6:10
What is Social Work?
Video produced by Dalhousie Department of Social Work and the Health Sciences Students Ass...
published: 27 Jul 2009
Author: medptusa
What is Social Work?
Video produced by Dalhousie Department of Social Work and the Health Sciences Students Association (DalHSSA)
5:10
Social Work, at La Trobe University Albury-Wodonga
www.latrobe.edu.au Late last year, La Trobe Albury-Wodonga Social Work lecturer Darran Sto...
published: 17 Aug 2012
Author: LatrobeUniAustralia
Social Work, at La Trobe University Albury-Wodonga
www.latrobe.edu.au Late last year, La Trobe Albury-Wodonga Social Work lecturer Darran Stonehouse organised a ten year reunion with the first group of graduates to successfully complete the four-year degree. The retrospective catch-up allowed La Trobe alumni to reminisce about their time at University but also reflect on the great impact they each made working in the field of social work in a variety of ways and different areas.
2:03
Social Worker (English)
What does a social worker really do? Grab some insights into the work of a social worker a...
published: 24 Feb 2012
Author: MCYSsingapore
Social Worker (English)
What does a social worker really do? Grab some insights into the work of a social worker and the powerful impact they make on lives of others every day. Starring a real-life social worker, the short film conveys Desmurn's real-life experiences with his client, whose life he has made a difference to. Empowered. To Change Lives. Be a professional social worker. Visit socialworker.sg for education and career details.
7:02
Welcome to the USC School of Social Work
Thank you for your interest in our Master of Social Work (MSW) program, one of the top in ...
published: 21 May 2012
Author: USC
Welcome to the USC School of Social Work
Thank you for your interest in our Master of Social Work (MSW) program, one of the top in the nation. We are dedicated to providing an excellent graduate education that will equip you with the tools you need to take on a rapidly changing world.
3:06
Social Workers are Important Because........
This is a video montage of "Social Workers are Important because....." photos or...
published: 16 Sep 2012
Author: SWhelpercom
Social Workers are Important Because........
This is a video montage of "Social Workers are Important because....." photos originally posted on the National Association of Social Workers Website by way of the photos later being posted on the NASW Montana Chapter Facebook Profile.
3:30
Social Work Supervisor's Prayer
Carlton Munson describes how supervisors need to understand their limitations....
published: 16 Sep 2012
Author: James Smith
Social Work Supervisor's Prayer
Carlton Munson describes how supervisors need to understand their limitations.
7:29
Social Work Ethics
Dorothy H. Gager, LCSW was recorded at TCSW 2012. This excerpt from her presentation, &quo...;
published: 27 Mar 2012
Author: RussAnthony411
Social Work Ethics
Dorothy H. Gager, LCSW was recorded at TCSW 2012. This excerpt from her presentation, "Navigating When Your Personal and Professional Codes of Ethics Seem at Odds", explores the NASW Code of Ethics. Ms. Gager discusses some of the history of social work ethics and challenges faced by social workers today.
2:11
Social Work Celebration & MSW 10th Anniversary at Wheelock
pixvid.me Wheelock College celebrated the 10th anniversary of its first Master of Social W...
published: 16 Apr 2012
Author: wheelockmarketing1
Social Work Celebration & MSW 10th Anniversary at Wheelock
pixvid.me Wheelock College celebrated the 10th anniversary of its first Master of Social Work graduating class with a daylong conference and reunion. Peace love and social work! Social workers are committed to the alleviation of poverty and oppression, the promotion of human rights and social justice, and the development of individuals, groups, and communities. At Wheelock, you will study theories and methods of the social work profession and learn how to apply this knowledge through hands-on experience. Our program incorporates many different subject areas, including psychology, sociology, and human development. You will learn how to work collaboratively with clients, help identify and secure needed resources, and communicate effectively with people of diverse backgrounds. Our approach to service is based on an appreciation of the strengths, resiliency, and capacity for empowerment of our clients. Through course work and field experience, you will develop a solid foundation of knowledge, values, and skills that provides immediate entry into a wide range of human service professional positions. Program Options & Licensure You'll earn a bachelor's degree in Social Work (BSW), which qualifies you to take the Massachusetts social work licensing exam at the Licensed Social Worker (LSW) level. Our versatile and flexible program can stand alone as a single major, or you may choose to add a second major or a minor in Juvenile Justice and Youth Advocacy, or in the Arts and <b>...</b>
26:10
The Baby P Effect and Social Services
The start to the BS of Social Services Baby P the prelude to his tragic Death Social worke...
published: 25 Feb 2012
Author: charmedangels4
The Baby P Effect and Social Services
The start to the BS of Social Services Baby P the prelude to his tragic Death Social workers in the borough of Haringey in North London had decided he was safe living with his mother and that her major difficulty as a parent was poverty. Getting tougher: Social workers in the borough of Haringey in North London, led by Children's Service Director Sharon Shoesmith, had decided Baby P was safe living with his mother Numbers of children removed from their homes rose rapidly in the wake of the death, and shot up even faster after Peter's mother and two men were jailed for causing his death at the Old Bailey in November 2008. In April 2008 some 380 children were taken from their homes into state care. Last month the figure was 903, and in the first ten months of the financial year which started last April 8403 children were taken into care. The total being looked after by the state is more than 65000. In the past, social workers have often tried to return children to inadequate mothers or left them to languish in children's homes or with rapidly changing foster families. The result has been many children have left state care with no educational qualifications and gone on to lives of crime or single parenthood. The head of the CAFCASS court assistance service for children, Anthony Douglas, said yesterday after the organisation released the figures: 'All agencies need to factor these much larger increases into their planning systems, resource allocations, workforce development <b>...</b>
12:00
Licensed Clinical Social Worker, career interview from drkit.org
Watch more videos on drkit.org! In this interview, a Licensed Clinical Social Worker discu...
published: 04 Apr 2011
Author: DrKitVideos
Licensed Clinical Social Worker, career interview from drkit.org
Watch more videos on drkit.org! In this interview, a Licensed Clinical Social Worker discusses her typical day at work, the qualifications needed for the job, the best and worst parts of the job, and advice that can be used by students considering this line of work.
28:59
Getting Personal: Why I Got into Social Work
Sorry for the bad quality and long length, the two go hand in hand. I just wanted to make ...
published: 05 Aug 2012
Author: frowniebrown86
Getting Personal: Why I Got into Social Work
Sorry for the bad quality and long length, the two go hand in hand. I just wanted to make sure I was thorough enough and clarify any questions that come up.
3:33
World Social Work Day 2012, IFSW Europe
On the occasion of World Social Work Day, IFSW Europe calls on all social work employers t...
published: 19 Mar 2012
Author: antheaagius
World Social Work Day 2012, IFSW Europe
On the occasion of World Social Work Day, IFSW Europe calls on all social work employers to support social workers in creating an effective and ethical working environment.
4:46
On Any Given Day, Social Workers Help Video
On any given day, social workers help in so many ways. For more information on social work...
published: 09 Nov 2007
Author: socialworkers
On Any Given Day, Social Workers Help Video
On any given day, social workers help in so many ways. For more information on social work and how social workers help, visit www.helpstartshere.org.
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
Author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
Author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
1:58
THE BEGINNING OF INFINITY
By @jason_silva and @notthisbody - Follow us on Twitter!
"The adjacent possible is a kin...
published: 02 Oct 2011
Author: Jason Silva
THE BEGINNING OF INFINITY
By @jason_silva and @notthisbody - Follow us on Twitter!
"The adjacent possible is a kind of shadow future, hovering on the edges of the present state of things, a map of all the ways in which the present can reinvent itself." - Steven Johnson
Our other videos -
You are a RCVR - http://vimeo.com/27671433
To Understand Is To Perceive Patterns - http://vimeo.com/34182381
Imagination - http://vimeo.com/34902950
Abundance - http://vimeo.com/34984088
INSPIRATION:
This video is inspired, in part, by the ideas explored in David Deutsch’s new book, THE BEGINNING OF INFINITY. We hope it moves you.
"The topographical shape and the material constitution of the upper surface of the island of Manhattan, as it exists today, is much less a matter of geology than it is of economics and politics and human psychology. The effects of geological forces were trumped (you might say) by other forces — forces that proved themselves, in the fullness of time, physically stronger. Deutsch thinks the same thing must in the long run be true of the universe as a whole. Stuff like gravitation and dark energy are the sorts of things that determine the shape of the cosmos only in its earliest, and most parochial, and least interesting stages. The rest is going to be a matter of our own intentional doing.." - David Alpert on David Deutsch's new book.
"Some time in the last fifty thousand years, with the invention of culture, the biological evolution of humans ceased and evolution became an epigenetic, cultural phenomenon... technology is the real skin of our species. Humanity, correctly seen in the context of the last five hundred years, is an extruder of technological material. We take in matter that has a low degree of organization; we put it through mental filters, and we extrude jewelry, gospels, space shuttles. This is what we do. We are like coral animals embedded in a technological reef of extruded psychic objects." - Terence Mckenna
**
In our work, we use the tools of editing: we juxtapose 'transcalar' imagery, cutting and overlapping the very small and the very large... From the nano to the galactic, stretching and compressing time, we feature time lapse to reveal the repetitive and recurring patterns across different scales of reality. The aim is to provide multiple perspectives all at once, whose simultaneous presentation might cause spontaneous epiphanies. “These patterns are omnipresent, but only when we see these patterns in a more compressed mode of presentation to we start to attend to them as such.” -- This is KEY!
Paul Stamet's superb book, Mycelium Running, begins with a discussion of what Stamets calls the mycelial archetype. He compares the mushroom mycelium with the overlapping information-sharing systems that comprise the Internet, with the networked neurons in the brain, and with a computer model of dark matter in the universe. All share this densely intertwingled filamental structure.
A recent profile of Stephen Johnson on Dumbo Feather described his work like this:
“Johnson uses ‘The Long Zoom’ to define the way he looks at the world—if you concentrate on any one level, there are patterns that you miss. When you step back and simultaneously consider, say, the sentience of a slime mold, the cultural life of downtown Manhattan and the behaviour of artificially intelligent computer code, new patterns emerge."
On their own, these areas of study are fascinating. Together, a more profound view takes shape.
The article continues, "Put simply: cities are like ant colonies are like software is like slime molds are like evolution is like disease is like sewage systems are like poetry is like the neural pathways in our brain. Everything is connected.”
PERFORMING PHILOSOPHY:
Our stated goal is to re-ignite the art of the "performing philosophers" ... like Timothy Leary and Buckminster Fuller... A post on Space Collective wrote about “thinkers who act as substantial agents of change, who drastically alter the infocologies they interact with, in the process transforming and meshing the different dimensions in which our minds operate.”
We care about the pleasures derived in forming new connections, mash-ups and innovative solutions for the next step in human evolution.
We are working to articulate our understanding through the creation of recombinant media mashups meant to epiphanize audiences----the creating and sharing of awe; "performance philosophy" in an age of collapsing boundaries and exponential creativity.
The director of the Imaginary Foundation described our work as “some kind of Ontological DJ'ing, recompiling the source code of western philosophy by mixing and mashing it up into a form of recombinant creativity, which (hopefully) elevates our understanding from the dry and prosaic, into the sensual and transcendent.”
“The goal is to prove a fresh framework and a new narrative to fill our old storytelling needs in our ever-increasing process of self-descri
1:17
Introducing Stanley
http://stanleypiano.com
@StanleyPiano, the world's first interactive player piano, makes ...
published: 16 Jul 2012
Author: DIGITAL KITCHEN
Introducing Stanley
http://stanleypiano.com
@StanleyPiano, the world's first interactive player piano, makes his worldwide debut at Seattle's Capitol Hill Block Party. Stanley is a precocious instrument who takes song requests via Twitter. Stanley can play a lot of songs, but he loves indie music. He even went out of his way to learn a song for each of the bands playing at the Block Party. Stanley bares all as his moving parts (gears, bellows, hammers, valves) visibly work as the keys press themselves.
To make a request or chat with Stanley during the Block Party (July 20-22), simply tweet your song or message to @StanleyPiano. Fans will be notified when their song is up next and view the full list Block Party songs at http://stanleypiano.com. Stanley is very chatty, so all song requests are welcome. Ask him to play Freebird and see what happens.
Block Party attendees can meet Stanley in person in the parking lot on Pike Street between Poquito's and Havana Social Club.
Can't make it to the Block Party? Enjoy Stanley online, where he's streaming live all three days of the event—playing tracks for his fans around the world.
Youtube results:
2:58
NC State Department of Social Work
Hosting Stand Up, Speak Out, an anti-bullying conference, is just one of the many importan...
published: 20 Apr 2012
Author: BackHomeProductions
NC State Department of Social Work
Hosting Stand Up, Speak Out, an anti-bullying conference, is just one of the many important things NC State's Department of Social Work does to serve the state of North Carolina.
5:08
So You Want To Be A Hospital Social Worker?
Social worker interviews for a hospital position with a director who insists on extreme ca...
published: 27 Mar 2012
Author: TheChoppedSalad
So You Want To Be A Hospital Social Worker?
Social worker interviews for a hospital position with a director who insists on extreme candor. [Fictional account intended for entertainment purposes only.]
2:49
College of Social Work Student Association at The Ohio State University
Visit our website at: cswsa.org.ohio-state.edu Email us: cswsa@osu.edu No copyright intend...
published: 21 Aug 2012
Author: jacklynpoole
College of Social Work Student Association at The Ohio State University
Visit our website at: cswsa.org.ohio-state.edu Email us: cswsa@osu.edu No copyright intended. Music is not our own. Pictures belong to CSWSA.
3:12
The I Want To Be A Social Worker Quiz. 5 Questions To Ask Yourself
Want to be a social worker? Here are five questions to ask yourself before becoming one....
published: 07 Apr 2012
Author: BobsVideoPicks
The I Want To Be A Social Worker Quiz. 5 Questions To Ask Yourself
Want to be a social worker? Here are five questions to ask yourself before becoming one.