Rakim
Rakim performing in 2008
Background information
Birth name	William Michael Griffin Jr.
Also known as	Rakim Allah, Ra, R.A.K.I.M., The Master, The God Emcee, The God
Born	(1968-01-28) January 28, 1968 (age 44) Wyandanch, Long Island, New York, United States
Origin	New York City, U.S.
Genres	Hip hop
Occupations	Rapper, CEO, record producer, screenwriter, author, poet
Years active	1985–present
Labels	Ra Records, 4th & B'way, Island, MCA, Aftermath
Associated acts	Eric B., Marley Marl, Large Professor, Kool G. Rap, DJ Premier, Pete Rock, Ghostface Killah
Website	www.rakim.com

William Michael Griffin Jr. (born January 28, 1968), known by his stage names Rakim, is an American rapper. One half of golden age hip hop duo Eric B. & Rakim, he is widely regarded as one of the most influential and most skilled MCs of all time.^[1][2][3][4]

Eric B. & Rakim's classic album Paid in Full was named the greatest hip hop album of all time by MTV,^[5] while Rakim himself was ranked #4 on MTV's list of the Greatest MCs of All Time.^[6] Steve Huey of Allmusic stated that "Rakim is near-universally acknowledged as one of the greatest MCs -- perhaps the greatest -- of all time within the hip-hop community."^[7] The editors of About.com ranked him #1 on their list of the Top 50 MCs of Our Time (1987–2007).^[8] Rakim began his career as the emcee of the rap duo Eric B. & Rakim, who in 2011 were nominated for induction into the Rock and Roll Hall of Fame.^[9]

Early life[link]

Rakim is the nephew of American R&B singer and actress Ruth Brown. He grew up in Wyandanch, New York, and became involved in the New York hip hop scene at 18. Eric B. brought him to Marley Marl's house to record "Eric B. is President." At the time Griffin was fresh out of high school and on his way to college, but he decided to forgo higher education and instead chose to record with Eric B.^[1]

Griffin then known as Kid Wizard was introduced to the Nation of Islam in 1986, joined The Nation of Gods and Earths (also known as the 5 Percent Nation), and took the name Rakim Allah.^[10]

Career[link]

Eric B. & Rakim[link]

1986–87: Beginnings and classic debut[link]

After Rakim responded to Eric B.'s search for "New York's top MC",^[11] Rakim's friend and roommate Marley Marl allowed him to use his home studio. The first track they recorded—"Eric B. Is President"—was released as a single on the independent Zakia Records in 1986. After Def Jam Recordings founder Russell Simmons heard the single, the duo were signed to Island Records and began recording the album in Manhattan's Power Play Studios in early 1987.^[11]

On July 7, 1987, the duo released their debut album, Paid in Full, on the Island-subsidiary label 4th & B'way Records. The album peaked at number fifty-eight on the Billboard 200 chart and produced five singles: "Eric B. Is President", "I Ain't No Joke", "I Know You Got Soul", "Move the Crowd", and "Paid in Full".^[12]

1988–89: Sophomore peak[link]

Follow the Leader is the second studio album by American hip hop duo Eric B. & Rakim, released July 25, 1988 on MCA-subsidiary label Uni Records. It is the follow-up to their debut album Paid in Full (1987). The album was recorded at Power Play Studios in New York City and produced, arranged, and composed by the duo, with additional contributions from Rakim's brother Stevie Blass Griffin.

While its singles attained moderate success, the album performed better on music charts than Eric B. & Rakim's debut album and reached number 22 on the U.S. Billboard Pop Albums chart. It has been certified gold by the Recording Industry Association of America for shipments in excess of 500,000 copies in the United States. Released during the hip hop's "golden age", Follow the Leader was well-received by critics and has since been recognized by music writers as one of the most groundbreaking and influential hip hop albums of all time. American author William Jelani Cobb wrote of the album's significance, "On the heels of Pain in Full, Eric B. & Rakim delivered a full clip of album titled Follow the Leader in 1988. Featuring a broader spectrum of sounds than the James Brown samples that had defined the initial release, Follow the Leader saw Rakim at his most lyrically fierce, issuing deft and def threats on such tracks as 'Microphone Fiend,' 'Lyrics of Fury,' and the nearly felonious 'No Competition.' The release marked the high point in the collaboration between the two and prefaced the long slide they faced in the 1990s."^[13]

1990–94: Final albums and dissolution[link]

Let the Rhythm Hit ’Em is the third album by groundbreaking hip-hop duo Eric B. & Rakim, released in 1990. The group's sound develops further, with Rakim adopting a deeper, more aggressive tone of voice, and more mature and serious subject matter. Musically, the production ranges from smoother soulful tracks such as "In the Ghetto" to the hard-edge assault of the title track "Let the Rhythm Hit ’Em." Despite the fact that it doesn't boast singles as popular as the duo's previous albums ("Paid in Full" and "Follow the Leader") it is considered by many to be the duo's most coherent album. The album is one of a few that have received a "five-mic" rating when it was reviewed in The Source. In 1998, the album was selected as one of The Source's 100 Best Rap Albums. The back cover features a dedication to the memories of Rakim's father William and producer Paul C.,^[14] who had worked on many of the album's tracks before his murder in July 1989. His protégé Large Professor completed his work. Neither receive credit in the album's notes.^[15][16]

Don't Sweat the Technique was Eric B. and Rakim's fourth and final album, released in 1992. The title track was a minor radio hit. "Casualties of War" was also released as a single and contains some of Rakim's most political lyrics. "Know the Ledge" first appeared in the film Juice under the title "Juice (Know the Ledge)". However, Eric B. refused to sign the label's release contract, fearful that Rakim would abandon him. This led to a long and messy court battle involving the two musicians and their former label MCA Records. The legal wrangling eventually led to the duo dissolving completely.

1995–99: Going solo[link]

Rakim performing in 1998

From 1995 through 1996, Rakim recorded several demos/songs by himself, then he eventually returned to recording in 1997 with The 18th Letter, which included collaborations with DJ Premier and Pete Rock; which was released in two versions, one of which included an Eric B. & Rakim greatest hits disc titled The Book of Life. The critical reception of the album was positive, and it was certified gold.

In 1999, Rakim released The Master, which received very good reviews as well.^[1]

2000–07: Aftermath Entertainment and departure[link]

Rakim was signed to Dr. Dre's Aftermath Entertainment record label in 2000,^[17] for work on an album tentatively titled Oh, My God. The album underwent numerous changes in artistic direction and personnel and was delayed several times. While working on the album, Rakim made guest appearances on numerous Aftermath projects, including the hit single "Addictive" by Truth Hurts, the Dr. Dre-produced "The Watcher Part 2" by Jay-Z, and Eminem's 8 Mile soundtrack.

However, Rakim left the label in 2003 and Oh, My God was indefinitely shelved.^[18] After Rakim eventually left Aftermath Entertainment, he stated that the reason he departed the label was because of creative differences with Dr. Dre. Rakim used a metaphorical example that Dr. Dre wanted Rakim to write about killing someone, while Rakim wanted to write about the resurrection of someone.^[19] Rakim signed with DreamWorks Records shortly afterward, but the label closed its doors shortly after that.

[edit] 2006–present: Occasional shows and The Seventh Seal

Rakim at Rock the Bells in 2008

Rakim retreated to his Connecticut estate to work leisurely on music. Not having released an album since 1999, he eschewed touring in favor of infrequent gigs.^[20] Rakim was able to retain the tracks he had made Dr. Dre,^[1] and in 2006, announced that he would release a new studio album, The Seventh Seal.^[21] The album was delayed into 2009 and instead, he followed up with a live album, The Archive: Live, Lost & Found, in 2008.^[1] In an interview with Billboard in 2007, when asked about story behind The Seventh Seal's title, Rakim said,

The number 7 has a lot of significance. The seventh letter of the [Supreme] alphabet is G—that stands for God. There are seven continents, seven seas. The Seventh Seal deals with that and also some revelations in the Bible. Some call it the end of the world, but for me it's the end of the old and the beginning of the new. By me naming my album that, I'm using it metaphorically in hip hop. I'm hoping to kill the old state of hip hop and start with the new.^[21]

In another interview with Billboard in 2009, he stated,

The seals are from the Bible—Revelations and the coming of the Apocalypse. But Islam, Judaism, Christianity—all have a version of the same events. The Lion of Judah breaks the seven seals one by one, each imparting knowledge and inflicting catastrophe, ending with seven trumpets announcing the end of Times. After the Apocalypse, God rises from the ashes to recreate the Kingdom, taking only the greatest elements from the past with them. When you look at Hip-Hop, I want to do that: to spit fire and take our best from the ashes to build our kingdom; to recognize all the regional styles, conscious lyrics, the tracks, underground, mainstream, the way we treat each other. Lose the garbage and rebuild our scene. I've always tried to insert consciousness and spirituality in my records, interpreting the writings of all cultures and religions and how they apply to life in modern times.^[22]

The Seventh Seal was released on November 17, 2009, after several delays on Rakim's own Ra Records, TVM, and SMC Recordings and distributed through Fontana and Universal Music Group.^[23] Considered a comeback album after a ten-year gap between releases, the album features the two singles: "Holy Are You", which was released on July 14, 2009, and "Walk These Streets" which was released on October 7, 2009. It features production from several renowned hip hop artists, including Nottz, Needlz, Jake One, and Nick Wiz^[24] The album sold 12,000 copies in the United States by November 22, 2009, according to SoundScan.^[25] Upon its release, The Seventh Seal received generally mixed or average reviews from most music critics; it holds an aggregate score of 59/100 at Metacritic.^[26]

In 2011, Rakim performed Paid in Full in its entirety at the Blue Note Jazz Club in New York City, in honor of the album's 25th anniversary.^[27] He was backed by The Roots.^[27]

Artistry[link]

Rapping technique[link]

Rakim's rhyming deviated from the simple rhyme patterns of early 1980s hip hop. His free-rhythm style ignored bar lines and had earned comparisons to Thelonious Monk.^[28] The New York Times' Ben Ratliff wrote that Rakim's "unblustery rapping developed the form beyond the flat-footed rhythms of schoolyard rhymes".^[29] While many rappers developed their technique through improvisation, Rakim was one of the first to demonstrate advantages of a writerly style, as with for instance his pioneering use of internal rhyme.^[30] Unlike previous rappers such as LL Cool J, KRS-One, and Run-D.M.C., who delivered their vocals with high energy, Rakim employed a relaxed, stoic delivery.^[11][31] According to MTV, "We'd been used to MCs like Run and DMC, Chuck D and KRS-One leaping on the mic shouting with energy and irreverence, but Rakim took a methodical approach to his microphone fiending. He had a slow flow, and every line was blunt, mesmeric."^[32] Rakim's relaxed delivery resulted from his jazz influences; he had played the saxophone and was a John Coltrane fan.^{[28][33][34][35]}

Rakim's subject matter often covered his own rapping skills and lyrical superiority over other rappers.^[36][37] Allmusic editor Steve Huey comments that "the majority of his lyrics concern his own skills and his Islamic faith."^[7] He also notes Rakim for his "complex internal rhymes, literate imagery, velvet-smooth flow, and unpredictable, off-the-beat rhythms."^[38] Pitchfork Media writer Jess Harvell described his rapping as "authoritative, burnished, [and] possessing an unflappable sense of rhythm".^[37]

Musical style[link]

Paid in Full, which contains gritty, heavy, and dark beats,^[39] marked the beginning of heavy sampling in hip hop records.^[29] Of the album's ten tracks, three are instrumentals.^[40] As a disc jockey, Eric B. had reinstated the art of live turntable mixing.^[33] His soul-filled sampling became influential in future hip hop production.^[32] Music critic Robert Christgau noted that Eric B. had incorporated "touches of horn or whistle deep in the mix" of his sampled percussion and scratches.^[41]

Legacy and influence[link]

Paid in Full was released during the period in hip hop that became known as the golden age hip hop era.^[42] Alex Ogg considered it the duo's magnum opus in his book The Men Behind Def Jam.^[11] Rakim's rapping set a blueprint for future rappers and helped secure East Coast hip hop's reputation for innovative lyrical technique.^[30][43] William Jelani Cobb stated in his book To the Break of Dawn that his rapping had "stepped outside" of the preceding era of old school hip hop and that while the vocabulary and lyrical dexterity of newer rappers had improved, it was "nowhere near what Rakim introduced to the genre".^[42] The New York Times' Dimitri Ehrlich, who described the album as "an artistic and commercial benchmark", credited Rakim for helping "give birth to a musical genre" and leading "a quiet musical revolution, introducing a soft-spoken rapping style".^[44] Allmusic's Steve Huey declared Paid in Full one of hip hop's most influential albums and "essential listening" for those interested in the genre's "basic musical foundations".^[38] MTV ranked it at number one in "The Greatest Hip-Hop Albums of All Time", stating it raised the standards of hip hop "both sonically and poetically" and described it as "captivating, profound, innovative and instantly influential".^[32] The album is broken down track-by-track by Rakim in Brian Coleman's book Check the Technique.^[45]

Rolling Stone magazine listed it at number 227 on "The 500 Greatest Albums of All Time", calling it "Ice-grilled, laid-back, diamond-sharp: Rakim is a front-runner in the race for Best Rapper Ever, and this album is a big reason why."^[46] Similarly, Blender magazine included the album in its "500 CDs You Must Own Before You Die".^[47] Time magazine listed it as one of the eighteen albums of the 1980s in its "All-TIME 100" albums; editor Alan Light acknowledged the record for changing the "sound, flow, and potential" of hip hop and that if Rakim is "the greatest MC of all time, as many argue, this album is the evidence".

Jess Harvell of Pitchfork Media complimented Rakim for an "endless display of pure skill" and described the album as "laidback and funky", but believed it contained "too much filler to get a free 'classic' pass".^[37] Pitchfork Media placed Paid in Full at number fifty-two in its "Top 100 Albums of the 1980s"; editor Sam Chennault wrote that Rakim inspired a generation of MCs and "defined what it meant to be a hip-hop lyricist".^[48] The rappers who have used the unique rapping style employed by Rakim and attribute it as inspiration include GZA, and Raekwon (from the Wu-Tang Clan), Nas, Kool G. Rap, Jay-Z, The Notorious B.I.G., Eminem, and many more.^[44][49] On July 11, 1995, the Recording Industry Association of America (RIAA) certified the album platinum.^[50] As of December 1997, it has sold over a million copies.^[44]

Discography[link]

Eric B. & Rakim

Solo albums

Notes[link]

References[link]

• Cobb, William Jelani (2006). To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic. New York University Press. ISBN 0-8147-1670-9.

External links[link]

Wikimedia Commons has media related to: Rakim

• Rakim on Myspace
• Rakim at Allmusic
• Rakim at MTV
• Rakim discography at Discogs
• Rakim Exclusive Interview

DJ Premier
Background information
Birth name	Christopher Edward Martin
Born	(1966-03-21) March 21, 1966 (age 46) Houston, Texas, United States
Origin	Houston, Texas, USA
Genres	Hip hop, East Coast Hip Hop
Occupations	Record producer, DJ
Instruments	Drum machine Keyboard Sampler Turntable
Years active	1984 – present
Labels	Wild Pitch/EMI (1987–1990) Chrysalis/EMI (1991–1998) Virgin/EMI (1998–2003) Year Round (2003–)
Associated acts	Gang Starr Foundation, M.O.P., Royce da 5'9", Christina Aguilera, Jay-Z, Kanye West, Nas, Kool G Rap, Blaq Poet, Apathy, Big L, Bun B, D.I.T.C., Game, Termanology, AZ, Buckshot LeFonque, Mobb Deep, Torae
Website	DJ Premier on Myspace

Christopher Edward Martin (born March 21, 1966),^[1] better known by his stage name DJ Premier (also known as Preem, Premo, or Primo for short), is an American record producer and DJ, and was the instrumental half of the hip hop duo Gang Starr, together with emcee Guru. Born in Houston and raised in Prairie View, Texas, he has lived in Brooklyn, New York, for much of his professional career. Rolling Stone identified Premier as arguably Hip-Hop's greatest producer of all time.^[2]

The Source named DJ Premier one of the five greatest producers in hip-hop history,^[3] while the editors of About.com ranked him #1 on their Top 50 Hip-Hop Producers list.^[4] He also made the "Finals" in the search for The Greatest Hip-Hop Producer of All Time by Vibe.^[5] He attended Prairie View A&M University.^[6]

Productions[link]

Premier is known for producing all of Gang Starr's songs as well as many of the Gang Starr Foundation's songs. His work also includes production for heavyweight rappers such as (alphabetic order) Apathy, Big L, Bun B, Canibus, D.I.T.C., Fat Joe, Game, Jay-Z, Kanye West, KRS-One, Lord Finesse, M.O.P., Mos Def, Nas, Rakim, Royce Da 5'9", The LOX, The Notorious B.I.G., Snoop Dogg, Xzibit, rock band Limp Bizkit, Big L, Big Daddy Kane, Ill Bill, Joell Ortiz, and pop/R&B singer Christina Aguilera, among many others.

Premier collaborated with MC Jeru the Damaja on the album The Sun Rises in the East, released in 1994, as well as the 1996 follow-up, Wrath of the Math.^[1] Also from the Gang Starr Foundation, Premier produced and supervised Group Home's Livin' Proof; although overlooked at the time of its 1995 release, the album has since come to find similar acclaim.^[1] Among others in that are closely tied to the Gang Starr Foundation who have worked with DJ Premier include Afu Ra, Bahamadia, Krumbsnatcha, Big Shug, Smiley the Ghetto Child, and NYGz. He recently produced the majority of Blaq Poet's Tha Blaqprint in 2009 and will produce the entirety of NYGz debut album.

Style and influences[link]

DJ Premier's style of production epitomizes the New York sound of his earlier peers. He is known for sampling jazz, funk, and soul artists, as well as sampling an artist's past work when creating a new track for that same artist. For example, on Jay-Z's "So Ghetto", from the 1999 album, Vol. 3… Life and Times of S. Carter, Premier samples an older Jay-Z song, 1997's "Who You Wit II".^[7] In addition, his encyclopedic memory of hip-hop lyrics allows him to distinctively speak with his hands by scratching in lyrics from several different songs to construct new phrases.^[8] Premier's beats are known for his oft-imitated combinations of short vocal samples, often from multiple artists, to create a chorus. Premier has also experimented with atonal samples that are not confined to soul, jazz, and funk. For example, he sampled chopped up seminal electro-acoustic music from the 1960s on the track “Mental Stamina” by Jeru the Damaja.

In an interview with XXL Magazine, DJ Premier was asked how his sound evolved, to which he replied, "Marley Marl is my number one inspiration. Jam Master Jay, Mixmaster Ice and UTFO. Grandmaster D and Whodini. DJ Cheese, Grandmaster Flash, Kool Herc, Afrika Bambaataa. Jazzy Jay, even Cut Creator. Seeing them do what they do. It’s black music, it’s black culture, it comes from the ghetto. How can you not relate to ghetto people when that’s the rawest form of blackness? Even though it’s not a good place in regards to the economy and how bad people have it in the neighborhood, the realism’s there, and that’s what we were born out of. So I very much pay respect by doing the same type of music in return." DJ Premier attended Prairie View A & M University and may have been influenced by the musical atmosphere at the university.^[9]

Relationships with artists[link]

The early line-up of the Gang Starr Foundation in the mid-1990s included Jeru The Damaja, Group Home, Big Shug, and Gang Starr. DJ Premier was fully responsible for the production of Jeru the Damaja's first two albums, The Sun Rises in the East and Wrath of the Math. Jeru released three albums since then, with Premier having nothing to do with any of them.^[1]

As far as Group Home was concerned, Premier commented, "They don't respect what fed them," in a 2003 interview, going on to say that the only reason he produced a track on their second album was because Guru said he would rhyme on it.^[10]

Besides the Gang Starr Foundation, Premier is closely affiliated with M.O.P., which he names as one of his all-time favorite groups. The relationship started with the remix of “Rugged, Neva Smoove” in 1994, a single from the group's first album, which also included the exclusive B-side “Downtown Swinga.” From then, Premier produced about one-third of the songs on each subsequent album and overseeing and mixing the projects. On M.O.P.'s 2009 Foundation album, however, DJ Premier provided only one track, which was called "What I Wanna B."

Recent and future projects[link]

DJ Premier has his own record company named Year Round Records. Among its artists are New York group NYGz, New Jersey rapper Nick Javas, and Houston rapper Khaleel. Tha Blaqprint by Blaq Poet, which has thirteen Premier productions, was released by Year Round Records through Fat Beats Records. On December 7, Premier's label Year Round Records released a digital compilation album titled Get Used to Us. At the moment Year Round plans to release a debut album fully produced by DJ Premier with the NYGz tenatively called Hustla's Union: Local NYG along with a Nick Javas debut album named Destination Unknown. Khaleel, another label-mate of Year Round Records, is planned to release a debut album titled Already!.

DJ Premier hosts a weekly 2 hour show Live From HeadQCourterz on SIRIUS Satellite Radio's Hip-Hop Nation on Fridays.

DJ Premier was one of the artists followed in the 2012 documentary Re:GENERATION music project. The film followed his production of the song Regeneration using live performance of his work by the Berklee Symphony Orchestra [1]

In a recent interview, DJ Premier said he will produce a beat for Immortal Technique's upcoming album, titled The Middle Passage. He contributed a song on Game's last album The R.E.D. Album called "Born in the Trap." and a song on Bushido's last album Jenseits von Gut und Böse.^[6] In an interview in 2012, DJ Premier confirmed on Shade45 that he is working with Eminem on his upcoming album.

Discography[link]

• The Sun Rises in the East (with Jeru The Damaja) (1994)
• Livin' Proof (with Group Home) (1995)
• Wrath of the Math (with Jeru The Damaja) (1996)
• Beats That Collected Dust (2008)
• Tha Blaqprint (with Blaq Poet) (2009)
• DJ Premier Presents Get Used To Us (2010)
• Beats That Collected Dust Vol. 2 (2011)
• Premo Pimpin' EP (with Wais P) (2011)
• StOoDiOtYmE EP (with Bumpy Knuckles) (2012)
• The Kolexxxion (with Bumpy Knuckles) (2012)
• TBA (with Nas)
• TBA (with M.O.P.)
• Pete Rock v.s. Premier (with Pete Rock)
• Return Of The Boom Bip (with KRS-ONE)

References[link]

External links[link]

• DJ Premier on Twitter
• DJ Premier at Allmusic
• DJ Premier discography at Discogs
• Fansite/newsite about DJ Premier

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (February 2010)

Truth Hurts
Birth name	Shari Watson
Born	(1971-10-10) October 10, 1971 (age 40)
Origin	St. Louis, Missouri, United States
Genres	Hip Hop Soul
Occupations	Songwriter, Artist, Actress
Years active	1992–present
Labels	Giant Records (1992-1995) Aftermath/Interscope Records (1999-2003) Pookie Entertainment (2003-present)
Associated acts	Dr. Dre, Eminem, Raphael Saadiq, DJ Quik, John Frusciante, Joi,[disambiguation needed ] D12, Lata Mangeshkar, Eve, Mario Winans
Website	http://www.officiallytruth.com

Shari Watson (born October 10, 1971, St. Louis, Missouri), known as Truth Hurts, is an American Contemporary R&B singer-songwriter.

Watson is currently contributing to the upcoming solo record by John Frusciante. Watson is confirmed to appear on two tracks. ^[1]

Biography[link]

In 2000, Watson signed to Dr. Dre's Aftermath Entertainment label. She first appeared on Busta Rhymes' 2001 hit single, "Break Ya Neck", as a backing vocalist. She also appeared as a background vocalist on the D12 song, "Nasty Minds". For her first solo LP Truthfully Speaking, issued on Aftermath in 2002, Truth Hurts enlisted the production talents of Dr. Dre, Timbaland, Hi-Tek, and DJ Quik. Her debut single, "Addictive", was a Top 10 hit in the United States, and featured a verse from hip hop artist, Rakim. The original song, Lata Mangeshkar's "Thoda Resham Lagta Hai", was used as the main base of the track within the chorus,. The copyright holders sued Aftermath and parent company Interscope Records for $500 million dollars, and issued an injunction against further sales or performances of the record.^[2] A judge later ruled that the album was not to be sold without being stickered with proper credits for Mangeshkar.^[3]

In summer of 2002, Truth Hurts secured a high profile spot on the Smokin' Grooves tour with Lauryn Hill, Outkast, Cee-Lo, The Roots, Jurassic 5, and Erykah Badu.^[4] However, following the buzz on "Addictive", Truth Hurts became relatively obscure, only contributing guest vocals to "The Watcher 2" on Jay-Z's Blueprint 2 album and "What" on Eve's Eve-Olution. To date, she remains as a one-hit wonder in both America and the UK. "Addictive" was followed up by a song called "The Truth" featuring R. Kelly on the chorus. The song underpeformed on American radio and video outlets. This was likely due in part to the negative press Kelly received over sex crime allegations, that hit media outlets shortly before the single's release.^[5]

Truth Hurts returned in 2004 with her second album, Ready Now, on Raphael Saadiq's Pookie Entertainment label. Its first single, "Ready Now", was released in the summer of 2004. In 2005, Truth Hurts collaborated with J Dilla on Jay Love Japan on the track "Ghetto Love", shortly before his death in February 2006. Truth Hurts is now recording material for her upcoming album and has released a few promo singles via her website. Truth is promoting this material in Europe while touring at various musical venues.

Discography[link]

Albums[link]

Singles[link]

• 2002: "Addictive" (featuring Rakim) (US #9, US R&B #2, UK #3^[7]
• 2002: "The Truth" (featuring R. Kelly) (R&B #47)
• 2002: "I'm Not Really Lookin' (featuring DJ Quik)
• 2004: "Ready Now"
• 2010: "Smoke"

Guest appearances[link]

2010[link]

References[link]

External links[link]

• Official website
• Truth Hurts on Myspace

KRS-One
Background information
Birth name	Lawrence Krisna Parker
Also known as	KRS, Teacha, The Blastmaster, Big Joe Krash
Born	(1965-08-20) August 20, 1965 (age 46) Flatbush, Brooklyn, New York
Origin	South Bronx, New York, U.S.
Genres	Hip hop
Occupations	Rapper, record producer, actor, author, activist
Instruments	Vocals, turntables
Years active	1977–present
Labels	Jive, RCA, Duck Down
Associated acts	Boogie Down Productions, Fat Joe, Geologic of the Blue Scholars Scott La Rock, Marley Marl, Diamond D, LL Cool J, Public Enemy, Buckshot, Talib Kweli, Immortal Technique, EPMD, Buckshot (rapper)
Website	krs-one.com

Lawrence Krisna Parker (born August 20, 1965), better known by his stage names KRS-One (an acronym for Knowledge Reigns Supreme Over Nearly Everyone), and Teacha, is an American rapper. At the 2008 BET Awards, KRS-One was the recipient of the Lifetime Achievement Award for all his work and effort towards the Stop the Violence Movement as well as the overall pioneering of hip hop music and culture.

Biography[link]

Lawrence Parker was born in Flatbush, Brooklyn, New York during the summer of 1965. Parker left home at 16 to become an MC, coming to live at a homeless shelter in the South Bronx where he was dubbed Krishna by residents because of his interest in the Hare Krishna spirituality of some of the antipoverty workers. By the time he met youth counselor Scott Sterling, he was also writing graffiti as KRS-One (Knowledge Reigns Supreme Over Nearly Everyone). Together he and Sterling, a.k.a. DJ Scott La Rock eventually created Boogie Down Productions, releasing their debut album, Criminal Minded, in 1987. KRS-One has been a vegetarian since his youth.^[1]

Boogie Down Productions[link]

KRS-One began his recording career as one third of the hip hop group Boogie Down Productions, or BDP, alongside DJ Scott La Rock and Derrick "D-Nice" Jones. They met during a stay KRS-One had at the Bronx Franklin Avenue Armory Shelter. La Rock (real name Scott Sterling) worked as a social worker there. The duo would begin to create music. After being rejected by radio DJs Mr. Magic and Marley Marl, KRS-One would go on to diss the two and those associated with them, sparking what would later be known as The Bridge Wars. Additionally, KRS had taken offense to "The Bridge", a song by Marley Marl's protege, MC Shan (later on, KRS One produced an album with Marley Marl in 2007); the song could be interpreted as a claim that Queensbridge was the monument of Hiphop, though MC Shan has repeatedly denied this claim. Still, KRS "dissed" the song with the BDP record "South Bronx"; next, a second round of volleys would ensue with Shan's "Kill That Noise" and BDP's "The Bridge Is Over". KRS-One, demonstrating his nickname "The Blastmaster", gave a live performance that devastated MC Shan, and many conceded he had won the battle. Many believe this live performance to be the first MC battle where rappers attack each other, instead of a battle between who can get the crowd more hyped.^[2]

Parker and Sterling decided to form a rap group together, initially calling themselves "Scott La Rock and the Celebrity Three". That was short-lived, however, as the two peripheral members quit, leaving Parker (now calling himself KRS-One) and Sterling. They then decided to call themselves "Boogie Down Productions", "Success is the Word", a 12-inch single produced by David Kenneth Eng and Kenny Beck was released on indie Fresh/Sleeping Bag Records (under the group name "12:41") but did not enjoy commercial success. Boogie Down Productions released their debut album Criminal Minded in 1987. The album, whose cover pictured BDP draped in ammunition and brandishing guns, is often credited with setting the template for the burgeoning genres of hardcore and gangsta rap. Scott La Rock was killed in a shooting later that year, after attempting to mediate a dispute between teenager and BDP member Derrick "D-Nice" Jones and local hoodlums.

During this time KRS-One also gained acclaim as one of the first MCs to incorporate Jamaican style into hip-hop. Using the Zung gu zung melody, originally made famous by Yellowman in Jamaican dance halls earlier in the decade.^[3] While KRS-One used Zunguzung styles in a more powerful and controversial manner, especially in his song titled "Remix for P is Free", he can still be credited as one of the more influential figures to bridge the gap between Jamaican music and American hip-hop.

Following the fatal shooting of Scott La Rock in 1987, KRS was determined to continue Boogie Down Productions through the tragedy, releasing the album By All Means Necessary in 1988. He was joined by beatboxer D-Nice, rapper Ramona "Ms. Melodie" Parker (whose marriage to Kris would last from 1988 to 1992), and Kris's younger brother DJ Kenny Parker, among others. However Boogie Down Productions would remain Kris's show, and their content would become increasingly political through their subsequent releases Ghetto Music: The Blueprint of Hip Hop, Edutainment, Live Hardcore Worldwide and Sex and Violence.

KRS-One was the primary initiator behind the H.E.A.L. compilation and the Stop the Violence Movement; for the latter he would attract many prominent MCs to appear on the 12-inch single "Self Destruction". As Parker adopted this "humanist", less defensive approach, he turned away from his "Blastmaster" persona and towards that of "The Teacha", although he has constantly used "Blastmaster" throughout his career.

Solo career[link]

KRS-One performing in Belgium in May 2006.

After five largely solo albums under the name "Boogie Down Productions," KRS-One decided to set out on his own. On his first solo album, 1993's Return of the Boom Bap, Parker worked together with producers DJ Premier, Kid Capri and Showbiz, the latter providing the catchy-yet-hardcore track "Sound of da Police". His second album, 1995's KRS-One, featured Channel Live on "Free Mumia", a song in which they criticize Black Civil Rights Activist C. Delores Tucker among others. Other prominent guest stars on KRS One included Mad Lion,Rimo, Busta Rhymes, Das EFX and Fat Joe.

In 1991, KRS-One appeared on the alternative rock group R.E.M.'s single "Radio Song", which appeared on the band's album Out of Time, released the same year.

In 1992, Bradley Nowell from Sublime featured an acoustic song named "KRS-One" with his voice and DJ's samplers.

In 1995, KRS organized a group called Channel Live, whose album Station Identification he produced most of, along with Rheji Burrell and Salaam Remi.

In 1997, Parker surprised many with his release of the album I Got Next. The album's lead single "Step into a World (Rapture's Delight)", containing a sample of punk and New Wave group Blondie, was accompanied by a remix featuring commercial rap icon Puff Daddy; another track was essentially a rock song. While the record would be his best-selling solo album (reaching #3 on the Billboard 200), such collaborations with notably mainstream artists and prominent, easily recognizable samples took many fans and observers of the vehemently anti-mainstream KRS-One by surprise. However, in August 1997, Parker appeared on Tim Westwood's BBC Radio 1 show and vociferously denounced the DJ and the radio station more generally, accusing them of ignoring his style of hip hop in favor of commercial artists such as Puff Daddy. Although having not been in the UK since 1991, due to the fact he does not fly, he claimed "to be in touch with the people", and said that "they weren't feeling Westwood, he's a sell out and has sold his soul to the dark side." This sparked controversy in the UK since Radio One was one of the main supporters of the single "Step Into My World" and caused the album to be his best selling. Parker has since visited the UK, most notably in May 2007, in a performance at the Royal Albert Hall where he once again dissed Tim Westwood in a freestyle.

In 1999, there were tentative plans to release Maximum Strength; a lead single, "5 Boroughs", was released on The Corruptor movie soundtrack. However, Parker apparently decided to abort the album's planned release, just as he had secured a position as a Vice-President of A&R at Reprise Records. The shelved album was again scheduled to be released in 2008, but ultimately an unrelated album entitled "Maximum Strength 2008" was released in its place. He moved to southern California, and stayed there for two years, ending his relationship with Jive Records with A Retrospective in 2000.

Parker resigned from his A&R position at Reprise in 2001, and returned to recording with a string of albums, beginning with 2001's The Sneak Attack on Koch Records. In 2002, he released a gospel-rap album, Spiritual Minded, surprising many longtime fans; Parker had once denounced Christianity as a "slavemaster religion" which African-Americans should not follow. During this period, KRS founded the Temple of Hiphop, an organization to preserve and promote "Hiphop Kulture". Other releases have since included 2003's Kristyles and D.I.G.I.T.A.L., 2004's Keep Right, and 2006's Life.

The only latter-day KRS-One album to gain any significant attention has been Hip-Hop Lives, his 2007 collaboration with fellow hip hop veteran Marley Marl, due in large part to the pair's legendary beef, but also the title's apparent response to Nas' 2006 release Hip-Hop Is Dead. While many critics have commented they would have been a lot more excited had this collaboration occurred twenty years earlier, the album has been met with positive reviews. KRS One has appeared on several songs with other artists, due to this he has received 9 Gold and 7 Platinum plaques.

KRS One has collaborated with several artists including Canadian Rap group Hellafactz, Jay-Roc N' Jakebeatz and New York producer Domingo among other. He and Domingo publicly squashed their beef that started over financial issues and released a digital single to iTunes on November 25. The single titled "Radio" will also feature Utah up and comer Eneeone and is dedicated to underground MC's that don't get the radio airplay they deserve.^[4] In 2009 KRS One guest starred on several albums including Arts & Entertainmen on the song "Pass the Mic" by fellow Hip Hop veterans Masta Ace & Ed O.G and featured on the posse cut "Mega Fresh X" by Cormega (alongside with DJ Red Alert, Parrish Smith, Grand Puba, & Big Daddy Kane) on his album Born and Raised.

KRS One and Buckshot announced that they would be collaborating on an album set to be released in 2009. The first single, ROBOT, was released on May 5, 2009. The music video was directed by Todd Angkasuwan and debuted as the New Joint of the Day on 106 & Park on September 4, 2009. The album leaked on the Internet on September 9, 2009 and released album was released on September 15, 2009. It debuted at #62, making it on The Billboard 200 selling around 8,500 copies its first week and was met with generally positive reviews. Steve Juon of RapReviews.com gave the album a flawless 10 out of 10, claiming "Buckshot and KRS have achieved something rather remarkable here – an album I can't find a single fault with. There's not a bad beat, there's not a whack rhyme, there's not a collaborator on a track that missed the mark, and the disc itself is neither too short nor too long." ^[5]

In 2010 KRS One was honored along with Buckshot by artists Ruste Juxx, Torae & Skyzoo, Sha Stimuli, Promise, J.A.M.E.S. Watts and Team Facelift to name a few on their mixtape 'Survival Kit' which is an ode to the 2009 album Survival Skills by KRS One and Buckshot. The mixtape was released for free download on DuckDown.com. The album features new version of KRS classics 'South Bronx', 'Sound Of Da Police' and 'MC's Act Like They Don't Know' as well as new versions of well known Buckshot songs and 'Past Present Future' from the Survival Skills album. The MC Fashawn stated in his verse on MC's Act Like They Don't Know that 'I did it to make Kris smile I figured he'd appreciate it' ^[6]

Most recently, KRS One was featured as the voice of Chris Cringle in the new Nike Most Valuable Puppets commercials. KRS One performed in May 2010 at SUNY New Paltz for their annual "Rock Against Racism" concert. KRS One also narrated the 2011 film Rhyme and Punishment, a documentary about Hip-Hop artists who have done jail time.

Stop the Violence Movement[link]

The Stop the Violence Movement was formed by KRS-One in 1988/1989 in response to violence in the hip hop and black communities.

During a concert by Boogie Down Productions and Public Enemy a young fan was killed in a fight. Coming soon after the shooting death of his friend and fellow BDP member Scott La Rock, KRS-One was galvanized into action and formed the Stop the Violence Movement. Composed of some of the biggest stars in contemporary East Coast hip hop, the movement released a single, "Self Destruction", in 1989, with all proceeds going to the National Urban League.^[7] A music video was created, and a VHS cassette entitled Overcoming Self-Destruction – The Making of the Self-Destruction Video was also released.

"Self-Destruction" was produced by KRS-One and D-Nice of Boogie Down Productions (Hank Shocklee of The Bomb Squad is credited as an associate producer).

Temple of Hip Hop[link]

The Temple of Hip Hop is a ministry, archive, School, and Society (M.A.S.S.) founded by KRS-One. Its goal is to maintain and promote Hiphop Culture. The Temple of Hip Hop maintains that Hip Hop is a genuine political movement and culture, as it has been accepted by the United Nations as a culture. The Temple of Hiphop calls on all Hip Hop fans to celebrate Hip Hop Appreciation Week, occurring in the third week of May. It encourages DJs and MCs to teach people about the culture of Hiphop, to write more socially conscious songs, and radio stations to play more socially conscious hip hop. Hip Hop Appreciation Week is celebrated on the third week of May each year. Hip Hop History Month (November), founded by the Universal Zulu Nation, is also recognized.

September 11 comments[link]

In 2004, KRS engendered a controversy when he was quoted in a panel discussion hosted by The New Yorker magazine as saying that "we cheered when 9/11 happened". The comment drew criticism from many sources, including a pointed barb by the New York Daily News that called Parker an "anarchist" and said that "If Osama bin Laden ever buys a rap album, he'll probably start with a CD by KRS-One."^[8]

KRS-One performing in 2007.

Parker responded to the commotion surrounding his comments with an editorial written for AllHipHop.com, stating:

I was asked about why hiphop has not engaged the current situation more (meaning 9/11), my response was "because it does not affect us, or at least we don’t perceive that it affects us, 9/11 happened to them". I went on to say that "I am speaking for the culture now; I am not speaking my personal opinion." I continued to say; "9/11 affected them down the block; the rich, the powerful those that are oppressing us as a culture. Sony, RCA or BMG, Universal, the radio stations, Clear Channel, Viacom with BET and MTV, those are our oppressors, those are the people that we're trying to overcome in hiphop everyday, this is a daily thing. We cheered when 9/11 happened in New York and say that proudly here. Because when we were down at the trade center we were getting hit over the head by cops, told that we can’t come in this building, hustled down to the train station because of the way we dressed and talked, and so on, we were racially profiled. So, when the planes hit the building we were like, "mmmm, justice." And just as I began to say "now of course a lot of our friends and family were lost there as well" I was interrupted...

In late 2005, KRS was featured alongside Public Enemy's Chuck D on the remix of the song "Bin Laden" by Immortal Technique and DJ Green Lantern, which blames American neo-conservatives, the Reagan Doctrine and U.S. President George W. Bush for the World Trade Center attacks, and indicates a parallel to the devaluation, destruction, and violence of urban housing project communities.

On April 29, 2007, KRS-One again defended his statements on the September 11 attacks when asked about them during an appearance on Hannity's America on the Fox News network stating that he meant that people cheered that the establishment had taken a hit, not that people were dying or had died.^[9] He also discussed amongst other things, the Don Imus scandal and the use of profanity in Hip-Hop.

Gospel of Hip Hop comments[link]

In an interview with AllHipHop about his book "The Gospel of Hip Hop", KRS-One said:

"I’m suggesting that in 100 years, this book will be a new religion on the earth... I think I have the authority to approach God directly, I don’t have to go through any religion [or] train of thought. I can approach God directly myself and so I wrote a book called The Gospel of Hip Hop to free from all this nonsense garbage right now. I respect the Christianity, the Islam, the Judaism but their time is up. ...In a hundred years, everything that I’m saying to you will be common knowledge and people will be like, 'Why did he have to explain this? Wasn’t it obvious?'"^[10]

These comments have been referred to by numerous media outlets^[11][12][13] such as the AV Club who comment that "KRS-One writes 600-page hip-hop bible; blueprint for rap religion"^[14] and "KRS-One has never been afraid to court controversy and provoke strong reactions. Now the Boogie Down Productions legend has topped himself by writing The Gospel of Hip Hop: The First Instrument, a mammoth treatise on the spirituality of hip-hop he hopes will some day become a sacred text of a new hip-hop religion".^[14]

Stepson's death[link]

Randy Hubbard Parker, stepson of KRS-One, was found dead in his Atlanta, Georgia apartment on July 6, 2007 in an apparent suicide; he was 23. Simone Parker, KRS-One's wife and Randy's mother, released a statement on July 10 that stated her son's death was related to his continuous battle with "severe depression". The Fulton County Medical Examiner's office stated that Parker died of a gunshot wound to the head, and listed the cause of death as suicide.^[15] Parker was a graphic designer and fashion entrepreneur. A private memorial service was held on July 18, which would have been his 24th birthday.^[16]

Benefit for First Responders[link]

KRS-One spoke at a hip hop benefit concert on September 12, 2009 to benefit the first responders of 9/11 he spoke of non violence to take back the country. The event was presented by the 9/11 group We Are Change based in New York City and SMT Studios.

Politics[link]

He has endorsed Congressman Ron Paul for President in 2012.^[17]

Awards[link]

VH1

• 2004, VH1 Hip Hop Honors

BET Hip Hop Awards

• 2007, I am Hip Hop
• 2007, Lifetime Achievement

Urban Music Awards

• 2009, Living Legend Award

Discography[link]