Joan Rivers
Rivers in 2010
Birth name	Joan Alexandra Molinsky
Born	(1933-06-08) June 8, 1933 (age 79) Brooklyn, New York City New York, U.S.
Medium	Stand-up, television, film
Nationality	American
Years active	1950–present
Spouse	James Sanger (1955) Edgar Rosenberg (1965–1987; his death)
Website	"joan.co". http://www.joan.co/.

Joan Alexandra Molinsky (born June 8, 1933), better known by her stage name Joan Rivers, is an American television personality, comedian, and actress. She is known for her brash manner; her loud, raspy voice with a heavy New York accent; and her numerous cosmetic surgeries. Rivers' comic style relies heavily on her ability to poke fun at herself and other Hollywood celebrities.

Early life[link]

Joan Rivers was born Joan Alexandra Molinsky in Brooklyn, a borough of New York City, the daughter of Russian Jewish immigrants Beatrice (née Grushman; January 6, 1906 – October 1975) and Meyer C. Molinsky (December 7, 1900 – January 1985).^[1][2] She was raised in Brooklyn, New York, and her family later moved to Larchmont, in Westchester County, New York. She attended Connecticut College between 1950 and 1952 and graduated from Barnard College in 1954 with a bachelor-of-arts degree in English literature^[3] and anthropology. Before entering show business, Rivers worked at various jobs such as a tour guide at Rockefeller Center,^[4] a writer/proofreader at an advertising agency^[4] and as a fashion consultant at Bond Clothing Stores.^[5] During this period, the agent Tony Rivers advised her to change her name, so she chose Joan Rivers as her stage name.^[6]

Career[link]

Early career[link]

During the late 1950s, Rivers appeared in a short-run play, Driftwood, playing a lesbian with a crush on a character played by a then-unknown Barbra Streisand. The play ran for six weeks.^[7] In 1961, Rivers briefly performed on stage in Chicago at The Second City comedy club. Rivers performed in numerous comedy clubs in the Greenwich Village area of New York City in the early 1960s, including The Bitter End and The Gaslight Cafe,^[8] before making her first appearances as a guest on the TV program The Tonight Show originating from New York, hosted at the time by Jack Paar.^[9]

By 1965, Rivers had a stint on Candid Camera as a gag writer and participant; she was "the bait" to lure people into ridiculous situations for the show. She also made her first appearance on The Tonight Show with new host Johnny Carson, on February 17, 1965.^[10] During the same decade, Rivers made other appearances on The Tonight Show as well as The Ed Sullivan Show, while hosting the first of several talk shows. She had a brief role in The Swimmer (1968), starring Burt Lancaster. A year later, she had a short-lived syndicated daytime talk show; Johnny Carson was her first guest.^[11] In the middle of the 1960s, she released at least two comedy albums, The Next to Last Joan Rivers Album^[12] and Joan Rivers Presents Mr. Phyllis & Other Funny Stories.^[13]

By the 1970s, Rivers was appearing on various television comedy and variety shows, including The Carol Burnett Show and a semi-regular stint on Hollywood Squares. From 1972 to 1976, she narrated The Adventures of Letterman, an animated segment for The Electric Company. In 1973, Rivers wrote the TV movie The Girl Most Likely to..., a black comedy starring Stockard Channing. In 1978, Rivers wrote and directed the film Rabbit Test, starring her friend Billy Crystal. During the same decade, she was the opening act for singer Helen Reddy on the Las Vegas Strip. In July 1970, Joan performed as the opening act for Sergio Franchi during an acclaimed appearance at the Mill Run Theater in Chicago.^[14] Joan also was the opening act for Sergio Franchi (three year contract) at the MGM Grand Hotel from 1974-1976.^[15][16] Joan became a Las Vegas Strip headliner herself in the 1980s.

1980s–1990s[link]

Rivers has spoken of her primary Tonight Show life as having been Johnny Carson's daughter, a reference to his longtime mentoring of her and, during the 1980s, establishing her as his regular guest host by August 1983. It was not her only work, however. On April 9, 1983, she hosted Saturday Night Live.^[17] In the same period, she released a best-selling comedy album on Geffen Records, What Becomes a Semi-Legend Most? The album reached No. 22 on the U.S. Billboard 200 and was nominated for a Grammy Award for Best Comedy Album.^[18]

Autograph with famous catchphrase, about 1983

Also in 1984, Rivers published a best-selling humor book, The Life and Hard Times of Heidi Abramowitz, a mock memoir of her brassy, loose comedy character. A television special based on the character, a mock tribute called Joan Rivers and Friends Salute Heidi Abramowitz, was not successful with the public.

The decade was controversial for Rivers. She sued female impersonator Frank Marino for $5,000,000 in 1986, after discovering he was using her real stand-up material in the impersonation of her that he included in his popular Las Vegas act. The two comics reconciled, even appearing together on television in later years.^[19]

Also in 1986 came the move that cost Rivers her longtime friendship with Carson, who had first hired her as a Tonight Show writer. The soon-to-launch Fox Television Network announced that it was giving her a late night talk show, The Late Show Starring Joan Rivers.^[20] The new network planned to broadcast the show 11:00 p.m. to 12:00 a.m. Eastern Time, making her a Carson competitor. Carson claimed he learned of the show from Fox and not from Rivers herself. In 2008, during an interview with Dr. Pamela Connolly on television's Shrink Rap, Rivers claimed she did call Carson, but he hung up on her at once and repeated the gesture when she called again.

The Late Show Starring Joan Rivers turned out to be flecked by tragedy. When Rivers challenged Fox executives, who wanted to fire her husband Edgar Rosenberg as the show's producer, the network fired them both. On May 15, 1987, three months later, Rosenberg committed suicide in Philadelphia; Rivers blamed the tragedy on his "humiliation" by Fox.^[21] Fox attempted to continue the show with a new name (The Late Show) and rotating guest hosts.

A year after the Late Show debacle, Rivers was a guest on TV's Pee-Wee's Playhouse Christmas Special. By 1989, she tried another daytime TV talk show, The Joan Rivers Show,^[22] which ran for five years and won her an Emmy in 1990 for outstanding talk show host.^[23]

In 1994, Rivers and daughter Melissa first hosted the E! Entertainment Television pre-awards show for the Golden Globe Awards.^[24] Beginning in 1995, they hosted the annual E! Entertainment Television pre-awards show for the Academy Awards.^[24] Beginning in 1997, Rivers hosted her own radio show on WOR in New York City.

Rivers also appeared as one of the center square occupants on the 1986-89 version of The Hollywood Squares, hosted by John Davidson.

2000–present[link]

By 2003, Rivers had left her E! red-carpet show for a three-year contract (valued between $6–8 million) to cover award-show red-carpet shows for the TV Guide Channel.^[25]

Joan Rivers poses for a photograph at the Pierre Hotel, May 24, 2001

Rivers appeared in three episodes of the TV show Nip/Tuck during its second, third and seventh season playing herself.^[26][27][28] Rivers appears regularly on television's The Shopping Channel (in Canada) and QVC (in both the United States and the UK), promoting her own line of jewelry under brand name "The Joan Rivers Collection". She was also a guest speaker at the opening of the American Operating Room Nurses' 2000 San Francisco Conference. Both Joan and Melissa Rivers are frequent guests on Howard Stern's radio show, and Joan Rivers often appears as a guest on UK panel show 8 out of 10 Cats.

Rivers was one of only four Americans invited to the royal wedding of Prince Charles and Camilla Parker Bowles on April 9, 2005.^[29]

In 2006, Rivers was featured on the adult animated show, Drawn Together as Princess Clara's vagina that had received too much plastic surgery. Clara's 'vajoana' often repeated the phrase "who are you wearing, who are you wearing?".

On August 16, 2007, Rivers began a two-week workshop of her new play, with the working title "The Joan Rivers Theatre Project," at The Magic Theatre in San Francisco.^[30] On December 3, 2007, Rivers performed in the Royal Variety Show 2007 at the Liverpool Empire Theatre, England, with Queen Elizabeth II and Prince Philip present.

In January 2008, Rivers became one of 20 hijackers to take control of the Big Brother house in the UK for one day in spin-off TV show Big Brother: Celebrity Hijack. On June 24, 2008, Rivers appeared on NBC-TV’s show Celebrity Family Feud and competed with her daughter, Melissa against Ice-T and Coco.

Joan Rivers performing in her show at the 2008 Edinburgh Festival Fringe

Rivers and daughter Melissa were contestants in 2009 on the second Celebrity Apprentice. Throughout the season, each celebrity raised money for a charity of his or her choice; Rivers selected God's Love We Deliver.^[31] After a falling out with poker player Annie Duke, following Melissa's on-air firing (elimination) by Donald Trump, Rivers left the green room telling Clint Black and Jesse G. James that she would not be in the next morning. Rivers later returned to the show and on May 3, 2009, she became a finalist in the series. The other finalist was Duke.^[32][33] On the season finale, which aired live on May 10, Joan was announced the winner and hired to be the 2009 Celebrity Apprentice.

Rivers was featured on the show Z Rock as herself and was also a special so-called pink-carpet presenter for the 2009 broadcast of the Sydney Gay and Lesbian Mardi Gras parade. She was also roasted in a Comedy Central special, taped on July 26, 2009, and aired on August 9, 2009. From August 2009, Joan began starring in the new reality TV series How'd You Get So Rich? on TV Land.

Joan performing at a London Udderbelly event in 2009

A documentary film about Rivers, Joan Rivers: A Piece of Work, premiered at the San Francisco International Film Festival at the Castro Theatre on May 6, 2010.

In 2011, Rivers appeared in a commercial for Go Daddy, which debuted during the broadcast of Super Bowl XLV.^[34]

Joan and her daughter Melissa Rivers premiered the new show Joan & Melissa: Joan Knows Best on WE tv. The series follows Joan moving to California to be closer to her family. She moves in with daughter Melissa while searching for a home of her own. It was recently revealed that WE TV has ordered a new season consisting of 10 episodes premiering in January 2012.

In 2011, Rivers was featured as herself in Season 2 of Louis C.K.'s self-entitled show Louie, where she performed on-stage.

Personal life[link]

Rivers' first marriage was in 1955 to James Sanger,^[35] the son of a Bond Clothing Stores merchandise manager. The marriage lasted six months^[36] and was annulled on the basis that Sanger did not want children and had not informed Rivers before the wedding.^[37] Her second marriage was on July 15, 1965^[38] to Edgar Rosenberg, who committed suicide in 1987. Their only child, Melissa Warburg Rosenberg (now known as Melissa Rivers), was born on January 20, 1968. She has one grandson, Melissa's son Cooper (born Edgar Cooper Endicott on December 1, 2000)^[39] who is featured with his mother and grandmother in the WE tv series Joan & Melissa: Joan Knows Best?^[40]

In her book, Bouncing Back (1997), she described how she developed bulimia and contemplated suicide. Eventually, she recovered with counseling and the support of her family.

In 2002, Rivers told the Montreal Mirror that she was a Republican.^[41]

Rivers is open about her multiple cosmetic surgeries and has been a patient of plastic surgeon Steven Hoefflin since 1983. Her first procedure, an eye lift, was performed in 1965 as an attempt to further her career.^[42]

Awards[link]

• In 1990, Rivers won the Daytime Emmy Award (a TV citation) for Outstanding Talk Show Host. The same year, a star in her name was placed on the Hollywood Walk of Fame.^[43]

Books[link]

• Having a Baby Can Be a Scream (1974, Self-Help/Humour)
• The Life and Hard Times of Heidi Abromowitz (1984, Humour)
• Enter Talking (1986, Autobiography)
• Still Talking (1991, Autobiography)
• Jewelry by Joan Rivers (1995, Non-Fiction)
• Bouncing Back: I've Survived Everything ... and I Mean Everything ... and You Can Too! (1997, Autobiography/Self-Help)
• From Mother to Daughter: Thoughts and Advice on Life, Love and Marriage (1998, Self-Help)
• Don’t Count the Candles: Just keep the Fire Lit! (1999, Self-Help)
• Men Are Stupid...And They Like Big Boobs: A Woman's Guide to Beauty Through Plastic Surgery (2008, Non-Fiction)
• Murder at the Academy Awards (R): A Red Carpet Murder Mystery (2009, Fiction)
• I Hate Everyone...Starting With Me (2012, Humour)

Filmography[link]

• Once Upon a Coffee House (1965)
• The Swimmer (1968)
• Rabbit Test (1978) (also director and writer)
• Uncle Scam (1981)
• The Muppets Take Manhattan (1984)
• Les Patterson Saves the World (1987)
• Spaceballs (1987) (voice)
• Pee-Wee's Playhouse Christmas Special (1988)
• Look Who's Talking (1989) (voice)
• Public Enemy # 2 (1993)
• Serial Mom (1994)
• Napoleon (1995) (voice)
• Goosed (1999)
• The Intern (2000)
• Whispers: An Elephant's Tale (2000) (voice)
• The Making and Meaning of 'We Are Family' (2002) (documentary)
• Hip! Edgy! Quirky! (2002)
• Shrek 2 (2004) (voice)
• First Daughter (2004)
• The Last Guy on Earth (2007)
• Joan Rivers: A Piece of Work (2010) (documentary)
• Wall Street: Money Never Sleeps (2010) (uncredited)
• The Smurfs (2011) (uncredited)
• Tower Heist (2011) (uncredited)

Television work[link]

• That Show starring Joan Rivers (1968–69) (syndicated daytime talk show)^[11]
• The Electric Company (cast member from 1972–1977) (voice)
• Here's Lucy (1973)
• An Audience with Joan Rivers (1984)
• Joan Rivers: Can We Talk? (1986)
• The Late Show Starring Joan Rivers (host from 1986–1987)
• The New Hollywood Squares hosted by John Davidson (center square from 1988–1989)
• The Joan Rivers Show (1989–1993)
• How to Murder a Millionaire (1990)
• Lady Boss (1992)
• Tears and Laughter: The Joan and Melissa Rivers Story (1994)^[44]
• Can We Shop? (1995–present)
• Another World (cast member in 1997)
• E! True Hollywood Story: Joan Rivers (parody episode of show aired April 1, 2001)^[45]
• Jack Dee Live at the Apollo (cast member in 2004, guest host in 2007)
• Nip/Tuck (2004–2005–2010)^[46]
• The Joan Rivers Position (2004–2006)
• An Audience with Joan Rivers (2006)
• 8 out of 10 Cats (2006–2007)
• Joan Rivers: Before Melissa Pulls the Plug (2006)
• Dawn French's Girls Who Do Comedy (in-depth interview BBC 2006)
• The Graham Norton Show (2007)
• Straight Talk (2007)
• Shrink Rap (2008) – With Dr. Pamela Connolly – More4
• Celebrity Family Feud (2008)
• Big Brother: Celebrity Hijack (Celebrity Hijacker) (2008)
• Loose Women (2008)
• The Graham Norton Show (2008)
• Z Rock (2008) – Aunt Joan
• Spaceballs: The Animated Series (2008) (voice)
• Arthur (2008, 2010) (voice) – Bubby (Francine's Grandmother)
• Celebrity Apprentice (2009) – Herself
• How'd You Get So Rich? (2009) – Herself
• The Comedy Central Roast of Joan Rivers (2009) – Herself
• Celebrity Ghost Stories (2009) – Herself
• The Graham Norton Show (December 31, 2009)
• Celebrity Apprentice 3 (March 14, 2010)
• Fashion Police (September 10, 2010 – present)
• The Graham Norton Show (November 5, 2010)
• Joan and Melissa: Joan Knows Best (January 25, 2011 – present)
• Louie S02E04 – Joan (July 14, 2011) – Herself
• The Simpsons S23E08 – "The Ten-Per-Cent Solution" (December 4, 2011) (voice) – Annie Dubinsky

Theater work[link]

The following is a selected list of theater work performed by Rivers.

• Broadway Bound by Neil Simon (replacement for Kate, 1988, Broadhurst Theatre)^[47]
• Sally Marr and Her Escorts, a play suggested by the life of Lenny Bruce's mother (co-written with Erin Ladd Sanders and Lonny Price), May 1994, Helen Hayes Theatre, Broadway.
• Joan Rivers: A Work In Progress By A Life In Progress (February 2008, Geffen Playhouse)
• Joan Rivers: A Work In Progress By A Life In Progress (August 2008, Edinburgh Festival Fringe)
• Joan Rivers: A Work In Progress By A Life In Progress (September 2008, Leicester Square Theatre, London)

References[link]

External links[link]

Wikimedia Commons has media related to: Joan Rivers

Wikiquote has a collection of quotations related to: Joan Rivers

• Official website
• Joan Rivers at the Internet Movie Database
• Joan Rivers at the Internet Broadway Database
• Joan Rivers at the Internet Off-Broadway Database
• E! Entertainment Bio
• BroadwayWorld.com interview with Joan Rivers, February 19, 2009

Rashida Jones
Rashida Jones, May 2007
Born	Rashida Leah Jones (1976-02-25) February 25, 1976 (age 36) Los Angeles, California, U.S.
Alma mater	Harvard University
Occupation	Actress
Years active	1997–present
Parents	Peggy Lipton Quincy Jones

Rashida Leah Jones (born February 25, 1976) is an American film and television actress, comic book author, screenwriter and occasional singer. She played Louisa Fenn on Boston Public and Karen Filippelli on The Office as well as roles in the films I Love You, Man, Our Idiot Brother, The Social Network and The Muppets. As of 2009^[update], Jones stars on the NBC comedy series Parks and Recreation as Ann Perkins.

Early life[link]

Jones was born in Los Angeles, the younger daughter of media mogul, producer and musician Quincy Jones and actress Peggy Lipton. She has an older sister, Kidada Jones, and five half-siblings by her father's other relationships. Her father is of mostly black American, as well as European, ancestry,^[1] and is from a Christian family.^[2] Her mother is Ashkenazi Jewish (a descendant of immigrants from Russia and Latvia via Ireland),^[3] and Rashida Jones attended Hebrew school.^[4] She was raised in Bel Air, Los Angeles, California.

In his autobiography, Jones's father recalled how he would often find his six-year-old daughter under the covers after bedtime with a flashlight reading five books at a time.^[5] Jones also displayed musical ability from a young age and can play classical piano.^[6] Her mother told Entertainment Tonight that Jones is "also a fabulous singer and songwriter, so she has inherited it (from Quincy), there's no question about it. Her dad's teaching her how to orchestrate and arrange too."^[7]

Jones attended The Buckley School in Sherman Oaks, California, where she made the National Honor Society and was voted "Most Likely To Succeed" by her classmates.^{[citation needed]} Jones's parents divorced when she was 14 years old; her sister subsequently remained with their father while she moved to Brentwood with their mother.

In 1994, Jones garnered attention with an open letter responding to scathing remarks made by Tupac Shakur about her parents' interracial marriage.^[8] She later befriended Shakur, who was engaged to her sister before he was killed.^[5] After high school, Jones left California to attend Harvard University.

At Harvard, Jones was a resident of Eliot House and belonged to the Hasty Pudding Theatricals, Harvard Radcliffe Dramatic Club, Harvard-Radcliffe Opportunes, Black Students Association and the Signet Society.^[9] She was initially interested in becoming a lawyer but lost interest after being disillusioned by the O. J. Simpson murder case.^[5] Instead, she became involved in the performing arts, and served as musical director for the Opportunes a cappella group, co-composed the score for the 149th annual Hasty Pudding Theatricals performance, and acted in several plays.^[10] In her second year at college, she performed in For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, which she said was "healing" because she was seen by many blacks as not being "black enough".^[11] She studied Religion and Philosophy and graduated in 1997.

Career[link]

Jones made her professional acting debut in The Last Don, a 1997 mini-series based on the novel by Mario Puzo. She then appeared in Myth America, East of A and If These Walls Could Talk 2. In 2000, she guest starred as Karen Scarfolli in an episode of Freaks and Geeks before landing the role of Louisa Fenn on Boston Public. Between 2000 and 2002, she appeared in 26 episodes, earning an NAACP Image Award nomination in her final year.^[12] Although she only had a minor supporting role in the series, film opportunities quickly surfaced. She had a small role in Full Frontal, directed by Steven Soderbergh, and starred in Now You Know, written and directed by Kevin Smith regular Jeff Anderson. She also starred in the short film Roadside Assistance with Adam Brody.

After Jones left Boston Public, she appeared in Death of a Dynasty, directed by Damon Dash, and two episodes of Chappelle's Show on Comedy Central. In 2004, she was cast in Strip Search, an HBO film directed by Sidney Lumet, but her scenes were cut from the final broadcast version. Later that year, she played Dr. Rachel Keyes in Little Black Book and starred as Edie Miller in British drama series NY-LON. In 2005, Jones played Karen in the Stella pilot on Comedy Central and special government agent Carla Merced in the TNT police drama Wanted.

Jones joined the ensemble cast of The Office in September 2006, playing the role of Karen Filippelli. She appeared regularly during the third season and then returned as a guest star for two episodes in season four and another in season five. Jones had been considering leaving the acting profession and pursuing a graduate degree in public policy before she was offered the part on The Office.^[13] Jones also played Karen in the February 2007 Saturday Night Live episode hosted by Rainn Wilson, appearing briefly in the opening monologue's Office parody. Jones filmed cameo roles in The Ten and Role Models, both directed by David Wain, with the latter appearing on the Blu-ray release.^[14] She then co-starred in Unhitched, the short-lived 2008 comedy series produced by the Farrelly brothers.

In January 2009, Jones voiced several characters in an episode of the Adult Swim show Robot Chicken.^[15] She played Hannah in Brief Interviews with Hideous Men, an independent film by John Krasinski that screened during the 2009 Sundance Film Festival. She also co-starred as Zooey Rice in I Love You, Man, a Dreamworks comedy with Paul Rudd and Jason Segel. Jones then accepted a role in Parks and Recreation, a mockumentary-style sitcom in development for NBC. The show was created by Greg Daniels and Michael Schur, who she previously worked with on the American version of The Office. She has played nurse Ann Perkins since its primetime debut in April 2009.

Jones had a small role in the Kevin Smith film Cop Out. She appeared in The Social Network, alongside Jesse Eisenberg, Andrew Garfield and Justin Timberlake, which is set at Harvard, coincidentally the school from which she graduated in 1997. She played Marylin Delpy, a second year legal associate assisting with the defense of Facebook founder Mark Zuckerberg.

She has a starring role opposite Chris Messina in Monogamy, a drama directed by Dana Adam Shapiro. The film premiered at the Tribeca Film Festival in April 2010 and was released theatrically on March 11th, 2011.^[16][17]

Jones' other 2011 films were Friends with Benefits, starring Justin Timberlake and Mila Kunis, The Big Year, with Steve Martin, Owen Wilson, and JoBeth Williams, The Muppets, with Jason Segel, Amy Adams and Chris Cooper, and Our Idiot Brother, with Paul Rudd, Elizabeth Banks, and Emily Mortimer.^[18] In the latter she played a lesbian lawyer named Cindy, the caring, responsible girlfriend of a flaky bisexual played by Zooey Deschanel.^[19] Jones also has a cameo in the Beastie Boys' short film Fight For Your Right Revisited, which premiered at the 2011 Sundance Film Festival.^[20]

Jones also appeared on an episode of Wilfred as Lisa, a hospice volunteer. The episode aired on July 21, 2011 on FX.

Other work[link]

Jones created Frenemy of the State, a comic book series about a socialite who is recruited by the CIA. The comics are published by Oni Press and co-written with husband-and-wife writing team Nunzio DeFilippis and Christina Weir.^[21] In October 2009, before the first issue had been released, Jones sold the screen rights to Universal Pictures and Imagine Entertainment. Brian Grazer and Eric Gitter will produce the film and Jones will co-write the screenplay with writing partner Will McCormack.^[22] Jones sold her first screenplay, a comedy titled Celeste and Jesse Forever, in March 2009. She co-wrote the script with McCormack and is attached to star in the film.^[23] Jones' other written work has appeared in Teen Vogue magazine, where she worked as a contributing editor.^[24] She also wrote chapter 36 of her father's biography, Q: The Autobiography Of Quincy Jones, published in 2001.

As a singer, Jones has provided backing vocals for the band Maroon 5. She appears on the tracks "Tangled", "Secret" and "Not Coming Home" from their debut record, Songs About Jane, and on "Kiwi" from the follow-up album It Won't Be Soon Before Long. Jones was a guest vocalist on the Tupac Shakur tribute album The Rose That Grew from Concrete, released in 2000. The track, "Starry Night", also featured her father's vocals, Mac Mall's rapping, and her half-brother QD3's production. Jones contributed vocals to songs on The Baxter, The Ten and Reno 911!: Miami soundtracks. She also sang in some episodes of Boston Public and for charitable events such as the What A Pair Benefit to raise money for breast cancer research.^[25]

Jones in March 2009

As a model, Jones has appeared in print campaigns for Triple 5 Soul, television commercials for The Gap, and editorials for In Style and O Magazine, among others. She has been chosen as one of People magazine's "Most Beautiful People in the World" three times, in the years 2002,^[26] 2007,^[27] and 2009,^[28] and as one of Harper's Bazaar's "Best Dressed Women In America".^[8]

Jones has appeared in music videos for Aaliyah, The Boy Least Likely To song "Be Gentle With Me" and the Foo Fighters' single "Long Road to Ruin". In the latter she was credited as Racinda Jules and played the role of Susan Belfontaine.^[29]

Jones has appeared in several online comedy series projects. She starred in Funny or Die's "Speak Out" series with Natalie Portman and guest starred in two episodes of Web Therapy with Lisa Kudrow.^[30] She also played David Wain in disguise for an episode of My Damn Channel's Wainy Days. In 2008, Jones appeared with several other celebrities in Prop 8 – The Musical, an all-star video satirising California's anti-gay marriage initiative, written by Marc Shaiman.

In 2011, Dove selected Jones as its spokeswoman for its Dove Nourishing Oil Care Collection.^[31]

Philanthropic efforts[link]

Jones has worked to promote Peace First (formerly Peace Games), a nonprofit that teaches children to resolve conflict without violence. She has been a board member since 2004 and holds several annual benefits to raise money for the organization.^[32] Jones has participated in Stand Up to Cancer events, EDUN and ONE: The Campaign to Make Poverty History and The Art of Elysium's volunteer program, which runs artistic workshops for hospitalized children.^{[33][34][35][36]} In 2007, she was honorary chair of the annual Housing Works benefit, which fights AIDS and homelessness in New York City.^[37] She has also been involved in fundraising for St. Jude Children's Research Hospital, the EB Medical Research Foundation and New York's Lower Eastside Girls Club.^{[38][39][40][41]}

Jones campaigned for Barack Obama during the 2008 presidential election. Along with Kristen Bell, she visited college campuses in Missouri to discuss the candidates and to encourage voter registration for the Democratic Party.^[42][43] She previously campaigned for Democratic candidate John Kerry during the 2004 election, speaking at student rallies and a public gallery in Ohio.^[44][45]

Personal life[link]

Jones had a 3½ year relationship with actor Tobey Maguire, ending in 2000.^[46][47] Jones became engaged to the Grammy Award-winning music producer Mark Ronson in February 2003. He proposed on her 27th birthday, using a custom-made crossword puzzle spelling out "Will you marry me?" Their relationship ended approximately one year later.^[48][49] Jones then dated actor John Krasinski prior to becoming his co-star on The Office^[24][47] (their characters were also dating on the show). She also dated Jon Favreau, the Director of Speechwriting for President Barack Obama.^[50][51][52]

Though raised Jewish, Jones, like her mother, began practicing Hinduism in her early teens after the two visited an Ashram in India.^[5] Today, however, she practices Judaism and told a reporter, "In this day and age, you can choose how you practice and what is your relationship with God. I feel pretty strongly about my connection, definitely through the Jewish traditions and the things that I learned dating the guy that I dated. My boyfriends tend to be Jewish and also be practicing ... I don’t see it as a necessity, but there’s something about it that I connect with for whatever reason."^[4]

Awards[link]

Jones was nominated for an NAACP Image Award, and was recognized as a 2011 Influential Multiracial Public Figure runner-up.^[53] She also contributed to the Grammy Award-winning audio version of Q: The Autobiography Of Quincy Jones.

Filmography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Rashida Jones

• Rashida Jones at the Internet Movie Database

Ed Sullivan
Sullivan in 1955
Born	Edward Vincent Sullivan (1901-09-28)September 28, 1901 New York City, New York, U.S.
Died	October 13, 1974(1974-10-13) (aged 73) New York City, New York, U.S.
Occupation	Television host Writer
Years active	1932–1973
Spouse	Sylvia (m. 1930–1973)

Edward Vincent "Ed" Sullivan (September 28, 1901 – October 13, 1974) was an American entertainment writer and television host, best known as the presenter of the TV variety show The Ed Sullivan Show. The show was broadcast from 1948 to 1971 (a total of 23 years), which made it one of the longest-running variety shows in U.S. broadcast history.^[1]

In 1996, Ed Sullivan was ranked #50 on TV Guide's "50 Greatest TV Stars of All Time".^[2]

Early life and career[link]

Sullivan was born in New York City, New York, the son of Elizabeth F. (née Smith) and Peter Arthur Sullivan, a customs house employee.^[3] He was of Irish descent.^[4] A former boxer, Sullivan began his media work as a newspaper sportswriter for The New York Evening Graphic.^[5] When Walter Winchell, one of the original gossip columnists and the most powerful entertainment reporter of his day, left the newspaper for the Hearst syndicate, Sullivan took over as theatre columnist. His theatre column was later carried in The New York Daily News. His column, 'Little Old New York', concentrated on Broadway shows and gossip, as Winchell's had and, like Winchell, he also did show business news broadcasts on radio. Again echoing Winchell, Sullivan took on yet another medium in 1933 by writing and starring in the film Mr. Broadway, which has him guiding the audience around New York nightspots to meet entertainers and celebrities. Sullivan soon became a powerful starmaker in the entertainment world himself, becoming one of Winchell's main rivals, setting the El Morocco nightclub in New York as his unofficial headquarters against Winchell's seat of power at the nearby Stork Club. Sullivan continued writing for The News throughout his broadcasting career and his popularity long outlived that of Winchell.

Television[link]

Sullivan with Cole Porter on Toast of the Town in 1952.

In 1948, the CBS network hired Sullivan to do a weekly Sunday night TV variety show, Toast of the Town, which later became The Ed Sullivan Show. Debuting in June 1948, the show was broadcast from CBS Studio 50, at 1697 Broadway (at 53rd Street) in New York City, which in 1967 was renamed the Ed Sullivan Theater (and is now the home of The Late Show with David Letterman).^[6]

Television critics gave the new show and its host poor reviews.^[7] Harriet Van Horne alleged that "he got where he is not by having a personality, but by having no personality." (The host wrote to the critic, "Dear Miss Van Horne: You bitch. Sincerely, Ed Sullivan."^[8]) Sullivan had little acting ability; in 1967, 20 years after his show's debut, Time magazine asked "What exactly is Ed Sullivan's talent?"^[8] His mannerisms on camera were so awkward that some viewers believed the host suffered from Bell's palsy.^[8] Time in 1955 stated that Sullivan resembled

a cigar-store Indian, the Cardiff Giant and a stone-faced monument just off the boat from Easter Island. He moves like a sleepwalker; his smile is that of a man sucking a lemon; his speech is frequently lost in a thicket of syntax; his eyes pop from their sockets or sink so deep in their bags that they seem to be peering up at the camera from the bottom of twin wells.^[7]

The magazine concluded, however, that "Yet, instead of frightening children, Ed Sullivan charms the whole family."^[7] Sullivan appeared to the audience as an average guy who brought the great acts of show business to their home televisions. ("Ed Sullivan will last", comedian Fred Allen said, "as long as someone else has talent",^[7] and frequent guest Alan King said "Ed does nothing, but he does it better than anyone else in television."^[8]) He had a newspaperman's instinct for what the public wanted, and programmed his variety hours with remarkable balance. There was something for everyone.^[7] A typical show would feature a vaudeville act (acrobats, jugglers, magicians, etc.), one or two popular comedians, a singing star, a hot jukebox favorite, a figure from the legitimate theater, and for the kids, a visit with puppet "Topo Gigio, the little Italian mouse." The bill was often international in scope, with many European performers augmenting the American artists.^[8]

Sullivan had a healthy sense of humor about himself and permitted—even encouraged—impersonators such as John Byner, Frank Gorshin, Rich Little and especially Will Jordan to imitate him on his show. Johnny Carson also did a fair impression, and even Joan Rivers imitated Sullivan's unique posture. The impressionists exaggerated his stiffness, raised shoulders, and nasal tenor phrasing, along with some of his commonly used introductions, such as "And now, right here on our stage...", "For all you youngsters out there...", and "a really big shew" (his pronunciation of the word "show"). Will Jordan portrayed Sullivan in the films I Wanna Hold Your Hand, The Buddy Holly Story, The Doors, Mr. Saturday Night, Down with Love, and in the 1979 TV movie Elvis.^[9]

In 1963, Ed Sullivan appeared as himself in the film Bye Bye Birdie.

Sullivan, the starmaker[link]

Ed Sullivan congratulates Izhak Perlman after a concert at Tel-Aviv, in 1958.

In the 1950s and 1960s, Sullivan was a respected starmaker because of the number of performers that became household names after appearing on the show. He had a knack for identifying and promoting top talent and paid a great deal of money to secure that talent for his show.

When Elvis Presley became popular, Sullivan was wary of the singer's bad-boy style and said that he would never invite Presley on his program. However, Presley became too big a name to ignore, and Sullivan scheduled him to appear on September 8, 1956. In August, however, Sullivan was injured in an automobile accident that occurred near his country home in Southbury, Connecticut. Sullivan had to take a medical leave from the series and missed the Elvis Presley show. Charles Laughton wound up introducing Presley on the Sullivan hour.^[10] After Sullivan got to know Presley personally, he made amends by telling his audience, "This is a real decent, fine boy."^[11]

Sullivan's failure to scoop the TV industry with Presley made him determined to get the next big sensation first. In 1964, he achieved that with the first live American appearance of The Beatles, on February 9, 1964, the most-watched program in TV history to that point and still one of the most-watched programs of all time.^[12] The Beatles appeared three more times on the Sullivan show in person, and submitted filmed performances later. Sullivan struck up such a rapport with the Beatles that he agreed to introduce them at their momentous Shea Stadium concert on August 15, 1965. The Dave Clark Five, heavily promoted as having a "cleaner" image than the Beatles, made 13 appearances on the Sullivan show, more than any other UK group.

Unlike many shows of the time, Sullivan asked that most musical acts perform their music live, rather than lip-synching to their recordings. Some of these performances have recently been issued on CD.^[13] Examination of performances show that exceptions were made, as when a microphone could not be placed close enough to a performer for technical reasons. An example was B.J. Thomas' 1969 performance of "Raindrops Keep Fallin' on My Head", in which actual water was sprinkled on him as a special effect. In 1969, Sullivan presented the Jackson 5 with their first single "I Want You Back", which ousted the B. J. Thomas song from the top spot of Billboard's pop charts.

Sullivan, shown here dressed up in a clown suit, hosted the 1972 special Clownaround.

Sullivan appreciated African American talent. He paid for the funeral of dancer Bill 'Bojangles' Robinson out of his own pocket. He also defied pressure to exclude African American musicians from appearing on his show. One of Sullivan's favorite and most frequent acts was The Supremes, who appeared 17 times on the show, helping to pave the way for other Motown acts to appear on the show such as The Temptations, The Four Tops, and Martha and the Vandellas.

At a time when television had not yet embraced country and Western music, Sullivan was adamant about featuring Nashville performers on his program. This insistence paved the way for shows such as Hee Haw and variety shows hosted by country singers like Johnny Cash and Glen Campbell.

The act that appeared most frequently through the show's run was the Canadian comedy duo of Wayne & Shuster, making 67 appearances between 1958 and 1969.

Sullivan also appeared as himself on other television programs, including an April 1958 episode of the Howard Duff and Ida Lupino CBS sitcom, Mr. Adams and Eve. On September 14, 1958 Sullivan appeared on What's My Line? as a mystery guest, and showed his comedic side by donning a rubber mask. In 1961, Sullivan was asked by CBS to fill in for an ailing Red Skelton on The Red Skelton Show. Sullivan took Skelton's roles in the various comedy sketches; Skelton's hobo character "Freddie the Freeloader" was renamed "Eddie the Freeloader."

Personality[link]

There was another side to Sullivan: he could be very quick to take offense if he felt he had been crossed, and could hold a grudge for a long time. This could sometimes be seen as a part of his TV personality. Jackie Mason, Bo Diddley, Buddy Holly, and The Doors became intimately familiar with Sullivan's negative side.

On November 20, 1955, Bo Diddley was asked by Sullivan to sing Tennessee Ernie Ford's hit "Sixteen Tons". Diddley sensed the choice of song would end his career then and there, and instead sang his #1 hit "Bo Diddley". He was banned from the show.

Buddy Holly and the Crickets had first appeared on the Sullivan show in 1957, singing two songs and making a favorable impression on Sullivan. He invited the band to make another appearance in January 1958. Sullivan thought their record hit "Oh, Boy!" was too raucous and ordered Holly to substitute another song. Holly had already told his hometown friends in Texas that he would be singing "Oh, Boy!" for them, and told Sullivan as much. Sullivan was unaccustomed to having his instructions disobeyed. When the band was summoned to the rehearsal stage on short notice, only Holly was in their dressing room. Sullivan said, "I guess The Crickets are not too excited to be on The Ed Sullivan Show," to which Holly, still annoyed by Sullivan's attitude, replied, "I hope they're damn more excited than I am." Sullivan, already bothered by the choice of songs, was now even angrier. He cut the Crickets' act from two songs to one, and when introducing them mispronounced Holly's name, so it came out vaguely as "Buddy Hollett." In addition, Sullivan saw to it that the microphone for Holly's electric guitar was turned off. Holly tried to compensate by singing as loudly as he could. The band was received so well that Sullivan was forced to invite them back for a third appearance. Holly's response was that Sullivan did not have enough money. Footage of the performance survives; photographs taken that day show Sullivan looking angry and Holly smirking and perhaps ignoring Sullivan.

In 1963, Bob Dylan was set to appear on the show, but network censors rejected the song he wanted to perform, "Talkin' John Birch Paranoid Blues", as potentially libelous to the John Birch Society. Refusing to perform a different song, Dylan walked off the set at dress rehearsal. Sullivan, who had approved the song at a previous rehearsal, backed Dylan's decision. The incident resulted in accusations against the network of engaging in censorship. This was not the first incident of apparent network censorship on Sullivan's show. In 1956, Sullivan flew to Europe and was able to film an interview with Ingrid Bergman, Yul Brynner, and Helen Hayes on the set of the film Anastasia. When he arrived home, Sullivan learned he would not be able to air the Bergman material from it.^[10]

Jackie Mason was banned from the series in October 1964 (the ban was removed a year and a half later, and Mason made his final appearance on the show). During a taping of Mason's monologue Sullivan, off camera, gestured that Mason should wrap things up, as the show was suddenly shown live following an abbreviated address by President Lyndon Johnson, which was expected to preempt the entire show.^[14] The nervous Mason told the audience, "I'm getting two fingers here!" and made his own frantic hand gesture: "Here's a finger for you!" Videotapes of the incident are inconclusive as to whether Mason's upswept hand was intended to be an indecent gesture, but Sullivan's body language immediately afterward made it clear that he was convinced of it, despite Mason's panic-stricken denials later.^[15] Sullivan later invited Mason back for a return engagement, but the notoriety of the "finger" incident lingered with the studio audience.

When The Byrds performed on December 12, 1965, David Crosby got into a shouting match with the show's director. They were never asked to return.^[16][17]

On January 15, 1967 The Rolling Stones were told to change the chorus of "Let's Spend the Night Together" to "Let's spend some time together". Lead singer Mick Jagger complied, but deliberately called attention to this censorship by rolling his eyes and mugging when he uttered the new words.^[18] Shortly, after the performance, the Stones went backstage, and came back on stage, dressed in Nazi uniforms with swastikas, which caused an angry Sullivan to tell them to go back to their dressing rooms and change back into their performing outfits, however, the Stones left the studio and Sullivan banned the group from ever appearing on his show again.^{[19][Full citation needed][page needed]} Nonetheless, the Stones appeared on the show one final time on November 23, 1969.^[20]

The Doors were banned on September 17, 1967 after they were asked to remove the lyric "Girl, we couldn't get much higher" from their song "Light My Fire" (CBS censors believed that it was too overt a reference to drug use). The band was asked to change the lyric to "girl we couldn't get much better". Morrison sang the original lyric.^[21]

Moe Howard of the Three Stooges recalled in 1975 that Sullivan had a memory problem of sorts: "Ed was a very nice man, but for a showman, quite forgetful. On our first appearance, he introduced us as the Three Ritz Brothers. He got out of it by adding, 'who look more like the Three Stooges to me'."^[22] Joe DeRita, who worked with the Stooges after 1959, had commented that Sullivan had a personality "like the bottom of a bird cage."^[23]

Diana Ross later recalled Sullivan's forgetfulness during the many occasions The Supremes performed on his show. In a 1995 appearance on The Late Show with David Letterman (which is filmed in Ed Sullivan Theater), Ross stated, "he could never remember our names. He called us 'the girls'." ^[24][25]

In a 1990 press conference Paul McCartney recalled meeting Sullivan again in the early 1970s. Sullivan apparently had no idea who McCartney was. McCartney tried to remind Sullivan that he was one of The Beatles but Sullivan obviously could not remember and, nodding and smiling, simply shook McCartney's hand and left.

Politics[link]

Sullivan, like many American entertainers, was pulled into the Cold War fervor of the late 1940s and 1950s. In 1949, Sullivan booked dancer Paul Draper to appear on Toast of the Town. However, Draper’s scheduled appearance in January 1950 was met with opposition from Hester McCullough, a woman who involved herself in the hunt for subversives. McCullough accused Draper of sympathizing with the communist party, and although Draper denied the accusation, McCullough demanded that Sullivan’s lead sponsor, the Ford Motor Company, cancel Draper’s appearance. Despite McCullough’s protest, Draper was a guest on Toast of the Town, as was originally scheduled. After the program was broadcast, Ford received over a thousand angry letters and telegraphs in response to Draper’s appearance. Consequently, Sullivan was obligated to write a letter of apology to Ford’s advertising agency, Kenyon & Eckhardt, promising to never again move forward with such a controversial guest. Meanwhile, Draper was forced to move to Europe to earn a living.^[26]

Another guest who never appeared on the show because of the controversy surrounding him was legendary African-American singer-actor Paul Robeson, who, at the time of the Draper incident, was undergoing his own troubles with the industry's hunt for supposed Communist sympathizers.

After the Draper incident, Sullivan began to work closely with Theodore Kirkpatrick of the anti-communist Counterattack newsletter. Sullivan would check with Kirkpatrick if a potential guest had some "explaining to do" about his politics. Sullivan wrote in his June 21, 1950 New York Daily News column that "Kirkpatrick has sat in my living room on several occasions and listened attentively to performers eager to secure a certification of loyalty."^[27] Jerome Robbins, in his PBS American Experience biography, claimed that he was forced to capitulate to the House Un-American Activities Committee, identifying eight Communist sympathizers and disgracing himself among his fellow artists, allegedly because Sullivan threatened to reveal Robbins's homosexuality to the public.

Later years and death[link]