through Harlem again,
Charge it to the game, I'm platinum like American Express
My boy died, and all I did was inherit his stress
To make every jam tougher, you ain't my man fuck ya
I suggest let you live right Negative, I swear
It's dough or die, I hope your soul provides you with an afterlife
Close you're casket tight
Take you're last two deep breaths and pass the mic
To Jay-Z nigga, That's Right!!
Bounce if you wanna bounce, ball if you wanna ball
Play if you wanna play, floss if you wanna floss
It's Alright, you heard, It's Alright, Holla back
Get ill if you wanna ill, smoke if you wanna smoke
Kill if you wanna kill, loc if you wanna loc
It's Alright, you heard It's Alright
Beta | |
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File:Betafilm.jpg | |
Directed by | Indra Kumar |
Produced by | Indra Kumar Ashok Thakeria |
Starring | Anil Kapoor Madhuri Dixit Aruna Irani Laxmikant Berde Anupam Kher |
Music by | Anand-Milind |
Release date(s) | 1992 |
Running time | 172 mins |
Country | ‹See Tfd› India |
Language | Hindi |
Beta (Hindi: बेटा, Urdu: بیٹا, translation: Son) is a 1992 Hindi movie directed by Indra Kumar. The film featured the pairing of Madhuri Dixit with Anil Kapoor in lead roles. This film was a remake of Sandalwood Movie Mallammana Pavada (1969), starring Rajkumar, B. Saroja Devi and Tamil film Enga Chinna Rasa (1987), directed by K. Bhagyaraj. Along with Beta, the film was remade to Telugu as Abbaigaru, again to Kannada as Annayya, starring Ravichandran and Madhubala.. The film is perhaps best remembered for the hit song "Dhak Dhak Karne Laga", which earned Madhuri Dixit her nickname as the "Dhak-Dhak Girl" ("dhak-dhak" = heartbeat).
Beta won four Filmfare Awards including Best Actor (Kapoor), Best Actress (Dixit), Best Playback Singer (Anuradha Paudwal for "Dhak Dhak Karne Laga") and Best Supporting Actress (Aruna Irani). The film was declared a blockbuster and was the highest grossing film of 1992.[1]
Contents |
Beta is the story of Raju (Anil Kapoor), the only child of a widowed multi millionaire. Raju's father can provide him anything he wants but Raju's only desire is to have a mother's love. In order to please Raju, his father gets married to Laxmi (Aruna Irani), thinking that she will take care of Raju. Raju becomes completely devoted to his stepmother, doing whatever she wishes. Raju's stepmother keeps Raju uneducated, under the pretext that education would get her son a job working for other people, while she wants her son to be self employed. As Raju grows up, Raju's father is gradually isolated from the family and locked in a dark room of the family home, being labelled as mentally unstable.
Raju, meanwhile meets Saraswati (Madhuri Dixit) and the two fall in love after Raju sees her being abducted, slapped and assaulted at a fair. After Raju saves her from being assaulted, the two fall in love and Raju marries Saraswati after everyone in the village believes that she is no longer chaste. Saraswati discovers that Laxmi's motherly love for Raju is fake and all what Laxmi is interested in, is capturing Raju's wealth. She is horrified to find Raju's father being treated as a mentally ill patient. Only after speaking to him does she realise that the reason for Raju's naive nature and uneducated status is because his stepmother manipulated him to keep him uneducated so that she can take advantage of him. Laxmi already has another son from the father who is being educated but also seeks Raju's wealth which his mother Laxmi intends for him to inherit. And thus begins a battle within the household between daughter-in-law and mother-in-law which involves Saraswati trying to outdo Laxmi.
Initially, Saraswati allows Raju's father to come out of his prison and insists that there is nothing wrong with him. She voices her concerns to Raju about his mother, resulting in Saraswati being slapped repeatedly around the courtyard of the house in front of all the family members. Saraswati is ready to leave the house at this point but wisely decides to apologise to her mother in law, only to take an oath to protect her husband and her house from Laxmi's immoral intentions. This humiliation does not deter Saraswati who cleverly starts exposing Laxmi's every step in a dignified manner for the sake of her husband. She publically exposes the fact that Raju's younger step brother has not received a degree in Medicine, rather that he has bought a fake one, she decides to give Laxmi a taste of her own medicine by causing her to slip which leads to an over-protective Raju to look after her and not allow her to do anything but lay down; scuppering any future plans Laxmi intends to execute.
Upon discovering that Saraswati is pregnant, Laxmi finally decides that enough is enough and tries to poison Saraswati by mixing poison with saffron which she knows that Laxmi will mix with her milk before she drinks it. However, when Saraswati discovers this, she approaches Raju and tells him the truth once again. Raju refuses to believe Saraswati, even when she takes an oath upon her unborn child's life and decides to prove Saraswati wrong by offering to drink the poisoned milk himself. Only when Raju begins to cough up blood, does he realise that Saraswati was telling the truth after all. He confronts his mother in his usual innocent manner and asks her why she had forsaken him and tells her that had she simply asked him for his wealth, he would have happily agreed to give her all he had. He tells Laxmi that his last dying wish will be that he would request his mother to at least once with a clean her to call him 'her son', so that he may now die in peace. His words touch Laxmi deeply and she realises the cruelty that she has shown her son who has only ever loved her. There is a brief altercation between Laxmi and her real son who still wishes to procure Raju's wealth. Raju, in his deteriorating state still manages to save his mother from his step brother. The film concludes with Raju recovering following treatment and agreeing to give up his worldly possessions to his mother and leaving home with his wife and father. However, at the last moment, Laxmi begs him not to leave, claiming to have learnt the error of her ways; she tears up all the property papers and tells him that she does not want his wealth, all she wants is 'her son' and nothing more.
# | Title | Singer(s) | Length |
---|---|---|---|
1 | "Dhak Dhak Karne Laga" | Udit Narayan, Anuradha Paudwal | 05:20 |
2 | "Koyal Se Teri Boli" | Udit Narayan, Anuradha Paudwal | 05:38 |
3 | "Saiyan Ji Se Chupke" | Udit Narayan, Anuradha Paudwal | 07:30 |
4 | "Sajna Main Teri" | Anuradha Paudwal, Vipin Sachdeva | 07:14 |
5 | "Dhadkane Saansein Jawani" | Pankaj Udhas, Anuradha Paudwal | 05:20 |
6 | "Yeh Do Dil Hain Chanchal" | Babla Mehta, Anuradha Paudwal | 06:52 |
7 | "Bhool To Maa Se" | Udit Narayan | 02:17 |
8 | "Kushiyon Ka Din Aaya Hai" | Anuradha Paudwal | 05:57 |
The music of the song "Dhak Dhak Karne Laga" was a copy of Ilayaraja's super hit song "Abbanee teeyani debba" of a 1990 Telugu movie Jagadeka Veerudu Athiloka Sundari starring Sridevi and Chiranjeevi which in 1991 was dubbed into Hindi as Aadmi Aur Apsara. The song "Koyal Se Teri Boli" was also a copy of the Tamil song "Kondai Seval Koovum Neram" from the movie "Enga Chinna Rasa" by K. Bhagyaraj, also with a similar storyline.
The story line has been inspiration for various movies and has had various remakes in Indian film industry.
Year | Title | Language | Director | Cast | ||
---|---|---|---|---|---|---|
Step-mother | Son | Wife | ||||
1969 | Mallammana Pavaada | Kannada | Puttanna Kanagal | Rajkumar | B Sarojadevi | |
1979 | Gauri | Odia | Dhir Biswal | Prashanta Nanda | Mahasweta Ray | |
1981 | Jyothi | Hindi | Pramod Chakravorty | Shashikala | Jeetendra | Hema Malini |
1987 | Enga Chinna Rasa | Tamil | K. Bhagyaraj | K. Bhagyaraj | Rada | |
1992 | Beta | Hindi | Indra Kumar | Aruna Irani | Anil Kapoor | Madhuri Dixit |
1993 | Abbaigaru | Telugu | Satyanarayana E.V.V. | Jayachitra | Venkatesh | Meena |
1993 | Annayya | Kannada | Rajendra Singh Babu | Aruna Irani | V. Ravichandran | Madhoo |
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