birth name | Alan Oswald Moore |
---|
pseudonym | Curt VileJill de RayTranslucia Baboon |
---|
birth date | November 18, 1953 |
---|
birth place | Northampton, Northamptonshire, England, UK |
---|
occupation | Comics writer, novelist, short story writer, screenwriter, musician, cartoonist, magician |
---|
nationality | British |
---|
genre | Science fiction, fiction, non-fiction |
---|
notableworks | ''Watchmen'', ''V for Vendetta'', ''From Hell'', ''The League of Extraordinary Gentlemen'', ''Batman: The Killing Joke'', ''Voice of the Fire'', ''Lost Girls'' |
---|
spouse | Phyllis MooreMelinda Gebbie |
---|
children | Amber MooreLeah Moore |
---|
influences | William Blake, Angela Carter, William S. Burroughs, Thomas Pynchon, Robert Anton Wilson, Clive Barker, Bryan Talbot, Michael Moorcock, Bertold Brecht, H. P. Lovecraft, Iain Sinclair, Will Eisner, Steve Ditko, Jack Kirby, Edgar Allan Poe, Dave Sim |
---|
influenced | Neil Gaiman, Susanna Clarke, Joss Whedon, Kurt Busiek, Brian Azzarello, Brian K. Vaughan, Mark Millar Geoff Johns, Damon Lindelof, Dax Riggs, Tim Burton}} |
---|
Alan Oswald Moore (born 18 November 1953) is an English writer primarily known for his work in comic books, a medium where he has produced a number of critically acclaimed and popular series, including ''
Watchmen'', ''
V for Vendetta'', and ''
From Hell''. Frequently described as the best comic writer in history, he has also been described as "one of the most important British writers of the last fifty years". He has occasionally used such pseudonyms as
Curt Vile,
Jill de Ray, and
Translucia Baboon.
Moore started out writing for British underground and alternative fanzines in the late 1970s before achieving success publishing comic strips in such magazines as ''2000AD'' and ''Warrior''. He was subsequently picked up by the American DC Comics, and as "the first comics writer living in Britain to do prominent work in America", In the late 1980s and early 1990s he left the comic industry mainstream and went independent for a while, working on experimental work such as the epic ''From Hell'', pornographic ''Lost Girls'', and the prose novel ''Voice of the Fire''. He subsequently returned to the mainstream later in the 1990s, working for Image comics, before developing America's Best Comics, an imprint through which he published works such as ''The League of Extraordinary Gentlemen'' and the occult-based ''Promethea''.
Moore is also known as a Neopagan, occultist, ceremonial magician, vegetarian and anarchist and has featured such themes in works including ''Promethea'', ''From Hell'' and ''V for Vendetta'', as well as performing avant-garde spoken word occult "workings" with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD.
Despite his own personal objection to them, his books have provided the basis for a number of Hollywood films, including ''From Hell'' (2001), ''The League of Extraordinary Gentlemen'' (2003), ''V for Vendetta'' (2005) and ''Watchmen'' (2009). Moore has also been referenced in popular culture, and has been recognised as an influence on a variety of literary and television figures including Neil Gaiman, Joss Whedon, and Damon Lindelof.
Biography
Early life: 1953–1977
Moore was born on 18 November 1953, at St. Edmond’s Hospital in
Northampton, Northamptonshire, England, to a working class family whom he believed had lived in the town for several generations. where he first came into contact with people who were middle class and better educated, and he was shocked at how he went from being one of the top pupils at his primary school to one of the lowest in the class at secondary. Subsequently disliking school and having "no interest in academic study", he believed that there was a "covert curriculum" being taught that was designed to indoctrinate children with "punctuality, obedience and the acceptance of monotony". The headmaster of the school subsequently "got in touch with various other academic establishments that I'd applied to and told them not to accept me because I was a danger to the moral well-being of the rest of the students there, which was possibly true." Meanwhile, Moore decided to focus more fully on writing comics rather than both writing and drawing them, stating that "After I'd been doing [it] for a couple of years, I realised that I would never be able to draw well enough and/or quickly enough to actually make any kind of decent living as an artist."
To learn more about how to write a successful comic book script, he asked advice from his friend, comic book writer Steve Moore, whom he had known since he was fourteen. – and instead asked him to write some short stories for the publication's ''Future Shocks'' series instead. While the first few were rejected, Grant advised Moore on improvements, and eventually accepted the first of many. Meanwhile, Moore had also begun writing minor stories for ''Doctor Who Weekly'', and later commented that "I really, really wanted a regular strip. I didn’t want to do short stories… But that wasn't what was being offered. I was being offered short four or five page stories where everything had to be done in those five pages. And, looking back, it was the best possible education that I could have had in how to construct a story." Another series he produced for ''2000AD'' was ''D.R. and Quinch'', which was illustrated by Alan Davis. The story, which Moore described as "continuing the tradition of Dennis the Menace, but giving him a thermonuclear capacity", He replaced the former writer Dave Thorpe, but maintained the original artist, Alan Davis, who Moore described as "an artist whose love for the medium and whose sheer exultation upon finding himself gainfully employed within it shine from every line, every new costume design, each nuance of expression." The third series that Moore produced for ''Warrior'' was ''The Bojeffries Saga'', a comedy about a working-class English family of vampires and werewolves, drawn by Steve Parkhouse. ''Warrior'' closed before these stories were completed, but under new publishers both ''Miracleman'' and ''V for Vendetta'' were resumed by Moore, who finished both stories by 1989. Moore's biographer Lance Parkin remarked that "reading them through together throws up some interesting contrasts – in one the hero fights a fascist dictatorship based in London, in the other an Aryan superman imposes one."
Meanwhile, during this same period, he – using the pseudonym of Translucia Baboon – became involved in the music scene, founding his own band, The Sinister Ducks, with David J (of goth band Bauhaus) and Alex Green, and in 1983 released a single, ''March of the Sinister Ducks'', with sleeve art by illustrator Kevin O'Neill. In 1984, Moore and David J also released a 12-inch single featuring a recording of "This Vicious Cabaret", a song featured in ''V for Vendetta'', which was released on the Glass Records label.
The American mainstream and DC Comics: 1983–1988
Moore's British work brought him to the attention of
DC Comics editor
Len Wein, who hired him in 1983 to write ''
Swamp Thing'', then a formulaic and poor-selling monster comic. Moore, along with artists
Stephen R. Bissette,
Rick Veitch, and
John Totleben, deconstructed and reimagined the character, writing a series of formally experimental stories that addressed environmental and social issues alongside the horror and fantasy, bolstered by research into the culture of
Louisiana, where the series was set. For ''Swamp Thing'' he revived many of DC's neglected magical and supernatural characters, including the
Spectre, the
Demon, the
Phantom Stranger,
Deadman, and others, and introduced
John Constantine, an English working-class magician based visually on the British musician
Sting, which later became the protagonist of the series ''
Hellblazer'', the longest continuously published comic of DC's
Vertigo imprint. Moore would continue writing ''Swamp Thing'' for about three years, from issue No. 20 (January 1984) through to issue No. 64 (September 1987) with the exception of issues No. 59 and #62. These titles laid the foundation of what became the Vertigo line.
Moore began producing further stories for DC Comics, including a two-part story for ''Vigilante'', which dealt with domestic abuse. He was eventually given the chance to write a story for one of DC's best known superheroes, Superman, entitled ''For the Man Who Has Everything'', which was illustrated by Dave Gibbons and released in 1985. In this story, Wonder Woman, Batman, and Robin visit Superman on his birthday, only to find that he has been overcome by an alien organism and is hallucinating about his heart's desire. Indeed, it is widely seen as Moore's best work, and has been regularly described as the greatest comic book ever written.
In 1987 Moore submitted a proposal for a miniseries called ''Twilight of the Superheroes'', the title a twist on Richard Wagner's opera ''Götterdämmerung'' (meaning "Twilight of the Gods"). The series was set in the future of the DC Universe, where the world is ruled by superheroic dynasties, including the House of Steel (presided over by Superman and Wonder Woman) and the House of Thunder (led by the Captain Marvel family). These two houses are about to unite through a dynastic marriage, their combined power potentially threatening freedom, and several characters, including John Constantine, attempt to stop it and free humanity from the power of superheroes. The series would also have restored the DC Universe's multiple earths, which had been eliminated in the continuity-revising 1985 miniseries ''Crisis on Infinite Earths''. The series was never commissioned, but copies of Moore's detailed notes have appeared on the Internet and in print despite the efforts of DC, who consider the proposal their property. and according to certain reports, he and Gibbons gained only 2% of the profits earned by DC for ''Watchmen''. Moore followed this with a second political work, ''Shadowplay: The Secret Team'', a comic illustrated by Bill Sienkiewicz for Eclipse Comics and commissioned by the Christic Institute, which was included as a part of the anthology ''Brought to Light'', a description of the CIA's covert drug smuggling and arms dealing. Following this, in 1991 the company Victor Gollancz Ltd published Moore's ''A Small Killing'', a full length story illustrated by Oscar Zarate, about a once idealistic advertising executive haunted by his boyhood self. According to Lance Parkin, ''A Small Killing'' is "quite possibly Moore's most underrated work." Moore reasoned that to solve a crime holistically, one would need to solve the entire society it occurred in, and depicts the murders as a consequence of the politics and economics of the time. Just about every notable figure of the period is connected with the events in some way, including "Elephant Man" Joseph Merrick, Oscar Wilde, Native American writer Black Elk, William Morris, artist Walter Sickert, and Aleister Crowley, who makes a brief appearance as a young boy. Illustrated in a sooty pen and ink style by Eddie Campbell, ''From Hell'' took nearly ten years to complete, outlasting ''Taboo'' and going through two more publishers before being collected as a trade paperback by Eddie Campbell Comics. It was widely praised, with comics author Warren Ellis calling it "my all-time favourite graphic novel".
The other series that Moore began for ''Taboo'' was ''Lost Girls'', which he described as a work of intelligent "pornography". Illustrated by Melinda Gebbie, whom Moore subsequently entered into a relationship with, it was set in 1913, where Alice from ''Alice in Wonderland'', Dorothy from ''The Wizard of Oz'' and Wendy from ''Peter Pan'' – who are each of a different age and class – all meet in a European hotel and regale each other with tales of their sexual encounters. Moore decided that there were too many people involved to back out from the project, and so ABC was launched in early 1999. A ''Cobweb'' story Moore wrote for ''Tomorrow Stories'' No. 8 featuring references to L. Ron Hubbard, American occultist Jack Parsons, and the "Babalon Working", was blocked by DC Comics due to the subject matter. Ironically, it was later revealed that they had already published a version of the same event in their Paradox Press volume ''The Big Book of Conspiracies''.
In 2003, a documentary about him was made by Shadowsnake Films, titled ''The Mindscape of Alan Moore'', which was later released on DVD.
Return to independence: 2009–present
With many of the stories he had planned for America's Best Comics brought to an end, and with his increasing dissatisfaction with how DC Comics were interfering with his work, he decided to once more pull out of the comics mainstream. Speaking to Bill Baker in 2005, he remarked that "I love the comics medium. I pretty much detest the comics industry. Give it another 15 months, I'll probably be pulling out of mainstream, commercial comics." He expanded on this for a 2009 book-length essay entitled ''25,000 years of Erotic Freedom'', which was described by a reviewer as "a tremendously witty history lecture – a sort of
Horrible Histories for grownups."
In 2007, Moore married Melinda Gebbie after a lengthy romance. The same year he also appeared in animated form in an episode of ''The Simpsons'' – a show he is a fan of – entitled "Husbands and Knives", which aired on his fifty-fourth birthday.
In 2010 Moore began what he described as "the 21st century's first underground magazine". Titled ''Dodgem Logic'', the bi-monthly publication consists of work by a number of Northampton-based authors and artists, as well as original contributions from Moore.
In January 2011, the fourth and final issue of Moore's ''Neonomicon'' was released by Avatar Press. This horror mini-series is set in the H. P. Lovecraft universe, and like its prequel ''The Courtyard'', is illustrated by Jacen Burrows. In summer 2011 the second instalment of ''The League of Extraordinary Gentlemen: Century'' will be released, set in 1969.
A planned future project is an occult textbook known as ''The Moon and Serpent Bumper Book of Magic'', written with Steve Moore. It will be published by Top Shelf in "the future". He is also currently working on a second novel, ''Jerusalem'', which will again be set in Northampton.
Recently Moore has appeared live at music events collaborating with a number of different musicians, with a forthcoming appearance with Stephen O'Malley confirmed for the ATP 'I'll Be Your Mirror' music festival in London.
Work
Themes
In a number of his comics, where he was taking over from earlier writers, including ''Marvelman'', ''Swamp Thing'', and ''Supreme'', he used the "familiar tactic of wiping out what had gone before, giving the hero amnesia and revealing that everything we'd learned to that point was a lie."
Thomas Pynchon,
Robert Anton Wilson and
Iain Sinclair,
New Wave science fiction writers like
Michael Moorcock and
horror writers like
Clive Barker. Influences within comics include
Will Eisner,
Harvey Kurtzman,
Jack Kirby and
Bryan Talbot.
Recognition and awards
Moore's work in the comic book medium has been widely recognised by his peers and by critics. George Khoury asserted that "to call this free spirit the best writer in the history of comic books is an understatement" Douglas Wolk observed: "Moore has undisputably made it into the Hall of Fame: he's one of the pillars of English language comics, alongside Jack Kirby and Will Eisner and Harvey Kurtzman and not many others. He's also the grand exception in that hall, since the other pillars are artists – and more often than not, writer/artists. Moore is a writer almost exclusively, though his hyper detailed scripts always play to the strengths of the artists he works with. That makes him the chief monkey wrench in comics author theory. The main reason that almost nobody's willing to say that a single cartoonist is ''categorically'' superior to a writer/artist team is that such a rule would run smack into Moore's bibliography. In fact, a handful of cartoonists who almost always write the stories they draw have made exceptions for Moore – Jaime Hernandez, Mark Beyer and most memorably Eddie Campbell."
Moore has won numerous Jack Kirby Awards during his career, including for Best Single Issue for ''Swamp Thing Annual'' No. 2 in 1985 with John Totleben and Steve Bissette, for Best Continuing Series for ''Swamp Thing'' in 1985, 1986 and 1987 with Totleben and Bissette, Best Writer for ''Swamp Thing'' in 1985 and 1986 and for ''Watchmen'' in 1987, and with Dave Gibbons for Best Finite Series and Best Writer/Artist (Single or Team) for ''Watchmen'' in 1987.
Moore has won multiple Eagle Awards, including virtually a "clean sweep" in 1986 for his work on ''Watchmen'' and ''Swamp Thing''. Moore not only won "favourite writer in both the US and UK categories", but had his work win for favourite comic book, supporting character, and new title in the US; and character, continuing story and "character worthy of own title" in the UK (in which last category his works held all top three spots).
Moore has been nominated for the Comics Buyer's Guide Fan Awards several times, winning for Favorite Writer in 1985, 1986, 1987, 1999, and 2000. Also, he won the CBG Fan Award for Favorite Comic Book Story (''Watchmen'') in 1987 and Favorite Original Graphic Novel or Album (''Batman: The Killing Joke'' with Brian Bolland) in 1988.
He received the Harvey Award for Best Writer for 1988 (for ''Watchmen''), for 1995 and 1996 (for ''From Hell''), for 1999 (for his body of work, including ''From Hell'' and ''Supreme''), for 2000 (for ''The League of Extraordinary Gentlemen''), and for 2001 and 2003 (for ''Promethea'').
He has received the Eisner Award for Best Writer nine times since 1988, and among his numerous international prizes are the German Max & Moritz Prize for an exceptional oeuvre (2008) and the British National Comics Award for Best Comics Writer Ever (in 2001 and 2002). Hij also won French awards like the Angoulême International Comics Festival Prize for Best Album for ''Watchmen'' in 1989 and ''V for Vendetta'' in 1990, and the Prix de la critique for ''From Hell'' in 2001, the Swedish Urhunden Prize in 1992 for ''Watchmen'' and several Spanish Haxtur Awards, in 1988 for ''Watchmen'' and 1989 for ''Swamp Thing'' No. 5 (both for Best Writer).
Moore was also lauded outside the world of comics. In 1988, Moore and artist Dave Gibbons won a Hugo Award in the category Other Forms for ''Watchmen''. The category was created for that year only, via a rarely-used provision that allows the Committee of the Worldcon to create any temporary Additional Category it feels appropriate (no subsequent committee has repeated this category).
In 1988 he received a World Fantasy Award for Best Novella for ''A Hypothetical Lizard'', which Avatar Press published in 2004 as a comics adaption by Antony Johnston. Moore also won two International Horror Guild Awards in the category Graphic Story/Illustrated Narrative (in 1995 with Eddie Campbell for ''From Hell'' and in 2003 with Kevin O'Neill for ''The League of Extraordinary Gentlemen'') and in 2000 ''The League of Extraordinary Gentlemen'' landed a Bram Stoker Award in the category Best Illustrated Narrative.
In 2005, ''Watchmen'' was the only comic book to make it onto Time Magazine's "All-Time 100 Novels" list.
Selected bibliography
;Comics
''V for Vendetta'' (1982–1985)
''Watchmen'' (1986–1987)
''Batman: The Killing Joke'' (1988)
''Lost Girls'' (1991–1992, 2006)
''From Hell'' (1991–1996)
''The League of Extraordinary Gentlemen'' (1999–present)
;Novels
''Voice of the Fire'' (1996)
''Jerusalem'' (forthcoming)
;Non-fiction
''Alan Moore's Writing for Comics'' (2003)
Film adaptations
Due to the success of his comics, a number of filmmakers have expressed a desire to make film adaptations over the years. However, Moore himself has consistently opposed such ventures, stating that "I wanted to give comics a special place when I was writing things like ''Watchmen''. I wanted to show off just what the possibilities of the comic book medium were, and films are completely different." Expressing similar sentiments, he also remarked that "If we only see comics in relation to movies then the best that they will ever be is films that do not move. I found it, in the mid 80s, preferable to concentrate on those things that only comics could achieve. The way in which a tremendous amount of information could be included visually in every panel, the juxtapositions between what a character was saying, and what the image that the reader was looking at would be. So in a sense… most of my work from the 80s onwards was designed to be un-filmable."
The first film to be based upon Moore's work was ''From Hell'' in 2001, which was directed by the Hughes Brothers. The film made a number of radical differences from the original comic, altering the main character from an older, conservative detective to a young character played by Johnny Depp. This was followed in 2003 with ''The League of Extraordinary Gentlemen'', a film that departed radically from the books, changing the ending from a mob war over the skies of London to the infiltration of a secret base in Tibet. For these two works, Moore was content to allow the filmmakers to do whatever they wished and removed himself from the process entirely. "As long as I could distance myself by not seeing them," he said, he could profit from the films while leaving the original comics untouched, "assured no one would confuse the two. This was probably naïve on my part." His attitude changed after producer Martin Poll and screenwriter Larry Cohen filed a lawsuit against 20th Century Fox, alleging that the film ''The League of Extraordinary Gentlemen'' plagiarised an unproduced script they had written entitled ''Cast of Characters''. Although the two scripts bear many similarities, most of them are elements that were added for the film and do not originate in Moore's comics. According to Moore, "They seemed to believe that the head of 20th Century Fox called me up and persuaded me to steal this screenplay, turning it into a comic book they could then adapt back into a movie, to camouflage petty larceny." Moore testified in a deposition, a process he found so unpleasant that he surmised he would have been better treated had he "molested and murdered a busload of retarded children after giving them heroin". Fox's settlement of the case insulted Moore, who interpreted it as an admission of guilt.
In 2005, a film adaptation of Moore's ''V for Vendetta'' was released, produced by the Wachowski Brothers and directed by James McTeigue. Producer Joel Silver said at a press conference for the Warner Bros.' ''V for Vendetta'' that fellow producer Larry Wachowski had talked with Moore, and that "[Moore] was very excited about what Larry had to say." Moore disputed this, reporting that he told Wachowski "I didn't want anything to do with films... I wasn't interested in Hollywood," and demanded that DC Comics force Warner Bros to issue a public retraction and apology for Silver's "blatant lies". Although Silver called Moore directly to apologise, no public retraction appeared. Moore was quoted as saying that the comic book had been "specifically about things like fascism and anarchy. Those words, 'fascism' and 'anarchy,' occur nowhere in the film. It's been turned into a Bush-era parable by people too timid to set a political satire in their own country." This conflict between Moore and DC Comics was the subject of an article in ''The New York Times'' on 12 March 2006, five days before the USA release. In the ''New York Times'' article, Silver stated that about 20 years prior to the film's release, he met with Moore and Dave Gibbons when Silver acquired the film rights to ''V For Vendetta'' and ''Watchmen''. Silver stated, "Alan was odd, but he was enthusiastic and encouraging us to do this. I had foolishly thought that he would continue feeling that way today, not realising that he wouldn't." Moore did not deny this meeting or Silver's characterisation of Moore at that meeting, nor did Moore state that he advised Silver of his change of opinion in those approximately 20 years. The ''New York Times'' article also interviewed David Lloyd about Moore's reaction to the film's production, stating, "Mr. Lloyd, the illustrator of ''V for Vendetta'', also found it difficult to sympathise with Mr. Moore's protests. When he and Mr. Moore sold their film rights to the comic book, Mr. Lloyd said: "We didn't do it innocently. Neither myself nor Alan thought we were signing it over to a board of trustees who would look after it like it was the Dead Sea Scrolls."
Moore has subsequently stated that he wishes his name to be removed from all comic work that he does not own, including ''Watchmen'' and ''V for Vendetta'', much as unhappy film directors often choose to have their names removed and be credited as "Alan Smithee". He also announced that he would not allow his name to be used in any future film adaptations of works he does not own, nor would he accept any money from such adaptations. This request was respected by the producers of the subsequent adaptations of his work ''Constantine'' (2005) (based on a character created by Moore) and ''Watchmen'' (2009), and his name was removed from the ''V for Vendetta'' credits.
Personal life
Since his teenage years Moore has had long hair, and since early adulthood has also worn a beard. He has taken to wearing a number of large rings on his hands, leading him to be described as a "cross between
Hagrid and Danny from ''
Withnail And I''" who could be easily mistaken for "the village eccentric". On 12 May 2007, he married
Melinda Gebbie, with whom he has worked on several comics, most notably ''Lost Girls''.
Religion and magic
On his fortieth birthday in 1993, Moore openly declared his dedication to being a
ceremonial magician, something he saw as "a logical end step to my career as a writer". According to a 2001 interview, his inspiration for doing this came when he was writing ''
From Hell'' in the early 1990s, a book containing much
Freemasonic and occult symbolism: "One word balloon in ''From Hell'' completely hijacked my life… A character says something like, 'The one place gods inarguably exist is in the human mind'. After I wrote that, I realised I'd accidentally made a true statement, and now I'd have to rearrange my entire life around it. The only thing that seemed to really be appropriate was to become a magician." but dismisses as irrelevant. According to Ethan Doyle-White, "The very fact that Glycon was probably one big hoax was enough to convince Moore to devote himself to the scaly lord, for, as Moore maintains, the imagination is just as real as reality."}}
Doing research into conspiracy theories for his work on ''Brought to Light'', he came to develop his own opinions on the subject of a global conspiracy, stating that "Yes, there is a conspiracy, indeed there are a great number of conspiracies, all tripping each other up… the main thing that I learned about conspiracy theories is that conspiracy theorists actually believe in the conspiracy because that is more comforting. The truth of the world is that it is chaotic. The truth is, that it is not the Jewish banking conspiracy, or the grey aliens, or the twelve-foot reptiloids from another dimension that are in control, the truth is far more frightening; no-one is in control, the world is rudderless."
See also
Notes
References
(The definitive behind-the-scenes story of the demise of Moore's magnum opus.)
External links
Dodgem Logic official website
Category:1953 births
Category:Living people
Category:Alternate history writers
Category:Authors of books about writing fiction
Category:Chaos magicians
Category:Comic strip cartoonists
Category:Cthulhu Mythos writers
Category:English anarchists
Category:English cartoonists
Category:English comics writers
Category:English novelists
Category:English occultists
Category:English science fiction writers
Category:English vegetarians
Category:Old Northamptonians
Category:Hugo Award winning authors
Category:People from Northampton
Category:Prometheus Award winning authors
Category:Eisner Award winners for Best Writer
Category:Eisner Award winners for Best Writer/Artist
Category:Harvey Award winners for Best Writer
Category:Postmodern writers
ca:Alan Moore
cs:Alan Moore
da:Alan Moore
de:Alan Moore
et:Alan Moore
el:Άλαν Μουρ
es:Alan Moore
fr:Alan Moore
ga:Alan Moore
gl:Alan Moore
ko:앨런 무어
hr:Alan Moore
id:Alan Moore (penulis)
it:Alan Moore
he:אלן מור
hu:Alan Moore
nl:Alan Moore
ja:アラン・ムーア
no:Alan Moore
nn:Alan Moore
pl:Alan Moore
pt:Alan Moore
ru:Мур, Алан
sq:Alan Moore
simple:Alan Moore
sh:Alan Moore
fi:Alan Moore
sv:Alan Moore
ta:ஆலன் மூர்
tr:Alan Moore