For the villages in southern Israel, see Zohar, Israel and Tzochar. For the proper name, see Zohar (name)

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The Zohar (Hebrew: זֹהַר‎‎, lit Splendor or Radiance) is the foundational work in the literature of Jewish mystical thought known as Kabbalah.^[1] It is a group of books including commentary on the mystical aspects of the Torah (the five books of Moses) and scriptural interpretations as well as material on Mysticism, mythical cosmogony, and mystical psychology. The Zohar contains a discussion of the nature of God, the origin and structure of the universe, the nature of souls, redemption, the relationship of Ego to Darkness and "true self" to "The Light of God," and the relationship between the "universal energy" and man. Its scriptural exegesis can be considered an esoteric form of the Rabbinic literature known as Midrash, which elaborates on the Torah.

The Zohar is mostly written in what has been described as an exalted, eccentric style of Aramaic, which was the day-to-day language of Israel in the Second Temple period (539 BCE – 70 CE), was the original language of large sections of the biblical books of Daniel and Ezra, and is the main language of the Talmud.^[2]

The Zohar first appeared in Spain in the 13th century, and was published by a Jewish writer named Moses de Leon. De Leon ascribed the work to Shimon bar Yochai, a rabbi of the 2nd century during the Roman persecution^[3] who, according to Jewish legend,^[4][5] hid in a cave for thirteen years studying the Torah and was inspired by the Prophet Elijah to write the Zohar. This accords with the traditional claim by adherents that Kabbalah is the concealed part of the Oral Torah.

While the traditional majority view in religious Judaism has been that the teachings of Kabbalah were revealed by God to Biblical figures such as Abraham and Moses and were then transmitted orally from the Biblical era until its redaction by Shimon ben Yochai, modern academic analysis of the Zohar, such as that by the 20th century religious historian Gershom Scholem, has theorized that De Leon was the actual author. The view of non-Orthodox Jewish denominations generally conforms to this latter view, and as such, most non-Orthodox Jews have long viewed the Zohar as pseudepigraphy and apocrypha while sometimes accepting that its contents may have meaning for modern Judaism. Jewish prayerbooks edited by non-Orthodox Jews may therefore contain excerpts from the Zohar and other kabbalistic works,^[6] even if the editors do not literally believe that they are oral traditions from the time of Moses.

There are people of religions besides Judaism, or even those without religious affiliation, who delve in the Zohar out of curiosity, or as a technology for people who are seeking meaningful and practical answers about the meaning of their lives, the purpose of creation and existence and their relationships with the laws of nature,^[7][8] and so forth; however from the perspective of traditional, rabbinic Judaism,^[9][10] and by the Zohar's own statements,^[11] the purpose of the Zohar is to help the Jewish people through and out of the Exile and to infuse the Torah and mitzvot (Judaic commandments) with the wisdom of Kabbalah for its Jewish readers.^[12]

Authorship[link]

Initial view[link]

Suspicions aroused by the facts that the Zohar was discovered by one person, and that it refers to historical events of the post-Talmudic period while purporting to be from an earlier time, caused the authorship to be questioned from the outset.^[3] Joseph Jacobs and Isaac Broyde, in their article on the Zohar for the 1906 Jewish Encyclopedia, cite a story involving the noted Kabbalist Isaac of Acco, who is supposed to have heard directly from the widow of de Leon that her husband proclaimed authorship by Shimon bar Yochai for profit.:

A story tells that after the death of Moses de Leon, a rich man of Avila named Joseph offered Moses' widow (who had been left without any means of supporting herself) a large sum of money for the original from which her husband had made the copy. She confessed that her husband himself was the author of the work. She had asked him several times, she said, why he had chosen to credit his own teachings to another, and he had always answered that doctrines put into the mouth of the miracle-working Shimon bar Yochai would be a rich source of profit. The story indicates that shortly after its appearance the work was believed by some to have been written by Moses de Leon.^[3]

However, Isaac evidently ignored the woman's alleged confession in favor of the testimony of Joseph ben Todros and of Jacob, a pupil of Moses de León, both of whom assured him on oath that the work was not written by de Leon. Over time, the general view in the Jewish community came to be one of acceptance of Moses de Leon's claims, with the Zohar seen as an authentic book of mysticism passed down from the 2nd century. The Zohar spread among the Jews with remarkable swiftness. Scarcely fifty years had passed since its appearance in Spain before it was quoted by many Kabbalists, including the Italian mystical writer Menahem Recanati and by Todros Abulafia. Certain Jewish communities, however, such as the Baladi Yemenite, Andalusian (Western Sefardic or Spanish and Portuguese Jews), and some Italian communities, never accepted it as authentic.^[3]

Late Middle Ages[link]

By the 15th century, its authority in the Spanish Jewish community was such that Joseph ibn Shem-Tov drew from it arguments in his attacks against Maimonides, and even representatives of non-mystical Jewish thought began to assert its sacredness and invoke its authority in the decision of some ritual questions. In Jacobs' and Broyde's view, they were attracted by its glorification of man, its doctrine of immortality, and its ethical principles, which they saw as more in keeping with the spirit of Talmudic Judaism than are those taught by the philosophers, and which was held in contrast to the view of Maimonides and his followers, who regarded man as a fragment of the universe whose immortality is dependent upon the degree of development of his active intellect. The Zohar instead declared Man to be the lord of the creation, whose immortality is solely dependent upon his morality.^[3]

Conversely, Elijah Delmedigo (c.1458 – c.1493), in his Bechinat ha-Dat endeavored to show that the Zohar could not be attributed to Shimon bar Yochai, arguing that if it were his work, the Zohar would have been mentioned by the Talmud, as has been the case with other works of the Talmudic period, that had bar Yochai known by divine revelation the hidden meaning of the precepts, his decisions on Jewish law from the Talmudic period would have been adopted by the Talmud, that it would not contain the names of rabbis who lived at a later period than that of Simeon; and that if the Kabbalah was a revealed doctrine, there would have been no divergence of opinion among the Kabbalists concerning the mystic interpretation of the precepts.^[3][13]

Believers in the authenticity of the Zohar countered that the lack of references to the work in Jewish literature were because bar Yohai did not commit his teachings to writing but transmitted them orally to his disciples over generations until finally the doctrines were embodied in the Zohar. They found it unsurprising that bar Yochai should have foretold future happenings or made references to historical events of the post-Talmudic period.^[3]

The authenticity of the Zohar was accepted by such 16th century Jewish luminaries as R' Yosef Karo (d.1575), R' Moses Isserles (d. 1572), and R' Solomon Luria (d.1574), who wrote that Jewish law (Halacha) follows the Zohar, except where the Zohar is contradicted by the Babylonian Talmud.^[14]

Enlightenment period[link]

Debate continued over the generations; Delmedigo's arguments were echoed by Leon of Modena (d.1648) in his Ari Nohem, and a work devoted to the criticism of the Zohar, Miṭpaḥat Sefarim, was written by Jacob Emden (d.1776), who, waging war against the remaining adherents of the Sabbatai Zevi movement (in which Zevi, a false messiah and Jewish apostate, cited Messianic prophecies from the Zohar as proof of his legitimacy), endeavored to show that the book on which Zevi based his doctrines was a forgery. Emden argued that the Zohar misquotes passages of Scripture; misunderstands the Talmud; contains some ritual observances which were ordained by later rabbinical authorities; mentions The Crusades against Muslims (who did not exist in the 2nd century); uses the expression "esnoga," a Portuguese term for "synagogue"; and gives a mystical explanation of the Hebrew vowel-points, which were not introduced until long after the Talmudic period.^[3]

The influence of the Zohar and the Kabbalah in Yemen, where it was introduced in the 17th century, gave rise to the Dor Daim movement, whose adherents believed that the core beliefs of Judaism were rapidly diminishing in favor of the mysticism of the Kabbalah. The Dor Daim movement, led by Rabbi Yiḥyah Qafiḥ, emerged as a recognizable force in the later part of the 19th century, and considered the Kabbalists to be irrational, anti-scientific, and anti-progressive in attitude. Its objects were to combat the influence of the Zohar and subsequent developments in modern Kabbalah, which were then pervasive in Yemenite Jewish life, to restore what they believed to be a rationalistic approach to Judaism rooted in authentic sources, and to safeguard the older ("Baladi") tradition of Yemenite Jewish observance that they believed to be based on this approach. Especially controversial were the views of the Dor Daim on the Zohar, as presented in Milhamoth Hashem (Wars of the Lord),^[15] written by Rabbi Qafiḥ A group of Jerusalem rabbis published an attack on Rabbi Qafiḥ under the title of Emunat Hashem (Faith of the Lord), and measures were taken to ostracize members of the movement.

In the Ashkenazi community of Eastern Europe, later religious authorities including the Vilna Gaon (d.1797) and Rabbi Shneur Zalman of Liadi (d.1812) (The Baal HaTanya) believed in the authenticity of the Zohar.

Contemporary religious view[link]

Title page of the first printed edition of the Zohar, Mantua, 1558. Library of Congress.

Most of Orthodox Judaism holds that the teachings of Kabbalah were transmitted from teacher to teacher, in a long and continuous chain, from the Biblical era until its redaction by Shimon ben Yochai. Many (most?) accept fully the claims that the Kabbalah's teachings are in essence a revelation from God to the Biblical patriarch Abraham, Moses and other ancient figures, but were never printed and made publicly available until the time of the Zohar's medieval publication.^{[citation needed]} The greatest acceptance of this sequence of events is held within Haredi Judaism. Some^[who?] claim the tradition that Rabbi Shimon wrote that the concealment of the Zohar would last for exactly 1200 years from the time of destruction of the Holy Temple in Jerusalem. The Temple of Jerusalem was destroyed in 70 CE and so before revealing the Zohar in 1270, Moses De Leon uncovered the manuscripts in a cave in Israel. R' Yechiel Michel Epstein (d.1908), and R' Yisrael Meir Kagan (d.1933) both believed in the authenticity of the Zohar.

Belief in the authenticity of the Zohar among Orthodox Jewish movements can be seen in various forms online today. Featured on Chabad.org is the multi-part article, The Zohar's Mysterious Origins^[16] by Moshe Miller, which views the Zohar as the product of multiple generations of scholarship but defends the overall authenticity of the text and refutes many of the textual criticisms from Scholem and Tishby. The Zohar figures prominently in the mysticism of Chabad. Another leading Orthodox online outlet, Aish.com, also shows broad acceptance of the Zohar by referencing it in many of its articles.^{[original research?]}

Some^[who?] in Modern Orthodox Judaism reject the above view as naive. Some Orthodox Jews accept the earlier rabbinic position that the Zohar was a work written in the middle medieval period by Moses de Leon, but argue that since it is obviously based on earlier materials, it can still be held to be authentic, but not as authoritative or without error as others within Orthodoxy might hold.^{[citation needed]}

Jews in non-Orthodox Jewish denominations accept the conclusions of historical academic studies on the Zohar and other kabbalistic texts. As such, most non-Orthodox Jews have long viewed the Zohar as pseudepigraphy and apocrypha. Nonetheless, many accepted that some of its contents had meaning for modern Judaism. Siddurim edited by non-Orthodox Jews often have excerpts from the Zohar and other kabbalistic works, e.g. Siddur Sim Shalom edited by Jules Harlow, even though the editors are not kabbalists.

In recent years there has been a growing willingness of non-Orthodox Jews to study the Zohar, and a growing minority have a position that is similar to the Modern Orthodox position described above. This seems pronounced among Jews who follow the path of Jewish Renewal.

The Zohar is rejected by almost all Spanish and Portuguese Jews.^{[citation needed]} Some among them believe the Zohar is collection of ideas based on Midrasim and misinterpretation of midrashic concepts.

Modern criticism, view of authorship[link]

In the mid-20th century, the Jewish historian Gershom Scholem contended that de Leon himself was the most likely author of the Zohar. Among other things, Scholem noticed the Zohar's frequent errors in Aramaic grammar, its suspicious traces of Spanish words and sentence patterns, and its lack of knowledge of the land of Israel. Yeshayahu Leibowitz, noted professor of philosophy at the Hebrew University of Jerusalem, claimed that "It is clear that the Zohar was written by de Leon as it is clear that Theodore Herzl wrote Medinat HaYehudim (The Jewish State)."

Other Jewish scholars have also suggested the possibility that the Zohar was written by a group of people, including de Leon. This theory generally presents de Leon as having been the leader of a mystical school, whose collective effort resulted in the Zohar.

Another theory as to the authorship of the Zohar is that it was transmitted like the Talmud before it was transcribed: as an oral tradition reapplied to changing conditions and eventually recorded. This view simultaneously believes that the Zohar was not written by Shimon bar Yochai, but was a holy work because it consisted of his principles.

Even if de Leon wrote the text, the entire contents of the book may not be fraudulent. Parts of it may be based on older works, and it was a common practice to ascribe the authorship of a document to an ancient rabbi in order to give the document more weight. It is possible that Moses de Leon considered himself inspired to write this text.^[17]

Within Orthodox Judaism the traditional view that Shimon bar Yochai was the author is maintained. R' Menachem Mendel Kasher in an article in the periodical Sinai refutes many of Scholem's points. He writes:

1. Many statements in the works of the Rishonim (medieval commentors who preceded De Leon) refer to Medrashim that we are not aware of. He writes that these are in fact references to the Zohar. This has also been pointed out by R' David Luria in his work "Kadmus Sefer Ha'Zohar".
2. The Zohar's major opponent Elijah Delmedigo refers to the Zohar as having existed for "only" 300 years. Even he agrees that it was extant before the time of R' Moses De Leon.
3. He cites a document from R' Yitchok M' Acco who was sent by the Ramban to investigate the Zohar. The document brings witnesses that attest to the existence of the manuscript.
4. It is impossible to accept that R' Moshe De Leon managed to forge a work of the scope of the Zohar (1700 pages) within a period of six years as Scholem claims.
5. A comparison between the Zohar and De Leon's other works show major stylistic differences. Although he made use of his manuscript of the Zohar, many ideas presented in his works contradict or ignore ideas mentioned in the Zohar. (Luria also points this out)
6. Many of the Midrashic works achieved their final redaction in the Geonic period. Some of the anachronistic terminology of the Zohar may date from that time.
7. Out of the thousands of words used in the Zohar, Scholem finds two anachronistic terms and nine cases of ungrammatical usage of words. This proves that the majority of the Zohar was written within the accepted time frame and only a small amount was added later (in the Geonic period as mentioned).
8. Some hard to understand terms may be attributed to acronyms or codes. He finds corollaries to such a practice in other ancient manuscripts.
9. The "borrowings" from medieval commentaries may be explained in a simple manner. It is not unheard of that a note written on the side of a text should on later copying be added into the main part of the text. The Talmud itself has Geonic additions from such a cause. Certainly this would apply to the Zohar to which there did not exist other manuscripts to compare it with.
10. He cites an ancient manuscript that refers to a book Sod Gadol that seems to in fact be the Zohar.

Concerning the Zohar's lack of knowledge of the land of Israel, Scholem bases this on the many references to a city Kaputkia (Cappadocia) which he states was situated in Turkey not in Israel. A city by this name located in Israel does appear, however, in Targum Onkelos, Targum Yonatan, Mishnah, Babylonian Talmud and several Midrashim.

Academic historical views[link]

In the Encyclopaedia Judaica article written by the late Professor Gershom Scholem of the Hebrew University of Jerusalem there is an extensive discussion of the sources cited in the Zohar. Scholem views the author of the Zohar as having based the Zohar on a wide variety of pre-existing Jewish sources, while at the same time inventing a number of fictitious works that the Zohar supposedly quotes, e.g., the Sifra de-Adam, the Sifra de-Hanokh, the Sifra di-Shelomo Malka, the Sifra de-Rav Hamnuna Sava, the Sifra de-Rav Yeiva Sava, the Sifra de-Aggadeta, the Raza de-Razin and many others.

Scholem's views are widely held as accurate among historians of the Kabbalah, but like all textual historical investigations, are not uncritically accepted; most of the following conclusions are still accepted as accurate, although academic analysis of the original texts has progressed dramatically since Scholem's ground-breaking research. Scholars that continue to research the background of the Zohar include Yehudah Liebes (who wrote his doctor's degree for Scholem on the subject of a Dictionary of the Vocabulary of the Zohar in 1976), and Daniel Matt, also a student of Scholem, who is currently reconstructing a critical edition of the Zohar based on original unpublished manuscripts.

While many original ideas in the Zohar are presented as being from (fictitious) Jewish mystical works, many ancient and clearly rabbinic mystical teachings are presented without their real, identifiable sources being named. Academic studies of the Zohar show that many of its ideas are based in the Talmud, various works of midrash, and earlier Jewish mystical works. Scholem writes:

The writer had expert knowledge of the early material and he often used it as a foundation for his expositions, putting into it variations of his own. His main sources were the Babylonian Talmud, the complete Midrash Rabbah, the Midrash Tanhuma, and the two Pesiktot (Pesikta De-Rav Kahana or Pesikta Rabbati), the Midrash on Psalms, the Pirkei de-Rabbi Eliezer, and the Targum Onkelos. Generally speaking they are not quoted exactly, but translated into the peculiar style of the Zohar and summarized....

... Less use is made of the halakhic Midrashim, the Jerusalem Talmud, and the other Targums, nor of the Midrashim like the Aggadat Shir ha-Shirim, the Midrash on Proverbs, and the Alfabet de-R. Akiva. It is not clear whether the author used the Yalkut Shimoni, or whether he knew the sources of its aggadah separately. Of the smaller Midrashim he used the Heikhalot Rabbati, the Alfabet de-Ben Sira, the Sefer Zerubabel, the Baraita de-Ma'aseh Bereshit, [and many others]...

The author of the Zohar drew upon the Bible commentaries written by medieval rabbis, including Rashi, Abraham ibn Ezra, David Kimhi and even authorities as late as Nahmanides and Maimonides. Scholem gives a variety of examples of such borrowings.

The Zohar draws upon early mystical texts such as the Sefer Yetzirah and the Bahir, and the early medieval writings of the Hasidei Ashkenaz.

Another influence on the Zohar which Scholem identified, was a circle of Kabbalists in Castile who dealt with the appearance of an evil side emanating from within the world of the sephirot. Scholem saw this dualism of good and evil within the Godhead as a kind of "gnostic" inclination within Kabbalah, and as a predecessor of the Sitra Ahra (the other, evil side) in the Zohar. The main text of the Castile circle, the Treatise on the Left Emanation, was written by Jacob ha-Cohen in around 1265.^[18]

Contents[link]

The Zohar and Tikunei haZohar, separately, were printed in Hebrew year 5318 (c. 1558 CE), in Mantua. When they were printed there were many partial manuscripts in circulation that were not available to the first printers. These were later printed as "Zohar Chadash," but Zohar Chadash actually contains parts that pertain to the Zohar, and also contains Tikunim (plural of Tikun, "Repair") that are akin to Tikunei haZohar, as described below. "Zohar" can refer to just the first Zohar collection, with or without the applicable sections of Zohar Chadash, or to the entire Zohar and Tikunim. When pages or volume numbers in the Zohar are referred to, they conventionally follow the pagination or the three-volume partitioning of the Mantua edition. Citation can be made by parashah and page number, or by volume and page number.

[edit] Zohar

The earlier part of the Zohar, also known as Zohar `Al haTorah (Zohar on the Torah, זוהר על התורה) or Midrash Rashbi, contains several smaller "books," as described below.

This book was published in three volumes: Volume 1 on Bereishit (Genesis), Volume 2 on Shemot (Exodus) and Volume 3 on Viyikra, Bamidbar and Devarim (Leviticus, Numbers, and Deuteronomy). At the start of the first volume is printed a "Preface to the Book of the Zohar" (pages 1a to 14b). After this introduction is the Zohar's commentary on most of the parashahs of the Torah. There is Zohar on all of the parashahs of Bereishit through the book of Vayikra; in Bamidbar there is no Zohar on the last two parashas: Matot (although on this parashah there is a small paragraph on page 259b) and Mas`ei. In Devarim there is no Zohar on Devarim, Re'eh, Ki-Tavo, Nitzavim, and veZot haBerakhah. Printed within these three volumes are these smaller books:^[19]

Sifra diTzni`uta/Book of the Hidden (ספרא דצניעותא)
This small "book," three pages long, (Volume 2, page 176b-179a) -- the name of which, "Book of the Hidden," attests to its importance and uniqueness—is considered one of the most important and concentrated parts of the Zohar.^[19] In it are foundations of the Torah, and secrets of fine and deep remazim/hints.

Externally it is a commentary on seminal verses in Bereishit (and therefore in the version published in Cremona it is printed in parashat Bereishit). It has five chapters. Intrinsically it includes, according to Rashbi, the foundation of Kabbalah, which is explained at length in the Zohar and in the books of Kabbalah after it. Rabbi Shalom Buzaglo said, "Rashbi -- may his merit protect us -- said (Zohar Vol. 2, page 176a), `Sifra diTzni`uta is five chapters which are included in a Great Palace and fill the entire earth,' meaning, these five paragraphs include all the wisdom of Kabbalah... for, Sifra diTzni`uta is the `little that holds the much'; brevity with wonderful and glorious wisdom".^[20]

There are those who attribute Sifra diTzni`uta to the patriach Yaakov; however, Rabbi Eliezer Tzvi of Kamarno in his book Zohar Chai wrote,<sup>[21]</sup> "Sifra diTzni`uta was composed by Rashbi... and he arranged [it] from baraitas which were transmitted to Tannaim from mount Sinai from the days of Moshe, similar to the way Rabeinu HaKadosh arranged the six orders of Mishnah from that which was repeated from before."

Idra Rabba/The Great Assembly (אדרא רבא)
The Idra Rabba is found in the Zohar Vol. 3, parashat Nasso (pp. 127b-145a), and its name means "The Great Assembly." "Idra" is a sitting-place of sages, usually circular, and the word "Rabba/Great" differentiates this section from the section Idra Zuta, which was an assembly of fewer sages that occurred later, as mentioned below.

Idra Rabba contains the discussion of nine of Rashbi's friends, who gathered together to discuss great and deep secrets of Kabbalah. The nine are: Rabbi Eliezer his son, Rabbi Abba, Rabbi Yehuda, Rabbi Yossi bar Yaakov, Rabbi Yitzchak, Rabbi Chezkiyah bar Rav, Rabbi Chiyya, Rabbi Yossi and Rabbi Yisa. After the opening of the discussion by Rashbi, the sages rise, one after the other, and lecture on the secret of Divinity, while Rashbi adds to and responds to their words. The lectures in this section mainly explain the words of the Sifra diTzni`uta, in a similar manner as the Gemara explains the Mishnah.^[19]

As described in the Idra Rabba, before the Idra disjourned, three of the students died: Rabbi Yossi bar Yaakov, Rabbi Chezkiyah bar Rav, and Rabbi Yisa. As told, these students filled up with Godly light and therefore journeyed to the eternal world after their deaths. The remaining students saw their friends being carried away by angels. Rabbi Shimon said some words and they were calmed. He shouted out, "Perhaps, God forbid, a decree has been passed upon us to be punished, for through us has been revealed that which has not been revealed from the time Moshe stood on Mount Sinai!" At that instant a heavenly voice emerged and said, "Fortunate are you Rabbi Shimon! and fortunate is your portion and the portion of the friends who remain alive with you! For it has been revealed to you that which has not been revealed to all the upper hosts."^[22]

Idra Zuta/The Smaller Assembly (אדרא זוטא)
The Idra Zuta is found in the Zohar Vol. 3, parashat Haazinu (p. 287b to 296b), and is called "Idra Zuta," which means, "The Smaller Assembly," distinguishing it from the Greater Assembly, "Idra Rabba," mentioned above. In the Idra Zuta Rashbi's colleagues convene again, this time seven in number, after the three mentioned above died. In the Idra Zuta the Chevraya Kadisha are privileged to hear teachings from Rashbi which conclude the words which were explained in the Idra Rabba.

Ra`aya Meheimna/The Faithful Shepherd (רעיא מהימנא)
The book Ra`aya Meheimna, the title of which means "The Faithful Shepherd," and which is by far the largest "book" included in the book of the Zohar, is what Moshe, the "Faithful Shepherd," teaches and reveals to Rashbi and his friends, who include Tannaim and Amoraim. In this assembly of Holy Friends, which took place in the Beit Midrash of Rabbi Shimon bar Yochai, secrets of and revelations on mitzvot of the Torah are explained and clarified—roots and deep meanings of mitzvot. Since it deals with mitzvot, from Ra`aya Meheimna it is possible to learn very much about the ways of the halakhic rulings of the Rabbis.^[19]

Ra`aya Meheimna is distributed over several parashiyot throughout the Zohar. Part of it is known and even printed on separate pages, and part of it is weaved into the body of the Zohar. Ra`aya Meiheimna is found in Vols. 2 and 3 of the Zohar, but is not found explicitly in Vol. 1. Several great rabbis and sages have tried to find the Ra`aya Meheimna, which originally is a vast book on all the 613 mitzvot, and arrange it according the order of positive commandments and negative commandments, and even print it as a book on its own.^[19]

In the lessons at the end of the Zohar, Ra`aya Meheimna is sometimes referred to as "Chibra Kadma'ah" -- "the preceding book."

Regarding the importance of Ra`aya Meheimna, Rabbi Moshe Cordovero said, "Know that this book, which is called `Ra`aya Meheimna, which Rashbi made with the tzadikim who are in Gan Eden, was a repair of the Shekhinah, and an aid and support for it in the exile, for there is no aid or support for the Shekhinah besides the secrets of the Torah... And everything that he says here of the secrets and the concepts—it is all with the intention of unifying the Shekhinah and aiding it during the exile.^[23]

Midrash haNe`elam/The Hidden Midrash (מדרש הנעלם)
Midrash haNe`elam is located within the body of the Zohar (parashat Vayera, Chayei Sarah, Toldot) and the Zohar Chadash (pp. 2b-30b; 46b-47b (in the Zohar Chadash edition by Rav Reuven Margoliot), and in parashat Balak, Ki Teitze, and the entire Zohar Chadash on Shir haShirim, Ruth, and Eikah.)

According to Ramaz, it is fit to be called Midrash haNe'elam because "its topic is mostly the neshamah (an upper level of soul), the source of which is in Beri'ah, which is the place of the upper Gan Eden; and it is written in the Pardes that drash is in Beri'ah... and the revealed midrash is the secret of externality, and Midrash haNe'elam is the secret of internality, which is the neshamah. And this derush is founded on the neshamah; its name befits it -- Midrash haNe'elam.^[24]

The language of Midrash haNe'elam is sometimes Hebrew, sometimes Aramaic, and sometimes both mixed. Unlike the body of the Zohar, its drashas are short and not long. Also, the topics it discusses -- the work of Creation, the nature the soul, the days of Mashiach, and Olam Haba -- are not of the type found in the Zohar, which are the nature of God, the emanation of worlds, the "forces" of evil, and more.

Idra deVei Mashkana, Heikhalot, Raza deRazin, Saba deMishpatim, Tosefta, and Sitrei Torah
In the Zohar the are more sections that are of different nature with regard to their contents and importance, as follows: Idra deVei Mashkana ("Assembly of the House of the Tabernacle") deals mainly with the secrets of prayer, and is found in the Zohar Vol. 2, parashat Mishpatim (pp. 122b-123b). Heikhalot ("Palaces") deals in describing the palaces of Gan Eden, and Gehinom, and contains many matters related to prayer. It is found in the Zohar Vol. 1, parashat Bereishit (pp 38a-45b); Vol. 2 parashat Pekudei (pp. 244b-262b, heikhalot of holiness; pp. 262b-268b, heikhalot of impurity). Raza deRazin ("Secret of Secrets") deals with revealing the essence of a man via the features of his face and hands. It is found in the Zohar Vol. 2,parashat Yitro (pp. 70a-75a). Saba deMishpatim ("The Elder on Statutes") is the commentary of Rav Yiba Saba regarding transmigration of souls, and punishments of the body in the grave. It is found in the Zohar Vol. 2,parashat Mishpatim (pp. 94a-114a). Tosefta are paragraphs containing the beginnings of chapters on the wisdom of the Kabbalah of the Zohar, and it is dispersed in all three volumes of the Zohar. Sitrei Torah are drashas of verses from the Torah regarding matters of the soul and the secret of Divinity, and they are dispersed in the Zohar Vol. 1.^[19]

For more books and sources mentioned in the Zohar, see also below.

[edit] Zohar Chadash/The New Zohar (זוהר חדש)

After the book of the Zohar was printed (in Mantua and in Cremona, in the Jewish years 5318-5320 (CE 1558-1560?), many more manuscripts were found which included paragraphs which pertained to the Zohar in their content, and which were not included in the editions that were printed. The manuscripts pertained also to all parts of the Zohar—some were similar to Zohar on the Torah, some were similar to the inner parts of the Zohar (Midrash haNe`elam, Sitrei Otiyot and more), and some pertained to Tikunei haZohar. Some thirty years after the first edition of the Zohar was printed, the manuscripts were gathered and arranged according to the parashas of the Torah and the megillot (apparently the arrangement was done by the Kabbalist, Rabbi Avraham haLevi of Tsfat), and were printed first in Salonika in Jewish year 5357 (1587? CE), and then in Kraków (5363), and afterwards many times in various editions.^[19]

There is Zohar Chadash on the Torah on many parashas across the chumash. On chumash Bereishit: Bereishit, Noach, Lekh Lekha, Vayeira, Vayeishev. On chumash Shemot: Beshalach, Yitro, Terumah, Ki Tissa. On chumash Vayikra: Tzav, Acharei, Behar. On chumash Bamidbar: Chukat, Balak, Matot. On chumash Devarim: Va'etchanan, Ki Tetze, Ki Tavo.^[19]

Within the paragraphs of Zohar Chadash are inserted Sitrei Otiyot ("Secrets of the Letters") and Midrash haNe`elam, on separate pages. Afterwards follows the midrashim -- Midrash haNe`elam on the megillot: Shir haShirim, Ruth, and Eikhah. And at the end are printed Tikunim (Tikunei Zohar Chadash, תיקוני זוהר חדש), like the Tikunei haZohar.^[19]

[edit] Tikunei haZohar/Rectifications of the Zohar (תיקוני הזוהר)

Tikunei haZohar, which was printed as separate book, includes seventy commentaries called "Tikunim" (lit. Repairs) and an additional eleven Tikkunim. In some editions Tikunim are printed that were already printed in the Zohar Chadash, which in their content and style also pertain to Tikunei haZohar.^[19]

Each of the seventy Tikunim of Tikunei haZohar begins by explaining the word "Bereishit" (בראשית), and continues by explaining other verses, mainly in parashat Bereishit, and also from the rest of Tanakh. And all this is in the way of Sod, in commentaries that reveal the hidden and mystical aspects of the Torah.

Tikunei haZohar and Ra`aya Meheimna are similar in style, language, and concepts, but different from the rest of the Zohar. For example, the idea of the Four Worlds is in Tikunei haZohar and Ra`aya Meheimna, but not elsewhere, as is true with the very use of the term "Kabbalah." In terminology, what is called Kabbalah inTikunei haZohar and Ra`aya Meheimna is simply called razin (clues or hints) in the rest of the Zohar.^[25] In Tikunei haZohar there are many references to "chibura kadma'ah" (meaning "the earlier book"). This refers to the main body of the Zohar.^[25]

Parts of the Zohar, Summary of Rabbinic View[link]

The traditional Rabbinic view is that most of the Zohar and the parts included in it (i.e. those parts mentioned above) were written and compiled by Rabbi Shimon bar Yochai, but some parts preceded Rashbi and he used them (such as Sifra deTzni`uta; see above), and some parts were written or arranged in generations after Rashbi's passing (for example, Tannaim after Rashbi's time are occasionally mentioned). However, aside from the parts of the Zohar mentioned above, in the Zohar are mentioned tens of earlier sources which Rashbi and his Chevraya Kadisha had, and they were apparently the foundation of the Kabbalistic tradition of the Zohar. These include Sefer Raziel, Sifra de'Agad'ta, Sifra de'Adam haRishon, Sifra de'Ashmedai, Sifra Chakhmeta `Ila'ah diVnei Kedem, Sifra deChinukh, Sifra diShlomoh Malka, Sifra Kadma'i, Tzerufei de'Atvun de'Itmasru le'Adam beGan `Eden, and more. In the Jewish view this proves more, that the teaching of the Sod in the book of the Zohar was not invented in the Tannaic period, but rather it is a tradition of ancient times which Rashbi and his Chevraya Kadisha used, and upon which they built and founded their Kabbalah, and its roots are also in the Torah that was given by Hashem to Moshe on Sinai.^[19]

Viewpoint and Exegesis, Rabbinic View[link]

According to the Zohar, the moral perfection of man influences the ideal world of the Sefirot; for although the Sefirot accept everything from the Ein Sof (Heb. אין סוף, infinity), the Tree of Life itself is dependent upon man: he alone can bring about the divine effusion.^[3] This concept is somewhat akin to the concept of Tikkun olam. The dew that vivifies the universe flows from the just.^[3] By the practice of virtue and by moral perfection, man may increase the outpouring of heavenly grace.^[3] Even physical life is subservient to virtue.^[3] This, says the Zohar, is indicated in the words "for the Lord God had not caused it to rain" (Gen. 2:5), which means that there had not yet been beneficent action in heaven, because man had not yet been created to pray for it.^[3]

The Zohar assumes four kinds of Biblical text exegesis, from the literal to the more mystical:

1. The simple, literal meaning of the text: Peshat
2. The allusion or hinted/allegorical meaning: Remez
3. The rabbinic comparison through sermon or illustration and metaphor: Derash
4. The secret/mysterious/hidden meaning: Sod^[3]

The initial letters of these words (P, R, D, S) form together the word PaRDeS("paradise/orchard"), which became the designation for the Zohar's view of a fourfold meaning of the text, of which the mystical sense is considered the highest part.^[3]

Viewpoint, Academic Views[link]

In Eros and Kabbalah, Moshe Idel (Professor of Jewish Mysticism, Hebrew University in Jerusalem) argues that the fundamental distinction between the rational-philosophic strain of Judaism and mystical Judaism, as exemplified by the Zohar, is the mystical belief that the Godhead is complex, rather than simple, and that divinity is dynamic and incorporates gender, having both male and female dimensions. These polarities must be conjoined (have yihud, "union") to maintain the harmony of the cosmos. Idel characterizes this metaphysical point of view as "ditheism," holding that there are two aspects to God, and the process of union as "theoeroticism." This ditheism, the dynamics it entails, and its reverberations within creation is arguably the central interest of the Zohar, making up a huge proportion of its discourse (pp. 5–56).

Mention should also be made of the work of Elliot Wolfson (Professor of Jewish Mysticism, New York University), who has almost single-handedly challenged the conventional view, which is affirmed by Idel as well. Wolfson likewise recognizes the importance of heteroerotic symbolism in the kabbalistic understanding of the divine nature. The oneness of God is perceived in androgynous terms as the pairing of male and female, the former characterized as the capacity to overflow and the latter as the potential to receive. Where Wolfson breaks with Idel and other scholars of the kabbalah is in his insistence that the consequence of that heteroerotic union is the restoration of the female to the male. Just as, in the case of the original Adam, woman was constructed from man, and their carnal cleaving together was portrayed as becoming one flesh, so the ideal for kabbalists is the reconstitution of what Wolfson calls the male androgyne. Much closer in spirit to some ancient Gnostic dicta, Wolfson understands the eschatological ideal in traditional kabbalah to have been the female becoming male (see his Circle in the Square and Language, Eros, Being).

Commentaries[link]

The first known commentary on the book of Zohar, "Ketem Paz", was written by rabbi Shimon Lavi of Libya.

Another important and influential commentary on Zohar, 22-volume "Or Yakar", was written by rabbi Moshe Cordovero of the Tzfat (i.e. Safed) kabbalistic school in the 16th century.

The Vilna Gaon authored a commentary on the Zohar.

Rabbi Tzvi Hirsch of Ziditchov wrote a commentary on the Zohar entitled Ateres Tzvi.

A major commentary on the Zohar is the Sulam written by Rabbi Yehuda Ashlag.

A full translation of the Zohar into Hebrew was made by the late Rabbi Daniel Frish of Jerusalem under the title Masok MiDvash.

Influence[link]

Judaism[link]

On the one hand, the Zohar was lauded by many rabbis because it opposed religious formalism, stimulated one's imagination and emotions, and for many people helped reinvigorate the experience of prayer.^[3] In many places prayer had become a mere external religious exercise, while prayer was supposed to be a means of transcending earthly affairs and placing oneself in union with God.^[3]

According to the Jewish Encyclopedia, "On the other hand, the Zohar was censured by many rabbis because it propagated many superstitious beliefs, and produced a host of mystical dreamers, whose overexcited imaginations peopled the world with spirits, demons, and all kinds of good and bad influences."^[3] Many classical rabbis, especially Maimonides, viewed all such beliefs as a violation of Judaic principles of faith.

Its mystic mode of explaining some commandments was applied by its commentators to all religious observances, and produced a strong tendency to substitute mystic Judaism in the place of traditional rabbinic Judaism.^[3] For example, Shabbat, the Jewish Sabbath, began to be looked upon as the embodiment of God in temporal life, and every ceremony performed on that day was considered to have an influence upon the superior world.^[3]

Elements of the Zohar crept into the liturgy of the 16th and 17th centuries, and the religious poets not only used the allegorism and symbolism of the Zohar in their compositions, but even adopted its style, e.g. the use of erotic terminology to illustrate the relations between man and God.^[3] Thus, in the language of some Jewish poets, the beloved one's curls indicate the mysteries of the Deity; sensuous pleasures, and especially intoxication, typify the highest degree of divine love as ecstatic contemplation; while the wine-room represents merely the state through which the human qualities merge or are exalted into those of God.^[3]

In the 17th century, it was proposed that only Jewish men who were at least 40 years old could study Kabbalah, and by extension read the Zohar, because it was believed to be too powerful for those less emotionally mature and experienced.

Neo-Platonism[link]

This section requires expansion.

Founded in the 3rd century CE by Plotinus, The Neoplatonist tradition has clear echoes in the Zohar, as indeed in many forms of mystical spirituality, whether Jewish, Christian or Muslim. The concept of creation by successive emanations of God in particular is characteristic of neoplatonist thought. In both Kabbalistic and Neoplatonist systems, the Logos, or Divine Wisdom, is the primordial archetype of the universe, and mediates between the divine idea and the material world. Jewish commentators on the Zohar expressly noted these Greek influences.^[26]

Christian mysticism[link]

According to the Jewish Encyclopedia, "The enthusiasm felt for the Zohar was shared by many Christian scholars, such as Giovanni Pico della Mirandola, Johann Reuchlin, Aegidius of Viterbo, etc., all of whom believed that the book contained proofs of the truth of Christianity.^[27] They were led to this belief by the analogies existing between some of the teachings of the Zohar and certain Christian dogmas, such as the fall and redemption of man, and the dogma of the Trinity, which seems to be expressed in the Zohar in the following terms:

'The Ancient of Days has three heads. He reveals himself in three archetypes, all three forming but one. He is thus symbolized by the number Three. They are revealed in one another. [These are:] first, secret, hidden 'Wisdom'; above that the Holy Ancient One; and above Him the Unknowable One. None knows what He contains; He is above all conception. He is therefore called for man 'Non-Existing' [Ayin]'"^[27] (Zohar, iii. 288b).

However, many passages in the Zohar talk about the unity and uniqueness of God, in the Jewish understanding of it, rather than the Trinity. One of the most common phrases in the Zohar is "raza d'yichuda "the secret of his Unity" which describes the Oneness of God as completely indivisible, even in spiritual terms.

The above phrase of the three heads, according to the kabbalists has extremely different connotations, as it is known that the Zohar is written in heavily coded terms according to Jewish tradition, and its true meaning is revealed only to the very righteous. However, the simple meaning of that above phrase, according to Jewish sources, has no relation at all to the Trinity. According to Judaism, God Himself is incomprehensible.

However, our relation to God is His Divine Presence. This may be comparable to a man in a room - there is the man himself, and his presence and relationship to others in the room. In Hebrew, this is known as the "Shechinah". It is also the concept of God's Name - it is His relationship and presence in the world towards us. The Wisdom (literally written as Field of Apples) in kabbalistic terms refers to the Shechinah, the Divine Presence. The Unknowable One (literally written as the Miniature Presence) refers to events on earth when events can be understood as natural happenings instead of God's act, although it is actually the act of God. This is known as perceiving the Shechinah through a blurry, cloudy lens. This means to say, although we see God's Presence (not God Himself) through natural occurrences also, it is only through a blurry lens, as opposed to miracles, in which we clearly see and recognize God's presence in the world. The Holy Ancient One refers to God Himself, Who is imperceivable. (see Minchas Yaakov and anonymous commentary in the Siddur Beis Yaakov on the Sabbath hymn of Askinu Seudasa, composed by the Arizal based on this lofty concept of the Zohar). This is the simple understanding of that phrase in the Zohar by Jews, however, as understood, there are many deeper and secret kabbalistic interpretations which are not open to the public.

According to the Jewish Encyclopedia, "This and other similar doctrines found in the Zohar are now known to be much older than Christianity, but the Christian scholars who were led by the similarity of these teachings to certain Christian dogmas deemed it their duty to propagate the Zohar."^[27]

Zohar Study (Jewish View)[link]

Who Should Study Tikunei haZohar

Despite the preeminence of Tikunei haZohar and despite the topmost priority of Torah study in Judaism, much of the Zohar has been relatively obscure and unread in the Jewish world in recent times, particularly outside of Israel and outside of Chasidic groups. Although some rabbis since the Shabbetai Tzvi debacle still maintain that one should be married and forty years old in order to study Kabbalah, since the time of Baal Shem Tov there has been relaxation of such stringency, and many maintain that it is sufficient to be married and knowledgeable in halakhah and hence permitted to study Kabbalah and by inclusion, Tikunei haZohar; and some rabbis will advise learning Kabbalah without restrictions of marriage or age.^[28] In any case the aim of such caution is to not become caught up in Kabbalah to the extent of departing from reality or halakhah.

Rabbinic Accolades; the Importance of Studying Tikunei haZohar
Many eminent rabbis and sages have echoed the Zohar's own urgings for Jews to study it, and have and urged people in the strongest of terms to be involved with it. To quote the from Zohar and from some of those rabbis:

"Vehamaskilim yavinu/But they that are wise shall understand" (Dan. 12:10), from the side of Binah, which is the Tree of Life -- for the sake of them it is said, "Vehamaskilim yaz'hiru kezohar haraki`a"/And they that are wise will shine like the radiance of the sky" (Dan. 12:3): With this book of yours, which is the book of the Zohar, from the radiance of Ima Ila'ah [which is] teshuvah -- with those [who study this work], trial is not needed. And because Yisrael will in the future taste from the Tree of Life, which is this book of the Zohar, they will go out, with it, from Exile, in a merciful manner. And with them will be fulfilled, "Hashem badad yanchenu, ve'ein `imo El nechar/Hashem alone will lead them, and there is no strange god with Him" (Deut. 32:12).

—Zohar, parashat Nasso, 124b, Ra`aya Meheimna

"Vehamaskilim yavinu/But they that are wise shall understand" (Dan. 12:10), from the side of Binah, which is the Tree of Life -- for the sake of them it is said, "Vehamaskilim yaz'hiru kezohar haraki`a"/And they that are wise will shine like the radiance of the sky" (Dan. 12:3): With this book of yours, which is the book of the Zohar, from the radiance of Ima Ila'ah [which is]teshuvah -- with those [who study this work], trial is not needed. And because Yisrael will in the future taste from the Tree of Life, which is this book of the Zohar, they will go out, with it, from Exile, in a merciful manner. And with them will be fulfilled, "Hashem badad yanchenu, ve'ein `imo El nechar/Hashem alone will lead them, and there is no strange god with Him" (Deut. 32:12).

—Zohar, parashat Nasso, 124b, Ra`aya Meheimna

Woe to the [people of the] world who hide the heart and cover the eyes, not gazing into the secrets of the Torah!

—Zohar Vol 1, p. 28a

Rabbi Nachman of Breslov said the following praise of the Zohar's effect in motivating mitzvah performance, which is a main focus in Judaism:

It is [already] known that learning the Zohar is very, very mesugal [capable of bringing good effects]. Now know, that by learning the Zohar, desire is generated for all types of study of the holy Torah; and the holy wording of the Zohar greatly arouses [a person] towards service of Hashem Yitbarakh. Namely, the praise with which it praises and glorifies a person who serves Hashem, that is, the common expression of the Zohar in saying, "Zaka'ah/ Fortunate!" etc. regarding any mitzvah; and vice-versa, the cry that it shouts out, "Vai!" etc., "Vai leh, Vai lenishmateh/Woe to him, Woe to his soul!" regarding one who turns away from the service of Hashem -- these expressions greatly arouse the man for the service of the Blessed One.

— Sichot Haran #108

English translations[link]

• Zohar Pages in English, at ha-zohar.net, including the Introduction translated in English
• Matt, Daniel C., trans. Zohar: Pritzker Edition (6 vols. to date). Stanford: Stanford University Press, 2004-2011. (The first six volumes of a projected 12-volume, comprehensively annotated English translation)
• ____. Zohar: Annotated and Explained. Woodstock, Vt.: SkyLights Paths Publishing Co., 2002. (Selections)
• ____. Zohar: The Book of Enlightenment. New York: Paulist Press, 1983. (Selections)
• Scholem, Gershom, ed. Zohar: The Book of Splendor. New York: Schocken Books, 1963. (Selections)
• Sperling, Harry and Maurice Simon, eds. The Zohar (5 vols.). London: Soncino Press.
• Tishby, Isaiah, ed. The Wisdom of the Zohar: An Anthology of Texts (3 vols.). Translated from the Hebrew by David Goldstein. Oxford: Oxford University Press, 1989.
• Berg, Michael: Zohar 23 Volume Set- The Kabbalah Centre International. Full 23 Volumes English translation with commentary and annotations.

See also[link]

Judaism portal

• Kabbalah
• Mysticism
• Sefer Yetzirah
• Bahir
• Baqashot
• Sixth and Seventh Books of Moses

References[link]

• Beyer, Klaus. "Aramaic language, its distribution and subdivisions." 1986.(from reference 2 above)
• Tenen, Stan, "Zohar, B'reshit, and the Meru Hypothesis: Scholars debate the origins of Zohar", Meru Foundation eTorus Newsletter #40, July 2007
• Blumenthal, David R. Three is not enough: Jewish Reflections on Trinitarian Thinking, in Ethical Monotheism, Past and Present: Essays in Honor of Wendell S. Dietrich, ed. T. Vial and M. Hadley (Providence, RI), Brown Judaic Studies:
• The Encyclopedia of Jewish Myth, Magic, and Mysticism, Geoffrey Dennis, Llewellyn Worldwide, 2007
• Studies in the Zohar, Yehuda Liebes (Author), SUNY Press, SUNY series in Judaica: Hermeneutics, Mysticism, and Religion, 1993
• Challenging the Master: Moshe Idel’s critique of Gershom Scholem Micha Odenheimer, MyJewishLearning.Com, Kabbalah and Mysticism
• Scholem, Gershom, Zohar in Encyclopadeia Judaica, Keter Publishing
• Scholem, Gershom, Kabbalah in Encyclopadeia Judaica, Keter Publishing
• Margolies, Reuvein "Peninim U' Margolies" and "Nitzotzei Zohar" (Heb.), Mossad R' Kook
• Luria, David "Kadmus Sefer Ha'Zohar" (Heb.)
• Unterman, Alan Reinterpreting Mysticism and Messianism, MyJewishLearning.Com, Kabbalah and Mysticism
• Adler, Jeremy, Beyond the Law: the artistry and enduring counter-cultural power of the kabbala, Times Literary Supplement 24 February 2006, reviewing: Daniel C Matt, translator The Zohar; Arthur Green A Guide to the Zohar; Moshe Idel Kabbalah and Eros.

External links[link]

Wikiquote has a collection of quotations related to: Zohar

Wikisource has original text related to this article: The Zohar and Later Mysticism

• Zohar Pages in English, at ha-zohar.net, including the Introduction translated in English, and The Importance of Study of the Zohar, and more
• Sefer haZohar and Tikunei haZohar in various formats in PDF files; and related booklets
• Sefer haZohar, Mantua edition (1558), at the National Library of Israel, DjVu file
• Sefer haZohar, Cremona edition (1559), at the National Library of Israel, DjVu file
• The Zohar in text files for download (Hebrew characters)
• The Zohar in English: Bereshith to Lekh Lekha
• The Zohar in English: some mystical sections
• The Kabbalah Center translation of the Zohar
• Original Zohar with Sulam Commentary
• NOTES ON THE ZOHAR IN ENGLISH: An Extensive Bibliography
• 7 brief video lectures about The Zohar from Kabbalah Education & Research Institute
• Daily Zohar study of Tikunei Zohar in English

Zohar Argov (Hebrew: זוהר ארגוב‎, born Zohar Orkabi on July 16, 1955, died November 6, 1987) was a popular Israeli singer and a distinctive voice in the Mizrahi music scene. Argov is widely known in Israel as "The king of Mizrahi music"^[1][2]

Background[link]

The most serious hurdle on his way to stardom was Argov's socioeconomic background. He was born in Rishon LeZion, and grew up in a poor family, the eldest of ten children.^[3] In those years, singers often began their careers by serving as entertainment for military troops, but Argov did not serve in the army. His remarkable singing abilities were cultivated at home, through his participation from early childhood in the singing and chanting of the religious Yemenite community.

Musical career[link]

Argov's debut album Eleanor (1981) featured the title track, "Sod HaMazalot" ("The Zodiac Secret"), and "Mah Lakh, Yaldah?" ("What's With You, Girl?"), a tribute to his ex-wife, Bracha, who remained the love of his life.^[4]

While Argov's career was dotted with creative and personal lapses caused by his heroin and crack cocaine addictions, which eventually led to his death at the age of 32.^[5][6] his musical achievements overshadowed his personal problems. His ability to sing heartbreaking versions of his songs in live performances, even under the influence of drugs, allowed a blind eye to be turned to his addictive rampages, which ended up destroying his personal relationships.

Popularity and musical style[link]

Argov was among the first singers to achieve commercial and nationwide success in the sphere of Middle Eastern-Mediterranean/oriental (Mizrahi)-style music, despite the fact that his music was not mainstream at the time, and radio stations gave predominance to pop music from overseas. Some believe that the great popularity of Argov and other Mizrahi singers of his time, among them Avihu Medina, Haim Moshe and Margalit Tzan'ani, was a response to the widespread sense among Mizrahi Jews in Israel that they were being discriminated against by the Ashkenazi hegemony.

The themes of Argov's songs were similar to those of American country music: love, heartache, disappointments, joy, addiction. He is considered a prodigy by many in the music business. Arranger and conductor Nancy Brandes, who musically directed many of his recordings, described him as a musical genius: He could make perfect recordings in one take, and when asked to do another take, was able to sing a totally different version just as perfectly. Argov had a remarkable talent for improvisation that respected the spirit of the song while allowing him to leave his personal mark.

Death[link]

Argov committed suicide in his jail cell following an arrest on rape charges.^[7] He died at dawn, a few hours after his appearance on a popular Israeli television talk show, where he discussed his life and drug problems. On the show he stated that he was being treated for his addiction. Argov had one son, Gili.^[8]

Legacy[link]

After his death Argov has continued to retain his undisputed status as "HaMelekh" (the King) of Mizrahi music^[9]. In recent years his important contribution to Israeli culture has been widely acknowledged. A mainstream label, Hed Artzi, released a double album of his music, "Zohar Argov: The Best." Argov was the subject of a play mounted at the Cameri Theater in Tel Aviv, and a feature film on his life, named "Zohar," has enjoyed commercial success.^[10]

His songs, among them "Perakh BeGani" ("Flower in My Garden"), "Mah Lakh, Yaldah?" ("What's With You, Girl"), "Ba'avar Hayu Zmanim" ("In The Past") and "Badad" ("Alone"), are now Israeli pop classics and an integral part of national culture. Proposals to name streets after him in Rishon Lezion and Tel Aviv were discussed in 2007, amid controversy over the balance between his criminal and artistic reputations.^[7]

In 2005, he was voted the 60th-greatest Israeli of all time, in a poll by the Israeli news website Ynet to determine whom the general public considered the 200 Greatest Israelis.^[11]

See also[link]

• Mizrahi Music

References[link]

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Layne Redmond (born 1952) is an American drummer, frame drum expert, author, teacher, historian, and mythologist.

The February 2000 issue of DRUM! Magazine listed Redmond as one of the 53 Heavyweight Drummers Who Made A Difference in the '90s, where she is ranked among such acclaimed musicians as Tony Williams, Roy Haynes, Zakir Hussain, Elvin Jones and Mickey Hart. She is the only woman on this list, and she is the only drummer on the list whose work focuses on the spiritual and healing dimensions of drumming and rhythm. Layne Redmond’s unusual path focuses on the hand-held frame drum, the world’s oldest known drum. For fifteen years, she researched the history of this drum in religious and healing rites in the ancient Mediterranean world culminating in her 1997 book, When the Drummers Were Women. The book details a lost history of a time when women were the primary percussionists in the ancient world and also explains why they are not today.

All Things Considered on National Public Radio, the New York Times, the Philadelphia Inquirer, Drum!, Modern Drummer, Percussive Notes, New Age Journal, Harper’s Bazaar, New Age Voice and Shaman's Drum Journal are a few of the media that have featured articles and interviews with Layne Redmond. (from Who Does She Think She Is movie website under the "Meet the Experts" section.

Performances[link]

Layne has been featured in many music festivals including the Touch Festival in Berlin, Seattle Bumbershoot Festival, the Institute for Contemporary Art in London, Tambores do Mundo in San Luis, Brazil, as a soloist at the World Wide Percussion Festival in Salvador, Brazil. In Feb. 2002 Redmond’s percussion duo performed at the Vienna International Percussion Festival and in 2006 her group, Sundarhalahari, performed at the UFBA Percussion Festival in Salvador, Brazil. In the spring of 2007 she presented and performed at the Univ. of Florida’s Health and Spirituality Program and at Stanford University. In April she taught and performed at the Marranzano World Festival a traditional tambourine festival in Sicily.

Recordings[link]

Her recordings include The Wave of Bliss, Invoking the Muse, Trance Union, Since the Beginning and she has two instructional videos: Rhythmic Wisdom and A Sense of Time. Her meditation albums include: Chakra Breathing Meditation, Chanting the Chakras, Heart Chakra Meditations. She also authored a chakra meditation guide titled Chakra Meditation. She was the first woman to have a Signature Series of world percussion instruments with Remo, Inc. She records under the Sounds True label.^[1]

Teaching[link]

Layne is a master clinician and has presented at the Percussive Arts Society's International Convention, the National Association of Music Therapy and in 1998 she gave the keynote lecture and performance at the Healing Sound Colloquium. Some of the venues she's taught or performed at are Vassar College, William's College, Bucknell College, Hartford Seminary, Andover Newton Theological Institute, Berklee School of Music, Univ. of North Fla., Penn State, S.U.N.Y., The Knitting Factory, Esalen, Omega, Mt. Madonna and Kripalu Yoga Center. Nov. 2006, she and Karen Hopenwasser, MD presented, Therapeutic Rhythmic Techniques at the International Society for the Study of Dissociation.

References[link]

1. ^ artist profile at Sounds True website

• Redmond, Layne (1997). When the Drummers Were Women: A Spiritual History of Rhythm. New York: Three Rivers Press. ISBN 0-609-80128-7.

External links[link]

• Official website

Entrance to the tomb of Simeon bar Yochai

Portrait of Rabbi Simeon bar Yochai on a memorial candle.

Simeon bar Yochai, (Aramaic: רבן שמעון בר יוחאי, Rabban Shimon bar Yochai), also known by his acronym Rashbi,^[1] was a famous 1st-century tannaic sage in ancient Israel, active after the destruction of the Second Temple in 70 CE. He was one of the most eminent disciples of Rabbi Akiva, and is attributed with the authorship of the Zohar, the chief work of Kabbalah.

In addition, the important legal homilies called Sifre and Mekhilta are attributed to him. In the Mishnah, he is often referred to as simply "Rabbi Shimon." He is the fourth-most mentioned sage in the Mishnah.^[2]

According to popular legend, he and his son, Rabbi Eleazar b. Simeon were noted Kabbalists.^[3] Both figures are held in unique reverence by kabbalistic tradition. They were buried in the same tomb in Meron, Israel, which is visited by thousands year round.

Critic of Rome[link]

Mark (behind blue fence) over cave in which Rabbi Ele'azar bar Shim'on is buried. This main hall is divided in half in order to separate between men and women.

According to the Talmud, Rabbi Shimon bar Yohai criticized the Roman government and was forced to go into hiding with his son for thirteen years. They sheltered in a cave (which local tradition places in Peki'in). Next to the mouth of the cave a carob tree sprang up and a spring of fresh water gushed forth. Provided against hunger and thirst they cast off their clothing except during prayers to keep them from wearing out, embedded themselves in the sand up to their necks, and studied the Torah all day long.^[4]

Works and legends[link]

According to rabbinic sources, he acquired a reputation as a worker of miracles, and on this ground was sent to Rome as an envoy, where, according to legend, he exorcised from the emperor's daughter a demon who had obligingly entered the lady to enable Rabbi Shimon to effect his miracle.

This rabbi bore a large part in the fixation of law, and his decisions are frequently quoted. To him were attributed the important legal homilies called Sifre and Mekhilta. Some modern scholars claim that Moses de León who is said to have published the Zohar in the 13th century was actually its author, however kabbalists reject this claim.

The fullest account of Rabbi Shimon's teachings is to be found in W Bacher's Agada der Tannaiten, ii. pp. 70–149. When the Talmud attributes a teaching to Rabbi Shimon without specifying which Rabbi Shimon is meant, it means Shimon bar Yochai.

There is a mid-eighth century, Jewish, apocalypse attributed to the Rabbi; see The Secrets of Rabbi Simon ben Yohai.

The authenticity of his claim of authorship of the Zohar has been challenged by both secular^[5] and religious scholars.^[6][7]

Yahrzeit[link]

The tomb of Rabbi Shimon bar Yochai in Meron on Lag Ba'Omer.

Bar Yochai died on the 33rd day of the Omer, known as Lag BaOmer. On the day of his death, he revealed deep kabbalistic secrets which formed the basis of the Zohar. According to the Bnei Yissaschar, on the day of his death, bar Yochai said, "Now it is my desire to reveal secrets... The day will not go to its place like any other, for this entire day stands within my domain..." Daylight was miraculously extended until he had completed his final teaching and died. As such, the custom of lighting fires on his yahrzeit (anniversary of death) symbolizes this revelation of powerful light.^{[citation needed]}

His yahrzeit is widely known as a Yom Hillula, a day of celebration. This is based on the original text of Shaar HaKavanot by Rabbi Moshe Chaim Luzzato, which refers to the day as Yom Simchato ("the day of his happiness"), rather than Yom SheMet ("the day that he died"). There is thus a very widely observed custom to celebrate on his yahrzeit at his burial place in Meron. With bonfires, torches, song and feasting, the Yom Hillula is celebrated by hundreds of thousands of people. This celebration was a specific request by Rabbi Shimon bar Yochai of his students. Some say that as bar Yochai gave spiritual light to the world with the revelation of the Zohar, bonfires are lit to symbolize the impact of his teachings. As his passing left such a "light" behind, many candles and/or bonfires are lit here as well as in locales throughout Israel and the Diaspora.^[8]

Yahrzeit customs at the tomb[link]

Bonfires[link]

At the tomb of Rabbi Shimon, the honor of lighting the main bonfire traditionally goes to the Rebbes of the Boyaner dynasty. This privilege was purchased by Rabbi Avrohom Yaakov Friedman, the first Sadigura Rebbe, from the Sephardi guardians of Meron and Safed. The Sadigura Rebbe bequeathed this honor to his eldest son, Rabbi Yitzchok Friedman, the first Boyaner Rebbe, and his progeny.^[9] The first hadlakah (lighting) is attended by hundreds of thousands of people annually; in 2001, the crowd was estimated at 300,000.^[10]

First haircut for boys[link]

It is customary at the Meron celebrations, dating from the time of Rabbi Isaac Luria, that three-year-old boys be given their first haircuts (upsherin), while their parents distribute wine and sweets.^[11]

Chai rotel[link]

Another custom at the tomb of Rabbi Shimon bar Yochai is the giving of chai rotel (Hebrew: ח״י רוטל‎). The Hebrew letters chet and yod are the gematria (numerical equivalent) of 18. Rotel is a liquid measure of about 3 liters. Thus, 18 rotels equals 54 liters or about 13 gallons. It is popularly believed that if one donates or offers 18 rotels of liquid refreshment (grape juice, wine, soda or even water) to those attending the celebrations at bar Yochai's tomb on Lag BaOmer, then the giver will be granted miraculous salvation.^[12]

According to Taamei Minhagim, many childless couples found success with this segula (propitious practice). This practice was also endorsed by Rabbi Ovadia miBartenura.^[13] Several local organizations solicit donations of chai rotel and hand out the drinks on the donor's behalf in Meron on Lag BaOmer. Nine months after Lag BaOmer, the Ohel Rashbi organization even invites couples who prayed at the tomb and had a child to come back to Meron to celebrate the births.^[13]

See also[link]

Kabbalah portal

• Baqashot
• Bar Yohai, a community in northern Israel named after him
• Eleazar b. Simeon (his son)

References[link]

External links[link]

Wikimedia Commons has media related to: Grave of Rabbi Shimon bar Yochai

• All about Rabbi Shimon Bar Yochai Ohel HaRashbi Meron
• Rabbi Shimon Bar Yochai chabad.org
• Audio Lecture Disputing that Lag Ba'Omer is Rashbi's Yahrzeit on MachonShilo.org
• SIMEON BEN YOḤAI in the Jewish Encyclopedia