A record label is a brand and a trademark associated with the marketing of music recordings and music videos. Most commonly, a record label is the company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing and promotion, and enforcement of copyright protection of sound recordings and music videos; conducts talent scouting and development of new artists ("artists and repertoire" or "A&R"); and maintains contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information.^[1]

Music industry[link]

Within the music industry; most recording artists have become increasingly reliant upon record labels to broaden their consumer base, market their albums, and be both promoted and heard on mp3, radio, etc. and of course television also, with publicists that assist performers in positive media reports to market their merchandise, and make it available via stores and other media outlets. The Internet has increasingly been a way that some artists avoid costs and gain new audiences, as well as the use of videos in some cases, to sell their products.

Major vs. independent record labels[link]

Record labels may be small, localized, and "independent" ("indie"), or they may be part of a large international media group, or somewhere in between. The largest four record labels are called "major labels".^[2] A "sublabel" is a label that is part of a larger record company, but it trades under a different name.

Imprint[link]

When a label is strictly a trademark or brand, not a company, then it is usually called an imprint, a term used for the same concept in the publishing industry. An imprint is sometimes marketed as being a project, unit, or division of a record label company, even though there is no legal business structure associated with the imprint.

Major labels[link]

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Major labels 1988–1998 (Big Six)

1. Warner Music Group
2. EMI
3. Sony Music (known as CBS Records until January 1991 then known as Sony Music thereafter)
4. BMG Music
5. Universal Music Group
6. Polygram

Major labels 1998–2004 (Big Five)

1. Warner Music Group
2. EMI
3. Sony Music
4. BMG Music
5. Universal Music Group (Polygram absorbed into UMG)

Major labels 2004–2008 (Big Four)

1. Warner Music Group
2. EMI
3. Sony BMG (Sony and BMG joint-venture)
4. Universal Music Group

Major labels 2008–2011 (Big Four)

1. Sony Music Entertainment
2. EMI Group
3. Warner Music Group
4. Universal Music Group

Major labels since late 2011, if approved (Big Three)

1. Sony Music Entertainment
2. Warner Music Group
3. Universal Music Group (EMI recorded music division to be absorbed into UMG, pending approval by antitrust regulators^[3][4])

Record labels are often under the control of a corporate umbrella organization called a "music group". A music group is typically owned by an international conglomerate "holding company", which often has non-music divisions as well. A music group controls and consists of music publishing companies, record (sound recording) manufacturers, record distributors, and record labels. As of 2005, the "big four" music groups control about 70% of the world music market, and about 80% of the United States music market. Record companies (manufacturers, distributors, and labels) may also comprise a "record group" which is, in turn, controlled by a music group. The constituent companies in a music group or record group are sometimes marketed as being "divisions" of the group.

Independent[link]

Record companies and music publishers that are not under the control of the big three are generally considered to be independent (indie), even if they are large corporations with complex structures. The term indie label is sometimes used to refer to only those independent labels that adhere to an independent criteria of corporate structure and size, and some consider an indie label to be almost any label that releases non-mainstream music, regardless of its corporate structure.

Sublabel[link]

Music collectors often use the term sublabel to refer to either an imprint or a subordinate label company (such as those within a group). For example, in the 1980s and 1990s, "4th & B'way" was a trademarked brand owned by Island Records Ltd. in the UK and by a subordinate branch, Island Records, Inc., in the United States. The center label on a 4th & Broadway record marketed in the US would typically bear a 4th & B'way logo and would state in the fine print, "4th & B'way™, an Island Records, Inc. company". Collectors discussing labels as brands would say that 4th & B'way is a sublabel or imprint of just "Island" or "Island Records". Similarly, collectors who choose to treat corporations and trademarks as equivalent might say 4th & B'way is an imprint and/or sublabel of both Island Records, Ltd. and that company's sublabel, Island Records, Inc. However, such definitions are complicated by the corporate mergers that occurred in 1989 (when Island was sold to PolyGram) and 1998 (when PolyGram merged with Universal). Island remained registered as corporations in both the US and UK, but control of its brands changed hands multiple times as new companies were formed, diminishing the corporation's distinction as the "parent" of any sublabels.

Vanity labels[link]

Vanity labels are labels that bear an imprint that gives the impression of an artist's ownership or control, but in fact represent a standard artist/label relationship. In such an arrangement, the artist will control nothing more than the usage of the name on the label, but may enjoy a greater say in the packaging of his or her work. An example of such a label is the Neutron label owned by ABC while at Phonogram in Great Britain. At one point artist Lizzie Tear (under contract with ABC themselves) appeared on the imprint, but it was devoted almost entirely to ABC's offerings and is still used for their re-releases (though Phonogram owns the masters of all the work issued on the label).

However, not all labels dedicated to particular artists are completely superficial in origin. Many artists, early in their careers, create their own labels which are later bought out by a bigger company. If this is the case it can sometimes give the artist greater freedom than if they were signed directly to the big label. There are many examples of this kind of label, such as Nothing Records, owned by Trent Reznor of Nine Inch Nails; and Morning Records, owned by The Cooper Temple Clause, who were releasing EPs for years before the company was bought by RCA.

Relationship with artists[link]

A label typically enters into an exclusive recording contract with an artist to market the artist's recordings in return for royalties on the selling price of the recordings. Contracts may extend over short or long durations, and may or may not refer to specific recordings. Established, successful artists tend to be able to renegotiate their contracts to get terms more favorable to them, but Prince's much-publicized 1994–1996 feud with Warner Bros. provides a strong counterexample, as does Roger McGuinn's claim, made in July 2000 before a US Senate committee, that The Byrds never received any of the royalties they had been promised for their biggest hits, "Mr. Tambourine Man" and "Turn, Turn, Turn".^[5]

A contract either provides for the artist to deliver completed recordings to the label, or for the label to undertake the recording with the artist. For artists without a recording history, the label is often involved in selecting producers, recording studios, additional musicians, and songs to be recorded, and may supervise the output of recording sessions. For established artists, a label is usually less involved in the recording process.

The relationship between record labels and artists can be a difficult one. Many artists have had albums altered or censored in some way by the labels before they are released—songs being edited, artwork or titles being changed, etc. Record labels generally do this because they believe that the album will sell better if the changes are made. Often the record label's decisions are prudent ones from a commercial perspective, but this typically frustrates the artist who feels that their artwork is being diminished or misrepresented by such actions.

In the early days of the recording industry, record labels were absolutely necessary for the success of any artist. The first goal of any new artist or band was to get signed to a contract as soon as possible. In the 1940s, 1950s and 1960s, many artists were so desperate to sign a contract with a record company that they usually ended up signing a bad contract, typically giving away the rights to their music in the process. To this day, standard recording contracts define record labels as the rightsholders of the music that the contracts cover. Entertainment lawyers can be used by some to look over any contract before it is signed.^{[citation needed]}

Through the advances of the Internet the role of labels is becoming increasingly diminished, as artists are able to freely distribute their own material through web radio, peer to peer file sharing such as BitTorrent, and other services, for little or no cost. Bigger artists such as Nine Inch Nails have announced an end to their major label contracts, citing that the uncooperative nature of the recording industry with these new trends are hurting musicians and the industry as a whole, and most of all hurting the fans.^[6] Radiohead also cited similar motives with the end of their contract with EMI when their album In Rainbows was released as a "pay what you want" sales model as an online download.

New label strategies[link]

With the advancement of the computer and technology like internet, leading to an increase in file sharing and direct-to-fan digital distribution, combined with music sales plummeting in recent years^{[citation needed]}, labels and organizations have had to change their strategies and the way they work with artists. New types of deals are being made with artists called "multiple rights" or "360" deals with artists. These types of pacts give labels rights and percentages to artist's touring, merchandising, and endorsements. In exchange for these rights, labels usually give higher advancement payments to artists, have more patience with artist development, and higher percentages in CD sales. These 360 style deals are most effective when the artist is established and has a loyal fan base. For that reason, labels now have to be more relaxed with the development of artists because longevity is the key to these types of pacts. Several artists such as Paramore, Maino, and even Madonna have signed such types of deals.

A look at an actual 360 deal offered by Atlantic Records to an artist shows a variation of the structure. Atlantic’s document offers a conventional cash advance to sign the artist, who would receive a royalty for sales after expenses were recouped. With the release of the artist's first album, however, the label has an option to pay an additional $200,000 in exchange for 30 percent of the net income from all touring, merchandise, endorsements and fan-club fees. Atlantic would also have the right to approve the act’s tour schedule, and the salaries of certain tour and merchandise sales employees hired by the artist. But the label also offers the artist a 30 percent cut of the label's album profits —if any—which represents an improvement from the typical industry royalty of 15 percent.^[7]

History[link]

Industry consolidation[link]

In the 1970s and 1980s, there was a phase of consolidation in the record industry that led to almost all major labels being owned by a very few multinational companies. CDs still flow through a handful of sources, with the majority of the sales going through the "big four" record labels.

Resurgence of independent labels[link]

In the 1990s, as a result of the widespread use of home studios, consumer recording technology, and the Internet, independent labels began to become more commonplace. Independent labels are often artist-owned (although not always), with a stated intent often being to control the quality of the artist's output. Independent labels usually do not enjoy the resources available to the "big four" and as such will often lag behind them in market shares. Often independent artists manage a return by recording for a much smaller production cost of a typical big label release. Sometimes they are able to recoup their initial advance even with much lower sales numbers.

On occasion, established artists, once their record contract has finished, move to an independent label. This often gives the combined advantage of name recognition and more control over one's music along with a larger portion of royalty profits. Artists such as Dolly Parton, Aimee Mann, Prince, Public Enemy, BKBravo (Kua and Rafi), among others, have gone this route. Historically, companies started in this manner have been re-absorbed into the major labels (two examples are Frank Sinatra's Reprise Records, which has been owned by Warner Music for some time now, and Herb Alpert's A&M Records, now owned by Universal Music Group). Similarly, Madonna's Maverick Records (started by Madonna with her manager and another partner) was to come under control of Warner Music when Madonna divested herself of controlling shares in the company.

There are many independent labels; folk singer Ani DiFranco's Righteous Babe Records is often cited as an ideal example. The singer turned down lucrative contracts from several top-name labels in order to establish her own New York-based company. Constant touring resulted in noteworthy success for an act without significant major funding. Ani and others from the company have spoken on several occasions about their business model in hopes of encouraging others.

Some independent labels become successful enough that major record companies negotiate contracts to either distribute music for the label or in some cases, purchase the label completely.

On the punk rock scene, the DIY ethic encourages bands to self-publish and self-distribute. This approach has been around since the early 1980s, in an attempt to stay "true" to the punk ideals of doing it yourself and not "selling out" to corporate profits and control. Such labels have a reputation for being fiercely uncompromising and especially unwilling to cooperate with the big record labels at all. One of the most notable and influential labels of the Do-It-Yourself attitude was SST Records, created by the band Black Flag. No labels wanted to release their material, so they simply created their own label to release not only their own material but the material of many other influential underground bands all over the country. Ian MacKaye's Dischord is often cited as a model of success in the DIY community, having survived for over twenty years with less than twelve employees at any one time.

Internet and digital labels[link]

With the Internet now being a viable source for obtaining music, netlabels have emerged. Depending on the ideals of the net label, music files from the artists may be downloaded free of charge or for a fee that is paid via Paypal or other online payment system. Some of these labels also offer hard copy CDs in addition to direct download. Most net labels acknowledge the Creative Commons licensing system thus reserving certain rights for the artist. Digital Labels are the latest version of a 'net' label. Whereas 'net' labels were started as a free site, digital labels are more competition for the major record labels.^{[citation needed]}

Open source labels[link]

The new century brings the phenomenon of open-source or open-content record label. These are inspired by the free software and open source movements and the success of GNU/Linux.

Publishers as labels[link]

In the mid-2000s, some music publishing companies began undertaking the work traditionally done by labels. The publisher Sony/ATV Music, for example, leveraged its connections within the Sony family to produce, record, distribute, and promote Elliott Yamin's debut album under a dormant Sony-owned imprint, rather than waiting for a deal with a proper label.^[8]

See also[link]

• List of record labels
• White label

References[link]

v t e Music industry Genres Avant-garde · Blues · Contemporary R&B · Country · Crossover · Dance · Drum and bass · Easy listening · Electronica · Experimental · Folk · Funk · Gospel · Hip hop · Instrumental · Jazz · Latin · Motown · New age · Operatic pop · Pop · Reggae · Rock · Soul · Soundtrack · World Sectors and roles Album cover design · Artists and repertoire (A&R) · Distribution · Entertainment law · Music education · Music executive · Music journalism · Music publisher · Music venue · Musical instruments · Promotion · Radio promotion · Record label · Record shop · Road crew · Talent manager · Tour promoter Production Arrangement · Record producer · Recording artist · Session musician · Songwriter · Sound engineer Record labels Major: EMI · Sony Music Entertainment · Universal Music Group · Warner Music Group · Independent: Independent UK record labels Release formats Album · Extended play (EP)/Mini album · Single Awards American Music Award · ARIA Music Awards · Billboard Music Awards · Brit Awards · Choice Music Prize · Classic Brit Awards · Diapason d'Or · Echo Award · Golden Disk Awards · Grammy Award · Grand Prix du Disque · Juno Award · Latin Grammy Awards · Meteor Music Awards · MTV Europe Music Awards · MTV Video Music Awards · MuchMusic Video Awards · Music of Black Origin Awards · New Zealand Music Awards · NRJ Music Award · TEC Awards · World Music Awards Charts ARIA Charts · Billboard Hot 100 · Canadian Hot 100 · RIANZ Singles Chart · Irish Singles Chart · UK Singles Chart Sales certifications ARIA (Gold · Platinum) · BPI (Silver · Gold · Platinum) · CRIA (Gold · Platinum · Multi-Platinum · Diamond) · PROMUSICAE (Gold · Platinum) · RIAA (Gold · Platinum · Multi-Platinum · Diamond) Publications Billboard · HitQuarters · Hot Press · Kerrang! · Mojo · NME · Q · Rolling Stone · Smash Hits · Top of the Pops Retailers Amazon.com · Fnac · HMV Group · Online music stores (iTunes Store) · Trans World Entertainment · Virgin Megastores Television Black Entertainment Television · Country Music Television · Fuse TV · Idol · Juice TV · MTV · MuchMusic · The Music Factory · Star Academy · Viva · The Voice · The X Factor Other A-side and B-side · Christian music industry  · Hidden track  · Grammy Museum  · White label Category

Slim Thug
Slim Thug at the KDHT studio in 2005.
Background information
Birth name	Stayve Jerome Thomas
Born	(1980-09-08) September 8, 1980 (age 31) Houston, Texas
Genres	Hip hop Gangsta rap
Years active	1998–present
Labels	Swishahouse, Boss Hogg Outlawz, Interscope, E1
Associated acts	Boss Hogg Outlawz, Bun B, Chalie Boy, Chamillionaire, Z-Ro, Mike Jones, T.I.
Website	www.bosshoggoutlawz.com

Stayve Jerome Thomas (born September 8, 1980),^[1] better known as Slim Thug, Boss Hogg or Thug Boss, is an American rapper. He gained mainstream attention for his contribution to the popular single from rapper Mike Jones, "Still Tippin'".

Early life[link]

Slim Thug grew up in Houston's Northside neighborhood of Homestead/Scenic Woods. Slim says that his rap name come from the fact that as a teenager, he was very tall and skinny before he filled out.^{[citation needed]} He stands 6'6" tall. The Thug part comes from people's assumptions of him due to his fresh braids and sunglasses.^{[citation needed]} At age 17, he performed freestyle raps at local high school parties. He began his rap career with Swishahouse in the late 1990s. After realizing how much money he could make distributing his own mixtapes, he parted ways with Swishahouse on good terms and formed his own independent label, Boss Hogg Outlawz.^[2] Thomas bought two record stores and worked in real estate.^[1]

Music career[link]

Already Platinum (2005–2008)[link]

Slim Thug's debut album with Star Trak Entertainment & Interscope Records, Already Platinum, was released in July 2005 after many delays.^[1] It premiered on #2 on the Billboard 200 albums chart and sold 130,000 copies in its first week.^[3] Singles included "3 Kings" (featuring T.I. and Bun B), and "I Ain't Heard of That" (featuring Pharrell and Bun B). Slim Thug appeared on Still Tippin' with Mike Jones and Paul Wall, Beyoncé Knowles's #1 single "Check on It" and Gwen Stefani's "Luxurious". With the Boss Hogg Outlawz, Slim Thug released three albums, Boyz N Blue (2004), Serve & Collect (2007) and Back by Blockular Demand: Serve & Collect II (2008). He left Star Trak & Interscope Records in 2008.^[4]

Boss of All Bosses (2009)[link]

Slim Thug's second solo album Boss of All Bosses was released in 2009. Although not as successful as his debut album Boss of All Bosses debuted at #15 on the Billboard 200 with 32,000 copies sold in the first week released. It included the single "I Run".

Tha Thug Show (2010–present)[link]

Slim Thug's third studio album Tha Thug Show. His first single was "Gangsta" which featured Z-Ro. His second single featured rapper/singer B.o.B entitled "So High". It was released November 30, 2010.

Other Ventures[link]

Acting career[link]

In October 2009 he appeared on The Daily Show, in a parody discussing the effects of the recession upon wealthy rappers such as himself.^[5] The skit was filmed in part at The Lion's Den Recordings in Houston, Texas.

Personal life[link]

Slim Thug dated singer LeToya Luckett until 2006.^[6][7] He claimed the two broke up as a result of his cheating and having a child with another woman.^[8]

According to MTV News, Lupe Fiasco's video for "Hip Hop Saved My Life" was based on Slim Thug's life story. "It is based on Slim Thug," Fiasco revealed.^[9] On June 7, 2010, Vibe released controversial statements Slim Thug had made regarding treatment of black men by black and white women saying "it’s hard to find [a successful black man] so Black women have to bow down and let it be known that they gotta start working hard; they gotta start cooking and being down for they man more. ...White women treat they man like a king."^[10]

The article stirred many varied reactions from bloggers and online commentators.^[7][11][12] Cultural critic and Columbia University professor Marc Lamont Hill,^[13] singers Aubrey O'Day, D. Woods,^[14] and Talib Kweli^[15] have all responded publicly to his comments.

Discography[link]

Studio albums

• 2005: Already Platinum
• 2009: Boss of All Bosses
• 2010: Tha Thug Show
• 2012: Hogg Life

Awards and Nominations[link]

MTV Video Music Awards

References[link]

External links[link]

• Slim Thug on Myspace
• Slim Thug at the Internet Movie Database
• Slim Thug on Twitter

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2009)

Christopher Percy Gordon "Chris" Blackwell (born 22 June 1937) is a British businessman and former record producer, and the founder of Island Records, which has been called "one of Britain's great independent labels".^[2] According to the Rock and Roll Hall of Fame, to which Blackwell was inducted in 2001, he is the single person most responsible for turning the world on to reggae music.^[3]

Forming Island Records in Jamaica on 22 May 1959 aged 22, Blackwell was amongst the first to record the Jamaican popular music that eventually became known as ska. Returning to Britain in 1962, he sold records from the back of his car to the Jamaican community.^[2]

Backed by Stanley Borden from RKO Entertainment, Blackwell's business and reach grew substantially, and he went on to forge the careers of Bob Marley, Grace Jones and U2 amongst many other diverse high-profile acts. He has produced many seminal albums, including Marley's Catch A Fire and Uprising.^[4]

Childhood[link]

Blackwell was born in London. Blackwell's father, Joseph, who was Irish, was related to the founder of Crosse & Blackwell, purveyors of jarred foods and relishes, and had some residual wealth.^[2] He became a Major in the Jamaican Regiment.^[4]

Blackwell's mother, the former Blanche Lindo, was born in Costa Rica, and was a Sephardic Jew from a Jamaican family.^[3] She belonged to a powerful family who made their fortune in sugar and Appleton rum toward the end of slavery. They are named as one of the 21 families who controlled Jamaica in the 20th century.^[4] Blanche was considered the love of Ian Fleming's later life, becoming the James Bond author's muse and the inspiration for the character Pussy Galore in Goldfinger.^[5] She owned several thousand acres of land near Oracabessa, Jamaica, and sold properties to both Fleming and Noël Coward.^[6] Due to her heritage, Blanche was viewed as a white Jamaican.^[5]

Blackwell spent his childhood in Jamaica, and was sent to Britain to continue his education at Harrow.^[7] Deciding not to attend university, he returned to Jamaica to become ADC to the Governor of Jamaica Sir Hugh Foot. After Foot was transferred to Cyprus, Blackwell left King's House to pursue a career in real estate and other businesses, including managing jukeboxes up and down the country, which brought him into contact with the Jamaican music community.^[2]

In 1958, Blackwell was sailing off Helshire Beach when his boat ran aground on a coral reef. The twenty one-year-old swam to the coast and attempted to find help along the shore in searing temperatures. Collapsing on the beach, Blackwell was rescued by Rasta fishermen who tended his wounds and restored him back to health with traditional Ital food. The experience gave Blackwell a spiritual introduction to Rastafarianism, and was a key to his connection to the culture and its music.^[4]

Career[link]

Aged 22, Blackwell formed a record label in 1958 with a start-up investment of $10,000 provided by his parents, taking its name from Alec Waugh's novel Island in the Sun.^[3] Radio personality Graeme Goodall was his initial business partner.^[4] Blackwell received a small allowance from his mother, which enabled him to have his own apartment at a young age and survive on the little he was earning.^[2] Island's debut release was a piano album by Bermudian pianist Lance Hayward. Blackwell began recording Jamaican popular music in 1959, achieving a number one hit there with Laurel Aitken's "Boogie in my Bones/Little Sheila".^[3]

In 1961, Blackwell acted as a location scout and production assistant for the 1962 Bond film Dr No. After the movie wrapped, producer Harry Saltzman offered him a full-time position. Conflicted between music and film, Blackwell visited a psychic, who told him that he would be successful if he stayed in the music industry.^[4]

By 1962, the fledgling record producer had released 26 singles and two albums on Island.^[3] Blackwell returned to England that year and continued to grow his business. He began having success with the niche market of Jamaican music, and progressed to bringing in licensed master tapes. One of these contained a performance by fifteen-year-old Millie Small, who Blackwell brought over to England. In 1964, he produced Small's cover of a 1956 Barbie Gaye song "My Boy Lollypop" which was one of the first songs recorded in the "ska" style. Millie Small's version was a smash hit, selling over six million records worldwide. It launched Island Records into mainstream popular music, and is acknowledged as the first international ska hit.

Blackwell later remembered his breakthrough release:

After discovering The Spencer Davis Group, featuring Steve Winwood, Blackwell focused on the rock acts that Island had signed. Island became one of the most successful independent labels of the 1960s, 1970s, and 1980s with artists like Traffic, King Crimson, Emerson, Lake & Palmer, Jethro Tull, Cat Stevens, Grace Jones, Free, John Martyn, Sly and Robbie, Sparks, Spooky Tooth, Nick Drake, Roxy Music, Robert Palmer, Melissa Etheridge, The Cranberries and U2. "The bigger labels are supermarkets", Blackwell remarked. "I like to think of Island as a very classy delicatessen."^[3] However, Chris has admitted to turning down some major names. One was Elton John: He considered the pianist too shy to become a performer.

Island and Blackwell himself became renowned for a relaxed, nurturing vibe. Blackwell showed skill in spotting and creating trends, as well as a gift for finding talent. He had an imaginative flair for marketing, and Island's releases were often packaged in lovingly designed gatefold sleeves.^[2] Blackwell has said: "I really believe that if people see something that looks good, subconsciously they'll think maybe there's something going on inside, on the record. There were times when somebody came out with a cover which was actually better than the record itself, so I'd have to send them back to remake the record."^[2]

Island Records was also the first home for Trojan Records, Chrysalis Records and Virgin Records and the American Label Sue Records, who produced Jimmy McGriff, The Soul Sisters and Ike and Tina Turner.^[3]

Eventually, Island moved into movies and released The Harder They Come in the UK, which featured Jimmy Cliff. Produced and directed by fellow Jamaican Perry Henzell, the film marked the first time that Jamaican themes appeared in mainstream cinema.^[3]

In 1977, Blackwell built Compass Point Studios in Nassau, Bahamas as a recording home for his and other artists.

One of Blackwell's notable achievements was bringing Bob Marley & The Wailers to the attention of international audiences.^[3] Without a signed contract, Blackwell advanced money to The Wailers for their first Island album, displaying the trust which stemmed from his 1958 beach rescue by Rastas. Blackwell's gesture led to the longterm success of both Marley and the label.

Of his experience with Marley, Blackwell has said:

Blackwell also formed Mango Records, which featured Jamaican and other artists from the Third World. Mango introduced Burning Spear, Black Uhuru, Third World (band), Salif Keita, Baaba Maal, Angélique Kidjo, King Sunny Adé and many others.

Blackwell sold his stake in Island in 1989, eventually resigning from the company in 1997. In 2009, Blackwell was at the centre of celebrations held in London for Island's fiftieth anniversary.^[2]

Each of Blackwell's companies was eventually sold to Polygram, and are as of 1998 part of the Universal Music Group conglomerate, but Blackwell left with a unique reputation for looking after artists as diverse as Bob Marley, U2, Cat Stevens, Grace Jones, Steve Winwood, Melissa Etheridge, Tom Waits, The Cranberries, Richard Thompson and PJ Harvey.

After selling these companies, Blackwell went on to found Palm Pictures, a media entertainment company with music, film and DVD releases. In the late Nineties, Blackwell merged Palm Pictures with Rykodisc to form RykoPalm, a new operation.^[3]

Blackwell currently runs Island Outpost, which he set up to operate and market a group of elite resorts in Jamaica and the Bahamas, including Strawberry Hill in the Blue Mountains (where Marley recovered after being shot in 1976),^[4] Jake's in Treasure Beach, The Caves in Negril, and the recording studio and private hotel Geejam near Port Antonio, where artists such as Gwen Stefani and No Doubt, Drake and Gorillaz have recorded. Island Outpost also owns The Tides and The Marlin in Miami Beach, Florida.^[4]

Blackwell has long owned Goldeneye in Oracabessa, the previous home of Ian Fleming, where the author wrote all the James Bond books. Until his death, Fleming was the longtime lover of Blackwell's mother, Blanche.^[5] Blackwell developed the property into a community of villas and beach cottages, each with its own private access to the sea, and Goldeneye is considered the most exclusive of the Island Outpost resorts.^[4]

Blackwell is involved in a number of philanthropic organizations. Among these are Island ACTS, the Oracabessa Foundation, the Mary Vinson Blackwell Foundation, and the Jamaican Conservation Trust.

In 2003, Blackwell launched the Goldeneye Film Festival, which continues to be held annually at the resort. In September that year, Blackwell received the coveted Jamaican Musgrave Medal, awarded to Jamaicans who excel in the arts, music and public service. In 2004, the Order of Jamaica was bestowed upon Blackwell for philanthropy and outstanding contribution to the entertainment industry.^[4]

With a family legacy rooted in Jamaica's banana, coconut, and rum export industries, Blackwell served as the inspiration behind the recently launched Blackwell Fine Jamaican Rum. The aged rum is a deep, rich, and fragrant black gold liquid that has been infused with tropical flavors.

In April 2009, the UK magazine Music Week named Blackwell the most influential figure in the last 50 years of the British music industry.^[8][9][10]

References[link]

Bibliography[link]

• Baugh, Edward (1998). Chancellor, I Present. Mona: Canoe Press.
• Bradley, Lloyd (2001). This is Reggae Music. London: Grove.
• Childs, Peter and Mike Storry, eds. (1999). Encyclopedia of Contemporary British Culture. London: Routledge.
• (2001). "Chris Blackwell." Rock and Roll Hall of Fame.

External links[link]

• Video Interview with Chris Blackwell
• Rock and Roll Hall of Fame: Inductee Biography of Blackwell
• Palm Pictures website
• Island Outpost website
• Compass Point Studios website
• Chris Blackwell interview: Island Records – The Telegraph
• Island: The record label which changed the world – The Independent

Gerard Way
Gerard Way in 2012.
Background information
Birth name	Gerard Arthur Way
Born	(1977-04-09) April 9, 1977 (age 35) Summit, New Jersey, United States
Origin	Belleville, New Jersey
Genres	Alternative rock, post-hardcore
Occupations	Musician, comic book writer
Instruments	Vocals
Years active	2001–present
Labels	Reprise, Warner Bros., Eyeball
Associated acts	My Chemical Romance

Gerard Arthur Way (born April 9, 1977) is an American musician and comic book writer who has served as lead vocalist and co-founder of the band My Chemical Romance since its formation in 2001. He is also the writer of the Eisner Award-winning comic book The Umbrella Academy.

Early life[link]

Gerard Way was born April 9, 1977 in Summit, New Jersey^[1] to Donna Lee (née Rush) and Donald Way. He has Italian ancestry on his mother's side and Scottish ancestry on his father's. He was raised in Belleville, New Jersey and first began singing publicly in the fourth grade, when he played the role of Peter Pan in a school musical production. His maternal grandmother, Elena Lee Rush, was a great creative influence who taught him to sing, paint, and perform from a young age; he has said that "she has taught me everything I know".^[2] Also, while in elementary school, the glam metal band Bon Jovi was instrumental in forming his love of music.^[3]

At the age of 15, Way was held at gunpoint, as he said in an April 2008 Rolling Stone interview: "I got held up with a .357 Magnum, had a gun pointed to my head and put on the floor, execution-style." He went on to say that "no matter how ugly the world gets or how stupid it shows me it is, I always have faith."^[4] At age 16, Way appeared on an episode of Sally Jesse Raphael which discussed the controversy surrounding the publicizing of serial killer Jeffrey Dahmer's crimes in comic books[1].

Way attended Belleville High School until he graduated in 1995. Deciding to pursue a career in the comic-book industry,^[5] he attended the School of Visual Arts in New York City, graduating with a Bachelor of Fine Arts in 1999.^[2][6]

Career[link]

Music[link]

As teenagers Gerard and his brother Mikey Way, who later became the bassist of My Chemical Romance, were influenced by the bands Iron Maiden and The Misfits as well as British artists such as Pulp, Blur and Morrissey and The Smiths. Way originally wanted to be a guitarist. His grandmother bought him his first guitar at the age of eight and he played in short-lived bands such as Ray Gun Jones and Nancy Drew with future bandmate Ray Toro, but when he was not successful (one band kicking him out due to his lack of skill with the guitar), he chose to concentrate on his art career.^[7]

Way was working as an intern for Cartoon Network in New York City during the September 11, 2001 attacks. Seeing the effects of the attacks first-hand prompted Way to change his views on life in the following weeks. He told Spin magazine, "I literally said to myself, 'Fuck art. I’ve gotta get out of the basement. I’ve gotta see the world. I’ve gotta make a difference.'"^[8] To help deal with the emotional effects the attacks had on him, Way wrote the lyrics to the song "Skylines and Turnstiles", which has since been identified as the first song by My Chemical Romance.^[9] Soon after, My Chemical Romance began to assemble as a band.

Way has contributed vocally to bands such as Every Time I Die's 'Kill The Music', Head Automatica's 'Graduation Day', Say Anything's "In Defense Of The Genre", and The Oval Portrait's "From My Cold Dead Hands" and "Barnabus Collins Has More Skeletons In His Closet Than Vincent Price".

In many interviews Way has stated that music turned out to be an effective outlet to deal with his longtime battles against depression, alcoholism and prescription drug use. The use of music as a way to resolve personal battles has caused Way to create deeply personal songs such as "Helena,"^[10] which was written in memory of his late grandmother.

In 2008, Way and musical project Julien-K remixed a version of the song Sleep When I'm Dead by The Cure for their EP 'Hypnagogic States'. All profits gained from the sales of the EP go to funding the International Red Cross.

In early 2009, Way and Japanese singer Kyosuke Himuro co-produced the new theme song for Advent Children Complete, the Blu-Ray director's cut of the movie sequel to the popular video game franchise, Compilation of Final Fantasy VII. He is also credited with writing the lyrics, and singing alongside Himuro. The song is entitled "Safe and Sound" and was released on iTunes on April 29, 2009.^[11] "Safe and Sound" is only heard on the Japanese release of the film; the English release uses Himuro's "Calling" (the original ending theme for Advent Children) in place of it. He also is contributing vocals for the vocal mix of the deadmau5 song "Professional Griefers".

Writing[link]

Gerard Way's first attempt at writing a comic was at the age of 16, writing a short-lived comic series called 'On Raven's Wings', which was cancelled after Issue 2 due to losing the art team; he was credited as Garry Way.^[12]

In 2007, Way began writing the comic-book miniseries The Umbrella Academy. Way wrote the story and illustrated the original version, but cartoonist Gabriel Ba recreated all of Way's original drawings in the final version. A few of Way's first drawings of the characters can be seen in the last few pages of the first book in the series, "The Apocalypse Suite".

The Apocalypse Suite was first released by Dark Horse Comics in their Free Comic Book Day issue on May 5, 2007.^[13] Since then, an eight-page story has been published on MySpace, entitled "Safe & Sound".^[14] The first official issue was released on September 19, 2007.^[15] The first issue to sell out and consequently there was a second printing released on October 17, 2007.^[16] The next installment was released on November 26, 2008.^[17]

He and fellow artists Shaun Simon and Becky Cloonan are currently in the process of developing and creating a new comic-book series titled "The True Lives of the Fabulous Killjoys", which Way announced at Comic Con 2009. In 2011 My Chemical Romance confirmed the comic's connection with their music, and they also stated that Mikey and Gerard are working on another comic book project which they have kept under wraps as of mid-2011.

Cartoons[link]

In 2001 Way co-created a cartoon with Joe Boyle called The Breakfast Monkey. They pitched it to Cartoon Network, but the network declined to pick up the concept on the grounds that it was too similar to the existing property Aqua Teen Hunger Force.^[18]

Personal life[link]

Way has struggled with alcoholism and prescription drug addiction for many years and has now been sober since August 2004.^[19] In a recent issue of Spin magazine, he said that, having become a happier person and feeling more in control, he has been able to enjoy the occasional recreational drink.

On September 3, 2007 after a concert in Colorado, Way married LynZ of Mindless Self Indulgence backstage on the final date of the Projekt Revolution tour. A member of Live Nation's touring staff that was also an ordained minister performed the low-key ceremony.^[20] He currently lives with his wife in Los Angeles, California.^[21] Their daughter, Bandit Lee Way, was born in California on May 27, 2009.^[22]

Discography[link]

My Chemical Romance[link]

References[link]

Notes[link]

1. ^ "Teen Titans" — Rolling Stone (2005-07-14)

Alternative music portal

External links[link]

Wikimedia Commons has media related to: Gerard Way

• My Chemical Romance Official Website
• Gerard Way at the Internet Movie Database
• Gerard Way on Twitter

Christopher or Chris James may refer to:

• Christopher James, 5th Baron Northbourne (born 1926), British farmer and businessman
• Christopher James (poet) (born 1975), British poet
• Chris James (baseball) (born 1962), American baseball player
• Chris James (footballer) (born 1987), New Zealand soccer player
• Chris James (racing driver) (born 1978), British auto racing driver and businessman

This disambiguation page lists articles about people with the same name. If an internal link led you here, you may wish to change the link to point directly to the intended article.