Mantua
—  Comune  —
Comune di Mantova
Panorama of Mantua
Coat of arms
Mantua Location of Mantua in Italy
Coordinates: 45°10′N 10°48′E / 45.167°N 10.8°E / 45.167; 10.8
Country	Italy
Region	Lombardy
Province	Mantua (MN)
Frazioni	Castelletto Borgo, Cittadella, Formigosa, Frassino, Gambarara, Lunetta, Virgiliana
Government
• Mayor	Nicola Sodano (PdL)
Area
• Total	63.97 km2 (24.70 sq mi)
Elevation	19 m (62 ft)
Population (31 June 2009)
• Total	48,353
• Density	760/km2 (2,000/sq mi)
Demonym	Mantovani
Time zone	CET (UTC+1)
• Summer (DST)	CEST (UTC+2)
Postal code	46100
Dialing code	0376
Patron saint	Anselm of Lucca, the Younger
Saint day	March 18
Website	Official website

Mantua (Italian: Mantova [ˈmantova] ( listen); Emilian and Latin: Mantua) is a city and comune in Lombardy, Italy, and capital of the province of the same name. Mantua's historic power and influence under the Gonzaga family made it one of the main artistic, cultural, and especially musical hubs of Northern Italy and the country as a whole. Mantua is noted for its significant role in the history of opera, and the city is known for its architectural treasures and artifacts, elegant palaces, and medieval and Renaissance cityscape. It is the nearest town to the birthplace of the Roman writer Virgil. It is also the town to which Romeo was banished in William Shakespeare's Play Romeo and Juliet.

Mantua is surrounded on three sides by artificial lakes created during the 12th century. These receive the waters of the river Mincio, a tributary of the Po which descends from Lake Garda. The three lakes are called Lago Superiore, Lago di Mezzo, and Lago Inferiore ("Upper", "Middle", and "Lower Lake"). A fourth lake, Lake Pajolo, which once completed a defensive water ring of the city, dried up at the end of the 18th century.

The area and its environs are not only important in naturalistic terms, but also anthropologically and historically; research has highlighted a number of human settlements scattered between Barche di Solferino and Bande di Cavriana Castellaro and Isolone del Mincio. These date, without interruption, from Neolithic times (5th-4th millennium BC) to the Bronze Age (2nd-1st millennium BC), the Gallic phases (2nd-1st C. BC) and end with Roman residential settlements, which can be dated to the 3rd century AD.

History[link]

A settlement existed as early as around 2000 BC on the banks of the Mincio, on a sort of island which provided natural protection. In the 6th century BC it was an Etruscan village which, in Etruscan tradition, was re-founded by Ocnus.^[1]

The name derives from the Etruscan god Mantus, of Hades. After being conquered by the Cenomani, a Gallic tribe, the city was conquered between the first and second Punic wars by the Romans, who attributed its name to Manto, a daughter of Tiresias. The new territory was populated by veteran soldiers of Augustus. Mantua's most famous ancient citizen is the poet Publius Vergilius Maro, Virgil (Mantua me genuit), who was born near the city in 70 B.C. at the village now known as Virgilio.^[2]

After the fall of the Roman Empire, Mantua was invaded in turn by Byzantines, Longobards and Franks. In the 11th century it became a possession of Boniface of Canossa, marquis of Toscana. The last ruler of the family was the countess Matilda of Canossa (d. 1115), who, according to legend, ordered the construction of the precious Rotonda di San Lorenzo (1082).

After the death of Matilda of Canossa, Mantua became a free commune, and strenuously defended itself from the Holy Roman Empire in the 12th and 13th centuries. In 1198 Alberto Pitentino altered the course of the Mincio, creating what Mantuans call "the four lakes" to reinforce the city's natural protection. Between 1215 and 1216 the city was under the podesteria of the Guelph Rambertino Buvalelli.

During the struggle between the Guelphs and the Ghibellines, Pinamonte Bonacolsi took advantage of the chaotic situation to seize power in 1273. His family ruled Mantua for the next century, making it more prosperous and artistically beautiful. On August 16, 1328, the last Bonacolsi, Rinaldo, was overthrown in a revolt backed by the House of Gonzaga, a family of officials. Luigi Gonzaga, who had been podestà of the city in 1318, was elected "People's Captain". The Gonzagas built new walls with five gates and renovated the architecture of the city in the 14th century, but the political situation in the city did not settle until the third Gonzaga, Ludovico Gonzaga, eliminated his relatives, seizing power for himself. During the Renaissance, the Gonzaga family softened their despotic rule and raised the level of culture and refinement in Mantua.^[3] Mantua was a significant center of Renaissance art and humanism. Marquis Gianfrancesco Gonzaga had brought Vittorino da Feltre to Mantua in 1423 to open his famous humanist school, the Casa Giocosa.

Ludovico Gonzaga receiving the news of his son Francesco being elected cardinal, fresco by Andrea Mantegna in the Stanza degli Sposi of Palazzo Ducale.

Palazzo Te.

Through a payment of 120,000 golden florins in 1433, Gianfrancesco I was appointed marquis of Mantua by Emperor Sigismund, whose daughter Barbara of Brandenburg he married. In 1459 Pope Pius II held the Council of Mantua to proclaim a crusade against the Turks. Under Francesco II the famous Renaissance painter Andrea Mantegna worked in Mantua as court painter, producing some of his most outstanding works.

The first Duke of Mantua was Federico II Gonzaga, who acquired the title from Emperor Charles V in 1530. Federico commissioned Giulio Romano to build the famous Palazzo Te, on the periphery of the city, and profoundly improved the city. In the late 16th century Claudio Monteverdi came to Mantua from his native Cremona. He worked for the court of Vincenzo I Gonzaga, first as a singer and violist, then as music director, marrying the court singer Claudia Cattaneo in 1599.

In 1627, the direct line of the Gonzaga family came to an end with the vicious and weak Vincenzo II, and the town slowly declined under the new rulers, the Gonzaga-Nevers, a cadet French branch of the family. The War of the Mantuan Succession broke out, and in 1630 an Imperial army of 36,000 Landsknecht mercenaries besieged Mantua, bringing the plague with them. Mantua never recovered from this disaster. Ferdinand Carlo IV, an inept ruler whose only interest was in holding parties and theatrical shows, allied with France in the War of the Spanish Succession. After the latter's defeat, he took refuge in Venice, carrying with him a thousand pictures. At his death in 1708 he was declared deposed and his family lost Mantua forever in favour of the Habsburgs of Austria.

Under Austrian rule, Mantua enjoyed a revival and during this period the Royal Academy of Sciences, Letters and Arts, the Scientific Theatre, and numerous palaces were built.

On June 4, 1796, during the Napoleonic Wars, Mantua was besieged by Napoleon as a move against Austria, who joined the First Coalition. Austrian and Russian attempts to break the siege failed, but spread the French thin enough that the siege could be abandoned on 31 July so other battles could be fought. The siege resumed on August 24. In early February the city surrendered and the region came under French administration. Two years later, in 1799, the city was retaken by the Austrians.

Later, the city again passed into Napoleon's control. In the year 1810 by Porta Giulia, a gate of the town at Borgo di Porto (Cittadella), Andreas Hofer was shot; he had led the insurrection in the County of Tyrol against Napoleon.

After the brief period of French rule, Mantua returned to Austria in 1814, becoming one of the Quadrilatero fortress cities in northern Italy. Agitation against Austria culminated in a revolt which lasted from 1851 to 1855, and was finally suppressed by the Austrian army. One of the most famous episodes of the Italian Risorgimento took place in the valley of the Belfiore, when a group of rebels was hanged by the Austrians.

In 1866, Mantua was incorporated in the united Italy by the king of Sardinia.

Main sights[link]

Piazza Sordello.

Mantua and Sabbioneta *
UNESCO World Heritage Site
Palazzo Ducale
Country	Italy
Type	Cultural
Criteria	ii, iii
Reference	1287
Region **	Europe and North America
Inscription history
Inscription	2008 (32nd Session)
* Name as inscribed on World Heritage List ** Region as classified by UNESCO

The Gonzagas protected the arts and culture, and were hosts to several important artists such as Leone Battista Alberti, Andrea Mantegna, Giulio Romano, Donatello, Peter Paul Rubens, Pisanello, Domenico Fetti, Luca Fancelli and Nicolò Sebregondi. Though many of the masterworks have been dispersed, the cultural value of Mantua is nonetheless outstanding, with many of Mantua's patrician and ecclesiastical buildings being uniquely important examples of Italian architecture.

Main landmarks include:

• The Palazzo Te (1525–1535), a creation of Giulio Romano (who lived in Mantua in his final years) in the mature Renaissance style, with some hints of a post-Raphaelian mannerism. It was the summer residential villa of Frederick II of Gonzaga. It hosts the Museo Civico (with the donations of Arnoldo Mondadori, one of the most important Italian publishers, and Ugo Sissa, a Mantuan architect who worked in Iraq from where he brought back important Mesopotamian artworks)
• The Palazzo Ducale, famous residence of the Gonzaga family, made up of a number of buildings, courtyards and gardens gathered around the Palazzo del Capitano, the Magna Domus, and the Castle of St. George.
• The Basilica of Sant'Andrea
• The Duomo Cathedral
• The Rotonda di San Lorenzo
• The Bibiena Theater
• The church of San Sebastiano
• The Palazzo Vescovile ("Bishops Palace")
• The Palazzo degli Uberti
• The Torre della Gabbia ("Cage Tower")
• The Palazzo del Podestà which hosts the museum of Tazio Nuvolari
• The Palazzo della Ragione with the Torre dell'Orologio ("Clock Tower")
• The Palazzo Castiglioni Bonacolsi
• The Palazzo Valenti Gonzaga, an example of Baroque architecture and decoration, with frescoes attributed to Flemish painter Frans Geffels. The façade of the palace was designed by Nicolò Sebregondi.

Transport[link]

Mantua lies on the route from Milan-Codogno-Cremona-Mantua-Verona. By car, it can be reached on the A4 (Milan-Venice) Highway to Verona, and from there Highway A22 (Brennero-Modena). Otherwise, by State road 415 (Milan-Cremona) to Cremona, and from there State road 10 (Cremona-Mantova).

Mantova railway station, opened in 1873, forms part of the Verona–Mantua–Modena railway, and is a terminus of two secondary railways, linking Mantua with Cremona and Monselice, respectively. Until 1967, it was also a terminus of the Mantua–Peschiera del Garda railway.

The closest airport is Verona-Villafranca.

Miscellaneous[link]

• An annual survey of Legambiente (an ecologist movement of Italy) in 2005 declared Mantua the most 'liveable' city of the country. The study was based on levels of pollution, quality of life, traffic, and public transport, among other criteria. [1]
• The body of Saint Longinus, twice recovered and lost, was asserted to have been found once more at Mantua in 1304, together with the Holy Sponge stained with Christ's blood.
• In William Shakespeare's Romeo and Juliet, Romeo spends his period of exile — his punishment for killing Tybalt— in Mantua. In Shakespeare's Taming of the Shrew, the schoolmaster who pretends to be Lucentio's father, Vincentio, is from Mantua.
• Giuseppe Verdi's opera Rigoletto (based on Victor Hugo's play Le roi s'amuse) is set in Mantua. Austro-Hungarian authorities in Venice forced him to move the action from France to Mantua.
• Since 1997 Mantua has hosted the Festivaletteratura, one of the most renowned literary events in Europe.
• In 2007 the remains of two people were discovered during the construction of a factory. The remains are thought to be between 5,000 and 6,000 years old. It is speculated that the remains are of two young lovers because the two skeletons appear to be embracing. [2]

Namesakes[link]

As with many European cities, Mantua has been the inspiration for the names of many other settlements, including:

Canada

Mantua, a village in West Hants, Nova Scotia

U.S.A.

Mantua, Ohio; Mantua, Utah; Mantua, New Jersey; Mantua, Virginia; the Mantua district of Philadelphia, Pennsylvania; the village of Mantua in Baltimore County, Maryland; the hamlet of Mantua (sometimed spelled Manatua) in Greene County, Alabama; and a location in Monroe County, Iowa.

Cuba

Mantua, a municipality and city in the Pinar del Río Province of Cuba.

Twin cities[link]

Famous citizens[link]

• Virgil (70 BCE–19 BCE), a classical Roman poet.
• Sordello or Sordel, a 13th-century Lombard troubadour, born in the municipality of Goito in the province of Mantua.
• Pietro Pomponazzi (1462–1525), an Italian philosopher. He is sometimes known by his Latin name, Petrus Pomponatius.
• Giovanni Battista Bertani (1516–1576), architect.
• Leone de' Sommi (c. 1525–c. 1590), theater director and writer.
• Claudio Monteverdi (c. 1567-1643), composer.
• Giuseppe Sarto (1835–1914), appointed Bishop in 1884 before he became Pope Pius X in 1903.
• Alberto Jori, neo-aristotelian philosopher.
• Franca Sozzani, editor-in-chief at Vogue Italia was born here.

See also[link]

• Roman Catholic Diocese of Mantova
• Tazio Nuvolari "The flying Mantuan" World famous racing Driver. There is a museum dedicated to his exploits.

Notes[link]

External links[link]

Wikimedia Commons has media related to: Mantua

• Official website
• Palazzo Te (in Italian)
• Palazzo Ducale (in Italian)
• A Mantova To know and to see Mantua
• Mantua tourist guide Mantua tourist guide
• Tourist guide in Mantua A native guide from Mantua

v t e World Heritage Sites in Italy North West Crespi d'Adda Genoa Mantua and Sabbioneta Portovenere Cinque Terre (Monterosso al Mare Vernazza Corniglia Manarola Riomaggiore), Palmaria Tino and Tinetto Residences of the Royal House of Savoy Rhaetian Railway in the Albula / Bernina Landscapes1 Rock Drawings in Valcamonica Sacri Monti of Piedmont and Lombardy Santa Maria delle Grazie, Milan Monte San Giorgio North East Aquileia Botanical Garden, Padua Cathedral Torre Civica and Piazza Grande, Modena The Dolomites Ferrara Ravenna Venice Verona Vicenza and Palladian Villas of the Veneto Centre Assisi Cerveteri and Tarquinia Florence Hadrian's Villa Piazza del Duomo, Pisa Pienza Rome2 San Gimignano Siena Urbino Val d'Orcia Villa d'Este South Alberobello Amalfi Coast Castel del Monte Cilento and Vallo di Diano National Park Paestum and Velia Certosa di Padula Naples Palace of Caserta Aqueduct of Vanvitelli and San Leucio Complex Pompeii Herculaneum and Torre Annunziata Sassi of Matera Islands Aeolian Islands Archaeological Area of Agrigento Barumini nuraghes Syracuse and Necropolis of Pantalica Val di Noto (Caltagirone Militello in Val di Catania Catania Modica Noto Palazzolo Acreide Ragusa Scicli) Villa Romana del Casale Nationwide Longobards in Italy, Places of Power (568-774 A.D.) Prehistoric pile dwellings around the Alps3 1 Shared with Switzerland 2 Shared with the Holy See 3 Shared with Austria, France, Germany, Slovenia, and Switzerland

Luciano Pavarotti performing at the opening of the Constantine Palace in Strelna, 31 May 2003. The concert was part of the celebrations for the 300th anniversary of St. Petersburg.

Luciano Pavarotti, Cavaliere di Gran Croce OMRI (12 October 1935 – 6 September 2007) was an Italian operatic tenor, who also crossed over into popular music, eventually becoming one of the most commercially successful tenors of all time. He made numerous recordings of complete operas and individual arias, and established himself as one of the finest tenors of the 20th century.^[1] He was one of The Three Tenors and became well known for his televised concerts and media appearances. Pavarotti was also noted for his charity work on behalf of refugees and the Red Cross, amongst others.

Pavarotti began his professional career as a tenor in 1961 in Italy. That same year, he made his first international appearance in La traviata in Belgrade, Yugoslavia.^[2] He sang in opera houses in addition to Italy, in the Netherlands, Vienna, London, Ankara, Budapest and Barcelona. The young tenor earned valuable experience and recognition while touring Australia at the invitation of soprano Joan Sutherland in 1965. He made his United States debut in Miami soon afterwards, also on Sutherland's recommendation. His position as a leading lyric tenor was consolidated in the years between 1966 and 1972, during which time he first appeared at Milan's La Scala and other major European houses. In 1968, he debuted at New York City's Metropolitan Opera as Rodolfo in Puccini's La bohème. At the Met in 1972, in the role of Tonio in Donizetti's La fille du régiment he earned the title "King of the high Cs" when he sang the aria "Ah mes amis ... pour mon âme". He gained worldwide fame for the brilliance and beauty of his tone, especially into the upper register.^[3] He was at his best in bel canto operas, pre-Aida Verdi roles and Puccini works such as La bohème, Tosca and Madama Butterfly. The late 1970s and 1980s saw Pavarotti continue to make significant appearances in the world's foremost opera houses.

Celebrity beyond the world of opera came to Pavarotti at the 1990 World Cup in Italy with performances of Puccini's "Nessun dorma", sample (help·info) from Turandot, and as one of The Three Tenors in their famed first concert held on the eve of the tournament's final match. He sang on that occasion with fellow star tenors Plácido Domingo and José Carreras, bringing opera highlights to a wider audience. Appearances in advertisements and with pop icons in concerts furthered his international celebrity.

His final performance in an opera was at the Metropolitan Opera in March 2004. Later that year, the National Italian American Foundation (NIAF) inducted him into its Italian American Hall of Fame in recognition of his lifetime of work. During a ceremony held at the Foundation's Anniversary Gala just four days after his 69th birthday, singer Faith Hill presented Pavarotti with a birthday cake and sang "Happy Birthday" to the opera legend.

The 2006 Winter Olympics in Turin, Italy, saw Pavarotti on stage for the last time, where he performed "Nessun dorma", with the crowd serving as the aria's chorus, and he received a thunderous standing ovation.^[4]

He died from pancreatic cancer on 6 September 2007.

Earlier life and musical training[link]

Luciano Pavarotti was born in 1935 on the outskirts of Modena in Northern Italy, the son of Fernando Pavarotti, a baker and amateur tenor, and Adele Venturi, a cigar factory worker.^[5] Although he spoke fondly of his childhood, the family had little money; its four members were crowded into a two-room apartment. According to Pavarotti, his father had a fine tenor voice but rejected the possibility of a singing career because of nervousness. World War II forced the family out of the city in 1943. For the following year they rented a single room from a farmer in the neighbouring countryside, where the young Pavarotti developed an interest in farming.

After abandoning the dream of becoming a football goalkeeper, Pavarotti spent seven years in vocal training. Pavarotti's earliest musical influences were his father's recordings, most of them featuring the popular tenors of the day - Beniamino Gigli, Giovanni Martinelli, Tito Schipa and Enrico Caruso. Pavarotti's favourite tenor and idol was Giuseppe Di Stefano.^[6] He was also deeply influenced by Mario Lanza, saying, "In my teens I used to go to Mario Lanza movies and then come home and imitate him in the mirror".^[7] At around the age of nine he began singing with his father in a small local church choir.

After what appears to have been a normal childhood with a typical interest in sports — in Pavarotti's case football above all, he graduated from the Scuola Magistrale and faced the dilemma of a career choice. He was interested in pursuing a career as a professional football goalkeeper, but his mother convinced him to train as a teacher. He subsequently taught in an elementary school for two years but finally allowed his interest in music to win out. Recognising the risk involved, his father gave his consent only reluctantly.

Pavarotti began the serious study of music in 1954 at the age of 19 with Arrigo Pola, a respected teacher and professional tenor in Modena who offered to teach him without remuneration. Not until he began these studies was Pavarotti aware that he had perfect pitch.^{[citation needed]}

In 1955, he experienced his first singing success when he was a member of the Corale Rossini, a male voice choir from Modena that also included his father, which won first prize at the International Eisteddfod in Llangollen, Wales. He later said that this was the most important experience of his life, and that it inspired him to become a professional singer.^[8] At about this time Pavarotti first met Adua Veroni. They married in 1961.

When his teacher Arrigo Pola moved to Japan, Pavarotti became a student of Ettore Campogalliani, who at that time was also teaching Pavarotti's childhood friend, Mirella Freni, whose mother worked with Luciano's mother in the cigar factory. Like Pavarotti, Freni was destined to operatic greatness; they were to share the stage many times and make memorable recordings together.

During his years of musical study, Pavarotti held part time jobs in order to sustain himself – first as an elementary school teacher and then as an insurance salesman. The first six years of study resulted in only a few recitals, all in small towns and without pay. When a nodule developed on his vocal cords, causing a "disastrous" concert in Ferrara, he decided to give up singing. Pavarotti attributed his immediate improvement to the psychological release connected with this decision. Whatever the reason, the nodule not only disappeared but, as he related in his autobiography, "Everything I had learned came together with my natural voice to make the sound I had been struggling so hard to achieve".

Career[link]

1960s–1970s[link]

Pavarotti began his career as a tenor in smaller regional Italian opera houses, making his debut as Rodolfo in La Bohème at the Teatro Municipale in Reggio Emilia in April 1961.

Very early in his career, on 23 February 1963, he debuted at the Vienna State Opera with the same role. In March and April 1963 Vienna saw Pavarotti again as Rodolfo and as Duca di Mantova in Rigoletto. The same year saw his Royal Opera House debut, where he replaced an indisposed Giuseppe di Stefano as Rodolfo.^[9]

While generally successful, Pavarotti's early roles did not immediately propel him into the stardom that he would later enjoy. An early coup involved his connection with Joan Sutherland (and her conductor husband, Richard Bonynge), who in 1963 had sought a young tenor taller than herself to take along on her tour to Australia.^[10] With his commanding physical presence, Pavarotti proved ideal.^[11] The two sang some forty performances over two months, and Pavarotti later credited Sutherland for the breathing technique that would sustain him over his career.^[12]

Pavarotti made his American début with the Greater Miami Opera in February 1965, singing in Donizetti's Lucia di Lammermoor opposite Joan Sutherland on the stage of the Miami-Dade County Auditorium in Miami. The tenor scheduled to perform that night became ill with no understudy. As Sutherland was traveling with him on tour, she recommended the young Pavarotti as he was well acquainted with the role.

Shortly after, on 28 April, Pavarotti made his La Scala debut in the revival of the famous Franco Zeffirelli production of La Bohème, with his childhood friend Mirella Freni singing Mimi and Herbert von Karajan conducting. Karajan had requested the singer's engagement. After an extended Australian tour, he returned to La Scala, where he added Tebaldo from I Capuleti e i Montecchi to his repertoire on 26 March 1966, with Giacomo Aragall as Romeo. His first appearance as Tonio in Donizetti's La Fille du Régiment took place at the Royal Opera House, Covent Garden, on 2 June of that year. It was his performances of this role that would earn him the title of "King of the High Cs".

He scored another major triumph in Rome on 20 November 1969 when he sang in I Lombardi opposite Renata Scotto. This was recorded on a private label and widely distributed, as were various recordings of his I Capuleti e i Montecchi, usually with Aragall. Early commercial recordings included a recital of Donizetti (the aria from Don Sebastiano were particularly highly regarded) and Verdi arias, as well as a complete L'Elisir d'Amore with Sutherland.

His major breakthrough in the United States came on 17 February 1972, in a production of La Fille du Régiment at New York's Metropolitan Opera, in which he drove the crowd into a frenzy with his nine effortless high Cs in the signature aria. He achieved a record seventeen curtain calls.

Pavarotti sang his international recital début at William Jewell College in Liberty, Missouri, on 1 February 1973, as part of the college's Fine Arts Program, now known as the Harriman-Jewell Series. Perspiring due to nerves and a lingering cold, the tenor clutched a handkerchief throughout the début. The prop became a signature part of his solo performances.

He began to give frequent television performances, starting with his performances as Rodolfo (La Bohème) in the first Live from the Met telecast in March 1977, which attracted one of the largest audiences ever for a televised opera. He won many Grammy awards and platinum and gold discs for his performances. In addition to the previously listed titles, his La Favorita with Fiorenza Cossotto and his I Puritani (1975) with Sutherland stand out.

In 1976, Pavarotti debuted at the Salzburg Festival, appearing in a solo recital on 31 July, accompanied by pianist Leone Magiera. Pavarotti returned to the festival in 1978 with a recital and as the Italian singer in Der Rosenkavalier in 1983 with Idomeneo, and both in 1985 and 1988 with solo recitals.

In 1979, he was profiled in a cover story in the weekly magazine Time.^[13] That same year saw Pavarotti's return to the Vienna State Opera after an absence of fourteen years. With Herbert von Karajan conducting, Pavarotti sang Manrico in Il Trovatore. In 1978, he appeared in a solo recital on Live from Lincoln Center.

1980s–1990s[link]

At the beginning of the 1980s, he set up The Pavarotti International Voice Competition for young singers, performing with the winners in 1982 in excerpts of La Bohème and L'Elisir d'Amore. The second competition, in 1986, staged excerpts of La Bohème and Un Ballo in Maschera. To celebrate the 25th anniversary of his career, he brought the winners of the competition to Italy for gala performances of La Bohème in Modena and Genoa, and then to China where they staged performances of La Bohème in Beijing (Peking). To conclude the visit, Pavarotti performed the first ever concert in the Great Hall of the People before 10,000 people, receiving a standing ovation for nine effortless high Cs. The third competition in 1989 again staged performances of L'Elisir d'Amore and Un ballo in Maschera. The winners of the fifth competition accompanied Pavarotti in performances in Philadelphia in 1997.

In the mid-1980s, Pavarotti returned to two opera houses that had provided him with important breakthroughs, the Vienna State Opera and La Scala. Vienna saw Pavarotti as Rodolfo in La Bohème with Carlos Kleiber conducting and again Mirella Freni was Mimi; as Nemorino in L'Elisir d'Amore; as Radames in Aïda conducted by Lorin Maazel; as Rodolfo in Luisa Miller; and as Gustavo in Un Ballo in Maschera conducted by Claudio Abbado. In 1996, Pavarotti appeared for the last time at the Staatsoper in Andrea Chenier.

In 1985, Pavarotti sang Radames at La Scala opposite Maria Chiara in a Luca Ronconi production conducted by Maazel, recorded on video. His performance of the aria "Celeste Aïda" received a two-minute ovation on the opening night. He was reunited with Mirella Freni for the San Francisco Opera production of La Bohème in 1988, also recorded on video. In 1992, La Scala saw Pavarotti in a new Zeffirelli production of Don Carlo, conducted by Riccardo Muti. Pavarotti's performance was heavily criticized by some observers and booed by parts of the audience.

Pavarotti became even better known throughout the world in 1990 when his rendition of Giacomo Puccini's aria, "Nessun Dorma" from Turandot was taken as the theme song of BBC's TV coverage of the 1990 FIFA World Cup in Italy. The aria achieved pop status and remained his trademark song. This was followed by the hugely successful Three Tenors concert, held on the eve of the World Cup final at the ancient Baths of Caracalla in Rome with fellow tenors Plácido Domingo and José Carreras and conductor Zubin Mehta, which became the biggest selling classical record of all time. A highlight of the concert, in which Pavarotti hammed up a famous portion of di Capua's "O Sole Mio" and was mimicked by Domingo and Carreras to the delight of the audience, became one of the most memorable moments in contemporary operatic history. Throughout the 1990s, Pavarotti appeared in many well-attended outdoor concerts, including his televised concert in London's Hyde Park, which drew a record attendance of 150,000. In June 1993, more than 500,000 listeners gathered for his free performance on the Great Lawn of New York's Central Park, while millions more around the world watched on television. The following September, in the shadow of the Eiffel Tower in Paris, he sang for an estimated crowd of 300,000. Following on from the original 1990 concert, the Three Tenors concerts were held during the Football World Cups: in Los Angeles in 1994, in Paris in 1998, and in Yokohama in 2002.

In 1995, Pavarotti's friends, the singer Lara Saint Paul (as Lara Cariaggi) and her husband showman Pier Quinto Cariaggi, who had produced and organised Pavarotti's 1990 FIFA World Cup Celebration Concert at the PalaTrussardi in Milan,^[14] produced and wrote the television documentary The Best is Yet to Come, an extensive biography about the life of Pavarotti.^[15] Lara Saint Paul was the interviewer for the documentary with Pavarotti, who spoke candidly about his life and career.^[16]

Pavarotti's rise to stardom was not without occasional difficulties, however. He earned a reputation as "The King of Cancellations" by frequently backing out of performances, and his unreliable nature led to poor relationships with some opera houses. This was brought into focus in 1989 when Ardis Krainik of the Lyric Opera of Chicago severed the house's 15-year relationship with the tenor.^[17] Over an eight-year period, Pavarotti had cancelled 26 out of 41 scheduled appearances at the Lyric, and the decisive move by Krainik to ban him for life was well-noted throughout the opera world, after the performer walked away from a season premiere less than two weeks before rehearsals began, saying pain from a sciatic nerve required two months of treatment.

On 12 December 1998, he became the first (and, to date, only) opera singer to perform on Saturday Night Live, singing alongside Vanessa L. Williams. He also sang with U2, in the band's 1995 song "Miss Sarajevo", and with Mercedes Sosa in a big concert at the Boca Juniors arena La Bombonera in Buenos Aires, Argentina, in 1999.

In 1998, Pavarotti was presented with the Grammy Legend Award. Given only on special occasions, as of 2007 it has been awarded only 15 times since its first presentation in 1990.

2000s[link]

Luciano Pavarotti performing on 15 June 2002 at a concert in the Stade Vélodrome in Marseille

In 2004, one of Pavarotti's former managers, Herbert Breslin, published a book, The King & I.^[17] Seen by many as bitter and sensationalistic, it is critical of the singer's acting (in opera), his inability to read music well and learn parts, and of his personal conduct, although acknowledging their mutual success. In an interview in 2005 with Jeremy Paxman on the BBC, Pavarotti rejected the allegation that he could not read music, although he acknowledged he did not read orchestral scores.

He received an enormous number of awards and honours, including Kennedy Center Honors in 2001. He also holds two Guinness World Records: one for receiving the most curtain calls (165)^[18] and another for the best-selling classical album (In Concert by The Three Tenors). (The latter record is thus shared by fellow tenors Plácido Domingo and José Carreras.)

In late 2003, he released his final compilation - and his first and only "crossover" album, Ti Adoro. Most of the 13 songs were written and produced by the Michele Centonze who had already helped produce the "Pavarotti & Friends" concerts between 1998 and 2000.^[19] The tenor described the album as a wedding gift to Nicoletta Mantovani.

Pavarotti began his farewell tour in 2004, at the age of 69, performing one last time in old and new locations, after more than four decades on the stage. Pavarotti gave his last performance in an opera at the New York Metropolitan Opera on 13 March 2004, for which he received a long standing ovation for his role as the painter Mario Cavaradossi in Giacomo Puccini's Tosca. On 1 December 2004, he announced a 40-city farewell tour. Pavarotti and his manager, Terri Robson, commissioned impresario Harvey Goldsmith to produce the Worldwide Farewell Tour. His last full-scale performance was at the end of a two-month Australasian tour in Taiwan, in December 2005.

In March 2005, Pavarotti underwent neck surgery to repair two vertebrae. In early 2006, he underwent further back surgery and contracted an infection while in the hospital in New York, forcing cancellation of concerts in the U.S., Canada and the UK.^[20]

On 10 February 2006, Pavarotti sang "Nessun Dorma" at the 2006 Winter Olympics opening ceremony in Turin, Italy, at his final performance. In the last act of the opening ceremony, his performance received the longest and loudest ovation of the night from the international crowd. Leone Magiera, who directed the performance, revealed in his 2008 memoirs, Pavarotti Visto da Vicino, that the performance was prerecorded weeks earlier.^[21] "The orchestra pretended to play for the audience, I pretended to conduct and Luciano pretended to sing. The effect was wonderful," he wrote. Pavarotti's manager, Terri Robson, said that the tenor had turned the Winter Olympic Committee's invitation down several times because it would have been impossible to sing late at night in the sub-zero conditions of Turin in February. The committee eventually persuaded him to take part by pre-recording the song.

Other work[link]

Film and television[link]

Pavarotti's one venture into film, a romantic comedy called Yes, Giorgio (1982), was roundly panned by the critics. He can be seen to better advantage in Jean-Pierre Ponnelle's adaptation of Rigoletto for television, released that same year, or in his more than 20 live opera performances taped for television between 1978 and 1994, most of them with the Metropolitan Opera, and most available on DVD.

Humanitarianism[link]

Pavarotti annually hosted the "Pavarotti and Friends" charity concerts in his home town of Modena in Italy, joining with singers from all parts of the music industry, including Andrea Bocelli, Jon Bon Jovi, Bryan Adams, Bono, James Brown, Mariah Carey, Eric Clapton, Sheryl Crow, Céline Dion, Elton John, Deep Purple, Meat Loaf, Queen, George Michael, Sting and the Spice Girls, to raise money for several UN causes. Concerts were held for War Child, and victims of war and civil unrest in Bosnia, Guatemala, Kosovo and Iraq. After the war in Bosnia, he financed and established the Pavarotti Music Centre in the southern city of Mostar to offer Bosnia's artists the opportunity to develop their skills. For these contributions, the city of Sarajevo named him an honorary citizen in 2006.^[22]

He performed at benefit concerts to raise money for victims of tragedies such as the Spitak earthquake that killed 25,000 people in northern Armenia in December 1988,^[23] and sang Gounod's Ave Maria with legendary French pop music star and ethnic Armenian Charles Aznavour.

He was a close friend of Diana, Princess of Wales. They raised money for the elimination of land mines worldwide. He was invited to sing at her funeral service, but declined to sing, as he felt he could not sing well "with his grief in his throat". Nonetheless, he attended the service.

In 1998, he was appointed the United Nations Messenger of Peace, using his fame to raise awareness of UN issues, including the Millennium Development Goals, HIV/AIDS, child rights, urban slums and poverty.^[24]

In 1999, Pavarotti performed a charity benefit concert in Beirut, to mark Lebanon's reemergence on the world stage after a brutal 15 year civil war. The largest concert held in Beirut since the end of the war, it was attended by 20,000 people who travelled from countries as distant as Saudi Arabia and Bulgaria.^[25]

In 2001, Pavarotti received the Nansen Medal from the UN High Commission for Refugees for his efforts raising money on behalf of refugees worldwide. Through benefit concerts and volunteer work, he has raised more than any other individual.^[26]

Other honours he received include the "Freedom of London Award" and The Red Cross "Award for Services to Humanity", for his work in raising money for that organization, and the 1998 "MusiCares Person of the Year", given to humanitarian heroes by the National Academy of Recording Arts and Sciences.^[27][28]

He was a National Patron of Delta Omicron, an international professional music fraternity.^[29]

Death[link]

Wikinews has related news: Opera singer Luciano Pavarotti dies at age 71

While undertaking an international "farewell tour," Pavarotti was diagnosed with pancreatic cancer in July 2006. The tenor fought back against the implications of this diagnosis, undergoing major abdominal surgery and making plans for the resumption and conclusion of his singing commitments.^[30] He died at his home in Modena on 6 September 2007. Within hours of his death, his manager, Terri Robson, noted in an e-mail statement, "The Maestro fought a long, tough battle against the pancreatic cancer which eventually took his life. In fitting with the approach that characterized his life and work, he remained positive until finally succumbing to the last stages of his illness".^[31][32][33]

Pavarotti's funeral was held in Modena Cathedral. Romano Prodi and Kofi Annan attended.^[34] The Frecce Tricolori, the aerobatic demonstration team of the Italian Air Force, flew overhead, leaving green-white-red smoke trails. After a funeral procession through the centre of Modena, Pavarotti's coffin was taken the final ten kilometres to Montale Rangone, a village part of Castelnuovo Rangone, and was buried near his parents' grave. The funeral, in its entirety, was also telecast live on CNN. The Vienna State Opera and the Salzburg Festival Hall flew black flags in mourning.^[35] Tributes were published by many opera houses, such as London's Royal Opera House.^[36] The Italian football giant Juventus F.C., of which Pavarotti was a lifelong fan, was represented at the funeral and posted a farewell message on its website which said: "Ciao Luciano, black-and-white heart" referring to the team's famous stripes when they play on their home ground.

Personal life[link]

On 13 December 2003, he married his former personal assistant, Nicoletta Mantovani (born 1969), with whom he already had a daughter, Alice. A second child, Riccardo, did not survive, because of complications at the time of birth in January 2003. Pavarotti is also survived by three other daughters by his first wife Adua, to whom he was married for 34 years: Lorenza, Cristina, and Giuliana. At the time of his death, he had one granddaughter.

Settlement of estate[link]

His first will was opened the day after his death and a second will, within the same month of September.^[37] He left an estate outside his native Modena, a villa in Pesaro, a flat in Monte Carlo, and three flats in New York City.^[38]

Pavarotti's widow's lawyers Giorgio Bernini, Anna Maria Bernini, and manager Terri Robson announced on 30 June 2008 that his family amicably settled his estate – 300 million euros ($ 474.2 million, including $15 million in U.S. assets). Pavarotti drafted two wills before his death: one divided his assets by Italian law, giving half to his second wife, Nicoletta Mantovani, and half to his four daughters; the second gave his U.S. holdings to Mantovani. The judge confirmed the compromise by the end of July 2008. However, a Pesaro public prosecutor, Massimo di Patria, investigated allegations that Pavarotti was not of sound mind when he signed the will.^[39][40][41] Pavarotti's estate has been settled "fairly", a lawyer for Pavarotti's widow, Nicoletta Mantovani, said in statements after reports of a dispute between Ms. Mantovani and his three daughters from his first marriage.^[42]

See also[link]

• Best selling music artists

Notes and references[link]

External links[link]

Wikiquote has a collection of quotations related to: Luciano Pavarotti

Wikimedia Commons has media related to: Luciano Pavarotti

• Official website
• Luciano Pavarotti at the Internet Movie Database
• Discography (Capon's Lists of Opera Recordings)
• Luciano Pavarotti discography at MusicBrainz
• The Times obituary
• Review of The King and I at theage.com.au
• The Pavarotti Story Decca Records
• Pavarotti Video Biography by National Italian American Foundation NIAF
• History of the Tenor - Sound Clips and Narration
• Funeral Mass of Luciano Pavarotti

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (February 2011)

Posthumous painting of Andreas Hofer

The house of Hofer in St. Leonhard where he was born and lived

Andreas Hofer (November 22, 1767 – February 20, 1810) was a Tirolean innkeeper and patriot. He was the leader of a rebellion against Napoleon's forces.

He was an innkeeper turned politician who fought for Austria against the French during the War of the Third Coalition. In 1809, he became the leader of a rebellion against Franco-Bavarian forces that sparked the War of the Fifth Coalition. He was subsequently captured and executed.

Early life[link]

Andreas Hofer was born 1767 in St. Leonhard in Passeier, County of Tyrol. His father was an innkeeper of the Sandhof inn and Andreas followed in his footsteps when he inherited the establishment. He also traded wine and horses in northern Italy and learned the language. He married Anna Ladurner. In 1791 he was elected into the Tyrolean Landtag. In dialectical German he was known as a "wirt" (innkeeper) and thus ever after "The Sandwirt."

In the war of the Third Coalition against the French he became a sharpshooter and later a militia captain. When Tyrol was transferred from Austria to Bavaria (France's ally) in the Treaty of Pressburg in 1805, Hofer became a leader of the anti-Bavarian movement. In January 1809, he was part of a delegation to Vienna to ask Emperor Francis II of Austria for support for a possible uprising. The Emperor gave his assurances and the delegation returned home.

Hofer begun to secretly organize insurrection, visiting villagers and holding councils of war in local inns. Reputedly he was so much on the move that he signed his messages "Andreas Hofer, from where I am" and letters to him were addressed to "wherever he may be". At the same time other leaders organized their own forces elsewhere in the Alps. Hofer became a leader of a militia contingent in Passeier Valley.

Armed rebellion begins[link]

The Tyrolean rebellion began on April 9, 1809. The previous night organizers dumped sacks of sawdust into the River Inn as a sign to start the rebellion. When the sawdust floated through Innsbruck and to the Inntal, it alerted the rebels. Village bells summoned men to fight with muskets and farmyard implements. They soon overran smaller Bavarian garrisons and surprised a column of French infantry that was passing through the area.

On April 11 Tyrolean militia defeated a Bavarian force in Sterzing which led to the occupation of Innsbruck before noon. When the French and Bavarians counterattacked the next night, the Tyroleans fought them in the city until the Tyroleans won on the morning of the 13th. Hofer and his allies advanced south, taking Bozen and Trent.

Hopes of a successful rebellion waned when Napoleon defeated the Austrian forces of Archduke Charles of Austria. Austrian troops withdrew from Tyrol and Hofer pulled back to the mountains. The Bavarians reoccupied Innsbruck on May 19, but when Napoleon's troops left, the rebellion flared again.

Hofer takes command[link]

Painting depicting Hofer and his troops liberating his people from foreign occupation

Hofer became the effective commander-in-chief of the Tyrolean rebels, with the support of other leaders like Josef Speckbacher and Father Joachim Haspinger. He commanded a force of Tyroleans approximately 20,000 strong, together with a couple of hundred Austrian soldiers who had joined them after the retreat of the Austrian army.

In the first and second Battles of Bergisel on May 25 and May 29 Hofer's troops again defeated the Bavarians and drove them out of the country. Hofer's troops retook Innsbruck on May 30.

On May 29 Hofer received a letter from Emperor Francis in which he promised not to sign any peace treaty that would include giving up Tyrol. An Austrian intendant came to rule Tyrol and Hofer returned to his home.

Napoleon defeated Austrian troops in the Battle of Wagram on July 6. On July 12 the Armistice of Znaim ceded Tyrol to Bavaria again. Napoleon sent 40,000 French and Bavarian troops to take over Tyrol and they reoccupied Innsbruck.

After little hesitation, Hofer joined battle again. The French offered a reward for his head. On August 13-14, his Tyroleans defeated the French troops of Marshal François Joseph Lefebvre, in the third of the Battles of Bergisel, in a 12-hour battle after a downhill charge. The Tyroleans retook Innsbruck.

Hofer declared himself Imperial Commandant of the Tyrol in the absence of the ruler and for two months ruled the land from Hofburg in the name of the Emperor of Austria. He announced new laws and taxes and minted his own coins. He also sent two men to Britain to ask for assistance. On September 29 he received a medal from the emperor and another promise that Austria would not abandon Tyrol.

Hofer's hopes were dashed on October 14 when the Treaty of Schönbrunn again ceded Tyrol to Bavaria. French and Bavarian troops advanced and Hofer retreated to the mountains. Promised amnesty, Hofer and his followers laid down their weapons November 8. Hofer retreated to his home valley.

Final attempt and capture[link]

On November 12, Hofer received false reports of Austrian victories and tried to summon his troops on November 15. This time he had little following and French troops defeated his forces. His subordinate commanders surrendered and asked him to escape over the mountains.

Hofer hid in a hut in the mountains in the Passeiertal and the French announced a reward of 1500 guilders for his head. His neighbor Franz Raffl betrayed him and revealed his hiding place to the authorities; Hofer was captured by Italian troops on January 19, 1810. He was sent to Mantua in chains to face a court martial. Raffl died impoverished in Bavaria 20 years later.

Hofer's execution in Mantua

Court martial and execution[link]

Officers holding the court martial disagreed on the exact sentence until they received a message from Milan. It was supposedly from the Viceroy, transmitting Napoleon's order to "give him a fair trial and then shoot him." Later Napoleon claimed to Prince Metternich that Hofer was executed against his wishes.

Andreas Hofer was executed by a firing squad on February 20, 1810. He refused a blindfold and gave money to a corporal in charge, telling him to "shoot straight". Hofer became a martyr in Germany and Austria and a rallying point against the power of Napoleon.

Legacy and monuments[link]

Andreas Hofer monument at Bergisel near Innsbruck

In 1818, his family was given a patent of nobility by the emperor of Austria. In 1823, Hofer's remains were moved from Mantua to Innsbruck, and in 1834, his tomb was decorated with a marble statue. In 1893, a bronze statue of Hofer was erected in Bergisel (Innsbruck). There is a large painting depicting his arrest which hangs in the Palace of Maria Theresa in Innsbruck. There is an annual open-air play in Meran based on his life.

The song Zu Mantua in Banden (today the anthem of the State of Tyrol) tells the story of his tragic fate and execution.

Literature[link]

• Andreas Hofer an historical novel by Luise Mühlbach, 1871

Sources[link]

• Tom Pocock - Stopping Napoleon (2004)

External links[link]

Wikisource has the text of a 1921 Collier's Encyclopedia article about Andreas Hofer.

Media related to Andreas Hofer at Wikimedia Commons

• "Andreas Hofer". AEIOU Encyclopedia of Austria. 2009. http://aeiou.iicm.tugraz.at/aeiou.encyclop.h/h715463.htm;internal&action=_setlanguage.action?LANGUAGE=en. Retrieved 2009-02-21. 
• "Andreas Hofer 1767 - 1810". documentation with photos concerning Andreas Hofer, mainly in German language, some parts in English at sagen.at. http://www.sagen.at/doku/Andreas_Hofer/Andreas_Hofer.html. 
• "Andreas Hofer Biography (German) by". EPOCHE NAPOLEON. http://www.epoche-napoleon.net/bio/hofer.html. Retrieved 2010-10-11. 
• "Family tree Andreas Hofer and other Hofer families". Documented with coats of arms, unknown persons, pictures; in Dutch and English. http://www.hofer.nl/. Retrieved 2011-01-15. 

Miguel Fleta

Miguel Burró Fleta (1 December or 28 December 1897, Albalate de Cinca, Huesca Province, Spain - 28 May or 30 May 1938, A Coruña) was a Spanish operatic tenor.

Despite his short stage career, lasting from 1919 to 1935, Fleta has been described as one of the most significant Iberian opera singers of the 20th century. Among the important international venues at which he sang were La Scala, Milan, (in 1923-26) and the New York Metropolitan Opera (in 1923-25). Additionally, in 1926, he had the honour of creating the role of Calaf in Puccini's posthumously-premiered final opera, Turandot, at the insistence of La Scala's principal conductor, Arturo Toscanini. But this taxing dramatic role took him to the limit of his resources and he did not attempt it again.

Fleta made his operatic debut in Trieste in 1919, having previously studied voice at the Madrid conservatory. Successful engagements in Rome followed, leading to his La Scala and Met debuts. He quit the Met in acrimonious circumstances, however, and the resultant legal action stopped him performing again in the United States.

He was celebrated during his best years for the finesse with which he used his rich, flexible voice. The most notable aspect of his performance style was the nimbleness of his bel canto technique. This enabled him to produce spectacular messa di voce and pianissimo effects. Unfortunately, Fleta's singing became increasingly self-indulgent as his career progressed. By the late 1920s, as recordings show, his voice had deteriorated badly, with his vibrato loosening to an undesirable extent.

Fleta died in straitened circumstances in 1938. He nonetheless left a legacy of sometimes fascinating records, many of which are available on CD reissues.

References[link]

• The Concise Oxford Dictionary of Opera (second edition), edited by Harold Rosenthal and John Warrack, Oxford University Press, London, 1980.
• The Record of Singing, Volume Two, by Michael Scott, Duckworth, London, 1979.

External links[link]

• History of the Tenor - Sound Clips and Narration

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Nicole Krauss
Nicole Krauss at the Miami Book Fair International 2011
Born	(1974-08-18) August 18, 1974 (age 37) Manhattan, New York City, United States
Occupation	Novelist
Nationality	American
Notable work(s)	Man Walks Into a Room (2002) The History of Love (2005) Great House (2010)
Notable award(s)	Anisfield-Wolf Book Awards 2011 William Saroyan International Prize for Writing 2008 Prix du Meilleur Livre Etranger (France) 2006 Los Angeles Times Book Prize Book of the Year 2002 'Man Walks Into a Room' Edward Lewis Wallant Award 2005
Spouse(s)	Jonathan Safran Foer (June 2004–present)
Children	Two children
nicolekrauss.com

Nicole Krauss (born August 18, 1974)^[1] is an American author best known for her novels Man Walks Into a Room (2002), The History of Love (2005) and, most recently, Great House (2010). Her fiction has been published in The New Yorker, Harper's, Esquire, and Granta's Best American Novelists Under 40, and has been collected in Best American Short Stories 2003 and Best American Short Stories 2008. Her novels have been translated into 35 languages.^[2] In 2010, she was selected as one of The New Yorker's "20 Under 40" writers to watch.^[1]

Early life[link]

Krauss, who grew up on Long Island,^[3][4] was born in Manhattan, New York City^[1] to an English mother and an American father who grew up partly in Israel.^[5] Krauss's maternal grandparents were born in Germany and Ukraine and later emigrated to London. Her paternal grandparents were born in Hungary and Slonim, Belarus, met in Israel, and later emigrated to New York.^[6] Many of these places are central to Krauss's 2005 novel, The History of Love, and the book is dedicated to her grandparents.

Krauss, who started writing when she was a teenager,^[7][8] wrote and published mainly poetry^[8][9] until she began her first novel in 2001.