Scott Snyder is a production sound mixer of familiar film television programming throughout the United States.

Productions

Travel Channel's "Bizarre Foods with Andrew Zimmern", "Beasts of the Southern Wild", "Bully", "COPS", "Storage Wars Texas", "Duck Dynasty", "David Blaine's Always On", "Friday Night Lights", "The Lying Game", "Rattlesnake Republic", "Extreme Makeover: Home", "Nova", "Shipping Wars", "Dr. Phil", "Oddities", "Toy Hunters", "Heavy" and numerous other productions not listed here.

Scott Snyder
Snyder at a signing for Batman: Gates of Gotham at Midtown Comics in Manhattan.
Occupation	writer
Genres	fantasy, horror, superhero fantasy
Influences Rick Bass Raymond Carver Denis Johnson Stephen King, George Saunders, Joy Williams

Scott Snyder is an American writer known for his 2006 short story collection Voodoo Heart, and his work in comic books, including American Vampire, Detective Comics, Batman, Batman: Gates of Gotham and Swamp Thing.

Early life[link]

At the age of nine, Snyder attended a summer camp where one of the counselors read Stephen King's Eyes of the Dragon to him over the summer, an experience that Snyder says "really jump-started my love of story-telling."^[1] He was also influenced by the writing of Denis Johnson, Raymond Carver, Rick Bass, Joy Williams, and George Saunders.^[1]

Snyder graduated from Brown University in 1998 with a degree in creative writing, and then worked at Walt Disney World for about a year.^[2] Snyder's Disney World stint strongly influenced his writing; he later recalled, "it did a world of good for my writing...All the things I ended up writing about, those things that are deeply frightening to me—fear of commitment and growing up, fear of losing loved ones, the wonder and terror of falling in love—all of it was constantly being played out all around me in this weird, cartoonish, magnified way at Disney."^[2]

Snyder signing copies of American Vampire and Detective Comics at a September 21, 2011 store appearance.

Snyder received his MFA from Columbia University in 2002.

Career[link]

Prose fiction[link]

His first collection of stories, Voodoo Heart, was published by the Dial Press in June 2006 to highly positive reviews. The collection received starred reviews from Publishers Weekly and Booklist, and was a Kirkus Reviews "Hot Debut" of the year. The New York Times published a positive review by author Andrew Sean Greer in the Sunday Book Review.^[3]

Stephen King picked two of the included stories—"Wreck" and "Dumpster Tuesday"—for the 2007 The Best American Short Stories anthology shortlist. Voodoo Heart was shortlisted for The Story Prize in 2006.^[4]

Snyder teaches writing at New York University,^[5] Columbia University,^[6] and Sarah Lawrence College.^[7]

Comics[link]

In 2009, Snyder began writing for Marvel Comics. His first foray into the genre was a one-shot focusing on the first Human Torch, part of Marvel's 70th anniversary celebrations. He later wrote the 4-issue miniseries, Iron Man: Noir, which debuted in April 2010.

Vertigo began publishing American Vampire,^[8] Snyder's first creator-owned ongoing series, in March 2010.^[9] The first five issues feature an original storyline by Stephen King.^[10][11] American Vampire won the 2011 Eisner Award for Best New Series, as well as the 2011 Harvey Award for Best New Series.

His run as writer of Detective Comics began with issue #871 of that title, which marked the beginning of his exclusive contract with DC Comics.^[12] He and Kyle Higgins wrote the Batman: Gates of Gotham miniseries which debuted in May 2011.^[13]

Since September 2011, Snyder has been writing both Batman^[14] and a new Swamp Thing ongoing series as part of DC Comics' Fall 2011 relaunch.^[15][16][17]

Bibliography[link]

DC Comics/Vertigo[link]

Titles published by DC Comics and its Vertigo imprint include:

• American Vampire:
  • Volume 1 (hc, 200 pages, 2010, ISBN 978-1-4012-2830-9; tpb, 2011, ISBN 978-1-4012-2974-0) collects:
    • "Big Break" (with Rafael Albuquerque, in #1, 2010)
    • "Morning Star" (with Rafael Albuquerque, in #2, 2010)
    • "Rough Cut" (with Rafael Albuquerque, in #3, 2010)
    • "Double Exposure" (with Rafael Albuquerque, in #4, 2010)
    • "Curtain Call" (with Rafael Albuquerque, in #5, 2010)
  • Volume 2 (hc, 160 pages, 2011, ISBN 978-1-4012-3069-2; tpb, 2012, ISBN 978-1-4012-3070-8) collects:
    • "Devil in the Sand" (with Rafael Albuquerque and Mateus Santolouco, in #6-9, 2010-2011)
    • "The Way Out" (with Mateus Santolouco, in #10-11, 2011)
  • Volume 3 (hc, 288 pages, 2012, ISBN 978-1-4012-3333-4; tpb, 2012, ISBN 978-1-4012-3334-1) collects:
    • "Strange Frontier" (with Danijel Žeželj, in #12, 2011)
    • "Ghost War" (with Rafael Albuquerque, in #13-18, 2011)
    • Survival of the Fittest #1-5 (with Sean Murphy, 2011)
  • Volume 4 (collects #19-27, hc, 208 pages, 2012, ISBN 978-1-4012-3718-9) collects:
    • "The Beast in the Cave" (with Jordi Bernet, in #19-21, 2011-2012)
    • "Death Race" (with Rafael Albuquerque, in #22-25, 2012)
    • "The Nocturnes" (with Roger Cruz, in #26-27, 2012)
• Batman:
  • Detective Comics:
    • The Black Mirror (hc, 288 pages, 2011, ISBN 1-4012-3206-X) collects:
      • "The Black Mirror" (with Jock, in #871-873, 2011)
      • "Skeleton Cases" (with Francesco Francavilla, in #871-872, 874, 2011)
      • "Lost Boys" (with Francesco Francavilla, in #875, 2011)
      • "Hungry City" (with Jock, in #876-878, 2011)
      • "Skeleton Key" (with Francesco Francavilla, in #879, 2011)
      • "My Dark Architect" (with Jock, in #880, 2011)
      • "The Face in the Glass" (with Jock and Francesco Francavilla, in #881, 2011)
  • Gates of Gotham #1-5 (with Kyle Higgins and Trevor McCarthy, 2011) collected as Batman: GoG (tpb, 144 pages, 2012, ISBN 1-4012-3341-4)
  • Batman (with Greg Capullo, 2011-...) collected as:
    • The Court of Owls (collects #1-7, hc, 176 pages, 2012, ISBN 1-4012-3541-7)
• Flashpoint: Project Superman #1-3 (with Lowell Francis and Gene Ha, 2011) collected in Flashpoint: The World of Flashpoint Featuring Superman (tpb, 320 pages, 2012, ISBN 978-1-4012-3434-8)
• Swamp Thing (with Yanick Paquette, Marco Rudy and Francesco Francavilla,, 2011-...) collected as:
  • Raise Them Bones (collects #1-7, tpb, 168 pages, 2012, ISBN 1-4012-3462-3)

Other publishers[link]

Titles published by various American publishers include:

• Marvel:
  • Human Torch Comics 70th Anniversary Special #1 (with Scott Wegener, 2009) collected in Timely 70th Anniversary Collection (hc, 280 pages, 2010, ISBN 978-0-7851-3899-0; tpb, 2010, ISBN 978-0-7851-4092-4)
  • Nation X #1: "Testament" (with David Lopez, 2010) collected in Nation X (hc, 360 pages, 2010, ISBN 0-7851-3873-0; tpb, 2010, ISBN 0-7851-4103-0)
  • Iron Man Noir #1-4 (with Manuel Garcia, 2010) collected as Iron Man Noir (hc, 112 pages, 2010, ISBN 0-7851-4727-6; tpb, 2011, ISBN 0-7851-4728-4)
• Severed #1-7 (with Scott Tuft and Attila Futaki, Image, 2011-2012) collected as Severed (hc, 192 pages, 2012, ISBN 978-1-60706-529-6)

Awards[link]

• 2011 Eisner Award for Best New Series (with Stephen King and Rafael Albuquerque for American Vampire)^[18]
• 2011 Harvey Award for Best New Series (with Stephen King and Rafael Albuquerque American Vampire)^[19]

Nominations[link]

• 2011 Eagle Award for Favourite Newcomer Writer^[20]
• 2011 Eagle Award for Favourite New Comic Book (with Stephen King and and Rafael Albuquerque for American Vampire)^[20]
• 2011 Harvey Award for Most Promising New Talent^[21]

References[link]

External links[link]

Wikimedia Commons has media related to: Scott Snyder

• Scott Snyder at the Comic Book DB

Jim Lee
Jim Lee at the CBLDF Drink and Draw at San Diego Comic Con 2007.
Born	(1964-08-11) August 11, 1964 (age 47) Seoul, South Korea
Nationality	Korean-American
Area(s)	Writer, Artist, Publisher
Notable works	All Star Batman and Robin Batman: Hush Superman: For Tomorrow WildC.A.T.s X-Men vol. 2
Awards	Harvey Award, 1990 Inkpot Award, 1992 Wizard Fan Award, 1996, 2002, 2003

Jim Lee (Korean 이용철; born August 11, 1964) is a Korean-American comic book artist, writer, editor and publisher. He first broke into the industry in 1987 as an artist for Marvel Comics, illustrating titles such as Alpha Flight and Punisher War Journal, before gaining a great deal of popularity on The Uncanny X-Men. X-Men #1, the 1991 spinoff series premiere that Lee penciled and co-wrote with Chris Claremont, remains the best-selling comic book of all time, according to the Guinness Book of World Records.

In 1992 Lee and several other artists formed their own publishing company, Image Comics, to publish their creator-owned titles, with Lee publishing his titles through his studio, Wildstorm Productions, such as WildC.A.T.s and Gen¹³. Eschewing the role of publisher in order to return to illustration, Lee sold Wildstorm in 1998 to DC Comics, where he continued to run Wildstorm as a DC imprint until DC ended Wildstorm in 2010, as well as illustrating successful books set in DC's main fictional universe, such as the year-long "Batman: Hush" and "Superman: For Tomorrow" storylines. On February 18, 2010, Jim Lee was announced as the new Co-Publisher of DC Comics with Dan DiDio, both replacing Paul Levitz.

He has received a Harvey Award, Inkpot Award and three Wizard Fan Awards in recognition for his work.

Early life[link]

Lee was born in Seoul, South Korea, on August 11, 1964. At the age of four he and his family emigrated to the United States, and grew up in St. Louis, Missouri,^[1][2] where he lived a typical middle-class childhood.^[2] Lee's St. Louis Country Day School classmates predicted in his senior yearbook that he would found his own comic book company.^[1][2] Despite this, Lee seemed resigned to following his father's career in medicine, attending Princeton University to study psychology, with the intention of becoming a medical doctor.^[2][3]

Career[link]

Rise to fame at Marvel Comics[link]

In 1986, as he was preparing to graduate, Lee took an art class that reignited his love of drawing, and led to his rediscovery of comics at a time when seminal works such as Frank Miller's The Dark Knight Returns and Alan Moore and Dave Gibbons' Watchmen spurred a renaissance within the American comics industry.^[2] After obtaining his psychology degree,^[3] he decided to postpone his medical degree, and earned the reluctant blessing of his parents by allotting himself one year to succeed, vowing that he would attend medical school if he did not break into the comic book industry in that time. He submitted samples to various publishers, but did not find success until he met editor Archie Goodwin at a New York comic book convention. Goodwin invited Lee to Marvel Comics, where the aspiring artist received his first assignment by editor Carl Potts, who hired him to pencil the mid-list series Alpha Flight, seguéing from that title in 1989 to Punisher: War Journal.^[2][4] Lee's work on the Punisher: War Journal was inspired by artists like Frank Miller, David Ross, Kevin Nowlan, and Whilce Portacio, as well as Japanese manga.^[4]

In 1989, Lee filled in for regular illustrator Marc Silvestri on Uncanny X-Men #248 and did another guest stint on issues #256 through #258 as part of the "Acts of Vengeance" storyline, eventually becoming the series' ongoing artist with issue #267, following Silvestri's departure. During his stint on Uncanny Lee first worked with inker Scott Williams, who would become a long-time collaborator. During his run on the title, Lee co-created the character Gambit with long-time X-Men writer Chris Claremont.

Lee's artwork quickly gained popularity in the eyes of enthusiastic fans, which allowed him to gain greater creative control of the franchise. In 1991, Lee helped launch a second X-Men series simply called X-Men (volume 2), not only as the artist, but also as co-writer with Claremont. X-Men #1 (vol 2) is still the best-selling comic book of all-time with sales of over 8.1 million copies (and nearly $7 million), according to a public proclamation by the Guinness Book of World Records at the 2010 San Diego Comic-Con.^[5][6] The sales figures were generated in part by publishing the issue with five different variant covers, four of which showed different characters from the book that formed a single image when laid side by side, and a fifth, gatefold cover of that combined image, large numbers of which were purchased by retailers, who anticipated fans and speculators who would buy multiple copies in order to acquire a complete collection of the covers.^[7] Lee designed new character uniforms for the series, including those worn by Cyclops, Jean Grey, Rogue, Psylocke and Storm. He also created the villain Omega Red.

Stan Lee interviewed Jim Lee in the documentary series The Comic Book Greats.

Image Comics and WildStorm, return to Marvel[link]

Enticed by the idea of being able to exert more control over his own work, in 1992, Lee accepted the invitation to join six other artists who broke away from Marvel to form Image Comics, which would publish their creator-owned titles.^[3] Lee's group of titles was initially called Aegis Entertainment before being christened Wildstorm Productions, and published Lee's initial title WildC.A.T.s, which Lee pencilled and co-wrote, and other series created by Lee in the same shared universe. The other major series of the initial years of Wildstorm, for which Lee either created characters, co-plotted or provided art for, included Stormwatch, Deathblow and Gen¹³.

In 1993, Lee and his close friend, Valiant Comics publisher Steve Massarsky, arranged a Valiant-Image Comics crossover miniseries called Deathmate, in which the Valiant characters would interact with those of Wildstorm, and of Lee's fellow Image partner, Rob Liefeld. The miniseries would consist of four "center books", (each one denoted by a color rather than an issue number), two each produced by the respective companies, plus a prologue and epilogue book. Wildstorm produced Deathmate Black, with Lee himself contributing to the writing. He also illustrated the covers for that book, the Deathmate Tourbook and the prologue book, as well as contributing to the prologue's interior inks. The assignment was given to Valiant creators against their better judgment, in particular Editor-in-chief Bob Layton, who complained about Image's inability to meet their deadlines. Deathmate Black, in particular, came out a few months after Valiant's Blue and Yellow installments, which had come out on time, and Liefeld's Deathmate Red was so late that Layton flew to California to procure that chapter personally, and ink it himself in an Anaheim hotel room. Layton sees Deathmate's lateness as one of Valiant's "unmitigated disasters", and views that project as the beginning of the speculator collapse of the 1990s.^[8]

Wildstorm would expand its line to include other ongoing titles whose creative work was handled by other writers and artists, some of which were spinoffs of the earlier titles, or properties owned by other creators, such as Whilce Portacio's Wetworks. As publisher, Lee later also expanded his comics line creating two publishing imprints of Wildstorm, Homage and Cliffhanger (that years later merged and were replaced by a single Wildstorm Signature imprint), to publish creator-owned comics by some selected creators of the US comics industry.

Lee and Rob Liefeld, another Marvel-illustrator-turned-Image-founder, returned to Marvel in 1996 to participate in a reboot of several classic characters; the project was known as Heroes Reborn. While Liefeld reworked Captain America and The Avengers, Lee plotted Iron Man and wrote and illustrated The Fantastic Four. Halfway through the project, Lee's studio took over Liefeld's two titles, finishing all four series.

Lee returned to Wildstorm, where he would publish series such as The Authority and Planetary, as well as Alan Moore's imprint, America's Best Comics. Lee himself wrote and illustrated a 12-issue series called Divine Right: The Adventures of Max Faraday, in which an internet slacker inadvertently manages to download the secrets of the universe, and is thrown into a wild fantasy world.

Move to DC Comics[link]

Because he felt his role as publisher interfered with his role as an artist, Lee left Image Comics and sold Wildstorm to DC Comics in late 1998, enabling him to focus once again on art.^[2][3] In 2003 he collaborated on a 12-issue run on Batman with writer Jeph Loeb.^[9] "Hush" became a runaway sales success. He followed this up in 2004 by illustrating "For Tomorrow", a 12-issue story in Superman by writer Brian Azzarello, although this did not replicate the earlier success. In 2005, Lee teamed with Frank Miller on the new series All Star Batman and Robin, the Boy Wonder, a series plagued by delays. Lee himself took full responsibility for the delays, explaining that his involvement with the DC Universe Online video game were the cause, and not Miller's scripts, which had been completed for some time.^[10][11][12]

Lee continued to run Wildstorm as Editorial Director, sometimes working on both DC and Wildstorm properties simultaneously. In September 2006, Jim Lee returned to WildC.A.T.s with Grant Morrison as the writer, pencilling both WildC.A.T.s and All Star Batman and Robin, both of which were characterized by publication delays. The gap between All-Star Batman and Robin #4 and #5 was one year, and to date, only one issue of WildC.A.T.s (Vol. 4) has been published. Lee drew alternative cover art for the Infinite Crisis series.

In February 2006 it was announced that Lee would be involved with the concept art for the upcoming DC Comics MMORPG, DC Universe Online.^[3] In 2008, Lee was named the Executive Creative Director of the forthcoming game, which at that time was expected to be released in 2009.^[13]

In 2009 Lee provided artwork for the album booklet for Daughtry's 2009 album Leave This Town.

In February 2010 Lee was named alongside Dan DiDio as Co-Publisher of DC Comics.^[14][15][16] According to Lee, this does not indicate another move away from the creative side of comics, as he will not only have greater creative involvement in the entire DC line, but was to be illustrating a new monthly title, Dark Knight: Boy Wonder, a re-branded conclusion to the story he and Frank Miller began in All Star Batman and Robin the Boy Wonder.^[2][17] He also was to supply the painted art over Giuseppe Camuncoli's layouts in Batman: Europa #1, a 2011 miniseries^[18] inspired by Lee's time living in Italy,^[19] though as of June 2011, neither of these projects have materialized. DC announced they were ending the Wildstorm imprint in September 2010.^[20]

In September 2011, DC Comics instituted a program called The New 52, in which the publisher cancelled all of its superhero titles and relaunched 52 new series with #1 issues, wiping out most of the then-current continuity. Lee and writer Geoff Johns, DC Comics' Chief Creative Officer, are the architects of the relaunch, which was initiated with a new Justice League series, written and illustrated by Johns and Lee, respectively. The series' first story arc was a new origin of the Justice League, which depicted the return of DC's primary superheroes to the team.^[21]

Technique and materials[link]

Lee is known to use F lead for his pencil work.^[22][23] While inking his own pencils on Punisher: War Journal, Lee began using a crowquill nib for the first time.^[4]

In talking about the artist's work ethic, Lee has said, "Sometimes I wonder if we ever really improve as artists or if the nirvana derived from completing a piece blinds us enough to love what we have created and move on to the next piece. If we could see the work as it is, with years of reflection in the here and now, how many images would end up in the trash rather than on the racks?"^[24]

Awards[link]

• 1990 Harvey Award for Best New Talent^[25]
• 1992 Inkpot Award^[26]
• 1996 Wizard Fan Award for Favorite Penciller^[27]
• 2002 Wizard Fan Award for Favorite Penciller (For Batman)^[28]
• 2003 Wizard Fan Award for Favorite Penciller^[29]

Bibliography[link]

Lee at San Diego Comic Con 2009

Comics work (interior pencil art) includes:

DC[link]

• All-Star Batman and Robin #1-10 (2005–08)
• Coup d'état: Sleeper (Authority) (2004)
• Batman #608-619 (2002–03)
• Batman: Gotham Knights (Batman Black and White) #1 (2000)
• Flinch #1 (1999)
• Justice League #1-6, 9- (2011–Present)
• Justice League of America, vol. 4, #0 -one page only- (2006)
• Just Imagine Stan Lee with Jim Lee creating Wonder Woman (2001)
• New 52 (Free Comic Book Day) #1 (among other artists, 2012)
• 100 Bullets #26 (among other artists) (2001)
• Orion (Tales of the New Gods) #12 (2001)
• Robotech #0 (2002)
• Superman, vol. 2, #204–215 (2004–05)
• Superman/Batman #26 (2-pages, among other artists) (2006)
• Weird War Tales, one-shot (2000)

Image[link]

• Darker Image (Deathblow) #1-2 (1993)
• Deathblow (full pencils): #1-3; (along with Trevor Scott): #0 (1993–96)
• Deathmate #Black (among other artists) (1993)
• Divine Right #1–12 (1997–99)
• Gen¹³ #0, 4-7 (1994)
• Grifter/Shi, 2-part miniseries, #1 (along with Travis Charest) (1996)
• Cover to Invincible#51
• Moonlight and Ashes: Fire From Heaven, 2-part miniseries, #2 (1996)
• Savage Dragon #13 (1994)
• StormWatch #47 (1997)
• WildC.A.T.s (full pencils): #1-13; (among other artists): #32, 50 (1992–98)

Marvel[link]

• Alpha Flight #51, 53, 55-62, 64 (1987–88)
• Daredevil Annual #5 (1989)
• Fantastic Four, vol. 2, #1–6 (1996–97)
• Iron Man, vol. 2, #6 (among other artists) (1997)
• Marvel Comics Presents (Namor) #33 (1989)
• Punisher Annual #2 (1989)
• Punisher: War Journal #1–13, 17-19 (1988–89)
• Solo Avengers (Mockingbird) #1 (1987)
• Stryfe's Strike File #1 (among other artists) (1993)
• Uncanny X-Men #248, 256–258, 267–277 (1990–91)
• X-Men, vol. 2, #1–11 (1991–92)

Marvel/Image[link]

• WildC.A.T.s/X-Men: The Silver Age (1997)

References[link]

External links[link]

Wikimedia Commons has media related to: Jim Lee

• Jim Lee at the Comic Book DB
• Jim Lee on deviantART
• Jim Lee on Myspace
• Jim Lee on Twitter
• Jim Lee's channel on YouTube
• Sun of Gelatometti - A blog of multiple artists, including Jim Lee
• Audio Interview - Comic Geek Speak - April 27, 2007

Greg Capullo
Capullo at the 2011 New York Comic Con.
Born	March 30, 1962
Nationality	American
Area(s)	Penciller, Inker

Gregory “Greg” Capullo (born March 30, 1962) is an American comic book artist and penciller, best known for his work on Quasar (1991–1992), X-Force (1992–1993), Angela (1994) and Spawn (1993–1999, 2003–2004).

Greg Capullo also published his own creator-owned comic, The Creech, published through Image Comics. These were two three-issue miniseries.

Apart from comics, Capullo has been involved in several projects such as pencilling for the Korn album Follow the Leader and the Disturbed album, Ten Thousand Fists, and being part of the crew who worked on the animated sequences in the 2002 film The Dangerous Lives of Altar Boys.

Career[link]

Capullo started off as an aspiring self-taught artist. He was influenced by John Buscema who Capullo has referred to as “the master of the human figure.”^{[citation needed]} He began his artistic career with a job in commercial advertising but soon was noticed for his talent as an inker and penciller and began on projects involving his artwork.

His first comic work was a publication called Gore Shriek, which was picked up and published by a comic book store in Albany, New York, called Fantaco Enterprises. Gore Shriek was a horror comic book specifically labeled Not Intended for Children because of the violent and graphic nature of it. Due to the success of the small comic series, when it had ended, Capullo began work for Marvel Comics where he worked on Quasar, X-Force, and What If?. He worked with Marvel Comics for three years on various works, before moving on to other publications and projects with different companies.

Briefly after Capullo had started work with Marvel, he had begun smaller indie projects away from the company. He had started involvement with separate labels and anyone who would hire him for miscellaneous odd-jobs that needed completion.

Todd McFarlane, who had left Marvel Comics to co-found Image Comics, noticed Capullo’s work on X-Force, and convinced him become the penciller on McFarlane’s comic, Spawn. Capullo's first issue of the book was #16, then took over as pencil artist with issue #26. Capullo has since done the coverart and pencils] for many Image publications, including various Spawn tie-ins and variants, and Capullo’s own miniseries, The Creech. Capullo helped McFarlane in creating the artwork now seen on the two Halo 3-themed controllers.

Capullo provides layouts for Image's Haunt, which debuted in October 2009. The pencils for the layouts were done by Ryan Ottley up until issue 6 where Greg Capullo then took over pencilling for the series and has become the regular penciller, inks are all done by Todd McFarlane.^[1]

In June 2011, as part of DC's announcement that they will be relaunching their entire superhero line, Capullo was announced as the artist on a new Batman #1, with writer Scott Snyder.^[2] As such, he will be leaving the ongoing Haunt title.^[3]

The Art of Greg Capullo is a hardcover book published by Image Comics that showcases Capullo’s artwork, ranging from widely recognized cover art to unknown never released pencils, early submissions samples and personal sketches.

References[link]

External links[link]

Wikimedia Commons has media related to: Greg Capullo

• Greg Capullo at the Comic Book DB
• Greg Capullo. Comic Art Community