Professional wrestling holds include a number of set moves and pins used by performers to immobilize their opponents or lead to a submission. This article covers the various pins, stretches and transition holds used in the ring. Moves are listed under general categories whenever possible.
An element borrowed from professional wrestling's catch wrestling origins, stretches (or submission holds) are techniques in which a wrestler holds another in a position that puts stress on the opponent's body. Stretches are usually employed to weaken an opponent or to force them to submit, either vocally or by tapping out: slapping the mat, floor, or opponent with a free hand three times. Many of these holds, when applied vigorously, stretch the opponent's muscles or twist their joints uncomfortably, hence the name. Chokes, although not in general stress positions like the other stretches, are usually grouped with stretches as they serve the same tactical purposes. In public performance, for safety's sake, stretches are usually not performed to the point where the opponent must submit or risk injury. Likewise, chokes are usually not applied to the point where they cut off the oxygen supply to the opponent's brain.
All the people were waiting for Crazy Face
He said he'd meet them at his favourite place
Dressed in black satin, white linen and lace
With his head held high and a smile on his face
And he said:
'Ladies and gentlemen, the prince is late'
As he stood outside the church-yard gate
And polished up on his .38
And said:
'I got it from Jesse James'
(Instrumental & sax solo)
All the people were waiting for Crazy Face
He said he'd meet them at his favourite place
Dresses in a-black satin, white linen and lace
With his head held high and a smile on his face
And he said:
'Ladies and gentlemen, the prince is late'
As he stood outside the church-yard gate
And polished up on his .38