2:22
Bad Company (2002) HQ trailer
Bad Company (2002) trailer...
published: 12 Dec 2009
Author: zhukaiww
Bad Company (2002) HQ trailer
Bad Company (2002) trailer
111:52
BAD COMPANY (2002) Anthony Hopkins
movie...
published: 19 Jul 2012
Author: vict354
BAD COMPANY (2002) Anthony Hopkins
movie
3:08
Movin' On - Bad Company 2002
Movin' On suonata in studio....
published: 20 May 2009
Author: MitiC44
Movin' On - Bad Company 2002
Movin' On suonata in studio.
5:38
PAUL RODGERS - Bad Company (2002)
Spanish TV show. Madrid, Spain....
published: 02 Jan 2011
Author: 30KWPA
PAUL RODGERS - Bad Company (2002)
Spanish TV show. Madrid, Spain.
5:28
Shooting Star - Bad Company 2002
Shooting Star Bad Company 2002 Paul Rodgers Simon Kirke studio version...
published: 20 May 2009
Author: MitiC44
Shooting Star - Bad Company 2002
Shooting Star Bad Company 2002 Paul Rodgers Simon Kirke studio version
3:39
Joe Fabulous - Bad Company 2002
Joe Fabulous suonata in studio....
published: 20 May 2009
Author: MitiC44
Joe Fabulous - Bad Company 2002
Joe Fabulous suonata in studio.
3:16
Can't Get Enough - Bad Company 2002
Can't Get Enough suonata in studio....
published: 20 May 2009
Author: MitiC44
Can't Get Enough - Bad Company 2002
Can't Get Enough suonata in studio.
0:24
Touchstone Pictures and Jerry Bruckheimer logos in Bad Company! (2002)
Hi, folks! abcfan443 here this week to bring you these combo logos from the 2002 action-co...
published: 29 Jun 2012
Author: abcfan443
Touchstone Pictures and Jerry Bruckheimer logos in Bad Company! (2002)
Hi, folks! abcfan443 here this week to bring you these combo logos from the 2002 action-comedy "Bad Company." Enjoy, logofans! :) One More Note: I'll be on a Caribbean vacation for a couple weeks, so I'll have my Friday uploads on hiatus, until July 20th. I'll definitely be back with more logos for you then! :) © 2002, 2012 by Touchstone Pictures|Disney. All Rights Reserved.
3:49
BAD COMPANY [ ROCK STEADY ] LIVE 2002..
BAD COMPANY PERFORMING LIVE FROM 2002....
published: 14 Jun 2010
Author: AXESLINGERFV
BAD COMPANY [ ROCK STEADY ] LIVE 2002..
BAD COMPANY PERFORMING LIVE FROM 2002.
5:30
Bad Company Car Chase (2002)
Car Chase from the 2002 film "Bad Company" My Rating: 3/5 Vehicles: 1999 Mercede...
published: 12 Dec 2010
Author: NewJerseyCarMassacre
Bad Company Car Chase (2002)
Car Chase from the 2002 film "Bad Company" My Rating: 3/5 Vehicles: 1999 Mercedes-Benz S 500 [W220] 1994 Peugeot Boxer 2.5 D Série 1 1988 Nissan Patrol GR Wagon 2.8 TD [Y60]
9:58
Bad Company - Silver Blue & Gold + Run with the Pack
Bad Company in concert 2002...
published: 08 Apr 2007
Author: frozenfish91
Bad Company - Silver Blue & Gold + Run with the Pack
Bad Company in concert 2002
3:01
Česká spojka / Bad Company (2002)- sexi
Zaznam...
published: 19 Oct 2011
Author: satan2511
Česká spojka / Bad Company (2002)- sexi
Zaznam
6:16
Bad Company - Ready For Love
Bad Company Concert 2002...
published: 07 Apr 2007
Author: frozenfish91
Bad Company - Ready For Love
Bad Company Concert 2002
4:56
Bad Company - Wishing Well - Denver 2002 (feat. Neal Schon & Slash)
From the DVD "Merchants Of Cool" These video uploads are completely nonprofit, n...
published: 29 Mar 2011
Author: doctorblues53
Bad Company - Wishing Well - Denver 2002 (feat. Neal Schon & Slash)
From the DVD "Merchants Of Cool" These video uploads are completely nonprofit, no copyright infringement intended. The intention is rather to encourage those among the audience who enjoy the clips to buy the artists' CDs and DVDs and thus support them or their legal heirs. All DVDs shown here are available at the usual online shops. Greetings from the Black Forest!
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
Author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
4:11
M.I.A, Bad Girls
Director : Romain Gavras
Director of Photography : André Chemetoff
Producer : Mourad Belke...
published: 03 Feb 2012
Author: ROMAIN-GAVRAS
M.I.A, Bad Girls
Director : Romain Gavras
Director of Photography : André Chemetoff
Producer : Mourad Belkeddar
Production company : ICONOCLAST.TV
Making of: http://youtu.be/m6-sNTOhYnU
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
Author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
0:59
Amazing Bottom Slap!
A special thanks to the girls from Pearl London.
Please visit our website for more slow mo...
published: 17 Jun 2011
Author: photography-factory.co.uk
Amazing Bottom Slap!
A special thanks to the girls from Pearl London.
Please visit our website for more slow motion film tests http://www.photography-factory.co.uk
No harm done, Lola giggled a little and said it was all normal for her and that she had suffered much worse in the name of art or curiosity. We learned a lot from the results, but...there is one strange thing. Everyone who was there that day is still finding tiny little bits of red glitter turning up everywhere in their daily life, at home, in the car, on clothes, even on other people we meet? etc We are all sure we have never seen red glitter before but now the stuff keeps catching our eye and making us smile. Now even after many days we are still finding it on objects that are 60 miles away from the shoot and have never been near the studio??? I think we opened a portal in time and space with that spank..... Please do comment if you find some yourself...
On analysing the film we noticed a few things, one that we should have seen that pimple on her butt before shooting and filmed from the other side..... we could of course remove it in post, but as these are experiments we though we would leave it in as a permanent reminder. Notes to selves, Next time: get the biggest monitor possible when using the phantom under big lights. Also maybe to not be shy... and look at what you are about to film in every tiny detail (no mater how distracting) before saying action. If you are being picky Lola could also be a little higher in the frame, we argued this at the time as that is a trade off; because then she would look elevated and we felt that looked a little unnatural. Also when Eva's arm comes in, it would look quite short and you would not be able to follow the swing though, it would appear in frame later, which kills that little bit of anticipation and lengthens the gap between the shadow coming across and being able to see the GBH (Glitter Bad hand) swinging in.
If you liked this film, please take a good look at our other experiments here or at our website: http://www.photography-factory.co.uk where we will also post stills and a fully detailed technical breakdown, as well as unedited versions when we have a moment.
In this test we were using a Vision Research Phantom HD slow motion camera shooting to a 120 gig ram stack at 1000frames per second, the lens was a 35mm Carl Zeiss Planar T* wide open.
If you are inspired by this or any or our videos please leave a good comment.
If you are an agency minion do not rip us off, you can if you like get some slow motion viral photography at low cost made by us! info@photography-factory.co.uk please get in contact we are a lot of fun to work with. At photography-factory are are very experienced in slow motion, quite reasonable, and (just about) make our livings from creative film and photography. Plus we need some more money to pay for better tests...
No babes, hot or otherwise were harmed* in the making of this film.
We really hope someone see this and likes what we have done enough to tell his/her company to use some of our raw talent... and pay us some raw cash.
Virals should be fun.
Youtube results:
3:12
BAD COMPANY [ MOVIN' ON ] LIVE 2002..
BAD COMPANY PERFORMING LIVE FROM 2002....
published: 14 Jun 2010
Author: AXESLINGERFV
BAD COMPANY [ MOVIN' ON ] LIVE 2002..
BAD COMPANY PERFORMING LIVE FROM 2002.
6:40
Bad Company - Shooting Star - Denver 2002
From the DVD "Merchants Of Cool" These video uploads are completely nonprofit, n...
published: 29 Mar 2011
Author: doctorblues53
Bad Company - Shooting Star - Denver 2002
From the DVD "Merchants Of Cool" These video uploads are completely nonprofit, no copyright infringement intended. The intention is rather to encourage those among the audience who enjoy the clips to buy the artists' CDs and DVDs and thus support them or their legal heirs. All DVDs shown here are available at the usual online shops. Greetings from the Black Forest!
2:21
Bad Company theatrical trailer
The Bad Company theatrical trailer. I was surprised when I didn't find this trailer on...
published: 14 Apr 2007
Author: DrHannibalLecterMD
Bad Company theatrical trailer
The Bad Company theatrical trailer. I was surprised when I didn't find this trailer on YouTube.
4:36
Bad Company-'Deal With The Preacher'-(Live) 2002
This track taken from their live concert from Denver 2002, recorded for the 'Merchants...
published: 21 Jan 2012
Author: TheGrabsplatter
Bad Company-'Deal With The Preacher'-(Live) 2002
This track taken from their live concert from Denver 2002, recorded for the 'Merchants of Cool' release. This incarnation of Bad Company consisted of Paul Rodgers, Simon Kirke, Dave 'Bucket' Colwell, and Jaz Lochrie. Enjoy everyone!!
