House music is a genre of electronic dance music that originated in the American city of Chicago, Illinois in the early 1980s. It was initially popularized in mid-1980s discothèques catering to African-Americans^[1][2] and Latinos^[1][2] in Chicago circa 1984. From 1985 onwards, it began to fan out to other cities such as Detroit, Toronto, New York City, Montreal, San Francisco, Los Angeles, Manchester, Miami, London, and Paris. It then reached and began to influence popular music in Europe as a whole, with pop chart hits such as "House Nation" by House Master Boyz and the Rude Boy Of House (1987) and "Doctorin' The House" by Coldcut (1988). Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide.

Early house music was generally dance-based music characterized by repetitive 4/4 beats and rhythms centered around drum machines,^[3] off-beat hi-hat cymbals and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic,^[4] and the structured music's focus around a repetitive rhythm was more important than the song itself. House music today, while keeping several of these core elements, notably the prominent kick drum on every beat, varies a lot in style and influence, ranging from the soulful and atmospheric deep house, to the more minimalistic microhouse. House music has also fused with several other genres creating fusion subgenres, such as Euro house and tech house.^[4]

House music, after enjoying significant underground and club-based success in Chicago from the early 1980s onwards, emerged into the UK mainstream pop market in the mid-to-late 80s. Popularity quickly followed in the rest of Europe, and it became a global phenomenon from the early-to-mid 90s onwards.^[3] It proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. Artists and groups such as Madonna,^[3][4] Janet Jackson,^[5] Björk, and C+C Music Factory^[3][4] incorporated the genre into their work. After enjoying significant success in the early to mid-90s, house music grew even larger during the second wave of Progressive House (1999–2001). The genre still remains popular and fused into other subgenres which are popular, as the DJ mag poll has been dominated by House DJs since the beginning of the polls. In Europe, the genre remains highly popular into the 2000s, with groups and artists such as Daft Punk^[3] and Justice performing in the genre, and obtaining commercial success and critical acclaim.^[3] In the 2000s, a house subgenre known as electro house achieved popularity. Today, house music remains popular in both clubs and in the mainstream pop scene. As at 2012 House has continued to be a popular style of music, evident by DJ David Guetta claiming the #1 Poll position of the DJ Mag 100 popularity poll. David Guetta often plays various styles of House such as Electro House, Melodic House, and Pop House^[6]

Musical elements[link]

House is uptempo music for dancing, although by modern dance-music standards it is mid-tempo, generally ranging between 118 and 135 bpm. Tempos tended to be slower in the early years of house.

The common element of house is a prominent kick drum on every beat (also known as a four-on-the-floor beat), usually generated by a drum machine or sampler. The kick drum sound is augmented by various kick fills and extended dropouts. The drum track is filled out with hi-hat cymbal-patterns that nearly always include a hi-hat on quaver off-beats between each kick, and a snare drum or clap sound on beats two and four of every bar. This pattern derives from so-called "four-on-the-floor" dance drumbeats of the 1960s and especially from the 1970s disco drummers.

A famous Korg M1 organ preset used in many 1990s house and rave songs.

Producers use many different sound-sources for bass sounds in house, from continuous, repeating electronically generated lines sequenced on a synthesizer, such as a Korg M1,^[7] Roland SH-101, or TB-303, to studio recordings or samples of live electric bassists, or simply filtered-down samples from whole stereo recordings of classic funk tracks or any other songs. House bass-lines tend to favor notes that fall within a single-octave range, whereas disco bass-lines often alternated between octave-separated notes and would span greater ranges. Some early house productions used parts of bass lines from earlier disco tracks. For example, producer Mark "Hot Rod" Trollan copied bass-line sections from the 1983 Italo disco song "Feels Good (Carrots & Beets)" (by Electra featuring Tara Butler) to form the basis of his 1986 production of "Your Love" by Jamie Principle. Frankie Knuckles used the same notes in his more famous 1987 version of "Your Love", which also featured Principle on vocals.

Electronically generated sounds and samples of recordings from genres such as jazz, blues, disco, funk, soul and synth pop are often added to the foundation of the drum beat and synth bass line. House songs may also include disco, soul, or gospel vocals and additional percussion such as tambourine. Many house mixes also include repeating, short, syncopated, staccato chord-loops that are usually composed of 5-7 chords in a 4-beat measure.

History[link]

Influences[link]

Building in New York City where The Paradise Garage nightclub was located

Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Yellow Magic Orchestra's synth-disco-pop productions from their self-titled album (1978) and Solid State Survivor (1979),^[8][9] several early 1980s disco-pop productions by the Hi-NRG group Lime, and Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982) which anticipated the sounds of acid house music (though not a known influence on the genre).^[10][11][12]

Disco was an influence on House, which was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record',^[13][14] although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.^[15]

Origins of the term[link]

The term "house music" has its origin from a Chicago nightclub called The Warehouse which existed from 1977 to 1983.^[16] The Warehouse was patronized primarily by black and Latino men,^[17] who came to dance to house music played by the club's resident DJ Frankie Knuckles. Knuckles became a popular DJ at the club. After the Warehouse closed, the crowds went to his new club, The Power Plant, in 1983.^[16] In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed.^[18] South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.^[19] Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine - it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him."^[20]

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music.^[21] However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub were labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.^[22]

Larry Heard, a.k.a. "Mr. Fingers", claims^{[citation needed]} that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.^[23]

Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular clubs and DJs; those records helped differentiate the clubs and DJs, and thus were considered to be their "house" records.^[24] In an effort to maintain such exclusives, the DJs were inspired to create their own "house" records.^[24]

Chicago Years: early 1980s – late 1980s[link]

In the early 1980s, Chicago club & radio DJs were playing various styles of dance music, including older disco records, newer Italo Disco, hip hop and electro funk tracks, as well as electronic pop music by Kraftwerk, Telex and Yellow Magic Orchestra, and recent danceable R&B productions in the genre now known as boogie. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation.

Starting in 1984, some of these DJs, inspired by Jesse Saunders' success with "On and On", tried their hand at producing and releasing original compositions. These compositions used newly affordable electronic instruments to emulate not just Saunders' song, but the edited, enhanced styles of disco and other dance music they already favored. By 1985, although the exact origins of the term are debated, "house music" encompassed these locally produced recordings. Subgenres of house, including deep house and acid house, quickly emerged and gained traction.

Club play from pioneering DJs like Ron Hardy and Lil Louis, local dance music record shops such as Importes, etc, State Street Records, Loop Records and Gramaphone, and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago and among visiting DJs & producers from Detroit. Trax Records and DJ International Records, local labels with wider distribution, helped popularize house music outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson (Piano played by Arnold Hennings), made house music known outside of Chicago and was called "the house music anthem" by many, and was featured in the 2004 video game "Grand Theft Auto: San Andreas" on the ingame radio station "SF-UR". By 1986, UK labels were releasing house music, and starting in 1987, house tracks by Chicago and Detroit DJs and producers, such as Steve Hurley, Farley Jackmaster Funk, Larry Heard, Derrick May and Kevin Saunderson were appearing on and even topping the UK charts.

Lyrical themes[link]

House also had an influence of relaying political messages to people who were considered to be outcasts of society. It appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles made a good comparison of house saying it was like "church for people who have fallen from grace" and Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". Deep house was similar to many of the messages of freedom for the black community.

The Detroit sound: early 1980s – late 1980s[link]

Detroit techno is an offshoot of Chicago house music. It was developed in the early 1990s. Detroit techno developed as the legendary disc jockey The Electrifying Mojo conducted his own radio program at this time, influencing the fusion of eclectic sounds into the signature Detroit techno sound. This sound, also influenced by European electronica (Kraftwerk, Art of Noise), Japanese technopop (Yellow Magic Orchestra), early B-boy Hip-Hop (Man Parrish, Soul Sonic Force) and Italo Disco (Doctor's Cat, Ris, Klein M.B.O.), was further pioneered by Juan Atkins, Derrick May, and Kevin Saunderson, the "godfathers" of Detroit Techno.^{[citation needed]}

Derrick May a.k.a. "MAYDAY" and Thomas Barnett released "Nude Photo" in 1987 on May's label "Transmat Records", which helped kickstart the Detroit techno music scene and was put in heavy rotation on Chicago's Hot Mix 5 Radio DJ mix show and in many Chicago clubs.^{[citation needed]} A year later, releasing what was to become one of techno and House music's classic anthems - the seminal track "Strings of Life" - Transmat Records went on to have many more successful releases^{[citation needed]} such as 1988's "Wiggin". As well, Derrick May had successful^{[citation needed]} releases on Kool Kat Records and many remixes for a host of underground and mainstream recording artist.

Kevin Saunderson's company KMS Records contributed many releases that were as much House Music as they were Techno, these tracks were well received in Chicago and played on Chicago radio and in clubs.^{[citation needed]} Blake Baxter's 1986 recording, "When we Used to Play / Work your Body", 1987's "Bounce Your Body to the Box" and "Force Field", "The Sound / How to Play our Music" and "the Groove that Won't Stop" and a remix of "Grooving Without a Doubt". In 1988, as house music became more popular among general audiences, Kevin Saunderson's group Inner City with Paris Gray released the 1988 hits "Big Fun" and "Good Life", which eventually were picked up by Virgin Records. Each EP / 12 inch single sported remixes by Mike "Hitman" Wilson and Steve "Silk" Hurley of Chicago and Derrick "Mayday" May and Juan Atkins of Detroit. In 1989, KMS had another hit release of "Rock to the Beat" which was a theme in Chicago dance clubs.^{[citation needed]}

UK: mid 1980s – early 1990s[link]

With house music already massive on the 80s dance scene it was only a matter of time before it would penetrate the UK pop charts. The record generally credited as the first house hit in the UK was Farley "Jackmaster" Funk's "Love Can't Turn Around" which reached #10 in the UK singles chart in September 1986.

In January 1987, Chicago artist Steve 'Silk' Hurley's "Jack Your Body" reached number one in the UK, showing it was possible for house music to cross over. The same month also saw Raze enter the top 20 with "Jack the Groove", and several further house hits reached the top ten that year. Stock Aitken Waterman's productions for Mel and Kim, including the number one hit "Respectable", added elements of house to their previous europop sound, and session group Mirage scored top ten hits with "Jack Mix II" and "Jack Mix IV", medleys of previous electro and europop hits rearranged in a house style. Key labels in the rise of house music in the UK included Jack Trax, which specialised in licensing US club hits for the British market (and released an influential series of compilation albums), Rhythm King, which was set up as a hip hop label but also issued house records, and Jive Records' Club Records imprint.

House was boosted in the UK by the tour in March 1987 of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour. Following the number one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts like The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound^{[citation needed]}; many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US)^{[citation needed]}, and humor was frequently an important element.

The second best-selling British single of 1988 was a house record, the Coldcut-produced "The Only Way Is Up" by Yazz.^[25]

One of the early anthemic tunes, "Promised Land" by Joe Smooth (another song featured in Grand Theft Auto: San Andreas on the SF-UR in-game radio station), was covered and charted within a week by the Style Council. Europeans embraced house, and began booking legendary American house DJs to play at the big clubs, such as Ministry of Sound, whose resident, Justin Berkmann brought in Larry Levan.

The house scene in cities such as Birmingham, Leeds, Sheffield, Manchester and London were also provided with many underground Pirate Radio stations and DJs alike which helped bolster an already contagious, but otherwise ignored by the mainstream, music genre. The earliest and influential UK house and techno record labels such as Warp Records and Network Records (otherwise known as Kool Kat records) helped introduce American and later Italian dance music to Britain as well as promoting select UK dance music acts.

But house was also being developed on Ibiza^{[citation needed]}, although no house artists or labels were coming from this tiny island at the time. By the mid-1980s a distinct Balearic mix of house was discernible.^{[citation needed]} Several clubs like Amnesia with DJ Alfredo were playing a mix of rock, pop, disco and house. These clubs, fueled by their distinctive sound and Ecstasy, began to have an influence on the British scene. By late 1987, DJs like Trevor Fung, Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs like the Hacienda in Manchester, and in London clubs such as Shoom in Southwark, Heaven, Future and Spectrum.

In the U.S., the music was being developed to create a more sophisticated sound^{[citation needed]}, moving beyond just drum loops and short samples. In Chicago, Marshall Jefferson had formed the house group Ten City Byron Burke, Byron Stingily & Herb Lawson(from "intensity"). New York–based performers such as Mateo & Matos and Blaze had slickly produced disco house tracks. In Detroit a proto-techno music sound began to emerge with the recordings of Juan Atkins, Derrick May and Kevin Saunderson.

Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird.

US: late 1980s – early 1990s[link]

Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, and New York. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line.

In the late 1980s Nu Groove Records prolonged, if not launched the careers of Rheji Burrell & Rhano Burrell, collectively known as Burrell (after a brief stay on Virgin America via Timmy Regisford and Frank Mendez), along with basically every relevant DJ and Producer in the NY underground scene. The Burrell's are responsible for the "New York Underground" sound and are the undisputed champions of this style of house. Their 30+ releases on this label alone seems to support that fact. In today's market Nu Groove Record releases like the Burrells' enjoy a cult-like following and mint vinyl can fetch $100 U.S. or more in the open market.

The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna released the house single "Vogue" in 1990, which became an international hit single and topped the US charts.^[26] The single is credited as helping to bring house music mainstream.^[26]

Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house sub-genre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.

Late 1980s - 1990s[link]

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In Britain, further experiments in the genre boosted its appeal. House and rave clubs like Lakota, Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds.

A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours.

The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994.

The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not forgotten" released in 1990 on Sheffield's Outer Rhythm records.

A new generation of clubs like, Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new sub-genre, Chicago Hard House, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago House, Funky House and Hard House together.

Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

Towards the end of the 1990s and into the 2000s, producers like Daft Punk, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French House movement. By combining the harder-edged-yet-soulful philosophy of Chicago House with the melodies of obscure Funk, state-of-the-art production techniques (some of which were so far ahead of their time, they would not enter widespread mainstream usage for another decade) and the sound of analog synthesizers, they began to create the standards that would shape practically all House music that was created after it.

2000s[link]

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Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.^[27]

It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.^{[citation needed]} This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno. DJs today can be heard blending all sub-genres of house as many of the best musical elements are shared across these sub-genres. Electro House is still popular in Australia, Europe and North America, where the Electro House scene has produced acts which are popular touring the world e.g. Dirty South, Tommy Trash, The Potbelleez and The Aston Shuffle

Today, innovative house music is celebrated and showcased at British Columbia's Shambhala Music Festival and at major industry sponsored events like Miami's Winter Music Conference. House Music can now even be heard in the Middle East in cities such as Dubai & Abu Dhabi at events like Creamfields headlined by international DJs and producers including Deadmau5 and David Guetta as well as local based DJs such as Greg Stainer.

As of the late 2000s, house influenced music retains widespread popularity in clubs throughout the world. House Music has also seen a comeback into the mainstream with producers like Daft Punk, David Guetta, Swedish House Mafia, deadmau5, Afrojack, Steve Aoki, Avicii, Fedde Le Grand, Benny Benassi, and Dada Life bringing eurodance-infused house tracks back to the US Top 40 charts. With this steady, yet subtle, mainstream success throughout the years, House has gained momentum and concepts developed by House producers have infected the mainstream pop and hip-hop worlds and it is becoming more and more a part of American musical culture.^{[citation needed]}

2010s[link]

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Swedish House Mafia performing in 2011.

As of 2011, the largest dance promoters in the world (North America and Europe) have shifted their main stages to a predominantly House format. The largest promoters are booking more and more House, Pop House and Electro House DJs to balance the rosters from the prior Trance/Progressive House-centric presence on the main stages. Early indicators of this trend were surfacing in 2008. Progressive House & Trance House still exhibit a healthy following at the large scale events, although do not exist anymore as the primary sound.

This current trend as of 2012, is further solidified by the world's most popular DJ, House DJ David Guetta, claiming the #1 Poll position of the DJ Mag 100 popularity poll.^[6] This trend is also evident by DJ Tiësto abandoning the Trance only sets of the past. As at 2012, Tiësto attained the #3 Poll position of the DJ Mag 100 Popularity Poll, and he refers to the styles he mainly plays as House, Electro House, and Progressive House.^[28]

A new generation of House DJs have experienced a growing fan base from the mid 2000s onwards. Examples of these DJs include but are not limited to: Eric Prydz, Afrojack, Avicii, Deadmau5, Wolfgang Gartner, Laidback Luke, Swedish House Mafia, Steve Aoki, Mark Knight. The mainstreamed sound produced by most of those is a fusion of tribal and tech with minimalistic elements of beat (usually only kicks and distant claps are present in the build-up) and leads past the seventh octave with portamentos plied on the first and last bars (mostly present in European compositions).

With the rapid growth of maintream popularity of dubstep in the late 2000s-early 2010s^[29], Several prominent dubstep artists have experimented in Electro House and Moombahton, and vice versa. This has led to an increase in the popularity of both genres. Examples include deadmau5, Skrillex, Feed Me.

Styles of house music[link]

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House music and sub-genres:

• Acid house: A Chicago derivative built around the Roland TB-303 bassline machine. Hard, uncompromising, tweaking samples produce a hypnotic effect. ex: Adonis, L.A. Williams
• Ambient house (see ambient music): Mixing the moody atmospheric sounds of New Age and ambient music with pulsating house beats. ex: The Orb etc.
• Bassline house: A sub-genre of UK garage that began to emerge into the mainstream in the UK in late 2007. It is an evolution of UK garage but with more emphasis on bass. The scene started in 2002 at the Niche nightclub in Sheffield, which lends an alternative name for the genre.
• Beach House: A sub-genre of Disco House. Originated in the poor neighborhoods of inner city Kansas. A throw back to Dream House that is gaining popularity on the beaches of the American West Coast. Heavily sampled "surfer" guitar riffs and seagulls.
• Chicago house: Simple basslines, driving four to the floor percussion and textured keyboard lines are the elements of the original house sound. ex: Jamie Principle, Steve Silk Hurley, James Curd, Mr. Fingers, Nitro Deluxe, Farm Boy, Frankie Knuckles, Marshall Jefferson, Jungle Wonz, Chip E. etc.
• Deep house: A slower variant of house (around 120 BPM) with warm sometimes hypnotic melodies. ex: Kaskade, Gemini, Glenn Underground, Kevin Yost, MK.
• Disco house: A more upfront variant of house that relies heavily on looped disco samples. ex: Dimitri from Paris, Jordan Fields, DJ Sneak, Paul Johnson, Modjo, and Stardust, Stupid Disco, Shapeshifters, Freemasons.
• Dream house: An oriented instrumental melody with relaxing beats. ex: Robert Miles, Nylon Moon.
• Dutch house: A Style of House music from the Netherlands. Often referred to as "Dirty Dutch" It has a more harder and electronic edge, sound & beat. ex:Afrojack, Chuckie (DJ), Crookers, Quazar, Dano, Booming Support, Speedy Joe, Hardwell, Switch, AmneziA etc. Dutch House is often recognisable by its high pitched lead sounds, tribal drums and minimal structure.
• Electro house: A style of hard electronic dance music^[30] that has increased in popularity since the mid 2000s,^[31] e.g., The Aston Shuffle, The Bloody Beetroots, Dada Life, Justice, Mord Fustang, Porter Robinson, Steve Angello, Tommy Trash, Wolfgang Gartner, and Zedd.
• Fidget house: A style of house music that involved a very erratic melody, usually consisting of very short and high pitched notes, often produced by altering the pitch of percussion instruments, based around a repetitive bass line, and hypnotic beat. ex Switch and Hervé.
• French house: A late 1990s house sound developed in France. Inspired by the '70s and '80s funk and disco sounds. Mostly features a typical sound "filter" effect and lower BPM. ex: Daft Punk, Alan Braxe, Le Knight Club, Synthique
• Funky house: Funky house as it sounds today first started to develop during the late 1990s. It can again be sub-divided into many other types of house music. French house, Italian house, Disco house, Latin house and many other types of house have all contributed greatly to what is today known as Funky house. It is recognizable by its often very catchy bassline, swooshes, swirls and other synthesized sounds which give the music a bouncy tempo. It often relies heavily on black female vocals or disco samples and has a recognizable tiered structure in which every track has more than one build-up which usually reaches a climax before the process is repeated with the next track. ex: Axwell, Kid Creme, Seamus Haji, Martin Solveig, Basement Jaxx, Uniting Nations The Original, Bob Sinclar, ATFC etc.
• Garage: This term has changed meaning several times over the years. The US definition relates to New York's version of deep house, originally named after a certain style of soulful disco played at legendary club the Paradise Garage. It may also be called the Jersey Sound due to the close connection many of its artists and producers have with New Jersey such as the legendary Shep Pettibone and Tony Humphries at Zanzibar in Newark, NJ. There is also Garage House which is a style of US Garage. ex: Blaze, Colonel Abrahams, Phase II, Jomanda, NYC Peech Boys, etc. Not to be confused with speed garage or the British style nowadays called UKG or UK garage.
• Ghetto house: A derivative of Chicago house with TR-808 and 909 driven drum tracks. Usually contains call-and-response lyrics, similar to the booty music of Florida and the Ghettotech style of Detroit. ex: DJ Deeon, DJ Milton, DJ Funk, DJ D-Man
• Glitch house: House music mixed with Glitch music. ex: Oval, Skrillex
• Handbag: A form of uplifting vocal house music mainly from around the mid 1990s and played in more commercial-orientated dance music venues. Takes its name from the notion of groups of girls dancing around a pile of their handbags on the dancefloor. Examples include Loveland, Nush, etc.
• Hard house: A style of house dating back to the early nineties, hard house is defined by its aggressive sounds and distorted beats. One of the most recognizable of these is the Hoover sound, invented by Joey Beltram and recently re-popularized by dj's like Surkin or Bobmo leading to a small Hard House revival another of one of the most popular hard house tracks is Felix- Don't You Want Me, 1992.
• Hi-NRG: Pronounced "high energy". Derived from Dance music and Happy hardcore, you could say what happyhard is to techno, is what HI-NRG is to dance; its tempo is also around the same as techno, e.g.: DJ Nick Skitz, Miquel Brown, Kristine W, Paul Lekakis etc.
• Hip house: The simple fusion of rap with house beats. Popular for a brief moment in the late 80s. Most famous record is Jungle Brothers "Girl I'll House You." Other hip-house artists include Mr. Lee, The Outhere Brothers, MC Flipside, 2 in a Room, Reel 2 Real, Ya Kid K and Freedom Williams.
• Italo house: Slick production techniques, catchy melodies, rousing piano lines and American vocal styling typifies the Italian ("Italo") house sound. A modulating Giorgio Moroder style bassline is also a trademark of this style.
• Latin house: Borrows heavily from Latin dance music—Salsa, Brazilian beats, Latin Jazz, etc. It is most popular on the East Coast of the United States, especially in Miami and the New York City metropolitan area. Another variant of Latin house, which began in the mid-1990s, was derived in the Los Angeles metropolitan area and is based on more Mexican-centric styles of music such as Mariachi. Artists includes Proyecto Uno (known best for "El tiburón"), Artie The One Man Party (known best for "A Mover La Colita") and DJ EFX (known best for his remix of "Volver Volver").
• Madchester: Madchester was a music scene that developed in Manchester, England, towards the end of the 1980s and into the early 1990s. The music that emerged from the scene mixed alternative rock, psychedelic rock and dance music.
• Microhouse: (also known as minimal house) Microhouse is a derivative of Tech house & Glitch House with sparse composition and production. ex: Akufen, Gamat 3000, etc.
• Moombahton: Electro house at 108-112 BPM, often with reggaeton-influenced drum kits. It is often related to dubstep. ex: Dave Nada, Skrillex, Feed Me, Dillon Francis
• New beat: A rather brief phenomenon (even for the style-a-minute world of dance music), Newbeat emerged late in the '80s as a midtempo derivation of acid house.^[32] See: The KLF, Lords of Acid etc.
• Pop house: Pop house or house-pop is more also known as "commercial dance" music as it is not strictly house nor strictly dance-pop. It usually features 4/4 beats and deep bassline as house and the incessantly catchy melodies of dance-pop. ex: Krush, Bomb The Bass, Coldcut., Yazz, Danni Minogue, Inna, Madeon, Penthouse 4 etc.
• Progressive house: Progressive house is typified by accelerating peaks and troughs throughout a track's duration, and are, in general, less obvious than in hard house. Layering different sound on top of each other and slowly bringing them in and out of the mix is a key idea behind the progressive movement. It is often related to trance music. ex: Deadmau5, John Digweed, "Liberation", Sasha, Stafford Brothers, Tommy Trash, Swedish House Mafia, Dave Seaman, Moguai, Nick Warren etc.
• Slaughter House: House music influenced by Noise-Core and Beach House, usually consisting of samples from old horror movies and wet clothes drying layered with popular YouTube viral audio.
• Swing house: Swing house is a genre of electronic dance music that fuses 1920s-1940s jazz styles including swing music and big band with 2000s styles including house music, electro music, hip hop, drum n bass, and dubstep. ex. Caravan Palace, Parov Stelar etc.
• Tech house: House music with elements of techno in its arrangement and instrumentation. ex: Benny Benassi, Mark Dynamix, Dave Angel etc.
• Trance house: Is a sub-genre label of House music that originated from the Acid House movement and rave scene. The short-form nickname of this style is 'Trouse'.
• Tribal house: Popularized by remixer/DJ Junior Vasquez in New York, characterized by lots of percussion and world music rhythms.
• UK hard house: In the US, a harder, more aggressive form of Chicago house. Sometimes contains elements of Ghetto house, Hip house. ex: CZR, DJ Bam Bam, Abstract Beating System. In the UK, hard house was what is now known as Hard dance.
• US hard house: Sometimes referred as "new style" in the late 90s, with many of its producers originating from Los Angeles, record labels such as UC Music, Abstract Records, Waxworks, where some of the best known labels. artists such as George Centeno, The Mad Man Darren R., Dj Venom, Dj Nemesis, Michael Trance, Mark V and Poogie Bear from the 90s to about 2005. Dj Tronic from Resistance Recordings, Splatterhouse, and many others took the mantle and even to this day produce the sounds.

See also[link]

• House dance
• List of house artists
• Styles of house music
• List of electronic music genres

Notes[link]

Further reading[link]

• Bidder, Sean (2002). Pump Up the Volume: A History of House Music, MacMillan. ISBN 0-7522-1986-3
• Bidder, Sean (1999). The Rough Guide to House Music, Rough Guides. ISBN 1-85828-432-5
• Brewster, Bill, & Frank Broughton 2000 Last Night a DJ Saved My Life: The History of the Disc Jockey, Grove Press. ISBN 0-8021-3688-5 and in UK: 1999 / 2006, Headline.
• Kai Fikentscher 2000 "'You Better Work!' Underground Dance Music in New York City". Middletown, Connecticut: Wesleyan University Press. ISBN 0-8195-6404-4
• Hewitt, Michael. Music Theory for Computer Musicians. 1st Ed. U.S. Cengage Learning, 2008. ISBN 978-1-59863-503-4
• Kempster, Chris (Ed) (1996). History of House, Castle Communications. ISBN 1-86074-134-7 (A reprinting of magazine articles from the 1980s and 90s)
• Mireille, Silcott (1999). Rave America: New School Dancescapes, ECW Press. ISBN 1-55022-383-6
• Reynolds, Simon (1998). Energy Flash: a Journey Through Rave Music and Dance Culture, (UK title, Pan Macmillan. ISBN 0-330-35056-0), also released in U.S. as Generation Ecstasy : Into the World of Techno and Rave Culture (U.S. title, Routledge, 1999, ISBN 0-415-92373-5)
• Rizza Corrado, Trani Marco, "I love the nightlife"' Wax Production (Roma), 2010
• Shapiro, P., (2000), Modulations: A History of Electronic Music: Throbbing Words on Sound, ISBN 1-891024-06-X.
• Snoman, Rick (2009). The Dance Music Manual: Tools, Toys, and Techniques — Second Edition: Chapter 11: House. Oxford, UK: Elsevier Press. p. 231–249.
• Rietveld, Hillegonda C. (1998). This is our House: House Music, Cultural Spaces and Technologies, Ashgate. ISBN 1-85742-242-2

External links[link]

• House music at the Open Directory Project
• The History of House (2004) HouseKeeping: Funky House DJs from the UK
• Excerpt taken From the book, What Kind Of House Party Is This?
• History of House History of House music and legal MP3 DJ mixes.

Jennifer Lopez
Lopez arriving at the 2004 MTV Video Music Awards in August 2004
Born	Jennifer Lynn Lopez (1969-07-24) July 24, 1969 (age 42) The Bronx, New York, U.S.
Occupation	Actress, businesswoman, dancer, recording artist
Years active	1986–present
Spouse	Ojani Noa (1997–98) Cris Judd (2001–03) Marc Anthony (2004–present, divorce filed)
Partner	David Cruz (1984–94)
Children	2
Relatives	Lynda Lopez (sister)
Signature
Website
www.jenniferlopez.com www.jenniferlopezonline.com

Jennifer Lynn Lopez (born July 24, 1969) is an American actress, businesswoman, dancer and recording artist. Often referred to as J.Lo, she is reportedly the highest earning actress of Latin descent.^[1][2] Born and raised in The Bronx, New York, she enrolled in singing and dancing classes as a child and grew up in a musically influenced household. She started her career as a fly girl on the television comedy program In Living Color and a back-up dancer for Janet Jackson. Lopez gained recognition in the action-thriller Money Train (1995). Her first leading role was in the biographical film Selena (1997), which was her breakthrough role, earning her an ALMA Award for Outstanding Actress and Golden Globe nomination. She earned her second ALMA Award for her performance in Out of Sight (1998), which made her the highest-paid Latin actress. She has since appeared in various films including The Cell (2000), The Wedding Planner (2001), Maid in Manhattan (2002), Shall We Dance? (2004), Monster-in-Law (2005), The Back-up Plan (2010) and What to Expect When You're Expecting (2012).

In 1998, Lopez began recording her debut album and released On the 6 (1999), which spawned the hit singles "If You Had My Love" and "Waiting for Tonight". Her second album J.Lo (2001) reached number one on the Billboard 200 the same week her film The Wedding Planner led the box office, becoming the first person to achieve a number one film and album in the same week. It spawned the number-one single "I'm Real" which spent five weeks atop the Billboard Hot 100 and "Love Don't Cost a Thing". She released J to tha L–O! The Remixes (2002), which became the first number-one remix album in the United States. Her third and fourth studio albums, This Is Me... Then (2002) and Rebirth (2005) reached number two. In 2007 she released her first full Spanish album Como ama una Mujer. Returning to music in 2011, she released her seventh album Love?, which spawned her most successful single "On the Floor", one of the best-selling singles of all time.

By 2010, Lopez had amassed estimated sales of over 55 million records worldwide,^[3] Billboard ranked her as the 27th Artist of the 2000s decade.^[4] In 2010, Lopez became a member of the judging panel for the American reality television competition American Idol.^[5] She was selected for a star on the Hollywood Walk of Fame in 2012.^[6] She led People en Español's list of "100 Most Influential Hispanics" in February 2007.^[7] That year, Lopez made the Forbes magazine's list of "The 20 Richest Women In Entertainment," ranking ninth.^[8] In 2012, Forbes placed her number one on their list of "100 Most Powerful and Influential Celebrities in the World".^[9] She has appeared multiple times on The Hollywood Reporter's Annual Actress Salary List, and is the highest-paid Latin actress in Hollywood.^[10]

Lopez also has a fashion line and various perfumes with her celebrity endorsement.^[11] She has worked with L'Oreal since 1999.^[12] A fashion icon, several of her dresses have received considerable media attention, most notably the Jungle green Versace dress which she wore at the 43rd Grammy Awards in 2000—voted the fifth most iconic red carpet dress of all time.^[13][14] Lopez advocates for human rights and vaccinations, and is a supporter of Children's Hospital Los Angeles. In 2011 she was named the most "Beautiful Person" by People magazine in its annual issue.^[15] As of 2012, her net worth is estimated to be $250 million—she has been named one of the wealthiest and most influential Hispanics in the United States.^[16] Lopez's personal life has also garnered media attention, particularly her high profiled relationships.

Life and career[link]

1969–94: Childhood and early work[link]

Castle Hill, The Bronx: the neighborhood in which Lopez was born and raised.

Jennifer Lynn Lopez was born on July 24, 1969^[17] in the Castle Hill neighborhood of The Bronx, New York. The middle child of Puerto Rican parents Guadalupe Rodriguez and David Lopez,^[18] she has an elder sister, Leslie, and a younger sister, Lynda (born June 14, 1971). David worked the night shift at the Guardian Insurance Company, before becoming a computer technician at the firm, while Guadalupe was a homemaker. When Jennifer was born, the Lopez family was living in a small apartment. A few years later, her parents had saved up enough money to be able to purchase a two-story house, which was considered a big deal for the relatively poor family.

By the age of five, Lopez began taking singing and dancing lessons. She toured New York with her school when she was seven years old.^[19] Her parents stressed the importance of work ethic and being able to speak English. They encouraged their three daughters to put on performances at home, singing and dancing in front of each other and their friends so that they would stay "out of trouble".^[19] Raised as a Roman Catholic;^[20][21][22] Lopez spent her entire academic career in Catholic schools, finishing at the all-girls Preston High School.^[23] In school, Lopez did gymnastics, ran track on a national level and was a member of the school's softball team.^[24] She excelled athletically rather than academically, competing in national track championships.^[19] In 1984, at age fifteen she began dating David Cruz, her first boyfriend.

While attending her final year of high school, Lopez learned about a film casting that was seeking several teenage girls for small roles. She auditioned and was cast in My Little Girl (1986), an low-budget film co-written and directed by Connie Kaiserman.^[25] Lopez acted as Myra, a young woman at a center for troubled girls. After she finished filming her role in the film, Lopez knew that she wanted to become a famous movie star. To please her parents, though, she enrolled in Baruch College, only to drop out after one semester. She told her parents her dream of becoming a movie star, but they ensisted that it was a "really stupid" idea and that "no Latinos did that". The differences in opinions led Lopez to move out of their family home and into an apartment in Manhattan. During this period, Lopez performed in regional productions of the musicals: Jesus Christ, Superstar! and Oklahoma. From there, she was hired for the chorus in a Golden Musicals of Broadway, which toured Europe for a period of five months. She was unhappy with the role, as she was the only member of the chorus not to have a solo. She later got a job on the show Synchronicity in Japan, where she acted as a dancer, singer and a choreographer.^[26]

Lopez gained her first regular high-profile job as a Fly Girl dancer on the television comedy program In Living Color in 1991. She applied for the job after one of the cast members was unavailable to continue with the show. Out of two thousand applicants, Lopez made it to the finals. She became the runner-up, but eventually received the role when the winner was unable to accept the job. She moved with Cruz to Los Angeles to film the series and remained a regular cast member until 1993 when she decided to pursue an acting career. After her departure from the show, Lopez became a backup dancer for Janet Jackson; also making an appearance in her 1993 video "That's the Way Love Goes".^[27][28][29] Lopez received her first professional acting gig in the direct-to-video drama film Lost in the Wild (1993), co-starring alongside Lindsay Wagner and Robert Loggia.^[30] In 1993 and 1994 Lopez starred as Melinda Lopez in the CBS television series Second Chances and its spin-off Hotel Malibu. Both shows ran for only a brief period, receiving negative reviews.^{[31][32][33][34]}

[edit] 1995–98: Selena and first marriage

Lopez's received her first high-budget film role in Gregory Nava's 1995 drama My Family, playing the character of Young Maria in the 1920s.^[35] After starring alongside Jimmy Smits and Edward James Olmos in My Family, which earned her a Independent Spirit Award nomination, Lopez starred in the action film Money Train, opposite Wesley Snipes and Woody Harrelson.^[36][37][38] In 1996, she reportedly beat out Ashley Judd and Lauren Holly for the supporting role in Francis Ford Coppola's 1996 comedy Jack starring Robin Williams.^[39] She then starred opposite Jack Nicholson in Bob Rafelson's well-received noir thriller Blood and Wine (1996).^[23]

Lopez's first big break came in 1996, when she was chosen to play the title role in Selena, a biopic of the Tejano pop singer Selena.^[23] Despite having previously worked with the film's director on My Family, Lopez was subjected to an intense auditioning process before she was cast in the film.^[41] Lopez played Selena in her twenties, while Rebecca Lee Maza played Selena in her younger years.^[42] During pre-production, Mexican-American activists were highly critical that Jennifer Lopez, a New York City native born to Puerto Rican parents, was selected to play Selena. They preferred an actress with Mexican roots. However, after seeing Lopez's portrayal of Selena, they revised their opinions and were more accepting of Nava's decision.^[43] Lopez earned widespread outstanding reviews and praise from critics for her portrayal of Selena. Kenneth Turan from Los Angeles Times film critic Kenneth Turan while giving the film a mixed review, he wrote that Selena was not just a celebration of Selena's life, but the actress who played her.^[44] Joe Baltake said that Lopez was "is sensational in the title role" and complimented her for pulling off lip-syncing to Selena's original tracks as her own, as she was not a trained singer at the time.^[45] She garnered multiple awards and nominations, including a Golden Globe Award nomination for "Best Actress – Motion Picture Musical or Comedy".^{[citation needed]}

On February 22, 1997, Lopez married Cuban-born Ojani Noa, who she met while he worked as a waiter in a Miami restaurant; they were divorced by January 1998.^[46] Later that year, Lopez appeared in two major films. She starred in the horror film Anaconda alongside Ice Cube and Jon Voight, playing the role of Terri Flores, a director who is shooting a documentary while traveling through the Amazon River.^[47] Despite being a modest box office hit, the film was critically panned.^[48] Lopez then starred as the leading actress in the neo-noir film U Turn, which is based on the book Stray Dogs, starring alongside Sean Penn and Billy Bob Thornton.^[23] In 1998, she had one of her most acclaimed roles, starring opposite George Clooney in Out of Sight, Steven Soderbergh's adaptation of the Elmore Leonard novel.^[23][49] Cast as a deputy federal marshal who falls for a charming criminal, Lopez won rave reviews for her performance and in the process she became the first Latina actress to earn over $1 million for a role.^[50][51] That same year, she provided the voice for Azteca on the computer-animated film Antz.^[52][53] Around this time, Lopez started dating rap mogul Sean Combs. Combs allegedly showered Lopez with diamonds and jewelry, the inspiration for her 2000 hit, "Love Don't Cost a Thing".^[54]

[edit] 1999–2001: On the 6, J.Lo, The Wedding Planner and second marriage

	"If You Had My Love" noicon a 22-second sample of Lopez's debut single—"If You Had My Love"—which shot to number one in the United States, commencing Lopez's musical career
Problems listening to this file? See media help.

By May 1999, publicity for Lopez's debut album had begun and the news spread fast.^[55] Lopez's debut album On the 6, a reference to the 6 subway line she used to take growing up in Castle Hill,^[23] was released on June 1, 1999, and reached the top ten of the Billboard 200. Her debut single, "If You Had My Love" was released on May 21, 1999, and reached the top spot on the Billboard Hot 100 the week of June 12, 1999.^[56][57] The song stayed on the chart for a total of 25 weeks.^[57] It was proceeded by the release of "Waiting for Tonight", which peaked at number eight on the Billboard Hot 100 chart and was a dance club hit.^[58] Prior to the release of "Waiting For Tonight" as a single, a Spanish language Latin-flavored ballad with Marc Anthony "No Me Ames" was released and failed to chart on major charts.^[55][56] On the 6 featured guest artists such as Big Pun and Fat Joe on the track "Feelin' So Good", which had moderate success on the Billboard Hot 100, however failed to reach the top 50. "Let's Get Loud", the final single, earned Lopez a Grammy Award nomination in the "Best Dance Recording" category of the 2001 Grammy Awards.^[59] "Waiting for Tonight" was nominated for the same category the previous year.^[60] "No Me Ames" received two nominations at the 2000 Latin Grammy Awards – "Best Pop Duo/Group with Vocal Performance" and "Best Music Video". In addition, Lopez was nominated for more awards then any other at the 1999 The Billboard Music Video Awards, scoring seven nominations in total, leading the likes of Christina Aguilera.^[61]

On February 23, 2000, Lopez showed up to the 42nd Grammy Awards with Combs wearing a plunging exotic green Versace silk chiffon dress, which became known as the "Green Versace Jungle Dress" by Lopez. The dress, known for its low cut neck that extended before her navel and its open back, caused much controversy and garnered media attention. Images of Lopez in the green dress were downloaded from the Grammy website 642,917 times in just 24 hours after the event.^[62] Lopez was surprised by the enormous media coverage, declaring in an interview: "It was a nice dress. I had no idea it was going to become such a big deal."^[63] Versace later revealed that the dress was the turning point of her career, saying that the media now had confidence in her own work, after the death of Gianni Versace.^[63] With the release and promotion of On The 6 over, Lopez had successfully converted herself from film star to pop star within 12 months.^[64] Around this time, Lopez's fans started to dub her as "J.Lo". Lopez then starred opposite Vincent D'Onofrio, in the psychological thriller film The Cell, released on August 18, 2000.^[65] She portrayed Catherine Deane, a child psychologist who uses virtual reality to enter into the minds of her patients to coax them out of their comas. The film was released in August 2000 and became a box-office success, opening at number one.^[49][66]

By August 2000, Lopez had begun work on her sophomore album.^[67][68] J.Lo was released on January 23, 2001, and debuted at number one on the Billboard 200, exceeding sales of 270,000 copies in its first week.^[69][70] In addition, the album dethroned The Beatles from the top spot.^[70] At the same time, her romantic comedy film, The Wedding Planner, which she starred in alongside Matthew McConaughey led box office receipts,^[71][72] making Lopez the first female to have a film and an album at number one in the same week.^[23][69][71] J.Lo was more urban oriented than On the 6. The lead single, "Love Don't Cost a Thing", was her first number-one single in the United Kingdom and took her into the top five on the U.S. Billboard Hot 100.^[73] She followed it up with "Play" which gave her another top 20 hit on the Billboard Hot 100 and reached number three in the UK.^[74] The album's third single "I'm Real" reached number one on the Hot 100, as well as spending over a year on the chart, with a total of 62 weeks.^[74] "I'm Real" was controversial for using a sample of the song "Firecraker"; which singer Mariah Carey had wanted to sample first. It was later shockingly announced that Carey's ex husband, Tommy Mottola had instructed record executive Irv Gotti to give Lopez the sample before Carey, and Lopez was unaware of this.^[75] "Ain't It Funny" was released; however it did not receive proper commercial promotion in the United States therefore ineligible for charting on the Hot 100. To capitalize on this, Lopez asked The Inc. Records (then known as Murder Inc.) to remix both songs ("I'm Real" and "Ain't It Funny), which featured rap artists Ja Rule (on both) and Cadillac Tah (on the "Ain't It Funny" remix). "Ain't It Funny (murder remix)" reached number one on the Billboard Hot 100 for several weeks, and led Radio Airplay and Pop Songs charts.^[74] On July 24, 2001, She re-released J. Lo on her 32nd birthday with the remix of "I'm Real" as a bonus track. Also, "Si Ya Se Acabó" was released in Spain, due to the success "Que Ironia." In 2001, Lopez performed on tour on the Let's Get Loud "Live in Puerto Rico" Concert. J.Lo has sold 4 million copies in the United States alone. On September 27, 2004, a box set was released by Epic Records featuring On The 6 and J.Lo combined.^[76]

Lopez next role was in a supernatural romance film, Angel Eyes which disappointed at the box office and garnered mixed reviews.^[77] Lopez's boyfriend, former back-up dancer Cris Judd—who she met on the set of the video for "Love Don't Cost a Thing"—proposed to her at a barbecue^[78] and they were married on September 29, 2001.^[79] They traveled to Italy for their honeymoon, and later stayed at the home of designer and a longtime friend of Lopez's, Donatella Versace.^[78]

[edit] 2002–03: J to tha L-O! The Remixes, This Is Me... Then and Bennifer

Following the success of the re-release of J.Lo, Lopez decided to devote an entire album to the remix effort, releasing J to tha L–O! The Remixes, on February 5, 2002. This album debuted at number one on the Billboard 200, becoming the first remix album in history to debut at the top on the chart, selling over 150,000 copies in its opening week.^[80][81] Featured artists on J to tha L–O! The Remixes include P. Diddy, Fat Joe, and Nas, and the album included rare dance and hip hop remixes of past singles. It is the third all-time biggest-selling remix album in history, after Michael Jackson's Blood on the Dance Floor: HIStory in the Mix, The Beatles' Love and Madonna's You Can Dance, having sold a total of 1.5 million copies as of October 2010.^[82] In addition, it dethroned Alan Jackson's Drive from 3 consecutive weeks at the number-one spot on the chart.^[83][84] J to tha L-O: The Remixes sold 624,000 copies within its first month, and stayed in the top 10 of the Billboard 200 for a month, too.^[85] It remained the only album to debut at number one in the United States for nearly 10 years, until Justin Bieber's remix effort in 2011 debuted at the top spot with similar opening sales.^[86] "I'm Gonna Be Alright" which was previously on her J.Lo album was released as a single; impacting the charts by July 2002 and reached the top 10 of the Billboard Hot 100.^[74][87] "I'm Gonna Be Alright" spent 23 weeks on the chart.^[74] The track "Alive" written by Jennifer and Cris Judd was released as a single from the remix album.^[88]

In May 2002, she starred in the thriller film Enough as Slim, a woman abused by her husband and on the run from him. The film garnered negative reviews;^[89] however the fight scene at the finale of the movie was praised.^[90] In addition, the film was considered a "kick-butt, female empowerment" movie.^[91]

In June 2002, Lopez filed for divorce from her husband Cris Judd when she began publicly dating actor Ben Affleck.^[92] Judd's father, Larry Judd blamed Affleck for the break up of his son's marriage. He told New York Daily News that Judd was the "best thing that happened to [Lopez]" and thought that "Mr. Affleck would honor a married women. [They'd] be happier if they just told the truth."^[93] Lopez and Affleck announced their relationship at her thirty-second birthday.^[94] They were engaged months later.^[95][96] The media dubbed them "Bennifer" during their relationship, and became a prominent supercouple in the media.

Lopez released her third studio album, This Is Me... Then, on November 26, 2002. Unlike previous albums, it was more R&B oriented and much of its lyrical structure were about her relationship with her fiancé, Affleck.^[97] The songs from the album, in particular the fifth track, "Dear Ben" detailed her romantic relationship with Affleck.^[97] The album sold over 310,000 copies in its first week, Lopez's highest first-week sales to date, and reached two on the charts in the United States, and was on the charts for a total of forty weeks.^[98] Prior to its release, the album's lead single "Jenny from the Block" was released. It reached 3 on the Hot 100, and was known for its controversial music video featuring Affleck. The song is about Lopez remaining modest and intoning her childhood roots vowing she wishes to remain simple despite her diamonds.^[97] "All I Have", a duet with LL Cool J served as the third single from This Is Me... Then. It became Lopez's fifth song to top the Hot 100 charts.^[74] "I'm Glad" and "Baby I Love U!" were released as the final singles from This Is Me... Then, both commercial disappointing, failing to match the success of her previous singles; however the music video for "I'm Glad" received four nominations at the MTV Video Music Awards the following year. The video recreated scenes from the 1983 film Flashdance, leading to a lawsuit over copyright infringement, which was later dismissed.^[99][100] This Is Me... Then has sold over 2.5 million copies to date in the United States, her last album to reach over a million copies in sales in that country.^[82]

After the release of This Is Me... Then, Lopez took time away from music to focus on films. After two consecutive critical and commercial failures in the films Enough and Angel Eyes, Lopez bounced back with the box office hit Maid in Manhattan, released on December 13, 2002. Her character, Marisa Ventura, is a struggling single mother who lives in the Bronx and makes her living cleaning rooms in a super-luxurious Manhattan hotel, and gets mistaken for a socialite by a princely politician, who she falls in love with.^[101] Maid in Manhattan was a box-office hit, opening at number one. The New York Times compared the film's storyline to her 2002 song, "Jenny from the Block", commenting, "In her new single, 'Jenny From the Block', Jennifer Lopez declares that despite her enormous wealth and global fame, she has not lost touch with her roots."^[102]

Lopez and Ben Affleck eventually succumbed to overexposure from the media, however, which caused public interest in their romance to result in less admiration and negatively affected their careers.^[103][104] Gigli, a film which Lopez starred as a lesbian opposite Affleck, was released on August 1, 2003. The film was considered a box office failure, and is often considered one of the worst films ever made.^[105][106] Once again she starred in another movie with Affleck, Jersey Girl, but only grossed $36 million at the box office and received poor reviews.

Lopez and Affleck canceled their wedding, which had been scheduled for September 14, 2003 on the Californian Coast, citing the media's interference with the event as the reason.^{[107][108][109]} Months later their wedding was canceled once again, four days before the event. Lopez was seen without her ring,^[110] and it was later confirmed that the 18-month romance ended on January 20, 2004, just three days after Affleck returned to Los Angeles from the Sundance Film Festival.^[111]

[edit] 2004–05: Shall We Dance?, third marriage and Rebirth

In August 2003, (after the international flub of "Gigli") it was announced that Lopez was star in Shall We Dance?.^[112] The move was released in 2004, in which Lopez starred as Paulina alongside Richard Gere and Susan Sarandon; it reached the third spot at the Box Office. Shall We Dance?, grossed $112,238,000, at the international box office. Domestically, Shall We Dance? grossed $57,890,460 and a total of $170,128,460 worldwide.^[113] By this time, Lopez was well established as one of the highest-paid actresses in Hollywood and the highest-paid Latin actress in Hollywood history, though she's never had a film grossing over $100 million in the USA. She was on The Hollywood Reporter's list of the top ten actress salaries in 2002, 2003, and 2004.^[10]

Lopez and Marc Anthony at the Time 100 gala event on May 8, 2006

Two months after her break up with Affleck, Lopez was publicly seen dating Marc Anthony, they were married secretly on June 5, 2004 at her Beverly Hills Mansion and maintained a quiet relationship away from the media unlike her previous.^[114][115] Two men attempted to ransom a private wedding video which was stolen from the couple for $1 million dollars, and they were arraigned in Manhattan Criminal Court on charges of conspiracy, attempted grand larceny and possession of stolen property.^[116]

Lopez released her fourth studio album, Rebirth, on March 1, 2005.^[117] The lead single was "Get Right",^[117] reaching 12 on the Billboard Hot 100, and was a dance club hit.^[118] The song reached number one in the United Kingdom. The video for "Get Right" has Lopez portraying many different characters in a nightclub and sporting several different looks and occupations.^[119] Following the release of "Get Right", the album debuted (and peaked) at number two on the Billboard 200, selling 261,000 copies in its opening week.^[120] It quickly fell off the charts, and produced one more single, "Hold You Down", which featured Fat Joe, reached number 64 on the Hot 100 while it peaked at number six in the UK and ascended to the top 20 in Australia.^[74] The song "Cherry Pie" was intended to be released as a single, however due to low sales (despite a high start) of Rebirth these plants were scrapped. Rebirth was certified Platinum in the U.S. by the RIAA; selling over 700,000 copies so far in the United States,^[82] and has enjoyed international success. In May 2005, the film Monster-in-Law was released. It was Jane Fonda's first movie in several years.^[121] It featured Lopez as Charlie, an artist who is pitted against her fiance's conniving mother when she does not accept her as her son's girlfriend (or soon-to-be wife).^{[121][122][123]} However, the $43-million film became a box-office smash debuting at number one, earning $83 million ($154.7 worldwide)^[124] during its theatrical run in summer 2005. Lopez received $15 million for her role in Monster-in-Law, remaining one of her highest paychecks for a movie yet.^[125] Later, she starred in a film entitled An Unfinished Life, which did not do well; only reaching 11 at the Box office.

[edit] 2006–08: Como Ama una Mujer, Brave and motherhood

In 2006, Lopez was featured in LL Cool J's single "Control Myself", which was released on February 1, 2006. It reached number four on the Billboard Hot 100 and number two on the UK Singles Chart, Lopez's first collaborative Top 10 Hit in the U.S. since 2003. Also that year, she was in the movie Bodertown; The movie is based on a series of unsolved murders in Ciudad Juárez, Chihuahua, a maquiladora border city across the Río Bravo del Norte (Rio Grande) from El Paso, Texas. Estimates of the murders conflict, yet, conservatively speaking over four hundred women, maybe many more, have been kidnapped, tortured and murdered since 1993 in and around Ciudad Juárez.^[126] Lopez garnered a few awards and recognition for this part. The film was not a large success, though. Jennifer was one of the recipients of the Women in Film Crystal Award, after her appearance in Bordertown.^[127]

It was reported that Lopez was to release a full Spanish language album.^[128] Contactmusic.com said that Lopez would "prove critics wrong" and prove that she actually has a voice, through this new project.^[128] Upon the eve of the album's release, Lopez explained that she had previously aimed to sing in Spanish, however her career took a different path.^[129] Her first full Spanish album, Como Ama una Mujer was released on March 23, 2007. It debuted at 10 on the Billboard 200, making her one of few to reach the top ten with a Spanish album.^[130] The album was a natural and large success within the Latin community, reaching number one on Billboard Top Latin Albums, where it remained for seven weeks.^[130] Worldwide, it was a moderate success, reaching the top ten in several countries such as Italy and Germany.

Lopez with husband Marc Anthony (right) and Greek singer Kostas Martakis (left), who opened her September 2008 concert in Athens.

Como Ama una Mujer marks the highest debut sales in the United States for a Spanish album and the highest digital sales for a Spanish album.^[131] The York Press, on the album, stated that "Lopez stunned many with her Spanish-language Como Ama una Mujer, which at last proved that she is a major musical force."^[132] For promotion of Como Ama Una Mujer, Lopez traveled back to the Bronx, to meet fans and sign copies of her album in her old neighborhood.^[133] Over 500 people attended.^[133] In an interview, Lopez stated "It touches my heart to be able to bring this album back to my neighborhood, back to my home."^[134] Como ama una Mujer produced a single, "Qué Hiciste" (Spanish for "What Did You Do") which peaked at 86 on the Billboard Hot 100 and number one on the Hot Latin Songs and the Hot Dance Club Play.^[74] She performed the song on American Idol, in the same week she was a mentor; she is the first person to perform a Latin song on the hit show.^[131] On July 24, 2007 (Lopez's birthday) Billboard magazine reported that Lopez and husband Marc Anthony would "co-headline" a worldwide tour called "Juntos en Concierto" starting in New Jersey on September 29.^[135] The tour launched September 28, 2007 at the Mark G. Etess Arena and ended on November 7, 2007 at the American Airlines Arena in Miami, Florida. On the finale date of their tour, Lopez and Anthony announced that they were expecting a child, her first and his fourth.^[136][137] Later that same month, it was reported that Lopez was having difficulties with her pregnancy. These reports were deemed false by per rep, stating that "she is very healthy and continuing with her schedule as planned."^[138] In August 2007, Lopez collaborated on the feature film, El Cantante, with Anthony. Lopez, who also co-produced the film, "does enough acting for the two of them in her role as Puchi, Héctor's wife" while creating a very interesting and edgy performance.^[139] The film is in English, with creative use of subtitles for songs with Spanish lyrics.

In August 2007 Lopez began work on a new English studio album, titled Brave^[140][141] For Brave, she collaborated with producers Midi Mafia, J. R. Rotem, Lynn and Wade and Ryan Tedder, with Rotem working on some tracks with writing partner Evan "Kidd" Bogart.^[142] Released on October 9, 2007, it debuted at 12 on the Billboard 200; commercially, it is her least successful album to date.^[143] It spawned two singles "Do It Well" and "Hold It, Don't Drop It", which both reached number one on the Hot Dance Club Play chart, but failed to make further impact.^[74] It was her first album to fail to produce a top twenty song. Brave earned mostly mixed to negative reviews, Rashod D. Ollison from The Sun said that "Brave – was not to daring".^[144] However, there were a few positive reviews. The York Press compared Brave to Britney Spears' album due for release around the same time.^[132] Praising Lopez for not needing digital enhancement of her voice in "Brave" compared to Spears, they turned their favor to Brave instead of Blackout despite praising Spears' for delivering a "decent album".^[132] Brave has sold over 160,000 copies (which sales are comparable to that of Lopez' previous first week sales of her first four albums).^[82]

On February 5, 2008, Lopez confirmed that she was having twins.^[145] On February 22, Lopez gave birth to a son Maximilian David Muñiz and a daughter Emme Maribel in Long Island, New York.^[146][147] The twins were introduced in the March 11, 2008 issue of People magazine, for which the magazine paid a reported $6 million for—the photographs of the twins became the most expensive celebrity picture ever taken.^[148] Following the birth of her twins, Lopez took a break from her career in 2008.

Lopez and Anthony performing in concert, January 20, 2009.

[edit] 2009–11: American Idol and Love?

While pregnant with twins Max and Emme, Lopez had been writing material for her seventh studio album Love?, with a planned release for the summer of 2010.^[149] On what to expect of the album, she said "Once you get past the party on the album, and you listen to some of the words, you will see that I really talk about the power of love but also the devastation of it and everything in between."^[150] A song titled "Fresh Out the Oven" featuring Miami rapper Pitbull surfaced online in October 2009 but her record label said that it was simply a buzz single.^[151] It topped the Hot Dance Club Songs chart. The project's official lead single, "Louboutins", had its radio debut on November 23, 2009, following the song's premiere and performance at the 2009 American Music Awards. The song only managed to enter the Hot Dance Club Play chart six weeks after release and reaching number 1, however, it failed to enter any other chart, including the Billboard Hot 100. On January 27, 2010, it was announced that Lopez would guest-star on an episode of How I Met Your Mother as Anita Appleby, a no-nonsense author of self-help books that teach women how to mold men into "relationship machines" through the power of denial.^[152] In February 2010 Lopez and her record label of ten years, Epic Records, parted ways.^[153][154] Lopez's manager, Benny Medina, confirmed the news, saying "Jennifer had a wonderful relationship with the Sony Music Group, and they have shared many successes together, but the time was right to make a change that best serves the direction of her career as an actress and recording artist... She is grateful and appreciative to everyone at Sony for all that they accomplished together."^[155] Lopez later released a statement to the media where she said that she had already completed her contractual obligations with Sony Music Entertainment and Epic Records and decided it was for the best to end the partnership on amicable terms. She added that she found a new "home" [record label] for the album 'Love?'.^[156] Shortly after being spotted talking to Island Def Jam's chairman and CEO L.A. Reid,^[157] it was confirmed on March 19, 2010 that Lopez signed with Island Def Jam, and was working on new material for Love? with RedZone Entertainment (Kuk Harrell, The-Dream and Tricky Stewart).^[158][159] In April 2010, she appeared in the romantic comedy The Back-up Plan.^[160] The film debuted at the top spot at the Box Office.^[161][162] While the film didn't meet positive reviews, Lopez's performance as "Zoe" was praised and called a "winning performance".^[163][164]

In June 2010, following the departure of Ellen DeGeneres from American Idol, it was reported that Lopez was in talks to join season ten's judging panel.^{[165][166][167]} However, it was then reported that Lopez was out of the running due to "outrageous demands",^[168][169] something which returning Idol producer, Nigel Lythgoe responded to by saying "[Jennifer] is in no way a diva, I've worked with her on quite a few occasions and I have never yet seen her be a diva." He did not confirm or deny reports of the contract negotiations between Lopez and the other Idol producers.^[170] Both Lopez and husband, Marc Anthony, were being considered for a role on The X Factor for their appeal to 'Latin' and 'International' markets.^[171] Lopez's involvement in The X Factor was ruled out when the media reported that she had accepted an offer to become a judge on season ten of Idol, despite being offered roles on both shows.^[172] The announcement was made official on September 22, 2010. MTV said "the deal was mutually beneficial to all those involved" whilst CNN reported that Lopez was viewing it as a decision to revive her career while Idol producers believe Lopez and Steven Tyler's appointments will strengthen viewing figures.^[173] The public agreed that Lopez was a more suitable judge replacement for Ellen, as she had experience within the music industry, which DeGeneres lacked.^[174]

In January 2011, Lopez's new single "On the Floor" featuring Pitbull (their second collaboration) surfaced online^[175] and it was later announced as the lead single from Love?, produced by RedOne, who predicted that it was going to be a "big hit".^[176] "On The Floor" was a commercial success, debuting at nine on the Hot 100 and peaking at three, her highest-charting song in eight years.^[177] It's accompanying music video premiered on an episode of American Idol on March 3, and has since become the highest viewed video by a female artist on YouTube, with over 510 million views.^[178] The song sold 8.4 million copies, becoming the fourth best-selling digital single of the year.^[179] Love? produced two more singles, the Taio Cruz produced "I'm Into You" featuring Lil Wayne, and "Papi", which became her 10th and 11th chart-toppers on the Billboard Hot Dance Club Songs chart.^[180] Love? was finally released on May 3, 2011 and reached the fifth position on the Billboard 200.^[181][182] It was a moderate success, and viewed as a humble comeback from Lopez, as many had considered her recording career over.^[143]

On July 15, days before Lopez's forty-second birthday, following seven years of marriage to Marc Anthony, the couple's representative announced that they were separating^[183][184] and Anthony later filed for divorce on April 9, 2012, citing irreconcilable differences.^[185] In November, she was named "Women of the year" by Glamour Magazine.^[186] Lopez was featured on will.i.am's single "T.H.E. (The Hardest Ever)". On December 13, 2011, Los Angeles Times named her the "World's greatest musical comeback act", a ranking from an accuracast, a digital search that analyzed over a billion Google searches since 2004.^[187] Lopez ranked ahead of comebacks from artists such as Mariah Carey and Ricky Martin.^[187] She was also named "Best Comeback" act by Billboard.com Reader's Poll, leading with 47% of votes for the title, beating out Kelly Clarkson (17%) and Evanescence (12%).^[188]

[edit] 2012: ¡Q'Viva! The Chosen and Dance Again World Tour

Lopez returned as judge on the eleventh season of American Idol, reportedly earning $US20 million, compared to the $US12 million she earned last year.^[189] Lopez worked with ex-husband Marc Anthony and director-choeographer Jamie King on the talent series ¡Q'Viva! The Chosen, created by Simon Fuller. It follows Lopez, Anthony and King as they travel across 21 countries in Latin America to find new talent.^[190] It premiered on January 28, 2012 on Univision and was a ratings hit for the channel.^[191][192]

Lopez will embark on a co-headlining tour with Spanish singer Enrique Iglesias (pictured) in the midst of her debut headlining tour Dance Again World Tour.

In late 2011, it was confirmed that Lopez would be releasing a greatest hits album in 2012, with her vocal producer Kuk Harrell and The-Dream confirming their involvement in the project.^{[193][194][195]} L.A. Reid, chairman and CEO for Epic Records, confirmed on his Twitter account that a greatest hits album is in production.^[196] Later confirming an upcoming release herself, Lopez said the basis for her album was again "Love".^[197] Island Def Jam Records' Senior Vice President of A&R, Chris Anokute stated in an interview that he is working with Lopez on a dance album.^[198] In April 2012 Lopez released the lead single from her greatest hits album, "Dance Again" featuring American rapper Pitbull. It charted at 17 on the Billboard Hot 100, and also became her twelfth number one on the Billboard Hot Dance Club Songs.^[199] Later that month, Lopez was featured on Wisin & Yandel's song "Follow the Leader" from their upcoming album.^[200] Lopez is also working on two possible new songs, entitled "Clothes Off" and "Goin' In".^[201][202] Three new songs will appear on Lopez's upcoming greatest hits album.^[203] Lopez recorded "Goin' In" with Flo Rida for the film Step Up Revolution (2012). She debuted it at the finale American Idol with a performance medley that included "Follow the Leader", and the song made its premiere on Ryan Seacrest's radio show On Air with Ryan Seacrest on May 24, 2012 and will be released as a single on June 19, 2012.^[204]

During an interview with Extra TV Lopez confirmed that she had been working on a possible tour;^[205] she had previously talked about the possibility of a tour after the release of Love? around June 2011, which never materialized, as it could have jeapordised her position as a judge on American Idol.^[206] On June 23 and 27 Lopez will perform for her first headlining concert in Brazil for the Pop Music Festival in Sao Paulo.^[207] Furthermore, reports have said that Lopez is set to tour Latin America, with plans of visiting Panama, Mexico, Colombia, Argentina, Peru and Chile.^[208] Since this, sources have reported that Lopez is planning her first ever global world tour, which will have legs in United States, South America, Europe and Asia; and over 60 dates.^[209][210] It was announced on April 30, 2012 that Lopez would be going on a co-headlining world tour with Enrique Iglesias.^[211] The tour will earn Lopez an estimated $US13 million.^[189] Before this begins, Lopez will begin her Dance Again World Tour which will carry out throughout her tour with Iglesias.

Lopez is involved in multiple films, the first time she has been in years. She starred as Holly — a woman who adopts a baby from abroad with her husband after difficulty conceiving — in What to Expect When You're Expecting.^[212] The film was released to theaters on May 18, 2012.^[213] Lopez voices Shira in the upcoming animated film, Ice Age: Continental Drift which is the fourth movie in the Ice Age series.^[214] Another film which Lopez has shot her parts for, Parker will be released in 2013.^[215][216] Director Taylor Hackford has stated that the movie development has gone well, praising Lopez in a comment stating "I'm not kidding, this woman can really act. The last several years she's been doing romantic comedies – that's a talent, but as a dramatic actress she's got fantastic chops."^[217] On May 16, 2012, Forbes placed Lopez first on their "Celebrity 100 List", in turn naming her the most powerful celebrity in the world for their 2012 edition. She beat out Oprah Winfrey and Lady Gaga for the title, having earned $US52 million from May 2011–May 2012.^[218] Dorothy Pomerantz from Forbes staff said that it was due to her role as judge on American Idol, endorsement deals, fragrances and her much publicized personal life in the past year.^[219] This was a considerable jump on the list, considering the previous year she was number 50.^[189]

Products and endorsements[link]

In 2003, Lopez was in a pepsi commercial featuring Beyoncé Knowles and David Beckham entitled "Samurai".^[220] She endorses several L'Oréal products, and was named "L'Oréal Paris Global Brand Ambassador" In December 2010.^{[221][222][223]} She has shot several adds for the endorsement deal.^[223] Lopez's recent L'Oreal EverSleek campaign made its debut during the Golden Globes ad break, kicking it off in a big way.^[224] Products that Lopez has endorsed for L'Oreal recently include El Vive Triple Resist, True Match, Color Riche, GlamShine, and Voluminous Lashes commercials, the EverSleek commercial and print ads, and the Infallible Lip Color and ElVive Triple Resist print ads. In 2011, Lopez endorsed and promoted a variety of products. In addition to L'Oréal, lopez endorses Gillette women's products, such as the "Get Your Goddess Showing" project.^[225] She was named the first ever "Gillette-Venus Global Ambassador" In 2011, too.^[226][227] She recorded a cover of "Venus" by Shocking Blue for her Gillette-Venus advertisement.^[228] Lopez is a spokesperson for Harmon Kardon home surround sound system.^[229][230] Lopez is the face of TOUS Jewelry.^[231][232] Lopez is a spokesperson for Lux shampoo in Japan, appearing in the product's television commercials. As of late 2011, she promotes FIAT cats in the United States.^[233] Her advertisements for the brand have garnered negative reviews, and in January 2012 a United Against Nuclear Iran (UANI) group told Lopez to end her endorsement for problems with the FIAT brand which "freely does business with a regime that is developing an illegal nuclear weapons program."^[234]

Fashion lines[link]

Lopez launched a lifestyle brand in 2001. Called J.Lo by Jennifer Lopez, the line included different types of clothing for young women, including jeans, T-shirts, coats, belts, purses, and lingerie, a jewelry line,^[235] and an accessory line that includes hats, gloves, and scarves.^[236] Lopez participated in the Louis Vuitton Winter 2003 campaign. In February 2005, Lopez unveiled her fashion line entitled "Sweetface" at New York Fashion Week.^[237] She worked on the line with Andy Hilfiger.^[238] The launch at New York Fashion Week received mixed reviews, mainly positive, Metanoya Webb, from InStyle Magazine reviewed: "It's a step up from her teen-age, pop line. It's definitely more mature, and it's more of a replica of what Jennifer does. It was a reflection of her, and I liked that."^[237] Some also noted that the launch of "Sweetface" focused more on the show and arrangement rather than the clothes, themselves.^[239] Lopez has a lingerie line with Victoria Beckham.^[240]

Lopez's frequent use of animal fur in her clothing lines has brought the scorn of people concerned with animal rights.^[241] At the Los Angeles premiere of Monster-in-Law, more than 100 protesters from People for the Ethical Treatment of Animals (PETA) held a demonstration to highlight their concerns.^[242] Director of marketing, Charlie Ross said "Jennifer Lopez is a great lover of fur. She is always photographed wearing fur and it was a material she loves and wanted to use. Sweetface is a luxury label and Jennifer wanted her furs. She told me her favourite piece in the collection is a fabulous bleached silver fox coat with strips of the fox stitched onto a chiffon back."^[243]

In late 2007, Lopez retired JLO by Jennifer Lopez and launched a new juniors' line called JustSweet.^[244] In June 2009, it was announced that "Sweetface" was put on hiatus,^[245] and later announced that it was closed down.^[246] In 2011, Lopez and her ex-husband, Marc Anthony launched a joint fashion line at Kohls; Anthony would work on the menswear and Lopez on the female clothing line. The lines were described as "high-quality contemporary."^[238] Lopez labelled her personal line as "affordable and completely her style." The line was released in October 2011.^[247][248] Anthony's line, too was released around the same time.^[249] They both worked with Tommy Hilfiger for the fashion lines.^[238] Anthony, at the grand opening of the line at a Jersey department store, said that they collaborated on the work, and noted how hard Lopez had worked on her line, he said he was "very proud of her."^[250]

Fragrances[link]

Lopez is credited for bringing back celebrity perfume endorsements, which was "dead" since the late 1980s.^[197] She ventured in the perfume industry with her debut Glow by J.Lo, which can be purchased anywhere including every-day shopping outlets like Macy's and pharmacy chains.^[251] Lopez said that she wanted Glow to be "Sexy and sensual."^[252] Glow by J.Lo has a scent of orange, grapefruit, jasmine, orris, Irises, vanilla and musk.^[253] Still by Jennifer Lopez was released as the third major fragrance in October 2003;^[254] it is described as "the scent of a woman," and "A scent that captures the way a woman feels when she has discovered herself. Real and true. Serene and sensual."^[255] Glow by J.Lo and Still were very successful in the fragrance market.^[256]

In 2005, Lopez launched three new fragrances: Miami Glow, Love at First Glow and Live.^[257] In 2006 she released Glow After Dark. In 2008, she released Deseo, Deseo Forever, Deseo for Men (her first male fragrance) and Live Platinum.^[257] Sunkissed Glow and My Glow were released in 2009, My Glow was inspired by the birth of her children.^[257] TLC, a division of Discovery Communications Inc, had signed Lopez to an unscripted reality series about the launching of her new fragrance,^[258] but the series never materialized. Her next fragrance was Blue Glow.^[257] Her 15th fragrance Love & Glamour was released in October 2010.^[259] Her 16th fragrance is L.A. Glow, inspired by L.A. Nightlife.^[260] She launched her 17th fragrance Love & Light on HSN In July 2011, where it sold 51,000 bottles in six hours, her most successful fragrance launch to date.^[261][262] Her 18th fragrance, Glowing has been announced.^[197][263] Apart from Fragrances, Lopez has endorsed several other products.

Philanthropy[link]

Jennifer Lopez holding the Puerto Rico flag, in September 2009

Lopez is an avid supporter of Children's Hospital Los Angeles and was presented with the Children's Humanitarian Award at the hospital's inaugural Noche de Niños gala in September 2004. Lopez continues to attend the annual red carpet event and is a regular visitor to the hospital. The singer participated in the Nautica Malibu Triathlon benefiting the hospital in 2008.

On February 14, 2007, Lopez received the Artists for Amnesty International award "in recognition of her work as producer and star of Bordertown, a film exposing the ongoing murders of hundreds of women in the border city of Juárez, Mexico". Nobel Peace Prize winner José Ramos-Horta presented the award to Lopez at the Berlin International Film Festival. She also received special recognition and thanks from Norma Andrade, co-founder of Nuestras Hijas de Regreso a Casa A.C. ("May Our Daughters Return Home, Civil Association"), an organization consisting of mothers and families of the murdered women of Juárez. Lopez has also been involved in promoting vaccination for whooping cough.^[264] Lopez is working with Sounds of Pertussis and March of Dimes to promote awareness about the disease and encourage vaccination of adults to prevent spread of disease to infants.^[265]

Lopez has been featured in two charity singles. In 2001, along with several other popular artists, Lopez was featured on an album featuring verses of the song "What's Going On" under the name "Artists Against AIDS Worldwide", to benefit AIDS foundations in Africa.^[266][267] Other notable artists featured are Britney Spears, Ja Rule, Nas, Christina Aguilera, Gwen Stefani, Nelly Furtado, Fred Durst of Limp Bizkit, Destiny's Child, Wyclef Jean, Backstreet Boys among numerous others. Produced before the September 11 attacks, after the attacks the proceeds were given to American Red Cross, too.^[266][267] The same month, Lopez was featured on the song "El Ultimo Adios (The Last Goodbye)" along with 60 other Latin artists, in memory of the September 11 attacks to help raise money for families and charities involved or affected.^[268]

Lopez owns a foundation with her sister, Lynda Lopez, entitled The Maribel Foundation.^[269] The foundation was publicly launched In June 2010.^[269] The foundation's purpose is to bring wellbeing to mothers and children from under-privileged communities, in particular people who cannot afford medical services; and give people information about critical child and health care topics.^[270] The Maribel Foundation worked with Telemedicine clinics abroad and near to increase healthcare for serious cases.^[271] "Telemedicine" is a delivery system that uses technology (telecommunications) to conduct medical diagnoses, consultations, treatments, transfers of data, education of physicians, and dissemination of public health alerts and/or emergency updates.^[271]

Lopez had previously announced the foundation in 2008 at the Woman's Conference.^[272] The foundation's slogan is "Where children are concerned, there is no time to lose."^[273] Lopez has stated that inspiration came to her to build The Maribel Foundation after she discovered a bump on her daughter's head days after her birth; Emme turned out to be fine however Lopez felt that there are mothers out there and children, who don't have adequate access to medical information and she felt that she had to help in some way.^[274] For her foundation, Lopez recording a song, "One Step At a Time", dedicated to her twins. It was included on an album for the foundation, Every Mother Counts a CD which was released exclusively to Starbucks.^[275][276] The album was devoted fully to mothers. Lopez was one of the recipients of Love Our Children USA's "Mothers Who Make A Difference" awards in 2009.^[277] On October 25, 2011, The Maribel Foundation received a $500,000 dollar donation pledge from Samsung and Best Buy.^[278][279] An advertisement featuring Lopez promoting Samsung products for The Maribel Foundation has aired.^[280]

Artistry[link]

Musical style and themes[link]

	"Baby I Love U!" (2003) noicon A twenty-seven second sample of "Baby I Love U!" in which Lopez sings about being a hopeless romantic. Ben Affleck was considered as the inspiration for the song.[281]
Problems listening to this file? See media help.

Lopez grew up with a heavy influence and love of music from her mother, who played records and sang constantly.^[24] During her early days in the music industry, she was viewed as a teen pop culture icon; despite being in her late-twenties, it was for the reasoning of her brand and music appealing to a younger generation.^[282] Lopez's music and the genre which it has been perceived as, has ranged from pop and Latin pop,^[283] to Dance, Funk and R&B.^[284] She has stated that the basis for her music is always the subject of Love, "I've been singing about Love since my first album. Its a really complex topic, and now that im at a really good place in my life, in a really good relationship [...] i can look at it in a different way."^[285] In her debut single, "If You Had My Love" Lopez confronts her lover with questions and ground rules before they can begin commit to a relationship.^[281] The lead single from her sophomore album J.Lo (2001) "Love Don't Cost a Thing" is the tale of a materialistic relationship—critics have questioned the song, believing that it's inspiration came from her high-profiled relationship with rapper Sean Combs. Lopez's third studio album, is more adult-oriented R&B and was much of its lyrical themes speak of her love for her then-fiance Ben Affleck. During the production of the album, Lopez stated "I wrote a lot of songs inspired, in a way, by what I was going through at the time that this album was being made, and he [Affleck] was definitely a big part of that."^[286] Songs from the album such as "Baby I Love U! and "Dear Ben" gush about her being a hopeless romantic.^[281] "I, Love" from Rebirth (2005) is a mid-tempo song, in which Lopez wants to convince her lover that she truly cares for him, suggesting that their romance is real despite his ignorant behavior. The title track from her full-Spanish language album Como Ama una Mujer (2007) lyrically speaks about listening to the heart's desire and first instinct regardless of the relationship's outcome.^[281] In her seventh studio album, entitled Love?, Lopez covers topics such as her past loves in her songs, "One Love" and "(What Is) Love?" which she goes into details through lyrics about her remaining an optimistic about love.^[287] In "(What Is) Love?" Lopez sings about struggling in the search for true love, talking about how she's had blind dates, dated church boys and musicians but is tired of it all.^[281]

Lopez has a classic soubrette vocal type; her voice has been called limited.^[288][289] Many critics have said that Lopez has never had a strong voice, but observe that she is the complete package performer with a thin voice.^[290] Lopez has always had an insecurity about the strength of her voice from the start, “The voice was always there, I was just so insecure about it in the beginning," she said in an interview.^[291] She has also said that "I’m very proud of who I am as a vocalist from where I started."^[291] Tom Sinclair from Entertainment Weekly noted that she has always had her "way" with hooks, and works with a variety of producers.^[292] Lopez has received critiscm for her voice not being strong enough over the course of her music career. Adam Markovitz from Entertainment Weekly has said that "despite the star power she emits on screen, her vocals have always been less than stellar" and that she "often sounds limited and nasal, with a flatness that can feel downright Rebecca Black-esque at its worst."^[293] Wheresoever, others have said differently; fellow American Idol judge Randy Jackson said that "She doesn't have the biggest voice in the world, but she can sing. It's the (complete) package [...]"^[294] Jackson also said "While we're sitting there judging she's always singing these songs and I go, 'You really do sing!'"^[295] Daniel Chang from The Spectator said "Lopez will achieve more success as an actress than she will as a singer. Which is to say, Lopez can sing, but there are better introductions to Latin and R&B music out there."^[296]

In late 2007, The York Press wrote "So far into her career, Lopez is at last making great records. Her voice now has greater depth and is infused with Latin passion, which frankly was missing on her earlier records. Her material is also far stronger," around the releases of Como Ama Una Mujer and Brave.^[132] The York Press also complimented Lopez for not needing as much "digital enhancement" on her voice compared to Britney Spears.^[132] They also said that "Lopez stunned many with [...] Como Ama una Mujer, which at last proved that she is a major musical force."^[132] A writer from The Sun said "'On the 6' makes it clear she can sing. [Jennifer] Lopez has no trouble handling the material presented to her [...] No doubt about it, as a singer, Lopez has a lot of talent and stylistic range. Instead, she ends up doing impressions, singing as other, more distinctive, performers might have. So when producer Sean "Puff Daddy" Combs fabricates a lush, Jimmy Jam and Terry Lewis-type groove, she responds by offering her best Janet Jackson imitation." He went on to say: "It isn't as if Lopez is merely a chameleon, without a sound to call her own. Her breathily romantic duet with Marc Anthony, the Spanish-language love song "No Me Ames," reveals depths and resonance unheard in other tracks. Likewise, there's a sassy confidence beneath the romantic dismissal of "It's Not That Serious" that suggests Lopez may yet attain the awesome power of diva-hood."^[297] Tom Sinclair of Entertainment Weekly commented on Lopez's vocals saying, "There's no way to know if Jennifer Lopez's voice is mechanically altered or not, but on the recorded evidence of her sophomore album, J.Lo, her singing seems to be in key".^[298] In a review of her seventh studio album, Love?, Alex Macpherson from BBC Music complimented Lopez, "(She) possesses both a lightness of touch and the effortless confidence of one of nature's own divas, which means that whenever she hits the floor to essay up-tempo swagger tracks she convinces without being as overbearing. Love? seeks to showcase her vulnerability and depth of feeling."^[299]

Influences[link]

Barbra Streisand (left), Madonna (middle) and Janet Jackson (right) are three of Lopez's biggest influences

From a musical perspective, Lopez has viewed Madonna as a big influence.^[300] In an interview with NY Rock, when asked who was her first biggest musical influence, Lopez stated "I think Madonna. For my era growing up, [she] was the quintessential performer, and a push-the-envelope type of person. I don't think that I'm a push-the-envelope type of person. But I think Madonna was so visionary. And in her shows, she was so expressive. So that was very inspiring for me as a young girl. I remember seeing a lot of her shows."^[301] According to Fouz-Hernández, female pop performers like Lopez were like "Madonna's daughters in the very direct sense that they grew up listening to and admiring Madonna, and decided they wanted to be like her."^[302] Other musical influences for Lopez include Selena,^[303] Janet Jackson,^[304] Whitney Houston, Michael Jackson, Toni Braxton, Gloria Estefan, Deborah Gibson, Paula Abdul, Spice Girls and Salt-N-Pepa.^[305] Lopez has credited Barbra Streisand as her idol, saying that she felt that she "graduated" from music when she sang Streisand's music.^[306] Pop music critic Gene Stout commented that Janet Jackson in particular has influenced a younger generation of performers including Lopez.^[307] Lopez has also stated that newer artists have also more "inspired" her rather than influenced her as an artist, such as Lady GaGa. Lopez told MTV News that "I'm always motivated by other artists and inspired by them. They inspire me because when i see other people doing great things, it makes me want to do great things too. I never am one to look at other people and try to do what they do. I always feel like a true artist does what they do and it is very very individual to who they are. I love her [Gaga] sense of lyric and melody, I feel like she’s very interesting. It’s just not something you’re gonna hear everyday. I really love the records she worked on and was glad to be able to take those and make them my own and actually have that collaboration with her. I feel very lucky to have done that."^[308] After motherhood, Lopez also credited her twins as a huge influence in the direction of her music, "You can't help but put not only your kids into it, but to put anything you are going through in your music. That's the only thing you can really sing or write is stuff that you know. The more music you make and the more that you get into it and the more you write, the more you realize that's all you can write."^[287] Lopez has credited former husband Marc Anthony for giving her confidence to sing, stating in a 2012 interview with Vogue Magazine "He always told me what a beautiful voice I have [sic] He was like, ‘It’s in there; you just gotta let it out. It’s a confidence thing with you.’ Then all of a sudden one day I was like, ‘I’m good at this!’"^[309]

Music videos and choreography[link]

Lopez is well known for her upbeat pop songs and Latin-pop influenced dancing abilities. She is professionally trained dancer^[310]—initially beginning her career as a dancer ("fly girl") on In Living Color from 1991 to 1993, before venturing into acting and later a recording career.^[311] She began to learn and master different dance techniques from self-paid dance classes, and became a back-up dancer for Janet Jackson.^[311] When she was a child, she specialized in ballet, jazz and flamenco dancing.^[312] She has worked with well known choreographers Dave Scott, Cris Judd (her former husband), Brian Friedman, Wade Robson, Tyce Diorio, Travis Payne, Jeri Slaughter, Laurie Ann Gibson, Mia Michaels and Tina Landon.^[313] Top 10.com ranked Lopez 5th on their "Top 10 All Time Best Dancers in the World" list, placing her ahead of Gene Kelly, Janet Jackson and M.C. Hammer, describing her as both a glamour queen and a terrific dancer.^[314] In her 2004 film Shall We Dance in which she starred opposite Richard Gere, Lopez and Gere danced many genres, including Salsa dance and Ballroom dance.^[312][315] In the film, her dance technique received praise.^[316]

Lopez's music videos are well known for having dance breaks, including her music videos for "If You Had My Love" (1999) and "Love Don't Cost a Thing" (2000)—she brought back dance breaks in her later music videos for "I'm Into You" and "Papi" (2011).^[317] Her debut music video, for "If You Had My Love" directed by Paul Hunter, is notable for its theme of voyeurism; Lopez sings and dances while others watch her from various other locations through different types of screens. The video also includes her "signature" dance break.^[318] Her third single Waiting For Tonight's music video is set at a party counting down to The New Year (in this case, being 1999, a "millennium party"), the song's success on the charts was due to the video's anticipated theme towards the year 2000.^[319] Lopez's music video for "I'm Glad" (from her third studio album This Is Me...Then) was described as one of he more "complicated" videos which recreated scenes from a 1983 film Flashdance.^[320] In the music video for "Get Right" (2005) directed by Francis Lawrence, Lopez sports several different characters including a bartender, stripper, nerdy girl and a superstar among several others all at a nightclub.^[321] The video for her comeback single, "On the Floor" (2011) was praised for its sex appeal which was compared to her music video for "I'm Gonna Be Alright" (2002).^[322] Matthew Perpetua from Rolling Stone said it was "classic Lopez tweaked for 2011" with upgraded dance-pop style, and a high fashion wardrobe as eccentric as that of Rihanna and Lady Gaga.^[323] The music video for "On The Floor" allowed Lopez to enter social media charts^[324] and Entertainment Weekly's Tanner Stransky said that the clip brought back the old Lopez that everyone knew and loved, and also added that it was "Sexy and sultry".^[325] Her follow up video, "I'm Into You" was praised, Kyle Anderson from Entertainment Weekly applauded her natural beauty and said "that time-out at the three-quarters mark is as sharp as any diva dance break you’ll see."^[326] In her music video for "Papi", Lopez consumes a chocolate chip cookie which will allow her "love" to come back, given to her by her apartment mail attendant; she takes too large a bite, resulting in the magic of the cookie to become effective—groups of men chase her around town until her true love finds her.^[327] The video received positive feedback, a writer from Huffington Post wrote "Ms. Lopez has still got it —'Jenny from the Block' breaks into a signature group dance number and kills it!"^[328] After the release of the video for her single "Dance Again" which featured Lopez's real-life boyfriend, Casper Smart, John Mitchell from MTV News looked back on Lopez's previous videos, saying that she had a "history" of flaunting her men in videos.^[329]

Lopez has been nominated for a total of 18 MTV Video Music Awards, winning two throughout her career. She was ranked at number twenty-one on VH1's "50 Greatest Women of the Video Era" list.^[330] Throughout her music videos, she has worked with several directors and choreographers, including working with Paul Hunter, Francis Lawrence and Dave Meyers several times.^{[331][321][332]} She is considered a sex symbol through her music videos.^[333] Jennifer Lopez considers Janet Jackson a big influence on her dancing and music videos. She has lauded Jackson's videography, stating her music videos "had such an impact on me as a fan but also as an artist."^[334] Lopez has named Jackson's music video for "The Pleasure Principle" as her favorite dancing music video of all time.^[335]

Legacy[link]

Lopez has been described has having "epitomized the definition of America's sweetheart," having crept into millions of homes with her music, movies, accessories and clothing lines.^[312] Her manager, Benny Medina, who Lopez said is her "creative soulmate"^[336] has described Lopez as "the best all-rounded entertainer of our generation."^[337] Patricia J. Duncan wrote of Lopez in her 1999 Unauthorized biography, calling her a "force to be reckoned with." Ray Martin from 60 Minutes said "She's a rarity," calling one of the "few Hollywood stars you can actually admire [...] when you meet her she's just as gorgeous, just as likeable, as she is on screen." Martin also said that Lopez is "up there with Madonna," having starred in movies alongside leading men like George Clooney, Robert Redford and Jack Nicholson adding that she is a merchandising marvel, too.^[338]

A wax sculpture of Lopez by Madame Tussaud

Lopez is well-known for being the first Latina actress or singer to be so commercially successful in the limelight; growing up she looked up to puerto-rican born Rita Moreno, as she stated that there were "Zero Latinos on TV, so Rita Moreno was the only one I identified to."^[24] Nobel prize recipient, Jose Ramos Horta called Lopez a remarkable women and true inspiration after seing her work on the film, Bordertown.^[339] Cindy Pearlman from The Record said that Lopez is responsible for welcoming a "Latina presence to a film industry" as for most of its history it had been a whites-only preserve.^[340] In his book, Icons of American Popular Culture, Robert C. Cotrell described Jennifer Lopez as being a Latina Oprah Winfrey, writing that Lopez was the embodiment of the American dream, by "Boasting far more authentic rags-to-riches tale". Cotrell also called her a "multidimensional artist who had turned into a financial powerhouse." He continued on to say the impact she had on both Hollywood and the Spanish world, "In a largely singular fashion, Lopez had demonstrated that a Latina could remain on the Hollywood "A" list, to be a top recording artist, and operate as a major player in the corporate world, with her prefumes alone pulling over $500 million annually."^[339] The head of Interscope Records who appears on American Idol, Jimmy Iovine said Lopez has "got that power. She is a force. She brings the whole package—there is very little missing in Jennifer Lopez."^[336]

Lopez has had much praise over the course of her career, with several citing her as an inspiration for their own careers. Fellow Latin music artist Kat DeLuna, who is relatively new, said "Jennifer helped pave the way for Latinas like myself. I love her."^[341] Actress Kerry Washington also cites Lopez as the actual reason for her career, during an interview with Essence in 2012, she said "I grew up blocks away from Jennifer Lopez. She and I went to the same Boys & Girls Club. She was like the dancer who made it big and moved to Hollywood. I don't know if I would've taken a risk in my career if it weren't for you (Jennifer)."^[342] Popstar Britney Spears says Lopez has become a major "beauty" icon and Idol for herself; Spears said "Jennifer Lopez is my idol – she's so beautiful and even though she's gotten older, she hasn't aged at all. She looks more amazing than ever and I really admire and respect that."^[343] Kelly Osbourne said that she admires Lopez, stating that "Jennifer Lopez was voted The Most Beautiful Woman in the World by People magazine. I couldn't agree more. I've met her and she's stunning."^[344][345]

Co-star and singer Cheryl Cole has stated that she wants to have a body like Jennifer Lopez.^[346] In fact, Lopez's body has had such an impact on the world (in particularly women) that in a 2011 survey by "Nutrisystem Diet Index", it was proved that most American women would have Lopez's "lean legs and bubble butt".^[347][348] Reality Television star Kim Kardashian has named Lopez a style icon,^[349] Kardashian branded Lopez's personal fashion sense/style as "fun and flirty and sexy, just feminine. I love her!", and said she is a major style inspiration for her.^[349] Raquel Castro, her co-star from Jersey Girl (Now 17 years old and was a contestant on American singing show The Voice), had stated she had a strong bond with her on-screen mother from the film, and that Lopez had been her main role model for her career from the start;^[350] "Jennifer Lopez has been my role model from the start. I wore out my VCR tape of the movie Selena, probably watching it a million times; when I found out I had been chosen to play her daughter in a feature-film, OMG I was screaming like crazy."^[350] Australian R&B singer Jessica Mauboy has said stated that she is a big fan of Lopez.^[351] Singer-songwriter Michael Doughty said that Lopez was a key inspiration for reviving his music career as a solo artist after leaving his band, Soul Coughing "One of the key moments was seeing a Jennifer Lopez video (around 1999) [...] She's a year older than me and she's in this video and she's in the Bronx and going out clubbing and going to the beauty salon. I'd thought, well I'm 29, my life's over, I'm elderly. And I looked at her and thought, she's 30, how is she walking? [...] the revelation came watching a Jennifer Lopez video."^[352] Nicki Minaj has stated "I love J-Lo. I love what she's done for pop culture I have nothing but respect for her."^[353] Actress Anna Kendrick who was her co-star in the film What to Expect When You're Expecting (2012), has described her as "the most beautiful creature on the planet" and said that "The way she looks in person is mind-blowing."^[354]

Lopez also is well known for her fashion sense and style. Us Weekly named Lopez as Style Icon of the 2000–2010 decade.^[355] Lopez's most memorable Fashion moment in her career was the Green Versace "Jungle Dress" that she wore at the 42nd Grammy Awards In 2000.^[356] A poll by Debenhams, published in the Daily Telegraph, voted it the fifth most iconic dress of all time.^[14] It has been cited along with the Elizabeth Hurley's black Versace dress as being the top dresses that made Versace a household name and the turning point in designer Donatella Versace's career after the death of her brother Gianni Versace. The dress is currently on display at the Grammy Museum in Los Angeles. For her Fashion sense, Lopez has earned several awards including a VH1 Award and Vogue Fashion Award in 1999 for "Most Fashionable Female Artist", achieving multiple other awards since for outstanding achievements and recognition. Lopez was complimented in an article for Elle, in which the author wrote – "She wears little visible makeup, and with her hair in a bun, huge hoop earrings, and a long halterdress on, she's squarely in casual-mother mode, a style Diane von Furstenberg describes as "exotic and earthy."^[357] Lopez cites Urban, Edgy Bronx style as a contribution to her continuing fashion style.^[358] Lopez says she is a fan of "Glamour" and "Old Hollywood Movie Stars" as a fashion sense.^[359] Aside from her fashion sense in clothes, Lopez has changed her personal appearance multiple times, scoring several different hairstyles over the years.^[360] Lopez's two-piece (eventually stripped down to a body-suit) "train dress highlighting her curves and flawless skin"^[361] at the 2011 American Music Awards was both welcomed and praised but was received mixed and negatively, too.^[362][363] Despite popularity and favoritism with her outfits, Lopez has also received negativity; the dress she wore in 2011 to the BAFTA Gala gave her the title of "Worst Dressed" of the evening along with others, most likely due to her open-abs section.^[364] Apart from her image as a public fashion icon, Lopez has constantly displayed disappointment in a continuing rumor that states she is a demanding "diva",^{[365][366][367]} however at the same time is considered a talented "diva" too.^[368] Several others such as her 'American Idol co-worker Nigel Lythgoe has stated these rumors are wrong. The popularity of her personal life in the media has been a focus too, Jacqueline Springer reported in 2001, "'bling bling' to the fullest, she is high fashion's sole voluptuous mannequin and to the tabloids, well, she's more return value that an annual Travelcard."^[369]

Lopez is the wealthiest Hispanic in Hollywood, and is described as the most influential Hispanic performer in the United States.^[339] As of 2010, Lopez has sold an estimated 55 million records worldwide, making her one of the best selling musical artists of all time.^[370] In addition to this, Billboard ranked her as the 27th Artist of the 2000–2010 decade.^[4] VH1 ranked her 16 on their list of "100 Greatest Women In Music" In 2012.^[371] In November 1998, Lopez was named "Sexiest Woman of the Year" by Details magazine.^[372] Lopez appeared on FHM's 100 sexiest women list multiple times, notably being listed as No. 1 in 2000 and 2001, No. 4 in 2002, No. 6 in 2003, No. 7 in 2004. She is the first woman to top the list for two consecutive years.^[373] In People en Español's list of "100 Most Influential Hispanics" addition in February 2007, Lopez was listed first; the Top 100 also included the likes of Shakira and Enrique Iglesias.^[7] On The Hollywood Reporter's Annual Actress Salary List, Lopez has appeared in 2004, 2003 and 2002.^[10] She is the only Latina actress to accomplish this, or even appear within the top ten of this list.^[10] Her role in the 1998 film Out of Sight earned her a paycheck of over $1 million, making her the world's highest-paid Latin actress.^[50] In 2001, Lopez became the first female to have a film and album both be number one at the same time in the United States.^[23][69][71] In 2011, she was named "World's Most Beautiful Woman" by People's Choice magazine.^[374]

Lopez comeback to music in 2011 with her single "On the Floor" in addition to her multiple endorsement deals, clothing line and appointment as judge on American Idol is considered the best comeback of the year,^[375][376] and is regarded as one of the best comebacks of all time.^[187] Her music video for "On The Floor" was viewed 454 million times in the space of 2011, to become the most-viewed video of the year,^[377] the most-watched video by a female artist, and the second most viewed video of all time, behind teen-idol Justin Bieber's "Baby".^[378][379] In 2012, Forbes placed her number on on the most powerful celebrity list with earnings of $US52 million in the past year.^[336]

Filmography[link]

Leading roles

• 1997: Selena, Selena Quintanilla-Perez
• 1997: Anaconda, Terri Flores
• 2000: The Cell, Catherine Deane
• 2001: The Wedding Planner, Mary Fiore
• 2001: Angel Eyes, Sharon Pogue
• 2002: Enough, Slim Hiller
• 2002: Maid in Manhattan, Marisa Ventura
• 2005: Monster-in-Law, Charlie
• 2006: Bordertown, Lauren Adrian
• 2010: The Back-up Plan, Zoe
• 2012: What to Expect When You're Expecting, Holly

Discography[link]

Studio albums

• 1999: On the 6
• 2001: J.Lo
• 2002: This Is Me... Then
• 2005: Rebirth
• 2007: Como ama una Mujer
• 2007: Brave
• 2011: Love?

Compilation albums

• 2002: J to tha L–O! The Remixes

Tours[link]

Concert tours

• Juntos en Concierto (2007)
• Dance Again World Tour (2012)
• Enrique Iglesias and Jennifer Lopez in Concert (2012)

Concerts

• Let's Get Loud (2001)
• Live in Portugal (2007)
• Live in Athens (2008)
• Live at the Mohegan Sun (2011)
• Q'Viva! The Chosen Live (2012)

See also[link]

	New York City portal
	Biography portal
	Puerto Rico portal

• Personal life of Jennifer Lopez
• List of Puerto Ricans
• List of artists who reached number one on the Hot 100 (U.S.)
• List of artists who reached number one on the U.S. dance chart
• List of best-selling music artists
• List of best selling music artists in U.S.

Notes[link]