6:37
Lalah Hathaway- If U Ever (HQ) [R&B;, Soul, Jazz, Contemporary R&B;]
Lalah Hathaway CD: Outrun the Sky 2004 Song Title: If U Ever This is one of my all time fa...
published: 01 Aug 2010
Author: nitsua1964
Lalah Hathaway- If U Ever (HQ) [R&B;, Soul, Jazz, Contemporary R&B;]
Lalah Hathaway CD: Outrun the Sky 2004 Song Title: If U Ever This is one of my all time favorites of Lalah Hathaway. Her rich and sultry voice carries on in the legacy of her Father, the great soul singer Donny Hathaway. Each note touches the very core of the soul!
2:10
Contemporary R&B; - The Rain (instrumental demo)
This demo was created by me. It took me one day to compose this demo. Perhaps I should hav...
published: 18 Aug 2012
Author: steady0086
Contemporary R&B; - The Rain (instrumental demo)
This demo was created by me. It took me one day to compose this demo. Perhaps I should have added more variations at this demo. I'm not a professional but I love making music. Any tips, comments or feedback? Thanks!
1:05
Beyonce accepting the GRAMMY for Best Contemporary R&B; Album at the 46th GRAMMY Awards
Beyonce accepting the GRAMMY for Best Contemporary R&B Album at the 46th GRAMMY Awards...
published: 29 Jan 2010
Author: TheGRAMMYs
Beyonce accepting the GRAMMY for Best Contemporary R&B; Album at the 46th GRAMMY Awards
Beyonce accepting the GRAMMY for Best Contemporary R&B Album at the 46th GRAMMY Awards
68:03
DJ Beat Presents: 2010 R&B; Mix of the 90's
To Download this mix Click the link Bellow www.mediafire.com 01 How did you get here Debor...
published: 25 Nov 2011
Author: DJBeatMiami Mayers
DJ Beat Presents: 2010 R&B; Mix of the 90's
To Download this mix Click the link Bellow www.mediafire.com 01 How did you get here Deborah Cox 02 We can't be friends Deborah Cox feat RL 03 I Belong Rome 04 This little game that we play Subway feat 702 05 My love is the Shhh SFP 06 Beep me 911 Missy Elliott feat 702 07 Tell me do you wanna Ginuwine 08 I'll do anything I'm sorry Ginuwine 09 Your my little secret Xscape 10 Do you mind if I stroke you up Changing Faces 11 Sweet lady Tyrese 12 Breakdown Mariah Carey feat Bone Thugs N Harmony 13 Before I let you go Blackstreet 14 Baby Im yours Shai 15 Tender Roni Bobby Brown 16 Love dont let go En vouge 17 Last Night Az Yet 18 X-Factor Lauryn Hill 19 911 Wyclef feat Mary J Blige 20 My Love is your love Whitney Houston 21 No One Alicia Keys
1:31
'Contemporary R&B; #1' V-Drums Demo - Martin Rockport
Martin Rockport, jamming along to a Roland 'Contemporary R&B #1' demo play-alo...
published: 19 Jan 2009
Author: MisterMR44
'Contemporary R&B; #1' V-Drums Demo - Martin Rockport
Martin Rockport, jamming along to a Roland 'Contemporary R&B #1' demo play-along (downloadable from www.roland.com/V-Drums) on an extended Roland TD-9KX V-Drums.
3:04
OT Beatz - Up and Down *Keri Hilson/The Dream/Contemporary R&B;* Type of Beat NEW!
*Keri Hilson/The Dream/Contemporary R&B* Type of beat Like me on my facebookwww.facebo...
published: 23 Dec 2011
Author: On9Truth
OT Beatz - Up and Down *Keri Hilson/The Dream/Contemporary R&B;* Type of Beat NEW!
*Keri Hilson/The Dream/Contemporary R&B* Type of beat Like me on my facebookwww.facebook.com Follow twitter.com on twitter. Contact me at ow.tee.beatz@gmail.com for beats inquiries.
2:58
OT Beatz - VIXEN *Drake/Rihanna/Lil Wayne/T-Minus/Young Money/Contemporary R&B;* (HD)
one of my newest beats... *Drake/Rihanna/Lil Wayne/T-Minus/Young Money/Contemporary R&...
published: 03 Feb 2012
Author: On9Truth
OT Beatz - VIXEN *Drake/Rihanna/Lil Wayne/T-Minus/Young Money/Contemporary R&B;* (HD)
one of my newest beats... *Drake/Rihanna/Lil Wayne/T-Minus/Young Money/Contemporary R&B* Type of beat Like me on my facebook www.facebook.com Follow twitter.com on twitter. Contact me at ow.tee.beatz@gmail.com for beats inquiries.
5:06
NuJoi | Share the Love [Contemporary,R&B; Gospel]
NuJoi hit the scene in July of '95 with their self-titled debut. Back in the day,NuJoi...
published: 16 Aug 2010
Author: GospelChillEspresso
NuJoi | Share the Love [Contemporary,R&B; Gospel]
NuJoi hit the scene in July of '95 with their self-titled debut. Back in the day,NuJoi was in heavy rotation!
3:25
modern r&b; live rhythm section
watch how we play modern r&b grooves live and check out our timing...
published: 05 Jul 2007
Author: maikschott
modern r&b; live rhythm section
watch how we play modern r&b grooves live and check out our timing
1:27
'Contemporary R&B; #2' V-Drums Demo - Martin Rockport
Martin Rockport, jamming along to a Roland 'Contemporary R&B #2' demo play-alo...
published: 22 Jan 2009
Author: MisterMR44
'Contemporary R&B; #2' V-Drums Demo - Martin Rockport
Martin Rockport, jamming along to a Roland 'Contemporary R&B #2' demo play-along (downloadable from www.roland.com/V-Drums) on an extended Roland TD-9KX V-Drums.
4:09
Contemporary R&B; LPW Where Is The Love
Me playing guitar for the Contemporary R&B LPW Summer 09 Week 1. The song is Where Is ...
published: 10 Jul 2009
Author: Jdufore19
Contemporary R&B; LPW Where Is The Love
Me playing guitar for the Contemporary R&B LPW Summer 09 Week 1. The song is Where Is The Love. Oh and the lovely Hollywood Blvd. sirens in towards the end there.
10:02
KIA CALLOWAY - "MOVING ON" - OFFICIAL MUSIC VIDEO (MINI MOVIE) by Tee Platinum
R&B Diva Kia Calloway finally drops the heavily anticipated new single "Moving On...
published: 22 Nov 2011
Author: teeplatinum
KIA CALLOWAY - "MOVING ON" - OFFICIAL MUSIC VIDEO (MINI MOVIE) by Tee Platinum
R&B Diva Kia Calloway finally drops the heavily anticipated new single "Moving On".. music video produced by Tee Platinum Productions and WRAB Films. Shot in Baltimore MD.
3:09
Millie Jackson "Hurts So Good" (1973)
From Her 1973 album "Hurts So Good" Mildred "Millie" Jackson (born Jul...
published: 11 Oct 2009
Author: rovingeye2
Millie Jackson "Hurts So Good" (1973)
From Her 1973 album "Hurts So Good" Mildred "Millie" Jackson (born July 15, 1944, Thomson, Georgia) is an American R&B/soul singer-songwriter. Her vocal performances are distinguished by long, humorous, and explicit spoken sections in her music; She has also recorded many disco songs, some dance music songs, and a few country styled songs. Three of her albums have been certificated gold by the RIAA for over 500000 copies. She is the mother of the contemporary R&B singer, Keisha Jackson.
6:06
Contemporary R&B;
Contemporary R&B...
published: 15 Jun 2009
Author: ThePetjaratsang
Contemporary R&B;
Contemporary R&B
Vimeo results:
7:59
The Gospel According to Jazz Chapter 3 Double CD/DVD
The Gospel According to Jazz, Chapter III will be available as a Double CD and DVD on Marc...
published: 21 Dec 2009
Author: Kirk Whalum
The Gospel According to Jazz Chapter 3 Double CD/DVD
The Gospel According to Jazz, Chapter III will be available as a Double CD and DVD on March 16, 2010. Featuring Kirk Whalum, George Duke, Lalah Hathaway, Doc Powell, Kevin Whalum with special guests, John Stoddart, Hugh "Peanuts" Whalum, Kenneth Whalum III, Kyle Whalum, and Caleb Tha Bridge. Also playing: Jerry Peters, Aaron Broadus, Reginald Veal, Lenny Castro, Sean McCurley, and Kortland Whalum
KIRK WHALUM
The Gospel According to Jazz, Chapter III
For yours is the kingdom, the victory and the majesty, the power and dominion, for all that is in heaven and earth are yours…1 Chronicles 29:11a
On October 13, 2007, at Reid Temple AME Church on the outskirts of Washington DC, a standing room only audience packed the 3000-plus capacity state-of-the-art worship complex to experience the transforming power of Kirk Whalum’s The Gospel According to Jazz, Chapter III. Recorded live by three generations of Whalums and some of the most resounding names in jazz, pop, gospel and r&b;, The Gospel According to Jazz, Chapter III comes ten years after the first chart-topping Gospel According to Jazz, Chapter I CD debuted, and in the wake of the Grammy nominated, Stellar Award winning second chapter, released in 2002.
The two-disk set, plus DVD, is the most expansive in the series in terms of sheer minutes of music, 118.35 to be exact, but also in terms of content and concept. From the first plaintive note in “Call to Worship,” it is clear that this will be far more than an extension or installment of what came before. Kirk Whalum and company blow the roof off with subtlety, nuance, inspired performances and a message of faith, hope and love that both encompasses and transcends every point on the musical compass.
The accompanying DVD makes the most of Whalum the philosopher, theologian and theorist, with film director Jim Hanon (End of The Spear; and Miss HIV, for which Kirk wrote the soundtrack) capturing him as he weaves the story of jazz, gospel, the blues (verbally and instrumentally) in candid shots interposed with concert footage.
Although Whalum—who lives up to his reputation as “the most influential saxophonist of his generation”—is front and center throughout, this is undoubtedly an ensemble recording. He shares the stage with what could be called the ‘Whalum dynasty’ (three generations and six Whalums: brother Kevin (vocals); Uncle Peanuts (vocals, sax, and piano); son, Kyle (electric bass); nephews Kenneth III (saxophone) and Kortland (vocals), plus first cousin Caleb tha Bridge (vocals/rap). The unparalleled George Duke, featured on both I and II, returns on keys, and is joined by vocalist Lalah Hathaway, guitarist Doc Powell, keyboardist/vocalist John Stoddart, trumpeter/vocalist Aaron Broadus, stand-up bassist, Reginald Veal, percussionist Lenny Castro and Kirk’s former bandmate, drummer Sean McCurley.
The renowned gospel/r&b; writer and producer Jerry Peters once again brings his prodigious talent, sharing credits with Whalum on two songs and also as album co-producer, along with Kirk and Hal Sacks, the latter has served as engineer for all three GATJ live recordings. “My father loved James Cleveland and Jerry brought that sensibility, as well as playing the B3 organ.”
But “gospel” in the radio/church sense is only whispered or suggested. The range of material is reflected in its creators/writers—from Whalum, himself, and son Kyle, to Charlie Chaplin, Diane Warren, Isaiah Jones and Frankie Beverly, among others. This genre-and-time-spanning array of songwriting is the perfect backdrop for Whalum’s seemingly endless expression. His signature r&b-inflected; jazz, rich with romance and melodic power, imbued with blues, funk, pop, Latin and world music is solidly present, but on songs like Ananias and Sapphira, we see the more adventurous Whalum. As he describes it, “The song is definitely avant garde; we go into deep improvisation. This isn’t a good groove and some licks, this is where we go somewhere.” And where he goes is in the direction of Elvin Jones, Coltrane and Henderson. Not only does Whalum pull out all the stops on this sobering nod to God’s holiness and power, but Reginald Veal is a standout on upright, as he turns his bass into a sitar and plucks out a driving percussive and intricate melody.
Whalum is on a mission not just to share the Good News of the Gospel, but to expand it far beyond the walls of the church and traditionally accepted ways of communicating the message, and jazz is the medium. Whalum’s God is a lot bigger and the music that glorifies him is as limitless, transcendent, unexpected and powerful as He is. “How can you describe the indescribable?” queries Whalum. “That’s an opportunity for jazz and other creative arts. I wanted to make sure there were moments where it was ethereal, avant garde—that’s something that’s missing in the genre we call gospel. It needs to go where it is more ‘art music,’ It’s not just in y
7:59
The Gospel According to Jazz Chapter 3
KIRK WHALUM
The Gospel According to Jazz, Chapter III
For yours is the kingdom, the victo...
published: 25 Oct 2008
Author: Kirk Whalum
The Gospel According to Jazz Chapter 3
KIRK WHALUM
The Gospel According to Jazz, Chapter III
For yours is the kingdom, the victory and the majesty, the power and dominion, for all that is in heaven and earth are yours…1 Chronicles 29:11a
On October 13, 2007, at Reid Temple AME Church on the outskirts of Washington DC, a standing room only audience packed the 3000-plus capacity state-of-the-art worship complex to experience the transforming power of Kirk Whalum’s The Gospel According to Jazz, Chapter III. Recorded live by three generations of Whalums and some of the most resounding names in jazz, pop, gospel and r&b;, The Gospel According to Jazz, Chapter III comes ten years after the first chart-topping Gospel According to Jazz, Chapter I CD debuted, and in the wake of the Grammy nominated, Stellar Award winning second chapter, released in 2002.
The two-disk set, plus DVD, is the most expansive in the series in terms of sheer minutes of music, 118.35 to be exact, but also in terms of content and concept. From the first plaintive note in “Call to Worship,” it is clear that this will be far more than an extension or installment of what came before. Kirk Whalum and company blow the roof off with subtlety, nuance, inspired performances and a message of faith, hope and love that both encompasses and transcends every point on the musical compass.
The accompanying DVD makes the most of Whalum the philosopher, theologian and theorist, with film director Jim Hanon (End of The Spear; and Miss HIV, for which Kirk wrote the soundtrack) capturing him as he weaves the story of jazz, gospel, the blues (verbally and instrumentally) in candid shots interposed with concert footage.
Although Whalum—who lives up to his reputation as “the most influential saxophonist of his generation”—is front and center throughout, this is undoubtedly an ensemble recording. He shares the stage with what could be called the ‘Whalum dynasty’ (three generations and six Whalums: brother Kevin (vocals); Uncle Peanuts (vocals, sax, and piano); son, Kyle (electric bass); nephews Kenneth III (saxophone) and Kortland (vocals), plus first cousin Caleb tha Bridge (vocals/rap). The unparalleled George Duke, featured on both I and II, returns on keys, and is joined by vocalist Lalah Hathaway, guitarist Doc Powell, keyboardist/vocalist John Stoddart, trumpeter/vocalist Aaron Broadus, stand-up bassist, Reginald Veal, percussionist Lenny Castro and Kirk’s former bandmate, drummer Sean McCurley.
The renowned gospel/r&b; writer and producer Jerry Peters once again brings his prodigious talent, sharing credits with Whalum on two songs and also as album co-producer, along with Kirk and Hal Sacks, the latter has served as engineer for all three GATJ live recordings. “My father loved James Cleveland and Jerry brought that sensibility, as well as playing the B3 organ.”
But “gospel” in the radio/church sense is only whispered or suggested. The range of material is reflected in its creators/writers—from Whalum, himself, and son Kyle, to Charlie Chaplin, Diane Warren, Isaiah Jones and Frankie Beverly, among others. This genre-and-time-spanning array of songwriting is the perfect backdrop for Whalum’s seemingly endless expression. His signature r&b-inflected; jazz, rich with romance and melodic power, imbued with blues, funk, pop, Latin and world music is solidly present, but on songs like Ananias and Sapphira, we see the more adventurous Whalum. As he describes it, “The song is definitely avant garde; we go into deep improvisation. This isn’t a good groove and some licks, this is where we go somewhere.” And where he goes is in the direction of Elvin Jones, Coltrane and Henderson. Not only does Whalum pull out all the stops on this sobering nod to God’s holiness and power, but Reginald Veal is a standout on upright, as he turns his bass into a sitar and plucks out a driving percussive and intricate melody.
Whalum is on a mission not just to share the Good News of the Gospel, but to expand it far beyond the walls of the church and traditionally accepted ways of communicating the message, and jazz is the medium. Whalum’s God is a lot bigger and the music that glorifies him is as limitless, transcendent, unexpected and powerful as He is. “How can you describe the indescribable?” queries Whalum. “That’s an opportunity for jazz and other creative arts. I wanted to make sure there were moments where it was ethereal, avant garde—that’s something that’s missing in the genre we call gospel. It needs to go where it is more ‘art music,’ It’s not just in your face, but, rather, the music provokes one to deeper contemplation about the Savior, and sin, and the truth. Jazz is very much underused in that sense.”
Whalum purposely included songs and featured guests that are not traditionally thought of as “gospel” or Christian with stunning affect. George Duke offers up one of the performances of a lifetime on Diane Warren’s “Because
4:43
Mindi Abair | In Hi Fi Stereo
Any artist who takes his or her craft seriously will inevitably reach a point on the journ...
published: 09 Jun 2010
Author: Concord Music Group
Mindi Abair | In Hi Fi Stereo
Any artist who takes his or her craft seriously will inevitably reach a point on the journey when history can no longer be overlooked. The direct line between the music of now and the music of then becomes too important to ignore, and the riches of generations past are suddenly rediscovered – and eventually reinterpreted for a new era.
Saxophonist Mindi Abair has reached that critical juncture. After more than a decade of performing, songwriting and recording, she has taken a step back from the more polished sensibilities of contemporary jazz and embraced the sounds of past decades – specifically the ‘60s and early ‘70s, a period widely regarded as the golden age of R&B;, soul and funk. The result is In Hi-Fi Stereo, her new album on Heads Up International, a division of Concord Music Group. The album captures the raw and edgy aesthetic of that golden age, when a slab of vinyl could instantaneously put band and listener together in the same room and establish a visceral and enduring connection. Loaded with infectious grooves generated by a high-caliber crew of players, In Hi-Fi Stereo rekindles that spark for a new generation of ears.
2:33
Coasters - Three Cool Cats (Atco 6132)
fliped with ''Charlie Brown'' issued on Atco Records in 1959
The foursome was created Sep...
published: 14 Apr 2009
Author: boogaludo
Coasters - Three Cool Cats (Atco 6132)
fliped with ''Charlie Brown'' issued on Atco Records in 1959
The foursome was created September 28, 1955 from the nucleus of the Los Angeles, California based vocal sextet the Robins, originally recording since 1949 with Bobby Nunn - born September 20, 1925 in Birmingham, Alabama - as bass/lead singer. It was the young producing-composing team of Jerry Leiber & Mike Stoller, who with manager-salesman Lester Sill persuaded Bobby Nunn and Carl Gardner, lead tenor vocalist with the Robins from 1954 on Leiber-Stoller´s tiny Spark label in L.A., to leave that group and launch the Coasters. Gardner - born April 29, 1928 in Tyler, Texas - is still the Coasters´ spokesman and coach today (and sang lead with the group for 50 years). The Robins´ West Coast hits from Spark were later issued on Coasters compilations (a.o. RIOT IN CELL BLOCK #9 and SMOKEY JOE´S CAFE).
Attracted by the success of SMOKEY JOE´S CAFE with Gardner on lead vocal, Atlantic Records signed an independent producer-composer contract with Leiber & Stoller on September 28, 1955. Two hand-chosen Californians, Billy Guy (a young, slick baritone, born June 20, 1936 in Itasca, Texas) from the duo Bip & Bop, and Leon Hughes (born August 26, 1932 in Los Angeles County), completed the original Coasters line-up. They were contracted to Atlantic´s new subsidiary Atco Records. Through the Coasters Leiber-Stoller launched some of the most entertaining songs of the ´50s. The first Coasters´ recording was DOWN IN MEXICO from January 11, 1956. The record became a "sleeper" R&B; hit - followed by the minor Pop hit ONE KISS LED TO ANOTHER. The group now hit the road for national promotion and produced R&B;´s most famous double-sided smash in 1957 (with Gardner and Guy lead singers on one side each). YOUNG BLOOD (the original A-side) hit the national R&B; Best Seller Chart #1 on June 3 and the week after its flip, SEARCHIN´, occupied that same spot for a further 12 weeks and also went to #1 on the R&B; Disc Jockey and Juke Box Charts (with YOUNG BLOOD at # 2). Both titles also became national Pop Top Ten hits, staying on the charts for half a year. This success stands as a rather unique achievement in American music history. After three less successful, but exciting issues, (a.o. IDOL WITH THE GOLDEN HEAD) the Coasters reformed and - with Jerry & Mike - moved from the West Coast to New York. Bobby Nunn and Leon Hughes stayed in California, where Nunn later launched his own "The Coasters, Mark II". Nunn died of heart failure on November 5, 1986 in Los Angeles. His group, now led by Billy Richards Jr, continued to tour as "Billy Richards´ Coasters", and Hughes also started his own off-shoot Coasters group, "The World Famous Coasters" aka "The Original Coasters".
Two new group members were recruited by the Coasters´ prolific manager Lester Sill and shared leads on the first New York Coasters Atco effort, ZING! WENT THE STRINGS OF MY HEART (a beach music classic today). Both new-comers were former L.A. experienced group singers - Will "Dub" Jones, successful bass lead with the Cadets, born in Shreveport, Louisiana on May 14, 1928; and Cornell Gunter, lead with the Flairs, born November 14, 1936 in Coffeyville, Kansas. The two joined Gardner and Guy to establish the classic New York quartet that recorded all the other famous Coasters´ golden million sellers: YAKETY YAK (a #1 Pop and R&B; hit in 1958, which received a Grammy Hall of Fame Award in 1999), CHARLIE BROWN (Pop and R%B #2) and ALONG CAME JONES ( Pop #9) in 1959 and the double-sider POISON IVY (R&B; # 1, Pop #7) b/w I´M A HOG FOR YOU. The classic Coasters had a fifth member in guitarist Adolph Jacobs, born April 15, 1939 Sabine, East Texas, who was succeeded by a Coasters employee, Sonny Forriest, on WHAT ABOUT US b/w RUN RED RUN, which was the last single of the highly successful year of 1959.
The productions of the Coasters´ Atco recordings were far superior to any contemporary group efforts (using the best musicians available, especially Texan King Curtis´ fruity sax breaks) with the lyrics neatly deriding aspects of teenage and/or black ghetto life. The group also worked out hilarious stage routines and became the most professional act in late ´50s Rhythm & Blues and early ´60s International Pop.
In 1960 the Coasters hit with WAKE ME, SHAKE ME and waxed one of their all-time greatest recordings, SHOPPIN´ FOR CLOTHES (with Guy and Jones sharing lead vocals). That year they also released their under-rated, but qualitative "One By One" LP. In 1961 they hit with WAIT A MINUTE (recorded in 1957). After the group´s last U.S. Pop Top 30 hit entry, LITTLE EGYPT (Ying-Yang), Cornell Gunter left the group in June, 1961. He formed his own "Fabulous Coasters" a couple of years later. Gunter died in his car by a gun shot from an unknown in Las Vegas on January 26, 1990. Remnants of his group tour as "The Original Cornell Gunter Coasters".
The famous former lead of the Cadillacs, Earl "Speed
Youtube results:
4:16
All your love
new R&b song by JaimEwell check it out !!!!! follow him on twitter @Mytownslasthope fo...
published: 02 Sep 2012
Author: JaimEwelltv2
All your love
new R&b song by JaimEwell check it out !!!!! follow him on twitter @Mytownslasthope for booking or possible features contact him at jaimewell45@yahoo.com
3:49
Selah Sue - Crazy Vibes
Official video of Selah Sue: "Crazy Vibes", new single from her debut album &quo...;
published: 20 Oct 2011
Author: selahsuemusic
Selah Sue - Crazy Vibes
Official video of Selah Sue: "Crazy Vibes", new single from her debut album "Selah Sue". Subscribe to Selah Sue's official channel bit.ly Download Selah Sue's debut album smarturl.it 2011 Because Music
3:38
David Guetta feat. Usher - Without You (Violin Cover by Nick Kwas)
LIKE my page on facebook: www.facebook.com FOLLOW me on twitter: www.twitter.com Search en...
published: 10 Oct 2011
Author: pyrofiliac
David Guetta feat. Usher - Without You (Violin Cover by Nick Kwas)
LIKE my page on facebook: www.facebook.com FOLLOW me on twitter: www.twitter.com Search engine mumbo jumbo: kelly david you without U2 "without you" feat usher guetta pop dance music video "David Guetta" "Usher (entertainer)" remix nick kwas pyrofiliac violin new r&b clarkson "Contemporary R&B" David Guetta feat. Usher - Without You David Guetta feat. Usher - Without You David Guetta feat. Usher - Without You David Guetta feat. Usher - Without You David Guetta feat. Usher - Without You David Guetta feat. Usher - Without U David Guetta feat. Usher - Without U David Guetta feat. Usher - Without U David Guetta feat. Usher - Without U
7:42
Rnb 2011 Busta Rhymes - Dangerous (Prod. by A-Mix Production) (2011) R&B; && Hip HOp RAp
Kommentieren und Abonnieren nicht vergessen :D...
published: 02 Dec 2011
Author: copful
Rnb 2011 Busta Rhymes - Dangerous (Prod. by A-Mix Production) (2011) R&B; && Hip HOp RAp
Kommentieren und Abonnieren nicht vergessen :D